Breton
View allAll Photos Tagged Relatable
Let's all think back on what brought us here
This is my grasp on what is real
Don't tell me how I feel
With all that's passed I can't relate
With myself from day to day
why does everything seem so far away
to me
There's no turning back from here
I've got to get away from everyone who's left
Everyone who's left
I'll tell the saddest story
Of how we made it through this past year
(Past year, past year...)
I'll tell the saddest story
Of how we made it through this past year
(Past year, past year...)
They said we'd walk away
You'll never make it if you can't speak for yourself
they said we'd fade away
We've all been down this path before
You're trapped in this town
And it wears you down
When we leave today then maybe you'll understand
This constant struggle isn't always in the palm of my hand
Head: Genus Head Strong Face W001
Hair: Stealthic - Mayhem
Cardigan: Blueberry - Can't Relate - Cardigans
Pants: Addams // Piper Leather Pants //
Shoes: :::FurtaCor:::Spookizilla2020 ::Sneakers
maps.secondlife.com/secondlife/Cosa%20Nostra/237/121/24
[Official Video] Carol of the Bells - Pentatonix
It's Beginning to Look a Lot Like Christmas (Official Audio)
Can relate this picture with life. Outside people shows happiness,smiling faces but inside it’s empty...
The National Museum of Scotland, Edinburgh, Scotland, was formed in 2006 with the merger of the new Museum of Scotland, with collections relating to Scottish antiquities, culture and history, and the adjacent Royal Museum (so renamed in 1995), with collections covering science and technology, natural history, and world cultures. The two connected buildings stand beside each other on Chambers Street, by the intersection with the George IV Bridge, in central Edinburgh. The museum is part of National Museums Scotland. Admission is free.
Hair: Doux - Tislianna
Outfit: Blueberry - Can't Relate (full outfit)
Photo taken at Friendship Gardens.
maps.secondlife.com/secondlife/Strugatsky/36/236/53
Oh, why can't I be what you need?
A new improved version of me
But I'm nothing so good, no, I'm nothing...
Just bones, a lonely ghost burning down songs
Of violence, of love, and of sorrow
I beg for just one more tomorrow!
Where you hold me down, fold me in
Deep deep deep in the heart of your sins
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
Here I'm pinned between darkness and light
Bleached and blinded by these nights
Where I'm tossing and tortured till dawn
By you, visions of you, then you're gone
The shock bleeds the red from my face
When I hear someone's taken my place
How could love be so thoughtless, so cruel?
When all, all that I did was for you...
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two and each piece of me dies
And only you can give the breath of life!
But you don't see me, you don't
I'd break in two over you
I'd break in two over you
Over you
I'd break in two
I would break in two for you
Now you see me
Now you don't
Now you need me
Now you don't
I wanted to work with this donut in the snow one more time, but from a different angle. This has the forest across Trout Lake in the background with the reflections touching the frosted area instead of the snow.
As well, the rock and log within the donut are much more prominent making them more crucial to the success of the photo. And finally, although it is a winter shot, there is warmth to be found in the colors of the forest such as the subtle reds.
•Outfit: Blueberry - Can't Relate Set
•Jewellery Set: Fortuna - Elsa
•Candy: [: Kawaii Couture :] Dream Bar RARE (Gacha)
@ Gachaland
•Falling Sakuras: kisetsu - Seasons Particle Emitter - Sakura White (Gacha) @ Gachaland
•Skin and Eyes: MILA Chelcie Skin
•Head: GENUS Project - Classic Face
•Hair: DOUX - Lisa
The Caldwell County jail was built in 1908-1909. Designed by architect T. S. Hodges, this castellated brick structure served as the county's jail until 1982. Hodges is also known for the Dr. Eugene Clark Library in Lockhart shown previously in this short series.
The jailer's quarters occupy the ground floor, over a storage area in the basement. The upper floor contain fifteen cells of concrete and steel, with one cell rising from the center of the building. Gallows are said to have been removed from this jail in the 1930s.
Now a museum, the jail also hosts exhibits relating to the history of Caldwell County and the State of Texas. The former jail is not a Texas Historic Landmark.
Lockhart is the seat of Caldwell County, and is located 30 miles (48 km) south of Austin. The estimated population of Lockhart in 2019 was 14,133. Known as the Barbecue Capital of Texas, Lockhart also has played host to many film sets. The 1996 Christopher Guest comedy film Waiting for Guffman and the 1993 drama What's Eating Gilbert Grape were filmed partially in Lockhart, including the historic courthouse and the town square.
Managed a quick trip to the beach in order to see if California is OPEN yet. Most coastal access remains closed, with all parking areas blocked.
But I found this Guy racing around a rest stop, and managed to get a shot before he raced off.
For a generation of viewers, the familiar “beep, beep” of Warner Brothers’ cartoon Roadrunner was the background sound of Saturday mornings.
(Although commonly quoted as "meep meep", Warner Brothers, the current owner of all trademarks relating to the duo, lists "beep, beep" as the Road Runner's sound, along with "meep, meep." )
Despite the cartoon character’s perennial victories over Wile E. Coyote, real-life coyotes present a real danger to Roadrunners; Coyotes can reach a top speed of 43 miles an hour—more than twice as fast as roadrunners.
Roadrunner can outrace a human, kill a rattlesnake, and thrive in the harsh landscapes of the Desert Southwest. Roadrunners reach two feet from sturdy bill to white tail tip, with a bushy blue-black crest and mottled plumage that blends well with dusty shrubs. As they run, they hold their lean frames nearly parallel to the ground and rudder with their long tails.
Roadrunners have evolved a range of adaptations to deal with the extremes of desert living. Like seabirds, they secrete a solution of highly concentrated salt through a gland just in front of each eye, which uses less water than excreting it via their kidneys and urinary tract. Moisture-rich prey including mammals and reptiles supply them otherwise-scarce water in their diet. Both chicks and adults flutter the un-feathered area beneath the chin (gular fluttering) to dissipate heat.
Roadrunners eat poisonous prey, including venomous lizards and scorpions, with no ill effect, although they’re careful to swallow horned lizards head-first with the horns pointed away from vital organs. Roadrunners can also kill and eat rattlesnakes, often in tandem with another roadrunner: as one distracts the snake by jumping and flapping, the other sneaks up and pins its head, then bashes the snake against a rock. If it’s is too long to swallow all at once, a roadrunner will walk around with a length of snake still protruding from its bill, swallowing it a little at a time as the snake digests.
Based on banding records, the oldest roadrunner was at least 7 years old.
- The Cornell Lab of Ornithology
(600 mm, 1/2000 @ f/9.0, ISO 1000)
This piece of national architecture of 19th Century relates to south of Polavshchyna and that as of nowadays has disappeared. It was built in 70th of 19th Century.
The house from Revasivka village has never been reconstructed since it had been built. Its window frames were re-made in the mid-50th of 20th Century. The walls are decorated with clay of different color; inside there is a carved cupboard, painted trunk and national pictures in interior.
The house from Revazivka village was discovered in 1976 by an architect Lukianchuk V.D. and restored in the Museum in 1977-1978.
Few words about Revazivka village, as it were never mentioned in modern sources. In the middle of 19th Century, this village was called Novakivka and belonged to Ploshchanska volost of Poltava povit in Poltava hubernia.
It was a village of a proprietor, with 179 souls in 18 yards. Officially, Revazivka is called sloboda. There were 219 inhabitants in 44 homesteads.
Nowadays, the village of Revazivka has joined to Grekopavlivka village. It now relates to Stovbynska village council in Novosanzharskyi district of Poltavska Region.
The house is of two rooms (a home, a mudroom), of combined structure. A two-room house could be met only in poor villages belonging to proprietors. A three-room house was more traditional for Poltava area.
The house is built on piles. Above the windows, piles are covered with shingles. A longitudinal ceiling beam and upper parts of piles have tips on sidewall adjacent to the stove, so forming reasonable overlap of the roof. A lumber lay on tips to support auxiliary beams of the roof. Ceiling comprises ceiling beam and slyzhni. The slyzhni are surfaced by caber, and then covered with clay.
The four-slope roof of the house is low, supported by rafters and covered with cane sheaves, as there were a lot of cane in the waterlog river valley near Revazivka.
Combines, log and framework structure of a national dwelling on south Poltavshchyna was typical of this region, poor in building wood.
Especially interesting was filling of this house’s framework walls: there were twiggen with mullein. This grass grew high near Revazivka, and had strong stems. The local say: “Even shipworms never eat mullein”.
This is a house of two rooms (a home and a mudroom) with framework and log walls. Under the windows, walls are framework: horizontal hlytsi are nailed to vertical piles, with osier between them. Above the windows, planks of three parts are fixed to piles. A longitudinal ceiling beam is fixed thereto and two transverse ones (one in the home, another – in the mudroom). The longitudinal beam and tops of planks have overlaps on sidewall, adjacent to the stove, so forming reasonable overlap of the roof. Inside and outside, the house is clayed and whitewashed, except for back wall, only clayed. The house stays now on concrete basement.
Area – 53.92 square meters (5.15 x 10.47).
Хата з с. Ревазівка, Новосанжарського р-ну, Полтавської обл.
Пам′ятка традиційного народного будівництва XIX століття в південній Полтавщині, яких на даний момент в регіоні не існує. Побудована в 70 – ті роки ХІХ століття.
Хата з с. Ревазівка від її існування не перебудовувалася. У середині 50-х років ХХ століття перероблені віконні рами. Підводка стін кольоровими глинами, різьблений мисник, мальована скриня, народний живопис в інтер’єрі.
Хата с. Ревазівка виявлена в 1976 році архітектором Лук′янчуком В.Д. і реставрована в Музеї у 1977 – 1978 роках.
Коротко про село Ревазівку, оскільки в сучасних джерелах воно не згадується. Поселення Ревазівка в середині XIX століття називалося Новаківка і належало до Площанської волості Полтавського повіту Полтавської губернії.
Було воно поміщицьким селом і проживало там 179 душ у 18 дворах. Старожили розповідають, що Ревазівкою володів пан Ревазов. У 1926 році Ревазівка офіційно зветься слободою, з числом мешканців – 219, які проживали у 44 господарствах.
Зараз село Ревазівка з’єднане з селом Грекопавлівкою і належить до Стовбинської сільради Новосанжарського району Полтавської обл..
Хата дводільна /хата, сіни/, комбінованої конструкції. Дводільні хати траплялися тут тільки в бідних поміщицьких селах. Традиційно на Полтавщині було тридільне житло.
Хата збудована на сохах. На сохи, вище вікон покладено ощіп. Подовжній сволок та верхні вівнця ощіпу мають з покутнього причілку випуски, утворюючи значний винос даху. На випуски укладено брус, на який спираються наріжники даху. Основу хатньої стелі утворюють сволок і слижні. По слижнях укладено щільно жердини, а зверху шар м’ятої глини.
Чотирисхилий дах хати невисокий, на кроквах. Покриття з очерету, техніка – «парки». Очерету біля Ревазівки росло багато на заболоченій річковій долині.
Комбінована зрубно – каркасна конструкція народного житла південної Полтавщини була характерною для цього регіону, бідного на будівельний ліс.
Особливо цікавим було заповнення каркасу стін даної хати с. Ревазівка: стіни були заплетені коров’яком. Коров′як поблизу Ревазівки ріс високий, з міцним стеблом. «Коров′яка і шашель не бере».
Дводільне житло (хата, сіни). Стіни каркасно – зрубні. До вікон стіни каркасні: до вертикальних сох прибито горизонтальні глиці, між якими всторч заплетена лоза. На сохи, вище вікон, покладео ощіп з трьох вінців. В ощіп врубано подовжній сволок та два поперечні (один у хаті і один у сінях). Подовжній сволок та верхні вінця ощіпу мають випуски з покутнього причілку, утворюючи значний винос даху. Хата ззовні і всередині обмащена і побілена крім задньої, порудованої стіни. Хата встановлена на бетонний фундамент.
Площа - 53,92 м2 (5.15 х 10.47).
The Swiss Way relates the history of Switzerland surrounded by a scenic landscape. The trail was constructed as a joint project of the cantons on the occasion of the 700th anniversary celebrations of the Confederation (1291-1991). It begins on the Rütli Meadow, where the Confederation was founded, and ends in Brunnen in the Swiss Expatriates Square (Platz der Auslandschweizer).
that relate to my experiences :-)
Alan Siegel
HMM! Climate Change Matters! Resist the Ignorant Orange Clown and his Cabinet of Stooges and Buffoons!!
prunus persica, flowering peach, 'Bonfire', j c raulston arboretum, ncsu, raleigh, north carolina
Getting lost in your thoughts, thinking of the possibilities!
~Details~
◈ CandyDoll - Cozy Dress Black
◈ Ichigo* - Love Tag Glasses
◈ Blueberry - Sammy Boots
◈ Blueberry - Can't Relate - Stockings
◈ Lamb - Lark - Dark Blonde
◈ .:villena:. - Fishnet
◈ .:E.A:.Studio - Necklaces VooDoo
◈ {Sakura} Allure Collar - Babygirl
◈ BackBone - Patio Sofa - Adult - Dark
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
Top: Frank Sweater - Addams
Shorts: Can't Relate - Blueberry
Socks: Launa - friday
Hair: Intrepid - Stealthic
It relates to 18th Century. As of the time of transfer to the museum, the house was the oldest in the village and belonged to Oros family. The house has two premises: house and mudroom. It is one of the most ancient types of house planning in Zakarpattia. Walls of the house are constructed with wide oak cut blocks. Its high four-sloping roof is covered with straw.
This house is the oldest Zakarpattia house in our museum. It displays specific features of national building in valley of Tereblia-river and the middle reaches of Tysa River. The house’s area is 35.4 square meters.
Look at the exterior of the hut:
Характерною ознакою житла лемків (етнографічної групи українського народу), як і бойків, були білий та синій кольори.
Хата із с. Теребля, Тячівського району Закарпатської області
Датується XVIII ст. На час перенесення до музею хата була найстарішою в селі і належала родині Оросів. Хата дводільна: хата, сіни – є одним із давніх варіантів планування житла на Закарпатті. Стіни хати складені з широких дубових колених брусів. Високий чотирисхилий дах вкритий соломою.
Це найстаріша хата Закарпаття в експозиції нашого музею. Вона розкриває особливості народного будівництва у долині ріки Теребля та середньої течії р. Тиси. Площа хати — 35, 4 кв.м.
Hams at the Easter market on Staromestske Namesti in Prague
Something attracted me to this setting. Certain things relate to certain other things. Where's the real pig here?
CODE: KAAP_MG_1837
Indian Customer please,
Email : kartsandphotography@gmail. com
Print Size : A3+ -10,000 INR , A3- 7500 INR & A4 - 6,000 INR
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PS:
Shot @ Subway in Palakkarai , Trichy , Tamil Nadu , India.
Shot in natural light.
I tried to relate the bicycle in the mural / wall art on the left to the bicycle on the right.
Also a boy in the mural looking at the stairs , to the stairs which is on the right.
A photographer is always the second person in the picture. :)
l'abbaye est un ensemble monumental exceptionnel pour son architecture et son histoire relatée depuis ses origines par deux chroniques du XIIIe siècle et du XVIIe siècle. C’est dans la première moitié du XIIe siècle que le chapelain Lambert, aussi appelé « le bienheureux » (l’histoire veut que dans sa jeunesse, il se soit livré à la chasse et tué un dragon qui ravageait le pays) décide de réunir quelques prêtres pour se consacrer à la vie régulière et fonde la première abbaye de style roman. La congrégation ne cesse de s’enrichir et à la fin du XIIe siècle, l’abbé Junius engage la construction d’une seconde abbaye. Les vestiges primitifs ne sont plus visibles aujourd’hui, détruits pour terminer l’implantation de la nouvelle église et des bâtiments conventuels. Deux campagnes de construction se distinguent : la première témoigne de l’héritage roman au niveau des supports, des décors et de sculptures dans le transept, la chapelle et le chœur. La seconde est l’expression du gothique de l’ouest dit « Plantagenêt ». Suite à la guerre de Cent Ans, au XVe siècle, les deux travées occidentales de la nef et la façade furent reconstruites dans le style gothique flamboyant (XVe – XVIe). Vendus comme bien national après la Révolution, les vestiges de l’abbaye sont exploités comme carrière jusqu’à leur classement au titre des Monuments historiques en 1904.
The house relates to the middle 19th Century; its last owner was Kuryk Mykola Vasylovych. The house comprises of three parts – a house, a mudroom and a small house. Its external walls aren’t covered, only strips are painted around its windows and doors. Such strips are specific for houses from Vyzhytskyj and Putylivskyj districts of Chernivtsi Region. Art painting and strips are very distinct decorations for houses of lowland Bukovyna. The house’s joyful interior is created by grapes depicted on the stove, around windows and on pokut (the sacred place of a traditional home). The most widespread patterns in Korytne village are grapes, arrow-wood leaves, hops and crosses on bases.
The house is built of smereka and poplar wood, its area equals to 58.8 square meters.
Хата із села Коритне Вижницького району Чернівецької області
Датується серединою ХІХ ст. Останній власник - Курик Микола Васильович. Складається із трьох частин - хати, сіней і хатчини. Зовні хата не мащена, тільки підведені смуги коло вікон та дверей. Така підводка характерна тільки для хат з Вижницького та Путильського районів Чернівецької області. Характерною декоративною оздобою для хат підгірської Буковини є розпис і підводка. Святковий інтер’єр у великій хаті створює розпис у виноград на печі, коло вікон на покуті. Найбільш поширений розпис у с.Коритному – «виноград», «калиновий лист», «хмелик» та «хрести на постаменті».
Хата з Буковини. Складена вона з кругляка смереки і тополі в прості замки з торцями. До верхів зрубу торці подовжуються і переходять ніби в кронштейни. Дах чотирисхилий, покритий соломою.
Площа споруди – 58,8 кв.м.
As a freelancer I can relate to this image, the struggle to make living using antiquated equipment, the long hours and stressful delays.
I made the image in taxi on the way back from a meeting with a potential client on the banks of the Cairo Nile, we were stuck in the mother of all traffic jams, the driver was tired and stressed, I was, for once content as I had eaten fish and concluded what I thought was a successful meeting. Now I look back, the real success was this image, which is one of my favourites.
.
Check out my website for more of my work;
Trying to relate this quote (Prime Minister Boris Johnson on 7/7/22) to the prediction that up to 10 million UK citizens will be pushed into poverty over the coming winter. The position is a quite uncomfortable one. Fuji X-Pro1.
HMAM 😊 😊 😍
“Don't Just
Don't just learn, experience.
Don't just read, absorb.
Don't just change, transform.
Don't just relate, advocate.
Don't just promise, prove.
Don't just criticize, encourage.
Don't just think, ponder.
Don't just take, give.
Don't just see, feel.
Don’t just dream, do.
Don't just hear, listen.
Don't just talk, act.
Don't just tell, show.
Don't just exist, live.”
― Roy T. Bennett, The Light in the Heart
Never judge someone without knowing the whole story. You may think you understand, but you don't.
Anon
Children will listen to you
after they feel listened to.
Jane Nelsen
Live your truth. Express your love. Share your enthusiasm. Take action towards your dreams. Walk your talk. Dance and sing to your music. Embrace your blessings. Make today worth remembering.
Steve Maraboli, Unapologetically You: Reflections on Life and the Human Experience
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
Excerpt from www.thetreemuseum.ca/pages/history.php:
The Tree Museum was established in 1997 and is a site set on the pre Cambrian shield amidst the cottage county-side of Muskoka. It is located on Ryde Lake near the town of Gravenhurst, Ontario. The site is undeveloped and includes both waterfront and forest. For the participating artists, this opportunity represents a rare occasion to realize major outdoor artworks in an uncultivated environment.
1998-2019, artists, both National and International, have created unique projects relating to the site of the Tree Museum. These works engage the complex reality of the relationship between man and nature; adoration, reliance, and exploitation. Collectively, the projects explore concepts of identity, memory and territory in respect to nature and natural processes, while underscoring the imbalance that characterizes our current relationship to the environment.
We are also cognisant of our responsibility as conservators of the land where the work is created. Eighty percent of the pathways are temporary and as the work disappears, or is removed, so too is all evidence of its presence. Some of the works are permanent and others are of a transitory nature, with the elements and nature determining their life span. We tread very lightly on the land.
...::: NIve - Till you say i go :::...
Till you say i go
Say whatever’s on your mind
I’ll never let your heart just sink
Drown in colors that aren’t blue
And say, whatever makes you cry
I’ll never let your tears make a river
I’ll just linger by your side
When the night just feels too long
When the night just feels so cold
I will stay, wait a million years
I will stay, till you say I go
Dance under these shining stars
I’ll sing you a song, a lullaby
Gently whisper in your ears
And come let me guide you home
Wandering love just hold my hand
I will walk with you till the end
When the night just feels too long
I’ll stay till you say I go
Relatable Post #205
"I don't think I could ever stab someone. I mean, let's be honest. I can barely get the straw through the Cool Fun Juice Pouch!"
Blog: aurora0skye.blogspot.com/2019/07/relatable-post.html
Featured Item:
NEW Junk Food - Cool Fun Juice Pouch!
New for the summer round of SaNaRaE maps.secondlife.com/secondlife/Spring%20Morning/159/135/51
For more items from The Junk Food Store
Store: maps.secondlife.com/secondlife/Nymphai/31/189/21
Marketplace: marketplace.secondlife.com/stores/150026
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Credits :
Blueberry - Can't Relate - Boots Flat & High Heels @ Main Store
Blueberry - Can't Relate - Fishnet Stockings @ Main Store
Blueberry - Can't Relate - Shorts & Belts @ Main Store
Blueberry - Can't Relate - Tops Alone @ Main Store
Blueberry - Can't Relate - Wrap Around Cardigan @ Main Store
{Limerence} Janis hair with Earmuffs RARE @ The Gacha Garden
{anc} little garden / garden wall 26Li RARE
{anc} little garden / ribbon cage chair 6Li (beige)
{anc} antique fence (2) {shabby white} 1Li
Taken at Ippos Colletive
Love SL photography and looking for like minded artists or places to shoot? Come visit the Ippos Collective: 4 Picturesque SIMS to visit and/or settle. Come for the magic....stay for the friends. <3
Conventional photography by definition relates to the surface of things. This is because it is a visual record of light reflected from the surface of things. There are, of course, other forms of photography connected to forms of radiation other than visible light (x-rays e.g.). But in general, our photos show surfaces, not what is underneath. You would need to be told that underneath, just where the silhouette of the WWI soldier stands, the River Ver is crossing the road - in a pipe and still very small. From there, it flows via Redbourn to St. Albans, the Roman city which in antiquity was called Verulamium. And here comes the thing: our minds are not satisfied with surfaces only. Even if surfaces are all we have got visually, we still try to extract "meaning" from the image, that is, we go underneath or "behind" the image. We are built like that. We human beings are extremely good at making associations. We are creators of meaning. Most of us, I guess, would have no problems with connecting the soldier's silhouette with the large lorry to the right and tell a story. It is just not true that we believe only those things we can see. Our world of imagination is more like a dancer using the surface as a playground. Leica M Mono, Voigtlander CS 2.2/50.
don't relate to you
I don't relate to you, no
'Cause I'd never treat me this shitty
You made me hate this city
And I don't talk shit about you on the internet
Never told anyone anything bad
'Cause that shit's embarrassing, you were my everything
And all that you did was make me fucking sad
So don't waste the time I don't have
And don't try to make me feel bad
I could talk about every time that you showed up on time
But I'd have an empty line 'cause you never did
Never paid any mind to my mother or friends
So I shut 'em all out for you 'cause I was a kid
In japan, new terms start in April, and also cherry blossom season
Yeah ! … Peoples new life begins with Spring … :))
Credit
Head : LeLUTKA / Lilly Head 2.5
Body : Maitreya / Lara V5.1
Ears : Swallow / Rox Ears
Tattoo : My own
Hair : LeLUTKA / Elle hair - Blonde Fades ROOTS
Sunglasses : :: DS :: / Watson Glasses
Ring : Yummy / Sweetheart RIngs
Magazine : MOVEMENT- Magazine and Tea / MVT-Fashion news first
Coffee : ..::THOR::.. / coffee To Go
Phone : VA / VISTA VPHONE X-V1
Jumper & Shirts & Tie : cheezu. / somi top : summer (@ The FIfty event)
Skirts :Blueberry / - Blessed - Pleated Skirts - Fat Pack
Stocking : Blueberry / - Can't Relate - Stockings & Boots - Fat Pack
#secondlife #sl #secondlifeblogger #slblogger #secondlifefashion #slfashion #secondlifefashionblog #secondlifephotography #secondlifeavatar #secondlifestyle
sagittal - Relating to or denoting the suture on top of the skull which runs between the parietal bones in a front to back direction.
🌵Violetility in collaboration with Violation, the Cactus Chair is a relatable mood (Go Sit on a Cactus) accented with neon. Includes solo and duo Bento animations, static photography poses, and a neon color change HUD to change the cactus neon.
🌵Violetility - Mothman Slippers- Keep cozy with a cryptid companion! The fuzzy and unisex Mothman Slippers are rigged for a variety of bodies with an unrigged version included and a texture change HUD. Rigged for eBody REBORN, Legacy Feminine and Masculine, Maitreya Lara and LaraX, Signature Gianni, Belleza Jake, and Anatomy.
#violetility #secondlife #secondlifedecor #sldecor
Backdrop-
☀️Scafall - Djerva Terrace Villa, inspired by the Mediterranean. 10% off in store with group tag! Enjoy the sun on the rooftop terrace, then escape to the well-insulated shade of the ground floor studio. It has surrounding pavement to seamlessly integrate it into landscaping.
Scafall MarketplaceScafall Main Store Flickr: www.flickr.com/photos/scafall/Facebook: www.facebook.com/scafall/
#Scafall #sldecor #slhomeandgarden
#secondlifedecor
Additional Items Displayed
Reborn Body and Avalon evo x head
Shirt- Riot
Shorts- epoch
Truth- lyrical hair
The story relates that Bishop Aubert (Saint-Aubert) of the city of Avranches, founded a shrine in 708 at Mont-Tombe (former name of Mont Saint-Michel), after three apparitions of the archangel Saint Michael (Saint-Michel in French) . Consecrated in 709, the church has since never ceased to attract visitors and pilgrims from all over the world. The architecture of Mont Saint Michel and its bay make it the most frequented tourist site in Normandy and the second most frequented in France after Paris
1
: of, relating to, or suitable for the country : RURAL
rustic rolling farmland
2
a
: made of the rough limbs of trees
rustic furniture
b
: finished by rusticating
a rustic joint in masonry
3
a
: characteristic of or resembling country people
b
: lacking in social graces or polish
4
: appropriate to the country (as in plainness or sturdiness)
heavy rustic boots
Excerpt from www.thetreemuseum.ca/pages/history.php:
The Tree Museum was established in 1997 and is a site set on the pre Cambrian shield amidst the cottage county-side of Muskoka. It is located on Ryde Lake near the town of Gravenhurst, Ontario. The site is undeveloped and includes both waterfront and forest. For the participating artists, this opportunity represents a rare occasion to realize major outdoor artworks in an uncultivated environment.
1998-2019, artists, both National and International, have created unique projects relating to the site of the Tree Museum. These works engage the complex reality of the relationship between man and nature; adoration, reliance, and exploitation. Collectively, the projects explore concepts of identity, memory and territory in respect to nature and natural processes, while underscoring the imbalance that characterizes our current relationship to the environment.
We are also cognisant of our responsibility as conservators of the land where the work is created. Eighty percent of the pathways are temporary and as the work disappears, or is removed, so too is all evidence of its presence. Some of the works are permanent and others are of a transitory nature, with the elements and nature determining their life span. We tread very lightly on the land.
[polski opis niżej]
The title relates to the previous photo. The event from which this picture comes, was the first one organized by Pomeranian Railfans Society with the old Ganz-MÁVAG's SN61-183. The journey took one day and covered some used and unused railway lines in North-Western Poland. Here, the diesel motor car in Złocieniec, before depart to Grotniki Drawskie. October 28, 2000.
Złocieniec is a knot point station built in 1877 and originally named Falkenburg, with the suffix (Pommern) added later. It used to have a steam locomotive depot for three locomotives to serve the two railway lines 210 (Chojnice - Runowo Pomorskie) and 410 (Grotniki Drawskie - Choszczno), which meet here, with the latter originally running from Grzmiąca, 61 kilometers further.
Photo by Jarek / Chester
Tytuł nawiązuje do poprzedniego zdjęcia. To natomiast pochodzi z pierwszej imprezy zorganizowanej przez Pomorskie Towarzystwo Miłośników Kolei Żelaznych z udziałem szczecińskiego SN61-183 (ex-189). Jako że to była pierwsza impreza, potrwała "tylko" jeden dzień i obejmowała linie w woj. zachodniopomorskim. Na fotce "ganz" w Złocieńcu, przed odjazdem do Grotnik Drawskich. 29 października 2000 r.
Fot. Jarek / Chester