The artist name is Rick Lowe. This 2021 mural sized painting relates to dominoes. The Whitney page explains that here.

Copy and Paste:

Rick Lowe, who uses playing dominoes as the basis for his paintings, has talked about the symbolic qualities of the game as scenarios for community engagement. Lowe began by photographing and later tracing the patterns made by domino games, using them as a model for a form of abstraction grounded in lived experience. He finds playing dominos to be “an incredibly spiritual and educational experience. There’s a code of ethics around the way the game is played; rigorous competition, humility, and respect.”

Lowe’s early career was focused on painting until his work shifted into social practice. This work’s title frames the question that helped instigate this pivot. A teenager had asked him: if artists are creative, why can’t they create solutions? With this question in mind, he co-founded Project Row Houses in 1993, transforming condemned houses in Houston’s Third Ward into spaces for artists’ projects, educational programs, and social services. Returning to painting, Lowe has explained, provides “nourishment” and a space for reflection, complementing his activism.

It is one of those large scale works of art that you can look at for a long time.

the myth retelling Typhon's murder and dismemberment of his brother Osiris.. For alchemists, the myth of Isis and Osiris was a myth of the alchemical process. One of this myths relates him vanquishing Typhon, the dragon of ignorance ...

Set (Seth, Setekh, Sut, Sutekh, Suty) was one of ancient Egypt’s earliest gods, a god of chaos, confusion, storms, wind, the desert and foreign lands. In the Osiris legends, he was a contender to the throne of Osiris and rival to Horus, but a companion to the sun god Ra. Originally worshiped and seen as an ambivalent being, during the Third Intermediate Period the people vilified him and turned him into a god of evil.

Depicted as a man with the head of a ‘Sut animal’ (or a ‘Typhonian animal’ because of the Greek identification with Typhon), or as a full ‘Set animal’ the god is unrecognizable as any one particular animal today. He was also identified with other animals, such as the hippopotamus, the pig and the donkey, which were often abhorred by the Egyptians. These animals were sacred to him. Set’s followers took the form of these animals, as well as crocodiles, scorpions, turtles and other ‘evil’ or dangerous creatures. Some fish were sacred to Set, too – the Nile carp, the Oxyrynchus or the Phagrus fish – because they were thought to have eaten the phallus of Osiris after Set chopped him to pieces.

The ‘Set animal’ has long, squared ears and a long, down-turned snout, a canine-like body with an erect forked tail. He may have been a composite animal that was part aardvark (the aardvark that the ancient Egyptians would have seen was the nocturnal Orycteropus aethiopicus which was between 1.2-1.8 meters long and almost 1 meter tall, and was generally a reddish color because of the thin hair, allowing the skin to show through), part canine (perhaps the salawa, a desert dwelling creature) or even a camel or an okapi. The sign for his name, from the Middle Kingdom hieratic onwards, tended to replace the sign for ‘donkey’ and ‘giraffe’, so he was possibly linked to the giraffe, as well.

He was also believed to have white skin and red hair, with the Egyptians comparing his hair to the pelt of a donkey. Due to his association with red, red animals and even people with red hair were thought to be his followers. These animals were sometimes sacrificed, while the link between Set and red-heads – usually foreigners – gave him godhood over foreign lands. With the relationship to foreign peoples, Set was also a god of overseas trade of oils, wood and metals from over the sea and through desert routes. He was given lordship over western Asia because of this.

As Set was a god of the desert and probably symbolized the destructive heat of the afternoon sun, and thus was thought to be infertile. The hieroglyph for Set was used in words such as ‘turmoil’, ‘confusion’, ‘illness’, ‘storm’ and ‘rage’. Strange events such as eclipses, thunderstorms and earthquakes were all attributed to him.

Horus has seized Set, he has put him beneath you so that he can lift you up. He will groan beneath you as an earthquake…

– Pyramid Texts, Spell 356

He was also thought to have rather odd sexual habits, another reason why the Egyptian believed that abnormalities were linked to Set. In a land where fatherhood makes the man, Set’s lack of children, related to the tale where Horus tore off his testicles (while Set tore out Horus’ eye) would have been one reason why he was looked down on. His favorite – some say only – food was the lettuce (which secreted a white, milky substance that the Egyptians linked to semen and was sacred to the fertility god Min), but even with this aphrodisiac, he was still thought to have been infertile.His bisexuality (he was married and given concubines to appease him, yet he also assaulted Horus sexually starting with the come-on line “How lovely your backside is!”) and his pursuit of Isis were reasons why Set could never have been a ruler of Egypt instead of Osiris, despite originally being a lord of Upper Egypt.When Set saw Isis there, he transformed himself into a bull to be able to pursue her, but she made herself unrecognizable by taking the form of a bitch with a knife on her tail. Then she began to run away from him and Set was unable to catch up with her. Then he ejaculated on the ground, and she said, “It’s disgusting to have ejaculated, you bull!” But his sperm grew in the desert and became the plants called bedded-kau.

– Jumilhac PapyrusIn the Old and Middle Kingdoms there are depictions of these two gods together either leading the prisoners of the pharaoh or binding the plants of Upper and Lower Egypt together (as does the twin Hapi gods) to symbolize the union of Upper and Lower Egypt. He was regarded as an equal to the hawk god. This was Horus the Elder, a god of the day sky while Set was seen as a god of the night sky. When these two gods were linked, the two were said to be Horus-Set, a man with two heads – one of the hawk of Horus, the other of the Set animal.“Homage to thee, O divine Ladder! Homage to thee O Ladder of Set! Stand thou upright, O divine Ladder! Stand thou upright, O Ladder of Set! Stand thou upright, O Ladder of Horus, whereby Osiris came forth into heaven.”

– Pyramid Texts, Pepi I

In the Pyramid Texts he was believed to be a friend to the dead, and he helped Osiris ascend to heaven on a ladder. On one of Seti I’s reliefs, it shows Set and Horus offering the symbol of life to the pharaoh, with Set saying “I establish the crown upon thy head, even like the Disk on the head of Amen-Ra, and I will give thee all life, strength and health.” Thothmose III had a scene showing Set teaching him the use of the bow, while Horus taught him yet another weapon.

As for his role as a friend of the dead, it was believed that “Horus purifies and Set strengthens, and Set purifies and Horus strengthens” the deceased while the backbone of the deceased becomes the backbone of Set and Set has “joined together my neck and my back strongly, and they are even as they were in the time that is past; may nothing happen to break them apart.”Ramesses II, as did his father Seti I, both had red hair and so aligned themselves with the god of chaos. Both were famous warrior pharaohs, using Set’s violent nature to help with their war efforts. In Ramesses II’s campaign against the Hittites, he split his army into four divisions and named them after four gods. One was for Amen, one for Ra, one for Ptah and one for Set. But it was the pharaoh himself who won the battle:Thereupon the forces of the Foe from Khatti surrounded the followers of his majesty who were by his side. When his majesty caught sight of them he rose quickly, enraged at them like his father Mont. Taking up weapons and donning his armor he was like Set in the moment of his power. He mounted ‘Victory-in-Thebes,’ his great horse, and started out quickly alone by himself. His majesty was mighty, his heart stout. one could not stand before him.All his ground was ablaze with fire; he burned all the countries with his blast. His eyes were savage as he beheld them; his power flared like fire against them. He heeded not the foreign multitude; he regarded them as chaff. His majesty charged into the force of the Foe from Khatti and the many countries with him. His majesty was like Seth, great-of-strength, like Sekhmet in the moment of her rage. His majesty slew the entire force of the Foe from Khatti, together with his great chiefs and all his brothers, as well as all the chiefs of all the countries that had come with him, their infantry and their charioteers falling on their faces one upon the other. His majesty slaughtered them in their places; they sprawled before his horses; and his majesty was alone, none other with him.It is likely that the cult of Horus overtook the cult of Set in ancient times, and started to remove his positive sides to give the god Horus more status. The two gods, Horus the Elder and Horus the son of Osiris and Isis were confused, so Set changed from being an equal to his brother, Horus the Elder, to the enemy of Isis’s son. It was only after the Hyksos took Set as their main god, after the Egyptians god rid of the foreigners, he stopped symbolizing Lower Egypt and his name was erased and his statues destroyed.

Set has been worshiped since predynastic times. The first representation of Set that has been found was on a carved ivory comb, an Amratian artifact. He was also shown on the Scorpion macehead. He was worshiped and placated through Egyptian history until the Third Intermediate Period where he was seen as an evil and undesirable force. From this time on, some of his statues were re-carved to become the statues of other gods, and it was said that he had actually been defeated by the god Horus.In the original tale of the fight between Set and Horus, the Egyptians believed that the two would continue their battle until the end of time itself, when chaos overran ma’at and the waters of Nun would swallow up the world. It was only when Set was vilified that this changed, and the Egyptians began to believe that Horus won the battle, defeating Set as a version of good triumphing over evil.

In the tale of Osiris, Set was the third of the five children of Nut, thought to have been born in the Nubt (Naqada) area. Instead of being born in the normal manner, as his siblings were born, he tore himself violently from his mother’s womb.

You whom the pregnant goddess brought forth when you clove the night in twain -You are invested with the form of Set, who broke out in violence.Jealous of his older brother Osiris – either because of the birth of his sister-wife’s son, Anubis, or because of Osiris’ rulership of Egypt – Set made a plan to murder his childless brother and take the throne. He made a great feast, supposedly in honor of Osiris, and with 72 accomplices ready, he tricked Osiris into laying down in a coffer – whoever fitted into the richly ornamented chest would win it – and considering that he’d measured it to fit his brother exactly, Osiris fit perfectly… and Set’s accomplices nailed down the lid and threw it into the Nile.When Isis found out about this, she went on a search through the world to find her husband. Bringing him back, Set happened on the coffer, and tore it open and cut up his brother’s corpse, spreading body parts through the land of Egypt. Isis and Set’s wife Nephthys (who had left him to join her sister) went on a quest to restore Osiris. They succeeded enough so that Isis conceived Osiris’ son and eventually bore the child Horus in the Delta region where he grew up.

By this time Horus had reached manhood … Horus thereupon did battle with Set, the victory falling now to one, now to the other … Horus and Set, it is said, still do battle with one another, yet victory has fallen to neither.Yet Set was thought to be a follower of Ra. It was he who defended the Solar Barque each night as it traveled through the underworld, the only Egyptian deity who could kill the serpent Apep – Ra’s most dangerous enemy – each night as it threatened to swallow the Barque.Then Set, the strong one, the son of Nut, said “As for me, I am Set, the strongest of the Divine Company. Every day I slay the enemy of Ra when I stand at the helm of the Barque of Millions of Years, which no other god dare do.”Even here, though, Set was thought to be a braggart, taunting Ra and threatening that if he wasn’t treated well, that he would bring storms and thunder against the sun god. At this point in The Book of the Dead, Ra drives Set away from the Barque for his insolence, and proceeds on course without the god of storms.Other than Nephthys, Set had other wives/concubines. He was believed to live in the northern sky by the constellation of the Great Bear. To the Egyptians, the north symbolized darkness, cold and death. It was there that his wife Taweret, the hippo goddess of childbirth, was believed to keep him chained. He seemed to have bad luck with women – as with Nephthys, Taweret followed Osiris.At one part in the tale of Set’s argument with Horus over rulership, the company of the gods asked the goddess Neith, rather than Ra – who sided with Set – who should be given the throne of Osiris. Her reply was this:“Give the office of Osiris to his son Horus! Do not go on committing these great wrongs, which are not in place, or I will get angry and the sky will topple to the ground. But also tell the Lord of All, the Bull who lives in Heliopolis, to double Set’s property. Give him Anat and Astarte, your two daughters, and put Horus in the place of his father.”– Myth and Symbol in Ancient Egypt, RT Rundle ClarkSo he was given the two foreign goddesses Anat and Astarte, both war goddesses from the Syria-Palestine area and daughters of Ra. The two were often interchangeable, yet they had their own distinct cults. Anat and Taweret, though they were fertility goddesses, never bore Set any children.Despite his wicked side, Set was still a god of Egypt, and worshiped – and feared – as such. His image changed through time, due to politics, yet he was still a powerful god, the only one who could slay Ra’s worst enemy. To the Egyptians he was the god who ‘ate’ the moon each month – the black boar who swallowed its light – and the god who created earthquakes and heavy, thunderous rain storms. He was a friend of the dead, helping them to ascend to heaven on his ladder, and the crowner of pharaohs and leader of warriors.Despite his bad reputation, he was still a divine being – an equal of Horus, no less – who could be invoked by his followers or warded off by those who were afraid of him. Yet without chaos and confusion there would be no order; without the heavy, thunderous storms there would be no good weather; without the desert and foreign lands there would be no Egypt. Set was a counterbalance to the ‘good’ side of the Egyptian universe, helping to keep everything in balance.

www.crystalwind.ca/mystical-magical/pantheons-and-myths/e...

Typhon (/ˈtaɪfɒn, -fən/; Greek: Τυφῶν, Tuphōn [typʰɔ̂ːn]), also Typhoeus (/taɪˈfiːəs/; Τυφωεύς, Tuphōeus), Typhaon (Τυφάων, Tuphaōn) or Typhos (Τυφώς, Tuphōs), was a monstrous giant and the most deadly being of Greek mythology. Typhon was the last son of Gaia, and was fathered by Tartarus. Typhon and his mate Echidna were the progenitors of many famous monsters.Typhon was the son of Gaia (Earth) and Tartarus: "when Zeus had driven the Titans from heaven, huge Earth bore her youngest child Typhoeus of the love of Tartarus, by the aid of golden Aphrodite".[1] The mythographer Apollodorus (1st or 2nd century AD) adds that Gaia bore Typhon in anger at the gods for their destruction of her offspring the Giants.Numerous other sources mention Typhon as being the offspring of Gaia, or simply "earth-born", with no mention of Tartarus.However, according to the Homeric Hymn to Apollo (6th century BC), Typhon was the child of Hera alone. Hera, angry at Zeus for having given birth to Athena by himself, prayed to Gaia to give her a son as strong as Zeus, then slapped the ground and became pregnant. Hera gave the infant Typhon to the serpent Python to raise, and Typhon grew up to become a great bane to mortals.

Depiction by Wenceslas Hollar

Several sources locate Typhon's birth and dwelling place in Cilicia, and in particular the region in the vicinity of the ancient Cilician coastal city of Corycus (modern Kızkalesi, Turkey). The poet Pindar (c. 470 BC) calls Typhon '"Cilician",and says that Typhon was born in Cilicia and nurtured in "the famous Cilician cave",[7] an apparent allusion to the Corycian cave.[8] In Aeschylus' Prometheus Bound, Typhon is called the "dweller of the Cilician caves",[9] and both Apollodorus and the poet Nonnus (4th or 5th century AD) have Typhon born in Cilicia.The b scholia to Iliad 2.783, preserving a possible Orphic tradition, has Typhon born in Cilicia, as the offspring of Cronus. Gaia, angry at the destruction of the Giants, slanders Zeus to Hera. So Hera goes to Zeus' father Cronus (whom Zeus had overthrown) and Cronus gives Hera two eggs smeared with his own semen, telling her to bury them, and that from them would be born one who would overthrow Zeus. Hera, angry at Zeus, buries the eggs in Cilicia "under Arimon", but when Typhon is born, Hera, now reconciled with Zeus, informs him.

According to Hesiod, Typhon was "terrible, outrageous and lawless", and on his shoulders were one hundred snake heads, that emitted fire and every kind of noise:

Strength was with his hands in all that he did and the feet of the strong god were untiring. From his shoulders grew a hundred heads of a snake, a fearful dragon, with dark, flickering tongues, and from under the brows of his eyes in his marvellous heads flashed fire, and fire burned from his heads as he glared. And there were voices in all his dreadful heads which uttered every kind of sound unspeakable; for at one time they made sounds such that the gods understood, but at another, the noise of a bull bellowing aloud in proud ungovernable fury; and at another, the sound of a lion, relentless of heart; and at another, sounds like whelps, wonderful to hear; and again, at another, he would hiss, so that the high mountains re-echoed.The Homeric Hymn to Apollo describes Typhon as "fell" and "cruel", and neither like gods nor men. Three of Pindar's poems have Typhon as hundred-headed (as in Hesiod),while apparently a fourth gives him only fifty heads, but a hundred heads for Typhon became standard. A Chalcidian hydria (c. 540–530 BC), depicts Typhon as a winged humanoid from the waist up, with two snake tails below. Aeschylus calls Typhon "fire-breathing". For Nicander (2nd century BC), Typhon was a monster of enormous strength, and strange appearance, with many heads, hands, and wings, and with huge snake coils coming from his thighs.

Apollodorus describes Typhon as a huge winged monster, whose head "brushed the stars", human in form above the waist, with snake coils below, and fire flashing from his eyes:

In size and strength he surpassed all the offspring of Earth. As far as the thighs he was of human shape and of such prodigious bulk that he out-topped all the mountains, and his head often brushed the stars. One of his hands reached out to the west and the other to the east, and from them projected a hundred dragons' heads. From the thighs downward he had huge coils of vipers, which when drawn out, reached to his very head and emitted a loud hissing. His body was all winged: unkempt hair streamed on the wind from his head and cheeks; and fire flashed from his eyes.

The most elaborate description of Typhon is found in Nonnus's Dionysiaca. Nonnus makes numerous references to Typhon's sepentine nature, giving him a "tangled army of snakes", snaky feet, and hair.According to Nonnus, Typhon was a "poison-spitting viper",whose "every hair belched viper-poison",and Typhon "spat out showers of poison from his throat; the mountain torrents were swollen, as the monster showered fountains from the viperish bristles of his high head",and "the water-snakes of the monster's viperish feet crawl into the caverns underground, spitting poison!".

Following Hesiod and others, Nonnus gives Typhon many heads (though untotaled), but in addition to snake heads,Nonnus also gives Typhon many other animal heads, including leopards, lions, bulls, boars, bears, cattle, wolves, and dogs, which combine to make 'the cries of all wild beasts together',and a "babel of screaming sounds".Nonnus also gives Typhon "legions of arms innumerable", and where Nicander had only said that Typhon had "many" hands, and Ovid had given Typhon a hundred hands, Nonnus gives Typhon two hundred.According to Hesiod's Theogony, Typhon "was joined in love" to Echidna, a monstrous half-woman and half-snake, who bore Typhon "fierce offspring". First, according to Hesiod, there was Orthrus, the two-headed dog who guarded the Cattle of Geryon, second Cerberus,[36] the multiheaded dog who guarded the gates of Hades, and third the Lernaean Hydra,[37] the many-headed serpent who, when one of its heads was cut off, grew two more. The Theogony next mentions an ambiguous "she", which might refer to Echidna, as the mother of the Chimera (a fire-breathing beast that was part lion, part goat, and had a snake-headed tail) with Typhon then being the father.

While mentioning Cerberus and "other monsters" as being the offspring of Echidna and Typhon, the mythographer Acusilaus (6th century BC) adds the Caucasian Eagle that ate the liver of Prometheus,[39] the mythographer Pherecydes of Leros (5th century BC), also names Prometheus' eagle,[40] and adds Ladon (though Pherecydes does not use this name), the dragon that guarded the golden apples in the Garden of the Hesperides (according to Hesiod, the offspring of Ceto and Phorcys).[41] while the lyric poet Lasus of Hermione (6th century BC), adds the Sphinx.Later authors mostly retain these offspring of Typhon by Echidna, while adding others. Apollodorus, in addition to naming as their offspring Orthrus, the Chimera (citing Hesiod as his source) the Caucasian Eagle, Ladon, and the Sphinx, also adds the Nemean lion (no mother is given), and the Crommyonian Sow, killed by the hero Theseus (unmentioned by Hesiod).Hyginus (1st century BC),[44] in his list of offspring of Typhon (all by Echidna), retains from the above: Cerberus, the Chimera, the Sphinx, the Hydra and Ladon, and adds "Gorgon" (by which Hyginus means the mother of Medusa, whereas Hesiod's three Gorgons, of which Medusa was one, were the daughters of Ceto and Phorcys), the Colchian Dragon that guarded the Golden Fleece and Scylla.The Harpies, in Hesiod the daughters of Thaumas and the Oceanid Electra, in one source, are said to be the daughters of Typhon.The sea serpents which attacked the Trojan priest Laocoön, during the Trojan War, were perhaps supposed to be the progeny of Typhon and Echidna.According to Hesiod, the defeated Typhon is the source of destructive storm winds.Battle with Zeus

Typhon challenged Zeus for rule of the cosmos.The earliest mention of Typhon, and his only occurrence in Homer, is a passing reference in the Iliad to Zeus striking the ground around where Typhon lies defeated.Hesiod's Theogony gives us the first account of their battle. According to Hesiod, without the quick action of Zeus, Typhon would have "come to reign over mortals and immortals".In the Theogony Zeus and Typhon meet in cataclysmic conflict:[Zeus] thundered hard and mightily: and the earth around resounded terribly and the wide heaven above, and the sea and Ocean's streams and the nether parts of the earth. Great Olympus reeled beneath the divine feet of the king as he arose and earth groaned thereat. And through the two of them heat took hold on the dark-blue sea, through the thunder and lightning, and through the fire from the monster, and the scorching winds and blazing thunderbolt. The whole earth seethed, and sky and sea: and the long waves raged along the beaches round and about at the rush of the deathless gods: and there arose an endless shaking. Hades trembled where he rules over the dead below, and the Titans under Tartarus who live with Cronos, because of the unending clamor and the fearful strife.Zeus with his thunderbolt easily overcomes Typhon,who is thrown down to earth in a fiery crash:So when Zeus had raised up his might and seized his arms, thunder and lightning and lurid thunderbolt, he leaped from Olympus and struck him, and burned all the marvellous heads of the monster about him. But when Zeus had conquered him and lashed him with strokes, Typhoeus was hurled down, a maimed wreck, so that the huge earth groaned. And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount, when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.Defeated, Typhon is cast into Tartarus by an angry Zeus.Epimenides (7th or 6th century BC) seeminly knew a different version of the story, in which Typhon enters Zeus' palace while Zeus is asleep, but Zeus awakes and kills Typhon with a thunderbolt.[58] Pindar calls Typhon the "enemy of the gods",[59] apparently knew of a tradition which had the gods transform into animals and flee to Egypt, says that Typhon was defeated by Zeus' thunderbolt,has Typhon being held prisoner by Zeus under Etna,and in Tartarus stretched out under ground between Mount Etna and Cumae. However, the historian Herodotus (5th century BC), equating Typhon with the Egyptian god Set, reports that Typhon was supposed to be buried instead under Lake Serbonis in Egypt, near the Egyptian Mount Kasios, (modern Ra Kouroun).According to Pherecydes of Leros, during his battle with Zeus, Typhon first flees to the Caucasus, which begins to burn, then to the volcanic island of Pithecussae (modern Ischia), off the coast of Cumae, where he is buried under the island.Apollonius of Rhodes (3rd century BC), like Pherecydes, presents a multi-stage battle, with Typhon being struck by Zeus' thunderbolt on mount Caucasus, before fleeing to the mountains and plain of Nysa, and ending up, as in Herodotus, buried under Lake Serbonis.Like Pindar, Nicander has all the gods but Zeus and Athena, transform into animal forms and flee to Egypt: Apollo became a hawk, Hermes an ibis, Ares a fish, Artemis a cat, Dionysus a goat, Heracles a fawn, Hephaestus an ox, and Leto a mouse.[The geographer Strabo (c. 20 AD) gives several locations which were associated with the battle. According to Strabo, Typhon was said to have cut the serpentine channel of the Orontes River, which flowed beneath the Syrian Mount Kasios (modern Jebel Aqra), while fleeing from Zeus,[68] and some placed the battle at Catacecaumene ("Burnt Land"),[69] a volcanic plain, on the upper Gediz River, between the ancient kingdoms of Lydia, Mysia and Phrygia, near Mount Tmolus (modern Bozdağ) and Sardis the ancient capital of Lydia.No early source gives any reason for the conflict, but Apollodorus' account[71] seemingly implies that Typhon had been produced by Gaia to avenge the destruction, by Zeus and the other gods, of the Giants, a previous generation of offspring of Gaia. According to Apollodorus "Zeus pelted Typhon at a distance with thunderbolts, and at close quarters struck him down with an adamantine sickle" Wounded, Typhon fled to the Syrian Mount Kasios, where Zeus "grappled" with him. But Typhon, twining his snaky coils around Zeus, was able to wrest away the sickle and cut the sinews from Zeus' hands and feet. Typhon carried the disabled Zeus across the sea to the Corycian cave in Cilicia where he set the she-serpent Delphyne to guard over Zeus and his severed sinews, which Typhon had hidden in a bear skin. But Hermes and Aegipan (possibly another name for Pan)[73] stole the sinews and gave them back to Zeus. His strength restored, Zeus chased Typhon to mount Nysa, where the Moirai tricked Typhon into eating "ephemeral fruits" which weakened him. Typhon then fled to Thrace, where he threw mountains at Zeus, which were turned back on him by Zeus' thunderbolts, and the mountain where Typhon stood, being drenched with Typhon's blood, became known as Mount Haemus (Bloody Mountain). Typhon then fled to Sicily, where Zeus threw Mount Etna on top of Typhon burying him, and so finally defeated him.Oppian (2nd century AD) says that Pan helped Zeus in the battle by tricking Typhon to come out from his lair, and into the open, by the "promise of a banquet of fish", thus enabling Zeus to defeat Typhon with his thunderbolts.The longest and most involved account of the battle appears in Nonnus's Dionysiaca.Zeus hides his thunderbolts in a cave, so that he might seduce the maiden Plouto, and so produce Tantalus. But smoke rising from the thunderbolts, enables Typhon, under the guidance of Gaia, to locate Zeus's weapons, steal them, and hide them in another cave.[76] Immediately Typhon extends "his clambering hands into the upper air" and begins a long and concerted attack upon the heavens.Then "leaving the air" he turns his attack upon the seas. Finally Typhon attempts to wield Zeus' thunderbolts, but they "felt the hands of a novice, and all their manly blaze was unmanned."Now Zeus' sinews had somehow – Nonnus does not say how or when — fallen to the ground during their battle, and Typhon had taken them also. But Zeus devises a plan with Cadmus and Pan to beguile Typhon.Cadmus, desguised as a shepherd, enchants Typhon by playing the panpipes, and Typhon entrusting the thuderbolts to Gaia, sets out to find the source of the music he hears.[82] Finding Cadmus, he challenges him to a contest, offering Cadmus any goddess as wife, excepting Hera whom Typhon has reserved for himself.Cadmus then tells Typhon that, if he liked the "little tune" of his pipes, then he would love the music of his lyre – if only it could be strung with Zeus' sinews. So Typhon retrieves the sinews and gives them to Cadmus, who hides them in another cave, and again begins to play his bewiching pipes, so that "Typhoeus yielded his whole soul to Cadmos for the melody to charm".With Typhon distracted, Zeus takes back his thunderbolts. Cadmus stops playing, and Typhon, released from his spell, rushes back to his cave to discover the thunderbolts gone. Incensed Typhon unleashes devastation upon the world: animals are devoured, (Typhon's many animal heads each eat animals of its own kind), rivers turned to dust, seas made dry land, and the land "laid waist".The day ends with Typhon yet unchallenged, and while the other gods "moved about the cloudless Nile", Zeus waits through the night for the coming dawn.[87] Victory "reproaches" Zeus, urging him to "stand up as champion of your own children!"Dawn comes and Typhon roars out a challenge to Zeus.And a catyclismic battle for "the sceptre and throne of Zeus" is joined. Typhon piles up mountains as battlements and with his "legions of arms innumerable", showers volley after volley of trees and rocks at Zeus, but all are destroyed, or blown aside, or dodged, or thrown back at Typhon. Typhon throws torrents of water at Zeus' thunderbolts to quench them, but Zeus is able to cut off some of Typhon's hands with "frozen volleys of air as by a knife", and hurling thunderbolts is able to burn more of typhon's "endless hands", and cut off some of his "countless heads". Typhon is attacked by the four winds, and "frozen volleys of jagged hailstones." Gaia tries to aid her burnt and frozen son.Finally Typhon falls, and Zeus shouts out a long stream of mocking taunts, telling Typhon that he is to be buried under Sicily's hills, with a cenotaph over him which will read "This is the barrow of Typhoeus, son of Earth, who once lashed the sky with stones, and the fire of heaven burnt him up".

Burial under Etna and Ischia]

Most accounts have the defeated Typhon buried under either Mount Etna in Sicily, or the volcanic island of Ischia, the largest of the Phlegraean Islands off the coast of Naples, with Typhon being the cause of volcanic eruptions and earthquakes.Though Hesiod has Typhon simply cast into Tartarus by Zeus, some have read a reference to Mount Etna in Hesiod's description of Typhon's fall:And flame shot forth from the thunderstricken lord in the dim rugged glens of the mount when he was smitten. A great part of huge earth was scorched by the terrible vapor and melted as tin melts when heated by men's art in channelled crucibles; or as iron, which is hardest of all things, is shortened by glowing fire in mountain glens and melts in the divine earth through the strength of Hephaestus. Even so, then, the earth melted in the glow of the blazing fire.The first certain references to Typhon buried under Etna, as well as being the cause of its eruptions, occur in Pindar:Son of Cronus, you who hold Aetna, the wind-swept weight on terrible hundred-headed Typhon,and: among them is he who lies in dread Tartarus, that enemy of the gods, Typhon with his hundred heads. Once the famous Cilician cave nurtured him, but now the sea-girt cliffs above Cumae, and Sicily too, lie heavy on his shaggy chest. And the pillar of the sky holds him down, snow-covered Aetna, year-round nurse of bitter frost, from whose inmost caves belch forth the purest streams of unapproachable fire. In the daytime her rivers roll out a fiery flood of smoke, while in the darkness of night the crimson flame hurls rocks down to the deep plain of the sea with a crashing roar. That monster shoots up the most terrible jets of fire; it is a marvellous wonder to see, and a marvel even to hear about when men are present. Such a creature is bound beneath the dark and leafy heights of Aetna and beneath the plain, and his bed scratches and goads the whole length of his back stretched out against it.Thus Pindar has Typhon in Tartarus, and buried under not just Etna, but under a vast volcanic region stretching from Sicily to Cumae (in the vicinity of modern Naples), a region which presumably also included Mount Vesuvius, as well as Ischia.Many subsequent accounts mention either Etnaor Ischia. In Prometheus Bound, Typhon is imprisoned underneath Etna, while above him Hephaestus "hammers the molten ore", and in his rage, the "charred" Typhon causes "rivers of fire" to pour forth. Ovid has Typhon buried under all of Sicily, with his left and right hands under Pelorus and Pachynus, his feet under Lilybaeus, and his head under Etna; where he "vomits flames from his ferocious mouth". And Valerius Flaccus has Typhon's head under Etna, and all of Sicily shaken when Typhon "struggles". Lycophron has both Typhon and Giants buried under the island of Ischia. Virgil, Silius Italicus and Claudian, all calling the island "Inarime", have Typhon buried there. Strabo, calling Ischia "Pithecussae", reports the "myth" that Typhon lay buried there, and that when he "turns his body the flames and the waters, and sometimes even small islands containing boiling water, spout forth."Others said to be buried under Etna were the Giant Enceladus, the volcano's eruptions being the breath of Enceladus, and its tremors caused by the Giant rolling over from side to side beneath the mountain,and the Hundred-hander Briareus."Couch of Typhoeus" Homer describes a place he calls the "couch [or bed] of Typhoeus", which he locates in the land of the Arimoi (εἰν Ἀρίμοις), where Zeus lashes the land about Typhoeus with his thunderbolts. Presumably this is the same land where, according to Hesiod, Typhon's mate Echida keeps guard "in Arima" (εἰν Ἀρίμοισιν).But neither Homer nor Hesiod say anything more about where these Arimoi or this Arima might be. The question of whether an historical place was meant, and its possible location, has been, since ancient times, the subject of speculation and debate.Strabo discusses the question in some detail.[everal locales, Cilicia, Syria, Lydia, and the island of Ischia, all places associated with Typhon, are given by Strabo as possible locations for Homer's "Arimoi".

Pindar has his Cilician Typhon slain by Zeus "among the Arimoi",[106] and the historian Callisthenes (4th century BC), located the Arimoi and the Arima mountains in Cilicia, near the Calycadnus river, the Corycian cave and the Sarpedon promomtory.[107] The b scholia to Iliad 2.783, mentioned above, says Typhon was born in Cilicia "under Arimon",[108] and Nonnus mentions Typhon's "bloodstained cave of Arima" in Cilicia.Just across the Gulf of Issus from Corycus, in ancient Syria, was Mount Kasios (modern Jebel Aqra) and the Orontes River, sites associated with Typhon's battle with Zeus,[110] and according to Strabo, the historian Posidonius (c. 2nd century BC) identified the Arimoi with the Aramaeans of Syria.[Alternatively, according to Strabo, some placed the Arimoi at Catacecaumene,[112] while Xanthus of Lydia (5th century BC) added that "a certain Arimus" ruled there.Strabo also tells us that for "some" Homer's "couch of Typhon" was located "in a wooded place, in the fertile land of Hyde", with Hyde being another name for Sardis (or its acropolis), and that Demetrius of Scepsis (2nd century BC) thought that the Arimoi were most plausibly located "in the Catacecaumene country in Mysia".[114] The 3rd-century BC poet Lycophron placed the lair of Typhons' mate Echidna in this region.[115]

Another place, mentioned by Strabo, as being associated with Arima, is the island of Ischia, where according to Pherecydes of Leros, Typhon had fled, and in the area where Pindar and others had said Typhon was buried. The connection to Arima, comes from the island's Greek name Pithecussae, which derives from the Greek word for monkey, and according to Strabo, residents of the island said that "arimoi" was also the Etruscan word for monkeys.[116]

Etymology and origins Typhon's name has a number of variants.[117] The earliest forms of Typhoeus and Typhaon, occur prior to the 5th century BC. Homer uses Typhoeus, Hesiod and the Homeric Hymn to Apollo use both Typhoeus and Typhaon. The later forms Typhos and Typhon occur from the 5th century BC onwards, with Typhon becoming the standard form by the end of that century. Though several possible derivations of the name Typhon have been suggested, the derivation remains uncertain.[118] Consistent with Hesiod's making storm winds Typhon's offspring, some have supposed that Typhon was originally a wind-god, and ancient sources associated him with the Greek words tuphon, tuphos meaning "whirlwind".Other theories include derivation from a Greek root meaning "smoke" (consistent with Typhon's identification with volcanoes),from an Indo European root meaning "abyss" (making Typhon a "Serpent of the Deep"),and from Sapõn the Phoenician name for the Ugaritic god Baal's holy mountain Jebel Aqra (the classical Mount Kasios) associated with the epithet Baʿal Zaphon.

As noted by Herodotus, Typhon was traditionally identified with the Egyptian Set, who was also known to the Greeks as Typhon. As early as pre-dynastic Egypt, Set's mascot or emblem was the Set animal; the Greeks and later classicists referred to this unidentified aardvark-like creature as the Typhonic beast. In the Orphic tradition, just as Set is responsible for the murder of Osiris, Typhon leads the Titans when they attack and kill Dionysus, who also became identified with the earlier Osiris.Mythologist Joseph Campbell also makes parallels to the slaying of Leviathan by YHWH, about which YHWH boasts to Job.[123] Ogden calls the Typhon myth "the only Graeco-Roman drakōn-slaying myth that can seriously be argued to exhibit the influence of Near Eastern antecedents", connecting it in particular with Baʿal Zaphon's slaying of Yammu and Lotan, as well as with the Hittite myth of Illuyankas.From its first reappearance, this latter myth has been seen as a prototype of the battle of Zeus and Typhon.Walter Burkert and Calvert Watkins each note the close agreements.Comparisons can also be drawn with the Mesopotamian monster Tiamat and her slaying by Babylonian chief god Marduk. The similarities between the Greek myth and its earlier Mesopotamian counterpart do not seem to be merely accidental. A number of west Semitic (Ras Shamra) and Hittite sources appear to corroborate the theory of a genetic relationship between the two myths.In works of culture. Dante Alighieri's Inferno mentions him amongst the Biblical and mythological giants frozen onto the rings outside of Hell's Circle of Treachery. Dante and Virgil threatened to go to Tityos and Typhon unless Antaeus lowers them into the Circle of Treachery. Typhon (as Typhoeus) appears in Gustav Klimt's 1902 Beethoven Frieze as one of "the Hostile Forces".

Typhon is a recurring character in Hercules: The Legendary Journeys, where he is a friend and ally to Hercules, and a calming influence on Echidna and their children. Typhon appears in the 2007 video game, God of War II where the main character Kratos tries to enlist his aid. The Titan refuses and Kratos blinds Typhon and takes his magical bow, Typhon's Bane.Swedish symphonic metal band Therion dedicated a song to Typhon in their year 2004 album Lemuria.

en.wikipedia.org/wiki/Typhon

Sunset at Cleadon Windmill.

The ruined windmill on the hills was constructed in the 1820s. The mill is built on the highest part of Cleadon Hills on a slight artificial mound. The building incorporates a stone reefing stage, a feature that was peculiar to windmills in the area.

The mill was severely damaged in a storm at some time during the 1870s, and then suffered the indignity of being a target for gunnery practice during the First World War. A photograph dating from the 1920s shows the rotating cap and the windshaft more or less intact but without the sails, which were presumably destroyed during the storm that put the mill out of business. Nowadays the entrances to the mill are barred and locked, the remains of internal machinery that were visible in the mill during the 1970s are now gone, although broken fragments of a millstone remain.

A local legend relates the story of Elizabeth Gibbon, a heartbroken woman who threw herself from the top of the mill tower and whose ghost apparently haunts the ruin of the mill to this day. The windmill was operated by the Gibbon family at the time the storm took place, which lends some weight to the tale of Elizabeth's suicide.

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Discourse points toward

An interpretative turn

Inscribed articulation

'Culture relates to objects and is a phenomenon of the world; entertainment relates to people and is a phenomenon of life.'

Hannah Arendt

Lights of the Las Vegas strip, Aria curvilinear towers resort and hotel complex and MGM resort and hotel complex and the blue light in the background shining straight up is from the Fremont Street Experience (FSE) . The FSE is a light show quite a few miles away from the strip. Uploaded for the Geometric Shapes challenge. The curvilinear towers were quite fascinating, even captivating in appearance

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Thanks very kindly to all my visitors for any gracious comment, views and invites. Much appreciated! .... Peace and love be with you.

Namaste.

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All rights reserved. Copyright © Aum Kleem All my images are protected under international authors copyright laws and may not be downloaded, reproduced, copied, transmitted or manipulated without my written explicit permission.

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The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".

Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.

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Lothian Buses Gemini 3 Facelift bodied Volvo B5LH number 554 (SA15 VUE) ‘Estiland’ is seen here at OT, under a certain sign that relates to its number plate

Taken on Wednesday the 17th of December 2025.

This is a photo I’ve been wanting to get for SO many years, 554 (SA15 VUE) ‘Estiland’ under the big ‘vue’ sign at OT, corresponding wi the registration plate very nicely. The original photo needed some editing work to be presentable, but I went a bit over the top wi the saturation and such, because I can.

Thanks to ZZ9 for motivating me to try and actually finallly go and get this shot!

I posted a photo of this bus to flickr shortly after its 5th birthday, talking about how weird it seemed that it was already five years old, the new hybrids on the 34 were a highlight of 2015, and they seemed fairly new and exciting for a while after. Well now it’s over a decade old somehow, but spending its days mainly on the 34 and 35, just where it’s most at home.

So I unofficially named this bus ‘Estiland’ originally, mistakenly thinking it was Estonian for Estonia (no, that’s Eesti), but the name stuck and It’s now played a part of enough of my life that I have a fondness for it, even slightly more than some others in its batch.

In November this year, ZZ9 nicknamed this ‘Lothian’s Cinema Bus’ in relation to the number plate, as we see here quite clearly. I intend to add ZZ9’s name to the unofficial names doc, what better name could there be for this? However, ‘Estiland’ is also staying, that’s what it’s always been to me. It’s by far not the first bus wi two names, even though I usually try and avoid multiple names, there’s no reason why we can’t have some! An example currently in the fleet is XLB number 1066, which I nicknamed ‘Frances’, and Callum Colville nicknamed ‘Battle of Hastings’, due to the fleet number corresponding to the date of that battle.

This batch (551-570) may be unremarkable, but they seem to still be doing just as well as ever, usually winding their slow way through the city from the foot of the Pentlands in Currie to the sea at OT. If anyone wants to have a go at which of this batch of B5LHs have which seatback colours then go ahead, it’s not intuitive!

Vehicle Information

Operator: Lothian Buses

Service: 34 Leith Harbour and Newhaven Ocean Terminal Ocean Drive – Currie Riccarton Hariot-Watt University The Avenue (Trip NovWedAL23925725)

Vehicle type: Wrightbus Eclipse Gemini 3 Facelift bodied Volvo B5LH

Vehicle engine: Euro 6 Diesel-Electric Hybrid

Vehicle fleet number: 554

Vehicle registration: SA15 VUE

Vehicle name: Estiland

Vehicle depot: Longstone (LS)

Vehicle livery: Lothian Buses Madder and White Fleet of the Future (FOTF) non-ADL Double Deck 2020 version

Vehicle destination screen: white Hanover LED screen

Vehicle destination display: Heriot-Watt 34 / via Research Park

Vehicle Chassis: Vo B5LH YV3T1U22XFA172380

Vehicle Body: Wt AM087

Vehicle Seating: H49/25F

Operating area: City of Edinburgh, Midlothian and East Lothian

Registration prefix area: Glesga

Year of manufacture: 2015

Date of first registration: 14.07.2015 (Day T42198)

Original operator: Lothian Buses

Original fleet number: 554

Original registration: SA15 VUE

Age of vehicle: 10 years, 5 months and 3 days (total 3809 days)

Photo location: Ocean Drive, Ocean Terminal, Leith Harbour and Newhaven, Lìte, City of Edinburgh

Taken on: Wednesday the 17th of December 2025 (17.12.2025)

Taken on Day U3639

References

Bus Lists on the Web (2025) SA15VUE. Available at: www.buslistsontheweb.co.uk/ (Accessed 17.12.2025, Day U3641)

Bustimes.org (2025) Lothian Buses - Vehicles – 554 (SA15 VUE). Available at: bustimes.org/vehicles/loth-554?date=2025-12-17 (Accessed 17.12.2025, Day U3641)

GOV.UK (2025) Check MOT History – SA15 VUE. Available at: www.check-mot.service.gov.uk/results?registration=SA15VUE... (Accessed 17.12.2025, Day U3641)

Scottish Community Councils (2025) Find a Community Council. Available at: www.communitycouncils.scot/community-council-finder (Accessed 17.12.2025, Day U3641)

“I cannot rest, I must draw, however poor the result, and when I have a bad time come over me it is a stronger desire than ever.”

― Beatrix Potter

...so relatable :)

This one can relate to all kinds of things. Sass and I are in Manoa Falls. There is a spot off the trail where the river water settles a bit and we are able to get nice reflection shots.

I brought back the camera stats for the convenience of the curious ones. Even if it helps only one person, it's worth the extra time.

CRAZY WEATHER

There was a huge storm here last night. Check out this picture that a fellow hawaii photographer took near Waikiki. Man I would have loved to set up a shoot with that in the background! I was stuck at work though :(

NEW SERIES COMING SOON!

I've got ideas for a new series. Twelve different shots over a three month span. I'm still getting together some ideas, but stay tuned!

Find me on facebook, tumblr, twitter, formspring,or my website.

Camera: Canon EOS 60D

Focal Length: 50mm

Lens: Canon 50mm 1.4

Aperture: f/2.0

Exposure: 1/200 sec

ISO Speed: 100

Filter: n/a

Editing Software: CS5

Flash: Canon 430ex II with Lumiquest Ltp Softbox camera left.

In August 2002 Green-Wood Historic Fund rededicated New York City's Civil War Soldier's Monument after a year of restoration. The monument originally dedicated in 1876 is on top of Battle Hill. Green-Wood also started a project to identify all the Civil War veterans buried in the cemetery. They had thought there were about 500 veterans buried in Green-Wood but in the end about 5,000 were identified.

2015 marks the 150th Anniversary of the end of the American Civil War in April, 1865.

Currently there is a small but wonderful exhibition "To Bid You All Good Bye: Civil War Stories" in the Green-Wood Cemetery Historic Chapel based on the research and highlights a few of the many stories of the men and women buried in the cemetery.

Pictured here are the original sculptures from the 1876 monument - the model for the Calvary officer was George Armstrong Custer of the Battle of Little Big Horn fame. The smaller pieces are by American sculptor John Rodgers and depict scenes relating to the Civil War time period

One of the joys and challenges of being prophetic, is that we carry a dream of what we see God doing in the future.

In the meantime, we find ourselves in a gap. Today, we’re faced with trials and difficulties (James 1:2-4).

Hear God saying, ‘I am healing your perspective concerning where you are right now. And I am giving you courage to dream again!’

Connecting the Dots: Your Father Sees the Completed Picture

When you have a prophetic perspective, you not only believe what God says about your future—you can also trust Him in your present.

The prophetic journey is like ‘connect the dots’ activities that are found in children’s books.

The person who designed them has left clues to follow—dots that must be joined with a pen

When every dot has been connected, the full picture appears

You may relate to this right now, as you find yourself in transition in some area of your life. You are in a ‘dot moment’.

You have left something behind, and have no idea how to reach what lies ahead. There are prophecies and dreams that have not yet been fulfilled.

In the here and now, you can trust your Heavenly Father.

God has seen the beginning and the end. Your heart is towards Him. And He declares,‘It is good. You are good!’

God Looks at Your Life and Says, ‘It is Good!’

‘…being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.’ (Phil 1:6 NIV)

According to the Bible, your life is a work in progress, and that’s okay! No matter where you are, know that your Father is carrying His good work on in you until completion.

Incomplete, but Good!

During times of uncertainty and change, it is tempting to become discouraged and say,‘This is not good!’

But your Father is seeing from a different perspective.

When God created the earth, the Bible tells us several times, ‘he saw it was good’. (Gen 1:4, 9, 12)

He saw good, while His creation was still in process. Before there was the earth, before there was the sky; before there was any plant or animal life, before humanity existed.

God’s work was incomplete, and yet He saw that what He had created was good.

Today, know God’s favor is towards you! Receive the courage to declare, ‘God’s work in me is good!’

Be Comforted: God is at Work in Others

Not only are you personally in a process, but those your life touches are also a work in progress.

Sometimes our hearts grieve, because there is a gap between where others are now, and the destiny we know God has for them.

Today, you may have a son or daughter, grandchild, or other close friend or family member you are concerned about.

You may be seeking change in a person or group you are ministering to, or praying for

Hear your Father saying, ‘Let your heart be at rest. I am carrying on a good work. Pray without fear and worry.’

When Jacob Encountered God

One day, Rebekah urged her son Jacob to flee from their household, because his brother Esau wanted to kill him. (See Gen 25-28)

She was distressed and feared for both her sons’ lives.

But on that very day, one that Jacob later called, ‘the day of my distress’ (Gen 35:3), Rebekah’s son dreamed of an open heaven above him.

In that place of pain, Jacob had a revelation of the goodness and favor of God. And he named that place Bethel, which means ‘House of God’ (Gen 28:17-19).

It was a ‘dot moment’ in the plan of God. He had more up ahead. Jacob’s life and relationship with God was still a work in progress.

Your Father sees not only this middle—this dot moment—but also what is to come. And He declares, ‘It is good!’

Today, let go of your worries about those you love, and those you are praying for. God is healing your perspective.

In this place of ‘the dot’—where you cannot see how God will fulfil your dreams from Him for you and others—you are in a place of Divine appointment.

Here and now, encounter the God Who loves you.

www.enlivenpublishing.com/blog/2018/05/31/healing-prophet...

Helen Calder

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Photo credits to my wife :-)

Rick Mercer's video "Plus 1 in Canada". I can so relate to this - so funny! And, yes, it's snowing AGAIN today, heavily. Temperature this morning is -19C (windchill -27C). Wish I could say that it will be yet another day at home, but I have to somehow drive half way across the city for a regular dental appointment. I can barely tell where the road is. We are still under a Winter Storm Warning, with a total of up to 35 cm of snow expected.

youtu.be/wkDvqQKGgDA

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Needless to say, this is not a photo that was taken in the wild! I would never be able to get such a close shot or even a close view like this, unless the bird was captive for one reason or another. This bird had just had some flight training and was given a hosepipe shower to cool off.

This particular Bald Eagle resides at the Alberta Birds of Prey Centre in Coaldale, southern Alberta. This is a wonderful place that rehabilitates and releases (whenever possible) various birds of prey - hawks, owls, Bald Eagles, Turkey Vultures,and Golden Eagles. Some of these birds act as Wildlife Ambassadors, too, including educating the public away from the Centre. Sometimes, a bird is also used as a foster parent.

I often see Bald Eagles flying wild, both in the city and in the surrounding areas. Usually when I see one, it is flying or perched far away. Too far away to see any detail at all, which is why I love going to this Centre, to see raptors up close.

"Once a common sight in much of the continent, the bald eagle was severely affected in the mid-20th century by a variety of factors, among them the thinning of egg shells attributed to use of the pesticide DDT. Bald eagles, like many birds of prey, were especially affected by DDT due to biomagnification. DDT itself was not lethal to the adult bird, but it interfered with the bird's calcium metabolism, making the bird either sterile or unable to lay healthy eggs. Female eagles laid eggs that were too brittle to withstand the weight of a brooding adult, making it nearly impossible for the eggs to hatch. It is estimated that in the early 18th century, the bald eagle population was 300,000–500,000,[118] but by the 1950s there were only 412 nesting pairs in the 48 contiguous states of the US. Other factors in bald eagle population reductions were a widespread loss of suitable habitat, as well as both legal and illegal shooting. DDT was completely banned in Canada in 1989, though its use had been highly restricted since the late 1970s." From Wikipedia.

en.wikipedia.org/wiki/Bald_eagle

Last summer (2017), we had practically no 'normal' summer days. Most were too hot thanks to an almost endless heatwave, and also too smoky thanks to all the wildfires in British Columbia and Alberta. The weather forecast for 3 August 2017 looked good; sunshine all day, with rain forecast on several of the coming days. I decided to finally do a drive all the way down south to near Lethbridge, so that I could again visit the Alberta Birds of Prey Centre in Coaldale. The previous year (2016), I did this drive for the very first time on my own and I wanted to make sure I didn't lose my courage to do it again. During the 511 kms that I drove, I had to ask for help with directions twice - both times in the same small hamlet. It was a hot day, with a temperature of 31C when I was at the Centre.

Though the forecast was for sun all day, there was no mention of the smoke haze that completely blocked out the mountains and pretty much the foothills, too. Very quickly, I was almost tempted to turn around and come home, but I had noticed rain in the forecast for the coming days. I reckoned I would still be able to photograph the fairly close birds at the Centre, which worked out fine.

Amazingly, I managed to make myself get up early that morning, and set off just before 8:30 am. My intention was to drive straight to Coaldale without stopping anywhere en route. Not an easy thing for me to do, as I much prefer driving slowly along the back roads rather than the less interesting highways. However, I knew it would take me a few hours to get there and I wanted to have as much time as possible down there. On the way home, I drove one dusty, gravel road, but saw nothing but a couple of Horned Larks perched on fence posts. A couple of old barns (that I had seen before) and a few scenic shots, were more or less all I took.

I finally arrived home at 8:30 pm, after a 12-hour day, totally tired out, and my car was just about out of gas. So happy to have been down there again, though.

91/365

My first overseas collaboration and there wouldn't be a better artist than Laura Vanzo (aka. Pensa Art)

The project is about how two people who had never meet, can be connected through a common cause. This photo is the first in the series which I hope many of you can relate to.

Facebook / Twitter / Tumblr / Vogue Italia / Instagram: mc_cheung88

ift.tt/1L2Qu9W @trunkieygm collabs with @georgethepoet on the song entitled Pavements/Relate. Out 3pm on @linkuptv #UKMUSIC #CAM #LINKUPTV #PavementsRelate

Watching over the Canyon in sort of a protective manner. I can relate to just how overwhelming looking out over this canyon can be! What an IMMENSELY awesome thing to see! :-)

The Trip to the Grand Canyon from Vegas seemed like it took FOREVER! I had left Vegas after midnight after a very long day! I had started off the day in the northern area of Death Valley after spending the night in a tent at a campsite that Darren and I had grabbed the day before. During the night I just knew that the Mountain Lions were ganging up and circling the tents and planning their strategy for some tasty meals! Okay... so it could have been just a few Kangaroo Mice instead! Or maybe just the wind! :-D Anyway, I had passed out on Darren the previous night at Racetrack Playa basically from being so totally exhausted that I just couldn't go anymore. So I could have just been dreaming! ;-)

After a restless night, Darren and I got up and made our way south and stopped along the way to see some of the other sites in Death Valley. It was getting very HOT in the middle of the day but we did make it to the Devil's Golf course and a few other places as well. I needed to start heading back towards Dallas and at about 2 or so in the afternoon, I bid farewell to Darren and started heading east.

That evening I stopped in Vegas to meet up with Marisa and one other photographer that lives there in Vegas as well. We spent a little time at the Red Rock Park just on the Northeast side of Las Vegas. After dropping off Marisa at her car and thanking her for the time she spent with us, I started making my way towards the Grand Canyon. At least my plan was to drive for as long as I could and then pull over to get some sleep somewhere. I was not in Arizona too long before I had to stop and found a parking area with a scenic overlook area and laid back the seat to get some rest.

I woke up the next morning as the sun was rising and got back on the road shortly thereafter. Still didn't get much sleep but I was ready to hit the Grand Canyon and see if I could find a secluded area to get some Light Painting Shots in that evening.

I arrived at the Grand Canyon at about noon after a few pit stops for food and fuel and there were people EVERYWHERE! As I walked around the Grand Canyon Village area taking pics here and there, I was also watching the people that were obviously here from all over the world to see this awesome spectacle of nature! So many different languages being spoken that I could not even start to guess what most of them were. It was pretty cool to be standing in the middle of this big melting pot of people from every corner of the planet.

With all of the people around this main area, I decided it was best to venture to the east a bit and see if I could find a nice overlook area not only to catch a nice sunset with the canyon in view, but a spot that would be a good place for some light painting a little later when the moon came up. It was now Monday, May 7th and the full moon occurred two days prior to this. So it would rise roughly two hours after sunset... Plenty of time to get settled! :-)

I drove down East Rim Drive towards Cameron, Arizona. (Cameron loved the fact that "the town was named after him!" when we made a trip to the Grand Canyon in 2001!) Ha! I was so busy looking at the forest and the occasional views over the canyon that I didn't pay much attention to the signs along road as I went. This would come back to bite me a little later! ;-) I stopped at several overlook areas along the way and finally made my way to Navajo Point which is about 20 miles away from the main visitor center. The view from this point was awesome! The canyon made a bend here and the sun would set over the canyon to my west, and you could see the Colorado River at the bottom of the canyon in spots towards the west and in a large area heading to the north east from here. I took a few photos and looked around a bit and found a spot where I could do some Light Painting without fear of falling off into the dark canyon below. At least not TOO much fear! ;-)

So after a little more exploring of the area, I settled down in a good spot to get some shots of the sun setting and just kicked back for a while enjoying the view. Off to the east, I noticed some clouds and it looked like they might have some rain mixed in with them as well. Rain is sort of an unusual thing and you really don't see clouds that often here either so I didn't think much about them other than the fact that I thought it would be cool if some clouds would make an appearance in some of my shots. Well, be careful what you wish for! As the sun was getting closer to the horizon, an overcast moved in and caught up with the sun as well and it was starting to look like there wasn't going to be any sunset shots at this point. It was also looking pretty bad for the Light Painting shoot that I had planned for later as well since this would block the moon from making the landscape visible during the session! 8-O Wow!

Well, just as the sun was getting close to the horizon, it broke back out of the cloud bank and did end up putting on a bit a a show for us. I say "US" because at this point, there were probably 50 other people gathered at the same area hoping to get a shot of the sunset also! ;-)

Anyway… After getting some shots of the sunset and letting it get a bit dark, I headed back towards Grand Canyon Village to see if I could find a place to get some food and do some waiting to see if the clouds would break up at all. On my way back though, I spotted some of the signs that I had missed on the way in! There was one that REALLY stood out and was on the road near the point I had chosen for my Light Painting session that night! It was like the familiar Deer Crossing warning signs that most everyone has seen before, but this was different! Instead of the silhouette of a deer on the sign, it was the silhouette of a Mountain Lion!!! 8-O A Cougar! A Puma! A BIG Cat!! One that HAS been known to attack and kill humans!! I distinctly remember reading that these cats are normally shy and solitary animals, BUT, they DO occasionally attack people, usually children or solitary adults, and that there are about four attacks per year with one fatality each year!!! Great!!! Here I am, in an area where they thought it NECESSARY to put up a sign warning drivers about them and I was going to be a SOLITARY ADULT out in the middle of the night in the middle of NOWHERE!!

I have said it before and I will say it again! One my biggest fears is being eaten alive! Particularly by one of these cats!! It is not the first time I have been in an area where they are known to be, and I am sure it wont be the last! But usually I am with someone else! This time, it was just me! So.. as I dwelled on that thought all the way back to civilization and on through dinner while waiting for the moon to pop out of the clouds, I wondered if I should try to find a different area in the dark or go through with my plans. Things were really not looking too good anyway with the cloud cover so I was starting to think that I would not get any Light Painting shots at the Grand Canyon this go around anyway. :-\

As it starting getting close to midnight, I was getting ready to give up on the moon when I noticed it lighten up a bit outside! Sure enough! The clouds were breaking! Cool! I was at least going to see if I could get a few shots in before hitting the road again to get back to Dallas! So... I made my way back out to Navajo Point and was reminded of the Mountain Lion threat several times along the way! I had convinced myself that I would just try to play it as safe as possible and keep aware of my surroundings as much as possible, but if it was my time to go at the claws of a big cat, then I guess it was time! :-)

When I reached Navajo Point, I got all my gear together and made the short hike over to the rim of the canyon and got things set up. I kept a very bright flashlight turned on and searched the area for glowing eyes at every chance as I got everything ready to shoot. The moon was still at an angle that was causing some unwanted shadows but I just had to deal with the situation I had at the moment and started shooting. Each shot was a little over a 10 minute exposure and it was difficult to NOT turn on the spotlight to look for eyes during the exposures but I refrained. The wind was blowing fairly strong as well, so it was hard to hear anything but the wind blowing through the trees. As soon as I would end an exposure, I would turn on the spotlight to scan for glowing eyes and keep it on the entire time that I was checking the shot. I would scan the trees again before taking the next shot and this went on like this for the next two hours.

After I had created several shots, and at about 2:30 in the morning, my nerves were shot and I was exhausted once again! So I packed things up and high tailed it away from any further threat of being eaten alive that night! I still felt good about the fact that I was FINALLY able to Light Paint the Grand Canyon! :-)

Light Painting - Single Exposure

In the style of Denis Smith (biskitboy)

Sure, it's not clever, and sure, I'm not actually gonna buy it.

But it’s relatable. :P

Honestly I just wanted to use this drawing I did a little while ago. Enjoy.

The Moon has reached the first quarter of it's phase, but it's been

so cloudy, misty, foggy and rainy that I haven't been able to see it!

I took this photo on leap day 29th February 2012 when the Moon was at a similar phase as it is now. I love the way that the craters show up so well on the terminator when the sun is shining at an angle.

Highest position in Explore: 112 on Thursday, November 22, 2012

#29 - Leap Day (Any shot to be taken on, or relating to 29th February 2012) in 112 pictures in 2012

Chinese visual artist and political activist Ai Weiwei visited the Greek island of Lesvos in 2015, to witness the influx of refugees in Europe. Deciding to create a documentary on the topic, he and his family and film team travelled to over 40 refugee camps in 23 countries in one year. The resulting photographing series, consisting of 17000 photographs exhibited here at the FOMU in Antwerp, attempt to depict the scale and impact of the global refugee crisis.

Work Day / Social Distancing Day 92, 06/15/2020, Manhattan, NY

Apple iPhone XR

iPhone XR back camera 4.25mm f/1.8

ƒ/1.8 4.2 mm 1/120 64

FaceBook | Blogger | Instagram | Lens Wide-Open

© 2016 Thousand Word Images by Dustin Abbott

Those of you that are portrait photographers can probably relate when I say that there is something oddly intimate about photographing and then processing an image of someone. I'm often struck by it, particularly when it is someone that I know. Today's high resolution lenses and camera sensors render ever pore, every imperfection. I've sometimes been struck by a moment of melancholy as I process a portrait of a friend and realize that the signs of aging that I overlook in everyday life are there. It is strange, too, to process this image. I was going for a very intent, direct look right into the camera. No warmth in the photo, just intensity, as that suited the type of lighting and mood I was shooting for. It is somewhat strange to look so closely into your own eyes, and draw conclusions about yourself. The piercing nature of this shot affects me...and maybe you can relate to something that I've shared, too.

Technical Information: Canon EOS 6D, Tamron SP 45mm f/1.8 Di VC USD, Processed in Adobe Lightroom CC, Photoshop CC, and Alien Skin Exposure X (use code "dustinabbott" to get 10% off)

Want to know more about me or make contact? Take a look at my website and find a lot of ways to connect and view my work.

Commentary.

As its name suggests this village refers to a real forest, namely Ashdown Forest, an upland heathland in East Sussex.

Along with places like the New Forest, Great Windsor Park and Richmond Park it was one of many areas used by medieval Royals and landed gentry as a hunting ground, particularly for deer, wild boar and game birds.

Several other local villages have names linking to their forested/heathland hinterland.

These include Chelwood Gate, Hartfield (“hart” relating to a male deer or stag), Ashurst Wood (“hurst” referring to a woodland clearing), Withyham ( “withy”) referring to willow trees) and Coleman’s Hatch (“hatch” referring to a woodland gate) because “forests” or hunting grounds were often fenced off with six-foot fences to prevent deer from eating farm produce and sapling trees.

As for Forest Row itself, it is a village south-east of East Grinstead where the modern A.22 turns from south-east to south towards Eastbourne.

In this image Holy Trinity Church is on the left.

Just right of centre is the colourful and elaborate frontage of the Village Hall.

A turning to the right of this image connects to Ashdown Forest and Hartfield.

For me and countless others, these two places will always be the land of Winnie the Pooh.

A.A. Milne, the writer of Pooh stories, lived at Cotchford Farm, near Hartfield, with his son Christopher Robin from 1925 to 1956 when Milne died.

Thousands of people every year visit the “real” sites of the inspired fictitious locations including:

Pooh Sticks Bridge, Galleons Lap, The Enchanted Place and (Five) Hundred Acre Wood and many others.

I have visited these places myself and found them so “real” that I half expected Tigger to bounce from behind a tree at any moment.

Such is the power of the well written word!

Not relate but interesting brief so I ref.;

The Weeping Angels (also known as the Lonely Assassins) are a fictional ancient race of aliens from the Doctor Who television series. Steven Moffat, their creator, attributes their appeal to childhood games such as Grandmother's Footsteps and the notion that every statue out there is secretly a Weeping Angel.

...........

I saw I shot, she weeped at the waterfall.

My photostream; www.darckr.com/username?username=11569107%40N06

Uses: Anything relating to finance and money.

Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.

To see more of our CC by 2.0 finance images click here... see profile for attribution.

'Wheels up on soft mud by Su' in a duvet cover mockup: relates to my entry in Spoonflower's Cycling Design Challenge: 'How many wheels does it take... by Su_G'.

Chalk on paper

© Su Schaefer 2018

I like the softness of this design in this particular colourway for bedding.

See 'Wheels up on soft mud by Su_G' as fabric @ Spoonflower.

See 'Wheels up on soft mud by Su_G' as a duvet cover (and other soft furnishings) @ Roostery (Spoonflower's home decor arm)

[Wheels up on soft mud by Su_G_duvet_mockup]

You might relate this photo to the sound of music, and that relatively wholesome and peaceful musical. But 60 years ago today, a division known for its courage had this place as one of the rally points. That division was the 101st Airborne. The division not really known for its firepower, but for its spirit and courage. Here, more than a half century ago, men, in their early twenties jumped from the sky, under fire, some on gliders steering blindly through the night -- the prelude to D-Day. Their objectives, disrupt enemy activities, destroy patches of German outposts and secure bridges. Many of them never made it to the ground alive.

The 101st airborne was recently made famous by the movie band of brothers, which was about the "Easy" company of the 101st's 2nd Batallion.

Normandy, France

stepping out of my body boundary to receive you.

Tottori 2014.

In preparation for the Pan Am games in Toronto in 2015, the 41 participating countries were asked to create a unique piano which would then be placed somewhere throughout the city. At each location people are encouraged to play the piano and relate their stories online. Due to the area involved (400 square kilometres) where these pianos have been placed, my progress has been slowed due to 36C temperatures and the physical distance required to actually reach them.

adj. *Dramatic

1. Of or relating to drama or the theater.

2. Characterized by or expressive of the action or emotion associated with drama or the theatre: a dramatic rescue at sea.

3. Arresting or forceful in appearance or effect

Dramatic Sunrise, Grands Jardins National Park, Charlevoix region, Quebec, Canada.

PixQuote:

"Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures."

-Susan Sontag

PixNote:

In 1988, UNESCO embedded the Parc national des Grands-Jardins within the World Biosphere Reserve in Charlevoix, confirming its international position as a vital element in the conservation of the biodiversity of this exceptional site. Two major forest fires have since devastated the Grands-Jardins forest, one in 1991 and another in 1999. Although these events initially appear to be dramatic, they are nevertheless beneficial for a number of animal species. Contrary to what most people would think, the post-fire ecosystem is dynamic, and this gives the Parc national des Grands-Jardins territory its special nature. (Ref: SEPAQ)

It is proven, that the Abbazia di Sant'Antimo existed since Carolingian times. Legends (of course) know, that it was Charlemagne himself, who founded the abbey when he had left Rome, following the Via Francigena northward. The earliest document relating to the abbey is a land grant of Charlemagne´s son Louis the Pious from 813.

One year after the 1117 earthquake the erection of the church of today started. At that time the powerful abbey was one of the largest landowners in the area. As sovereigns and imperial officials at the same time, they also levied taxes.

The decline began with Siena's awakening striving for power, which conquered Montalcino in 1212. In the following decades, the property of the monastery shrank to a fifth. The church was never completed in the years that followed, as the complex construction probably exceeded the abbey's financial possibilities. A sign of decay is the unfinished facade.

New religious ideas gained influence. The then new orders of the Franciscans and Dominicans, whose monasteries were not built in the cities, gained strength. The Benedictine wish to be able to follow the rule ora et labora in seclusion was pushed into the background.

In 1462 Pope Pius II suppressed the abbey, annexed whatever was left - and handed it over to the Bishop of Montalcino-Pienza, who was his nephew.

1992 the abbey became an active monastery again with the arrival of a new congregation of Canons Regular of the Premonstratensian Order.

The architecture seems influenced by churches in Burgundy. It looks a bit like a sibling of the church at Vignory in Champagne.

There are many sculpted capitals along the nave. Here in the center depicting "Daniel in the lions' den", is best known, as it is attributed the the "Master of Cabvestany", whose artistic style is very dynamic and creative. The faces have almond eyes, a sharp nose, great ears, and a triangular shape. The fingers of the hands are long.

The "Maître de Cabestany" ("Master of Cabestany") is known under this name since the 1930s when a tympanum and other carvings were found in Cabestany (near Perpignan). The carving had been used as "building materials" inside a wall of the local cemetery.

Research started and so far more than 120 carvings of these origins, all carved within the second half of the 12th century, are known. The carvings are spread over an area between Tuscany in Italy, Southern France - and Catalonia in Spain. This led to the theory, that the "Maître de Cabestany" may not be a single master-carver, but a studio, where carvers learned this style.

You can find many more photos from Tuscany here

www.ipernity.com/doc/323415/album/795810

The Symptoms of Kali-yuga

www.vedabase.com/en/sb/12/2

This chapter relates that, when the bad qualities of the Age of Kali will increase to an intolerable level, the Supreme Personality of Godhead will descend as Kalki to destroy those who are fixed in irreligion. After that, a new Satya-yuga will begin.

As the Age of Kali progresses, all good qualities of men diminish and all impure qualities increase. Atheistic systems of so-called religion become predominant, replacing the codes of Vedic law. The kings become just like highway bandits, the people in general become dedicated to low occupations, and all the social classes become just like śūdras. All cows become like goats, all spiritual hermitages become like materialistic homes, and family ties extend no further than the immediate relationship of marriage.

When the Age of Kali has almost ended, the Supreme Personality of Godhead will incarnate. He will appear in the village Śambhala, in the home of the exalted brāhmaṇa Viṣṇuyaśā, and will take the name Kalki. He will mount His horse Devadatta and, taking His sword in hand, will roam about the earth killing millions of bandits in the guise of kings. Then the signs of the next Satya-yuga will begin to appear. When the moon, sun and the planet Bṛhaspati enter simultaneously into one constellation and conjoin in the lunar mansion Puṣyā, Satya-yuga will begin. In the order of Satya, Tretā, Dvāpara and Kali, the cycle of four ages rotates in the society of living entities in this universe.

The chapter ends with a brief description of the future dynasties of the sun and moon coming from Vaivasvata Manu in the next Satya-yuga. Even now two saintly kṣatriyas are living who at the end of this Kali-yuga will reinitiate the pious dynasties of the sun-god, Vivasvān, and the moon-god, Candra. One of these kings is Devāpi, a brother of Mahārāja Śantanu, and the other is Maru, a descendant of Ikṣvāku. They are biding their time incognito in a village named Kalāpa.

SB 12.2.1 — Śukadeva Gosvāmī said: Then, O King, religion, truthfulness, cleanliness, tolerance, mercy, duration of life, physical strength and memory will all diminish day by day because of the powerful influence of the Age of Kali.

SB 12.2.2 — In Kali-yuga, wealth alone will be considered the sign of a man’s good birth, proper behavior and fine qualities. And law and justice will be applied only on the basis of one’s power.

SB 12.2.3 — Men and women will live together merely because of superficial attraction, and success in business will depend on deceit. Womanliness and manliness will be judged according to one’s expertise in sex, and a man will be known as a brāhmaṇa just by his wearing a thread.

SB 12.2.4 — A person’s spiritual position will be ascertained merely according to external symbols, and on that same basis people will change from one spiritual order to the next. A person’s propriety will be seriously questioned if he does not earn a good living. And one who is very clever at juggling words will be considered a learned scholar.

SB 12.2.5 — A person will be judged unholy if he does not have money, and hypocrisy will be accepted as virtue. Marriage will be arranged simply by verbal agreement, and a person will think he is fit to appear in public if he has merely taken a bath.

SB 12.2.6 — A sacred place will be taken to consist of no more than a reservoir of water located at a distance, and beauty will be thought to depend on one’s hairstyle. Filling the belly will become the goal of life, and one who is audacious will be accepted as truthful. He who can maintain a family will be regarded as an expert man, and the principles of religion will be observed only for the sake of reputation.

SB 12.2.7 — As the earth thus becomes crowded with a corrupt population, whoever among any of the social classes shows himself to be the strongest will gain political power.

SB 12.2.8 — Losing their wives and properties to such avaricious and merciless rulers, who will behave no better than ordinary thieves, the citizens will flee to the mountains and forests.

SB 12.2.9 — Harassed by famine and excessive taxes, people will resort to eating leaves, roots, flesh, wild honey, fruits, flowers and seeds. Struck by drought, they will become completely ruined.

SB 12.2.10 — The citizens will suffer greatly from cold, wind, heat, rain and snow. They will be further tormented by quarrels, hunger, thirst, disease and severe anxiety.

SB 12.2.11 — The maximum duration of life for human beings in Kali-yuga will become fifty years.

SB 12.2.12-16 — By the time the Age of Kali ends, the bodies of all creatures will be greatly reduced in size, and the religious principles of followers of varṇāśrama will be ruined. The path of the Vedas will be completely forgotten in human society, and so-called religion will be mostly atheistic. The kings will mostly be thieves, the occupations of men will be stealing, lying and needless violence, and all the social classes will be reduced to the lowest level of śūdras. Cows will be like goats, spiritual hermitages will be no different from mundane houses, and family ties will extend no further than the immediate bonds of marriage. Most plants and herbs will be tiny, and all trees will appear like dwarf śamī trees. Clouds will be full of lightning, homes will be devoid of piety, and all human beings will have become like asses. At that time, the Supreme Personality of Godhead will appear on the earth. Acting with the power of pure spiritual goodness, He will rescue eternal religion.

SB 12.2.17 — Lord Viṣṇu — the Supreme Personality of Godhead, the spiritual master of all moving and nonmoving living beings, and the Supreme Soul of all — takes birth to protect the principles of religion and to relieve His saintly devotees from the reactions of material work.

SB 12.2.18 — Lord Kalki will appear in the home of the most eminent brāhmaṇa of Śambhala village, the great soul Viṣṇuyaśā.

SB 12.2.19-20 — Lord Kalki, the Lord of the universe, will mount His swift horse Devadatta and, sword in hand, travel over the earth exhibiting His eight mystic opulences and eight special qualities of Godhead. Displaying His unequaled effulgence and riding with great speed, He will kill by the millions those thieves who have dared dress as kings.

SB 12.2.21 — After all the impostor kings have been killed, the residents of the cities and towns will feel the breezes carrying the most sacred fragrance of the sandalwood paste and other decorations of Lord Vāsudeva, and their minds will thereby become transcendentally pure.

SB 12.2.22 — When Lord Vāsudeva, the Supreme Personality of Godhead, appears in their hearts in His transcendental form of goodness, the remaining citizens will abundantly repopulate the earth.

SB 12.2.23 — When the Supreme Lord has appeared on earth as Kalki, the maintainer of religion, Satya-yuga will begin, and human society will bring forth progeny in the mode of goodness.

SB 12.2.24 — When the moon, the sun and Bṛhaspatī are together in the constellation Karkaṭa, and all three enter simultaneously into the lunar mansion Puṣyā — at that exact moment the age of Satya, or Kṛta, will begin.

SB 12.2.25 — Thus I have described all the kings — past, present and future — who belong to the dynasties of the sun and the moon.

SB 12.2.26 — From your birth up to the coronation of King Nanda, 1,150 years will pass.

SB 12.2.27-28 — Of the seven stars forming the constellation of the seven sages, Pulaha and Kratu are the first to rise in the night sky. If a line running north and south were drawn through their midpoint, whichever of the lunar mansions this line passes through is said to be the ruling asterism of the constellation for that time. The Seven Sages will remain connected with that particular lunar mansion for one hundred human years. Currently, during your lifetime, they are situated in the nakṣatra called Maghā.

SB 12.2.29 — The Supreme Lord, Viṣṇu, is brilliant like the sun and is known as Kṛṣṇa. When He returned to the spiritual sky, Kali entered this world, and people then began to take pleasure in sinful activities.

SB 12.2.30 — As long as Lord Śrī Kṛṣṇa, the husband of the goddess of fortune, touched the earth with His lotus feet, Kali was powerless to subdue this planet.

SB 12.2.31 — When the constellation of the seven sages is passing through the lunar mansion Maghā, the Age of Kali begins. It comprises twelve hundred years of the demigods.

SB 12.2.32 — When the great sages of the Saptarṣi constellation pass from Maghā to Pūrvāsāḍhā, Kali will have his full strength, beginning from King Nanda and his dynasty.

SB 12.2.33 — Those who scientifically understand the past declare that on the very day that Lord Śrī Kṛṣṇa departed for the spiritual world, the influence of the Age of Kali began.

SB 12.2.34 — After the one thousand celestial years of Kali-yuga, the Satya-yuga will manifest again. At that time the minds of all men will become self-effulgent.

SB 12.2.35 — Thus I have described the royal dynasty of Manu, as it is known on this earth. One can similarly study the history of the vaiśyas, śūdras and brāhmaṇas living in the various ages.

SB 12.2.36 — These personalities, who were great souls, are now known only by their names. They exist only in accounts from the past, and only their fame remains on the earth.

SB 12.2.37 — Devāpi, the brother of Mahārāja Śāntanu, and Maru, the descendant of Ikṣvāku, both possess great mystic strength and are living even now in the village of Kalāpa.

SB 12.2.38 — At the end of the Age of Kali, these two kings, having received instruction directly from the Supreme Personality of Godhead, Vāsudeva, will return to human society and reestablish the eternal religion of man, characterized by the divisions of varṇa and āśrama, just as it was before.

SB 12.2.39 — The cycle of four ages — Satya, Tretā, Dvāpara and Kali — continues perpetually among living beings on this earth, repeating the same general sequence of events.

SB 12.2.40 — My dear King Parīkṣit, all these kings I have described, as well as all other human beings, come to this earth and stake their claims, but ultimately they all must give up this world and meet their destruction.

SB 12.2.41 — Even though a person’s body may now have the designation “king,” in the end its name will be “worms,” “stool” or “ashes.” What can a person who injures other living beings for the sake of his body know about his own self-interest, since his activities are simply leading him to hell?

SB 12.2.42 — [The materialistic king thinks:] “This unbounded earth was held by my predecessors and is now under my sovereignty. How can I arrange for it to remain in the hands of my sons, grandsons and other descendants?”

SB 12.2.43 — Although the foolish accept the body made of earth, water and fire as “me” and this earth as “mine,” in every case they have ultimately abandoned both their body and the earth and passed away into oblivion.

SB 12.2.44 — My dear King Parīkṣit, all these kings who tried to enjoy the earth by their strength were reduced by the force of time to nothing more than historical accounts.

~ Srimad Bhagavatam, canto 12, chapter 2

#InternationalRebellionWeek #srimadbhagavatam

Thank you for viewing. If you like please fav and leave a nice comment. Hope to see you here again. Have a wonderful day 😊

Oxford Circus, London 🇬🇧

18th April, 2019

The Hôtel des Invalides (English: "house of invalids"), commonly called Les Invalides (French pronunciation: ​[lezɛ̃valid]), is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.

en.wikipedia.org/wiki/Les_Invalides

Excerpt from historicplaces.ca:

Description of Historic Place

Situated on the bank of the Credit River, the former private estate of Riverwood encompasses 150 acres of landscaped and naturally vegetated grounds, two houses, a barn and numerous structures, that relate to its former farming activity. Today, as a public park, it offers four interpretive terraces that relate the history of the property.

Riverwood was designated by City of Mississauga, By-law 505-2004, as a property of heritage significance.

Heritage Value

Riverwood is a 150 acre property nestled on the east bank of the Credit River. Originally a Crown land grant in 1833 to Peter McDougall, the property saw numerous owners, until it was purchased, in 1913, by W. R. Percy and Ida Parker. Parker had a stone cottage built on the ruins of a former building and used it as a summer cottage. In 1919, he commissioned architect A. S. Mathers to design a main house, which he named Riverwood. As a prominent Toronto lawyer and mining executive, Parker moved in high business and social circles and used Riverwood for entertaining influential merchants and politicians. Riverwood's most famous, and frequent, Canadian visitor was Prime Minister William Lyon Mackenzie King.

Due to financial difficulties resulting from the 1929 stock market crash and Parker's death in 1931, Ida Parker sold her property in three stages: in the late 1930s, her daughter Margaret MacEwan purchased the parcel that contained the stone cottage; in the 1940s, John and Theodosia Zaichuk bought the upper farm parcel; in 1954, Hyliard Chappell Q.C. (M.P. for Peel South, 1968-1972) and his wife Grace acquired the Riverwood parcel.

In the 1990s, it was re-assembled into a single property when the City of Mississauga purchased all three parcels. Partnering with the Credit Valley Conservation Authority and the Mississauga Garden Council, the City turned Riverwood into a public garden park, dividing it into four interpretive terraces, each named for the most recent owners: Bird Terrace, MacEwan Terrace, Zaichuk Terrace and Chappell Terrace.

The Bird and Zaichuk terraces are significant for historical reasons, as they offer examples of agricultural practices, farming techniques and rural living along the Credit River in the mid-19th century. MacEwan House is architecturally significant as a good example of a modest single-storey vernacular stone cottage. It was built by the Parkers c. 1914 on the ruins of an earlier structure, using local shale and featuring a pitched roof and multi-paned casement windows. The house was enlarged in the 1950s with an addition on the east being constructed in a similar style. The basement floor is made of concrete and horseshoes from a prize-winning horse have been embedded into it. The MacEwan barn is one-and-a-half storeys and dates from around 1865. Constructed of heavy hewn timber and clad in vertical boards throughout, it has a pitched roof and three-over-three paned windows.

The Chappell House is constructed of Credit Valley stone collected on the property. It was designed by architect A. S. Mathers in the Arts and Crafts style to blend in with the natural surroundings. It is U-shaped, with two wings extending from the dominant central portion. The steeply pitched cross-hip roof, which is covered in wood shingles, and the external chimney located in the front façade, are the dominant features. This chimney contains a stone shield with a hand-carved inscription. Two dormers break the roofline on either side of this chimney while two internal chimneys protrude above the roof.

The property is particularly valued as an important cultural landscape. Its context within the Credit River corridor has played a role in its use for farming. Its terrain and topography permitted landscape architects William Harries, Alfred Hall and Arthur Kruse to take advantage of the natural beauty in creating spectacular landscaping. The original design is still intact, with formal gardens near the main house and naturalistic plantings further afield. Other features that contribute to the landscaping include a courtyard with circular drive around a central lily pond, flagstone walkways that lead from the house to the gardens, a woodland pool and remnants of walls and fence lines. Riverwood is currently a public park and home to Visual Arts Mississauga and the Mississauga Garden Council.

Character-Defining Elements

Character defining elements that reflect the heritage value of Riverwood include its:

- spatial layout which reflects on the early development of Mississauga

- size and location along the Credit river where early agricultural practices, farming techniques and rural living were once prominent

- Arts and Crafts style of the Parker/Chappell House and its construction in Credit Valley stone, its design by A. S. Mathers, the U-shaped floor plan, cross-hip roof, wood shingles, external chimney

- vernacular style of the MacEwan House, with its stone construction, pitched roof and concrete basement floor

- location on the bank of the Credit River

- landscaping continuum, from formal to natural, including man-made structures of courtyard, driveway, pond, walkways, nature trails and woodland pool

- one-and-a-half storey MacEwan barn with heavy hewn timber and clad in vertical boards, pitched roof and three-over-three paned windows

- remnants of walls and fence lines

"Dreams relating to a house often refers to various aspects of yourself. When trying to analyze the house in your dream, consider also how the house is kept and the condition of it. The rooms in the house relate to facets of your personality. To see an old, run-down house in your dream, represents your old beliefs, attitudes and how you used to think or feel. A situation in your current life may be bringing about those same old attitudes and feelings."

-Dream Dictionary

Albright-Knox Gallery, Buffalo

Leabrook Resthaven.

The history of the Queen Anne style house at Leabrook relates to the rising fortunes of Mr F.C Catt. The Catt family resided from early days in the 1870s in Gladstone in the Mid North of South Australia. Mr Catt senior was a state politician, a member of the Wesleyan Methodist Synod and a strong community worker. His son F. C catt moved to Adelaide and worked in the drapery trade for some years before opening his own Adelaide Speciality Stores in 1905 at 70 Rundle Street almost next door to Balfours bakery and café. He expanded quickly and opened an Adelaide Specialty Store in Gladstone in 1906 and a further one in Balaklava some years later. He eventually had his city stores based from 64 to 72 Rundle Street. As a successful drapers and store operator he built a fine Queen Anne villa on Glynburn Road Leabrook in 1910. Around the time he closed his Balaklava and other stores he sold the villa to the Cooper brewing family of Leabrook. They owned the house until it was sold to the Methodist Church in 1944. The Methodist Church had founded a home for elderly ladies in 1935 at Brighton. In the same year the Methodist Church opened another rest home at Payneham. The homes were known as Methodist Homes for Ladies and later for the Elderly as they began to accept male residents. The villa at Leabrook was purchased in 1944 and it became the first Resthaven in 1947 when the Methodist Church adopted the name of Resthaven Homes. With many additions the Queen Anne villa still operates as a Resthaven Aged Care Facility.

She'll be a good Mom.

View On Black

(thats yogurt on her facec btw)

I feel like crap today. I'm feeling stressed out, and tired. I got a sore throat too.

I'll probably laze around all day. I find sleeping a complete waste of time, but I might have to give in. I'm exhausted.

GAH.

I should move to something happier. Like, The fact that Chase Coy and Joe Brooks have made my day slightly better. I love there music. Its totally relate-able, and I can't count how many times I've cried while listening to Chase Coy. DANG. They're fab.

I'm supposed to be doing home work, I'm not. I'm too busy thinking about more important things, like how I'm going to make myself slightly happier, and why bubble gum is the only gum you can blow bubbles with (That question seems to be haunting me).

Maybe I could ASK.com it? I'm not sure. I should try. I've seen the commercials. ASK. com is supposed to be a very useful site.

www.wikihow.com/Blow-a-Bubble-with-Bubblegum

I found that, It might be slightly useful. Although I still have no clue why, It seems I've been blowing bubbles my whole life wrong.

I usually flatten the gum against the roof of my mouth, and then move it to my teeth, I think it works better that way.

Thats stressful to know.

Today's Discovery's:

I have been blowing bubbles wrong.

HAPPY BIRTHDAY BECCA.

The massive bruise on my leg is gone.

I feel asleep watching "dragonheart" with Alexa last night.

Song of the day: Foolish Man - Joe Brooks

Blueberry - Can't Relate - Cardigans - No Top - Maitreya

ISON - evita knit top - black (maitreya)

at collabor 88

ISON - mallen leggings - black (maitreya)

DOUX - Ines Hairstyle [L]

LeLUTKA.Head.Lilly.2.5

skin ITgirls lelutka ryn pearl

Visit this location in Second Life

Look into my eyes

Outlandish

Look into my eyes

Tell me what you see

You don't see a damn thing

'cause you can't relate to me

You're blinded by our differences

My life makes no sense to you

I'm the persecuted one

You're the red, white and blue

Each day you wake in tranquility

No fears to cross your eyes

Each day I wake in gratitude

Thanking God He let me rise

You worry about your education

And the bills you have to pay

I worry about my vulnerable life

And if I'll survive another day

Your biggest fear is getting a ticket

As you cruise your Cadillac

My fear is that the tank that has just left

Will turn around and come back

As of 3/14, there's a new receptacle in the same place (outside the New School) - seems to be some kind of project relating to cigarette filters.

The Symptoms of Kali-yuga

www.vedabase.com/en/sb/12/2

This chapter relates that, when the bad qualities of the Age of Kali will increase to an intolerable level, the Supreme Personality of Godhead will descend as Kalki to destroy those who are fixed in irreligion. After that, a new Satya-yuga will begin.

As the Age of Kali progresses, all good qualities of men diminish and all impure qualities increase. Atheistic systems of so-called religion become predominant, replacing the codes of Vedic law. The kings become just like highway bandits, the people in general become dedicated to low occupations, and all the social classes become just like śūdras. All cows become like goats, all spiritual hermitages become like materialistic homes, and family ties extend no further than the immediate relationship of marriage.

When the Age of Kali has almost ended, the Supreme Personality of Godhead will incarnate. He will appear in the village Śambhala, in the home of the exalted brāhmaṇa Viṣṇuyaśā, and will take the name Kalki. He will mount His horse Devadatta and, taking His sword in hand, will roam about the earth killing millions of bandits in the guise of kings. Then the signs of the next Satya-yuga will begin to appear. When the moon, sun and the planet Bṛhaspati enter simultaneously into one constellation and conjoin in the lunar mansion Puṣyā, Satya-yuga will begin. In the order of Satya, Tretā, Dvāpara and Kali, the cycle of four ages rotates in the society of living entities in this universe.

The chapter ends with a brief description of the future dynasties of the sun and moon coming from Vaivasvata Manu in the next Satya-yuga. Even now two saintly kṣatriyas are living who at the end of this Kali-yuga will reinitiate the pious dynasties of the sun-god, Vivasvān, and the moon-god, Candra. One of these kings is Devāpi, a brother of Mahārāja Śantanu, and the other is Maru, a descendant of Ikṣvāku. They are biding their time incognito in a village named Kalāpa.

SB 12.2.1 — Śukadeva Gosvāmī said: Then, O King, religion, truthfulness, cleanliness, tolerance, mercy, duration of life, physical strength and memory will all diminish day by day because of the powerful influence of the Age of Kali.

SB 12.2.2 — In Kali-yuga, wealth alone will be considered the sign of a man’s good birth, proper behavior and fine qualities. And law and justice will be applied only on the basis of one’s power.

SB 12.2.3 — Men and women will live together merely because of superficial attraction, and success in business will depend on deceit. Womanliness and manliness will be judged according to one’s expertise in sex, and a man will be known as a brāhmaṇa just by his wearing a thread.

SB 12.2.4 — A person’s spiritual position will be ascertained merely according to external symbols, and on that same basis people will change from one spiritual order to the next. A person’s propriety will be seriously questioned if he does not earn a good living. And one who is very clever at juggling words will be considered a learned scholar.

SB 12.2.5 — A person will be judged unholy if he does not have money, and hypocrisy will be accepted as virtue. Marriage will be arranged simply by verbal agreement, and a person will think he is fit to appear in public if he has merely taken a bath.

SB 12.2.6 — A sacred place will be taken to consist of no more than a reservoir of water located at a distance, and beauty will be thought to depend on one’s hairstyle. Filling the belly will become the goal of life, and one who is audacious will be accepted as truthful. He who can maintain a family will be regarded as an expert man, and the principles of religion will be observed only for the sake of reputation.

SB 12.2.7 — As the earth thus becomes crowded with a corrupt population, whoever among any of the social classes shows himself to be the strongest will gain political power.

SB 12.2.8 — Losing their wives and properties to such avaricious and merciless rulers, who will behave no better than ordinary thieves, the citizens will flee to the mountains and forests.

SB 12.2.9 — Harassed by famine and excessive taxes, people will resort to eating leaves, roots, flesh, wild honey, fruits, flowers and seeds. Struck by drought, they will become completely ruined.

SB 12.2.10 — The citizens will suffer greatly from cold, wind, heat, rain and snow. They will be further tormented by quarrels, hunger, thirst, disease and severe anxiety.

SB 12.2.11 — The maximum duration of life for human beings in Kali-yuga will become fifty years.

SB 12.2.12-16 — By the time the Age of Kali ends, the bodies of all creatures will be greatly reduced in size, and the religious principles of followers of varṇāśrama will be ruined. The path of the Vedas will be completely forgotten in human society, and so-called religion will be mostly atheistic. The kings will mostly be thieves, the occupations of men will be stealing, lying and needless violence, and all the social classes will be reduced to the lowest level of śūdras. Cows will be like goats, spiritual hermitages will be no different from mundane houses, and family ties will extend no further than the immediate bonds of marriage. Most plants and herbs will be tiny, and all trees will appear like dwarf śamī trees. Clouds will be full of lightning, homes will be devoid of piety, and all human beings will have become like asses. At that time, the Supreme Personality of Godhead will appear on the earth. Acting with the power of pure spiritual goodness, He will rescue eternal religion.

SB 12.2.17 — Lord Viṣṇu — the Supreme Personality of Godhead, the spiritual master of all moving and nonmoving living beings, and the Supreme Soul of all — takes birth to protect the principles of religion and to relieve His saintly devotees from the reactions of material work.

SB 12.2.18 — Lord Kalki will appear in the home of the most eminent brāhmaṇa of Śambhala village, the great soul Viṣṇuyaśā.

SB 12.2.19-20 — Lord Kalki, the Lord of the universe, will mount His swift horse Devadatta and, sword in hand, travel over the earth exhibiting His eight mystic opulences and eight special qualities of Godhead. Displaying His unequaled effulgence and riding with great speed, He will kill by the millions those thieves who have dared dress as kings.

SB 12.2.21 — After all the impostor kings have been killed, the residents of the cities and towns will feel the breezes carrying the most sacred fragrance of the sandalwood paste and other decorations of Lord Vāsudeva, and their minds will thereby become transcendentally pure.

SB 12.2.22 — When Lord Vāsudeva, the Supreme Personality of Godhead, appears in their hearts in His transcendental form of goodness, the remaining citizens will abundantly repopulate the earth.

SB 12.2.23 — When the Supreme Lord has appeared on earth as Kalki, the maintainer of religion, Satya-yuga will begin, and human society will bring forth progeny in the mode of goodness.

SB 12.2.24 — When the moon, the sun and Bṛhaspatī are together in the constellation Karkaṭa, and all three enter simultaneously into the lunar mansion Puṣyā — at that exact moment the age of Satya, or Kṛta, will begin.

SB 12.2.25 — Thus I have described all the kings — past, present and future — who belong to the dynasties of the sun and the moon.

SB 12.2.26 — From your birth up to the coronation of King Nanda, 1,150 years will pass.

SB 12.2.27-28 — Of the seven stars forming the constellation of the seven sages, Pulaha and Kratu are the first to rise in the night sky. If a line running north and south were drawn through their midpoint, whichever of the lunar mansions this line passes through is said to be the ruling asterism of the constellation for that time. The Seven Sages will remain connected with that particular lunar mansion for one hundred human years. Currently, during your lifetime, they are situated in the nakṣatra called Maghā.

SB 12.2.29 — The Supreme Lord, Viṣṇu, is brilliant like the sun and is known as Kṛṣṇa. When He returned to the spiritual sky, Kali entered this world, and people then began to take pleasure in sinful activities.

SB 12.2.30 — As long as Lord Śrī Kṛṣṇa, the husband of the goddess of fortune, touched the earth with His lotus feet, Kali was powerless to subdue this planet.

SB 12.2.31 — When the constellation of the seven sages is passing through the lunar mansion Maghā, the Age of Kali begins. It comprises twelve hundred years of the demigods.

SB 12.2.32 — When the great sages of the Saptarṣi constellation pass from Maghā to Pūrvāsāḍhā, Kali will have his full strength, beginning from King Nanda and his dynasty.

SB 12.2.33 — Those who scientifically understand the past declare that on the very day that Lord Śrī Kṛṣṇa departed for the spiritual world, the influence of the Age of Kali began.

SB 12.2.34 — After the one thousand celestial years of Kali-yuga, the Satya-yuga will manifest again. At that time the minds of all men will become self-effulgent.

SB 12.2.35 — Thus I have described the royal dynasty of Manu, as it is known on this earth. One can similarly study the history of the vaiśyas, śūdras and brāhmaṇas living in the various ages.

SB 12.2.36 — These personalities, who were great souls, are now known only by their names. They exist only in accounts from the past, and only their fame remains on the earth.

SB 12.2.37 — Devāpi, the brother of Mahārāja Śāntanu, and Maru, the descendant of Ikṣvāku, both possess great mystic strength and are living even now in the village of Kalāpa.

SB 12.2.38 — At the end of the Age of Kali, these two kings, having received instruction directly from the Supreme Personality of Godhead, Vāsudeva, will return to human society and reestablish the eternal religion of man, characterized by the divisions of varṇa and āśrama, just as it was before.

SB 12.2.39 — The cycle of four ages — Satya, Tretā, Dvāpara and Kali — continues perpetually among living beings on this earth, repeating the same general sequence of events.

SB 12.2.40 — My dear King Parīkṣit, all these kings I have described, as well as all other human beings, come to this earth and stake their claims, but ultimately they all must give up this world and meet their destruction.

SB 12.2.41 — Even though a person’s body may now have the designation “king,” in the end its name will be “worms,” “stool” or “ashes.” What can a person who injures other living beings for the sake of his body know about his own self-interest, since his activities are simply leading him to hell?

SB 12.2.42 — [The materialistic king thinks:] “This unbounded earth was held by my predecessors and is now under my sovereignty. How can I arrange for it to remain in the hands of my sons, grandsons and other descendants?”

SB 12.2.43 — Although the foolish accept the body made of earth, water and fire as “me” and this earth as “mine,” in every case they have ultimately abandoned both their body and the earth and passed away into oblivion.

SB 12.2.44 — My dear King Parīkṣit, all these kings who tried to enjoy the earth by their strength were reduced by the force of time to nothing more than historical accounts.

~ Srimad Bhagavatam, canto 12, chapter 2

#InternationalRebellionWeek #srimadbhagavatam

Thank you for viewing. If you like please fav and leave a nice comment. Hope to see you here again. Have a wonderful day 😊

Oxford Circus, London 🇬🇧

18th April, 2019

The Symptoms of Kali-yuga

www.vedabase.com/en/sb/12/2

This chapter relates that, when the bad qualities of the Age of Kali will increase to an intolerable level, the Supreme Personality of Godhead will descend as Kalki to destroy those who are fixed in irreligion. After that, a new Satya-yuga will begin.

As the Age of Kali progresses, all good qualities of men diminish and all impure qualities increase. Atheistic systems of so-called religion become predominant, replacing the codes of Vedic law. The kings become just like highway bandits, the people in general become dedicated to low occupations, and all the social classes become just like śūdras. All cows become like goats, all spiritual hermitages become like materialistic homes, and family ties extend no further than the immediate relationship of marriage.

When the Age of Kali has almost ended, the Supreme Personality of Godhead will incarnate. He will appear in the village Śambhala, in the home of the exalted brāhmaṇa Viṣṇuyaśā, and will take the name Kalki. He will mount His horse Devadatta and, taking His sword in hand, will roam about the earth killing millions of bandits in the guise of kings. Then the signs of the next Satya-yuga will begin to appear. When the moon, sun and the planet Bṛhaspati enter simultaneously into one constellation and conjoin in the lunar mansion Puṣyā, Satya-yuga will begin. In the order of Satya, Tretā, Dvāpara and Kali, the cycle of four ages rotates in the society of living entities in this universe.

The chapter ends with a brief description of the future dynasties of the sun and moon coming from Vaivasvata Manu in the next Satya-yuga. Even now two saintly kṣatriyas are living who at the end of this Kali-yuga will reinitiate the pious dynasties of the sun-god, Vivasvān, and the moon-god, Candra. One of these kings is Devāpi, a brother of Mahārāja Śantanu, and the other is Maru, a descendant of Ikṣvāku. They are biding their time incognito in a village named Kalāpa.

SB 12.2.1 — Śukadeva Gosvāmī said: Then, O King, religion, truthfulness, cleanliness, tolerance, mercy, duration of life, physical strength and memory will all diminish day by day because of the powerful influence of the Age of Kali.

SB 12.2.2 — In Kali-yuga, wealth alone will be considered the sign of a man’s good birth, proper behavior and fine qualities. And law and justice will be applied only on the basis of one’s power.

SB 12.2.3 — Men and women will live together merely because of superficial attraction, and success in business will depend on deceit. Womanliness and manliness will be judged according to one’s expertise in sex, and a man will be known as a brāhmaṇa just by his wearing a thread.

SB 12.2.4 — A person’s spiritual position will be ascertained merely according to external symbols, and on that same basis people will change from one spiritual order to the next. A person’s propriety will be seriously questioned if he does not earn a good living. And one who is very clever at juggling words will be considered a learned scholar.

SB 12.2.5 — A person will be judged unholy if he does not have money, and hypocrisy will be accepted as virtue. Marriage will be arranged simply by verbal agreement, and a person will think he is fit to appear in public if he has merely taken a bath.

SB 12.2.6 — A sacred place will be taken to consist of no more than a reservoir of water located at a distance, and beauty will be thought to depend on one’s hairstyle. Filling the belly will become the goal of life, and one who is audacious will be accepted as truthful. He who can maintain a family will be regarded as an expert man, and the principles of religion will be observed only for the sake of reputation.

SB 12.2.7 — As the earth thus becomes crowded with a corrupt population, whoever among any of the social classes shows himself to be the strongest will gain political power.

SB 12.2.8 — Losing their wives and properties to such avaricious and merciless rulers, who will behave no better than ordinary thieves, the citizens will flee to the mountains and forests.

SB 12.2.9 — Harassed by famine and excessive taxes, people will resort to eating leaves, roots, flesh, wild honey, fruits, flowers and seeds. Struck by drought, they will become completely ruined.

SB 12.2.10 — The citizens will suffer greatly from cold, wind, heat, rain and snow. They will be further tormented by quarrels, hunger, thirst, disease and severe anxiety.

SB 12.2.11 — The maximum duration of life for human beings in Kali-yuga will become fifty years.

SB 12.2.12-16 — By the time the Age of Kali ends, the bodies of all creatures will be greatly reduced in size, and the religious principles of followers of varṇāśrama will be ruined. The path of the Vedas will be completely forgotten in human society, and so-called religion will be mostly atheistic. The kings will mostly be thieves, the occupations of men will be stealing, lying and needless violence, and all the social classes will be reduced to the lowest level of śūdras. Cows will be like goats, spiritual hermitages will be no different from mundane houses, and family ties will extend no further than the immediate bonds of marriage. Most plants and herbs will be tiny, and all trees will appear like dwarf śamī trees. Clouds will be full of lightning, homes will be devoid of piety, and all human beings will have become like asses. At that time, the Supreme Personality of Godhead will appear on the earth. Acting with the power of pure spiritual goodness, He will rescue eternal religion.

SB 12.2.17 — Lord Viṣṇu — the Supreme Personality of Godhead, the spiritual master of all moving and nonmoving living beings, and the Supreme Soul of all — takes birth to protect the principles of religion and to relieve His saintly devotees from the reactions of material work.

SB 12.2.18 — Lord Kalki will appear in the home of the most eminent brāhmaṇa of Śambhala village, the great soul Viṣṇuyaśā.

SB 12.2.19-20 — Lord Kalki, the Lord of the universe, will mount His swift horse Devadatta and, sword in hand, travel over the earth exhibiting His eight mystic opulences and eight special qualities of Godhead. Displaying His unequaled effulgence and riding with great speed, He will kill by the millions those thieves who have dared dress as kings.

SB 12.2.21 — After all the impostor kings have been killed, the residents of the cities and towns will feel the breezes carrying the most sacred fragrance of the sandalwood paste and other decorations of Lord Vāsudeva, and their minds will thereby become transcendentally pure.

SB 12.2.22 — When Lord Vāsudeva, the Supreme Personality of Godhead, appears in their hearts in His transcendental form of goodness, the remaining citizens will abundantly repopulate the earth.

SB 12.2.23 — When the Supreme Lord has appeared on earth as Kalki, the maintainer of religion, Satya-yuga will begin, and human society will bring forth progeny in the mode of goodness.

SB 12.2.24 — When the moon, the sun and Bṛhaspatī are together in the constellation Karkaṭa, and all three enter simultaneously into the lunar mansion Puṣyā — at that exact moment the age of Satya, or Kṛta, will begin.

SB 12.2.25 — Thus I have described all the kings — past, present and future — who belong to the dynasties of the sun and the moon.

SB 12.2.26 — From your birth up to the coronation of King Nanda, 1,150 years will pass.

SB 12.2.27-28 — Of the seven stars forming the constellation of the seven sages, Pulaha and Kratu are the first to rise in the night sky. If a line running north and south were drawn through their midpoint, whichever of the lunar mansions this line passes through is said to be the ruling asterism of the constellation for that time. The Seven Sages will remain connected with that particular lunar mansion for one hundred human years. Currently, during your lifetime, they are situated in the nakṣatra called Maghā.

SB 12.2.29 — The Supreme Lord, Viṣṇu, is brilliant like the sun and is known as Kṛṣṇa. When He returned to the spiritual sky, Kali entered this world, and people then began to take pleasure in sinful activities.

SB 12.2.30 — As long as Lord Śrī Kṛṣṇa, the husband of the goddess of fortune, touched the earth with His lotus feet, Kali was powerless to subdue this planet.

SB 12.2.31 — When the constellation of the seven sages is passing through the lunar mansion Maghā, the Age of Kali begins. It comprises twelve hundred years of the demigods.

SB 12.2.32 — When the great sages of the Saptarṣi constellation pass from Maghā to Pūrvāsāḍhā, Kali will have his full strength, beginning from King Nanda and his dynasty.

SB 12.2.33 — Those who scientifically understand the past declare that on the very day that Lord Śrī Kṛṣṇa departed for the spiritual world, the influence of the Age of Kali began.

SB 12.2.34 — After the one thousand celestial years of Kali-yuga, the Satya-yuga will manifest again. At that time the minds of all men will become self-effulgent.

SB 12.2.35 — Thus I have described the royal dynasty of Manu, as it is known on this earth. One can similarly study the history of the vaiśyas, śūdras and brāhmaṇas living in the various ages.

SB 12.2.36 — These personalities, who were great souls, are now known only by their names. They exist only in accounts from the past, and only their fame remains on the earth.

SB 12.2.37 — Devāpi, the brother of Mahārāja Śāntanu, and Maru, the descendant of Ikṣvāku, both possess great mystic strength and are living even now in the village of Kalāpa.

SB 12.2.38 — At the end of the Age of Kali, these two kings, having received instruction directly from the Supreme Personality of Godhead, Vāsudeva, will return to human society and reestablish the eternal religion of man, characterized by the divisions of varṇa and āśrama, just as it was before.

SB 12.2.39 — The cycle of four ages — Satya, Tretā, Dvāpara and Kali — continues perpetually among living beings on this earth, repeating the same general sequence of events.

SB 12.2.40 — My dear King Parīkṣit, all these kings I have described, as well as all other human beings, come to this earth and stake their claims, but ultimately they all must give up this world and meet their destruction.

SB 12.2.41 — Even though a person’s body may now have the designation “king,” in the end its name will be “worms,” “stool” or “ashes.” What can a person who injures other living beings for the sake of his body know about his own self-interest, since his activities are simply leading him to hell?

SB 12.2.42 — [The materialistic king thinks:] “This unbounded earth was held by my predecessors and is now under my sovereignty. How can I arrange for it to remain in the hands of my sons, grandsons and other descendants?”

SB 12.2.43 — Although the foolish accept the body made of earth, water and fire as “me” and this earth as “mine,” in every case they have ultimately abandoned both their body and the earth and passed away into oblivion.

SB 12.2.44 — My dear King Parīkṣit, all these kings who tried to enjoy the earth by their strength were reduced by the force of time to nothing more than historical accounts.

~ Srimad Bhagavatam, canto 12, chapter 2

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18th April, 2019