View allAll Photos Tagged Relatable
In Explore: Highest position: 390 on Wednesday, June 14, 2023
Risin og Kellingin (Risin and Kellingin) are two sea stacks just off the northern coast of the island of Eysturoy in the Faroe Islands close to the town of Eiði. The name Risin og Kellingin means The Giant and the Witch (or Hag) and relates to an old legend about their origins. The Giant (Risin) is the 71m stack further from the coast, and the witch (Kellingin) is the 68m pointed stack nearer land, standing with her legs apart.
A legend tells how, once upon a time, the giants in Iceland were envious and decided that they wanted the Faroes. So the giant and the witch (his wife in some versions of the story) were sent down to the Faroe Islands to bring them back.
They reached the north-westernmost mountain Eiðiskollur, and the giant stayed in the sea while the witch climbed up the mountain with a heavy rope to tie the islands together so that she could push them onto the giant's back. However, when she attached the rope to the mountain and pulled, the northern part of the mountain split. Further attempts were also unsuccessful, and they struggled through the night, but the base of the mountain was firm and they could not move it.
If the sun shines on a giant or witch, it turns to stone. So it was that as they continued to struggle they didn't notice time passing, and as dawn broke a shaft of sunlight put a stop to their efforts by turning them to stone on the spot. They have stood there ever since, staring longingly across the ocean towards Iceland.
Føroyar
Faeröer
Faroe Islands
Færøerne
Explore Dec 16, 2015 #66
In 1943 Dutch artist M. C. Escher created a reptile lithograph that depicts a desk on which there is a drawing of a pattern of reptiles. The reptiles come to life and crawl around the desk, over the objects on it and eventually re-enter the drawing.
Escher would love the colors and patterns here! The Common Agama, Red-headed Rock Agama, or Rainbow Agama (Agama agama) is a species of lizard from the Agamidae family, found in most of Subsaharan Africa.
It can often be seen in the heat of the day. In the breeding season, the males develop dramatically colorful markings, the head and neck and tail turning bright orange, and the body dark blue. Outside of the breeding season, the male is a plain brown. The females and juveniles are always more cryptically marked. This lizard can be found climbing rocks and walls. Its primary source of food is insects.
The males are territorial, claiming small to medium patches of land which they defend against other mature males. Juveniles and females reside within the territories unchallenged. The mature males become agitated when confronting each other; nodding vigorously, arching, skipping sideways, and clashing tails. The loser is chased out of the territory.
Fairchild Tropical Botanic Garden, Miami FL
RELATES TO LEEDS TOTW: STAIRS (John Fotohouse Jan 2009)
Alas, she will never resemble my dear departed friend.
www.flickr.com/photos/jamesw-bell/292288524/
Though she looked quite interesting with these lights and shadows!
A long exposure here relates to the tired weather beaten lighthouse situated at the end of Neist Point on the extreme Western tip of the Isle of Skye.
This iconic landmark is quite dishevelled when you get up close to it. I spent some time exploring this location on a recent trip to the island. This was the best of several attempts at a long exposure shot from the top of the cliffs. The wind was gusting and despite my best efforts to try and keep the tripod and camera steady the wind was winning!
You can make out the Island of Uist in the Outer Hebrides on the far horizon.
Another Image relating to History. This is a statue of Queen Victoria holding her regalia. In the background is an example from the centre of Birmingham of the sort of buildings of visual power that she managed to lead over decades.
This video “MIX 9” is another selection of images, both graphic, design and Photographic. The idea is to show the range of styles and techniques from right across my wide range of styles. It is followed in my Photostream by individual images taken from the video, but shown as single images at full size. These will appear on my photostream spread over the following week.
There are more examples of these Mixes on my portfolio website :-
Tales of history relate that Dinajpur derived its name from Raja Dinaj or Dinaraj, founder of the Dinajpur Rajbari. But others say that after usurping the Ilyas Shahi rule, the famous Raja Ganesh of the early 15th century was the real founder of this house for a brief period. At the end of the 17th century Srimanta Dutta Chaudhury became the zamindar of Dinajpur and after him, his sister's son Sukhdeva Ghosh inherited the property as Srimanta's son had a premature death. Sukhdeva's son Prannath Ray became famous and powerful and began the construction of the famous Kantanagar Nava-Ratna Temple, now known as the Kantajir Mandir, one of the most precious heritage structures.
It is difficult to conceive what the main palace block looked like when it was young and bold. Wild leaves and veins have wrapped the building like octopus tendrils while the skeleton and naked brick structures give a horrid look as the ageing plaster is almost worn out of the walls. In different parts of the building, structural girders are exposed while there is no roof above. Still from his historical study and the remaining ruins, Dr Nazimuddin Ahmed gave a vivid description of the structures in one of his publications published in 1986.
"The imposing façade of the two-storey palace, facing east has a broad frontage of about 150 feet. The central part carrying a 10 feet wide verandah above is projected prominently. The front projection has a series of elegant Ionic columns in pairs with round shafts on the upper floor.
"The parapet is plain except for a curved plaque-wall in the centre, bearing in relief, two elephants standing face to face and holding a crown. Above and below it are some indistinct English letters. On either side of the balcony a broad spiral masonry staircase leads up to the upper storey. The roof of the 15 feet wide balcony collapsed.
"Immediately behind the balcony a large hall (50"X20") originally flagged with white marble stone and flanked by two 10" wide verandahs on the east and west is roofed over with massive iron girders. The lofty 25 feet high roof is in a highly disintegrating condition. On its north there is another smaller (30"X 20") hall and on the south a broad corridor leads to the inner quadrangle of residential quarters."
If the bricks could paint or write the tales of the Rajbari and its inhabitants, what a book could have been written! But with the silent walls, the palace has now grown old and inexpressive. It has faced not only the cruelty of time but also the ravages of nature like the 1897 earthquake that had left it badly damaged. Although the palace was largely rebuilt by Maharaja Sir Girijanath Ray Bahadur, time has not spared it from its claws. It is up to us now whether we would at least let the ruins remain and let our future generations see them and let their imagination flow back to the past and touch our heritage.
other pictures from the set Dinajpur Rajbari .... Discovering the hidden glory
His Golden Touch
One day, as Ovid relates in Metamorphoses XI, Dionysus found that his old schoolmaster and foster father, the satyr Silenus, was missing. The old satyr had been drinking wine and wandered away drunk, to be found by some Phrygian peasants who carried him to their king, Midas (alternatively, Silenus passed out in Midas' rose garden). Midas recognized him and treated him hospitably, entertaining him for ten days and nights with politeness, while Silenus delighted Midas and his friends with stories and songs. On the eleventh day, he brought Silenus back to Dionysus in Lydia. Dionysus offered Midas his choice of whatever reward he wished for. Midas asked that whatever he might touch should be changed into gold.
Midas rejoiced in his new power, which he hastened to put to the test. He touched an oak twig and a stone; both turned to gold. Overjoyed, as soon as he got home, he touched every rose in the rose garden, and all became gold. He ordered the servants to set a feast on the table. Upon discovering how even the food and drink turned into gold in his hands, he regretted his wish and cursed it. Claudian states in his In Rufinem: "So Midas, king of Lydia, swelled at first with pride when he found he could transform everything he touched to gold; but when he beheld his food grow rigid and his drink harden into golden ice then he understood that this gift was a bane and in his loathing for gold, cursed his prayer."
Years later, after having lived in an illusion of grandeur due to the fifteen minutes of race stardom, the tortoise finds himself roaming the seediest speakeasies and turtle brothels. Exhausting all connections and friendships, he once again finds himself alone.
Poor reptile, I can relate.
As you can probably tell from this post, I am suffering from the photographers equivalent of writers block. I recently purchased a new lens and have some time this weekend to shoot, hopefully I will have something more interesting to post soon.
highest position #1
Please do not steal my images. I may give permission to use if you ask me.
Await and Awaken©
Relate within the same letter of life's law
As easy as a first breath of cherishment galore
Howsoever the day may have begun,
It's course in your hands may still be spun
That door remains open till the day is done
To welcome with opportune resolve life's home run
Call it emotional topiary, your garden, your space
No overnight fantasticism can over-emphasise apace
The quality of being the mirror before sightseeing seen,
Sets the beautified scene so miraculously serene
Renewable, inexhaustible, when finally found it's never lost
That is the feeling of being warmed at the touch of a Sun thawing frost
Two worlds away unite within the same second
As much as the first owes the last over which it is reckoned
Birthdays split the differences as we all move through time at the same pace
Every range of clock face imaginable and none a disgrace
It tells of antiquity within the presence of valour
And speaks a charmed silence which awaits and awakens within flowing candour.
by anglia24
10h45: 24/01/2009
©2009 anglia24
Loup des bois . Gray Wolf
Shot at Parc Omega which is a ten-kilometer nature roadway in Montebello, Quebec.
I think most anyone can relate to a desire to talk to someone we no longer can. For whatever reason, whether it be for estrangement or death, there are some people we wish we could talk to but can't. These are conversations unfinished, ties untethered, connections lost. Sometimes those manifest into conversations we have with ourselves, because that is the only cathartic closure or resolution there is. The morning at dawn when I shot this, I thought of how connected I feel to my grandfather when I'm out alone in nature. How I feel I am sort of with him when I'm surrounded by trees, as if his memory is tied somehow to the tall oaks, redbuds and pines of our Oklahoma landscape. In Native American lore, they believe that when a loved one dies a red fern grows in its place as a symbol of eternity, and the kind of love that transcends time.
Sea Princess Scenic Nature, Seals & Fjord Cruise tour out of Northeast Harbor Maine is a great way to see Nature and spectacular views of Mount Desert Island.
Of ossuaries that came to rest upon the platforms amongst the striking sky breaching stellar stone gnomons I would a history here be told,
and if you had the ears for such I could to you a tale of men and gods relate to you men in this age of differing gods their sacred store unfold.
I take it that you will not be taking me up upon my boast of an introduction to an oral exploration of the ways of men that compose level platforms to set in stone the land based embracement that watches Equinox and Solstice taking the light woven from The Sun and The Moon and in that returning weft adds the long lengthening warp of Stars and Star Shepherding Planets such that The Morning Star corrects our cyclical weft turned and turned about calendar and gives us the making of moments heard in the pulse of the astral divine whose breath brings warmth from ice and who in taught texture gifts inspiration to continuation of warp and voice in me with life enough to sing of the Cosmic Stirring and of the seeming endless muddling, mixing and making of all Life from Death and of seed aplenty to grow out of famine following the keening and of the kenning to dwell within waking and to prosper without dream.
Star light above and fire bright in the centre of us are not strictly necessary, but they do bring us closer in to form our listening and to forge our tale within a bounded boarded bonded ring...
© PHH Sykes 2026
phhsykes@gmail.com
These links set below provide a much better introduction to Machrie Moor than my song sung into the wind unsettling as a bardic prologue above.
Machrie Moor Standing Stones
Near Blackwaterfoot, Arran
www.historicenvironment.scot/visit/all/machrie-moor-stand...
History and stories, Machrie Moor Standing Stones
Near Blackwaterfoot, Arran
www.historicenvironment.scot/visit/all/machrie-moor-stand...
Machrie Moor
www.themodernantiquarian.com/site/161/machrie-moor
Machrie Moor
www.themodernantiquarian.com/forum/2/161/17743/194651
Site Name: Machrie Moor 1.
www.megalithic.co.uk/article.php?sid=439
Site Name: Machrie Moor 10 Alternative Name: Moss Farm Road, Machrie X
www.megalithic.co.uk/article.php?sid=1111
Machrie Moor the urban prehistorian
theurbanprehistorian.wordpress.com/tag/machrie-moor/
Arran, Machrie Moor, Trove Scotland
National Record of the Historic Environment (NRHE) ID: 39699
Over 200 digital images
Arran, Machrie Moor 2, Trove Scotland
www.trove.scot/place/39702?tab=images
Fingal’s Cauldron Seat, Machrie Moor, Kilmory, Arran
www.thenorthernantiquarian.org/2014/07/13/fingals-cauldro...
Machrie Moor Stone Circles
112 pictures in 2012, #29 Leap Day (any shot to be taken on, or relating to 29th Februari2012)
Explore, Highest position: #132 on Wednesday, March 7, 2012
It is truly difficult to effectively relate how graceful and ethereal Manta Rays are as they perform their nightly ballet in the warm waters near Kona Hawaii. This image perhaps does the work of hundreds of adjectives in relating the emotion you feel as these massive creatures glide inches from your face.
If you would like to read more about swimming with Mantas and see more photos of this adventure, check-out my blog article: www.firefallphotography.com/swimming-manta-rays-tips-phot...
Have a great day!
Jeff
My Website ¦ Facebook ¦ My Blog ¦ Google+
Explored 9/21/13
Pick a book, any book with 233 pages or more. Look at page 233 and see if takes you anywhere new. Maybe there is a parallel you can relate to and it could inspire new creativity. You never know until you look...
I absolutely adore vintage books and have a lovely collection of them. I picked out some books that had green covers and randomly chose this one first. This was page 233 of Kon-Tiki by Thor Heyerdahl, the man who led the expedition. I really never knew much that about it until this, it's an amazing story!
✽
I am reposting this message and creation from my December 2019 post
Although this was written in 2019 I knew something big was going to take place on earth in the months ahead.
It is as relevant today as it was back in 2019 because it relates to today in 2021
I underestimated the severity of this message. In saying this I was extremely unsettled for many months and prayed as I knew something was going to happen but I did not know exactly what.
I had endured many months of suffering knowing. Through this process things became crystal clear to me and with that an understanding of the higher picture and ultimately a sense of surrendering to 'what is' and a sense of Peace and Calm came with this, along with so much gratitude for being guided and shown. A blessing and a curse
To add to this, many souls have sacrificed themselves - knowingly and unknowingly to wake up humanity.
We can never know the soul agreement that each of us has made when we birthed into this world.
I am eternally grateful to the many souls who have endured hell on earth, lost their lives to awaken the masses to the reality of this world.
There are many people at this time on earth who are struggling with all that is happening in our world.
I was guided with this message and design back in 2019 - it started many months before it was completed by December of that year.
I hope that this message will bring some understanding and comfort to anyone who is struggling right now.
Despite her name Black Winged Goddess, she does bring a message of Hope and Unity to humanity.
We are living in times of great destruction of the world as we know it, earth changes, fires, floods, earthquakes.
Here alone in Australia we sit in horror at the extent of the fires rampage across the country. Unprecedented fires and weather in the history of our existence (well what is on record)
Whilst horrific - the earth we live on has always been full of cyclic changes.
Ancient cities have been discovered under the sea, we are naive to think that the world as we know it will remain the same.
What continents exist now may no longer exist. What coastline exists now is slowly being swallowed up by the ocean.
Volcanic eruptions are changing the face of the planet as are earthquakes - the list is long.
We cannot stop the force of Mother Nature. We live on a planet that has always endured such destruction.
We have pole shifts taking place - all kinds of catastrophic events happening across the Globe. We are but a spit in the ocean to the wide Galaxies that we know of. Yet we think we are precious in some way.
I cannot help but wonder why I was so drawn to create this "Black Winged Goddess" let alone give her the name of Black Winged Goddess. But I was drawn, my soul was pushing me for weeks with a "slight vision" of what I needed to create. It now makes total sense to me why I was so drawn to create The Black Winged Goddess, given the state of our world and humanity.
My soul as always when I listen guides me with powerful messages and reminds me to just 'be' to accept 'what is'.
We may not like the current state of our world, but it is what it is and all we can do is stay strong within ourselves and hold the power of 'love' in our hearts despite seeing so much being played out on the planet.
Kali (Hindu) - was known as a deity of the Fearsome Demon destroying Goddess who represents death and rebirth - so her name means "Black One".
We can never truly comprehend or understand the power of mother nature - we have abused her for centuries, taken her for granted and she is a living breathing consciousness so powerful that we dare not go up against here.
In recent years we have seen the influence of the feminine energy on earth which for eons has been dominated by the male energy.
So it makes complete sense to me that we are witness to so much destruction on the planet.
We are witness to the destruction of our societies as we know it, breakdown of families, law, politics.
So much of humanity is at war with the 'system', the injustices, and the lack of balance within our society. The homeless, the abused, the forgotten souls, the mental health issues that seem to have become rampant, the rise of Corporate wealth while humanity is trapped in slavery. We have learnt nothing as a humanity over the past how many hundred years?
In order for rebirth, for new growth, a culling needs to take place - hence the energy of the Black Winged Goddess she is both the Destroyer and the Giver of New Life.
We have elected to be here at this time on the planet - despite the suffering we witness or endure - I know at a higher level it is absolutely necessary for real change to take place.
Our world is a very different place to the one we have known - and whilst we have believed we have had a safe and reasonable planet in which to live, the reality is much Evil has existed and people have been brainwashed to the point of being zombies. There has been so much suppression imposed upon humanity even to the extreme of vaccinations and fluoride to our water supply. All of these chemicals act as suppressants to our brain! It has been a deliberate agenda of the existing power on earth. Their agenda has always been to rule, control and suppress the populous.
Humanity is awakening and with this will be uproar, dis - ease, a culling if you like. It is time for humanity to step out of fear and into their true power which is within each and every one of us.
New growth, new beginnings but not before the dismantling of the old - it has to be this way.
These times we are living through were written in history.
So I have created "The Black Winged Goddess" she is available in different styles, inside a Dome with beautiful etched glass or stand alone. She will rotate or can be static.
She is available on MP in the Stand Alone version (rotating) or can be seen in world at my store.
****This POST IS NOT to promote my MP. I will not put my MP link here for this reason. If anyone does not have the money and would like a version of her please send me a notecard in world with your full name and I will happily send one to you. This is NOT about promoting my MP it is about assisting humanity at this time***.
I hope you enjoy and embrace 'The "Black Winged Goddess' and rather be in fear of her - understand she brings 'New Life" but first the old has to die for the new to be born.
How appropriate for a New Year of 2020 fast approaching.
Interestingly and unconsciously I created 4 of these Black Winged Goddesses.
The year 2020 equates to the number 4 in Numerology.
The #4 represents a Universal energy. (see below for a deeper understanding of the #4)
The # 2 - Is the most feminine and often underestimated when it comes to power and strength. She is always gentle, tactful, diplomatic, forgiving and understanding. She likes to keep peace and likes to avoid confrontation. # 2 is the survivor and extremely resilient force. Her shape looks as though she is bent back on a knee with head bowed in humility and service. However when enough pressure is applied to the # 2 energy. Some would perceive her as weak and powerless due to this servitude shape. However never underestimate the power behind #2 because she represents the power (double) #1 who is the all powerful warrior who will shake and destroy no matter what. So #2 brings the balance but never underestimate the power of 2 Energy.
The #4 Energy in more detail
The 4 is without a doubt masculine, reflecting strength and stability. His chief characteristics are dependability, productivity, punctuality and obedience. He is trustworthy, patient, conventional and a traditionalist.
Tend to be rule followers. 4 is the area of sciences, upholding the law (such as Government and the military). The #4 represents Disciplined, systematic, Dependable, Strong. Loyal
Four is the basis of all solid objects. Four points are used in constructing the simplest solid and thus four is the number symbolizing the way of construction. In many religions, four is seen as the number for earth, and representing the four elements, Air Earth, Water and Fire.
At its extreme 4's can tend to overreact to violence.
So 2020 seems to have more challenges ahead and I suspect we will be seeing more uprising across the planet (#2 energy) with totalitarianism (#4 energy) being played out like never before. Perhaps more of what the world has witnessed in Hong Kong this year.
It is as if the two energies Masculine & Feminine are battling against one another. But at the same time, I cannot help but feel and acknowledge UNITY - and this is what I will remain focused upon during the year ahead. We must stand united. We are after all 'one humanity'
We are without doubt living in very challenging times.
May peace be with you!
Copyright December 2019 Chant Lyric
Please share with anyone who you believe may take some comfort during these days - not because I want awards, in fact I do not want awards. This is for humanity and was given to me through the Grace of God
This post is NOT about promoting my MP - she is available there for anyone who wants to purchase her. For anyone who truly feels drawn to her and the strength and comfort she brings to me, and do not have the money to purchase her. Please contact me in world with a notecard, give me your full name and I will happily send her free of charge to you.
My original posts can be seen here www.flickr.com/photos/58903384@N04/49251189433/in/datepos...
www.flickr.com/photos/58903384@N04/49251186488/in/photost...
When words become unclear, I shall focus with photographs.
When images become inadequate, I shall be content with silence.
~Ansel Adams
To make someone feel, make someone relate, make someone think - this is the beauty of it all. Making some sort of an impact has and always will be my purpose in why I take photographs.
I believe as photographers, we all have a story to tell of why or how we got into photography.
2006.
A year that dramatically altered my perspective on life and the spark that ignited my passion for photography.
It was during that year, two people who meant the world to me passed away 8 months apart from each other. Never had I anticipated experiencing death at such a rapid rate. Emotional turmoil took over and depression became a part of me. I was no longer the same person, I was filled with denial, pain and sadness. I felt numb to the world and every person in it. I was in a constant battle with my emotions, not knowing where to turn for support in such a difficult time.
For months I had obsessively been glancing at sites that contained photography from Deviant Art photographers. With every picture that came across my eye while scrolling down the pages, a lightning bolt of questions and curiosity struck me: “How can someone capture something so beautiful in such a short amount of time?” The fact that each photograph was unique and held a different view fascinated me. I quickly aspired to experiment with taking pictures. Due to such a powerful curiosity, I'm sure you can imagine the delight that filled me when I got my first camera - a Canon Powershot - as a present for Christmas. Little did I know that what I first deemed as an “experiment” would within time turn into an escape, a passion that would heal me greatly.
I began to feel the world looked so much more beautiful when I looked at it through a camera's viewfinder. Every day I would be out in my backyard taking photographs, and in those moments capturing what surrounded me, I didn't feel pain. I didn't feel sadness. I didn't feel numb - I felt peace. Taking photographs made me rediscover who I was as a person. My camera became my greatest friend who knew all my secrets and witnessed me metamorphosis.
It's hard to believe it's been 3 years.
Being a part of Flickr has been such an uplifting experience for me.
Three years ago, I never would have imagined gaining such inspiration, support and friendship from so many extraordinary people. For that and so much more, I am forever grateful.
Photography is a true saving grace.
Can you relate? I got up early because I wanted to photograph some places in town at sunrise. Hoping for warm light and strong shadows.
Almost all the sites I visited had changed into construction sites though and I really got in a bad mood.
I decided to go on since I was there anyway and time can be precious.
Then I saw the light on this window. Diffused by the tree. It's shadows casted on the wall. It instantly changed my mood. I started to photograph other things than planned and got home with a really nice set of photos. You have got to stay open minded.
OLYMPUS DIGITAL CAMERA
Olympus E-300, Zuiko Digital 40–150mm F3.5–4.5
Ruben M. Benjamin (1833-1917), an attorney known for litigation relating to railroad regulation, had this Italianate-style house built for him and his wife, Laura, upon their marriage in 1856. The builder, carpenter John L. Routt (1826-1907), would go on to serve as the first and seventh Governor of Colorado from 1876 to 1879, and 1891 to 1893. He also served as Mayor of Denver from 1883 to 1885.
Benjamin received his primary education at Kinderhook Academy, New York and in 1853 was graduated from Amherst College with high honors. He was principal of Hopkins Academy at Hadley, Massachusetts, one year and was a student a year later in the Harvard Law School and the next year he was a tutor at Amherst. He arrived in Bloomington in the spring of 1856. In the fall he appeared before Judge (and future Associate Justice of the United States Supreme Court) David Davis at Lincoln, Illinois, for his bar exam. One of the examiners was Abraham Lincoln. He passed the test and later became a close friend of the future 16th U.S. president.
Benjamin was a prominent attorney who represented the people in The People vs. Chicago and Alton Railroad. That case was widely considered a benchmark ruling that allowed the government to regulate private enterprises.
After Benjamin "retired" from the practice of law, he devoted his time to writing textbooks that were used at many of the most prominent law schools in the country. He also served as a McLean County judge from 1877 to 1886, and served for a time as the dean of the law school faculty at Illinois Wesleyan University in Bloomington.
The Ruben M. Benjamin House is listed both by itself and as a contributing property in Bloomington's East Grove Street District. The only other home in the East Grove Street District to have this distinction is the George H. Cox House previously shown in this McLean County series.
The East Grove Street District includes 43 houses and apartment buildings, 25 of which are considered contributing buildings. The houses in the district were built between 1855 and 1915 for many of Bloomington's upper middle class residents. Due to a building boom between 1880 and 1900, the then-popular Queen Anne style is the most prevalent in the district. Other popular architectural styles in the district include Greek Revival homes from the 1850s, Italianate homes built between 1860 and 1880, and Arts and Crafts homes built in the 1900s. The district was added to the National Register of Historic Places (NRHP) in 1987.
Bloomington is the seat of McLean County. It is adjacent to Normal, and is the more populous of the two principal municipalities of the Bloomington-Normal metropolitan area. Bloomington is home to State Farm Insurance, Country Financial and Beer Nuts. Illinois Wesleyan University is located here, while the neighboring twin city of Normal is home to Illinois State University and Heartland Community College. Bloomington is 135 miles (217 km) southwest of Chicago, and 162 miles (261 km) northeast of St. Louis. The estimated population of Bloomington in 2019 was 77,330, with a metro population of 191,067.
Mural in Fayetteville, Georgia relating to Georgia's huge movie film industry, third in the nation.
Lomo Sprocket Rocket camera with Ilford HP5+ film.
Credits :
Blueberry - Can't Relate - Boots Flat & High Heels @ Main Store
Blueberry - Can't Relate - Fishnet Stockings @ Main Store
Blueberry - Can't Relate - Shorts & Belts @ Main Store
Blueberry - Can't Relate - Tops Alone @ Main Store
Blueberry - Can't Relate - Wrap Around Cardigan @ Main Store
Doe: Gabriella Hair @ Collabor88
Eyes : {S0NG} :: Crow Eyes Gacha - pale blue @ Epiphany
Doe: Monster Backpack (Hold) - Pink Gacha @ Main Store
Romazin - Earrings - Tori @ Sense
Romazin - Necklace - Tori 1 @ Sense
Romazin - Necklace - Tori 2 @ Sense
Romazin - Necklace - Tori 3 @ Sense
MINIMAL - Town Hall Backdrop -flower balcony-MINIMAL - Town Hall Backdrop @ Kustom9
SPELL : Bike -Mushrooms - RARE @ Main Store
ionic : Antique books & iron chair @ Main Store
ionic : Interior plant @ Main Store
ionic : Store Sign (Black & Gold) @ Main Store
ionic : Tea Store Sign @ Main Store
ionic: Fountain (tiled) @ Main Store
from Madras Fruit Stand Decor Gacha @ Main Store
Madras Green Apple Box
Madras Watermelon
Madras Raspberry Basket
Madras Mulberry Basket
Madras Purple Grapes
Madras Green grapes
Madras Cherry Tray
Madras Apple Box
Madras Fruit Table
Madras Banana Box
Madras Pineapple Boat rare
most of the time, the path is only bright in front of us... as we get further away, we see less and less..
this seems to relate to the decisions we make which can only be based on what we know and the things we cannot see at the time are only chance..
Blythe a Day - How to Sell a Haunted House (Bewitched) - 10/1/25
For Sale in Spookytown: Classic Haunted Beauty
About the Property:
Beautiful classic 4 bed 3 bath tri-level in coveted Spookytown. Original fireplaces and staircases. Hard wood flooring throughout. Old creaky windows, attic ghosts, furnace, updated electrical and much more!
Features:
Actual clawfoot tubs
2 ghosts
Secret staircase & door
Creaky floors
Large windows
Attic bats
Real skeletons in the closets
Call Drusilla, our expert relator, for a private tour.
House photo I took on a fall drive and recolored
Daunting Drusilla Blythe
My daughters were working in the kitchen and when I noticed this moment it seemed to tell me a story I could relate to that was beyond what I could find words to express. So I did what I knew to do—try to capture what I saw but couldn’t express with words.
Day 16
____________________________
As a way to cope with circumstances beyond my control, survive and work to keep fighting for life I decided to try to take at least one photo (or more) each day. I call this “a photo (or more) a day.” Practicing this form of therapeutic photography helps me work to focus on the present moment, gives me something familiar and enjoyable to focus on as I use photography skills that have become like second-nature to me and being able to view the images I capture helps me recall what I was thinking, feeling and noticing at the moment when I created the photos. More of the photos from this series can be seen on my Instagram account
I may not always have the energy, time or capacity to share photos from this series—especially with the very challenging circumstances my family and I are experiencing—and will do my best to continue taking a photo (or more) a day even if I’m not able to share.
If you would like to support my work and my family, one way you can do so is by ordering my zines:
Many thanks for your support.
10 July 2021: In recent days the figures relating to the coronavirus pandemic in Belgium have taken a turn for the worse. The number of new infections has been rising for around a week now and yesterday (Friday) the average number of daily hospital admissions rose for the first time in weeks. During the week from 30 June to 6 July an average of 697 people tested positive for the coronavirus. This is 81% up on the figures for the previous week. The total number of patients with COVID-19 that are being cared for in the country’s hospitals stands now at 250. Of those hospitalised 95 are on intensive care wards. The basic reproductive rate for coronavirus in Belgium currently stands at 1.09. Since a large number of people have still not been fully immunized against COVID-19 and since there is no reason to believe that the figures will start falling again in a couple of weeks the situation is very worrying. Belgium is not alone. The number of coronavirus infections is increasing across Europe. In the Netherlands, the number of coronavirus infections is rising sharply, with 6,986 new cases in the past 24 hours. The Dutch government announced yesterday new restrictions to limit the hospitality industry and live events sectors. In summary until a very high % of the population is fully immunized we will need to remain cautious – Bruges, Belgium.
Tell me what you see
You don't see a damn thing
'cause you can't relate to me
You're blinded by our differences
My life makes no sense to you
I'm the persecuted one
You're the red, white and blue
Outlandish - Look into my eyes
__________________________
Ja que tanta gente pediu,ai está a foto.
Triangularity - Relating to entities such as three people, objects, ideas,...…. And Tri... refers to the number 3 an odd number...
For the challenge = triangular shapes, three items on a scarf with three sided shapes,......
2019 05 14_6559.jpgh
There are plenty of things I could tell you about this image but what I am going to relate tonight is only going to involve the mistake I made.
One of the risks to habits is that you can come to rely on them overly much. A case in point would be that by an unofficial rule I generally keep my Hasselblad backs loaded with 400 ISO film, one back for color and the other for b&w. When I do load a different speed film in one of my backs I try to make a note because I am so used to 400 speed film in them that I have mis-exposed film before because of mistaken assumption.
Before this latest trip up to the Olympic Peninsula I had been working a lot and photographing only a little. As such by the time I got up there my black and white back was halfway through a roll of film I could not remember loading and so I could not remember which film was in it. Normally no note would mean 400 speed but something in my brain was tickling away that this was not true, that I had loaded something out of the ordinary in terms of film speed in this back.
So what are my options at this point with about six frames left to expose? Well I could trust my habits and expose at 400. I could attempt to second guess motives and backtrack through memory to deduce which film I might have loaded. I could meter somewhere in between. This latter is what I did. I figured the only other speed I would have loaded would have been 100 ISO film. So if I metered at 200 then I would only be wrong by a stop. If it was 100, I would be a stop under and considering that I normally overexpose by habit anyway, all would be ok. If it was 400, then I would be a stop over (or two with my usual overexposure). and film so readily forgives overexposure. Seriously, you can get away with three or four stops over and still produce reasonable images. Additionally I was going to be a bit less choosy with those six frames and try to blow through them quickly so I could confirm the film and if necessary backtrack to re-expose any images.
Thus I set off. Unfortunately it was sunny and clear and conducive to heavy ND shooting so "blowing through" half a roll takes on a slightly different meaning when shooting through 18 stops of neutral density. It took a few hours but I managed, wound the roll and unloaded it... to find a roll of Rollei RPX 25. Umm yeah. So metering for 200, maybe overexposing by design by a stop I was still going to be two stops under. That was a bit disappointing. Usually I defer to the decisions that past-Zeb makes. He often seems to think of things that present-Zeb appreciates. But this time I was wondering what in the heck that past me was thinking by loading a roll of 25 speed film in a camera that usually uses 400 speed and not putting a note on it to warn present-Zeb how to expose it properly. Sheesh.
So I had a bit of a sinking feeling in my stomach, figuring not even the forgiveness of film was going to save me this time. Luckily I was still on the same beach and did backtrack to re-expose the images I felt most strongly about. I debated having the roll pushed when I got back but then the first half had theoretically been exposed accurately and I couldn't really remember what was on it, so I didn't want to push process that stuff, so I just let it go, morbidly curious to see how thin the negs would be. Imagine my surprise when the stuff that came back turned out to be fairly usable... at least some of it. This image for example was metered somewhere around 100 to 200 ISO, which means I probably overexposed it to begin with due to the deep shadows in the frame. But that is ok, I wanted the cliffs to be black anyway.
So what to take from all this? I guess mostly that we all make mistakes. In fact you ought to find opportunities to make mistakes. They keep us sharp, they are opportunities to learn, they sometimes show us things we may not have discovered on our own, they remind us that we are fallible in our decision-making. And I tell you about this one in particular so that you know that I am not above making such silly errors. I tend to curate out most of the images I don't consider worth the time to post or your time to see. I edit down to the good stuff, which really means the stuff that I like for one reason and another. And I think with practice and by limiting how much I post I tend to only share the stuff that is noteworthy for good reasons. But that can easily lead to the mistaken perception that maybe I don't make the same mistakes you make. That I don't screw up my calculations or forget something simple and obvious. Well trust me, I do. And sometimes it works out and sometimes it doesn't. On this case I got lucky, no thanks to my past self.
Hasselblad 500C
Rollei RPX 25
The chapel features, on its three walls, frescoed scenes relating to the Universal Flood, the Entrance of the Animals into the Ark, the End of the Flood and Noah's Drunkenness. The compositions are characterised by outdoor visions marked by the presence of human figures and animals, both depicted on a small scale. The painter's attention seems to be focused on the description of the variety of animals and birds, without, however, failing to dwell on the more intensely dramatic scenes, such as the cases of those who drown, going as far as the cold analysis of the corpses strewn on the ground after the Flood. The stories of the Flood are linked to the fresco of the Baptism of Christ that faces them in the cloistered church, as a foreshadowing of that moment of salvation, according to what St Peter makes clear in the First Epistle (3:20-21): "God in his longsuffering waited in the days of Noah for the ark to be built, in which eight people in all found escape from the water, a figure, this one, of the Baptism that now saves us".
Historical-critical information: In these frescoes, Aurelio Luini displays an unprecedented propensity for storytelling and narration for its own sake, which results in a smug amusement directed above all at the descriptive rendering of the various animal species, rendered with an almost lenticular meticulousness. As the son of Bernardino Luini, who was active for many years in San Maurizio, Aurelio showed undisputed talent for painting, which led him to collaborate with his older brother Giovan Pietro from 1555 onwards. Here, as in other cases, Aurelio exhibits the peculiar characteristics of his painting, sustained by an exuberant expressive emphasis that is fully in line with contemporary 'Mannerism'. The naturalistic taste manifested in the frescoes of the Noah's Ark chapel also reflects the interest that Aurelio, a member of the Accademia della Val di Blenio (run by Giovan Paolo Lomazzo), had always shown in Leonardo's research.
The International Bomber Command Centre (IBCC) a memorial relating the historical impact of and on Bomber Command during the Second World War. Located on Canwick Hill, overlooking the city of Lincoln in Lincolnshire.
The city of Lincoln was selected for the location of the IBCC because 27 RAF Bomber Command stations (over a third of all Bomber Command stations) were based in the county during World War II. The large amount of airfields led to Lincolnshire being nicknamed the "Bomber County".
Located at Canwick Hill, the centre is just under two and half miles from RAF Waddington, which suffered the greatest losses of any Bomber Command station, and close to the former Avro aircraft production facility at Bracebridge Heath. A view of Lincoln Cathedral, a prominent landmark for aircrews, forms an important part of the vista from the centre of the Memorial Spire.
The aim of the IBCC is to tell the personal stories of members of the RAF Bomber Command, ground crew and civilians impacted by the bombing campaigns during the Second World War. The centre will also provide a comprehensive record of the role of Bomber Command's squadrons and to digitally display historical documentation and photographs relating to the activity of Bomber Command.
Within the grounds of the International Bomber Command Centre the Spire Memorial was erected on 10 May 2015. The memorial is a spire, reflecting the connection to Lincoln Cathedral. Created out of Corten A weathering steel, it is based on the dimensions of the wingspan of a Lancaster bomber, being 102ft high and 16ft at the base. The Spire was officially unveiled in October 2015 to an audience of 3,600 guests including 312 Bomber veterans.
The spire is encircled by walls carrying the names of all 57,871 men and women who gave their lives whilst serving in or supporting Bomber Command. This is the only place in the world where all these losses are memorialised.
Information Source:
Reminds me of an empty record rack.
.
Kinetic: Relating to, caused by, or producing motion.
These are called “Kinetic” photographs because there is motion, energy, and movement involved, specifically my and the camera’s movements.
I choose a light source and/or subject, set my camera for a long exposure (typically around 4 seconds), focus on my subject and push the shutter button. When the shutter opens I move the camera around with my hands...large, sweeping, dramatic movements. And then I will literally throw the camera several feet up into the air, most times imparting a spinning or whirling motion to it as I hurl it upward. I may throw the camera several times and also utilize hand-held motion several times in one photo. None of these are Photoshopped, layered, or a composite photo...what you see occurs in one shot, one take.
Aren’t I afraid that I will drop and break my camera? For regular followers of my photostream and this series you will know that I have already done so. This little camera has been dropped many times, and broken once when dropped on concrete outside. It still functions...not so well for regular photographs, but superbly for more kinetic work.
To read more about Kinetic Photography click the Wikipedia link below:
en.wikipedia.org/wiki/Kinetic_photography
And to see more of my Kinetic Photographs please visit my set, “Flux Velocity:”
www.flickr.com/photos/motorpsiclist/sets/72157622224677487/
.
Albeit supremely risky this is one of my favorite ways to produce abstract photographs.
.
My photographs and videos and any derivative works are my private property and are copyright © by me, John Russell (aka “Zoom Lens”) and ALL my rights, including my exclusive rights, are reserved. ANY use without my permission in writing is forbidden by law.
How many of those of you who are parents can relate?
Malaysian Pied Fantail. Singapore Botanic Gardens.
June 05, 2016
Villatic:
[vi-lat-ik]
adjective
1. of or relating to the country or to a farm; rural.
-----
It's a cool, gray and rainy Sunday here which is perfect for some quality time in the kitchen!
We desperately need the rain, and I really needed to get caught up and ready for the work week ahead by preparing food so the rain is working out just fine for me.
The garden is being watered and I'm not tempted to go sit out in the sun with a good book. Win, win!
I bought a lot of basil plants this week and so I was on the hunt for a recipe that would work for Sweet Sunday, then I got it in my head that I needed scones for the week which narrowed down my search until I came across this!
In the future, I think I would double the basil, lessen the strawberries and maybe throw some jam in the mix for additional flavour, but this reccipe is not a bad starting point!
Recipe:
Ingredients:
3 cups of flour
1/3 cup of sugar
1 teaspoon of salt
2 1/2 teaspoons of baking powder
1/2 teaspoon of baking soda
3/4 cup of unsalted butter, cut into small chunks
1 cup of buttermilk
1 cup chopped of fresh strawberries
1/4 cup of fresh chopped basil
1 tablespoon of buttermilk, for brushing
Brown sugar for sprinkling
Directions:
01. Preheat oven to 400 degrees F.
02. Mix together dry ingredients in a large bowl from flour - baking soda.
03. Add butter and mix using pastry cutter, a knife or your hands, until mixture resembles coarse meal.
04. Add buttermilk and mix until just combined. Fold in strawberries and basil.
05. Lightly dust flour onto work surface. Divide dough in half. Working with one batch at a time, shape dough into 3/4 inch thick circle. Cut into 8 wedges.
06. Lay on baking sheet lined with parchment paper.
07. Repeat with other dough.
08. Brush tops of scones with buttermilk and sprinkle with brown sugar.
09. Bake for 15-20 minutes or until golden brown.
Hope everyone is having a Sweet Sunday!
Click "L" for a larger view.
Relating to my previous image, information board at WWT Slimbridge giving details about the Crested or Southern Screamer www.flickr.com/photos/juliek1967/35849656142/in/dateposted/ (hope this is OK for Wing Wednesday too Ash) HWW & HSS!
June 25, 2011.
This is my sister
I'm only getting started. I won't blackout
Thank you so much Meggie for the testimonial :)
I've been thinking for a long while over the topic of meeting new people, and watching the previous ones leave as new ones enter.
Maybe everyone is meant to meet one monster in their lives, the ghost of their past that whispers in the haunting darkness, the one shadow that will never let them go. It awakens in the night, waiting for the hours to tick by so it can press its suffocating weight onto your shoulders. Insomnia keeps your eyes wide open, allowing you to feel the pressure from the shadow.
There's no escaping, because nightmares only materialise in pure silence, when your thoughts are fleeing in hurried bursts from your mind. When the only sound is the jagged edge of your breath catching in the ragged air. When your hands are clenched in tight little grips on the sheets, and you feel an inconsolable sense of grief.
All that you have lost, and the pain you have gone through, slowly collected in that one shadow, all weighing down on you. All the memories. All the recollections. They're all waiting in the dark to come back and haunt you.
Remembering a memory is akin to taking a blurred photograph and putting it in your pocket. You will always remember what happened in that instant, but not too clearly; yet clearly enough to know the general details. And try as you might, you will never be able to change the memory. Because it has already been printed, and it has become a fact of life.
There are many rumors about the ship′s origins and how it got stranded on the beach. Most relate that the ship was used to smuggle cigarettes between Turkey and Italy. She was seized by the port authorities of Gythio and then deliberately released from the port and left to be dragged by the sea to the beach at Valtaki, about 5 kilometers (2.7 nautical miles; 3.1 miles) from the port of Gythio. She was then set on fire to hide the evidence of cigarette smuggling. Another, less common rumor speaks of a ghost ship of unknown origins.
However, according to a book written by the Honorary Chief of the Hellenic Coast Guard, Vice Admiral Christos Ntounis (1935–2010), Ta Navagia stis Ellinikes thalasses (translated as The shipwrecks of the Greek seas) there is more to be said about the true history of the ship.
The Dimitrios in 2008.
In Ta Navagia stis Ellinikes thalasses (Volume B 1950-2000), Ntounis writes that the ship made an emergency docking at Gythio on 4 December 1980 because her captain needed access to a hospital due to a serious illness. However, after the ship′s docking, financial problems arose with the crew, as did various engine problems, coupled with insurance measures imposed by various lenders. The crew was then fired and the task of safeguarding the ship was assigned to Georgios Daniil and Vasilis Parigoris.
The ship was docked at Gythio until June 1981, when she was declared unsafe due to wear on the docking ropes and starboard list due to water entering her hull. The port authorities asked for her to be moved to an anchorage outside the port for safety reasons, but the owners did not respond until November 1981. The book states that "at approximately 12:30 p.m. on the 9th of November 1981 the ship was swept about 2 [nautical?] miles [2.3 miles; 3.7 km] away due to severe weather conditions and it was temporary anchored". But the temporary anchorage did not last for long, as the ship was swept away again and finally stranded at its current location on the beach at Valtaki on 23 December 1981. The ship was then simply abandoned there and no attempts were made to recover her.
HDR, 10 stop ND
Relating to or denoting art that does not attempt to represent external reality, but rather seeks to achieve its effect using shapes, colors, and textures.
Elysian (E•ly•sian): relating to, or characteristics of heaven or paradise. | Model: @ktmkvi
So I'm finally posting personal work. Took this awhile ago with my friend. I really really wanted to get out and go explore. We decided to go check out these waterfalls by my house & do a shoot. It was super cold. So cold that nobody was even at this park. We climbed down to the base and walked right over the ice. Large portions of the water was frozen so it made it easy getting over by the waterfall. After a while we both started getting cold and packed up.
Eidetic: relating to or denoting mental images having unusual vividness and detail, as if actually visible. Gainesville Florida 9/8/24
Just to show the door opens.
For an art assignment, the theme was 'The Street'. I chose to do an altered book, relating loosely back to abandoned things. It is all very influenced by yyellowbird's photography, Frankie magazines and various poems that I have found inspiring. [[Work in progress!]]
La vie de Martha Desrumeaux est relatée par exemple dans cette video :
www.youtube.com/watch?v=qdFB2fYszg8
Pour les amateurs de street art en Ile-de-France, il faut faire un tour place du colonel Fabien à Paris. Devant le bâtiment symbole et siège du parti communiste français sont affichés 11 grands portraits de figures résistantes du parti, portraits réalisés par le street artiste C215, pour fêter à sa façon le centenaire du PCF (le parti communiste français fut créé à l'issue du congrès de Tours qui se déroula du 25 au 30 décembre 1920...).
C'est plutôt l'aspect "résistants de la seconde guerre mondiale" qui est mis en avant, plutôt que l'aspect communiste. Le PCF est malgré tout très visible puisque les portraits sont réalisés sur des fac-similés de pages de l'Huma de 1945, un temps alors fort stalinien.
Taken at Fogbound Blues
Thank you Reao ;)
Body - Maitreya
Head - Lelutka Ubon
Top - FashioNatic Ines
Shorts - Blueberry Can't Relate
The Hôtel des Invalides, commonly called Les Invalides is a complex of buildings in the 7th arrondissement of Paris, France, containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building's original purpose. The buildings house the Musée de l'Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d'Histoire Contemporaine. The complex also includes the former hospital chapel, now the national cathedral of the French military, and the adjacent former Royal Chapel known as the Dôme des Invalides, the tallest church building in Paris at a height of 107 meters. The latter has been converted into a shrine of some of France's leading military figures, most notably the tomb of Napoleon.
I am sure that many of us will have seen this Spitfire in the media coverage relating to the D-Day anniversary. I came across it today at Sywell Airport, just to the north of Northampton, where it is now based. This plane is accredited with shooting down the first enemy aircraft over the Normandy beachhead on D-Day (a JU-88) and shared the second. The pilot was Flying Officer Johnnie Houlton DFC.
The Grace Spitfire ML407 was originally built at Castle Bromwich in early 1944 as a Mark IX single seat fighter and served in the front line of battle throughout the last twelve months of World War II with six different allied Squadrons of the RAF’s 2nd Tactical Air Force. ML407 flew a total of 176 operational combat sorties amassing an impressive total 319 combat hours.
In 1950 it was converted to the two seat configuration for the Irish Air Corps as an advanced trainer. Having been in storage it was offered for sale in 1968 and Sir William Roberts eventually bought the aircraft for his museum in Strathallan, which sold it to Nick Grace in 1979. It is now operated by Ultimate Warbird Flights.
Please see www.warbirdflights.co.uk/spitfireml407 for full details.
The light was dreadful (though thankfully the rain had ceased) and I was using Judy's iPhone, so I've processed it differently to my normal style. I hope it works.
I don't know how that title relates to the picture but it's what came to mind.
And, as always, view large!!!
Also, what is your opinion of getty images? I got a message about it a long time ago inviting me to join but I feel like I don't know enough about it to participate. If anyone could give me more insight about it or, if they are/did use it, what they thought about it. If I do add some of my photos to the sight, I'm afraid of where they will end up..