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[This one simply must be enlarged.]
First a quick word about this composite photograph. Yes, every element in this collage is a single photograph taken by me of books by Jung or about him in my personal library. The idea is a simple one, even if the execution is a little complicated. This image took at least two days solid work from conceptualisation, photographing, processing and finally compiling the elements. It is my own participation in temporality - for some wasted time, for me a meditation.
Carl Gustav Jung (1875-1961) came to believe that the image of a mandala was extremely important to the unconscious mind. This is why it is so common in religious symbolism from the earliest stages of evolution. Even early Christian ikons took on an almost mandalaic structure with Christ at the centre. The history of Alchemy (a subject for which Jung was truly a world expert) is also filled with similar symbolism. en.wikipedia.org/wiki/Mandala
To this day Tibetan Buddhist monks practice the art of sand painting mandalas. These geometric configurations of symbols centre on a still point of Compassion. After it is created, the sand is literally swept away, signifying the impermanence of mortal existence.
"Sand Mandala - A Time To Build, A Time To Destroy" www.youtube.com/watch?v=8ov4-Fwhy5o
In this solar mandala I have a little friendly dig at the way Jungian psychology has assumed an almost religious importance for some practitioners. The great psychoanalyst is the sun around which various planets revolve. Each planet relates to a specific book in the Jungian canon. The moons around each of these planets relate to secondary books about Jung's specific texts. In this way a mandala is constructed. Thus a pseudo-religious system is born.
P.S. I should also add there is a deliberate mistake in here. Sometimes the makers of medieval manuscripts deliberately included an error to remind us that only God is perfect. Full marks if you spot it.
This entry relates to the north-eastern most part of Arnhem Land, Northern Territory, that receives the first light as the sun rises in the east. This is the landscape during April and the start of the harvst season following the wet, when the earth receives sudden showers during what is meant to be the dry. This artwork was painted on a huge piece of bark and tells the story about a group of spirit women who appear as stars in the night sky.
In a split second after I took this photo she walked away, and I couldn't help but wonder what her thoughts were as she had lingered at the artwork for quite a while before I took this photo. The white clothing she wore, plain and simple, made me think she could relate to the minimalistic and simple artwork she seemed to be admiring.
Shot on Fomapan 400 a few years back at an exhibition relating to the nuclear tests at Maralinga in Australia.I hope the final result pleases,to me It looks a little radioactive!
I do relate so well to this quote....art is my solace no matter the end result....the only time my brain isn't running at high speed... the only time I'm quiet...it's my meditation.
Thank you to borealnz for the texture.
I can relate to this surfer's race to beat the setting sun. The big kid in me is always on the lookout for one last adventure before the end of the day. With this kind of daydream/sunset who can resist not getting one last ride before the days end?
Pacific Ocean Sunset
Southern California, USA
Mike D
Behind the Camera:
I'm off today and have loads of chores to do around the house. It's cold and rainy outside. All I care to do is sit around and surf the web or go out on a photo walk. Yes its the winter of my discontent.
Being a misfit
I can relate
Never quite fitting into
your skin
curled up
waiting
for the transformation
to become something
beautiful
and excepting...
I was up really late last night trying to think of the perfect words to write for this photograph, I have a lot of words in my head. I thought a lot of when I was a teenager and how I never fit into any "group" or really understood the "game" very well. I never felt completely comfortable around humans, I had an issue with trusting them. They always seemed to lie to themselves and to others just to appease their peers. The game never stops you know, it's embedded into society so tightly people don't even realize they are playing it. I felt like I was always transparent and awkward...I never even had a real boyfriend until 11th grade and I was sooooo freaked out half the time around him like I was going to screw it up at any moment! So I bonded with nature and got what I needed through long walks in the woods. I look at India and see how social she is and I want to warn her about these things I see but I know she needs to find her own way and figure it out for herself with maybe a few pointers from me...
I can relate, Teddy.
I took this shot last fall and made it a B&W for a challenge. I really like the original, though, and I feel a sense of anguish from seeing this little bear up there.
15 years ago yesterday my sweet Momma went on to the next place. As I told my friends yesterday, that's 5,475 days of me missing her. Make that 5,476 now.
Records relating to the repair of this bridge go back many hundreds of years, indicating how vital it was for access from the lands of Howgill, Sedbergh etc in the old county of North Yorkshire with the parishes of Firbank and Grayrigg on this side of the river.
The lane, bottom left, leads to the old Water-powered Mill & Poole House, then up to Dillicar, Lowgill, Davy Bank and Firbank.
It is a very beautiful old bridge, and very narrow. Only narrow vehicles can get across!!
The river Lune is still in its infancy here, and this scene is to the south of the Lune Gorge and Tebay Gap.
By formal rule OXPL-784D / we have decided / that all that relates to the old order / must be placed right.
RED relates to the BASE chakra situated at the base of the spine
The organs to which this chakra relates are the kidneys and bladder .(The kidneys are formed within the pelvis and here they link with the base chakra energy, although prior to birth they rise to the position in the loins with which we are more familiar). The vertebral column, hips and legs are also areas related to this chakra. The endocrine gland to which this colour relates is the adrenal gland.
On the psycho-spiritual level, this chakra relates to self awareness. That is to say our awareness of ourselves as human beings and our place on earth. It is the area of survival and relates to our basic human instincts of fight or flight. Red gives us courage and strength. The colour relates to stability and security.
© All rights reserved
[polska wersja niżej]
This photo relates to the flood in Gdańsk, about which I have written here, but I think I will rewrite the story again and provide a better view on the story background.
It's one of trains diverted from electrified mainline into secondary diesel route: originally nigh train no. 38209 from Kraków Płaszów to Koszalin. SU46-039 on the train head yet in original paint scheme from Żagań depot. After the diesel - here "cold" originally employed to this train EP07-338. The train is passing Gdańsk Osowa station entering two-track section towards Gdynia. July 11, 2001.
Photo by Jarek / Chester
9 lipca 2001 roku w Gdańsku to był całkiem ładny dzień, przynajmniej taki się zaczął i trwał do południa. Koło niego nadciągnęły ciemne chmury, zapowiadając kolejną letnią gwałtowną burzę. Jak spadały pierwsze krople deszczu, nikt nie przeczuwał, że w ciągu popołudnia na miasto lunie dwa razy więcej wody, niż w całym typowym lipcu. Każdy metr kwadratowy przyjął prawie 130 litrów, a tylko między 15 i 17 spadło, a w zasadzie dosłownie polało się strumieniem z nieba 90 litrów na metr kwadratowy. Ulice leżące na zboczach moreny dennej falistej, bo miasto to nie tylko wybrzeże, ale i morenowe pagórki, zamieniły się w dna potoków spływających w dół. No a w dole, głównie na południu, u brzegu płaskiego terenu ujścia Wisły zaczęło tworzyć się jezioro.
Wpływająca od południa z Kaszub niewielka Radunia przerwała w paru miejscach kanał, w którym biegła i zalała południowa część miasta, dzielnice od Oruni (dolnej), przez Lipce do Świętego Wojciecha. Powódź dotknęła też nasypy linii kolejowej, uszkadzając torowisko w paru miejscach. Pod wodą były też tory samego Gdańska Głównego. Ruch kolejowy między Pruszczem Gdańskim (a w zasadzie Tczewem) i Gdańskiem na kilka dni zamarł.
Ponieważ jednak mówimy o czasach, gdy kolej była jedna, wielka i niepodzielna (choć podzielona na sektory), naprędce wypracowano rozwiązanie, które w dzisiejszych czasach byłoby nie do pomyślenia - skierowano objazdem wszystkie dalekobieżne pociągi pasażerskie na trasy objazdowe. I tak pociągi z Gdyni w kierunku Bydgoszczy jechały starą Magistralą Węglową przez Kościerzynę i Wierzchucin i dalej na Łódź, czy Katowice. Pociągi w kierunku Malborka i dalej Olsztyna czy Warszawy jechały zaś przez Kościerzynę, Bąk, Czersk i dalej "Ostbahnem" do Tczewa, gdzie powracały na normalne trasy. Oczywiście na trasach objazdowych zastosowanie miała trakcja spalinowa, a elektrowozy ciągnące pociągi nie zostawały odczepiane (oprócz paru wyjątków) i odbywały podróż "na zimno" na objazdach.
Z punktu widzenia podróżnego te objazdy to rozwiązanie tylko po części rozsądne - dzisiaj zapewne wprowadzono by komunikację autobusową od Tczewa do Gdyni, przez co nastąpiłoby wydłużenie jazdy może sumarycznie o godzinę. Wtedy, przez wprowadzone objazdy, pociągi doznawały kilkugodzinnych opóźnień, a całkiem niedawna likwidacja niektórych stacji na "węglówce" drastycznie pogorszyła przepustowość dwutorowej linii. Z drugiej strony, pasażer w kuszetce, czy sypialnym z głębi kraju na Hel, dotarł do celu podróży w tym samym łóżku, tyle, że 3-6 godzin później.
Sytuacja awaryjna trwała parę dni, po czym przywrócono ruch po głównej linii, z pewnymi ograniczeniami (ograniczenie prędkości w miejscach podmycia nasypu). Jeszcze parę dni po przywróceniu ruchu część pociągów towarowych kursowała niezelektryfikowanym objazdem z uwagi na problemy z przepustowością.
Na zdjęciu SU46-039, jeszcze w oryginalnych żagańskich szatach, z nocnym pociągiem 38209 z Krakowa Płaszowa do Koszalina, opuszcza stację w Gdańsku Osowie. Za dieslem - elektrowóz oryginalnie ciągnący nocnego "kuriera" - EP07-338. 11 lipca 2001 roku.
Fot. Jarek / Chester
Cathedral (noun).
1. any large and important church
2. the principal Christian church building of a bishop's diocese
3. relating to or containing or issuing from a bishop's office or throne; "a cathedral church"
Last May as usually I’ve been in Europe. At this time my way began in West Germany: Essen, Dusseldorf, Cologne...
I was so delighted by Cologne Cathedral, the music imprinted in stone lace of this giant. So ...I took this image for defining of word CATHEDRAL.
Cologne Cathedral (German: Kölner Dom, officially Hohe Domkirche St. Peter und Maria) is a Roman Catholic church in Cologne, Germany. It is the seat of the Archbishop of Cologne, and is under the administration of the archdiocese of Cologne. It is renowned as a monument of Christianity, of German Catholicism in particular, of Gothic architecture and of the continuing faith and perseverance of the people of the city in which it stands. It is dedicated to Saint Peter and the Blessed Virgin Mary. The cathedral is a World Heritage Site, one of the best-known architectural monuments in Germany, and Cologne's most famous landmark, described by UNESCO as an "exceptional work of human creative genius".
Construction of Cologne Cathedral began in 1248 and took, with interruptions, until 1880 to complete. It is 144.5 meters long, 86.5 m wide and its towers are approximately 157 m tall. The cathedral is one of the world's largest churches and the largest Gothic church in Northern Europe. For four years, 1880-84, it was the tallest structure in the world, until the completion of the Washington Monument. It has the second-tallest church spires, only surpassed by the single spire of Ulm Minster, completed 10 years later in 1890. Because of its enormous twin spires, it also presents the largest facade of any church in the world. One of the Treasures of the cathedral is the High Altar which was installed in 1322. It is constructed of black marble, with a solid slab 15 feet long forming the top. The front and sides are overlaid with white marble niches into which are set figures, with the Coronation of the Virgin. There is a lot of great wooden sculptures and other art treasures inside the interior of CATHEDRAL.
Much better viewed large View On Black
Explore #367, 08/27/2010
The other major change relating to the Central Connect withdrawals is that the 93 is more-or-less replaced by the LC9. It’s similar but not identical and funded by Leicestershire County Council between Nottingham and Bottesford (despite the vast majority of the route falling within Nottinghamshire).
Since the drivers and vehicles for this route are based out of Grantham, some journeys extend to there, to allow travel on what would otherwise be dead mileage for changeovers. However the Grantham to Bottesford section has even more going on which I’ll delve into at a later time.
Journeys on the LC9 are covered by two individual duties which interwork onto different routes, so it starts off with vehicle ‘A’, then swaps to vehicle ‘B’, and then later on back to ‘A’ again. The route regulars are these YY64 E200s, plus a pair of 75 plate E200 MMCs that originated at Chaserider. The 64 plates are 6cyl and have some poke to them.
Here YY64 GWF turns down Friar Lane, Nottingham, on 2.2.26
On my last outing I found this Yellow-crowned Night Heron just wanting to sleep in the early morning. I can relate to him/her today and will be a bit slow getting to everyone’s posts. Just as his eyes were drifting shut here, my eyes will need to do the same in order for me to recover from an extremely busy day yesterday. Photo taken on Armand Bayou.
DSC02099uls
I'll bet many of you can relate to this image, huh? Let me make this analogy clearer ... the three birds representing the weekend days, Friday, Saturday, Sunday, and the crab representing the abrupt arrival of Monday. Let's try our best to usher it away. LOL. OK, I know, that's quite a bizarre interpretation of the image, but it's the best that I can do on an early Monday morning. :-)
Actually, the least terns are nesting on the sunny Florida beaches ... some still courting, some sitting on eggs, some taking care of their newborns. These little birds are quite aggressive with each other ... and the on-lookers ... as they don't like anything or anyone entering their "home space". Can't blame them either, since it's quite crowded on the inn. ;-)
So if those close quarters aren't enough, enter the ghost crabs which call the area their home as well. These territorial terns, who were infighting just a few moments ago, unite in fight that benefits them all. See, as the ghost crabs emerge and begin to intermingle with the nesting terns, an all-out war is waged ... terns working together ... to eliminate the threat to the colony. Several will make the approach to the crab, wings out and upward, squawking away, puffing up, and jumping around, as the crab tries to defend itself, but eventually retreats. It's 3 against 1! LOL. I can't remember when I've been so amazed at the behavior of birds (OK, it probably wasn't that long ago, seeing how it's baby bird season, but it was quite entertaining).
Nature is quite amazing and birds are quite smart, at least they seem like it to me. I guess "pack behavior" extends in all forms of life. :-)
Hope that everyone, in their own way, can find something to be happy about on this Monday morning. Welcome to another week ... not sure about you, but mine have been flying by!
Thanks for stopping by to view and especially for sharing your thoughts and comments too.
© 2015 Debbie Tubridy / TNWA Photography
Appropriate to post an image relating to the railway on rail 200 day
This image depicts Network Rail class 153 '153376' Slowing down through Newcraighall on its way into Millerhill Yard. I was expecting to see at least one other fellow railway enthusiast here as its usually popular with the spotters but this time round it was just me. Not even the passengers waiting on their train into Edinburgh took any notice of it!
This was a really well exposed image and the OHLE provided the perfect frame. and thankfully it was traveling slowly as I don't remember setting the AF to Continuous!
Not certain how this relates to Cool Hand Luke, but I have to say that this Great Brown Heron did have a bit of shaking going on while resting in the shallow waters along Horsepen Bayou. Yes, it is a juvenile Great Blue Heron that hasn’t transitioned to the adult blue colors and my Great Brown reference is just another lame attempt at humor. My daughter will tell you that you don’t have to laugh at my jokes. I did like the feather detail.
A7R00536ula
Please use red/cyan anaglyph goggles, for anaglyph glasses ask your local optician.
Wat Phnom ("Mountain Pagoda") is a Buddhist temple (wat) located in Phnom Penh, Cambodia. It was built in 1372, and stands 27 metres (88.5 ft) above the ground. It is the tallest religious structure in the city. The pagoda was given the name of Wat Preah Chedey Borapaut. Wat Phnom is the central point of Phnom Penh.
Legend relates that a wealthy widow called Penh (commonly referred to as Daun Penh – Grandmother Penh – in Khmer) found a large koki tree in the river. Inside the tree she found four bronze statues of the Buddha. Penh constructed a small shrine on an artificial hill made by the people living in the village to protect the sacred statues. Eventually this became a sacred site and sanctuary where people would make blessings and pray.
Then it came to the year of the snake 1437 suggests King Ponhea Yat ordered His Excellency Decho Srei to raise the mount even higher when he finished building the new Royal Palace in the new city he then named Krong Chaktomok Mongkol or simply known as Phnom Penh. The prominent stupa immediately west of the sanctuary contains the ashes of the king and his royal family.
Wat Phnom is the center of celebration during Khmer New Year, and Pchum Ben.
Wat Phnom appeared on the Travel Channel documentary, 1,000 Places to See Before You Die. It also served as the Pit Stop for the 4th Leg of The Amazing Race 15.
The Pacific golden plover (Pluvialis fulva) is a medium-sized plover. The genus name is Latin and means relating to rain, from pluvia, "rain". It was believed that golden plovers flocked when rain was imminent. The species name fulva is Latin and refers to a tawny colour.[2]
The 23–26 cm long breeding adult is spotted gold and black on the crown, and back on the wings. Its face and neck are black with a white border, and it has a black breast and a dark rump. The legs are black. In winter, the black is lost and the plover then has a yellowish face and breast, and white underparts.
It is similar to two other golden plovers: the Eurasian and American plovers. The Pacific golden plover is smaller, slimmer and relatively longer-legged than the European golden plover, Pluvialis apricaria, which also has white axillary (armpit) feathers. Overall, the Pacific golden plover is found to be more similar to the American golden plover, Pluvialis dominica, with which it was once considered conspecific as "lesser golden plover".[3] The Pacific golden plover is slimmer than the American species, has a shorter primary projection, longer legs, and is usually found to have more yellow on the back.
This wader forages for food on tundra, fields, beaches and tidal flats, usually by sight. It eats insects and crustaceans and some berries.
The breeding habitat of Pacific golden plover is the Arctic tundra from northernmost Eurosiberia into western Alaska. It nests on the ground in a dry open area.
It is migratory and winters in south Asia and Australasia. A few winter in California and Hawaii, USA. In Hawaii, the bird is known as the kōlea, and in New Zealand it is known to Māori as kuriri. It is very rare vagrant to western Europe. They return to the same wintering territory each year, which allowed scientists in Hawaii to attach tiny light level geolocator devices to the birds and then retrieve them the following year in the same location. This research revealed that these birds make the 4800 km non-stop flight between Alaska and Hawaii in 3–4 days
The 1890 Empress Flour Mill on Queen Street is category C industrial heritage building, which means that its removal is a permitted activity. There are two plaques on the front of the building, one relating to the 118 year old structure and the other to the 1921 grain silos. With a height of 35 metres the category B listed heritage silos are the town's most prominent landmark. They're still in use and will not be demolished.
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
Graffiti_27 LR
I can't say how often I've driven Messenger Road, a potholed passage which never really goes where I'm going. It's a bridge between things, like so much of my life seems to be. It's a metaphor in my mind for a kind of prophecy, the sort you say and then go about trying to make come true. Things to share and the drive to share them, I've got more of that than most. I was once accused of being a "wannabe profit", and though the typo is accurate in the sense that I could use the money, the term "prophet" doesn't really fit me. There is no targeted truth in what I'm writing, no big vision or dream to relate. I'm not planning on predicting the future, only trying to do that old tribal thing. Campfire tales and cave paintings, so we can look back on our lives and back at our faces, and see something that keeping our thoughts to ourselves couldn't show.
November 20, 2022
Paradise, Nova Scotia
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Hebron Lutheran Church (1740)
Madison County, Virginia
Over seven years ago, Ruth Ann and I took advantage of a beautiful spring day by returning to Hebron Lutheran Church, located north of the town of Madison, in Madison County, Virginia; this happened to be the inaugural outing with my 5D Mark III. Some spring blossoms and new leaves show it was spring, but there were few enough leaves that the building can be seen beyond the skeletons of the trees. A sign at the church says the congregation was formed in 1717 and the church structure was built in 1740; the Virginia Landmarks Register (3rd ed., p. 264) entry for the church relates that it is of cruciform design, was enlarged about 1800, has a pipe organ installed at the same time, has frescoed ceilings painted in the Victorian period, and is the oldest church structure in America in continuous use by Lutherans. The church was added to the National Register of Historic Places in 1971 (71000986). This view is from inside the cemetery wall, SE of the church.
Press "L" for larger image, on black
The title of this relates to an article I read some time ago by Ken Rockwell, www.kenrockwell.com/index.htm, in which he explains what is "Good Bokeh", I found it interesting because I happen to be one of those people that think the word good when describing a medium such as photography is subjective and even sometimes what is generally "bad" can be "good" every now and again, if you know what I mean. He even has a chart showing what "poor", "neutral" and "good" bokeh looks like, and I am proud to say I have achieved what I think he describes as "neutral" or "poor" bokeh. Yeah for me!!! :-)))
In truth, I don't disagree with him in looking at this image there is something a little too harsh in the blobs of light here. It certainly is not the "smooth and silky" kind of bokeh. But you know after drinking a few of those glasses of what is in the foreground, nothing was in focus, and that is clearly seen in this image (as nothing in the shot is clearly in focus), so I call the shot a success!! :-))))
Here is a link to the entire story (which is a great read, seriously), www.kenrockwell.com/tech/bokeh.htm, and an excerpt is below.
"Bokeh describes the appearance, or "feel," of out-of-focus areas. Bokeh is not how far something is out-of-focus, bokeh is the character of whatever blur is there.
Unfortunately good bokeh doesn't happen automatically in lens design. Perfect lenses render out-of-focus points of light as circles with sharp edges. Ideal bokeh would render each of these points as blurs, not hard-edged circles."
So I guess I have a good lens and a "neutral" or perhaps "poor" bokeh shot to show for it! All of this is posted in good spirits, hope it reads that way! Cheers!!! :-))
HBW!!!!!!!!!!!!!!!!!!
Whilst looking at things relating to Plaxton of Scarborough, its probably worth sharing this picture too. I think it was taken on the occasion of a coach operators association visit.
To the fore we have a very nice Supreme bodied Leyland Leopard for Martindales of Ferryhill, PPT 400P . . . which helps date the pictures to '75/6.
The next two Supremes in line are, I suspect, two Bedford YMTs for Harry Shaw of Coventry, NVC 3 & 10P. Further down is the only sevice bus in view which would probably be a Ford 'Derwent' for East Kent.
***
I passed my life hoping that something that changes her happened.
Without realizing that only I can make something to change it.
***
Hardline: "In This Moment" lirycs:
Every day's like a miracle
As I stand in your grace
I'm weighed down by a ton of life
Yet this dream we still chase
And through love, mind, spirit find, all we can relate
And we look to find our peace of mind again and again
And all that I don't know, I'll make up in I love you so
And all you fear, I'll make up in this moment here
Every day's a new breath of life
Yet I'm gasping for you
Just want a simple stroll or a look outside
And a chance to feel the truth
I don't want to face a memory
Just want face you
And we look to find one minute of time
For hello and how are you?
And all that I don't know, I'll make up in I love you so
And all you fear, I'll make up in this moment here
Numerous notices relating to safety at platform end at Birmingham New Street , 170117 waits to depart on its next duty.
13 4 22
I looked around for some objects I thought would relate well with these shadows and in the end looked in my art cupboard - one that rarely gets opened these days. I found a few coloured pencils and similar which I picked up rrandomly to place in the picture..
Thank you everyone so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued. I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Uses: Anything relating to finance and money.
Free Creative Commons Finance Images... I created these images in my studio and have made them all available for personal or commercial use. Hope you like them and find them useful.
To see more of our CC by 2.0 finance images click here... see profile for attribution.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism.
Ancient Iran
In pre-Islamic Persian mythology, the Gaokerena world tree is a large, sacred Haoma tree which bears all seeds. Ahriman (Ahreman, Angremainyu) created a frog to invade the tree and destroy it, aiming to prevent all trees from growing on the earth. As a reaction, God (Ahura Mazda) created two kar fish staring at the frog to guard the tree. The two fishes are always staring at the frog and stay ready to react to it. Because Ahriman is responsible for all evil including death, while Ahura Mazda is responsible for all good (including life) the concept of world tree in Persian Mythology is very closely related to the concept of Tree of Life.The sacred plant haoma and the drink made from it. The preparation of the drink from the plant by pounding and the drinking of it are central features of Zoroastrian ritual. Haoma is also personified as a divinity. It bestows essential vital qualities—health, fertility, husbands for maidens, even immortality. The source of the earthly haoma plant is a shining white tree that grows on a paradisiacal mountain. Sprigs of this white haoma were brought to earth by divine birds.Haoma is the Avestan form of the Sanskrit soma. The near identity of the two in ritual significance is considered by scholars to point to a salient feature of an Indo-Iranian religion antedating Zoroastrianism.
Another related issue in ancient mythology of Iran is the myth of Mashyа and Mashyane, two trees who were the ancestors of all living beings. This myth can be considered as a prototype for the creation myth where living beings are created by Gods (who have a human form).
Ancient Egypt
Worshipping Osiris, Isis, and Horus
To the Ancient Egyptians, the Tree of Life represented the hierarchical chain of events that brought every thing into existence. The spheres of the Tree of Life demonstrate the order, process, and method of creation.In Egyptian mythology, in the Ennead system of Heliopolis, the first couple, apart from Shu and Tefnut (moisture and dryness) are Geb and Nuit (earth and sky), are Isis and Osiris. They were said to have emerged from the acacia tree of Iusaaset, which the Egyptians considered the tree of life, referring to it as the "tree in which life and death are enclosed." Some acacia trees contain DMT, a psychedelic drug associated with spiritual experiences. The drug is not orally bio-available, however and there is no evidence the Egyptians had techniques for extracting or otherwise harnessing the drug. A much later myth relates how Set and 72 conspirators killed Osiris, putting him in a coffin, and throwing it into the Nile, the coffin becoming embedded in the base of a tamarisk tree.The Egyptians' Holy Sycamore also stood on the threshold of life and death, connecting the two worlds.
Assyria
Assyrian tree of life, from Nimrud panels.The Assyrian Tree of Life was represented by a series of nodes and criss-crossing lines. It was apparently an important religious symbol, often attended to in Assyrian palace reliefs by human or eagle-headed winged genies, or the King, and blessed or fertilized with bucket and cone. Assyriologists have not reached consensus as to the meaning of this symbol. The name "Tree of Life" has been attributed to it by modern scholarship; it is not used in the Assyrian sources. In fact, no textual evidence pertaining to the symbol is known to exist.
Baha'i Faith
The concept of the tree of life appears in the writings of the Baha'i Faith, where it can refer to the Manifestation of God, a great teacher who appears to humanity from age to age. An example of this can be found in the Hidden Words of Bahá'u'lláh:["Have ye forgotten that true and radiant morn, when in those hallowed and blessed surroundings ye were all gathered in My presence beneath the shade of the tree of life, which is planted in the all-glorious paradise? Awestruck ye listened as I gave utterance to these three most holy words: O friends! Prefer not your will to Mine, never desire that which I have not desired for you, and approach Me not with lifeless hearts, defiled with worldly desires and cravings. Would ye but sanctify your souls, ye would at this present hour recall that place and those surroundings, and the truth of My utterance should be made evident unto all of you."Also, in the Tablet of Ahmad [1], of Bahá'u'lláh:"Verily He is the Tree of Life, that bringeth forth the fruits of God, the Exalted, the Powerful, the Great".Bahá'u'lláh refers to his male descendents as branches (Aghsán) and calls women leaves.
A distinction has been made between the tree of life and the tree of the knowledge of good and evil. The latter represents the physical world with its opposites, such as good and evil and light and dark. In a different context from the one above, the tree of life represents the spiritual realm, where this duality does not exist.
Buddhism
The Bo tree, also called Bodhi tree, according to Buddhist tradition, is the pipal (Ficus religiosa) under which the Buddha sat when he attained Enlightenment (Bodhi) at Bodh Gaya (near Gaya, west-central Bihar state, India). A living pipal at Anuradhapura, Ceylon (now Sri Lanka), is said to have grown from a cutting from the Bo tree sent to that city by King Ashoka in the 3rd century BCE.According to Tibetan tradition when Buddha went to the holy Lake Manasorovar along with 500 monks, he took with him the energy of Prayaga Raj. Upon his arrival, he installed the energy of Prayaga Raj near Lake Manasorovar, at a place now known as Prayang. Then he planted the seed of this eternal banyan tree next to Mt. Kailash on a mountain known as the "Palace of Medicine Buddha".
China
In Chinese mythology, a carving of a Tree of Life depicts a phoenix and a dragon; the dragon often represents immortality. A Taoist story tells of a tree that produces a peach every three thousand years. The one who eats the fruit receives immortality.An archaeological discovery in the 1990s was of a sacrificial pit at Sanxingdui in Sichuan, China. Dating from about 1200 BCE, it contained three bronze trees, one of them 4 meters high. At the base was a dragon, and fruit hanging from the lower branches. At the top is a strange bird-like (phoenix) creature with claws. Also found in Sichuan, from the late Han dynasty (c 25 – 220 CE), is another tree of life. The ceramic base is guarded by a horned beast with wings. The leaves of the tree are coins and people. At the apex is a bird with coins and the Sun.
Christianity
In Catholic Christianity, the Tree of Life represents the immaculate state of humanity free from corruption and Original Sin before the Fall. Pope Benedict XVI has said that "the Cross is the true tree of life." Saint Bonaventure taught that the medicinal fruit of the Tree of Life is Christ himself. Saint Albert the Great taught that the Eucharist, the Body and Blood of Christ, is the Fruit of the Tree of Life.[18] Augustine of Hippo said that the tree of life is Christ: "All these things stood for something other than what they were, but all the same they were themselves bodily realities. And when the narrator mentioned them he was not employing figurative language, but giving an explicit account of things which had a forward reference that was figurative. So then the tree of life also was Christ... and indeed God did not wish the man to live in Paradise without the mysteries of spiritual things being presented to him in bodily form. So then in the other trees he was provided with nourishment, in this one with a sacrament... He is rightly called whatever came before him in order to signify him."[19]
The tree first appeared in Genesis 2:9 and 3:22-24 as the source of eternal life in the Garden of Eden, from which access is revoked when man is driven from the garden. It then reappears in the last book of the Bible, the Book of Revelation, and most predominantly in the last chapter of that book (Chapter 22) as a part of the new garden of paradise. Access is then no longer forbidden, for those who "wash their robes" (or as the textual variant in the King James Version has it, "they that do his commandments") "have right to the tree of life" (v.14). A similar statement appears in Rev 2:7, where the tree of life is promised as a reward to those who overcome. Revelation 22 begins with a reference to the "pure river of water of life" which proceeds "out of the throne of God". The river seems to feed two trees of life, one "on either side of the river" which "bear twelve manner of fruits" "and the leaves of the tree were for healing of the nations" (v.1-2).[20] Or this may indicate that the tree of life is a vine that grows on both sides of the river, as John 15:1 would hint at.
In Eastern Christianity the tree of life is the love of God.The tree of life appears in the Book of Mormon in a revelation to Lehi (see 1 Nephi 8:10). It is symbolic of the love of God (see 1 Nephi 11:21-23). Its fruit is described as "most precious and most desirable above all other fruits," which "is the greatest of all the gifts of God" (see 1 Nephi 15:36). In another scriptural book, salvation is called "the greatest of all the gifts of God" (see Doctrine and Covenants 6:13). In the same book eternal life is also called the "greatest of all the gifts of God" (see Doctrine and Covenants 14:7). Because of these references, the tree of life and its fruit is sometimes understood to be symbolic of salvation and post-mortal existence in the presence of God and his love.
Europe
11th century Tree of Life sculpture at an ancient Swedish church
In Dictionnaire Mytho-Hermetique (Paris, 1737), Antoine-Joseph Pernety, a famous alchemist, identified the Tree of Life with the Elixir of Life and the Philosopher's Stone.
In Eden in the East (1998), Stephen Oppenheimer suggests that a tree-worshipping culture arose in Indonesia and was diffused by the so-called "Younger Dryas" event of c. 8000 BCE, when the sea level rose. This culture reached China (Szechuan), then India and the Middle East. Finally the Finno-Ugaritic strand of this diffusion spread through Russia to Finland where the Norse myth of Yggdrasil took root.
Georgia
The Borjgali (Georgian: ბორჯღალი) is an ancient Georgian Tree of Life symbol.
Germanic paganism and Norse mythology[
In Germanic paganism, trees played (and, in the form of reconstructive Heathenry and Germanic Neopaganism, continue to play) a prominent role, appearing in various aspects of surviving texts and possibly in the name of gods.
The tree of life appears in Norse religion as Yggdrasil, the world tree, a massive tree (sometimes considered a yew or ash tree) with extensive lore surrounding it. Perhaps related to Yggdrasil, accounts have survived of Germanic Tribes' honouring sacred trees within their societies. Examples include Thor's Oak, sacred groves, the Sacred tree at Uppsala, and the wooden Irminsul pillar. In Norse Mythology, the apples from Iðunn's ash box provide immortality for the gods.
Hinduism
The Eternal Banyan Tree (Akshaya Vata) is located on the bank of the Yamuna inside the courtyard of Allahabad Fort near the confluence of the Yamuna and Ganga Rivers in Allahabad. The eternal and divine nature of this tree has been documented at length in the scriptures.[citation needed]
During the cyclic destruction of creation when the whole earth was enveloped by waters, akshaya vata remained unaffected. It is on the leaves of this tree that Lord Krishna rested in the form of a baby when land was no longer visible. And it is here that the immortal sage, Markandeya, received the cosmic vision of the Lord. It is under this tree that Buddha meditates eternally. Legend also has it that the Bodi tree at Gaya is a manifestation of this tree.
Islam
Carpet Tree of Life
Main article: Quranic tree of life
See also: Sidrat al-Muntaha
The "Tree of Immortality" (Arabic: شجرة الخلود) is the tree of life motif as it appears in the Quran. It is also alluded to in hadiths and tafsir. Unlike the biblical account, the Quran mentions only one tree in Eden, also called the tree of immortality, which Allah specifically forbade to Adam and Eve. Satan, disguised as a serpent, repeatedly told Adam to eat from the tree, and eventually both Adam and Eve did so, thus disobeying Allah.] The hadiths also speak about other trees in heaven.
According to the Ahmadiyya movement, Quranic reference to the tree is symbolic; eating of the forbidden tree signifies that Adam disobeyed God.[
Jewish sources
Main articles: Etz Chaim and Biblical tree of life
Etz Chaim, Hebrew for "tree of life," is a common term used in Judaism. The expression, found in the Book of Proverbs, is figuratively applied to the Torah itself. Etz Chaim is also a common name for yeshivas and synagogues as well as for works of Rabbinic literature. It is also used to describe each of the wooden poles to which the parchment of a Sefer Torah is attached.The tree of life is mentioned in the Book of Genesis; it is distinct from the tree of the knowledge of good and evil. After Adam and Eve disobeyed God by eating fruit from the tree of the knowledge of good and evil, they were driven out of the Garden of Eden. Remaining in the garden, however, was the tree of life. To prevent their access to this tree in the future, Cherubim with a flaming sword were placed at the east of the garden. (Genesis 3:22-24)
In the Book of Proverbs, the tree of life is associated with wisdom: "[Wisdom] is a tree of life to them that lay hold upon her, and happy [is every one] that retaineth her." (Proverbs 3:13-18) In 15:4 the tree of life is associated with calmness: "A soothing tongue is a tree of life; but perverseness therein is a wound to the spirit."
The Book of Enoch, generally considered non-canonical, states that in the time of the great judgment God will give all those whose names are in the Book of Life fruit to eat from the Tree of Life.
Kathara grid
The esoteric bio-spiritual healing system of kathara which is presented on Earth by the official Speaker of the Guardian Alliance – E’Asha Ashayana,explains in detail the function of the code of the kathara grid] as the natural tree of life. Kathara reveals the anatomy of Creation, core structure, the blueprints & interconnectedness of all matter forms and in the center is the replication of the kathara grid everywhere.The kathara grid consists of 12 kathara centers and the relationships between them represent the true meaning of the phrase "As above, so below" and the correspondence between microcosmos and macrocosmos.
Kabbalah. Judaic Kabbalah Tree of Life 10 Sephirot, through which the Ein Sof unknowable Divine manifests Creation. The configuration relates to manJewish mysticism depicts the Tree of Life in the form of ten interconnected nodes, as the central symbol of the Kabbalah. It comprises the ten Sephirot powers in the Divine realm. The panentheistic and anthropomorphic emphasis of this emanationist theology interpreted the Torah, Jewish observance, and the purpose of Creation as the symbolic esoteric drama of unification in the Sephirot, restoring harmony to Creation. From the time of the Renaissance onwards, Jewish Kabbalah became incorporated as an important tradition in non-Jewish Western culture, first through its adoption by Christian Cabala, and continuing in Western esotericism occult Hermetic Qabalah. These adapted the Judaic Kabbalah Tree of Life syncretically by associating it with other religious traditions, esoteric theologies, and magical practices.
Mesoamerican
The concept of world trees is a prevalent motif in pre-Columbian Mesoamerican cosmologies and iconography. World trees embodied the four cardinal directions, which represented also the fourfold nature of a central world tree, a symbolic axis mundi connecting the planes of the Underworld and the sky with that of the terrestrial world.Depictions of world trees, both in their directional and central aspects, are found in the art and mythological traditions of cultures such as the Maya, Aztec, Izapan, Mixtec, Olmec, and others, dating to at least the Mid/Late Formative periods of Mesoamerican chronology. Among the Maya, the central world tree was conceived as or represented by a ceiba tree, and is known variously as a wacah chan or yax imix che, depending on the Mayan language.[32] The trunk of the tree could also be represented by an upright caiman, whose skin evokes the tree's spiny trunk.Directional world trees are also associated with the four Yearbearers in Mesoamerican calendars, and the directional colors and deities. Mesoamerican codices which have this association outlined include the Dresden, Borgia and Fejérváry-Mayer codices.[31] It is supposed that Mesoamerican sites and ceremonial centers frequently had actual trees planted at each of the four cardinal directions, representing the quadripartite concept.World trees are frequently depicted with birds in their branches, and their roots extending into earth or water (sometimes atop a "water-monster," symbolic of the underworld). The central world tree has also been interpreted as a representation of the band of the Milky Way.
Middle East
The Epic of Gilgamesh is a similar quest for immortality. In Mesopotamian mythology, Etana searches for a 'plant of birth' to provide him with a son. This has a solid provenance of antiquity, being found in cylinder seals from Akkad (2390–2249 BCE).The Book of One Thousand and One Nights has a story, 'The Tale of Buluqiya', in which the hero searches for immortality and finds a paradise with jewel-encrusted trees. Nearby is a Fountain of Youth guarded by Al-Khidr. Unable to defeat the guard, Buluqiya has to return empty-handed.
North American
In a myth passed down among the Iroquois, The World on the Turtle's Back, explains the origin of the land in which a tree of life is described. According to the myth, it is found in the heavens, where the first humans lived, until a pregnant woman fell and landed in an endless sea. Saved by a giant turtle from drowning, she formed the world on its back by planting bark taken from the tree.The tree of life motif is present in the traditional Ojibway cosmology and traditions. It is sometimes described as Grandmother Cedar, or Nookomis Giizhig in Anishinaabemowin.In the book Black Elk Speaks, Black Elk, an Oglala Lakota (Sioux) wičháša wakȟáŋ (medicine man and holy man), describes his vision in which after dancing around a dying tree that has never bloomed he is transported to the other world (spirit world) where he meets wise elders, 12 men and 12 women. The elders tell Black Elk that they will bring him to meet "Our Father, the two-legged chief" and bring him to the center of a hoop where he sees the tree in full leaf and bloom and the "chief" standing against the tree. Coming out of his trance he hopes to see that the earthly tree has bloomed, but it is dead
Serer religion
In Serer religion, the tree of life as a religious concept forms the basis of Serer cosmogony. Trees were the first things created on Earth by the supreme being Roog (or Koox among the Cangin). In the competing versions of the Serer creation myth, the Somb (Prosopis africana) and the Saas tree (acacia albida) are both viewed as trees of life. However, the prevailing view is that, the Somb was the first tree on Earth and the progenitor of plant life. The Somb was also used in the Serer tumuli and burial chambers, many of which had survived for more than a thousand years.Thus, Somb is not only the Tree of Life in Serer society, but the symbol of immortality
Urartian Tree of Life
In ancient Urartu, the Tree of Life was a religious symbol and was drawn on walls of fortresses and carved on the armor of warriors. The branches of the tree were equally divided on the right and left sides of the stem, with each branch having one leaf, and one leaf on the apex of the tree. Servants stood on each side of the tree with one of their hands up as if they are taking care of the tree.
Turkic .The Tree of Life, as seen as in flag of Chuvashia, a Turkic state in the Russian FederationThe Tree of Life design on 0,05 Turkish lira (5 kuruş).
The World Tree or Tree of Life is a central symbol in Turkic mythology.[citation needed] It is a common motif in carpets.
It is also used as the main design of a common Turkish lira sub-unit 5 kuruş since 2009.
Daily In Challenge, 10.5.2019
Theme: An image of three - the number three or three repeating of same or like elements or three relating elements.
“Urban art is a style of art that relates to cities and city life. In that way urban art combines street art and graffiti and is often used to summarize all visual art forms arising in urban areas, being inspired by urban architecture or thematizing urban live style.
The notion of 'Urban Art' developed from street art that is primarily concerned with graffiti culture. Urban art represents a broader cross section of artists that as well as covering traditional street artists also covers artists using more traditional media but with a subject matter that deals with contemporary urban culture and political issues.”http://en.wikipedia.org/wiki/Urban_art
“Wild Flowers are not weeds"
Street Art is the modern, urban wildflowers
What's the difference between Graffiti Tagging and Street Art?
1. Street Art is constructive, Graffiti Tagging is destructive.
2. Street Art adorns the urban landscape, Graffiti Tagging scars it and accelerates urban decay.
3. Street Art stretches your mind, Graffiti Tagging is a slap in your face.
4. Street Art is about the audience, Graffiti Tagging is about the tagger.
5. Street Art says "Have you thought about this?", Graffiti Tagging says "I tag, therefore I exist".
6. Street Art was done with a smile, Graffiti Tagging was done with a scowl.
7. Street Art takes skill, Graffiti Tagging takes balls.
8. We mourn losing Street Art and celebrate losing Graffiti Tagging.
Good Street Art is great, good Graffiti Tagging is gone!
”http://www.graffitiactionhero.org/graffiti-tag-vs-street-art.html
Additional interesting sites
www.osnatfineart.com/urban-art.jsp
en.wikipedia.org/wiki/Street_art
DSC_0247 final.jpg
A set of photos dedicated to a very special person in my family and also for his wife...missing you guys.
>>>>>E & family/friends>>>> 😃💕✨The value of family life lies in the fact we can all relate to each other; no need for competition or jealousy; we\'re a team with one common goal: To make it to the end!😃💕✨👍😎😊✌😁😜👌
good ol\' home boy in action!😃💕✨
Four Little Words👍
Four little words have stuck in my mind
From the time I was just a small child
“There’s a good feller” is what he would say
When he talked of the men he admired😎😊
I remember those men he talked about
Sure ‘nuff cowboys, tough, but kind
They said what they meant and meant what they said
These men are gettin’ harder to find😜👌
“There’s a good feller,” meant he was true to his word
That’s all you expect of a man
You knew for sure he was proud to meet you
By the genuine shake of his hand😃💕
“There’s a good feller,” meant you could depend
On this man no matter the task
Never got too tough, too cold, or too late
For his help, all you need do is ask
“There’s a good feller,” meant he had a light hand
Be it with horses or cattle or crew
He spent most of his life learning this cowboy trade
And he’d be honored to teach it to you
“There’ a good feller” meant don’t ask him to do
What ain’t on a true and honest track
He knows it’s easier to keep a good reputation
Than it is to try to build one back
“There’s a good feller,” meant he’s a fair-minded man
He helped write cowboyin’s unwritten laws
He won’t ask you to do what he wouldn’t do
Yet knows, at times, the short end you’ll draw
“There’s a good feller,” meant, when he’s down on his luck
He can still hold his head way up high
‘Cause he did his best and gave it his all
He knows with faith and God’s help he’ll get by
“There’s a good feller,” just four little words
And their meaning won’t run all that deep
But when Dad would use ‘em to describe certain men
You knew they were at the top of the heap
“There’s a good feller,” just four little words
But they’ve always been favorites of mine
If after my trails end, my name’s brought up
“There’s a good feller” would suit me just fine
😃💕😃💕😃💕😃💕😃💕😃💕😃💕
THA_END!!
Wishing you a fine day!
Desde hace un tiempo, influenciado por la pandemia y por mi propia evolución como fotografo, estoy explorando distintas formas de relacionarme con la naturaleza en términos fotograficos. Cuando realiza scouting de lugares, estoy más atento, más receptivo a los gatilladores que generen mi interés con alguna imagen, momento o evento. Una vez identificado este interés, exploro las diversas técnicas y herramientas que he aprendido para poder capturar de la mejor forma la imagen visualizada.
Esta toma es resultado de lo descrito, paso a paso voy avanazando,para poder siempre compartir con ustedes mis Moemntos de Luz, Momentos de vida.
For some time, influenced by the pandemic and by my own evolution as a photographer, I have been exploring different ways of relating to nature in photographic terms. When scouting places, I am more attentive, more receptive to the triggers that generate my interest with some image, moment or event. Having identified this interest, I explore the various techniques and tools that I have learned in order to best capture the image displayed.
This shot is the result of what has been described, step by step I am advancing, so that I can always share with you my Moments of Light, Moments of life.
[polska wersja niżej]
This photo relates to the story told some time ago at this picture. Here ST43-395 with sugarbeet train is closing up to Raciąż station. Surprisingly SM30-277 appeared after the loco. This small shunter of the first Polish diesel locomotive class with appliance of diesel-electric transmission was detached from the consist in Raciąż and taken by sugar factory's shunting locomotive TEM2 to the factory. I don't know whether it was a loco's renting or wnything else.. October 9, 2005.
Photo by Jarek / Chester
ST43-395 wraz z niespodziewaną w takich okolicznościach SM30-277 oraz składem pełnym buraków cukrowych wjeżdżają do Raciąża rankiem 9 października 2005 roku. Tutaj SM30 została wypięta i wzięta na zakład do cukrowni - nie wiem, czy była to forma wypożyczenia lokomotywy manewrowej, czy coś innego.
Fot. Jarek / Chester
Commentary.
Larch and Spruce in Autumn.
Greeny yellow to Bottle Green.
Tall, 30 metre, mature trees
and patches of new plantation
up to the climactic tree-line.
The curve of the main A.835 road
from Garve to Ullapool wheels
south-east to north-west,
at the bottom of this image.
Just left of the col between
Beinn Enaiglair 889m.(2,917 feet)
and Meall Doire Fàid 730m. (2,395 feet)
lies Home Loch.
This may relate to the visible buildings,
and these, too, may be in the business of
timber production, here, and further afield.
The fourth stage relates to the history, the 'story' we are witnessing, and it's social, spiritual and political implications. - Jay Ramsay - The Sacred Way
Paul Simon- The Rhythm of the Saints
REQUEST - a thought, a prayer please for my dear Georgian friend Laliko, who's daughter Nino has been missing for some 10 days ..........
brown relates to decay, growth and aging.
this was an amazing panorama but my computer crashed twice today and corrupted everything (y), i i started from scratch.
fantastic.
~Holden Rinehart
Sometimes I try to relate the quotes I use to my uploads and sometimes I just find one that I like! This just happened to be one that I found that sounded interesting!
This is a shot overlooking the Beer Garden at the Hofbrauhaus along the Monongahela River. For this one I used 6 exposures from my S90.
Thank you for all the support my friends!
I don't mind invitations, but please no big, shiny, flashing, glitter graphics, they will be deleted. Also, please contact me if you would like to use my pictures for any reason, as all rights are reserved. Thanks!
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