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Today, Chief Eddie Driggers and Mayor Keith Summey introduced the police department's newly designed police vehicles to the public. The new design incorporates the established city colors. Mayor Summey said, “The new vehicles are a long way from the first cars that hit the streets in the 70's.”
Photo by Ryan Johnson
A concept I pitched to Worldnetdaily.com for their homepage. They ended up going another direction, but I'm really proud of my ideas, having kept their homepage's capacity for TONS of pieces and their large "screamer" tabloid story style without overpowering the reader. It's all about scale, folks. Definitely click to view the large size on this one.
So, anyone else hate the Flickr update? I know I do. Well, we've got some great news for you! This exclusive offer will completely revert your Flickr to the pre- March 2014 version of Flickr, removing that ugly grey sidebar and restoring the lovely white footer, and maybe even allowing notes again! Just go to www.elmofoto.com/Hacks/FlickrHackr and follow the instructions there, and you should be back to Old Flickr before you know it! Best of all, if you act now, you could receive a free set of premium steak knives! Share with everyone you know! Don't wait! Call today!
Total redesign of my original shipping containers www.flickr.com/photos/david_stannard/4077805866/in/photos... , the new design is 12 studs long by 6 wide and is 6 bricks and 2 plates in height. The original design was based on the containers in sets 7992 and 7994 but with opening doors. I had been unhappy with them for a long time as I felt they were too short and the 1x 6 x 5 panels www.bricklink.com/catalogItem.asp?P=59349 just didn't look right. I decided to remedy these issues by changing to tile sides to give the corrugated look and tiling the top to smooth it out. The new length is the same as the short containers in set 7939, I chose this length as the proportions look about right and 2 of them fit snugly on my conflats.
DESIGN IS ''PROBLEM SOLVING SOLUTION ''
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Tomb Raider IV box art reimagining by Andy Park: Read more on our official celebration website: tombraider25.square-enix-games.com/en-us/tr4/blog/box-art...
A project in Advanced Graphic design where we were asked to redesign the food packaging of a food that we enjoyed as a child.
I picked Goldilocks' Barquillos
New eCYBERMISSION Website Coming Soon!
eCYBERMISSION is excited to give you a preview of our new website! It has a comprehensive, visually appealing layout and improves the navigation through our resources to make it easier to access. The redesign will also enhance our online capabilities and position eCYBERMISSION as a leader in the online STEM world.
The new website will launch in summer 2013. In the meantime, check out the sample screenshots and let us know what you think.
MTA New York City Transit President Andy Byford, Acting Senior Vice President of Buses Craig Cipriano, Bronx Borough President Ruben Diaz, Jr., and elected officials announce the final plan for the Bronx Bus Network Redesign at Lou Gehrig Plaza on Tuesday, October 22, 2019.
Photo: Marc A. Hermann / MTA New York City Transit
The new google analytics dashboard looks amazing - includes a forex-like % change indicator. Very very cool IMO.
Burgtheater building (1, Franzensring 12, University Ring 2, 1888 k.k. Hofburgtheater, 16 November 1918 Hof-Burgtheater, 3 December 1918 Burgtheater).
With the construction of the Ring Road, the construction of a new building for the Burgtheater was planned. The Old Burgtheater was part of the Hofburg and had to give way to the redesign of the Saint Michael wing. After nearly a quarter of a century of planning and building, the new Burgtheater opened on October 14, 1888 with Franz Grillparzer's "Esther" and Friedrich Schiller's "Wallenstein's Camp".
The groundbreaking ceremony for the new Burgtheater, which was partly built on the grounds of the former Paradeisgartel (very small tomato garden) at the former Franzensring, took place on 16 December 1874; the plans are by Gottfried Semper and Carl von Hasenauer (interior design); the auditorium had to be rebuilt in 1897 because of bad acoustics.
During the construction, a ashlar stone from the old Löwel bastion ("1544") was used in the left underground passageway, which formerly extended here.
Appearance
The building is dominated by a mighty vaulted central part, on whose high attic is an 18-meter-long bas-relief by Rudolf Weyr ("Bacchantenzug - group of Bacchants"), above it on the balustrade the colossal group "Apollo with the Muses Melpomene and Thalia" (tragic and comical Muse ) by Carl Kundmann. On both sides extend sweeping wings, which include, inter alia, the two box staircases; on the outer ends they have passages with overlying loggias, on the front and back fronts they are adorned by allegorical groups of figures by Johannes Benk, which symbolize virtues and passions that equally dominate life and drama (love/hate, heroism/selfishness, humility/domination).
In the niches of the side facades are statues of Viktor Tilgner (Buffoon, Falstaff, Phaedra, Don Juan) and Hanns Gasser (Prometheus, Genoveva). The colossal busts above the windows of the first floor in the central building were designed by Viktor Tilgner (center: Goethe, Schiller, Lessing, left: Calderon, Shakespeare, Molière, right: Halm, Grillparzer, Hebbel); in the gussets below figures from dramas of the respective poets, the front of Weyr, the other of Tilgner, Silbernagl and Costenoble.
Pairs of gusset figures by Tilgner are attached to the front of the two wings (Kleist and Otto Ludwig on the left, Kotzebue and Bauernfeld on the right); all other components also bear rich figural decoration.
On the facade facing Löwel street there is a commemorative plaque on either side of the door niche: the left one reminds of the Löwel bastion and has the following inscription: "At this place rose the Loebel bastion built in 1546 and demolished in 1872". From the old bastion stem also the brick which is walled in the right, seen from the Ring, passage behind the grid. The stone bears the year MDXXXXIIII (1544). The right panel is dedicated to the memory of the Turkish siege of 1683: "From the 8th to the 11th of September, 1683, the brave defenders of Vienna rejected the most violent and last attacks of the Turks".
Interior
The original auditorium was a combination of the box- and gallery theater (1945 destroyed). The splendid grand staircase in the side wings have been preserved in their original form (ceiling paintings depicting the development of the theater, on the right side (seen from the People's Garden) "Dionysus Theater in Athens" by Franz Matsch, London Globe Theater by Gustav Klimt and Molière theater in Paris by Ernst Klimt; Taormina by Gustav Klimt, Mystery Stage of the Middle Ages by Franz Matsch and "Buffoon on the Fair" by Ernst Klimt).
On the middle platforms of the similarly-shaped staircases, there are pictures of important actors in the wall niches (on the left staircase to the left of Carl Costenoble: Thespis, Kallipides, Quintus Roscius, Richard Burbadge, to the right of Anton Paul Wagner: Sebastian de Prado, Maria Calderon, Jean Baptiste Poquelin [Molière ], David Garrick, in the right staircase on the left Johann Friedrich Ferdinand Fleck, Ferdinand Johann Baptist Esslair, Ludwig Devrient and Carl Seydelmann [all by Josef Fritsch], on the right Caroline Neuber, Friedrich Ludwig Schröder, Konrad Ekhof and August Wilhelm Iffland [all by Josef Lax]).
On the stairs are actor busts: left Friedrich Halm, Friedrich Hebbel, Eduard von Bauernfeld, Franz Grillparzer (all by Viktor Tilgner), Gerhart Hauptmann (by Gottfried Behn), Anton Wildgans (by Georgi), Adolf Wilbrandt (by Caspar von Zumbusch); on the right Josef Kainz (by Sandor Jaray), Hugo Thimig (by Stemolak), Josef Lewinsky and Charlotte Wolter (by Viktor Tilgner), Max Devrient and Ernst Hartmann (by Hans Dietrich) and Georg Reimers (by Kaminsky), at the stair entrances busts of Raoul Aslan and Albert Heine (both by Andre Roder).
Above the entrance doors to the ground floor boxes allegorical marble groups by Johannes Benk (left: truth and poetry, right: wisdom and beauty), in the vestibule of the lodge house, portrait statues of stage stars (among others Joseph von Sonnenfels and Friedrich Schreyvogel by Johann Silbernagl, Heinrich Laube and Franz Dingelstedt von Heinrich Natter); the ceiling paintings in the foyer are by Eduard Charlemont and the marble thermal baths in the vestibule of the Emperor's staircase by Viktor Tilgner; the frieze on the stairwell was painted by August Eisenmenger; in the first and second foyer hang actor portraits (see Burgtheater gallery).
On 12 March (bombing hit) and 12 April 1945 (artillery hit, fire), the premises of the auditorium were largely destroyed. The operation was already resumed on April 30, 1945 in the Ronacher, which Buschbeck had found as an alternative stage (opening with Grillparzer's "Sappho").
Reconstruction (1948-1955) was carried out by Michel Engelhart (whose plans paid the most attention to the structure) as a result of a call for tenders to which twelve architects had been invited; acoustic deficiencies and the poor visibility of the originally lyre-shaped log theater were resolved (omission of the court lodge, introduction of two ranks), also installed a lift-transfer table of high technical standards. The reopening of Mozart's Kleiner Nachtmusik (a small night music) took place on October 14, 1955 under director Rott, and a day later the first play (Grillparzer's "King Ottokar's Luck and End") was played in the restored "Castle".
Gebäude des Burgtheaters (1, Franzensring 12, Universitätsring 2; 1888 k.k. Hofburgtheater; 16. November 1918 Hof-Burgtheater; 3. Dezember 1918 Burgtheater).
Mit der Anlage der Ringstraße wurde der Bau eines neuen Gebäudes für das Burgtheater geplant. Das Alte Burgtheater war Bestandteil der Hofburg und musste der Neuplanung des Michaelertraktes weichen. Nach fast einem Vierteljahrhundert des Planens und Bauens wurde das neue Burgtheater am 14. Oktober 1888 mit Franz Grillparzers "Esther" und Friedrich Schillers "Wallensteins Lager" eröffnet.
Der erste Spatenstich zum neuen Burgtheater, das teilweise auf den Gründen des ehemaligen Paradeisgartels am damaligen Franzensring erbaut wurde, erfolgte am 16. Dezember 1874; die Pläne stammen von Gottfried Semper und Carl von Hasenauer (Innengestaltung); der Zuschauerraum musste wegen schlechter Akustik 1897 umgebaut werden.
Während des Baues wurde in die linke Unterfahrt ein Quaderstein von der alten Löwelbastei ("1544") eingesetzt, die sich ehemals hier ausgedehnt hatte.
Äußeres
Der Bau ist durch einen mächtigen vorgewölbten Mittelteil geprägt, auf dessen hoher Attika sich ein 18 Meter langes Basrelief von Rudolf Weyr ("Bacchantenzug") befindet, darüber auf der Balustrade die Kolossalgruppe "Apollo mit den Musen Melpomene und Thalia" (tragische und komische Muse) von Carl Kundmann. Nach beiden Seiten erstrecken sich weitausladende Flügelbauten, die unter anderem die beiden Logentreppen aufnehmen; an den äußeren Enden besitzen sie Durchfahrten mit darüberliegenden Loggien, an den Stirn- und Rückenfronten sind sie durch allegorische Figurengruppen von Johannes Benk geschmückt, die Tugenden und Leidenschaften symbolisieren, die gleichermaßen das Leben und das Drama beherrschen (Liebe/Hass, Heroismus/Egoismus, Demut/Herrschsucht).
In den Nischen der Seitenfassaden befinden sich Statuen von Viktor Tilgner (Hanswurst, Falstaff, Phaedra, Don Juan) und Hanns Gasser (Prometheus, Genoveva). Die Kolossalbüsten oberhalb der Fenster des ersten Stocks im Mittelbau schuf Viktor Tilgner (Mitte: Goethe, Schiller, Lessing; links: Calderon, Shakespeare, Molière; rechts: Halm, Grillparzer, Hebbel); in den Zwickeln darunter Gestalten aus Dramen der jeweiligen Dichter, die vorderen von Weyr, die anderen von Tilgner, Silbernagl und Costenoble.
An der Vorderseite der beiden Flügel sind Zwickelfigurenpaare von Tilgner angebracht (links Kleist und Otto Ludwig, rechts Kotzebue und Bauernfeld); auch alle übrigen Bauteile tragen reichen figuralen Schmuck.
An der zur Löwelstraße gerichteten Fassade befindet sich beiderseits der Tornische je eine Gedenktafel: Die linke erinnert an die Löwelbastion und hat folgende Inschrift: "An dieser Stelle erhob sich die im Jahre 1546 erbaute und im Jahre 1872 abgebrochene Loebelbastei". Von der alten Bastion stammt auch der Ziegel, der in der, vom Ring aus gesehen rechten Durchfahrt rechts hinter dem Gitter eingemauert ist. Der Stein trägt die Jahreszahl MDXXXXIIII (1544). Die rechte Tafel ist der Erinnerung an die Türkenbelagerung 1683 gewidmet: "Vom 8ten bis 11ten Sept. 1683 wiesen von hier aus die tapferen Vertheidiger Wiens die heftigsten und letzten Angriffe der Türken zurück".
Inneres
Der ursprüngliche Zuschauerraum war eine Verbindung von Logen- und Rangtheater (1945 zerstört). Die prachtvollen Feststiegen in den Seitenflügeln sind original erhalten geblieben (Deckengemälde, welche die Entwicklung des Theaters darstellen; rechts [Volksgartenseite] "Dionysostheater in Athen" von Franz Matsch, Globetheater in London von Gustav Klimt und Molièretheater in Paris von Ernst Klimt; links Theater in Taormina von Gustav Klimt, Mysterienbühne des Mittelalters von Franz Matsch und "Hanswurst auf dem Jahrmarkt" von Ernst Klimt).
Auf den Mittelpodesten der gleichartig gestalteten Stiegenhäuser stehen in Wandnischen Standbilder bedeutender Schauspieler (im linken Stiegenhaus links von Carl Costenoble: Thespis, Kallipides, Quintus Roscius, Richard Burbadge, rechts von Anton Paul Wagner: Sebastian de Prado, Maria Calderon, Jean Baptiste Poquelin [Molière], David Garrick; im rechten Stiegenhaus links Johann Friedrich Ferdinand Fleck, Ferdinand Johann Baptist Esslair, Ludwig Devrient und Carl Seydelmann [alle von Josef Fritsch], rechts Caroline Neuber, Friedrich Ludwig Schröder, Konrad Ekhof und August Wilhelm Iffland [alle von Josef Lax]).
Auf den Treppenpodesten stehen Schauspielerbüsten: links Friedrich Halm, Friedrich Hebbel, Eduard von Bauernfeld, Franz Grillparzer (alle von Viktor Tilgner), Gerhart Hauptmann (von Gottfried Behn), Anton Wildgans (von Georgi), Adolf Wilbrandt (von Caspar von Zumbusch); rechts Josef Kainz (von Sandor Jaray), Hugo Thimig (von Stemolak), Josef Lewinsky und Charlotte Wolter (von Viktor Tilgner), Max Devrient und Ernst Hartmann (von Hans Dietrich) und Georg Reimers (von Kaminsky), bei den Stiegeneingängen Büsten von Raoul Aslan und Albert Heine (beide von Andre Roder).
Über den Eingangstüren zu den Parterrelogen allegorische Marmorgruppen von Johannes Benk (links Wahrheit und Dichtung, rechts Weisheit und Schönheit), im Vestibül des Logenhauses Porträtstatuen von Bühnengrößen (unter anderen Joseph von Sonnenfels und Friedrich Schreyvogel von Johann Silbernagl, Heinrich Laube und Franz Dingelstedt von Heinrich Natter); die Deckengemälde im Foyer stammen von Eduard Charlemont und die Marmorhermen im Vestibül der Kaiserstiege von Viktor Tilgner, den Fries auf der Stiegenrotunde malte August Eisenmenger; im ersten und zweiten Foyer hängen Schauspielerporträts (siehe Burgtheatergalerie).
Am 12. März (Bombentreffer) und 12. April 1945 (Artillerietreffer, Brand) wurden die Räumlichkeiten des Zuschauerhauses weitgehend zerstört. Der Spielbetrieb wurde bereits am 30. April 1945 im Ronacher, das Buschbeck als Ausweichbühne gefunden hatte, wieder aufgenommen (Eröffnung mit Grillparzers "Sappho").
Der Wiederaufbau (1948-1955) erfolgte aufgrund des Ergebnisses einer Ausschreibung, zu der zwölf Architekten eingeladen worden waren, durch Michel Engelhart (dessen Pläne auf den Bestand die größte Rücksicht nahmen); akustische Mängel und die schlechten Sichtverhältnisse des ursprünglich lyraförmig angelegten Logentheaters wurden behoben (Weglassen der Hofloge, Einführung von zwei Rängen), außerdem eine Hub-Schiebebühne hohen technischen Standards eingebaut. Unter Direktor Rott erfolgte am 14. Oktober 1955 die Wiedereröffnung mit Mozarts Kleiner Nachtmusik, einen Tag später wurde das erste Theaterstück (Grillparzers "König Ottokars Glück und Ende") in der wiederhergestellten "Burg" gespielt.
www.wien.gv.at/wiki/index.php?title=Burgtheater_(Geb%C3%A4ude)
Read more about the redesign on my blog: www.bene.be/blog/comments/the_redesign_process_of_the_ibb...
Post-launch page from the redesign of Media General's community newspaper group in Virginia. For more samples and for background information on this project by Ron Reason News Design, visit:
MTA New York City Transit President Andy Byford, Acting Senior Vice President of Buses Craig Cipriano, Bronx Borough President Ruben Diaz, Jr., and elected officials announce the final plan for the Bronx Bus Network Redesign at Lou Gehrig Plaza on Tuesday, October 22, 2019.
Photo: Marc A. Hermann / MTA New York City Transit
My first work for the project restyle.
It was a short sleeve knit sweater purchased when I was in CA. But since I came back to Japan, it had been so hard to find the best season to wear something like this. The weather is different here, and it's either too hot or too cold for this kind of sweater. So I decided to add sleeves.
The red and gray stripe fabric is 2 way stretchy, and first I cut off the cuffs of sweater and added sleeves instead, and put the cuffs back on the new sleeves. Also I made this matching headband/neck warmer.
Blogged here.
crochetie.blogspot.com/2010/12/mens-cardigan-and-easy-bre...
Event Date: Thursday November 3, 2011 6:30 pm
Location: Gladstone Hotel, Toronto
For tickets, call 416-599-5321 x2246, email marketing@textilemuseum.ca or visit redesign2011.eventbrite.com
Featuring Bent and Gable, Bruno Billio, bookhou, Brothers Dressler, Cannon Design, Castor, David Chang, Creative Matters Inc., Georgia Dickie, David Dixon, Peter Fleming, Abe Galway, Charlene and Grant Gilmour, Grant Heaps, Thrush Holmes, Patty Johnson, Virginia Johnson, KerrSmith Design, Jeremy Laing, Ryan Legassicke, Levitt Goodman Architects, MADE, Amanda McCavour, Gord Peteran, Ed Pien, Sandy Plotnikoff, Amanda Reed and Dea Blagheoff, Daemon Rowanchilde, superkül inc architect, Annie Thompson, Kathryn Walter, Kevin Weiss with Holman, Gareth Wilson and Logan Wilson, and Pam Woodward
Hackerspace Hack42 Arnhem was invited to demonstrate our style at Rozet's Open House 2015. One of the things they requested, was a live demo of our 2D laser-engraver which we used to engrave our logo in our infamous Dossier Verkade (part I) (and part II)... back in 2012. This portable DIY laser-engraver had been committed to the scrapyard long ago, and our current models either aren't very portable, or in non-working condition. Thankfully, Hackerspace Techinc Amsterdam loaned us a cute portable lasercutter to be able to engrave a single cookie on-site. We fabricated a nice shield for it (actually, for the visitors' eyes) and we pre-made quite a large batch of cookies with our own engraver. Mission Accomplished.
MTA New York City Transit President Andy Byford, Acting Senior Vice President of Buses Craig Cipriano, Bronx Borough President Ruben Diaz, Jr., and elected officials announce the final plan for the Bronx Bus Network Redesign at Lou Gehrig Plaza on Tuesday, October 22, 2019.
Photo: Marc A. Hermann / MTA New York City Transit
Today, Chief Eddie Driggers and Mayor Keith Summey introduced the police department's newly designed police vehicles to the public. The new design incorporates the established city colors. Mayor Summey said, “The new vehicles are a long way from the first cars that hit the streets in the 70's.”
Photo by Ryan Johnson