reDesigning Raleigh
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Full Details @ rainbowpixiefarts.blogspot.com/2022/01/redesign-1212.html
A redesign of my previous pic, new cyber parts and new color scheme. Also added more glowing into the image and on the avi ... not sure if it was better to or not but :b
423 364 und ein unbekannter weiterer 423 am Einfahrvorsignal des Bahnhofs Aying. (S6554 Erding - Kreuzstraße)
my shop has been a little quiet and this is why! I decided it's time for fresher, cleaner graphics for Cloud 9! took me a while to put this together but I'm happy with the results. thanks for all the support for my silly little doodles ♡
Zehn von noch zwanzig Tw der Reihe 2200 der CFL erhalten bis 2025 eine innere und äußere Aufarbeitung. Angelehnt ist die Neulackierung an die künftige Optik der bereits bestellten Alstom Coradia Stream. Der 2201, als einer der ersten fertiggestellten Einheiten, überfährt hier den „Viadukt Clausen“ als 3618 von Luxemburg-Gare nach Diekirch. Wobei die Zugnummer etwas an die E-Lok Reihe 3600 erinnert, die Jahrzehnte bei der CFL in Dienst standen.
CFL 2200 in redesign
Ten of the twenty remaining Tws in the CFL's 2200 series will receive an internal and external refurbishment by 2025. The repainting is based on the look of the Alstom Coradia Stream that has already been ordered. The 2201, one of the four units completed to date, crosses the “Clausen Viaduct” as the 3618 from Luxemburg-Gare to Diekirch.
Assembling everything good or bad prior to mapping out the forthcoming new Erskine Design website. Hoping to relaunch in the next month or so.
Click image and then "All Sizes" to view "transparent" GIF..
"Whenever something is wrong, something is too big." --- Leopold Kohr
The USA has gotten too big - the solution - divide it into more cohesive nations - Pacifica, Redneckistan, and the New American Republic.
Wasn't happy with the design of the hull or suspension of the tank. New turret for the Turan Mk. III is underway
The bridge on my way home tonight; I wish I had taken a tripod and change of lens with me to work because the twilight reflections tonight were gorgeous.
I like the design of the Resistance Bomber from Episode 8 but I (as well as many others) felt that it wasn't really practical.
So I tried to modify the design to make it a better suited craft for the resistance or rebel fleet.
The fuselage remains the same but is downscaled considerably. The Bomber is outfittet with more powerful engines (for it's size) and comes with a powerful missle launcher. Maneuverability is also enhanced due to a large stabilizer wing in the front. The crew consists of a pilot, a copilot/gunner and an engineer.
Frisch von der Karte:
Heute morgen las ich eine Sichtung, dass der modernisierte Vias Flirt auf Linie fährt. Grob überschlug ich die Zeit, fuhr zum Bahnhof Frankfurt Höchst und durfte dank zwei netten Mitarbeitern von InfraGo auf den alten Bahnsteig.
Zum Zug: Das Außendesign verspricht viel, aber beim Reingehen kommt die blanke Enttäuschung: Lediglich die Türen wurden umlackiert, die Druckknöpfe erneuert, neue Echtzeit Monitore verbaut und die "SE 10" Aufkleber wurden nach Jahren durch neue ersetzt. Das wars eigentlich schon. Also ich hätte mehr erwartet...
Wie gesagt, alle Vias Flirts sollen jetzt dieses "Upedate" bekommen, wenn alle Züge aber so lange wie der erste brauchen, ist der Verkehrsvertrag schon vorbei 😅
Die E10 hat am Abend des 30.10.2021 zur "Goldenen Blauen Stunde" mit ihrem Zug St. Pölten Hauptbahnhof erreicht.
After doing some shopping at the fantasy faire, I decided to update Dawn!
Using Soul's Gyouko Ceredil, Gauze and Trap's Hooves and Zeva Horns, Trap and Illusions Pierced Gelf Ears, Cole's Corner's awesome auras, Magika's Please Hair, Fallen God's AGARWAEN face tattoo, Devae. Lupine Eyes, Aii's Bento Devil Tail, and Catwa Head. Whew!
The redesign of the Delft train station started in 1999. The project's goal was to move the two tracks underground in order to reduce noise pollution in the tiny, quaint city centre. In 2015 the new station building opened and trains ran successfully through the new tunnels. By 2020, they aim to have the old infrastructure (platforms and viaduct) removed.
Track 1 and track 2. Up the stairs in the main hall there are signs to tracks 3 and 4. The arrows point ambiguously toward the stairs you see in this picture, yet only two tunnels were built.
Now that there's more photos of the armor I was able to do it in the appropriate colors and in a smaller size.
The L-shaped entrance hall of Billilla is part of the original 1878 High Victorian mansion, although was redecorated as part of the 1907 redesign of the house.
The space is flooded with light from one of the two Art Nouveau leadlight bay windows flanking the heavy front door. A lunette of Art Nouveau stained glass featuring a galleon in full sail provides additional light and ornamentation above the front door.
The entrance hall features its original wooden dado panelling running half way up the wall, and a wooden vaulted ceiling. A welcoming fireplace featuring turquoise Arts and Crafts majollica tiles with an insert of three rows of ornate Victorian floral tiles around the grate greeted guests. Above the dado panelling, the hall still features its 1907 Art Nouveau wallpaper of gilded stylised camellias, whilst panels of gilded Victorian daisy patterned wallpaper are inserted into the ceiling. Ornately stylised Art Nouveau foliate chandeliers from the 1907 redesign still hang from the ceiling.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Biomorph desk
Mac Pro on right side (2TB storage, 8gig ram, etc.)
Powermac G5 on left (800gig storage, 4gig ram, etc.)
Both computers are mounted to desk legs to keep them up off the floor.
One Mac 30" cinema display in center
Two Mac 23" cinema displays on left and right
Deck keyboard and Logitech Revolution Mouse control both computers via Teleport
5.1 Speaker system with Titanium casing
Snowball microphone
ISight
Ambient Orb tracks visitors to web site
Polycom Clarity phone (work)
Panasonic wireless (home)
LED light clock directly under 30" monitor
Docks for 60Gig iPod video, 8Gig Nano and and 4Gig Nano on a concealed shelf to the left of the Mac Pro.
Art work
Commerical grade blue LED backlighting for when lights are off
Frankly, i dont have time for digital building anymore and creating complete new designs - the T3 edit from 2 years ago has been on my list for a while now, glad i finished it during the last months. Might be my last pair of renders for quite some time to come...
After Star Wars Days and seeing how old my ATAT's looked against Shooting Stars ATAT, I decided I needed to do a major overhaul. One leg done, this is going to take some time to redesign the entire ATAT. If I am going to have 3 of these for my display, I got a lot of leg work to do! Still waiting for the 10x10 dishes that I will actually use to arrive.
Wasn't happy with the design of the hull or suspension of the tank. New turret for the Turan Mk. III is underway
It's been three weeks since I've built something, so this was refereshing. Colors are funky-ish.
Anyways, it's a redesign of a Nuhvak-Kal, which was supposed to be a machine that held these parasite thingies called krana in them (yeah, boring storyline stuff). Said holding mechanism. It's also for a contest over on BZPower.
Oh, and Gallery when moderated.
This is for the Millennium Falcon contest on The Brothers Brick. I did some restyling of the design, smoothed it out, and added some curves. Colours are inspired by some retro space toys I saw, Gi-Joe and such.
Made a few upgrades to an old model, to make it more accurate. The turret now rotates, though you have to force it a bit, the "treads" on the side no longer slope downwards, and I made some improvements to the hatch on the back.
Still alive, still creating stuff. I have a few things that I'm working on finishing.
One of my first digital MOCs was a Corellian gunship in playscale.
After three years I decided to revisit my dated design and to give it a makeover.
It's been a long time coming. But I think she's finally ready.
For ages I had been trying to build a version of the Duchess that could seat two minifigures. I originally had used the cab piece that was commonly used for cars in the Adventurers theme. But it didn't look right due to the lack of the part coming in dark green.
After much tinkering I came up with a good design that looked ideal.
Funnily enough the entire design is a massive redesign. The entire bonnet section is a new construction, along with the chassis. The rear even has storage space for a few items.
And of course the cockpit is nicely detailed too.
I like the design of the Resistance Bomber from Episode 8 but I (as well as many others) felt that it wasn't really practical.
So I tried to modify the design to make it a better suited craft for the resistance or rebel fleet.
The fuselage remains the same but is downscaled considerably. The Bomber is outfittet with more powerful engines (for it's size) and comes with a powerful missle launcher. Maneuverability is also enhanced due to a large stabilizer wing in the front. The crew consists of a pilot, a copilot/gunner and an engineer.
Past build from 2023. I took some creative liberties on the weapons, making the original spring loaded shooter a shoulder cannon and one of the blasters a rail gun.
I like the design of the Resistance Bomber from Episode 8 but I (as well as many others) felt that it wasn't really practical.
So I tried to modify the design to make it a better suited craft for the resistance or rebel fleet.
The fuselage remains the same but is downscaled considerably. The Bomber is outfittet with more powerful engines (for it's size) and comes with a powerful missle launcher. Maneuverability is also enhanced due to a large stabilizer wing in the front. The crew consists of a pilot, a copilot/gunner and an engineer.