View allAll Photos Tagged Redesign
Camera with new shutter.
The original shutter for this camera was a sliding blade. Hand-held pinhole images were rather difficult placing the index finger in an odd position and creating a lateral shift/jerk. I replaced the slider shutter with something of a more classic "press" with rubber band return. The band can be looped over the trigger for long/time exposures.
A redesign of my Fiat x1/9
After seeing Ron's recent use of simple techniques and working minifigures inside the cars, I decided to make some changes to my Fiat. I think it really smoothed out the design a lot.
I like the design of the Resistance Bomber from Episode 8 but I (as well as many others) felt that it wasn't really practical.
So I tried to modify the design to make it a better suited craft for the resistance or rebel fleet.
The fuselage remains the same but is downscaled considerably. The Bomber is outfittet with more powerful engines (for it's size) and comes with a powerful missle launcher. Maneuverability is also enhanced due to a large stabilizer wing in the front. The crew consists of a pilot, a copilot/gunner and an engineer.
The L-shaped entrance hall of Billilla is part of the original 1878 High Victorian mansion, although was redecorated as part of the 1907 redesign of the house.
The space is flooded with light from one of the two Art Nouveau leadlight bay windows flanking the heavy front door. A lunette of Art Nouveau stained glass featuring a galleon in full sail provides additional light and ornamentation above the front door.
The entrance hall features its original wooden dado panelling running half way up the wall, and a wooden vaulted ceiling. A welcoming fireplace featuring turquoise Arts and Crafts majollica tiles with an insert of three rows of ornate Victorian floral tiles around the grate greeted guests. Above the dado panelling, the hall still features its 1907 Art Nouveau wallpaper of gilded stylised camellias, whilst panels of gilded Victorian daisy patterned wallpaper are inserted into the ceiling. Ornately stylised Art Nouveau foliate chandeliers from the 1907 redesign still hang from the ceiling.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
venetian plaster walls
world market silver star decor
ikea frosted rectangle lamps with pink bulbs
silver hand painted bird pillows
800 thread count sateen sheets
silver coverlet
So, as some of you might now, I sure do love my redesigns. Anyways this is LITERALLY my first redesign of a female character, heck it's my first DRAWING of a female. Anyways, I was reading an issue of the New 52 Detective Comics, and realised I really liked Ivy's costume. So I redesigned it.
*Note - No h8 again m8. I sux at drawling.*
While I was building the first box of the LEGO Technic 42083 Bugatti Chiron I got the impression that it has not been engineered very efficient. On Eurobricks many improvements have already been suggested and made, but they were often on a technical level without taking in consideration the whole structure of the model. The goal is to save weight, improve overall part efficiency and structure integrity, but without compromising the buildability of the model. Here is a redesign of the rear axle. Some parts are just placeholders.
The new flickr is terribly designed. I hate to see the Yahoo! team destroy such a great community. I'm not saying a redesign does not need to happen occasionally, but this one is over the top bad. The community aspect seems to be destroyed in the new version. You have to click buttons to see comments, the site is incredibly jumbled, slow to load and the focus on the photography is lost. Please rethink this before many of your users and customers, including myself, chooses to up anchor and drift elsewhere!
redesign of the book - "arte brasilieira, arte moderna e contemporânea", book about brazilian modern and contemporany art
to see all spreads
The Mk 42 "Bonecrusher" is a gas operated, shoulder fired minigun. It fires at a steady rate of 3000 rounds per minute, fed from a bullpup drum mag. It's firing mechanism is based off of some Russian minigun whose name escapes me. For some reason, this makes me think of the L86 machine gun.
After a small redesign, my robo-athlete moc is now published on Lego Ideas, so if you like it, please support it here: ideas.lego.com/projects/e2aecc9d-4ce1-4109-b518-0b8243a5f2c4
HULK
Front View
This is my redesign of the new LEGO MARVEL SuperHeroes Hulk. He has purple pants. I made this Monday, April 23, 2012. Based on your comments on Tuesday, April 24, 2012, I incorporated changes by bulking up some areas.
I would appreciate comments, although I am more comfortable with its current state. There are some areas that will could use some work, like the lower back. For the most part, I think that I am done.
A new visual for Radix
See it in original size.
If you wanna a redesign for your shop/ event, please, contact vondavolkov inworld.
It's been a long time coming. But I think she's finally ready.
For ages I had been trying to build a version of the Duchess that could seat two minifigures. I originally had used the cab piece that was commonly used for cars in the Adventurers theme. But it didn't look right due to the lack of the part coming in dark green.
After much tinkering I came up with a good design that looked ideal.
Funnily enough the entire design is a massive redesign. The entire bonnet section is a new construction, along with the chassis. The rear even has storage space for a few items.
And of course the cockpit is nicely detailed too.
Since this set has blown up, I figure I'll address some common things I'm hearing:
- Yes, the baby is wearing a diaper AND has his little baby junk hanging out. I started with the international symbol style for the baby, then added the main event, then realized that it was kinda fun that it was just that symbol plus a baby penis. So all you folks that are confused, there's the story. If it helps, distract from this issue by asking yourself why this baby is swimming after a dollar bill :P
Trying to start off 2021 in a better way.
Redesigned the store logo, releasing a bunch of stuff AND finally opening an in-world mainstore.
You can visit here: maps.secondlife.com/secondlife/Triangulum/91/17/3501
female super heroes - some of them are awesome & have great potential but they often need a redesign or nudged in a more wholesome positive direction (less sexualized & more child friendly)
#Jon Boam #PowerGirl #Powergirl redesign
Proposta não-oficial de redesign e simplificação do Brasão de Armas da República Federativa do Brasil (Unofficial proposal for redesign and simplification of Coat of Arms of the Federative Republic of Brazil).
-----
Pegue sua carteira de identidade. Pode ser a carteira de motorista, CPF, passaporte, carteira de trabalho... Compare as muitas versões do Brasão da República e você vai perceber que talvez o único padrão existente seja estabelecido pela baixa qualidade de reprodução deste importante símbolo nacional - a começar pelas reduções e versões em negativo.
Sei que o Brasão é bonitão colorido e cheio de detalhes, mas esse não é o emblema oficial que trabalha todo dia nos documentos e repartições, e também não é esse o símbolo que proponho modificar.
O redesign apresentado acima visa resolver situações de redução e inversão de cor, mas sem alterar os elementos do Brasão e suas proporções originais. Essas situações respondem por grande parte das aplicações do Brasão de Armas da República, e atualmente apresentam-se sem a qualidade que este emblema demanda. O excesso de elementos e texturas dificulta a compreensão do Brasão, o que é importante ainda que não seja o ponto principal da proposta (já que a maioria das pessoas não o lê, de fato). Mas nas situações mencionadas o Brasão tradicionalmente aparece mal impresso e sem um padrão constante de uso, transmitindo uma imagem de descuido, precariedade e desorganização.
O Brasão de Armas da República foi desenvolvido no século XIX como uma imagem e não como uma representação pictórica, e a maioria dos problemas decorre da ausência de uma versão simplificada e adaptada deste emblema. Na proposta apresentada todos os elementos e traços do desenho original foram repensados para proporcionar reduções e inversões firmes, consistentes e mais legíveis.
Além disso, o Brasão redesenhado segue padrões contemporâneos de acabamento, o que pode ser explorado no sentido de apresentar um país mais moderno e atencioso com sua imagem.
A versão em negativo foi adaptada nesta simplificação, fazendo com que o escudo do Cruzeiro do Sul não tenha suas cores invertidas. Esta mesma preocupação pode ser percebida na estrela partida onde ele está inserido, cuja versão em negativo não apresenta contorno.
Para reduções extremas a proposta é trabalhar com uma versão onde as fitas apareçam sem os dizeres oficiais, deslocando-os para fora do Brasão e evitando assim que a redução piore a legibilidade da informação histórica. Esse uso também serve como ensaio para uma possível padronização na comunicação oficial de ministérios e secretarias.
A fonte utilizada na legenda do Brasão é livre, e pode ser implementada nas inúmeras repartições públicas sem ônus algum pro país. Trata-se do projeto desenvolvido pelo designer brasileiro Gustavo Ferreira para a reformulada identidade visual da UnB - UnB Pro e Office, com excelente nível técnico e qualidade de mercado. O tipo escolhido garante mais legibilidade ao Brasão e suas diversas variantes permitem ampliar e padronizar a comunicação oficial da República.
A República do Design. :-)
fev. 2012
-----
esse projeto foi inspirado nos erros e acertos do redesign (oficial) do brasão do governo central holandês, desenvolvido pelo Studio Dumbar entre 2006-10. este não consistia apenas na criação de uma nova identidade visual, mas na implementação de um sistema integrado de sinalização visando uma comunicação mais clara e organizada batizada de 'one desk concept'.
-----
Dez passos para um design não solicitado de qualidade:
1. tome a iniciativa:
2. proponha um problema.
3. torne-se um especialista.
4. elabore seu próprio briefing.
5. desenhe sua proposta.
6. junte-se a outros.
7. encontre uma oportunidade.
8. demonstre a urgência da proposta.
9. convoque seu futuro cliente.
10. volte ao início.
(adaptado do texto original de Rory Hide)
Is it just me or don´t the modern Disney princesses resemble themselfes at all these days?
Disney redesigned (again) the classic princesses in this year and that´s what came out.
In deed, they look cute and like a little girl is imagining a princess, I guess at least...
However, I totally go for the classic look! Which one do you prefer?
Right now, I'm planning to redesign a bunch of heroes, and some of them may be re-created in lego just as a side project.
Also, I couldn't find my sketchbook for the moment, so I've drawn it onto one of my workbooks (due to the fact that there's a huge 9 next to him.
Anyways, I've had a recent obsession with giving him details that make him look like a real bat. He has larger eyes, teeth on the mouth hole, a fuzzy, brown cape, and elongated, outlined ears, and reversed finblades.
I've taken inspiration from these bats:
- Giant golden-crowned flying fox (Wings / cape / Color Palette)
- Indiana Bat (Ears / color palette)
- Vampire Bat (Ears / Color palette)
*Note - I'm not the best drawer so NO H8 PLOX*
Been wanting to change Jelyx's head for a very long time. It was such a terrible design in both aesthetics and technicality, because the hair kept falling off constantly (it was weakly connected to her back) and it was gappy (I had to superglue a couple of cheese slopes behind the eyes, fml). Also, It looked nothing like a Vortixx. So I came up with this. I think it looks perfect.
I will be posting a comparison pic soon. It's a pretty drastic change.
The L-shaped entrance hall of Billilla is part of the original 1878 High Victorian mansion, although was redecorated as part of the 1907 redesign of the house.
The space is flooded with light from one of the two Art Nouveau leadlight bay windows flanking the heavy front door. A lunette of Art Nouveau stained glass featuring a galleon in full sail provides additional light and ornamentation above the front door.
The entrance hall features its original wooden dado panelling running half way up the wall, and a wooden vaulted ceiling. A welcoming fireplace featuring turquoise Arts and Crafts majollica tiles with an insert of three rows of ornate Victorian floral tiles around the grate greeted guests. Above the dado panelling, the hall still features its 1907 Art Nouveau wallpaper of gilded stylised camellias, whilst panels of gilded Victorian daisy patterned wallpaper are inserted into the ceiling. Ornately stylised Art Nouveau foliate chandeliers from the 1907 redesign still hang from the ceiling.
Built in High Victorian style in 1878 for successful gold miner Robert Wright, Billilla mansion was originally a thirteen room mansion erected on seven and a half acres of land.
When economic boom turned to bust in the 1880s, the property was purchased in 1888 by wealthy New South Wales pastoralist William Weatherly who named it Billilla after his land holdings and established a home there for his wife Jeannie and their children Violet, Gladys and Lionel.
The house was substantially altered by architect Walter Richmond Butler in 1907, extending the house beyond its original thirteen rooms and adding the Art Nouveau façade seen today.
After William Weatherly's death in 1914, his wife, who was much younger, remained living there until her own death in 1933. She bequeathed the property to her daughter, Violet, who maintained the home with reduced staff until her own death in 1972.
The property was purchased in 1973 by the Bayside Council who subsequently used Billilla as a historical house with guided tours, a wedding and events venue, a school and finally in 2009 as an artist's precinct in the property's outbuildings. Billilla is a beautiful heritage property retaining many of its original features thanks to its long private ownership still incorporating a stately formal garden and the magnificent historic house.
Billilla, at 26 Halifax Street, Brighton, is one of Melbourne’s few remaining significant homesteads, built on land which had originally been owned by Nicholas Were. The house has a mixture of architectural styles, featuring a Victorian design with Art Nouveau features and has exquisite formal gardens, which retain much of their original Nineteenth Century layout.
Billilla retains many original Victorian elements and a number of outbuildings still stand to the rear of the property including the butler’s quarters, dairy, meat house, stable garden store and coach house.
Billilla was opened to the general public as part of the Melbourne Open House weekend 2022.
Billilla was used as a backdrop in the 1980 Australian Channel 10 miniseries adaptation of Sumner Locke Elliott's "Water Under the Bridge". It was used at the Sydney harbourside home of Luigi, Honor and Carrie Mazzini.
Just another addition to my ongoing sketch-series of Superhero redesigns. This time, I decided to take on Spider-Man, pulling from these designs
- Ends of the Earth Spider-Man
- The Amazing Spider-Man (2012)
- Vigilante Suit
and most importantly
- Regular Parkour Gear (Wristbands, tight one-strapped backpack)
Anyways, hope you guys enjoy this one. I might make a fig, and/or I might try to draw him using my new sketchpad.
Since this set has blown up, I figure I'll address some common things I'm hearing:
- This is pretty redundant to the original... it was the start of the sketches, so I used this to get the color palette and the grid. I know it's not really a departure from the cover.
Launch day is finally here! Check out the completely redesigned MailChimp: mailchimp.com/
Had such an amazing time working on these photos. Collaborating with the team on styling, design, and art direction was completely rewarding!
See more HERE
So people didn’t like how the tapering on the tail was so I’m starting from scratch on redoing that part now. Im planning on using a similar technic as to what I used on the nose. Stay tuned!!
A redesign of my Micro Battlepods, so they would be more parts friendly. The White one in the center is a previous model used for sizing. Left (Quel-Regult) is equipped with All Seeing Eye, Sensor Fin, Side and Foot Thrusters. Center (Tactical-Regult) is equipped with Particle Cannons, Defense Laser, Side and Foot Thrusters. Right (Tactical-Regult) is equipped with Particle Cannons, Side and Foot Thrusters.
Well, Onua always reminded me of a mole. So I remade him into a more mole like robot. I built this rather quickly, so there's probably a few issues with it.
Gallery when moderated.