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Een gaatje bij de elleboog is weggewerkt met witte flock. Het grafische patroon is doorgetrokken op de voorkant van het vestje.
The spectacular redesign and reinstallation of the Metropolitan Museum's collection of classical art is complete. On April 20, 2007, the New Greek and Roman Galleries, which include the dramatic Leon Levy and Shelby White Court open to the public, I had a preview invitation. Concluding a 15-year project and returning thousands of works from the Museum's permanent collection to view some never before seen by the public. In addition to the first-floor galleries there is also a mezzanine level - that overlooks the new court from two sides.
Unlike some recent renovations to other New York City museums this one is done well. Mosaic floors, classical columns, center fountain, a skylight and natural light flooding through large windows all combine beautifully to showcase thousands of pieces of art: sculpture, wall paintings, jewlery and coins.
We were asked to redesign the handle of some instrument or tool. I chose a drumstick, and created a sleeve which encourages the user to hold it in the common 'match grip' position.
The original space was cramped and sectioned off. Knocking down the thin, unsightly separating wall really helped to open it up. Client can be cooking and talking with her guests at the same time. The small peninsula also added additional seating and helped visually section off the two rooms.
Client needed a lot more storage space, so I added the additional cabinetry along the far wall of dining room. By having the floor to tall ceiling cabinet on left, it also hid the unsightly kick-out in the wall.
Fui convidado para redesenhar o logo do blog.
Explico brevemente o processo de construção aqui: chocoladesign.com/o-novo-choco-la-design
What the LEADERSHIP newspaper looked like before the redesign and training efforts. The design workshops and design process was led by Robb Montgomery, a U.S. journalist who has led newspaper redesigns, in San Francisco, Chicago and Washington, D.C.
We redesigned the payment page of Swedish Internet bank SEB för an article in InternetWorld. Read our thoughts on the redesign (only Swedish)
What the LEADERSHIP newspaper looked like before the redesign and training efforts. The design workshops and design process was led by Robb Montgomery, a U.S. journalist who has led newspaper redesigns, in San Francisco, Chicago and Washington, D.C.
Autora: Maria Beatriz Fonseca
Proposta: Redesign da embalagem de salada de frutas da marca Predilecta, em litogravura.
Cores: 8x0
Produzido em: Outobro e Novebro de 2007
Softwares: Adobe IIllustrator e Adobe Photoshop (tratamento das imagens) e Rhino (para a simulação 3D)
Orientação dos Professores: Ana Paula, Denise Dantas
Comunicação Visual - 6º Semestre
Projeto Embalar
Centro Universitário Senac
Estudo feito para a disciplina
Reprodução Bidimensional II
no curso de Design Gráfico da UEL,
no ano de 2010.
i think this is the way the final redesign is going to go. client is very pleased with how things have turned out.
This is the beginning of a redesign for our site. Current site: www.discoverlifepoint.com
I'm having a hard time designing something with our logo, which I need to use as it is. I welcome any criticism... I'm not even sure if I like it anymore after looking at it for a while.
You can see this site live at www.scubakyle.com (right now, this may look different in IE).
The homepage has Current Series, Upcoming Events, and What to Expect at the top. These buttons will automatically display appropriate content to the left when clicked (default to current series) much like www.expressionengine.com (and many other sites). This is functionality that I would like to keep, but I don't know if I really like the looks of it right now).
I’ve rearranged my room again in the process of decluttering. I managed to do away with an entire 4x4 Expedit shelving unit. I’m quite proud of the way things look now. I feel that I’ve finally embraced my personal style instead of trying to make my things fit into a preordained image of what a good style is.
Baseado no mascote da Copa e utilizando como referência o verdadeiro tatu-bola, um redesign do personagem com modificações que transmitissem mais as características do animal escolhido.
This is a dress that I found at a local thrift shop. I wouldn't have picked it up as it isn't my style (tight knit waist section doesn't always make me confident!) except for the daisy fabric, which reminded me of a daisy print dress I had when I was very little. It was the only dress I ever possessed that looked like it came out of the "Dick and Jane" books and it spun way up when I turned. I wore it until my mother decided it was fit for the rag bag. I took the sleeves off of this dress, embroidered the collar and the button holes and put new flower buttons on it.
(further pictures and a lot of information you can see by clicking on the link at the end of page!)
Hofburg Michaelertrakt
Michaelertrakt
Famous dome
In his monumental outline to redesign the Hofburg Johann Lucas von Hildebrand in 1724 provided a large semi-cylindrical structure at St. Michael's Place, which was surmounted by a dome. For cost reasons, the overall planning was badly received by Emperor Charles VI. Joseph Emanuel Fischer von Erlach had to design three new projects. They contained for the time being no central dome. Finally, he began with the construction of the Winter Riding School adjoining wing of the building, but this remained unfinished around 1735. Later pictures show a half-finished, to the cornice progressed rotunda. The whole thing gave a somewhat ruin-like impression. Under the following Habsburgs the provisional status quo was maintained. In place of the left wing of today's Michaelertrakt was namely since the times of Emperor Ferdinand I a small ballroom in which the Court society played badminton. Maria Theresa in 1740 allowed the Court musician Johann Selliers to convert these sports venue into a comedy house, which should be at disposal both the Yard and the High Society. After several renovations, it had in 1760 found its final shape. Here was almost 130 years written theater history and cultivated the famous Burgtheater German. The Hofburgtheater was a meeting place for the Viennese society. The royal box through a corridor was connected with the imperial apartments.
Michaelertrakt
1888, the last performance took place. Shortly thereafter, the theater was demolished. Meanwhile, it had been replaced by the new Burgtheater on the Ringstrasse. Only now was the chance to close the gap between the Hofburg Imperial Chancellery Wing and the Winter Riding School and erect a representative portal. The already 72 years old castellan of the castle Ferdinand Kirschner took on this task, basing himself on the plans of the architect Joseph Emanuel Fischer von Erlach, which after the construction of the Imperial Chancellery Wing remained unimplemented. Nevertheless, the door building of St. Michael's tract is an independent work of the late historicist Viennese Ringstrassen era. It was strongly influenced by unexecuted designs of Nicolaus Pacassi (1769) and Carl von Hasenauer (1888 ). Construction work was completed after four years of construction 1893. As building material largely Zogelsdorfer sandstone was used. By the end of the monarchy, the St. Michael's gate served as the main entrance to the Imperial Palace. Only in the year 1919 the passage for public has been opened. In the years 1987/88 an extensive exterior restoration took place which was followed by an interior restoration of the dome in 1990.
Michaelertrakt
The Michaelertrakt limits with its concave wings the southeast side of St. Michael's Square. It extends between the Winter Riding School and the Imperial Chancellery Wing. The large central dome and two side domes give the building an imperial expression, so that hardly any of the always numerous photographing tourists would hit upon the idea that with it only 25 years before the end of the monarchy a centuries-old provisional solution was removed. Art historically more significant than the two wings is Michaelertor (gate). The huge Rotundenbau (rotunda building) is Vienna's largest passageway. The main cornice of the portal building is supported by four fluted column pairs. The large groups of figures on the parapet above it were created by the sculptor Johann Benk. They symbolize the three virtues that every ruler should possess - justice, wisdom and strength. Just above the main gate are the by two genii supported imperial coat of arms of Johann Silbernagel and a building inscription attached. The entrances into the rotunda are flanked by four giant Heracles figures that stem from different sculptors (Edmund Hofmann, Anton Paul Wagner, Johann Scherpe and Josef Lax). They correspond to the Heracles groups that created Lorenzo Mattielli at the castle yard side. Already Fischer von Erlach had provided at the curved fronts on Michaelerplatz large niches for monuments. Kirschner here had two monumental fountains of Laaser marble attached, whose sculptures should symbolize the power and glory of Austria. The "power at sea" at the facade to the riding school was designed by Rudolf Weyr and the "power on land" at the corner to Schauflergasse by Eduard Hellmer.
Michaelertrakt
The powerful, with sheet copper covered dome over the rotunda looks like a giant emperor's canopy. It is decorated with gilded valances and is illuminated by barred oculi (Ochsenaugen, bulls eyes) inside. Their height is 54 m outside and inside 35 m. Similar designed but slightly smaller are the two side domes. In addition to the thoroughfare for the wagons and the cars, two large side portals for pedestrians lead into the rotunda. The upper part of the driveway is completed by a high-quality hand-forged decorative lattice. On the walls of the left pedestrian entrance the "welfare of the Emperor" (Providentia Augusti) and the "hope of the fatherland" (Spes Publica) are represented allegorically. The right passage shows the "piety of the Emperor" (Pietas Augusti) and the "loyalty of the people" (Fides Publica). At the left side the former stage door of the Old Burgtheater was preserved as a window. To St. Michael's square, in the passages two groups of figures can be found, the "departure of the ruler in the war" by Otto König and the "Victorious Homecoming" by Stefan Schwartz. From the large circular hall two staircases lead into the two adjoining wings up. The Batthyány staircase is named after Karl Graf Batthyány, a general of Prince Eugene, who later became educator and lord chamberlain of Emperor Joseph II. It led till the fall of the monarchy into the offices of the dreaded Lord chamberlain's office. The opposite Feststiege (grand staircase) is an imposing, späthistoristische (late historicist), three-arm staircase. On the ground floor is on the right the entrance to the eye-popping exhibition rooms of the royal table and silver chamber and the Imperial Apartments. On the left, in 2003 a new foyer for the Spanish Riding School was created. In the exit to the Inner Castle yard stand in pillar niches four groups of sculptures the mottoes of the Emperor Charles VI, Maria Theresa, Joseph II and Franz Josef II symbolizing. They originate from the studios of the sculptors Anton Brenek, Richard Kauffungen, Franz Becher and Josef Beyer. The rooms on the piano nobile of the Michaelertrakt are equipped with gilded stucco ceilings and doors from the turn of the century. Three paintings by Josef Fux in magnificent oak-wood frame show the pageant for the silver wedding of Franz Joseph and Elisabeth.
Location/Address: 1010 Vienna, St. Michael's Square
Activities: The Rotunda is accessible at any time, the Imperial Apartments and the Hofsilberkammer daily 9:00 to 17:00 (July/August 09:00 to 17:30)
Text + photos : www.burgen - austria.com
www.stadt-wien.at/wien/sehenswuerdigkeiten/schloesser-bur...