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PaNo(D)rama! - IMRAN™. This is one of the many reasons I love my blessed home in Florida (as of course I do my NY one). There is no drama and there was no drama even in making this full panorama. This is a handheld iPhone 6+ full 360 degrees panorama stitched by a 99 cents app far better than the $75 pile of junk Panorama Maker program, or the Photosynth technology Microsoft spends millions on. It is obviously not as seamless as the panoramas I used to get with my Nikon D300 and 0-360 parabola panorama lens but for 30 seconds of photography and a few minutes of cleaning up in Photoshop, it is pretty mind-blowing. Enjoy!
© 2015 IMRAN™
Luna Moth & Rosy Maple Moth... and the "bright" reason they're there now
Rosy maple moth, a highlight of our visit to Oconee State Park, and the first time I ever remember seeing this species!
The best of our 848 captures are in a mini-themed album:
• Outing to Oconee State Park, SC – 2021APR13
◦ Moody Spring – 2021APR13 – SC Highway 107
◦ Oconee State Park – 2021APR13 – Mountain Rest, SC
◦ Wigington Overlook – 2021APR13 – SC Highway 413
Hope you enjoy this 34% of 32 "rosy" captures we took today!
We each have our reasons why we are here and why to "enjoy" this difficult way of taking photos. As a kid my father had the "time life" book on space one of the illustrations was the Horse head, I was always taken as a kid there was a Horse out in space. I all ways knew where it was as Orion on the norther side of the equator was very easy to spot much like here on the southern side.
The traditional view with a one shot colour camera RGB red background. This shot is SII as Red Ha as Green O3 as blue but RGB stars. As the Ha is the dominant element its usually very green but I have only kept a hint of Green.
Glad to see this in real life I have never see the Horses beard before. Look closely you can see the shadow cast by the Nebula Back lit from behind. I have to work on getting the focuser set up and filter wheel balanced to be able to rotate the whole train to get the better view. The Filter wheel is very heavy so if you move out from inline the whole rig is thrown out of balance very badly. Thinking as Only MacGyver can.
QHY183M -10c 100 Odd shots 5 min each filter over five nights .. 30 shots each RGB 1 min exposure.
QHYCFW3 and 7 Antlia filters LRGBSHaO
MeLE Mini PC
Pegasus Astro Pocket Mini power box
Starpoint Australis SP3 Focuser
Skywatcher 200 F4 PREMIUM PHOTO QUATTRO REFLECTOR OTA
Skywatcher F4 Aplanatic Coma Corrector
Skywatcher NEQ 6 Pro Hypertuned
SVbony 50MM Guide scope
QHY5L-II-M Guide camera
Guided PHD2, Nina
52 weeks of 2024
Week #51 ~ Chiaroscuro
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music.youtube.com/watch?v=qQ0zxuWFxrY
Une bonne raison d'avancer dans la suite logique de cette histoire...
another reason why I love my neighbourhood... because we live in the original core of the city, downtown events and shopping are a mere 10 minute walk away...
downtown art fair, Guelph, Ontario, Canada: Chalmers United Church is in the background.
my textures
This is not a very interesting candid shot. The reason I took it is just that I like the Chinese word on the uniform of the music band I saw in Santa Claus Parade.
This is the Chinese word 樂 meaning both as music and happiness. I like music and I love to have happiness.
May you have double shots of happiness as well as good music all the time.
Santa Claus Parade, downtown Vancouver. December 2016.
Fuji X-Pro2 camera
Fuji XF 50-140mm F2.8 lens
Classic Chrome film simulation.
© pinoyphotog 2009 all rights reserved
Unauthorized use or reproduction for any reason is prohibited.
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For some reason almost every time I visit a nature place at the south end of my town I end up with a curious Robin following me around but refusing to keep still long enough for met to get a good photo. Thankfully this time was able to predict where he was going to land next and got my photo.
TRADITON AND ANTITRADITION
291. Tradition means a handing over: the handing over of a supertemporal circle of principles here in time.
292. Tradition is the atemporal thrown into temporality.
293. Knowledge of the origin, knowledge of the path, knowledge of the all-transcending, ultimate goal: this is metaphysical realisation.
294. Tradition springs forth from the eternal, points at the eternal, and in the human modality of being represents the aspiration towards the eternal.
295. Metaphysical tradition is at the same time solar and polar: polar for though it appears in the earthly-human sphere, yet it is of heavenly origin and for this reason its origin is not subject to the whirlpool of existence (samsara), it is solar for the powers characteristic of my self-awareness which provide the rule of the auton are present in it.
296. There is only one primordial tradition for there is only one metaphysics, and there is only one metaphysics for there is only one being.
297. Tradition can never be identified simply with metaphysical doctrines or with symbology bearing a doctrinal value, and even less with the archaic documents that present these. Tradition is the total acceptance of a world and the total denial of another.
298. Metaphysically speaking, tradition is nothing other than »remembrance«, and the bearing of the connection with the origin. Modernity, however, is not only the lack of this »remembrance«, but at the same time the denial of this metaphysical »remembrance« and aims at the destruction of every kind of representation of remembrance.
299. The most sinister thing is forever if something subsists, but not truly; this is really much worse than if it disappeared. Since if something does not truly subsist, it will sooner or later come to function as a caricature and antithesis of the original.
[It especially refers to those legitimate traditional, spiritual and initiatory organisations which have maintained their continuity, but whose original features have gradually faded away or turned directly to their opposites.]
we went down to the res today for some reason and got attacked by some horribly horrible geese so beth didnt really want to wait around to take a massive set of photos but she is beautiful, there are a few more nice ones ill probably upload them later or out them in the comments, night night xxx
For some reason I can't seem to find this on any registration check websites?
If I have the model correct, this is 1 of 118 cars produced. I'm not massively keen on the contrast produced with the modern alloy wheels, but I've seen far worse.
Our reason for going to the Strahov Monastery was to visit the Theological and Philosophical Halls within the complex. For 50 Korunas any tourist can obtain a Fotolicence and snap away at these magnificent rooms.
© LMGFotography 2014; please do not use without permission.
From www.aviewoncities.com/prague/strahovmonastery.htm:
The Theological Hall was built between 1671 and 1679 and houses the theological book collection of the famous Strahov library. Its collection contains over 200,000 books and includes works from famous printers such as Christoffel Plantin. Besides valuable books, the hall also contains several geographical and astronomical globes from the seventeenth century.
The frescoes on the ceiling of the Theological Hall took four years to complete. They depict the profession of the librarian.
Bhutan, The Land of The Thunder Dragon, is tucked amongst the Himalaya Mountains. The country is remote making it one of the last few untouched places in the world. Bhutan is almost wholly Buddhist and they measure their quality of life by Gross National Happiness. To visit Bhutan is kin to taking your soul on a journey of self-discovery. It is by far one of the few places in the world I have found myself in complete peace and all cares go away.
There are many reasons to love Bhutan and the Bhutanese. This is my list of 14 Reasons to Love Bhutan::
:: Happiness is the key to life. Instead of Gross National Product (GDP), Bhutan adheres to Gross National Happiness.
:: Colorful festivals including the Paro Festival, which I've included in a previous blog post.
:: The Bhutanese love quiet moments and so do I.
:: Bhutan treats is traditions with respect and faithfully follow what came before.
:: The ancient architecture is simple, yet stunning. Newer construction complements the old very nicely.
:: Majestic Dzongs, or ancient forts, grace every town throughout Bhutan.
:: Bhutan is the Last Shangri-La. Bhutan, or the Land of the Thunder Dragon, is the only remaining Buddhist Himalayan kingdom.
:: If you love trekking, Bhutan offers epic excursions throughout the Himalayan country.
:: When you visit Bhutan, you'll be met with rugged and pristine natural wonders everywhere you go.
:: As you drive through the high Himalayan mountain passes, you'll literally have your head in the clouds.
:: Bhutan's cultural legacy will touch deeply within you. Sometimes you don't realise how much Bhutan touches you until well after you leave
the tiny kingdom.
:: Bhutan is pure. The air is clean and there is an endearing innocence to the people you don't find in western societies.
:: Bhutan is authentic and genuine. When a Bhutanese gives his word, you know it's true.
:: The quiet in Bhutan and the quiet nature of the Bhutanese people show peace is indeed a virtue. You'll be at ease during your time in
Bhutan.
:: Picturesque monasteries, such as Tiger's Nest, will leave you speechless.
That's 15 reasons to Love Bhutan. I got carried away. If you have questions about visiting the Tiny Kingdom of Bhutan, send me an email. I'll be pleased to help.
My affection for Bhutan cannot easily fit into words. When I returned from this tiny kingdom, I couldn't view my photos without tears falling. Something beneath the surface happened while I was in Bhutan and to this day I can't explain what it is. Is it the decided ease and peace I felt; one I hadn't felt before or since? The idea of this is absolutely possible.
Few places in this world take a tight hold on me and touch deep in my soul. Bhutan is one of the places and to this day, it has not let go.
I help aspiring and established photographers get noticed so they can earn an income from photography or increase sales. My blog, Photographer’s Business Notebook is a wealth of information as is my Mark Paulda’s YouTube Channel. I also offer a variety of books, mentor services and online classes at Mark Paulda Photography Mentor
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The reason I came to the WCML in the first place today; getting shots of the Golden Oldies before they go.
Freightliner no. 86609 leads 86632 on 4M87 (the 1113 intermodal from Felixstowe North FLT to Trafford Park FLT) past the unfortunately recent addition of palisade fencing at Church Brampton; stepladders are a necessity here.
Thanks for stopping by and view this photo. The reason for posting this photo on Flickr is to learn so if you have constructive feedback regarding what I could do better and / or what should I try, drop me a note I would love to hear your input.
View on Black the way it should be seen!
-- Let the sound of the shutter always guide you to new ventures.
© 2019 Winkler
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When Reason Sleeps.
In the silence of shadows, when reason's light is dim, our neglect awakens. "The Sleep of Reason Produces Monsters" unveiled the chaos born through neglected reason. As we slumber, the spectres of tyranny and fear multiply. Let us awaken reason and reignite the flame of liberty for all, vanquishing the shadows of infliction once more.
Blogger: www.jjfbbennett.com/2024/02/when-reason-sleeps.html
Aconsejo ver la fotografia, con el fondo negro, es como mejor se aprecia la calidad.
I recommend you to see this picture with the black background .
All photos in my stream are ©2012 Ricardo Gomez.
They may not be used or reproduced in any way without my permission. If you'd like to use one of my images for any reason, please contact me.
Cavendish Mews is a smart set of flats in Mayfair where flapper and modern woman, the Honourable Lettice Chetwynd has set up home after coming of age and gaining her allowance. To supplement her already generous allowance, and to break away from dependence upon her family, Lettice has established herself as a society interior designer, so her flat is decorated with a mixture of elegant antique Georgian pieces and modern Art Deco furnishings, using it as a showroom for what she can offer to her well heeled clients.
Today however we are not in Lettice’s flat. Instead, we have followed Lettice south-west, through the neighbouring borough of Belgravia to the smart London suburb of Pimlico and its rows of cream and white painted Regency terraces. There, in a smart red brick Edwardian set of three storey flats on Rochester Row, is the residence of Lettice’s client, recently arrived American film actress Wanetta Ward.
Now that the flat is completely redecorated under Lettice’s deft hands, Miss Ward has vacated her suite at the Metropole Hotel* and has been living at her Pimlico address for a few weeks now. As a thank you to Lettice, the American has invited her to afternoon tea. And so, we find ourselves in the beautifully appointed, spacious drawing room.
“Now, darling girl!” Miss Ward says as she sweeps into the drawing room through the green baize door that leads from the service area of the flat. “You must try my own brew of coffee!” She enthusiastically hoists a beautiful china coffee pot decorated with cherry blossoms in the air. “I promise you that you’ll never go back to that sludge you British call coffee after you’ve had this.”
Lettice smells the rich aroma from the pot’s spout as Miss Ward places it with an appropriately theatrical swoop, enhanced by the brightly coloured Spanish shawl draped over her bare shoulders, onto the silver tray on the cherrywood table between the Queen Anne style settee and the matching pair of Chinese armchairs. “It smells divine, Miss Ward.”
“Darling!” Miss Ward enthuses. “Divine isn’t the word for this!”
“I look forward to tasting it, then.” Lettice replies with a bemused smile. “And afternoon tea, Miss Ward?”
“I know! I know!” the American brandishes her hands in the air. “I admit I said it was a quaint observance, but it’s one that I’ve come to enjoy since living here in England. We might not have petit fours like they do at the Metropole, but trust me, Harriet has found the most wonderful little local bakery that makes an amazing selection of cookies. Try one!” She indicates to the plate piled generously with an assortment of brightly coloured and delicious looking biscuits.
“Harriet, Miss Ward?”
The American picks up a biscuit as she speaks and then pauses with it to her lips. “My new maid, Miss Chetwynd.”
Lettice considers the woman with a rather angular face in black silk moiré afternoon uniform and lace collar, cuffs, cap, apron and cap who answered the door. She didn’t strike her as having such a lovely name. She looked to be more of an Augusta or Bertha.
Miss Ward’s American voice interrupts Lettice’s contemplation. “Oh, I must thank you too, for the number of that domestics employment agency you gave me.”
“You can thank my mother, Miss Ward.” Lettice selects a small pink macaron and takes a ladylike bite from it before depositing the remainder on her plate. She feels the pastry and filling melt in her mouth. “She and I may not agree about a good many things, but Mater certainly knows the best agency In London for staff.”
“Well, Harriet is perfect!” Miss ward exclaims. “She fits in here so well, and she doesn’t throw a fit with all my comings and goings at all hours to and from the studio, taking telephone messages for me with the efficiency of a secretary, and she doesn’t even seem to mind the unannounced arrivals when friends come to pay call.”
“I do hope you told her about me coming today, Miss Ward.” Lettice remarks in alarm.
“Oh I did, Miss Chetwynd! It’s quite alright!” She stuffs the biscuit into her mouth, rubbing her fingers together to rid them of crumbs which tumble through the air and onto her lap where they disappear amidst the fuchsia coloured georgette of her dress. “Mind you,” she continues, speaking with her mouth full. “I don’t think Harriet likes it when I insist on making my own coffee.” She gulps loudly. “She doesn’t like it when I go onto the kitchen. She says it’s her domain.” She looks across at Lettice perched elegantly on the settee, dressed in a pretty pastel yellow frock that matches the trim of her straw hat. “I imagine your maid is the same.”
“I’m sure I haven’t asked Edith, Miss Ward.”
“Well, perhaps you should, Miss Chetwynd.”
“What a ridiculous notion!” Lettice laughs. “Of course she wouldn’t mind! It’s my flat. I can come and go where and when I please.”
“If you’ll pardon me, my dear girl,” Miss Ward picks up the coffee pot and pours the steaming, rich golden brown liquid first into Lettice’s cup and then her own. “But it’s a ridiculous notion that you don’t. If I may be so bold: it may be your flat, but you’re a lady, and even I, the egalitarian American in the room, knows that masters and servants don’t mix. You probably vex the poor little mouse when you swan into her domain, rather than ring the servant’s bell. Not that she would tell you that of course! Your maid is much to meek to speak her mind, whereas Harriet tells me that god invented servants’ bells, so I don’t have to go into her kitchen.” She smiles cheekily. “Mind you, I draw the line at her making coffee for me or my guests.” She indicates to the milk jug and sugar bowl. “Now, there is cream in the jug and sugar in the bowl Miss Chetwynd. Do help yourself.” She picks up the jug and glugs a dollop of cream into her coffee before scooping up two large heaped teaspoons of sugar.
After Lettice has added a small amount of cream and a flat teaspoon of sugar to her own coffee, she looks around the drawing room observantly whilst she stirs her cup’s contents. To her delight, and no little amount of surprise, the room remains as she designed it. She was quite sure that Wanetta would rearrange her well thought out designs as soon as she moved in, yet against her predictions the furniture remains where she had them placed, the gold and yellow Murano glass comport still standing in the centre of the mantelpiece, the yellow celadon vase with gold bamboo in place on the console table. Even the small white vase, the only piece left over from the former occupier’s décor, remains next to the comport on the mantle. The American was ready to throw it into the dustbin at every opportunity, yet it happily nestles between the comport and a large white china vase of vibrant yellow roses and lilies. It is as she notices the celadon vase that she sees the painting of Wanetta, which only arrived at the flat when its sitter did.
“So that’s the famous yellow portrait, Miss Ward,” Lettice remarks, admiring the likeness of the dark haired American, draped in a golden yellow oriental shawl, sitting languidly in a chair.
“Oh yes!” gasps Miss Ward as she turns around in her armchair to look at the painting hanging to the right of the fireplace, above a black console table. “You haven’t seen it, have you? Do you like it?”
“Yes I do,” acknowledges Lettice. “It’s a remarkable likeness, and the artist has captured the light in your eyes so well.”
“Thank you, darling girl! I think it’s beautiful.”
“So is your coffee!” Lettice remarks. “It’s quite delicious, and not at all what Bramley makes for me at Glynes**.”
“I told you, you British drink sludge.” She takes an appreciative, if overly large, gulp of her own coffee. “Now this, is real coffee.”
“So, have you christened your cocktail cabinet, yet?”
“Yes I have. I threw a cocktail party for the actors, actresses, director and crew when we wrapped up ‘After the Ball is Over’. It was quite the occasion!”
“Oh I could well imagine, Miss Ward.”
“Of course,” the American quickly adds. “I’m sure it wasn’t anywhere near as extravagant as your cocktail party that you threw for Mr. and Mrs. Channon.”
“You heard about that then, Miss Ward?”
“Heard about it? My darling girl,” Her eyes widen and sparkle with excitement. “I immersed myself in the article published by the Tattler, drinking in every little detail of your fabulous soiree. You looked stunning, darling!”
Lettice blushes and shuffles awkwardly in her seat on the settee at the brazen compliment. “Thank you, Miss Ward.”
“So did Mrs. Channon, of course! And wasn’t Lady Diana Cooper’s*** robe de style**** to die for?”
“Err, yes… quite, Miss Ward.” Lettice replies awkwardly. Anxious to change the subject and move away from her own private life, and thereby avoid the American’s potential attempts to try and gather some gossip to share with her fellow actors and actresses at Islington Studios*****, Lettice asks. “And what’s the next moving picture you will be making, Miss Ward? Another villainess role in a historical romance?”
“Oh, the studio is shutting for Christmas, so I’m sailing on the Aquitania****** on Monday, back to the States to visit my parents. I haven’t seen them in an age, and, well, they aren’t getting any younger. Besides, Islington Studios are paying for the journey and are organising for me to promote ‘After the Ball is Over’ at a few functions whilst I’m back home.”
“That will be lovely for you, Miss Ward.”
“Oh don’t worry, I’ll be back in the new year, when we start filming ‘Skating and Sinning’.”
“’Skating and Sinning’, Miss Ward?”
“Yes!” the American gushes as she picks up the coffee pot which she proffers to Lettice, who declines, and then proceeds to fill her own cup. “It’s the first picture planned for 1922. Another historical drama, set in London in the Seventeenth Century, when the Thames froze over.”
“Yes, 1607 I believe.”
“You’re a font of knowledge, Miss Chetwynd!” Miss Ward exclaims, clapping her ring decorated hands in delight. “You never cease to amaze me! A first-class interior designer and a historian!”
“Knowing trivial historical facts is just part and parcel of an education in a family as old as mine, Miss Ward.” Lettice deflects, taking another sip of her coffee. “And the sinning?”
“The sinning, Miss Chetwynd?” the American woman queries.
“Well, I assume the frozen Thames explains the skating part of the film’s title, Miss Ward.”
“Oh, the sinning!” Miss Ward settles back in her armchair with a knowing smile, placing her coffee cup on the black japanned table between the two Chinese chairs. “Well, that’s me, darling!” She raises both her arms dramatically, the Spanish shawl gathering about her shoulders as she does. “I will be playing a merry young, recently widowed, Duchess, with her eyes on our heroine’s young betrothed!”
“And do you succeed, Miss Ward?”
“Ah-ah! That,” She wags her finger playfully at Lettice. “Would be telling, darling girl. I can’t go giving away the ending, or you won’t come see the film.”
Lettice smiles at the actress. “Well, I’m glad that London has entranced you enough to return from the delights of America.”
“Well of course it has! And anyway, I have to come back to enjoy and show off my beautiful new home!”
Lettice blushes at the compliment.
“I’ll have you know Miss Chetwynd, that at my cocktail party, I had so many compliments about this beautiful room, the furnishings and the décor. You’ll be hearing from directors and future starlets in the new year, I’ll guarantee!”
“I shall have to see whether I can accommodate them, Miss Ward.” Lettice replies. “As you know, I will be decorating some of the principal rooms of Mr. and Mrs. Channon’s country house in the new year, and I have a few other potential commissions currently under negotiation.”
“Oh, I’m sure you’ll be able to squeeze them in, darling! When the moving pictures come knocking, you just won’t be able to say no.”
“Well…” Lettice begins, imagining her mother’s face drained of colour, and her father’s flushed with anger, if she takes on another commission from a moving picture actress.
“Oh, and thinking of my flat. The other reason why I asked you here.” Miss Ward interrupts, standing up and walking over to the console table beneath her portrait, where some papers sit beneath the base of one of the Murano glass bottles. She fumbles through them and withdraws a small slip of paper. Walking over to Lettice she hands it to her. “A cheque to settle my bill before I set sail for home, darling girl.”
“Thank you, Miss Ward.” Lettice replies, opening her lemon yellow handbag sitting between her and her black and yellow straw hat on the settee and depositing the cheque safely inside. “I appreciate your prompt payment.”
“It’s my pleasure, Miss Chetwynd.” the American replies. “And thank you again for all that you have done.” Her glittering eyes flit about the room. “I just love being here! It’s so perfect! It’s so, so me! A mixture of the old, and the new, the oriental and the European, all of which I love.”
“I’m so pleased you approve, Miss Ward. It is your home, after all.”
“I even have to concede that you were right about having touches of white in here. It adds a touch of class. And that wonderful wallpaper you suggested,” She indicates to the walls. “Well, it is the pièce de résistance of this room’s décor!” Stepping over to the fireplace, she picks up the small white vase. “This puzzles me though.” Her face crumples. “Why were you so anxious that I keep this vase?”
“Well, “ Lettice explains. “Call me sentimental, but I felt that it is part of your home’s story and coming from an old family home surrounded by history, I thought it would be a shame to see it just tossed away. I hope you don’t disagree.”
Miss Ward considers the small Parian vase in her manicured hands for a moment before replacing it. “Not at all, you sentimental girl you!”
The pair smile at one another, happily.
*Now known as the Corinthia Hotel, the Metropole Hotel is located at the corner of Northumberland Avenue and Whitehall Place in central London on a triangular site between the Thames Embankment and Trafalgar Square. Built in 1883 it functioned as an hotel between 1885 until World War I when, located so close to the Palace of Westminster and Whitehall, it was requisitioned by the government. It reopened after the war with a luxurious new interior and continued to operate until 1936 when the government requisitioned it again whilst they redeveloped buildings at Whitehall Gardens. They kept using it in the lead up to the Second World War. After the war it continued to be used by government departments until 2004. In 2007 it reopened as the luxurious Corinthia Hotel.
**Glynes is the grand Georgian family seat of the Chetwynds in Wiltshire, and the home of Lettice’s parents, the presiding Viscount and Countess of Wrexham and the heir, their eldest son Leslie.
***Born Lady Diana Manners, Diana Olivia Winifred Maud Cooper, Viscountess Norwich was an English aristocrat who was a famously glamorous social figure in London and Paris. As a young woman, she moved in a celebrated group of intellectuals known as the Coterie, most of whom were killed in the First World War. She married Duff Cooper in 1919. In her prime, she had the widespread reputation as the most beautiful young woman in England, and appeared in countless profiles, photographs and articles in newspapers and magazines. She was a film actress in the early 1920s and both she and her husband were very good friends with Edward VIII and were guests of his on a 1936 yacht cruise of the Adriatic which famously caused his affair with Wallis Simpson to become public knowledge.
****The ‘robe de style’ was introduced by French couturier Jeanne Lanvin around 1915. It consisted of a basque bodice with a broad neckline and an oval bouffant skirt supported by built in wire hoops. Reminiscent of the Spanish infanta-style dresses of the Seventeenth Century and the panniered robe à la française of the Eighteenth Century they were made of fabric in a solid colour, particularly a deep shade of robin’s egg blue which became known as Lanvin blue, and were ornamented with concentrated bursts of embroidery, ribbons or ornamental silk flowers.
*****Islington Studios, often known as Gainsborough Studios, were a British film studio located on the south bank of the Regent's Canal, in Poole Street, Hoxton in Shoreditch, London which began operation in 1919. By 1920 they had a two stage studio. It is here that Alfred Hitchcock made his entrée into films.
******The RMS Aquitania was a British ocean liner of the Cunard Line in service from 1914 to 1950. She was designed by Leonard Peskett and built by John Brown and Company in Clydebank, Scotland. She was launched on the 21st of April 1913 and sailed on her maiden voyage from Liverpool to New York on the 30th of May 1914. Like her sister ships the ill fated Lusitania and the renown Mauritania, she was beautifully appointed and was a luxurious way for first and second-class passengers to travel across the Atlantic between Britain and America.
This upper-class 1920s Art Deco drawing room scene may be different to how it may appear, for the whole scene is made up entirely with pieces from my 1:12 miniatures collection, including pieces I have had since I was a teenager and others that I have collected on my travels around the world.
Fun things to look for in this tableau include:
The cherry blossom patterned tea set, which if you look closely at the blossoms, you will see they have gilt centres, I acquired from an online stockist on E-Bay. It stands on a silver tray that is part of tea set that comes from Smallskale Miniatures in England. To see the whole set, please click on this link: www.flickr.com/photos/40262251@N03/51111056404/in/photost.... The wonderful selection of biscuits on offer were made by Beautifully Handmade Miniatures in Kettering.
The wooden Chinese dragon chairs and their matching low table ,that serves as Wanetta’s tea table, I found in a little shop in Singapore whilst I was holiday there. They are beautifully carved from cherrywood.
The Queen Anne settee made by the high-end miniature furniture maker, JBM with great attention to detail.
The black japanned cocktail cabinet with its gilded handles was made by the high-end miniature furniture maker, Bespaq.
All the glass comport on the mantlepiece has been blown and decorated and tinted by hand by Beautifully Handmade Miniatures in Kettering. The white and gold Georgian Revival clock next to it is a 1:12 artisan miniature made by Hall’s Miniature Clocks, supplied through Doreen Jeffries Small Wonders Miniatures in England. The ginger jar to the right of the clock is hand painted. It is an item that I bought from a high street doll house stockist when I was a teenager.
The yellow celadon vase with gold bamboo painted on it, I bought as part of a job lot of small oriental vases from an auction many years ago. The soapstone lidded jar in the foreground came from the same auction house, but from a different job lot of oriental miniature pieces.
Lettice’s black straw hat with yellow trimming and a yellow rose, which sits on the settee is made by Mrs. Denton of Muffin Lodge. It is an artisan miniature made just like a real hat! 1:12 size miniature hats made to such exacting standards of quality and realism are often far more expensive than real hats are. When you think that it would sit comfortably on the tip of your index finger, yet it could cost in excess of $150.00 or £100.00, it is an extravagance. American artists seem to have the monopoly on this skill and some of the hats that I have seen or acquired over the years are remarkable. Lettice’s lemon yellow purse is also an artisan piece and is made of kid leather which is so soft. It is trimmed with very fine braid and the purse has a clasp made from a piece of earring. It come from Doreen Jeffries’ Small Wonders Miniatures in the United Kingdom. Lettice’s furled Art Deco umbrella is also a 1:12 artisan piece made of silk, acquired through an online stockist on E-Bay.
The vases of flowers on the mantle piece and side table are beautifully made by hand by the Doll House Emporium.
The stylised Art Deco fire screen is made using thinly laser cut wood, made by Pat’s Miniatures in England.
The black Bakelite and silver telephone is a 1:12 miniature of a model introduced around 1919. It is two centimetres wide and two centimetres high. The receiver can be removed from the cradle, and the curling chord does stretch out.
Wanetta’s paintings, including the yellow portrait, were made in America by Amber’s Miniatures.
The miniature Oriental rug on the floor was made by hand by Mackay and Gerrish in Sydney
The Georgian style fireplace I have had since I was a teenager and is made from moulded plaster.
The striking wallpaper is an art deco design that was very popular during the 1920s.
Title.
Descending stairs.
(FUJIFILM GFX50R shot)
Guam. America. 2024. … 1 / 11
(Today's photo. It's unpublished.)
Images.
bleachers - Drive (Recorded at Electric Lady Studio)
youtu.be/g4BDNFS_wFY?si=-lBLywVXyYzPROEH
::Link photo music and iTunes playlist::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
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Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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Exhibition in 2024
theme
Goodbye , Photo .
Images
Ai Otsuka ( 大塚 愛 ) / Goodbye photo ( 恋愛写真 )
youtu.be/B2XfJCQ2Dy0?si=WN3UePWye5N03yi4
Live 1.
youtu.be/MjBYxuVgj70?si=K3TyYOGqa3Y8BdAt
Live 2.
youtu.be/Dccv85TarHs?si=BI-f4JfrihO3CTXD
Mitsushiro - Nakagawa
Sponsored by
design festa
place
Tokyo Big Site
schedule
November 16 and 17, 2024.
exhibition.mitsushiro.nakagawa@gmail.com
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Notice regarding "Lot No.402_”.
From now on I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 2020 by Mitsushiro - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2024 Lot No.402_ All rights reserved.
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Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Interviews and novels.
About my book.
I published a book a long time ago.
At that time # I uploaded my interview as a PDF on the internet.
Its Japanese and English.
I will publish it for free.
For details # I explained to the Amazon site.
How to write a novel.
How to take a picture.
A sense of distance to the work.
All of these have something in common.
I wrote down what I felt and left it.
I hope my text will be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis
Kei Kitami, who is aiming for university, meets Kaori Uemura, an event companion who is 6 years older than her, on SNS.
Kaori's dream of coming to Tokyo is to become friends with a famous artist.
For that purpose, the radio station's producer, Ryo Osawa, was needed.
Osawa speaks to Kaori during a live radio broadcast.
"I have a wife and children. But I want to meet you."
Rika Sanjo, who is Kei's classmate and has feelings for him, has been looking into her girlfriend Kaori's movements. . . . .
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other to brush the dust of memory like an old man who misses old days staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
_________________________________
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Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My statistics (as of August 1, 2024)
How many views have I had on Flickr and Youpic?
Flickr 23,192,383 Views
Youpic 7,574,603 Views
My statistics. (As of February 7, 2024)
What is the number of accesses to Flickr and YouPic?
Flickr 21,694,434 Views
Youpic 7,003,230 Views
What is the number of accesses to Flickr and YouPic?
(As of November 13, 2023)
Flickr 20,852,872 View
Youpic 6,671,486 View
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsu Nakagawa belong to Lot No. 204 _ . Copyright©︎2020 Lot No.402_ All rights reserved.
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Title.
降りてゆく階段。
( FUJIFILM GFX50R shot )
グアム。 アメリカ. 2024。 … 1 / 11
(今日の写真。それは未発表です。）
Images.
bleachers - Drive (Recorded at Electric Lady Studio)
youtu.be/g4BDNFS_wFY?si=-lBLywVXyYzPROEH
::写真の音楽とiTunesプレイリストをリンク::
music.apple.com/jp/playlist/photo-music/pl.u-Eg8qefpy8Xz
_________________________________
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重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
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２０２４年の展示
テーマ
Goodbye , Photo
Images
大塚 愛 ( Ai Otsuka ) / 恋愛写真 ( Goodbye photo )
youtu.be/B2XfJCQ2Dy0?si=WN3UePWye5N03yi4
Live 1.
youtu.be/MjBYxuVgj70?si=K3TyYOGqa3Y8BdAt
Live 2.
youtu.be/Dccv85TarHs?si=BI-f4JfrihO3CTXD
Mitsushiro - Nakagawa
主催
デザインフェスタ
場所
東京ビッグサイト
日程
2024年11月16日。17日。
exhibition.mitsushiro.nakagawa@gmail.com
_________________________________
_________________________________
_________________________________
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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_________________________________
iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
Unforgettable’ amzn.asia/d/eG1wNc5
_________________________________
_________________________________
_________________________________
_________________________________
僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
_________________________________
_________________________________
あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
YouTube.
www.youtube.com/user/mitsushiro/
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
_________________________________
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YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
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fotolog
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twitter.
_________________________________
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facebook.
www.facebook.com/mitsushiro.nakagawa
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threads.
www.threads.net/@mitsushiro_nakagawa
_________________________________
_________________________________
Blue sky.
bsky.app/profile/mitsushironakagawa.bsky.social
_________________________________
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
_________________________________
_________________________________
僕の統計。（2024年8月1日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 23,192,383 View
Youpic 7,574,603 View
僕の統計。（2024年2月7日現在）
フリッカー、ユーピクのアクセス数は？
Flickr 21,694,434 View
Youpic 7,003,230 View
僕の統計。（2023年11月13日現在）
フリッカー、ユーピクのアクセス数は？
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsushiro Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsushiro - Nakagawa.
Copyright©︎2024 Lot No.402_ All rights reserved.
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The Battle of Durrough: The Black Swan
A story of rebellion against tyranny, from Lands of Roawia Castle Builders Game. Global Challenge 7, Unrestricted Entry.
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Commentary: GC7 was all the reason I needed to build the Black Swan, but what a build it turned into...one of the most challenging and largest of all my builds. The studs-not-on-top half-timber technique alone was a handful, not to mention that gabled roof. It all comes apart in levels too, including the roof.
Please read the story; I know it's long but it's action-packed and my best writing yet, I believe. Cheers!
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The Black Swan Tavern was known for its dark ale brew, catering to sea captains, high prices and outstanding hot food served using fresh ingredients. It benefited from its location next to Angus Square, which hosted an excellent market every weekend, with fresh fish from the Aines River and wares from all over the Provinces. On this day however, reputations would change forever, and what was once a peaceful cobbled square would soon be known by all as The Bloody Market.
Lord Oslet moved his men as silently as possible through the misty morning streets of Durrough, determined to catch his prey, one Baron Munro and his lackey of an archer captain, Tavish. Oslet had ensured everything was ready; he had chosen the best shots in the entire garrison, all armed with deadly crossbows. He carried one himself—except his had a little extra potency to it. His 100 hand-picked troops had soft boots and no armor or shields to cause noise, and they moved carefully in the pre-dawn shadows toward the meeting place, the tavern the traitorous Duke Cartney had referred to as The Black Swan.
Oslet had seen to everything, sending a troop of 50 more men farther east to circle back around and approach Angus Square from the opposite end of the city. He even had his best tactical commander, Captain Bladari, standing by with another 200 men in the Bastion on call in case there was trouble.
There wouldn’t be, of course. The Aines River was flowing swiftly, and no boats were in the immediate vicinity, leaving no avenue of escape for this Caelan Munro. Lord Oslet’s anticipation of ridding himself of a thorn in his side, the leaders of those deadly Scout Snipers, grew with every step, and by the time they reached the Swan he was in high spirits. His men approached cautiously, but all appeared well in the mist as they were well ahead of the reported meeting time between Munro and his disreputable spy-traitor to the Queen.
His vanguard moved silently along the wharf and up to the riverside door of the Swan, trying to open it quietly. It wouldn’t budge, and several of them set about trying to force it while the rest moved past the Swan and peaked around the corner into Angus Square. The mist obscured much, but what they saw made them pause, and then motion for their lord to see.
Oslet came forward and peaked himself. The square was heavily cluttered with barrels, wagons, and stands from the three Factions of Roawia, but no movement. It smelled heavily of fish, but there was nothing strange about that. Oslet looked at his men to see what they meant, and one of them whispered, “Too much here.”
“It’s Market Day, you dolt, what did you exp….” he trailed off, for approaching from the other end of the wharf were two cloaked figures moving cautiously in the shadows. As they drew closer it was clear the two forms had bows strapped over their backs and wore green cloaks.
“Early, are we?” Oslet mumbled, and motioned for his men to spread out in reception, as the two unwary men were headed straight for the Black Swan. Oslet smiled at the sight of his prey, and when the moment was right he called out, “It’s to be the gallows for you, Sir Caelan!”
His two targets froze, but as his mind registered this he heard a calm but firm voice call from only thirty feet to his left, “It’s arrows for you stupid.”
And then all chaos broke out. The fly of arrows filled the air, and all around him his men fell like stalks of wheat before a scythe. Windows opened above him, and he caught sight out of the corner of his eye forms leaning out and raining deadly shots upon his troops from the top floors of the Swan. Oslet felt a pain in his thigh, and instinctively rounded behind one of his men, who immediately caught in the chest an arrow meant for him. He made his way back behind his guards one at a time, and only called for a retreat after he had passed them to ensure he had human shields to absorb the shots meant for him. By the time he rallied what men he had left, well out of arrow range, he had less than half of what he came with to that bloody tavern. Without their armor, they were easy pickings.
“Did you get him?” Sir Caelan looked up at Captain Tavish, perched atop the Angus Fountain to improve his shot advantage.
“Nah, I missed the blighter I think…perhaps grazed him.” Tavish shrugged, “Hard to tell in this mist.”
“Mist?” Munro pretended to object, “You’re slipping.”
Tavish frowned. “He kept duckin’ behind his men, the coward!”
“It’s not manly to complain, you know.” This received Tavish’s most undignified look yet.
Caelan moved forward to see better and to wave congratulations at his 25 men in the Swan. Behind him were 75 more, all having hidden amongst the “clutter” and buildings surrounding Angus Square. The remaining 25 Scout Snipers under his command were farther to the east, serving as rear guard to oppose the encircling Queen’s troops no doubt trying to cut their path of retreat off. They would soon be getting the same brutal treatment Caelan had just given Oslet. Before him lay numerous bodies and wounded crawling away to anywhere they could. Some of his men were sniping those still able to aim their crossbows. They just couldn’t resist one of their primary roles they had been trained for: counter-archer fire.
One hundred yards west, Oslet cursed furiously, mostly for his lost dignity and little for the loss of his men. He had suffered only a flesh wound in his thigh, but had suffered greatly in the eyes of his command. When he learned however that Caelan was neither pursuing nor retreating, he brightened and immediately sent for Bladari and his 200 men, including his best unit, the Silver Spears. They were fully armored, and that alone ensured victory, so long as Caelan stood his ground.
And he did. As Bladari came up and saluted his master, Lord Oslet stated, “I have to admit they surprised us and we lost most of our crossbowmen, but the great fool has decided to stay and fight—pride, no doubt. Now we get them all—how stupid, a major threat in the countryside but now hopelessly outnumbered and outclassed in street fighting. Either way, I must ask the Silver Spears to storm that tavern and square. Kill them all.”
Captain Bladari indeed tried valiantly. His men moved in like a landslide, charging forward into a hail of arrows. The sun had come up, burning the mist off, and now the Spears were charging toward the east with the sun directly in their eyes. Their armor did help tremendously, until close range was reached. Then the Scout Snipers’ accuracy made any opening in their armor fair game.
Much worse waited for them in the square however. The Snipers had stacked the deck, for in the time in between attacks they had slammed open the many barrels they had brought, and out poured fish oil, the stuff of slippery nightmares on cobblestones. Just at the point where the Silver Spears should have made contact with the Snipers, the soldiers slipped perilously instead, and blood now mixed freely with the fish oil.
Up on the fountain, Tavish had a field day. He took particular delight in shooting whoever carried the Silver Spears’ banner, and after four fell in succession as they picked it up to lead forward, the spear-tipped signal remained on the ground for the rest of the fight.
The Snipers inside the Swan however had no such fish oil barrier to help them. Bladari’s men were able to withstand enough shots to approach and break through the windows, and the ones that lived to see the other side made it to the door to move the blockade keeping it closed. In addition, Lord Oslet was carefully taking those Snipers shooting from the windows out with shots from his poisoned quarrel bolts. The ten Snipers who held the bottom floor were overwhelmed as the Queen’s troops poured into the Swan, only happy to avoid the meat grinder in the square. Only two Scouts made it up the stairs before the others blocked it off with tables, but now their attention had to be on survival, and Bladari’s men were able to storm the wharf almost unopposed.
Sir Caelan only had a handful of pikemen to hold the attackers off for the Snipers to have shooting room, and they paid heavily for their bravery. Caelan’s squire, Sholto, was standing off to the side, taking an occasional shot with his short bow when he could, but to him it looked like they would soon be overwhelmed. Then he watched his knight charge forward into the fray in Lenfald armor, fighting two-handed as was his method, and swiftly four more of the attackers fell.
One who caught sight of this action was Captain Bladari, who immediately recognized that he could end this madness if he could down Caelan. He moved carefully forward as to not slip on the oil while relying on his full plate armor to deflect every arrow. The two exchanged quick glances and then went right to work without any words. Bladari’s broadsword made brutal impact with Caelan’s armor, but with such a heavy weapon he couldn’t keep up with his opponent’s longsword with long dagger follow-up. Caelan eventually gave him a deep slash to his right thigh, then his left knee, and Bladari went down fighting. He continued swinging until Caelan slashed his sword hand and that was it. Expecting a death blow, he stared up at the young Baron defiant, but was surprised when Munro charged forward instead, leaving him wounded but alive. What he missed was the arrival of Duke Cartney at the head of his own Durrough men-at-arms, who swept all before them.
Lord Oslet was quite pleased with himself now that he was clearly winning the fight, when a runner arrived and announced that the North Gate of the city had fallen to Sir Haymar Glen, and an armed horde of Lenfel troops was storming down High Street. “Who the deuce is Haymar?!?” he yelled in surprise. “How can this…” and his eyes suddenly set in the distance upon Bladari’s men scrambling in full rout toward him. Right behind them were Lenfels in full charge, and leading them was Duke Cartney himself. All came clear to him; the entire engagement was a trap set by Duke Cartney himself with his lies of an easy ambush on Caelan, and he now knew full well that the entire city was in rebellion against the Queen.
“To the Bastion!” he screamed as loud as possible, holding up his crossbow for all to recognize him, and cries of retreat echoed his command. But he did not turn with the others immediately. Instead he lowered his weapon with poisoned quarrel loaded, and aimed it straight at the approaching Duke Cartney…
…To be continued in the next build, Battle of Durrough: Cobblestone Bridge
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Previous Caelan stories:
I haven’t uploaded a photo for a long time and this was taken a few weeks ago. I’m wearing a lovely cool summer dress with my ‘go to’ white cardigan. The weather was lovely during my walk. Apologies for not showing my feet, the shutter hadn’t fully opened for some reason! Lol
Jane xxx
52 weeks of 2022
Week #33 ~ In the style of Cindy Sherman ~ Part III of IV
Inspired by this self portrait by Cindy Sherman "Untitled Film Still #56, dated 1980":
www.artic.edu/artworks/72442/untitled-film-still-56
You can see more about the great photography of Cindy Sherman :
www.theartstory.org/artist/sherman-cindy/
rebrand.ly/uyrok19
www.artic.edu/artists/23759/cindy-sherman
citygallery.org.nz/exhibitions/cindy-sherman/
www.theguardian.com/artanddesign/2016/jul/03/cindy-sherma...
All rights are reserved. Please contact me if you are interested in using one of my images for any reason
For some reason, these Royal Spoonbills love this sandbar on the northern edge of the Pauatahanui - probably because it's isolated from the rest of the world by thick and very soft mud! (And trust me: I know just how thick and soft it is!!!).
Because it is isolated from two-legged pests called Humans, the birds are quite comfortable having a Siesta Time in the middle of what was a lovely warm Spring the day!
One other thing...: if you look carefully, you might note that some of these birds are wearing Mating plumage on the back of their necks...
On previous occasions, attempts to photograph these Spoonbills from the road has been challenging to say the least, but with the use of a Monopod, camera shake has been over-come! (Yay!).
The photo bomber in the background is a Black Swan!
Keep smiling, thanks for visiting my Site, and thanks for taking the time and trouble to leave a Comment. It's always nice to hear from you...!
My dog Katie's paw. She was pretty cooperative..
Taken with OM-D EM-5 with reversed c/y zeiss 50mm 1.7!
This male Brimstone butterfly is about to emerge from its pupa. Bred through from an egg laid by a female on Buckthorn at Leckhampton, Cheltenham, Gloucestershire.
Thanks for your visit and any comment you make on my photographs – it is greatly appreciated and encouraging!
© Roger Wasley 2015 all rights reserved. Unauthorized use or reproduction for any reason is prohibited.