View allAll Photos Tagged Realizations
The Museum of the Dreamers
The Phantastenmuseum is a museum in the Palais Palffy in the 1st district of Vienna Inner City. It shows the evolution of fantastic, surreal and visionary art of the postwar period to the present.
History
Following discussions between the Austrian artist Ernst Fuchs (* 13. Februar 1930 in Wien; † 9. November 2015) and the publisher, organizer and author Gerhard Habarta the idea of a museum of fantastic art in Vienna came to the realization. The "Austrian Cultural Center since 1958" in the Palais Palffy was enthusiastic about the idea, the plans for the new museum were concretised in the year of 2010. In autumn 2010 was started with the adaptation of the premises, which was completed in January 2011. The opening of the museum took place under the patronage of Federal President Heinz Fischer on 15 January 2011.
Premises
For the museum parts of the historical Palais Palffy due to war damage in the 1950s renovated were used.
The foyer was designed by Lehmden student Kurt Welther about The Marriage of Figaro. Here, also a lobby with the ticket office, the information and the museum shop has been set up. In this one gifts like replicas of famous works of art, sculptures, jewelery, catalogs and posters as well as original editions are sold. On the 1st floor is located opposite the Figaro Concert Hall the gallery. It is a 150 m² large space for solo exhibitions. The museum occupies the entire top floor and consists of designed spaces. In addition to works from its own collection and permanent loans, documents and portraits of artist personalities are shown.
The museum
The museum is divided into the following areas:
Impulses: Here are the inspirations identified which brought the young artists first information after the war, with works by Edgar Jené and Gustav K. Beck and Arnulf Neuwirth.
Academy: Here, the young creatives found an artistic home, including works by Albert Paris Gütersloh, Ernst Fuchs, Fritz Janschka, Anton Lehmden and Kurt Steinwendner before he turned into the filmmaker and object artist Curt Stenvert.
Contemporaries: These include older artists of fantastic, who had survived the dictatorship, like Greta Freist, Kurt Goebel, Charles Lipka or the CIA agent Charles von Ripper. And the young ones, as Rudolf Schoenwald or Arnulf Rainer as well as painters who moved in later Art Club. These include the "partisan" Maria Biljan-Bilger, Peppino Wieternik before he turned to the abstract, and Carl Unger who designed a large glass front of the Palais Palffy.
Art Club: It gathered the artistic elite of the post-war period and became with the Strohkoffer (straw suitcase) a social center.
Dog Group: It became the first counter-movement, in which the rebels as Ernst Fuchs, Arnulf Rainer and Maria Lassnig, Wolfgang Kudrnofsky and maverick visionary Anton Krejcar with graphics that today have become valuable manifested themselves.
The Pintorarium of Friedensreich Hundertwasser, Ernst Fuchs and Arnulf Rainer fought actionistically with wall newspaper and nude demonstration against the established Academy, bad architecture and for the freedom of the spirit.
Hundertwasser realized the theories of Pintorarium in his buildings. A photo documentation of Kurt Pultar.
Vienna School of Fantastic Realism: The core of the museum with pictures of Arik Brauer, Wolfgang Hutter, Fritz Janschka, who lives in the United States and Anton Lehmden. Of Rudolf Hausner is - in addition to an oil painting - the documentation of long-term work on his Ark of Odysseus to see. In addition to an early work by Ernst Fuchs, a specially created for the museum great painting version of a 55 years ago arosen drawing is shown.
In the department of simultaneous 16 images of that Viennese Fantasts can be seen who presented themselves in the 1960s for the first time, among other things, in the gallery that installed Ernst Fuchs.
In the Department Next Generation are those almost still "young ones" which - despite temporary exclusion by the avant-garde - are committed to the new tendencies of the fantastic. They studied partly with Hausner, Lehmden, Hutter and Fuchs and also learned as wizards.
The Graphic Cabinet presents some etchings and lithographs to stamps. Here the global network is shown in about 30 works by international visionaries. Representatives from Japan, the US, Australia and European centers are the ambassadors of associations of fantastic artists, the Ambassadors of the Fantastic Universe.
Phantastenmuseum
Das Phantastenmuseum ist ein Museum im Palais Pálffy im 1. Wiener Gemeindebezirk Innere Stadt. Es zeigt die Entwicklung der phantastischen, surrealen und visionären Kunst von der Nachkriegszeit bis zur Gegenwart.
Geschichte
Nach Gesprächen zwischen dem österreichischen Künstler Ernst Fuchs und dem Verleger, Organisator und Autor Gerhard Habarta entstand die Idee zur Verwirklichung eines Museums für phantastische Kunst in Wien. Das „Österreichische Kulturzentrum seit 1958“ im Palais Pálffy zeigte sich von der Idee begeistert, die Pläne für das neue Museum wurden im Jahr 2010 konkretisiert. Im Herbst 2010 wurde mit der Adaptierung der Räumlichkeiten begonnen, die im Jänner 2011 abgeschlossen wurde. Die Eröffnung des Museums fand am 15. Jänner 2011 unter dem Ehrenschutz von Bundespräsident Heinz Fischer statt.
Räumlichkeiten
Für das Museum wurden Teile des historischen, aufgrund Kriegsschäden in den 1950er Jahren renovierten Palais Pálffy genutzt.
Das Foyer wurde vom Lehmden-Schüler Kurt Welther zum Thema Figaros Hochzeit gestaltet. Hier wurde auch ein Empfangsbereich mit der Ticketkasse, der Information und dem Museums-Shop eingerichtet. In diesem werden Geschenke wie Nachbildungen berühmter Kunstwerke, Skulpturen, Schmuck, Kataloge und Kunstdrucke sowie auch Original-Editionen verkauft. Im 1. Stock befindet sich gegenüber dem Figaro-Konzertsaal die Galerie. Es handelt sich um einen 150 m² großen Raum für Einzelausstellungen. Das Museum nimmt das gesamte Obergeschoss ein und besteht aus gestalteten Räumen. Neben den Werken aus eigenem Bestand und Dauerleihgaben werden Dokumente und Porträts der Künstlerpersönlichkeiten gezeigt.
Das Museum
Das Museum ist in folgende Bereiche gegliedert:
Impulse: Hier werden die Impulse aufgezeigt, die den jungen Künstlern erste Informationen nach dem Krieg brachten, mit Werken von Edgar Jené und Gustav K. Beck und Arnulf Neuwirth.
Akademie: Hier fanden die jungen Kreativen eine künstlerische Heimat, mit Werken von Albert Paris Gütersloh, Ernst Fuchs, Fritz Janschka, Anton Lehmden und Kurt Steinwendner, bevor er zum Filmemacher und Objektkünstler Curt Stenvert wurde.
Zeitgenossen: Dazu zählen ältere Künstler des Phantastischen, die die Diktatur überlebt hatten, wie Greta Freist, Kurt Goebel, Charles Lipka oder der CIA-Agent Charles von Ripper. Und die Jungen, wie Rudolf Schönwald oder Arnulf Rainer sowie Maler die sich im späteren Art Club bewegten. Dazu gehören die „Partisanin“ Maria Biljan-Bilger, Peppino Wieternik, bevor er sich zum Abstrakten wandte, und Carl Unger der für das Palais Pálffy eine große Glasfront gestaltete.
Art Club: Er versammelte die künstlerische Elite der Nachkriegszeit und wurde mit dem Strohkoffer ein geselliges Zentrum.
Hundsgruppe: Sie wurde zur ersten Gegenbewegung, in der sich die Aufrührer wie Ernst Fuchs, Arnulf Rainer und Maria Lassnig, Wolfgang Kudrnofsky und der Außenseiter-Phantast Anton Krejcar mit heute wertvoll gewordenen Grafiken manifestierten.
Das Pintorarium von Friedensreich Hundertwasser, Ernst Fuchs und Arnulf Rainer kämpfte aktionistisch mit Wandzeitung und Nacktdemonstration gegen die etablierte Akademie, schlechte Architektur und für die Freiheit des Geistes.
Hundertwasser verwirklichte die Theorien des Pintorariums in seinen Bauten. Eine Fotodokumentation von Kurt Pultar.
Wiener Schule des Phantastischen Realismus: Der Kern des Museums mit Bildern von Arik Brauer, Wolfgang Hutter, dem in den USA lebenden Fritz Janschka und von Anton Lehmden. Von Rudolf Hausner ist - neben einem Ölbild - die Dokumentation der langjährigen Arbeit an seiner Arche des Odysseus zu sehen. Neben einem Frühwerk von Ernst Fuchs ist auch eine eigens für das Museum geschaffene große Gemälde-Fassung einer vor 55 Jahren entstandenen Zeichnung ausgestellt.
In der Abteilung der Gleichzeitigen sind 16 Bilder jener Wiener Fantasten zu sehen, die sich in den 1960er-Jahren zum ersten Mal präsentierten, u.a. in der Galerie, die Ernst Fuchs installierte.
In der Abteilung Next Generation sind jene fast „noch Jungen“, die sich – trotz zeitweiliger Ausgrenzung durch die Avantgarde – neuen Tendenzen des Phantastischen verpflichtet fühlen. Sie haben zum Teil bei Hausner, Lehmden, Hutter und Fuchs studiert und auch als Assistenten gelernt.
Das Graphische Kabinett stellt einige Radierungen und Lithographien bis hin zu Briefmarken aus. Hier wird in etwa 30 Werken internationaler Phantasten die weltweite Vernetzung gezeigt. Vertreter aus Japan, den USA, Australien und europäischen Zentren sind die Botschafter von Vereinigungen phantastischer Künstler, den Ambassadors of the Fantastic Universe.
Title: Lake Shrine
This original painting was done on commission for my good friend Catherine. She wanted a painting that told the story of how Lake Shrine, in Los Angeles, California, helped bring her to a new realization of peace and happiness. She also said she had her children dedicated in the windmill that you see in the background. This lake is famous for having been the home of Paramhansa Yogananda, the man who invented the practice of yoga and wrote the book "Autobiography of a Yogi". This original commission painting captures the most famous aspects of the lake: the lush foliage, calm waters, majestic swans, blooming lotus flowers, and lily pads. Catherine wanted the scene to take place at the "magic hour" of dusk, and have a purple-tint to it to compliment not only her love of purple sunsets, but of her purple home decor as well.
You too can order the custom commission painting you've always dreamed of. Contact me, I'd love to discuss it with you.
Size: 48x34"
Dragonfly symbolizes change, transformation, adaptability, and self-realization.
There are more than 5,000 known species of dragonflies, all of which (along with damselflies) belong to the order Odonata, which means “toothed one” in Greek and refers to the dragonfly’s serrated teeth.
Dragonflies were some of the first winged insects to evolve, some 300 million years ago. Modern dragonflies have wingspans of only two to five inches, but fossil dragonflies have been found with wingspans of up to two feet.
Dragonflies are expert fliers. They can fly straight up and down, hover like a helicopter and even mate mid-air. Between the speed, distance and flexibility when hunting, dragonflies are one of the most exceptional fliers on the planet.
Nearly all of the dragonfly’s head is eye, so they have incredible vision that encompasses almost every angle except right behind them.
They not only have an exceptional field of vision, but they can see the world in colors we can't even imagine.
Dragonflies, which eat insects as adults, are a great control on the mosquito population. A single dragonfly can eat 30 to hundreds of mosquitoes per day. They catch their insect prey by grabbing it with their feet.
Dragonflies can't bite humans. The vast majority of species don't have mandibles strong enough to break the skin. Only a small handful of large species are capable of actually biting, but this only occurs as a defensive strategy.
Mullein is a valued medicinal herb, especially in treating diseases of the lungs. A wash prepared from the leaves, flowers, and roots soothed sprains, reduced inflammations, and heals wounds. The leaves can also be used as a poultice for swollen glands, bruises, insect bites, for treating sprains, swelling, and wounds. It makes a good addition to an herbal salve. The flowers infused in oil were used to cure hemorrhoids and as a specific cure for earache.
My photographs are available for purchase through EliseCreations.net
Thanks for your visits, favs and comments. As always, appreciated very much!
© all rights reserved by Elise T. Marks. Please do not use this image on websites, blogs or any other media without my explicit written permission.
Spathodea campanulata
This is the rather rare yellow or 'Aurea' variety of the African Tulip Tree, seen growing from the public sidewalk over the fence of the Self Realization Fellowship near the ocean in Encinitas, CA
14Jul14 BushPhoto
Bignoniaceae
Plein air paint-out today - the view from the Mt. Washington headquarters.
Los Angeles, CA
I just started a blog where there's more info about my watercolors, as I add paintings~
It’s very cold in Chengdu these days. So, I went for a trip to Kun Ming, the capital of Yun Nan, China. Interpreted as Eternal Spring City, where sun's shine seems everlasting and a place where a lot of people come during a biting cold winter season. My group were headed to a place known to have a very beautiful sunrise and sunset reflecting on the man-made rice terraces located in the mountains of Yuan Yang.
I'm excited most of all because I really want to see the awesome sun showing its glory and magnificence. I missed the sunshine. It was too long since I last saw it.
We arrived in Kun Ming at 2pm. almost 2 hours flight from Chengdu, and headed directly to Yuan Yang. We got into a Lexus SUV, which I realized later the significance why we used this kind of vehicle. I dozed off in a couple of minutes and when I woke up, the sun was setting already. I do not know how far Yuan Yang from Kun Ming is. The driver was busy tinkering the GPS and figuring out if we are on the right road, the Boss was talking to Shushu. John was helping the driver on the LCD buttons, and the other guy at the back was still sleeping. I got bored. I looked at the sun, it is magnificent. And it’s almost gone. I can't explain the feeling of seeing it. It gave me happiness, but a little sad because clouds are engulfing its splendour and soon it will be night.
I got the urge of taking a shot while it was setting. My D700 is at the back, and so is the guy who was still sleeping. I thought it wasn't nice to wake him up for my camera bag. I felt the urge of taking a photo while the sun slowly fades. But I was reluctant. I was thinking it would be better if I take the shot using my D700. I was thinking it will still shine brightly tomorrow. I am in at “Eternal Spring City” where the sun shines brightly in a clear blue sky. I can wait.
But I thought it was the right time. If not the right place to take the shot, It was the right time. What if it will not shine tomorrow? What if there will be rain the next day? What the heck. Who cares if it is called spring city and it will surely shines up again tomorrow, I got to take this shot. It has to be quick. Otherwise I will lose this chance. I reached for my left pocket and grabbed my iphone. I missed at first shot. There was a tree in the middle and it was blocking the sun. We were travelling in a couple of miles per hour, so I have to be quick. Ready...and I hit the shutter button. There it is! My second shot. The sun and its glory! I am happy of this shot.
I plan to narrate this 2 day trip with all of the pictures I took until my arrival back here in Chengdu. And hopefully be concluding before I leave for Dubai early next month. I hope you will like this story that I'll be writing.
Keep on shooting friends!
The yogi's interest is inner peace, self realization & social harmony
- Jagad Guru Siddhaswarupananda
See more insights by Jagad Guru Chris Butler here :
www.jagadguruchrisbutler.com/the-search-for-wisdom/inner-...
A choice picture from a larger set of 96, taken over two evenings at Festa Country 2018.
Faculty of Economics and Management Utrecht University, Utrecht, Netherlands
Mecanoo Architects, Delft.
Programme : 23,500 m2 faculty building for 5,000 students and 400 employees including 4 lecture halls, 12 small lecture halls, offices, restaurant, meeting areas with multimedia facilities
design 1991 -1992 – realization 1993 -1995
From the beginning of the 1960s Utrecht University campus has been located outside the city, on the De Uithof terrain. A master plan by OMA/Rem Koolhaas from the early 1990s designated zones to be filled with high-density development to spare the landscape. Each zone has been given a character of its own. The Faculty for Economics and Management, for five thousand students and four hundred staff, lies in a zone known as the ‘Casbah’. Based on the notion of this traditional North African form of settlement, the long shallow building has only three storeys with a neutral facade enclosing a sheltered world of patios, rooms, halls, footbridges, stairs and leisure places.
The building, which has a rectangular basic form, is a system of constantly converging or connecting spaces. Groups of students can walk around the building with ease. The corridors and passages are framed by the classrooms and offices. The entrance area is the assembly area or congress zone. It consists of a large open space in which the lecture rooms appear to hang. The balconies between these closed boxes, the staggered layers and connecting links are places for the students to meet casually or enjoy a moment of leisure. Focal points such as the multimedia centre and the restaurant are located on the ground floor. Light enters the building via three large patios with different layouts. In the largest patio luxuriant bamboo suggests a jungle, while the other two are more calm – a Zen garden and a ‘water’ patio provide a glimpse of the charming landscapes.
The facade has various forms – sometimes exposed and sometimes with a veil or skin. Facades of cement slabs are concealed behind steel grids and wooden lattices in seemingly random trellis patterns. Other parts of the facade have their entire breadth covered with gigantic blinds, a series of moveable aluminium lamellas.
Self Realization Fellowship, Meditation Gardens, Pacific Palisades(Santa Monica), California
Since its opening to the public in 1950 by Paramahansa Yogananda, the Lake shrine has inspired thousands of visitors each year, many of whom return again and again to refresh mind and spirit in the peace that pervades this beautiful sanctuary.
The ten-acre site is a natural amphitheater. The spring-fed lake has an average depth of 15 feet. Its waters are inhabited by numerous varieties of colorful Koi.
Out of respect to the meditating visitors in various sites throughout the grotto,
I have limited my photographs so as not to include these private moments. There are many beautiful cottages and lush hillside bench locations to photograph.
The Shrine is a quarter mile from the Pacific Ocean, it was a 72 mile freeway drive from my home.