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Michael, master of initiation, is chief of the celestial militia, and each of us belongs to it thanks to his guardian angel, who, according to René Guénon, is our archetype on the informal plane. Initiatory realization would identify us with him, the first of the higher states. In a Judeo-Christian text (the Precepts of Hermas), it is said that “a spirit given by God, possessing the power of divinity, speaks of its own accord, for it comes from above, from the power of the divine Spirit. When a man, who has the Spirit of God within him, enters an assembly, then the angel of the prophetic Spirit who assists this man takes hold of him and the man thus filled with the Holy Spirit, addresses the crowd with the words that God wants”. It is the sixth sense, that of eternity, which the initiate acquires when he truly achieves his initiation. The Hebrew Kabbalah says of Metatron: “His name is like that of his master”, and Metatron is likened to Schaddaï, one of the divine names. Metatron and Schaddaï have the same numerical value 314. Schaddaï translates as the Almighty, who is the God of Abraham, hence the God of the Covenant. Albulafia, a famous Kabbalist of the Middle Ages, asserts that Metatron, identified with Schaddaï, was his spiritual master, attesting, as has been said, that he is the initiator of angels and men. And commenting on the divine voice speaking to him, Albulafia says: “the meaning of Shaddai is corporeal... and it is impossible to reveal more explicitly on this subject because there is a numerical equivalence between corporeal (hagashmi) and Messiah (Moshiah)” (G.C. Scholem, Les grands courants de la mystique juive p. 391 note 72).
Metatron was an angel and the Scribe of God who recorded the Word of God. In Heaven, Metatron was personally selected by God to write down his word and then God disappeared. Eventually, out of fear that the Archangels would steal the information of God from him, Metatron left Heaven and hid among Native American tribes and modern day Americans until discovered by the Winchesters in 2013.
In Season 8, learning that all the Archangels were either dead or in Hell, Metatron then sought to take vengeance upon the other Angels for forcing him to leave, using Castiel to make a spell written on the Angel tablet, and emptied Heaven of all angels.
In Season 9, Metatron's actions caused many angel rebellions on Earth and upon his own disappointment of being alone in Heaven, Metatron started working to rebuild with Gadreel as his second in command, using the Angel Tablet to attain god-like power, accepting only the angels he sought fit and either killing or using those he didn't like. Once done so he attempted to become a god to mankind itself, rallying many human followers until confronted by Dean himself. After Castiel shattered the angel tablet and tricked Metatron into revealing his true intentions, at the cost of Gadreel's self-sacrifice, Metatron was overthrown and locked in Heaven's dungeon, but not before he killed Dean and caused his transformation into a demon.
In Season 10, Metatron remained locked in Heaven's dungeon plotting his revenge until Castiel and Sam Winchester released him to help remove the Mark of Cain from Dean. They removed his grace, turning him human, but spared his life in exchange for the location of the rest of Castiel's grace after he revealed he didn't know how to remove the Mark. However, this is really a trick so that Metatron can get the grace himself and the demon tablet which he had stored in the same location, a library. While Metatron escapes with the demon tablet, Castiel gets his grace back and is left worried about what Metatron will do with the tablet and his freedom.
In Season 11, the Winchesters and Castiel search for Metatron in hopes that he can tell them about Amara and how to beat her. Castiel eventually locates Metatron in his new job as a videographer and captures him, retrieving the demon tablet. After nearly tricking Castiel into killing him, Metatron informs him of the true nature of the Darkness and Castiel lets him go, believing him to no longer be a threat and now pitiable. After getting called upon by God to write his autobiography, Metatron teamed up with the Winchesters to rescue Lucifer. After a failed attempt to harm Amara, Metatron was imploded by her.
Contents
1History
1.1Background
1.2Season 8
1.3Season 9
1.4Season 10
1.5Season 11
1.6Season 13
1.7Season 14
1.8Season 15
2Personality
3Physical Appearance
4Powers and Abilities
4.1Former Powers
4.2Powers with the Angel Tablet
4.3As a Human
5Weaknesses
6Death
6.1Killed By
7Appearances
8Trivia
9See also
10References
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History
Background
“I'm not one of them. I'm not an archangel. I'm really more run-of-the-mill. I worked in the secretarial pool before God chose me to take down the word. Anyway, he seemed very worried about his work, what would happen to it when he left, so he had me write down instructions. Then he was gone. After that... the archangels took over. They cried, and they wailed. They wanted their father back. I mean, we all did. But then -- then they started to scheme. The archangels decided if they couldn't have dad, they'd take over the universe themselves. But they couldn't do anything that big without The Word of God. So I began to realize maybe they would realize... they needed me.”
— Metatron describing his early life to Sam and Dean
in The Great Escapist
Although originally presumed to be an archangel, Metatron himself revealed that he was simply a common angel with a secretarial position. He was chosen by God to be his Scribe sometime before God's departure from Heaven, as Castiel described "he took down dictation when creation was being formed." Metatron received instructions to write down the Word of God. Metatron stated that, before he was chosen to be the Scribe, he lived a life of isolation and obscurity among his fellow angels. As such, he was overjoyed to be chosen above all others as God's scribe. When God left, the archangels despaired, and soon after began conspiring to claim the universe as their own. This prompted Metatron to distance himself from Heaven, so as to protect the Word of God and to prevent the archangels from claiming the tablets. Metatron also left a personal note on the demon tablet. It mentions the angel taking leave of his master and letting humans take responsibility of the compendium of tablets.
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Metatron's signature
Metatron hid himself along with the First Nation Tribe of the Two Rivers, where he blessed the tribe with immortality in exchange for stories and books. However, when talking to Gadreel later, he claimed that he never got used to them and had to isolate himself to keep sane. He noted the chaotic nature of humanity as fascinating but would be annoyed by the emotion and energy they expressed.
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Season 8
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Sam and Dean meet Metatron
Sam and Dean eventually tracked him down, in his vessel Marv, and convince him to aid them. They learned that Metatron had been reading books and ignoring all the angel chaos since their arrival on Earth and Sam, going through the trials, wanted Metatron to kill him out of anger towards the scribe. After Dean gave him a lecture on how he should have been helping them, and his prophet Kevin Tran, he rescued Kevin from being killed by Crowley and revealed that the third trial is to cure a demon. Metatron also gave warning to Sam and Dean that even if they succeed in closing Hell it will come with consequences and they must be ready to face those retributions.
Naomi and the angels captures Metatron
Naomi and the angels takes Metatron away
Metatron had a plan all along to bade the time by until Heaven would ultimately fall, pretending to have a wanting to save it, Metatron would recruit Castiel to help him complete the 3 "trials" that would apparently close Heaven off, doing this, Metatron believed that he could close angels off into a space where they'd need to sort out their own problems. The first trial, to kill an angel/human hybrid called a Nephilim, went successfully. The second trial, to take the bow of a Cupid, was also a victory, Metatron is then captured by Naomi and brought to Heaven to be tested on so that Naomi could see into the scribe of heaven's eyes. Once she does, however, she becomes aware of Metatron's plans and warns Dean and Castiel that Metatron has been lying to them, at first they don't believe her, but once Kevin confirms (or at least tries to) that neither of Metatron's trials were even inscribed onto the angel tablet, Castiel travels to Heaven to find out, despite Dean telling him to wait while he saved Sam.
“Do you have any idea what it would be like to be plucked from obscurity, to sit at God's feet, to be asked to write down his word? The ache I felt when he was gone, telling myself, 'Father's left, but look what he's left us -- Paradise.' But you and your archangels couldn't leave well enough alone. You ran me from my home. Did you really think you could do all of that to me and there'd be no payback.”
— Metatron, to Naomi
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Metatron reveals his true motives
Once Castiel arrives, Metatron reveals that Naomi was telling the truth, he captures Castiel and ties him to Naomi's operating chair and steals his grace as part of the third trial. He revealed that their acts were for a spell to expel all angels from Heaven, rather than seal them in. With Castiel's grace gone, he is now human, the spell is complete and before Castiel is to fall, Metatron tells him to live a normal life as a human, get married, have children, and once Castiel dies, and his soul reaches Heaven, to come back to Metatron, and tell him what his life was like as a mortal being. Metatron then seals Heaven off, and thousands of Angels fall from the sky around the world, the Men-of-Letters headquarters is put on red alert as the hierarchy of Heaven has collapsed, Metatron is last seen teleporting Castiel out of the operating room. Shortly afterwards, the angels fell.
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Season 9
Metatron's spell caused the deaths of several angels, including Sophia, Azrael and Ezekiel. His spell also caused the angel uprising and civil war between Bartholomew and Malachi leading the creation of their respective factions. Metatron's spell also closed Heaven from all human souls destined to ascend there who would be stuck in the Veil and putting Reapers out of business. Some of these reapers like Maurice and April Kelly would side with Bartholomew while others like Tessa, still faithful to their mission, would become incredibly saddened and almost suicidal at being unable to help the human souls in pain.
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Metatron manipulates Gadreel
Metatron eventually reappears on Earth. He confronts Ezekiel, revealing his true nature as "Gadreel", with an opportunity to serve as his second-in-command, and informs him that he can allow certain angels to return to Heaven. He reveals that he still has access to Heaven, and contrary to his earlier thoughts of enjoying being the only angel still there, he finds it rather boring. He explains that they are going to be rebuilding Heaven with a select few angels allowed inside, and Metatron will rule as the new God (although he would simply be known as X). As a test of loyalty, he orders Gadreel to kill somebody he regards as a threat to their new order, and sends him after Kevin Tran. Gadreel kills Kevin and goes to rejoin Metatron.
In "Captives", Bartholomew's followers are trying to find Metatron by marking his sightings on Earth and recording the photos taken at each sighting.
In "Road Trip, Metatron continues to give Gadreel names of people to kill, including the latter's former torturer Thaddeus as a show of good will. Metatron has also "flipped a switch" in Heaven to prevent the continuation of Prophets after Kevin's death. Metatron also gave him that name of an angel who had abused Gadreel in prison. While at a bar, ironically with Gadreel's first vessel as the bartender, Gadreel arrives to give Metatron the tablets and is getting sick of killing humans and angels but Metatron gives him another which turns out to be a cellmate of Gadreel's in Heaven who he reluctantly kills. Metatron also tells Gadreel that his place isn't to question but to obey. Later Metatron is waiting at the bar again to a status update when Gadreel does not contact him. Gadreel does eventually arrive but in his angelic form and possesses his first vessel again. Metatron instantly assumes the Winchesters have set him back.
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Metatron smugly gloats to Dean, Sam and Castiel
In "Meta Fiction", Metatron has holed himself in a room with a typewriter, surrounded by Chuck's novels. He captures Castiel, bringing him to him under the illusion of a fictional scenario he created. In the illusion, the archangel Gabriel has returned to life to try and convince Castiel to lead the angels against Metatron. After Castiel breaks free from the illusion, Metatron tells him that he wants him to be the villain in his own story in which Metatron is the hero. Metatron then hears about his right-hand man, Gadreel, being taken hostage by the Winchesters. Metatron proposes a trade, Castiel for Gadreel. When he arrives at the meeting place, he lets himself fall into a holy fire trap set by Sam and Dean to show that he can't get out of it, which he does. He then honors their deal but reminds them that no matter what they come up with, they can't win against him. Later, Metatron gets back to work and speaks to Gadreel who asks him if the Winchesters capturing him was part of Metatron's plan. Metatron explains that in a story, sometimes characters do surprising things but as long as he knows the ending, what happens on the journey is of little importance.
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Metatron and Gadreel meets with Tyrus
In "Stairway to Heaven", Metatron tries on a trench-coat similar to Castiel's and then meets with angelic faction leader Tyrus. Tyrus refuses to listen to Metatron's offer and points out that if Gadreel kills him, his faction will just join Castiel. He challenges Metatron to a round of bowling to see if he'll listen to the offer, but Metatron loses. As Metatron and Gadreel are leaving, Constantine arrives and blows himself up, killing Tyrus and injuring Gadreel. Metatron then contacts Castiel's faction and offers them all amnesty if they switch sides immediately, telling them about Castiel's fading grace and that he only cares about Sam and Dean. Metatron is pleased when Castiel's angels join him, revealing to a disgusted Gadreel that it was his plan all along and he planted the suicide bombers to draw all angels to his side. However, Gadreel is so disgusted by Metatron's actions, he switches sides.
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Metatron finally exposed
In "Do You Believe In Miracles?", Metatron makes a broadcast to all the angels across "angel radio" stating that he is going to Earth and the portal to Heaven will be closed until his return. Metatron, taking on a scruffy homeless appearance, resurrects a young woman hit by a truck and heals a homeless man of his diabetes, earning him human followers who look to him as their new savior. When an angel reveals the truth, Metatron nearly attacks him until his new followers do it for him and kill the angel with Metatron's angel blade. That night, Dean arrives and faces against Metatron with the First Blade. Metatron is amused since the Angel Tablet grants him great powers and he knows that Castiel and Gadreel are failing in their mission to break his link to it. Metatron easily overpowers Dean and stabs him with his blade, mortally wounding him and eventually killing him. At the same time Castiel shatters the tablet, breaking Metatron's connection to it and removing his added powers. Metatron quickly flees when Sam swings an angel blade at him. Metatron goes to Heaven where he traps Castiel in a chair and taunts him about Dean's death and how the angels are just "sheep" who will follow Metatron wherever he leads them no matter what he's done to bring them under him. As Metatron goes to kill Castiel, Castiel reveals that he broadcasted the whole conversation over "angel radio" and the angels storm Metatron's office and overpower Metatron. Rather than killing him for his actions, Castiel locks Metatron in Heaven's dungeon.
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Season 10
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Metatron in Heaven's prison
In Black, Hannah tells Castiel that Metatron is still locked up and that his prison door has been made permanent.
Castiel arrives to stop Hannah from let Metratron out
Castiel arrives in time to stop Hannah from releasing Metatron
In Reichenbach, Metatron is still imprisoned in Heaven's prison, confined to a straitjacket when Hannah goes to visit him regarding Castiel's stolen grace. Metatron offers to give the grace to her, but only if she releases him as he has had time to reflect on his actions and doesn't want to shut down Heaven anymore. Before Hannah can answer his deal, Castiel shows up and says "no", refusing to work with Metatron as he's made deals in the past that have gone bad. When Castiel is alone with Metatron, it's revealed that he hasn't changed as he vows to kill everyone whenever he is finally free from his captivity.
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Dean tortures Metatron
In The Hunter Games, Castiel has Ingrid bring Metatron to Earth for him and the Winchesters to question about how to remove the Mark of Cain, believing that as the Scribe of God, he would know. Metatron is amused when he learns that Dean is alive and not a demon, but has gone "nuclear." He agrees to tell them and tells Sam and Dean they need the First Blade which is hidden. Later, Dean visits Metatron and demands the rest of the spell, but Metatron refuses, saying he wants things each time he gives away a tidbit of information and there is a lot. Dean starts beating on Metatron who goads him, telling him it brings him further under the Mark's power each time. As Sam and Castiel try to break in, Dean starts cutting Metatron with an angel blade, seriously wounding him. Before Dean can kill Metatron, Castiel and Sam break in and Sam restrains Dean. Castiel decides to return Metatron to Heaven rather than risk his life, but Metatron leaves a possible clue that Dean mulls over: "Behold, the river shall end at the source!"
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Castiel takes Metatron's Grace
In Inside Man, Castiel and Bobby Singer break Metatron out of prison after assuring him that he'll be Castiel's punching bag instead of Dean's this time. On Earth, Metatron taunts Castiel and Sam about how he has all the leverage, but Castiel removes his grace, making him human at which point Sam shoots him in the leg. Now vulnerable, Metatron cowers and admits he doesn't know how to remove the Mark of Cain and was lying before to buy himself some time until he could screw them over. Metatron explains that the Mark is God-level or Lucifer-level power and its not covered on the tablets. While Sam doesn't believe him, Castiel can tell that Metatron is actually telling the truth. When Sam goes to kill him, Metatron quickly tells them that he wasn't lying about there still being some of Castiel's grace left and offers to take him to it in exchange for his life. Castiel reluctantly agrees and he and Metatron take off in his car to find it while Sam returns to the Bunker.
Metatron killed Trucker Cupid
Metatron killed Trucker Cupid
During Book of the Damned, Castiel and Metatron continue their road trip to retrieve Castiel's grace. Metatron starts to enjoy his new humanity, but annoys Castiel with his antics, resulting in Castiel punching Metatron. Eventually they stop for food which Metatron enjoys but turns out to be lactose intolerant and makes a mess. As they leave, Castiel and Metatron are attacked by an angry Cupid who nearly kills Castiel before Metatron saves him and kills the Cupid. However, this doesn't endear him to Castiel as he'd hoped.
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Metatron escapes with the demon tablet
Reaching a library, Metatron reveals that it is where the grace is hidden as no one visits a library anymore. While Castiel is able to sense that his grace is actually there, he can't sense its location and Metatron reveals he doesn't know it either. Under threat, Metatron explains that he had another angel hide the grace, even from him so he couldn't give up its location under torture. However, he had the angel hide clues in the books and he and Castiel search finding the first clue: "what's the most insane thing a man can do?" Looking for a book with that title, Metatron tries to talk to Castiel about what he will do once he gets all of the remaining angels back into Heaven since Hannah has put it back in order. Castiel refuses to talk and Metatron uses the distraction to cast a spell to stun Castiel. Metatron reveals that the clues are actually book titles and that he's there to retrieve Castiel's grace as well as the demon tablet which is hidden there also. Metatron retrieves the demon tablet, but finds that Castiel has gotten to his grace first so he flees with just the tablet. It is later revealed that he steals Castiel's car when he goes. Getting his grace back restores Castiel to his full power and rank as a Seraphim, but he and Sam worry about what Metatron could do with the demon tablet. Castiel also lies to Dean about how he got his grace back, saying that Hannah got it out of Metatron and not telling him about Metatron's escape despite the threat it poses.
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Season 11
In Form and Void, Efram and Jonah torture Castiel for information on Metatron's escaped, not believing Castiel didn't help him since Castiel has Metatron's grace. Hannah attempts to help them through trickery, but fails as Castiel honestly knows nothing and sees through the deception.
In The Bad Seed, the Winchesters and Castiel search for Metatron, hoping that as he's the Scribe of God, he may know something about Amara. However, their searches turn up nothing as Metatron hasn't had any accidents with Castiel's car which would've led them to him. Castiel is a bit surprised, commenting that after centuries of being a shut-in, Metatron wouldn't be expected to be a good driver.
Castiel discovers that Metatron is the cameraman
Castiel finds out that Metratron is the videographer
In Our Little World, while watching a news clip of a violent crime, Castiel spots that the videographer is Metatron from his reflection in a car's mirror.
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Castiel finally tracks down Metatron
Metatron films the aftermath of a shooting, stealing the man's wallet and money only to discover that he is still alive. Metatron bemoans how he used to be able to heal such wounds with ease, though he can't anymore and wouldn't anyway. As Metatron tells the man that he's "not that guy" anymore and can't save him, Castiel appears behind him and tells Metatron that he can save the guy. Castiel heals the man's wound as Metatron video tapes, explaining that he found Metatron by scanning the police radio and then getting to the scene of the crime before the cops. Seeing Metatron recording him, Castiel knocks the camera out of his hand and breaks it, to Metatron's annoyance as he had to steal and pawn a lot of stuff to pay for his camera and felt the footage of a real-life angel would get him more than a homicide. As a police car arrives, Castiel grabs Metatron and drags him away.
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Severely beaten, Metatron reveals the Darkness's true identity
Castiel takes Metatron to an old warehouse where he is disgusted by what Metatron is doing for money. Metatron points out that Castiel only tried to live as a human for around a month but Metatron is human forever. He tells Castiel that he was nothing when Castiel took his grace, on the run from angels without money but he managed to build his own business. Metatron claims that religion and literature are dead so he has caught up with the times through videography. Metatron tells him that reality is the new literature of the era and he's out on the streets every night capturing it, seeing himself as reality's author. An annoyed Castiel starts to ask Metatron about Amara, but Metatron misunderstands what he wants and believes he wants the demon tablet. Metatron tries to claim that he hid it where Castiel and the Winchesters will never find it, but Castiel just pulls the demon tablet out of his coat and tells Metatron he found it under Metatron's mattress after searching his apartment. Castiel asks Metatron about the Darkness, but while Metatron admits he knows something, he refuses to tell Castiel. When Castiel threatens him, Metatron calls him broken, scarred deep and paralyzed by trauma and fear. Telling Metatron its not fear, Castiel attacks Metatron, beating him badly and demanding answers about the Darkness. Metatron simply continues to taunt Castiel about how everyone uses him enraging Castiel into further attacking and leaving Metatron badly beaten. Castiel nearly beats Metatron to death, but when Metatron asks Castiel to finish the job, he stops himself. Castiel realizes Metatron wants to die and asks him about what he said about being happy as a human and building a life for himself. Metatron admits he lied and can't stand a human life anymore. Castiel refuses to kill Metatron, telling him that Metatron was right about Castiel being tired of having his strings pulled and he won't let the former angel off easy. Castiel asks Metatron again about the Darkness and Metatron reveals the truth about it: the Darkness is God's sister that he had to give up in order to create the world.
After getting what he needs from Metatron, Castiel lets him go to the Winchesters' annoyance. Castiel explains that Metatron isn't going anywhere as if he draws any sort of attention, the angels will destroy him. Castiel tells the Winchesters that Metatron is now human "and a pitiable one at that" and that he left him in traction.
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Metatron meets God
Many weeks later in Don't Call Me Shurley, Metatron is desperately searching for food inside a dumpster. When he finds a burger, he kindly gives it to a stray dog, forcing himself to continue digging finding nothing before he shouts that he gives up. Suddenly, he and the dog are summoned to a bar, where he finds Chuck Shurley, the author of the Supernatural books. Metatron wondered if he was going to be destroyed as he went on rant about his life as he criticizes Chuck's books, which he deems not even close to cracking the top 10,000 best books he's ever read. Chuck soon revealed his knowledge of Metatron burning one of his books as the latter questioned his knowledge of that.
When Chuck offers him a pair of sunglasses, Metatron is awe-struck when he witnesses Chuck reveal himself to be God, prompting a worried Metatron to take back everything he said.
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Metatron's talk with God
God, or preferably "Chuck", requests Metatron for help in completing his auto-biography. Metatron is initially delighted, even jokingly asking if he can be angel again if its good but his suggestion is denied which he agrees. He soon realizes that Chuck intends to finish this book regardless if the world is destroyed by The Darkness, due to having grown disappointed in all of his creations. Furthermore, when Metatron angers him he is thrown out of the bar and is disappointed when Chuck tells him that the only reason he chose him as his scribe was because he was "the closest to the door". Despite that, they continue writing the biography with Metatron even revealing he took over Heaven to get God's attention as he voices the imperfections of humans but how they never give up.
It is thanks to Metatron's persistent pleas and demands that Chuck eventually accepts his former role as God and goes off to help Sam and Dean Winchester deal with a rabid situation, as well as revealing himself to them for the first time.
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In All in the Family, Metatron is in a bar when he sees a news report on Amara's fog in Hope Springs, Idaho. After spotting the Winchesters meeting with Chuck in the report, Metatron calls Dean and asks to meet to show him something.
Later that night, the Winchesters meet with Metatron at the bar where he tells them of his meeting with Chuck and reveals the latter plans to meet with the Darkness and sacrifice himself to her. Metatron proves this by giving the Winchesters Chuck's autobiography, which Metatron refers to as "a suicide note".
Sam, Metatron and Donatello arrives at the building where Lucifer is being held
Sam, Metatron and Donatello come to Lucifer's rescue
After Dean has an unsuccessful meeting with Chuck, Sam lets Metatron into the Bunker after he repeatedly texts them. Metatron offers his help in defeating the Darkness, pointing out the level of knowledge he possesses as the Scribe of God. Metatron explains that he's been by God's side since the Creation and now that he wants to kill himself, Metatron feels that if there's anything he can do to save him and his creation, he should. Dean explains to Metatron that they plan to rescue Lucifer from the Darkness and work with him and God to defeat her.
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Metatron is killed by Amara
As Dean acts as a distraction for the Darkness, Sam, Metatron and Donatello Redfield travel to where Lucifer is trapped. Metatron sets to work examining his binds, horrified by the state Lucifer is in. Metatron casts a spell and frees Lucifer who is unable to teleport them out. After Donatello senses the Darkness coming, Metatron tells them to go while he stays behind to hold her off. Metatron draws an angel banishing sigil and uses it on the Darkness to no effect when she arrives. Metatron tells Amara that God meant well and asks her to spare the universe. Amara tells Metatron to "spare this" and then surrounds him with darkness, imploding Metatron into nothing. Dean later comments that he didn't see it coming that Metatron would sacrifice himself as he did.
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Season 13
In The Big Empty, the Shadow shows Castiel a vision of Metatron stealing his grace.
In War of the Worlds, while wondering if the angels have Jack, Castiel asks Duma if Jack is potentially in Metatron's old cell. However, Duma assures him that this is not the case as the angels intend to enslave Jack if they can get their hands on him, not imprison him.
In Funeralia, Naomi reveals that she survived Metatron's attack on her, but it took her years to recover to the point that she is now "mostly here."
Season 14
In Byzantium, the Shadow's attack on Heaven to get Jack's soul is stated to have opened all of the gates of Heaven, even the ones that Metatron permanently sealed years before.
Season 15
In Our Father, Who Aren't in Heaven, the Winchesters and Castiel have Prophet Donatello Redfield search through the Demon Tablet in hopes of finding something to lock God up. Donatello finds Metatron's annotated notes on the tablet which Donatello states appears to be an effort by Metatron to give context to God's actions. Donatello finds out from Metatron's notes that God has a secret fear which he guards closely and only shared with favorite which they realize means Michael.
In Inherit the Earth, Metatron appears in the flashback sequence at the end.
Personality
“So I'm a fake. Do you have any idea how much pan-cake makeup and soft lighting it took to get God to work a rope line? He hated it. And, you know, humans sense that. So they prayed harder and longer and fought more wars in his name. And for what?! So they could die of malaria? Leukemia? And all the while, blaming themselves! "Oh, if only I'd been more prayerful, God would have loved me! God would have saved me!" You know what?! God didn't even know their name! But I do. Because I've walked among them. And I can save them.”
— Metatron in Do You Believe In Miracles?
For an angel, Metatron appeared to be quite human-like, openly expressing emotions such as joy, admiration, disdain and sympathy. He does not show the arrogance or pettiness that other celestial beings do. He admired humans, due to their use of free will, and particularly enjoyed their stories, seeing it as a great example of free will. Metatron views existence as his own personal story, with himself as the hero and his opponents as villains. He even purposely spares many of his enemies and encourages them to oppose him, simply so that they will be playing the roles he has assigned them in his story.
However Metatron disliked other angels, and was fearful and suspicious of them, particularly of the Archangels. Metatron appeared benevolent and helped humans with his powers. However, he was suspicious when dealing with those he did not know. Metatron is also very logical and intelligent.
However, he has also proved to be very bitter, vengeful and manipulative with angels as well. It was revealed he wanted to expel all angels from Heaven as revenge for his own exile. So he tricked and manipulated Castiel into completing the "trials" and expelled every angel from Heaven. Despite this, he claims that he is "an entity of his word" and he does trade the Winchesters Castiel for Gadreel as they agreed. While showing respect for God and believing him to be a fair individual, Metatron shows disdain for God "publishing the first draft" and believes firmly on re-writing and working at something until it is perfect. Metatron also believes himself to be extremely funny and claims he even made God laugh twice.
Metatron later reveals that he had changed his mind, as he became lonely upstairs, and now plans to rebuild Heaven, now with a select few angels. He also reveals his opinion of humans isn't as high as he originally stated, revealing although he doesn't hate them, he does find them "chaotic" and "exhausting" due to their endless expression of emotions and desires and claims that isolating himself was the only thing that kept him sane while he was on earth. Metatron is also quite cruel, capricious and uncaring as he sacrifices several of his own followers to turn his enemies against Castiel and takes gleeful pleasure in watching a fallen angel be attacked by people who are defending him. Metatron's ultimate goal is to assign himself as the new God while completing his own story which he sees as his "masterpiece."
Metatron can be incredibly arrogant, much of it coming from the god-like power he attains. However, even without this, he is still arrogant, telling Castiel that no one will believe Castiel's story and those who did can be easily dealt with. He also indicates to Castiel that he believes he himself to be one of if not the best storyteller there is and shows great disgust for humans and little respect for other angels, dismissing them as sheep that will follow blindly. This proves to be his downfall as when Castiel causes him to broadcast his true beliefs and intentions over "angel radio," Metatron is too arrogant to realize that he's being duped and too shocked to react quickly.
After his imprisonment, Metatron became vengeful, declaring that he would one day get out and destroy everything in revenge. However, Metatron is revealed to actually be a coward at heart: after Sam and Castiel took him to the Bunker, he lied about knowing how to remove the Mark of Cain in order to save himself and when he lost all his leverage when Sam and Castiel removed his grace, Metatron cowered and admitted to all his lies, breaking easily.
After Castiel turns him human, Metatron attempts to enjoy human experiences such as eating food but has trouble. After spending months as a human, Metatron becomes what Castiel calls a vulture, prying on human crime to make money to survive, video taping the aftermath of crimes and stealing money. Metatron tells him that religion and novels are dead and he now sees reality as the new literature which is why he got into videography as he is now the "author of reality". Though Metatron claims to have built a life for himself as a human and to be enjoying it, he actually wants to die rather than continue as he finds the human things he has to do undignified. As a result, Castiel lets him live, seeing Metatron as not being a threat anymore and a rather pitiable human now. While talking to a mortally wounded man, Metatron expressed regret over losing his former powers which would've allowed him to heal the man easily, but stated he wouldn't have done it even if he could've at the time. However, he does show some regret that he can't save the man even while planning to use his death to make money.
While Metatron was a skilled liar as an angel, he is a terrible liar as a human, telling Castiel he hid the demon tablet where he could never find it while it was just under his mattress in his apartment. Despite his dislike of being human, Metatron displayed an ability to adapt well to his new situation, being a good enough driver to steal Castiel's car and not draw attention with it, have an apartment, pay bills and get a job as a videographer. He also understands technology well enough to scour the police scanners for crimes and get to the scene before authorities even without being able to teleport.
After many weeks of being a helpless human, Metatron has come to accept humanity and adore them. He even gave a meal he found in a dumpster to a stray dog. His compassion for humanity was so strong that Metatron bravely spoke back against his creator, God, when the latter proved willing to just let his sister destroy the entire human race. During this encounter, Metatron also admitted to finding his own period as "God" to have been lame and silly, and his cruelty had solely been based on his desire for God's attention. Metatron also seems to have accepted that he will never become an angel again, as when he asked God if he would be allowed to become an angel again, he quickly accepted that it was a 'good call' not to have him become one.
After learning that God was going to sacrifice himself to Amara, Metatron aided the Winchesters in an effort to save God. Metatron explains to them that while at one time he didn't care, he has been by God's side since the Creation and God believed in him. As a result, if there's anything Metatron can do to save God and humanity, he is willing to do it. During the rescue of Lucifer, Metatron is shown to be horrified by the state of the archangel and after Lucifer can't teleport them out, decides to sacrifice himself to buy Sam time to get Lucifer to safety. At the end of his life, Metatron faces down Amara bravely and simply asks her to spare the universe, having no thought for himself as he did in the past.
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Physical Appearance
Metatron's true form was able to deteriorate the flesh off of Crowley's vessel. It is unknown what he truly looks like, however, as an angel, he does have at least two large, feathered wings. On Earth, he manifests in the embodiment of a middle-aged, pot bellied, bearded man. Metatron's clothing choice changes several times over the course of the series from his more casual clothes in "The Great Escapist" to a more ostentatious outfit while writing his "masterpiece", to a grungier look when he pretends to be homeless. He later wears a straight-jacket briefly, but is dressed in regular clothes once more when he's brought to Earth to be interrogated about the Mark of Cain, clothes he remains in afterwards. After becoming a human videographer, Metatron adds a cap with the words "Marv Corp" to his ensemble. He loses this after Castiel captures him.
Powers and Abilities
“So, you took Abaddon's scalp, then you figured you'd take on little old nebbishy me. What could go wrong? And you're powered by the bone of a jackass, and it is just awesome, right? Here's a tip - next time, try to be powered by the Word of God.”
— Metatron to Dean
in Do You Believe In Miracles?
Metatron had the power of regular angels as well as few rare ones that are exclusive to him as God's scribe, and was able to use them all despite leaving Heaven for a long time, similar to seraphim, grigori and archangels. Additionally, as the Scribe of God, he was able to erase any Enochian sigils planted to ward off angels. Apart from his powers, he was incredibly intelligent. He was able to avoid detection by Heaven's forces for thousands of years. Possessing at least the demon and angel tablets and being the King of Heaven (or, as he sees it, the new "God"), he became even more powerful, gaining god-like powers such as being able to blow out a holy fire ring. After Castiel shattered the angel tablet, these extra powers were removed. Following the loss of the angel tablet, Metatron retained his powers as a regular angel, but later lost them when Castiel took his grace and rendered him human.
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Former Powers
Angelic Possession - Metatron possessed a human vessel to exist in corporeal form.
Biokinesis - Metatron manipulated angelic biology by searing and etching the names of all the prophets into the angels' brains.[1][2]
Geokinesis - Metatron was able to hide the Word of God tablets in the vault of the Earth for safe keeping.
Cosmic Awareness - As the Scribe of God, he articulated several documents referred to as the Words of God. He, therefore, possessed an acute knowledge of many creatures, including demons, Leviathans, and even his own kind. He also possessed a keen sense of spiritual realms, although he had no knowledge of who the Winchesters were, that Michael and Lucifer were trapped in the Cage or that Gabriel and Raphael were dead, due to him purposely separating himself from Heaven, however he caught up quickly. He also said to know how to remove the Mark of Cain, but it's revealed to be a lie of his.
Teleportation - He traveled from Heaven to Earth to relinquish the tablets. He also teleported across the room when confronting Sam and Dean. He was able to teleport Kevin with him to safety. And since he was the one that caused all of the angels to fall, he might be the only angel left with unbroken wings and the only angel able to teleport after the fall, besides Grigori and Archangels.
Invisibility - As Metatron attacked Crowley with his holy white light, he was nowhere to be seen.
Immortality - As an angel, Metatron didn't age and was immune to any earthly disease and toxin.
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Metatron healing Kevin
Healing - Metatron was able to heal Kevin Tran after Crowley nearly strangled him to death. He also healed Castiel after having cut his throat with an angel blade to extract his grace (even the blood from the wound disappeared with not even a smear). Metatron was able to heal a young woman's injuries while resurrecting her and a man's diabetes. When human and standing over a mortally wounded man, Metatron bemoaned his lack of power, stating the he could've once healed the man with a snap of his fingers. He likely meant that he could do this when he had god-like power since he required touch to heal Kevin.
Power Granting - Metatron was able to grant the Native Americans who gave him stories a much longer life than humanly possible.
Photokinesis - Metatron used this ability when saving Kevin Tran by burning Crowley. Interestingly, the Prophet's eyes lit up when Metatron arrived and used his white light. Whether this suggested Metatron temporarily possessed the prophet or merely channeled his power into the prophet is unknown or his true form reflected in his eyes.
Warding Removal - As the Scribe of God, Metatron could erase wardings and sigils without being affected by it. However, he could't remove a symbol or sigil that was already affecting him, shown as the supernatural handcuffs worked on him.
Spell Casting - Metatron was an extremely adept and skilled magician, easily one of the most proficient to appear to date. He was able to cast a powerful spell to expel all angels from Heaven. He was able to cast such a powerful spell on a door requiring the solving of the riddle that Castiel couldn't break it no matter how hard he tried with his super strength.
Apporting - Metatron was able to send Castiel back to Earth after he stripped the latter of his grace. Metatron was also able to summon a pair of handcuffs with binding sigils on them to trap Castiel in a chair.
Telekinesis - While powered by the Angel Tablet at least, Metatron displayed formidable telekinesis. He effortlessly whammed Dean and Sam into the Impala by simply shooting up his hands and opened the trunk with a lazy movement of his finger. He also easily threw Dean around the room during their fight despite Dean's possession of the Mark of Cain.
Mental Manipulation - Metatron was able to give Castiel all of his knowledge of human culture such as books and movies allowing Castiel to understand them instantly. He also implanted an illusion into Castiel's mind.
Control over the Portal to Heaven - Metatron could go to heaven or allow other beings to go to heaven because he had control over where the portal to heaven was or would be. By having the portal constantly moving, it would remain undetectable by other angels.
Resurrection - Metatron resurrected a young woman killed after being struck by a car.
Super Strength - As a common angel, Metatron possessed such strength that he could overpower humans and was naturally stronger than humans, ghosts, monsters, and demons. The angel tablet seemed to have lifted his strength to an intense level, to the point where he was able to effortlessly overpower Dean even when armed with the First Blade. While stronger than humans and demons while at normal strength, Metatron was easily overpowered when a group of ordinary angels ganged up on him at the same time. He was also easily overpowered by Naomi and her angels when they captured him. Although the Scribe of God, he doesn't seem to be a particularly strong angel, as he told Castiel he's not a warrior and relied on Castiel to do the fighting for him. He is also far inferior to archangels without the tablet. As a normal human without his grace, Metatron wasn't particularly strong anymore.
Skilled Liar and Manipulator - Due to his level of knowledge and time seeking revenge, Metatron was incredibly intelligent and resourceful and used this skill to manipulate people into doing his dirty work. In his quest to get revenge by casting the angels out, Metatron was able to manipulate Castiel with ease into aiding him despite Castiel having been used in the past. He also used Gadreel's desire for redemption to manipulate him into joining him despite his reluctance to take innocent life. Metatron continued this by manipulating Castiel's army through suicide bombers into believing Castiel was using them and turning them against him. Even while human, Metatron retained just sufficient amount of manipulating and lying ability that he was able to use Castiel's desire to get his grace back to successfully trick him into falling into a trap, managing to escape and acquire the Demon Tablet. However, Metatron's ability do this has severely diminished since becoming human as he tried to lie about the location of the demon tablet to Castiel and did so badly and was unable to manipulate Castiel into killing him.
Super Stamina - When Dean tortured Metatron for information on the Mark of Cain, Metatron was easily able to hold out despite Dean having learned torture from Alastair and took more pleasure in verbally tormenting him as he tried. However, he wasn't unbreakable as he indicated to Castiel that enough torture could break him as he had another angel hide Castiel's grace and the demon tablet so he couldn't tell anyone even under torture.
Regeneration - After Dean tortured Metatron for information on the Mark of Cain, he was eventually able to heal himself of the damage.
Supernatural Perception - Metatron could sense prophets like he did with Donatello.
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Powers with the Angel Tablet
Metatron was able to tap into the power of the Angel Tablet and it empowered him with high-tier powers no normal angel could ever dream of.
Lower Tier Nigh-Omnipotence - When he was powered by the angel tablet, Metatron's angelic powers were dramatically enhanced, explosively increasing his powers to near omnipotent levels. Noted to wield power similar to God's, although Metatron's later comments towards God implied he was never as powerful as God is even with the Angel Tablet powering him, he could effortlessly overcome most angelic weaknesses such as Holy Fire and Angel Blades now, the former of which he easily blew out like a candle.
Conjuration - Metatron was able to conjure single-malt whiskey in a flask for George to celebrate Metatron curing his diabetes with. He claimed he could create grace and a bowling alley. It can be inferred that he can create Angel Wings as well, seeing as the new graces wouldn't have been affected by the Expelling Angels spell.
Reality Warping - Like his Master, Metatron could rewrite the fabric of reality to suit his purposes.
Perception Altering - While powered by the Angel Tablet, Metatron was capable of altering the perception of even fellow angels, as he was able to implant an illusion in Castiel's mind and also to brainwash several of Castiel's followers into killing themselves.
Super Breath - When trapped in a circle of Holy Fire, Metatron was able to simply blow it out like a candle.
Portal Creation - According to Ezra, Metatron could open a portal to Heaven anywhere on Earth at will.
Prophet Control - Metaton was able to make it so no new Prophets were born.
Advanced Telepathy - Metatron was able to speak to all the angels on earth in their minds.
As a Human
Metatron passed his last years as a human with no special powers of his own since he had his grace removed.
Spell Casting - Even as a human, Metatron retained a limited ability to cast spells. He was able to cast the Angel Depowering Spell to escape. However, as a human, he lacked his innate spell casting abilities and instead relied on blood sigils. Despite this Metatron was able to cast a spell to release Lucifer from Amara's hold and was able to "narrow down" the spell when constrained by time. He was also able to cast a variation of the angel banishing sigil.
Electronics Knowledge - Metatron has shown himself to be adept at using electronics, using a camera to record crimes and hacking the police scanner to get to crime scenes faster than the police to record said crimes.
High Pain Tolerance - While not as resistant to pain as when he was an angel, even as a human Metatron was more resistant to pain than a regular person. He was still able to function with a gun shot wound to the leg to the point that he could walk around and act normally unless his wound was directly gripped. However, he was more prone to breaking easily under torture due to his mortality as Castiel only had to have Sam shoot him in the leg as a demonstration and then threaten his life to get him to tell them what they wanted to know. He was also able to taunt Castiel during a massive beating, though this partly had to do with the fact that he wanted Castiel to kill him.
Superhuman Intelligence - Despite being human, Metatron retained his knowledge from his time as an angel, including all the things he learned from God the other angels don't know. Metatron later told the Winchesters that he retained all of his knowledge of what was on the tablets including the various spells they contained.
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Weaknesses
Holy Fire - Metatron could be trapped in a ring of holy fire, and crossing the flames would kill him and his vessel.
Angel Blades - An angel blade could kill Metatron.
Loss of the Angel Tablet - Metatron's godly powers were removed when his connection to the Angel Tablet was severed.
Supernatural Handcuffs - Metatron could be bound by the supernatural handcuffs.
Grace Removal - Losing his grace caused him to become a human and lose all of his powers.
Mortality - Metatron was vulnerable to all mortal injuries after Castiel and Sam removed his grace. He was easily harmed by Sam shooting him in the leg and Castiel's beating which leaved him in traction.
Primordial Entities - Amara destroyed Metatron effortlessly. God was able to telekinetically throw him out of his bar.
Death
Killed By
Amara
In order to buy Sam time to escape with Lucifer and Donatello Redfield, Metatron attacked Amara with a modified version of an angel banishing sigil. However, the sigil had no effect on Amara. After Metatron pleaded with Amara to spare the universe, Amara imploded Metatron into nothingness.
Appearances
Season 7
Reading Is Fundamental (mentioned only)
Season 8
A Little Slice of Kevin (mentioned only)
The Great Escapist
Clip Show
Sacrifice
Season 9
Holy Terror
Road Trip
Captives (photo only)
Meta Fiction
King of the Damned (photos only)
Stairway to Heaven
Do You Believe In Miracles?
Season 10
Black (mentioned only)
Reichenbach
Soul Survivor (mentioned only)
The Hunter Games
Halt & Catch Fire (mentioned only)
Inside Man
Book of the Damned
Season 11
The Bad Seed (mentioned only)
Baby (mentioned only)
Our Little World
Don't Call Me Shurley
All in the Family
Season 13
The Big Empty (flashback only)
War of the Worlds (mentioned only)
Funeralia (mentioned only)
Season 14
Byzantium (mentioned only)
Season 15
Our Father, Who Aren't in Heaven (mentioned only)
Inherit the Earth (flashback only)
A Very Special Supernatural Special (archive footage)
Supernatural: The Men of Letters Bestiary: Winchester Family Edition (non-canon, mentioned only)
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Trivia
Metatron is the main antagonist of Season 9, along with Abaddon. He is a minor antagonist in seasons 10 and 11.
Metatron is an Archangel according to Jewish cultures. He is also the highest of all Angels and the angel of the Veil, with millions of wings, personifying God's Voice. In some versions, was the human Enoch who rose to Heaven as an Archangel. In some cases, he is called "the lesser YHVH".
Metatron's name means a guardian, a leader or the sun's servant.
The Leviathan Tablet said Metatron was an Archangel, but Metatron said he was a regular angel before he wrote The Word of God, so its possible God promoted him to Archangel in order to protect him while he made the Word of God.
Metatron is also a major antagonist in His Dark Materials, where he also wants to become God and usurp him. Just like in His Dark Materials, Metatron in Supernatural is easily defeated once stripped of the Angel Tablet's power. Both of the versions of Metatron also admire humans and are easily fooled by them.
In Road Trip it is implied that Metatron has had more than one vessel during his centuries on Earth.
The hotel room Metatron occupies in The Great Escapist, 366, is a reference to Biblical lore in which Metatron had a human incarnation as the prophet Enoch, who is said to have written 366 books in his lifetime.
When first learning of Metatron, Sam misunderstands his name to be Megatron, the main enemy of the Transformers franchise. This could have been an early indicator that Metatron was not a good guy.
According to Metatron, he apparently has made God laugh twice before.
Metatron is the second main antagonist to have killed Dean Winchester. First was Lilith when she set her hellhounds on him in Season 3 but Metatron is the first antagonist to have directly killed him.
In Meta Fiction, as part of his "story," Metatron uses Gabriel to trick Castiel. During the episode, its left ambiguous if its an illusion generated by Metatron or the actual Gabriel working for him and still alive. In Season 13's Devil's Bargain, Gabriel is revealed to still be alive. However, Gabriel's story subsequently shows that Gabriel had been a prisoner of Asmodeus since shortly after his "death" during the Apocalypse, making Gabriel one of Metatron's illusions. Metatron's Gabriel is in a weakened state relying on human transportation like the other angels while the real Gabriel retains his wings and full powers, including teleportation.
Metatron is the third main antagonist not to be killed. The first being Lucifer who didn't die but got trapped back into his cage in Season 5's Swan Song. Then Crowley in Season 6's The Man Who Knew Too Much where Castiel let him go while killing Raphael, then in Season 8's Sacrifice where Sam was curing Crowley but stopped because he would have died. In Metatron's case, he is defeated and imprisoned in Do You Believe In Miracles? before escaping in Book of the Damned. After being recaptured in Our Little World, Castiel lets him go once more as he doesn't see him as a threat and thinks he is now pitiable instead. While he is later killed in All in the Family, he dies fighting on the side of good rather than the side of evil and is not an antagonist at his death.
He is one of the only six angels to have ever seen God prior to the series. The other five being the Archangels and the angel Gadreel.
Castiel becomes a seventh angel in Alpha and Omega.
While Metatron's plan to use suicide bombers worked in turning Castiel's army against him, it also led to his defeat as it led to Gadreel's defection. With Gadreel being Metatron's second-in-command, he proved to be a valuable asset to the Winchesters and Castiel in their efforts to stop Metatron as he knew all of Metatron's plans, where he hid the angel tablet and was able to get Castiel into Heaven where he was able to break the angel tablet and set up Metatron's defeat.
After seeing Metatron in Sam's mind, psychic Oliver Pryce calls him "some creep-ass hobbit looking fella." After seeing Metatron, Bobby Singer also refers to him as "a fraggle" which Metatron takes as a compliment.
Metatron was turned into a human after having his grace removed by Castiel. This is ironic as he did exactly the same thing to Castiel a year and a half earlier.
When Castiel stole Metatron's grace, it was in a mirror to the scene where Metatron stole Castiel's own grace: Castiel stole the grace in the same way and even healed Metatron's throat injury in the same fashion as Metatron did his.
Metatron's vessel appears to be lactose intolerant. Coincidentally, in the series Dan Vs, the main protagonist, Dan, who is voiced by Curtis Armstrong is also lactose intolerant.
Considering that Metatron has apparently been using his vessel for many millennia, it actually makes a lot of sense, since Lactase persistence, which allows humans to continue digesting lactose after weaning, only started becoming widespread around 7 millennia ago.
Castiel got his grace back, ironically presumably using the information on popular culture Metatron had uploaded into his brain earlier to find the right book. This allowed him to get there before Metatron despite being stunned.
Castiel expresses surprise in The Bad Seed that there's no sign of Metatron crashing his car or having moving violations with it. Castiel points out that after being a shut-in so long, it's surprising that Metatron is a good driver. After capturing Metatron, Castiel is shown in The Devil is in the Details to have reclaimed his car.
After becoming a human videographer, Metatron used the name "Marv Corp" for his company, Marv being his preferred name as a human.
After stealing the demon tablet, despite indicating he was going to do a lot with it, Metatron simply hid it under his mattress in his apartment where Castiel easily found it when he searched the apartment.
Metatron has bed bugs in his apartment.
Metatron is the first Big Bad to die since Abaddon. However, unlike the other Big Bads, Metatron sacrificed himself to save his former enemies.
While Metatron begins as a villain, he finds a measure of redemption in the end, sacrificing himself to buy the Winchesters time to escape from Amara rather than fleeing with them.
After becoming human Metatron gets a cell phone. When he calls Dean in All in the Family, Dean's phone displays Scribe Calling. Metatron also sends "300 texts" and a lot of emojis to get Dean to let him into the Bunker.
Metatron's experience as a human, while something he loathed at first seemed to change him for the better. This can be demonstrated by him feeding a stray dog food he dug out of a dumpster for himself while giving the dog a fond look and his changed outlook on humanity at the end of his life.
In Our Little World, when describing the truth about God and Amara, Metatron mentions about people wanting God to be a "finger-snapping, all-powerful creator." In All in the Family, Chuck in fact does snap his fingers when using his powers.
While Metatron resented being human at first, by the end of his life, he had adapted well to his situation, possibly aided by the centuries he spent living amongst the Native Americans before the Winchesters found him. He was also human for longer than Castiel, the only other angel to ever be forcibly turned human, incidentally by Metatron himself.
In Do You Believe In Miracles?, Metatron pretended to be homeless to turn a homeless encampment to worshiping him instead of God. While human in Don't Call Me Shurley, Metatron has in fact become homeless.
Metatron is singularly the only character to not exist in some form after death, as Amara completely destroyed his body and soul.
It's unknown if Metatron transcribed the Apocalypse World's Words of God or if a doppelganger of his did, which would make him the only known angelic being without a counterpart, if he dictated the tablets in the multiverse.
Image Sources: Galactic_Center_Of_Milky_Way.; White Domes-Andrew Wojtanik; tengyart-Q78W18T-dss-unsplash; ricardo-gomez-angel--98jVaVuGv0-unsplash; Nucly Smoke and Fog 35; Morf-Stock-Deviant Art;
Linda Lewis’s surreal digital composition, “Miscalculation Realization,” confronts the viewer with an apocalyptic vision that merges classical symbolism with contemporary existential dread—most pointedly, the catastrophic consequences of climate change.
The digital photomontage shows a nude man, with a white cloth draped over his shoulder. He is kneeling on the ground, his hands are open, and his face is lifted towards the sky. This posture indicates deference, and is a primal behavior. This man is clearly beyond saving from the inferno of burning sand and violent fire he is engulfed by. It could also be interpreted as seeking deliverance from the current situation.
Next to the figure rests an abacus—a powerful metaphor for the failure of humans to pay heed to climate change predictions. The man finally realizes that the predictions were correct, and he submits to this knowledge. In this reading, the image becomes a stark allegory for the hubris of modern civilization, that ignored decades of scientific warnings and now kneels, too late, before the flames it helped ignite.
The environmental message is blisteringly clear. The landscape is not simply infernal—it resembles a climate-ravaged Earth, stripped bare by wildfires, drought, and ecological devastation. The man, perhaps a stand-in for humanity itself, is caught at the moment of horrifying clarity: that civilization has miscalculated the fragility of its own ecosystem.
Miscalculation Realization is a haunting indictment of our failure (refusal) to heed the warnings of climate science, wrapped in the fire-and-ash aesthetic of mythic reckoning. Linda Lewis holds up a mirror to our collective delusion—that we could endlessly calculate, consume, and control nature without consequence. This is not just an image of the end—it is the moment after the final calculation, when the answer has arrived, and it is burning.
What would become the largest air cargo airline in history was begun by entrepreneur Fred Smith. While Smith’s realization of the explosion in air cargo services that would occur in the 1970s was by no means unique, his approach to it was. Smith decided that air cargo carriers of the time were too dependent on cooperation between themselves and airlines (which frequently did not happen), were too slow, and in any case completely dependent on ground carriers to carry goods from the airport to the end consumer. Smith wanted to found a company that would own everything from delivery trucks to services to its own airline, which would keep both operating costs and customer costs low, not to mention simplifying the entire process.
Smith founded his new company as Federal Express in 1971 and began flights in April 1973. Because of restrictions on all-cargo routes and a lack of capital, Smith started small, with a fleet of 25 Dassault Falcon 20s. The Falcon was originally intended as a business jet; Federal Express used them as high-speed couriers.
Federal Express struggled, flirting with bankruptcy on several occasions, until the airline industry was deregulated in the late 1970s. This applied to cargo airlines as well, and loosened the restrictions on them. Federal Express was then able to purchase larger Boeing 727s, which allowed the company to move both larger packages and more of them. Added to the company becoming the first to computerized parcel tracking and management, and Federal Express was poised for huge growth during the 1980s. By 1989, it was the largest air cargo airline in the United States, and when it acquired Flying Tigers in the same year, it could expand its influence to Asia as well; European destinations were already being served.
Federal Express—which in 1994 adopted the common FedEx abbreviation as its name—achieved Smith’s dream by the early 1990s, owning a gigantic number of ground trucks, stores, customs companies, and other services in addition to its growing air fleet. It continued to expand and prosper, becoming the first air cargo company to have a presence on the internet. In 2000, the air system became known as FedEx Express to differentiate itself from other branches of the Federal Express company (such as FedEx Ground). It partnered with the US Postal Service in 2001, adding yet more mail and cargo to its system.
Increasing operating costs have caused some cutbacks beginning in 2009 and the retirement of older aircraft, but FedEx Express is, by far, still the largest air cargo carrier in the world. In addition to its worldwide network, FedEx contracts with smaller, independent airlines to carry small cargo packages in regional areas, known as FedEx Feeder. As such, it is the largest operator of several aircraft types, including the McDonnell Douglas MD-11, and its Feeder system relies on no less than 250 Cessna Caravan 208s.
This FedEx MD-11 shows Federal Express' current livery. This model--which is huge--was presented to Bary Poletto by Federal Express' regional manager in Great Falls, MT for display in the Poletto Collection
28/365
June 23, 2009
Today I started off DREADING the day! I had so much crap to do and was nervous about it all. My daily plans consisted of getting a filling done (I planned to get novacane though it was the first time I did so in 10-15 years) and then I was off to get my permit test for driving (I know, I'm kinda behind on that).
The novacane wasn't nearly as bad as I was expecting though it did sting a little and the filling was still painful. My face on the left side was numb up to my eyeball so it felt weird to blink. My tounge was almost completely numb too. I got shot three times so after it all wore off (about 3 and a half hours later) my cheek REALLY hurt (and is still painful to open my mouth).
I ended up taking my permit test with a numb face. I was expecting to do horribly since I have no common sense however I passed with flying colors. The whole process was easy...now the hard part: driving. eek!
Today I decided to take a picture of me with my hand covering half my face (the side that was numb). Yet I'm peeking out through my fingers because it really wasn't as bad as I was expecting. I decided to lay against the rug upstairs because I loved the pattern and colors :D (though you can't really see the colors since I removed them, but I will try to incorporate it into other pictures).
Texture by, you guessed it, Pareeerica.
TRF: I am cursed with awful teeth. I've had everything done to them from root canal to braces to fillings to having teeth pulled. It sucks. I brush and floss but it seems to make no difference.
Seeing the patterns before me
So intense and clear
No negative thoughts or self-doubts
Wonder soothes all fears
Clear your head
I hear you say
And shake away the fears
Before they take hold and lead you astray
To see the world through child's eyes
Possibilities abound with no end
To see the world through child's eyes
Where convictions never bend
To see the world through child's eyes
A world without a care
To see the world through child's eyes
The senses so aware
The loss of innocence
Opens a door to pain
Its a door we all want to close
To shut out the feeling of shame
In my mind I no longer choose
I only select
Decisions based on what ifs
And the feelings I neglect
To see the world through child's eyes
A world I see as pure
The things I can't begin to explain
Are the things I know for sure
To see the world through child's eyes
A day with nothing to do
Is a day where freedom reigns
Upon you from out of the blue
Growing up a feeling of responsibility
A sense that freedom is your due
But this freedom don't come cheap
The child's eyes change their hue
As a child were told to be
Confident in ourselves
But somewhere the doubts creep in
Shattering this confidence to hell
To see the world through child's eyes
An image of our past
The realization that growing up
These thoughts would never last
To see the world through child's eyes
I notice my regret
For the fears and troubles
In my mind i've never really met
Maybe we should all
Just stop our lives and see
That the child in us all
Represents what we want to be
But something in us tells us
We grew up and must be strong
But if we open our eyes and
Minds we'll only see we're wrong
To see the world through child's eyes
Is what we all must do
To regain the innocence we lost
Its a need for me and you
To see the world through child's eyes
A world on which to depend
A world so certain, a world so true
A world without an end
Information on buildings and architecture
Führungen am Campus WU Leerzeile Leerzeile
University of the Future
Internationalism, innovation, diversity – the new Campus WU is the concrete realization of WU’s vision for a modern university. The fundamental principles of the new architecture reflect the values and ideas we cherish at WU.
As a public institution, WU has lived up to its responsibility of building its new campus in an economical, ecological, and socially sustainable manner. WU’s decision to locate the new campus in Vienna’s second district will redefine this area and transform it into an educational hub. We have not only constructed new buildings, but in the process we have also given concrete realization to our ideas of what the university of the future should look like. The new campus is more than just a place for academic research and teaching and learning practical skills; it is also designed to create a new space for social, cultural, and political life.
The imposing Library & Learning Center (LC), designed by the Iraqi-British architect Zaha Hadid, is a testament to the central importance of research and teaching at WU. The Library & Learning Center is surrounded by five building complexes, including the Teaching Center, which houses most of WU’s auditoriums. The Teaching Center is intended mainly for bachelor degree students, while the master degree programs are taught primarily in the individual Department buildings. The Executive Academy building is the home of continuing education and life-long learning programs. In this way, the various buildings and their functions reflect the three tiers of teaching and learning represented by the Bologna Process.
WU’s Department-based organizational structure was also a contributing factor. In the past, the various Institutes that make up the Departments were scattered across different locations. Now they have been brought together in four Department buildings, which will make life much easier for both students and faculty.
These are not the only improvements the new campus has to offer: All rooms have natural light, and the auditoriums feature state-of-the-art teaching equipment, including digital whiteboards. There are 3,000 student workplaces, three times as many as in the old buildings in Vienna’s ninth district. These workplaces are located not only in the dedicated self-study areas, but also in project rooms that can be booked by teaching staff and students alike. They cater to different needs by providing quiet spots for focused academic work as well as opportunities for work on group projects in communicationfriendly study areas.
The top priority in planning the new campus was to create an environment for WU students and staff that is conducive to productive work and communication.
Not only the buildings themselves, but also the surrounding grounds offer plenty of opportunities for communication and meeting people. 55,000 m² of Campus WU’s total 100,000 m² of floor and surface area is open, publicly accessible space. Fences or barriers would contradict our vision of an open campus.
Visitors and area residents are more than welcome at Campus WU. The campus offers not only food for thought, but also restaurants, cafés, and shops, all in a stimulating architectural environment.
As different as they may look, however, the buildings are all based on the same overall technical concept: the building infrastructure is standardized in terms of construction, energy supply, ventilation, and sanitary facilities. The entire campus has been designed in accordance with “green building” principles. Much of the required energy is obtained using geothermal energy from groundwater.
Another key feature of Campus WU is barrier-free accessibility. All auditoriums are specially equipped for people with disabilities, all areas are designed to be wheelchair accessible, and the campus also features a tactile guidance system for the visually impaired.
We have not only made sure to comply with all relevant legal guidelines, but we have also drawn on experience gained from best practice examples. WU aims to play a pioneering role – in all respects.
It’s very cold in Chengdu these days. So, I went for a trip to Kun Ming, the capital of Yun Nan, China. Interpreted as Eternal Spring City, where sun's shine seems everlasting and a place where a lot of people come during a biting cold winter season. My group were headed to a place known to have a very beautiful sunrise and sunset reflecting on the man-made rice terraces located in the mountains of Yuan Yang.
I'm excited most of all because I really want to see the awesome sun showing its glory and magnificence. I missed the sunshine. It was too long since I last saw it.
We arrived in Kun Ming at 2pm. almost 2 hours flight from Chengdu, and headed directly to Yuan Yang. We got into a Lexus SUV, which I realized later the significance why we used this kind of vehicle. I dozed off in a couple of minutes and when I woke up, the sun was setting already. I do not know how far Yuan Yang from Kun Ming is. The driver was busy tinkering the GPS and figuring out if we are on the right road, the Boss was talking to Shushu. John was helping the driver on the LCD buttons, and the other guy at the back was still sleeping. I got bored. I looked at the sun, it is magnificent. And it’s almost gone. I can't explain the feeling of seeing it. It gave me happiness, but a little sad because clouds are engulfing its splendour and soon it will be night.
I got the urge of taking a shot while it was setting. My D700 is at the back, and so is the guy who was still sleeping. I thought it wasn't nice to wake him up for my camera bag. I felt the urge of taking a photo while the sun slowly fades. But I was reluctant. I was thinking it would be better if I take the shot using my D700. I was thinking it will still shine brightly tomorrow. I am in at “Eternal Spring City” where the sun shines brightly in a clear blue sky. I can wait.
But I thought it was the right time. If not the right place to take the shot, It was the right time. What if it will not shine tomorrow? What if there will be rain the next day? What the heck. Who cares if it is called spring city and it will surely shines up again tomorrow, I got to take this shot. It has to be quick. Otherwise I will lose this chance. I reached for my left pocket and grabbed my iphone. I missed at first shot. There was a tree in the middle and it was blocking the sun. We were travelling in a couple of miles per hour, so I have to be quick. Ready...and I hit the shutter button. There it is! My second shot. The sun and its glory! I am happy of this shot.
I plan to narrate this 2 day trip with all of the pictures I took until my arrival back here in Chengdu. And hopefully be concluding before I leave for Dubai early next month. I hope you will like this story that I'll be writing.
Keep on shooting friends!
Title: Lake Shrine
This original painting was done on commission for my good friend Catherine. She wanted a painting that told the story of how Lake Shrine, in Los Angeles, California, helped bring her to a new realization of peace and happiness. She also said she had her children dedicated in the windmill that you see in the background. This lake is famous for having been the home of Paramhansa Yogananda, the man who invented the practice of yoga and wrote the book "Autobiography of a Yogi". This original commission painting captures the most famous aspects of the lake: the lush foliage, calm waters, majestic swans, blooming lotus flowers, and lily pads. Catherine wanted the scene to take place at the "magic hour" of dusk, and have a purple-tint to it to compliment not only her love of purple sunsets, but of her purple home decor as well.
You too can order the custom commission painting you've always dreamed of. Contact me, I'd love to discuss it with you.
Size: 48x34"
Dragonfly symbolizes change, transformation, adaptability, and self-realization.
There are more than 5,000 known species of dragonflies, all of which (along with damselflies) belong to the order Odonata, which means “toothed one” in Greek and refers to the dragonfly’s serrated teeth.
Dragonflies were some of the first winged insects to evolve, some 300 million years ago. Modern dragonflies have wingspans of only two to five inches, but fossil dragonflies have been found with wingspans of up to two feet.
Dragonflies are expert fliers. They can fly straight up and down, hover like a helicopter and even mate mid-air. Between the speed, distance and flexibility when hunting, dragonflies are one of the most exceptional fliers on the planet.
Nearly all of the dragonfly’s head is eye, so they have incredible vision that encompasses almost every angle except right behind them.
They not only have an exceptional field of vision, but they can see the world in colors we can't even imagine.
Dragonflies, which eat insects as adults, are a great control on the mosquito population. A single dragonfly can eat 30 to hundreds of mosquitoes per day. They catch their insect prey by grabbing it with their feet.
Dragonflies can't bite humans. The vast majority of species don't have mandibles strong enough to break the skin. Only a small handful of large species are capable of actually biting, but this only occurs as a defensive strategy.
Mullein is a valued medicinal herb, especially in treating diseases of the lungs. A wash prepared from the leaves, flowers, and roots soothed sprains, reduced inflammations, and heals wounds. The leaves can also be used as a poultice for swollen glands, bruises, insect bites, for treating sprains, swelling, and wounds. It makes a good addition to an herbal salve. The flowers infused in oil were used to cure hemorrhoids and as a specific cure for earache.
My photographs are available for purchase through EliseCreations.net
Thanks for your visits, favs and comments. As always, appreciated very much!
© all rights reserved by Elise T. Marks. Please do not use this image on websites, blogs or any other media without my explicit written permission.
Pride and Prejudice: on Raphael Perez's Artwork
Raphael Perez, born in 1965, studied art at the College of Visual Arts in Beer Sheva, and from 1995 has been living and working in his studio in Tel Aviv. Today Perez plays an important role in actively promoting the LGBT (lesbian, gay, bisexual and transsexual) art and culture in Tel Aviv, and the internet portal he set up helps artists from the community reach large audiences in Israel and abroad. Hundreds of his artworks are part of private collections in Israel and abroad, and his artworks were shown in several group exhibitions: in Tel Aviv Museum of Art, "Zman Le'Omanut" art gallery, Camera Obscura, The Open House in Jerusalem, Ophir Gallery, The Haifa Forum and other private businesses and galleries.
In 2003-4 his paintings and studio appeared in a full-length movie, three student films and two graduation films.
Raphael Perez is the first Israeli artist to express his lifestyle as a Gay. His life and the life of the LGBT community are connected and unfold over hundreds of artwork pieces. His art creation is rare and extraordinary by every Israeli and international artistic standard. His sources of inspiration are first and foremost life events intertwined in Jewish and Israeli locality as well as influences and quotes from art history (David Hockney, Matisse). This uniqueness has crossed international borders and has succeeded in moving the LGBT and art communities around the world.
This is the first time we meet an Israeli artist who expresses all of his emotions in a previously unknown strength. The subjects of the paintings are the everyday life of couples in everyday places and situations, along with the aspiration to a homosexual relationship and family, equality and public recognition. Perez's works bring forward to the cultural space and to the public discourse the truth about living as LGBT and about relationships, with all of their aspects – casual relationships and sex, the yearning for love, the everyday life and the mundane activities that exist in every romantic relationship – whether by describing two men in an intimate scene in the bathroom, the bedroom or the toilet, a male couple raising a baby or the homosexual version of the Garden of Eden, family dinners, relationship ups and downs, the complexity in sharing a life as well as mundane, everyday life competing with the aspiration to self realization – through Perez's life.
Perez's first artworks are personal diaries, which he creates at 14 years of age. He makes sure to hide these diaries, as in them he keeps a personal journal describing his life events in the most genuine way. In these journals he draws thousands of drawings and sketches, next to which he alternately writes and erases his so-called "problematic texts", texts describing his struggle with his sexual orientation. His diaries are filled with obsessive cataloging of details, daily actions, friends and work, as well as repeating themes, such as thoughts, exhibits he has seen, movies, television, books and review of his work.
When he is done writing, Perez draws on his diaries. Each layer is done from beginning to end all along the journal. In fact, the work on the diaries never ends.
This struggle never ends, and when the emotion is passed on to paper, and it ends its role and becomes meaningless in a way, the visual-graphic side becomes dominant, due to the need to hide the written text, according to Perez. In books and diaries this stands out even more – when he chooses to draw in a style influenced by children's drawings, the characters are cheerful, happy, naïve and do not portray any sexuality, and when he tries drawing as an adult the sketches became more depressed and somber. During these years Perez works with preschool children, teaching them drawing and movement games. Perez says that during this period he completely abandoned the search for a relationship, either with a woman or a man, and working with children has given him existential meaning. This creation continues over 10 years, and Perez creates about 60 books-personal journals in various sizes (notepads, old notebooks, atlases and even old art books).
In his early paintings (1998-1999) the transition from relationships with women to relationships with men can be seen, from restraint to emotional outburst in color, lines and composition. Some characters display strong emotional expression. The women are usually drawn in restraint and passiveness, while a happy and loving emotional outburst is expressed in the colors and style of the male paintings.
"I fantasized that in a relationship with a woman I could fly in the sky, love, fly. However, I felt I was hiding something; I was choked up, hidden behind a mask, as if there was an internal scream wanting to come out. I was frustrated, I felt threatened…"
His first romance with a man in 1999 has drawn out a series of naïve paintings dealing with love and the excitement of performing everyday actions together in the intimate domestic environment.
"The excitement from each everyday experience of doing things together and the togetherness was great, so I painted every possible thing I liked doing with him."
From the moment the self-oppression and repression stopped, Perez started the process of healing, which was expressed in a burst of artworks, enormous in their size, amount, content and vivid colors – red, pink and white.
In 2000 Perez starts painting the huge artworks describing the hangouts of the LGBT community (The Lake, The Pool) and the Tel Avivian balcony paintings describing the masculine world, which, according to him, becomes existent thanks to the painting. Perez has dedicated this year to many series of drawings and paintings of the experience of love, in which he describes his first love for his new partner, and during these months he paints from morning to night. These paintings are the fruit of a long dialogue with David Hockney, and the similarity can be seen both in subjects and in different gestures.
In 2001 Perez creates a series of artworks, "Portraits from The Community". Perez describes in large, photorealistic paintings over 20 portraits of active and well-known members of the LGBT community. The emphasis is on the achievements that reflect the community's strong standing in Tel Aviv.
As a Tel-Avivian painter, in the past two years Perez has been painting urban landscapes of central locations in his city. Perez wanders around the city and chooses familiar architectural and geographical landmarks, commerce and recreation, and historical sites, and paints them from a homosexual point of view, decorated with the rainbow flag, which provide a sense of belonging to the place. His artworks are characterized by a cheerful joie de vivre and colors, and they also describe encounters and meetings. The touristic nature of his paintings makes them a declaration of Tel Aviv's image as a place where cultural freedom prevails.
Perez's Tel Aviv is a city where young families and couples live and fill the streets, the parks, the beach, the houses and the balconies – all the city's spaces. The characters in his paintings are similar, which helps reinforcing the belonging to the LGBT community in Tel Aviv. The collective theme in Perez's artwork interacts with the work of the Israeli artist Yohanan Simon, who dealt with the social aspects of the Kibbutz. Simon, who lived and worked in a Kibbutz, expressed the human model of the Kibbutznik (member of a Kibbutz) and the uniqueness of the Kibbutz members as part of a group where all are equal. Simon's works, and now Perez's, have contributed to the Israeli society what is has been looking for endlessly, which is a sense of identity and belonging.
Perez maps his territory and marks his boundaries, and does not forget the historical sites. Unlike other Tel Avivian artists, Perez wishes to present the lives of the residents of the city and the great love in their hearts. By choosing the historical sites in Tel Aviv, he also pays tribute to the artist Nachum Gutman, who loved the city and lived in it his whole life. In his childhood Gutman experienced historical moments (lighting the first oil lamp, first concert, first pavement), and as an adult he recreated the uniqueness of those events while keeping the city's magic.
Like Gutman, Perez has also turned the city into an object of love, and it has started adorning itself in rich colors and supplying the energy of a city that wishes to be "the city that never sleeps", combining old and new. Perez meticulously describes the uniqueness and style of the Bauhaus houses and balconies along the modern glass and steel buildings, all from unusual angles in a rectangular format that wishes to imitate the panorama of a diverse city in its centennial celebrations.
Daniel Cahana-Levensohn, curator.
Interview with the painter Raphael Perez about his family artist book
An interview with the painter Raphael Perez about an artist's book he created about his family, the Peretz family from 6 Nissan St. Kiryat Yuval Jerusalem
Question: Raphael Perez, tell me about the family artist book you created
Answer: I created close to 40 artist books, notebooks, diaries, sketch books and huge books. I dedicated one of the books to my dear family, a book in which I took a childhood photograph of my family, my parents and brothers and sisters.. I pasted the photographs inside a book (the photograph is 10 percent of the total painting) and I drew with acrylic paints, markers and ink on the book and the photograph, so that the image of the photograph was an inspiration to me Build the story that includes page by page..
Question: Tell me when you were born, where, and a little about your family
Answer: I was born on March 4, 1965 in the Kiryat Yuval neighborhood in Jerusalem
I have a twin brother named Miki Peretz and we are seven brothers and sisters, five boys and two girls
Question: Tell us a little about your parents
Answer: My parents were new immigrants from Morocco, both immigrated young.
My mother's name before the wedding was Alice - Aliza ben Yair and my father's name was Shimon Peretz,
My mother was born in the Atlas Mountains and was orphaned at a young age and was later adopted by my father's family at the age of 10, so that my mother and father spent childhood and adolescence together....
They had a beautiful and happy relationship but sometimes when they argued my mother would say "even when she was a child she was like that..." This means that their acquaintance and relationship dates back to childhood..
Question: What did your parents Shimon and Aliza Peretz work for?
Answer: My father, Shimon Perez, born in 1928 - worked in a building in his youth and then for thirty years worked as a receptionist at Hadassah Ein Kerem Hospital in Jerusalem... My father's great love was actually art, he loved to draw as a hobby, write, read, solve crossword puzzles and research Regarding the issue of medicinal plants, as a breadwinner he could not fulfill his dream of becoming an artist, in order to support and feed seven children. But we are the next generation, his children are engaged in the world of creativity and education, a field in which both of my parents were engaged during their lives. My father died at the age of 69
My mother, Alice Aliza Perez, born in 1934, worked as an assistant to a kindergarten teacher, and later took care of a baby at home. She is a woman of wholehearted giving and caring for children and people, a warm, generous and humble woman.. and took care of us in our childhood for every emotional and physical deficiency.. My mother is right For the year 2023, the 89-year-old is partly happy and happy despite the difficulties of age.. May you have a long life..
My mother really loved gardening and nature and both of them together created a magnificent garden, my parents have a relatively large garden so they could grow many types of special and rare medicinal plants and my father even wrote a catalog (unpublished) of medicinal plants and we even had botany students come to us who were interested in the field... today they They also grow ornamental plants, and fruit trees...
Question: A book about the brothers and sisters
Answer: My elder brother David Perez repented in his mid-twenties.. He was a very sharp, opinionated, curious and very charismatic guy who brought many people back to repentance, and also helped people with problems through the yeshiva and the synagogue to return to the normal path of life, he died young at the age of 56
Hana Peretz: My lovely sister, raised eight children, worked in the field of education, a kindergarten teacher, and child care.
She has a very large extended family of grandchildren, great-grandchildren and great-great-grandchildren...
My brother Avi (Abraham) Peretz studied in Israel at the University of Philosophy and Judaism, he married a wonderful woman named Mira Drumi, a nurse by profession, and together they had three wonderful children, when they moved to the United States in their mid-twenties, where my brother Avi Peretz completed his master's degree in education, worked in the field Education and for the last twenty years is A conservative rabbi
The fourth brother is Asher Peretz - a great man of the world, very fond of traveling and has been to magical places all over the world, engaged in the creation of jewelry with two children.
I am Rafi Peretz english raphael perez the fifth and after fifteen minutes my twin brother was born
My mother still gets confused and can't remember who was born first :-)
My twin brother Miki micky - Michael Peretz, a beloved brother (everyone is beloved), a talented industrial designer, he has three children, his wife Revital Peretz Ben, who is a well-known art curator, active and responsible for the art field in Tel Aviv, they are a dynamic and talented couple, full of talents and action
The lovely little sister Shlomit Peretz - has been involved in the Bezeq telephone company for almost three decades, and is there in management positions, raising her lovely and beloved child.
The art book I dedicated to my family is colorful, rich in details, shows a very intense childhood, happy, cheerful, colorful, ... We were taught to be diligent and to be happy in our part and to see the glass half full in life, to have emotional intelligence and to put the relationship and love at the center with self-fulfillment in work that will interest you us and you will give us satisfaction.
Each of us is different in our life decisions and my family is actually a mosaic of the State of Israel that includes both religious and secular people from the entire political spectrum who understand that the secret to unity is mutual respect for each other... when my mother these days is also the family glue in everyone's gatherings on Shabbat and holidays..
The personification of the flower couple paintings by the Israeli painter Raphael Perez
Raphael Perez, also known as Rafi Peretz, is an Israeli painter who
explores his personal and sexual identity through his flower paintings. He created a series of flower paintings from 1995 to 1998, when he was in his early thirties and still in relationships with women, despite feeling gay. His flower paintings reflect his emotional turmoil and his struggle with his sexual orientation. He painted two flowers, one blooming and one wilting, to represent the contrast and conflict between his heterosexual relationships and his true self. He also painted single flowers or two flowers in their prime, to express his longing for a harmonious relationship that matches his nature. He chose sunflowers, white lilies, and red lilies as symbols of expression, purity, and joy, respectively. He painted from real flowers, using different styles and light to create drama and mood. Perez’s paintings of the flower couples are minimalist and focused on the theme of the complex relationship. He omitted any background or context, leaving only the canvas and the drawing of the flower couples. In some of the paintings, he added a very airy abstract surface with thin oil paints that give an atmosphere of watercolors. He also made drawings of flowers in ink, markers and gouache on paper. Later on, he created large acrylic paintings of flowers and still life. Perez’s flower paintings are not mere illustrations or decorations. They are autobiographical and psychological expressions of his inner state and his struggle with his sexuality. He wanted to reveal his loneliness, distress and concealment through these paintings, and to connect with people who are in a similar situation. He deliberately chose only two flowers and no more to intensify the engagement in the charged and complex relationship. Perez also painted and drew couples of men and women with charged psychological states, as well as states of desire for connection and realization of a heterosexual relationship that did not succeed. He used hyperrealism and expressive styles to convey his frozen and calculated state, as well as his mental stress. He used harsh lighting to create contrast and drama, with one side very bright and the other side darker. Perez was influenced by some of the famous artists who painted flowers, such as Van Gogh, who also used sunflowers as a symbol of expression. He also used white lilies and red lilies to convey freshness, cleanliness, purity, color, joy, movement, eruption, and splendor. Perez also painted some single flowers or two flowers in their prime, to show his aspiration for a future where he will have a harmonious relationship. Today, he is 58 years old and in a happy relationship for 10 years with his partner Assaf Henigsberg. He is surrounded by female friends and soulmates and not conflicted with heterosexual relationships as he used to be. He occasionally paints flowers in pots to symbolize home, stability, and peace. Sometimes I paint flowers in pots, which represent home, stability, and solid ground for me. I don’t paint just a couple of flowers, but pots full of flowers that overflow with life. This means that we also have a supportive network of family, friends, and peers around us. We live in a rich, supportive, and protective world. These paintings are a personification of my psychological state, when I had no words to express my feelings to myself. The painting began In 35 years of my creation (starting in 1998), you can read more about how my art and style evolved over time. Perez’s flower paintings are a unique and extraordinary artistic creation that reveals his personal journey and his sexual identity. His work is honest, expressive, and emotional, as well as beautiful and vibrant.
The characteristics of the naive painting of the painter Raphael Perez
A full interview with the Israeli painter Raphael Perez (Hebrew name: Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and curriculum vitae Question: Raphael Perez Tell us about your work process as a naive painter? Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers. Question: How do you give depth in your naive paintings? Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites. A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard. Question: Raphael Perez, what characterizes your naive painting? Answer: Most naive paintings have the same characteristics (Definition as it appears in Wikipedia) • Tells a simple story to absorb from everyday life, usually with humans. • The representation of the painter's idealization to reality - the mapping of reality. • Failure to maintain perspective - especially details even in distant details. • Extensive use of repeating patterns - many details. • Warm and bright colors. • Sometimes the emphasis is on outlines. • Most of the characters are flat, lack volume • No interest in texture, expression, correct proportions • No interest in anatomy. • There is not much use of light and shade, the colors create a three-dimensional effect. I find these definitions to be valid for all my naive paintings Question: Raphael Perez, why do you choose the city of Tel Aviv? Answer: I was born in Jerusalem, the capital city which I love very much and also paint, I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel. Question: Raphael Perez, are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem? Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism today In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs Question: Raphael Perez, tell me about which buildings and their architects you usually choose in your drawings of cities Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples: In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality, In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more I also created three paintings of the city of Haifa and one painting of Safed In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city Question: Raphael Perez, have you created series of other cities from around the world? Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city Question: Raphael Perez What is the general idea that accompanies your paintings Answer: To create a good, beautiful, naive, innocent world in which we will see the innovation of the modern city through the skyscrapers in front of small and low buildings that bring the history and past of each country, all with an abundance of vegetation, boulevards, trees Resume, biography, CV of the painter Rafi Peretz and his family Question: When was Raphael Perez born in hebrew his name rafi peretz? Answer: Raphael Perez in Hebrew his name Rafi Peretz was born on March 4, 1965 Question: Where was Raphael Perez born? Answer: Raphael Perez was born in Jerusalem, Israel Question: What is the full name of Raphael Perez? Answer: His full name is Raphael Perez Question: Which art institution did Raphael Perez graduate from? Answer: Raphael Perez graduated from the Visual Arts Center in Be'er Sheva Question: When did Raphael Perez start painting? Answer: Raphael Perez started painting in 1989 Question: When did you start making a living selling art? Answer: Raphael Perez started making a living selling art in 1999 Question: Where does Raphael Perez live and work? Answer: Since 1995, Raphael Perez has been living and working from his studio in Tel Aviv Question: In which military framework did Raphael Perez serve in the IDF? Answer: Raphael Perez served in the artillery corps Question: Raphael Perez, what jobs did he work after his military service? Answer: Raphael Perez worked for 15 years in education in therapeutic settings for children and taught arts and movement Question: How many brothers and sisters does Raphael Perez, the Israeli painter, have? Answer: There are seven children in total, with the painter 5 sons and two daughters, that means the painter Raphael Perez has 4 more brothers and two sisters Question: What do the brothers and sisters of the painter Raphael Perez do? Answer: The elder brother David Peretz Perez was involved in the field of religious studies, the sister Hana Peretz Perez is involved in the field of education, a kindergarten teacher and child care, the brother Avi Peretz Perez who is in the United States today is a conservative rabbi but in the past was involved in education and therapy, the brother Asher Peretz Perez is involved in the fields of creativity and jewelry The twin brother Mickey Peretz Perez is a well-known industrial designer and seller. The younger sister Shlomit Peretz Perez works in a managerial position at Bezeq. Question: Tell me about the parents of the painter Raphael PerezAnswer: The painter Raphael Perez's parents are Shimon Perez Peretz and Eliza Alice Ben Yair, they were married in 1950 in Jerusalem, both were born in Morocco and immigrated to Israel in 1949, Shimon Peretz worked in a building in his youth and later as a receptionist at the Hadassah Ein Kerem Hospital, Eliza Alice Peretz dealt in child care Kindergarten, working in kindergartens and of course taking care of and raising her seven children