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Spatial Augmented Reality Connotation “SAR-The Merger Of Real With The Virtual World”
Spatial Augmented Reality augments the genuine things along with existing man-made materials or objects. It gives hand in setting up a performance despite the usage of the distinctive displays. It utilizes the d...
This is an augmented reality project created for Burlington, Vermont's Dark Arts Gallery (curated by Deidre Healy).
AR artist, Gahlord Dewald, is modelling it here for us. And he looks crazy.
Yosemite National Park Winter Snow Snowstorm! Fuji GFX100 Fine Art Landscape Nature Photography! Dr. Elliot McGucken Medium Format Master Fine Art Photographer dx4/dt=ic Fujifilm GFX 100 & Fujinon GF Lens!
Golden Gate Bridge Spencer Battery San Francisco Bay Fine Art Landscape Nature Fuji GFX100! California Ocean Art Seascape Photography! Dr. Elliot McGucken dx4/dt=ic Master Fine Art Fuji GFX 100 Medium Format Photographer!
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
The truth around "Parsely in the Morning" demonstrates the power of perception in photography and the danger of comparing yourself with bloggers and public figures. We're people, too - we just heavily edit!
This photo portrays reality in a sense of way of how housing can be clustered. In addition, an ordinary home would have less meters than that outside. I dont like this photo merely because it's not eye-catching or doesn't have anything relevant shown. I like how I can say a lot about it and tell you my beliefs. This picture reminds me of a home in a third-world country since they don't have the technological advances to have everything easily accessible or just one meter for everything. The studium is a boy watching over his home. You can tell that he can't wait to leave home since he's still wearing his PJ's, assuming that he just woke up. It shows how life at home for him is and how he anticipates the day by looking out the window. The punctum would be the four holes on the upper right corner of the photo. I choose this because it made me wonder what's the use of it? Is it a ventilation? The white threaded substance is blocking a hole. Is it preventing something from entering?
Photographer : Marius Samoila
Ttile: [ untitled ]
Date taken: 8-4-05
Intersecting Realities: Visions of Immigrant Narratives - "The Unveiling of Dream Mural" - 06.18.11 - UCLA Labor Center
Shot out to the artists:
-Pocho-One - (http://www.pocho1.com/)
-Julio Salgado
- imarte.org/ - Carol Belisa (Mocabel), Leticia Hernandez, Laura Flores, Raymundo Hernandes Aryer, Omar Ramirez, Victor Zuniga
"Each and every one of you has inspired me to get back in the art scene and start taking on some projects that have been developing in my mind for years now. Thank you." -Iván Ceja
Photo Credit: Ivan Ceja
English:
30 years ago, on the second half of february, the impact of these words cannot be translated. After the reading of these words I entered in some kind of altered state. I was at a book store, downtown of Rio de Janeiro, late afternoon, and decided to walk. I lost my memory. When I finally got at home it was late night. The first thing that I went to see was the weird drawings that I was making since 1981. They were badly packed in a drawer, most of them cut in pieces. For two years those drawings only made me feel an unbelivable strangeness. But now, february of 1983, I could understand the nostalgia I felt when moving my hand to outline those human forms. And I fell to my knees, shamed with myself, and I it was the most painful crying that I ever remember.
I have to say that the emotional experience of remembering Vittoria's death was far beyond my juvenile reality. The comprehension offered by these words could seem foolish today when compared to the ocean of self-discovering that I went through on the following years. But it's not.
Reminding me today of who I was at 22, that young man is like an old friend who I never saw again. And on this 30 years celebration, I really want to say something to him, the 22 year-old Eurico:
DUDE, YOU WERE RIGHT!!! YOU WERE RIGHT ALL THE TIME!!! EVERY SINGLE CONCLUSION THAT YOU CAME UP WITH WERE RIGHT!!! EVERYTHING THAT YOUR FEELING BROUGHT TO YOU WAS PURE SPIRITY LIGHT!!!
TODAY, STEP BY STEP, THE ENTIRE WORLD WILL HAVE TO SWALLOW YOU AND ALL YOUR INNER TRUTH!!!
CONGRATULATIONS, 22 YEAR-OLD EURICO, YOU WON THE SPIRITUAL WAR AGAINST THE OUTER WORLD!!!
YOU WON, DUDE!!! YOU WON!!!
Português:
30 anos atrás, na segunda metade de fevereiro, o impacto destas palavras não podem ser traduzido. Após a leitura destas palavras eu entrei em algum tipo de estado alterado. Eu estava em uma loja de livros, no centro do Rio de Janeiro, no final da tarde, e após ler isto decidi andar. Eu perdi a memória. Quando finalmente cheguei em casa era tarde da noite. A primeira coisa que fui ver eram os desenhos estranhos que eu fazia desde 1981. Eles estavam mal acondicionados em uma gaveta, a maioria deles cortados em pedaços. Por dois anos, esses desenhos só me fizeram sentir uma inacreditável estranheza. Mas agora, fevereiro de 1983, eu podia entender a saudade sentida quando movia a minha mão para delinear formas humanas. E eu caí de joelhos, envergonhado de mim mesmo, e foi o choro mais doloroso de que me lembro.
A experiência emocional de lembrar a morte de Vittoria estava muito além da minha realidade juvenil. A compreensão oferecida por essas palavras pode parecer tola hoje, quando comparada ao oceano de auto-descobertas que enfrentei nos anos seguintes. Mas não é.
Lembrando-me, hoje, de quem eu era aos 22 anos, sinto aquele jovem como um velho amigo que nunca mais vi. E hoje, ao lembrar do que ele passou, eu queria muito dizer algo para aquele garoto de 22 anos. Ao jovem Eurico de 22 anos:
CARA, VOCÊ ESTAVA CERTO!!! VOCÊ ESTAVA CERTO O TEMPO TODO!!! CADA CONCLUSÃO SUA ESTAVA CERTA!!! TUDO O QUE O SEU SENTIMENTO TROUXE PARA VOCÊ ERA, SIM, PURA LUZ DO ESPÍRITO!!!
HOJE, PASSO A PASSO, O MUNDO INTEIRO VAI TER QUE ENGOLIR VOCÊ E TODA A SUA VERDADE INTERIOR!!!
PARABÉNS A VOCÊ, O EURICO DE 22 ANOS, VOCÊ GANHOU A GUERRA ESPIRITUAL CONTRA O MUNDO EXTERIOR!!!
VOCÊ GANHOU, CARA!!! VOCÊ GANHOU!!!
Created for Textures Only ~ Competition #122
Original image with thanks to Mad Cow NL
Many thanks to:
= (hand) Rubyblossom
= (texture) Nancee_art
= (texture) Pareeerica
Young Stars in the Rho Ophiuchi Cloud, courtesy of NASA APOD.
Brushes from www.obsidiandawn.com
Augmented reality in iPhone
La piattaforma iPhone, grazie all’integrazione di GPS e bussola digitale, sta diventando una tecnologia chiave per lo sviluppo di applicazioni Augmented reality. Utilizzando al videocamera di iPhone, è infatti possibile sovrapporre alla veduta reale segni, informazioni, evidenziazioni e modelli 3d.
Uno dei più rilevanti indirizzi di ricerca dei fratelli Carraro è stata la rappresentazione multimediale e interattiva della realtà. La collaborazione con Fulvio Massini, in stretto rapporto con i laboratori Apple di Cupertino, ha introdotto in Italia alcune tra le prime applicazione della tecnologia Quicktime VR, che è stata reinterpretata ed evoluta, fino ad arrivare nel 2004 allo sviluppo con Geomondo di Pagine Gialle Street Level, una mappatura immersiva stradale che ha precorso Google Street View. Attualmente la direttrice di ricerca si sta spostando verso l’augmented reality in iPhone, in sostanza la sovrapposizione di livelli informativi sulla ripresa video della realtà. L’applicazione di Fulvio Massini Visual Rome, che utilizza foto a 360° in iPhone su cui vengono sovrapposte schede di testo, disegni, ricostruzioni 3d, è un primo passo verso le future guide turistiche in augmented reality.
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Reportage complet, "La Terre en direct avec Al Gore, ancien candidat à la présidentielle américaine et prix Nobel de la paix," le 13 novembre 2015 à Paris : www.flickr.com/photos/sebastienduhamel/albums/72157660980...
Reportage complet, COP21 2015 : www.flickr.com/photos/sebastienduhamel/albums/72157659891...
Albums Écologie, Éducation et Politiques : www.flickr.com/photos/sebastienduhamel/collections/721576...
Projets/Reportages Fondation Nicolas Hulot : www.flickr.com/photos/sebastienduhamel/collections/721576...
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A Paris, Al Gore donne le coup d'envoi d'une émission de 24h sur le climat
L’ancien candidat à la présidentielle américaine et prix Nobel de la paix a lancé vendredi une émission de 24 heures à Paris. A deux semaines de la Cop21, Al Gore veut mobiliser autour de la question climatique.
Le groupe Duran Duran a donné le coup d’envoi du show vendredi soir dans un studio éphémère en forme de bulle, sous la tour Eiffel. Al Gore est aux manettes de cette émission mondiale, diffusée en direct sur le site de The Climate Reality Project, une organisation dont il est le président fondateur.
Pendant ces 24 heures, scientifiques, politiques et chanteurs se relaient pour interpeller sur les enjeux du climat, à quelques jours de la Conférence sur climat de Paris. "Cette émission vise à mettre la pression sur les dirigeants mondiaux pour qu'ils concluent un accord sur le climat le plus solide possible à la prochaine conférence de l'ONU à Paris, et aussi pour encourager chacun à agir dans sa propre communauté", expliquent les organisateurs.
Baptisée "24 heures de réalité et la Terre en direct: le monde regarde" (24 Hours of Reality and Live Earth: the World is Watching), l'émission se déroule en direct depuis Paris mais aussi depuis d'autres régions du monde: Etats-Unis, Chine, Australie, Philippines, Afrique du Sud, Canada, Kenya, Antarctique, Mexique, Malaisie, Inde et Bangladesh.
Dans le studio de la tour Eiffel, François Hollande sera reçu samedi, seul avec Al Gore, "pour un entretien exclusif". Vendredi soir, Ségolène Royal, la ministre de l’Écologie est déjà intervenue sur le plateau de l’émission et a plaidé pour un accord mondial en faveur du climat. "Il faut que les pays les plus pollueurs de la planète améliorent leur contribution, a déclaré Ségolène Royal (…) et que les pays riches tiennent leurs engagements".
Des concerts de Pharrel Williams et Elton John.
Parmi les autres intervenants, les organisateurs ont annoncé le président mexicain Felipe Calderon, le Premier ministre du Québec, Philippe Couillard, le gouverneur de Californie Jerry Brown et l'ancien secrétaire général de l'ONU Kofi Annan. Ces 24 heures sont aussi animées par des concerts de plusieurs chanteurs. A l’affiche, Elton John, Pharrel Williams ou encore Neil Young, mais leurs concerts seront uniquement retransmis.
En 2007, Al Gore avait reçu le prix Nobel de la paix avec le Giec pour son engagement dans la lutte contre le dérèglement climatique. En 2006, il avait notamment réalisé Une vérité qui dérange, un documentaire sur les conséquences du dérèglement climatique, récompensé aux Oscars. Avec ce rendez-vous, l’ancien candidat à la présidence américaine souhaite de nouveau interpeller sur les enjeux climatiques.
Par C. B avec AFP
fr.news.yahoo.com/video/al-gore-sous-la-tour-193106906.html
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Dans ce nouveau diaporama (présenté pour la première fois à TED), Al Gore dévoile des preuves que la vitesse des changements climatiques est bien plus importante que ce que les scientifiques avaient prédit auparavant. Il nous enjoint à agir.
www.ted.com/talks/al_gore_the_case_for_optimism_on_climat...
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Samedi soir 13 novembre 2015. Suite aux attentats, Al Gore interrompt une émission mondiale sur le climat
L'ex-vice-président américain Al Gore, qui organisait vendredi et samedi au pied de la Tour Eiffel à Paris une émission mondiale de 24 heures sur le climat, diffusée sur internet, l'a interrompue en raison des attentats survenus en France, par "solidarité avec le peuple français".
"Nous interrompons notre émission en raison des tragédies qui se déroulent ici à Paris, en raison de l'état d'urgence mais surtout parce que nous voulons exprimer notre solidarité avec le peuple français et la ville de Paris", a-t-il déclaré.
"Nous voulons exprimer nos condoléances aux familles de ceux qui ont perdu la vie, ceux qui sont gravement blessés, ceux qui souffrent des conséquences de ces terribles attaques terroristes", a-t-il dit. "Nous sommes solidaires".
"Nous continuerons à parler des sujets de cette émission, la crise du climat et ses solutions", a-t-il ajouté.
Dans cette émission organisée depuis vendredi en début de soirée sur un plateau installé sous un dôme transparent au pied de la Tour Eiffel, Al Gore accueillait scientifiques, politiques et chanteurs pour tenter de mobiliser la planète sur les enjeux du climat, à deux semaines de la Conférence de l'ONU sur le climat organisée à Paris à partir du 30 novembre.
Plus d'une centaine de chefs d'Etats sont attendus à l'ouverture de cette Conférence.
François Hollande devait intervenir dans l'émission d'Al Gore, samedi en début d'après-midi.
Le programme devait être diffusé pendant 24 heures sur le site de The Climate Reality Project, organisation fondée et présidée par M. Gore.
La conférence de l'ONU sur le climat (COP21), du 30 novembre au 11 décembre, est censée d’aboutir à un accord mondial pour limiter le réchauffement climatique.
AFP-LE MATIN 14 November 2015
lematin.ma/express/2015/al-gore-interrompt-l-emission-de-...
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La 21e Conférence des Parties
Chaque année, depuis la signature de la Convention-Cadre des Nations Unies sur les Changements Climatiques en 1992, les 195 Etats signataires se réunissent pour définir ensemble des objectifs concrets de lutte contre les dérèglements climatiques. Aux côtés des représentants des Etats, les ONG, les collectivités territoriales, les syndicats, les entreprises et la communauté scientifique, participent aux débats.
Du 29 novembre au 11 décembre, Paris accueillait la 21e Conférence des Parties (COP21). Cette conférence est une échéance cruciale qui représente la fin d’un cycle de négociations, en s’inscrivant dans le prolongement direct de la grande COP de 1997, qui avait permis l’adoption du protocole de Kyoto.
La COP21 a établi les bases d’un nouvel accord international applicable à tous les pays. Il engagera l’ensemble des Nations dans une réduction globale des émissions de gaz à effet de serre (GES), dans l’objectif de maintenir le réchauffement mondial à 1.5°C.
Conférence de Paris de 2015 sur le climat : fr.wikipedia.org/wiki/Conférence_de_Paris_de_2015_sur_le...
www.paris.fr/actualites/cop-21-paris-et-les-parisiens-mob...
Changements climatiques : quels enjeux pour la COP 21 ?
www.youtube.com/watch?v=3J7H7e2cMd4
www.fondation-nicolas-hulot.org/sites/default/files/press...
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François Hollande à ouvert la COP21, la conférence de Paris sur le climat. Le président Français a parlé d'un rendez-vous exceptionnel, un immense espoir : "Il s'agit de décider ici à Paris de l'avenir même de la planète" :
www.youtube.com/watch?v=V4VxTYg5AxQ
Sommet mondial sur le développement durable : discours de la France à l’ONU le 30 septembre 2015
François Hollande a évoqué les trois priorités après l’adoption du Programme de développement à l’horizon 2030 et en vue de la Conférence de Paris sur le climat en décembre. La première priorité est la préservation du climat, le Président français estimant qu’il faudrait signer un texte qui engagerait l’ensemble de la communauté internationale sur des décennies. Si notre planète subissait un réchauffement supérieur à 2°C, cela signifierait la disparition d’un certain nombre de pays, a prévenu le Président français, pour qui le caractère urgent de ce problème nécessitait des changements dans les modes de consommation et un financement approprié pour sa mise en œuvre. À son avis, 100 milliards de dollars seraient nécessaires pour assurer la transition énergétique et pour la lutte contre le réchauffement climatique. La deuxième priorité est la lutte contre la pauvreté, qui devra être menée avec le fonds de la transition énergétique. La troisième priorité concerne la mobilisation de ressources pour la réalisation des trois piliers du développement durable pour assurer que tous les peuples de la planète jouissent pleinement de leurs droits fondamentaux en toute égalité et dignité dans un monde pacifique.
Le Président a par ailleurs annoncé que la France avait décidé d’augmenter son aide publique au développement à partir de 2020, à 4 milliards d’euros. Il a aussi annoncé la réforme de l’APD française en conjonction avec l’Agence française du développement et la Caisse des dépôts, qui deviendrait ainsi la plus grande banque européenne pour le développement. Il a également évoqué la mise en place de la taxe sur les transactions financières à partir de 2017, dont une partie serait affectée à la lutte contre les inégalités et contre la pauvreté.
www.youtube.com/watch?v=wVCamSbN53Q
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Le dérèglement climatique vu par Jean-Louis Etienne
En partenariat avec Universcience.tv, nous poursuivons la publication d’une série d’entretiens en vidéo sur le changement climatique, dans la perspective de la COP21, la conférence internationale qui se tiendra à Paris du 30 novembre au 11 décembre. Cette conférence tentera de parvenir à un accord contraignant sur la transition vers des économies sobres en carbone.
Dans cette vidéo, Jean-Louis Etienne, explorateur de l’Arctique et de l’Antarctique mais aussi médecin, voit le réchauffement climatique comme une maladie, une fièvre qui touche la planète et s’aggrave aux pôles. Il prescrit l’arrêt des énergies fossiles – tout particulièrement le charbon avec lequel les pays du Sud se développent – et se demande si l’homme saura stopper à temps son addiction à ces énergies.
Cet entretien a été réalisé à l’occasion de l’exposition temporaire « Climat, l’expo à 360 ° » qui vient d’ouvrir à la Cité des sciences et de l’industrie de Paris.
www.lemonde.fr/sciences/video/2015/10/14/le-dereglement-c...
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Le Sommet des Consciences pour le climat : www.dailymotion.com/video/x2yukt6
Lancé par Nicolas Hulot, envoyé spécial du président de la République pour la protection de la planète, le Sommet des Consciences réunit le 21 juillet 2015 à Paris, au CESE plus d'une quarantaine personnalités morales et religieuses du monde entier pour répondre à la question « The climate, why do I care ? » et lancer ensemble un « Appel des Consciences pour le climat ».
Une mobilisation des consciences de tous le habitants de la planète s’impose pour réussir le défi auquel l’humanité est confrontée : limiter le réchauffement du climat en diminuant sa consommation d’énergies fossiles et permettre à tous de s’adapter aux conditions nouvelles !
Le Temps est compté. Ce n’est plus seulement une question écologique, économique ou politique. C’est l’avenir de l’humanité qui est en jeu. Chacun de nous se doit de répondre maintenant à la question : est-ce qu’il m’importe que l’aventure de l’humanité sur Terre puisse se poursuivre ? Est-ce que je suis prêt à modifier dès aujourd’hui mon mode de vie pour que nos enfants et leurs enfants puissent vivre dans des conditions supportables ?
L'Appel des consciences
Il est fondamental que les consciences des hommes et des femmes de cette planète s'expriment ensemble, quelques soient leurs conditions, leurs religions, leurs philosophies.
La campagne "Why do I care ?" invite chacun à témoigner, et à faire savoir autour de lui, pourquoi la lutte contre le réchauffement climatique est importante et nous concerne chacun.
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Festival Science Frontières : Nicolas HULOT et Jean-Marie PELT, nous parlent des grands problèmes de notre planète mais aussi des grandes solutions...
www.youtube.com/watch?v=eo-YoX-nsKk
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Osons: la conférence du 07 octobre au Grand Rex à Paris
www.youtube.com/watch?v=cCUEcl6tqRM
OSONS
Plaidoyer d'un homme libre
« Les sommets sur le climat se succèdent, nous croulons sous l'avalanche de rapports plus alarmants les uns que les autres. Et l'on se rassure avec une multitude de déclarations d'intention et de bonnes résolutions. Si la prise de conscience progresse, sa traduction concrète reste dérisoire. L'humanité doit se ressaisir, sortir de son indifférence et faire naître un monde qui prend enfin soin de lui. »
Nicolas Hulot, Président de la Fondation Nicolas Hulot pour la Nature et l'Homme
Ce manifeste écrit par Nicolas Hulot est un cri du coeur, un plaidoyer pour l'action, un ultime appel à la mobilisation et un coup de poing sur la table des négociations climat avant le grand rendez-vous de la COP21. Il engage chacun à apporter sa contribution dans l'écriture d'un nouveau chapitre de l'aventure humaine, à nous changer nous mêmes et par ce biais à changer le monde.
Diagnostic implacable, constat lucide mais surtout propositions concrètes pour les responsables politiques et pistes d'action accessibles pour chacun d'entre nous, cet ouvrage est l'aboutissement de son engagement et de sa vision en toute liberté des solutions à « prescrire » avant et après la COP21. L'urgence est à l'action. En 12 propositions concrètes, Nicolas Hulot dresse, avec sa Fondation, une feuille de route alternative pour les États et suggère 10 engagements individuels pour que chacun puisse également faire bouger les lignes à son niveau.
Depuis 40 ans, Nicolas Hulot parcourt la planète. Témoin de sa lente destruction, il a décidé de devenir un des acteurs de sa reconstruction. Au côté de sa Fondation pour la Nature et l'Homme ou en parlant aux oreilles des décideurs, il contribue à faire évoluer les mentalités.
Broché - 96 pages - format : 12 x 19 cm.
Editions LLL Les liens qui libèrent.
boutique-solidaire.com/…/produits-…/26414-osons-.html
Nicolas Hulot - On n'est pas couché 31 octobre 2015 :
www.youtube.com/watch?v=3YjmXqOTqu0
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Le film "Le Syndrome du Titanic" : vimeo.com/64741962
Le Syndrome du Titanic est un film documentaire réalisé en 2008 par Nicolas Hulot et Jean-Albert Lièvre, sorti le 7 octobre 2009
fr.wikipedia.org/wiki/Le_Syndrome_du_Titanic
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Le film "Une Vérité qui Dérange" : www.youtube.com/watch?v=GZ4izGzj9r0
Une vérité qui dérange (An Inconvenient Truth) est un documentaire américain de Davis Guggenheim sorti en 2006. Traitant du changement climatique, il est basé en grande partie sur une présentation multimédia que Al Gore, ancien vice-président des États-Unis et prix Nobel de la paix en 2007 (partagé avec le GIEC) a préparé pour sa campagne de sensibilisation sur le réchauffement planétaire
fr.wikipedia.org/wiki/Une_vérité_qui_dérange
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Photographie de Sébastien Duhamel, professionnel de l’image : www.sebastien-duhamel.com/présentation-références/
Derniers sujets photos : www.flickr.com/photos/sebastienduhamel/collections/721576...
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Tournages : vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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Photo / Conditions : www.sebastien-duhamel.com/conditions-tarifs/
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HANK WILLIS THOMAS
'Blind Memory' and 'Freedom Isn't Always Beautiful'
Feb. 21 - Aug. 20, 2017
The SCAD Museum of Art presents "Blind Memory," a site-specific installation by Hank Willis Thomas in the museum’s Jewel Boxes exhibited concurrently with his exhibition "Freedom Isn’t Always Beautiful" in the Walter O. Evans Center for African American Studies.
Four new works in the exhibition explore the history of the museum complex as a railway depot and its relationship to the agricultural and labor practices of the past. Through the display of commodities that were exported from Savannah during "The Weeping Time" — a two-day period in March 1857, when 436 men, women and children were auctioned at a racetrack in the city (notable for being the largest sale of human beings in the history of the U.S.) — Thomas calls attention to suppressed or forgotten incidents that were nonetheless instrumental in shaping our contemporary social and political reality.
Thomas fills each of the four Jewel Boxes on the façade of the museum with an agricultural product — tobacco, cotton, rice and indigo — produced on nearby plantations by the labor of enslaved individuals. Each box also features an additional layer of archival documents and symbols related to this history. "Blind Memory" is a further iteration of Thomas’ practice exploring the interrelated concerns of the representation of race, the dialectic between images and text and the genealogy of historic iconographies relevant today.
The SCAD Museum of Art continues to explore Thomas’ work through "Freedom Isn’t Always Beautiful," a concise overview of the artist’s socially engaged practice. Composed of works from 2003 to the present, the exhibition explores the artist’s interrelated concerns regarding representations of race, the dialectic between images and text, and the genealogy of historic iconographies and their continued relevance.
Thomas employs stark contrasts, both formal and conceptual, to examine concepts of personhood, agency and commodification. The series "I Am A Man," 2009, uses the iconic Civil Rights Movement slogan as a starting point to explore the descriptive limitations of the phrase, while also paying homage to its original use. "I Am A Woman," "Am I A Man," "I Am Many" — these variations create semiotic slippages and nuances of meaning that reassert the affirmation of humanness and humanity at the core of the phrase's original use. Inscribed on signs carried by protestors during the sanitation workers strike in Memphis, Tennessee, in 1968, "I am A Man" can be traced further back to anti-slavery campaigns of the 18th century that asked "Am I Not A Man And A Brother?"
Through the use of reflective or shifting imagery and materials, including mirrors, holograms and lenticulars, "Freedom Isn't Always Beautiful" investigates the act of spectatorship and complicity. Seeing oneself reflected in the surface of the works implies participation and collusion in what is being represented. In works, such as "His Truth Is Marching On" and "Come Walk In My Shoes And I Will Show You Change," Thomas mines archival images, featuring cut outs from black and white vintage photographs by Spider Martin, taken during the Selma to Montgomery Civil Rights uprising and marches in Alabama, in 1965.
Works such as "Liberty," "From Cain't See in the Morning til Cain't See at Night" and "Icarus" tackle the theme of sport. These artworks draw a correlation between slavery and sport in terms of the commodification of black bodies. The artist also comments on labor, and the implicit stereotypes evident in the representation of such bodies in the media. Continuing his interrogation of modern messaging, Thomas appropriates the language and format of advertising to subvert its intended messages. In the work "Caesar’s Visa," a neon sign flashes between advertising slogans to reveal new readings and wordplay. "Wonder Woman" and "All Power to the People" engage with political messaging and propaganda, both past and contemporary. Manufactured in the form of oversized lapel pins and referencing significant political and social movements that emerged in the 1960s, the pins transcend their significance as tokens of personal political belief, to become amplified and monumental, perhaps even memorials of what they represent.
About the artist:
Hank Willis Thomas is a conceptual photo artist working primarily with themes related to identity, history and popular culture. He cofounded For Freedoms, the first artist-run super PAC. Thomas is a member of the Public Design Commission for the city of New York and has exhibited throughout the U.S. and abroad including at The International Center of Photography, Public Art Fund and Studio Museum in Harlem, New York; The Guggenheim Museum Bilbao, Spain; Musée du quai Branly, Paris, France; and Cleveland Museum of Art, Ohio, among others. Thomas’ artwork is in numerous public collections including the Museum of Modern Art, Solomon R. Guggenheim Museum, Whitney Museum of American Art and Brooklyn Museum, New York; High Museum of Art, Atlanta, Georgia; and National Gallery of Art, Washington, D.C.
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REALITIES OF THE TWENTIES*
Photo impressions of the 1920s
Photo: Germany, ca. 1928.
Original photo @ Sterneck*Archive
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If you have any info on the photo: person, photographer, place, situation, date, socio-cultural backgrounds ... - Please get in contact. - Thanks
POWER AND REGRESSION * - Photo Set
www.flickr.com/photos/sterneck/albums/72157708819367133
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REALITIES OF THE TWENTIES
Photo impressions of the 1920s
1 - LOVE AND SELF-DETERMINATION *
www.flickr.com/photos/sterneck/albums/72157708783994913
2 - DESIRE AND STYLE *
www.flickr.com/photos/sterneck/albums/72157708820397436
3 - WORK AND SOLIDARITY *
www.flickr.com/photos/sterneck/albums/72157708809725287
4 - COMMUNITY AND EXPERIENCE *
www.flickr.com/photos/sterneck/albums/72157708819004931
5 - WEALTH AND CONFORMITY *
www.flickr.com/photos/sterneck/albums/72157708819730276
6 - PLEASURE AND LIMITATIONS *
www.flickr.com/photos/sterneck/albums/72157708820129916
7 - YOUTH AND DEVELOPMENT *
www.flickr.com/photos/sterneck/albums/72157708818506502
8 - POWER AND REGRESSION *
www.flickr.com/photos/sterneck/albums/72157708819367133
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29.11.2019: A different Kiss* @ KitKat-Club, Berlin.
Performance & Sounds on Berlin/Weimar-1920s.
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Wolfgang Sterneck:
IN THE CRACKS OF THE WORLD
Photo-Reports: www.flickr.com/sterneck/sets
Articles and Visions: www.sterneck.net
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chicken shit - I don't want to be the guy that does pics that everybody likes to see. That is not me. I identify closely with a fellow INFP:
“With his regular looks, he passed for ordinary so easily that most people believed him when he insisted, as he did so often in later years, that he was a “nothing,” a “nobody,” an “uncomplicated man with ordinary interests,” although anyone who could attract attention to himself by being so sensitive and insecure had to be complicated.” – “But no matter what happened to Charles Schulz for the rest of his life he felt unseen. He never stopped believing that he had been forsaken and would be left behind, that nobody cared.” (Schultz and Peanuts by David Michaelis)
"I'd rather be hated for who I am, than loved for who I am not." - Kurt Cobain (also INFP)
Rumbudzai Moyo always wanted to be mechanic – and with the help of UK aid, she's now trained and got a job at the local garage.
From small businesses to smallholdings, the Protracted Relief Programme – run by GRM International and partners – is helping farmers and families in Zimbabwe to work their way out of poverty. See how in this gallery: ow.ly/mH9pW
Picture: © Protracted Relief Programme / GRM International - used with permission.
Augmented Reality, or AR, is a general term for manipulating our experience of the world around us with technology. Today it means pointing your smartphone camera at a restaurant and getting reviews. Tomorrow it might mean complete immersion into a customizable version of reality via 3D stereoscopic camera/video headsets.
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Attended a panel discussion at Stanford’s Kavli Institute for Particle Astrophysics and Cosmology at SLAC ( www-group.slac.stanford.edu/kipac/ ) with some of the World's thought leaders including Persis Drell, Roger Blandford, Mark Kasevich, Pat Burchat, Andrei Linde (Father of the multiverse concept) , and Lenny Susskind.
For me the most amazing ideas came from Lenny Susskind. In summery he said… We have been trying to characterize the universe in the wrong way. It is like trying to describe man mathematically as a five fold design (left arm, right arm, left leg, right leg and head). This is totally the wrong approach. We should be looking to understand his DNA and how it enables the creation of the wide variety of life we see. Like the DNA of the Universe, String Theory establishes the possibility that there are different laws of physics in different part of the universe. What we have believe to be constants are in fact changing with the expansion of the universe. Man lives in a fleeting place and time that is a result of accidents. Whoa!
A great example of his thinking is on YouTube here www.youtube.com/watch?v=AzfhtouRM6s&feature=related
Testing a augmented reality marketing campaign on web. In my hand I'm holding a paper with a orientation mark. Everything else is created by the web page. The 3D scenery moves as I move the paper.
To try it out, you need a web cam and Flash 10 plugin in your browser.
The bright spot is not a camera flash reflection, but a virtual sun moving over the virtual scene
Reality Is Malleable - We were out here chatting for maybe five minutes before we noticed there was a hammer hanging on the piece. Upon closer inspection we noticed there we lots of hammer marks on the metalic plate. So we figured you were encouraged to hit the peice with the hammer. It was very satisfying. Most Burning Man art is like this. Each piece has layers and more depth than first appears. So remember to always dive in. This is especially true if your internal judgemental voice says something negative. Also, nice to meet you!
“The human soul has still greater need of the ideal than of the real. It is by the real that we exist; it is by the ideal that we live.” –Victor Hugo
Better in L
NO BANNERS, please!
...of Mussoorie.
Re-posting this shot since old school2 painted it so wonderfully and I wanted to share it with you all.
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Most of my shots of my trip to Mussoorie have been showing only the beauty of the town and the hills around. As with a lot of towns in India, haphazard growth is everywhere, sometimes overtaking the beauty and simpleness of the surroundings.
This is the reality....there are lots of wires crisscrossing, most of them illegal but so prevalent that they become part of the landscape, the old houses are beautiful but falling apart, the new houses are strong but ugly concrete structures and so on.
So, it's really up to us to find the beauty where ever we can. One has to look beyond the obvious, and not get sidetracked by things like the huge dumpster that welcomes you to the town, or the discarded plastic bags in the gutters, in essence ignore the ugliness and notice only the beauty that could be.
"Dreaming a Reality - Senses Fail"
Dreaming my reality
where truth and fiction don't seem to exist
Confusion is home here, but believe in you is what you insist (it's what you insist)
Well I try and i won't get far,
i'll die and i won't get far
i'll try and know that everything's ok
I have no idea why there's a British flag in this. I thought it looked good, haha.