View allAll Photos Tagged Reality
It is one thing to have a herd of Sable watching you while you are out in the field looking at plants, things take on a somewhat different perspective when three brothers are having a morning break when you drive by the exact place you worked the day before. It definitely was one of the few times I actually preferred taking the car to work
. Portrait of Reality .
pic by : M.A.M08
and this is my latest interview with Ontoshiki , a pseudonym for Justin Vun, an Australian photographer based in Tokyo, Japan. He was born in Malaysia with roots from China and has spent many years living in the East and West . One of the most " sexiest " interview that i have done this year . He is one of my Favorite on line - curator with such a prolific capability to smell the best... from the rare species of photographers . worldwide . The previous interviews were featuring a notable great artists from Japan and international Photographers worldwide : Natsuki " Doll " Kishi , Mika Nakanishi , Junku Nishimura , Billy Gomez , " Ramosa " Beaudoin , Ian Brumpton aka Stryker 66 , Sean Wood and last but not least , Mohd Azlan Mam aka M.A.M08 from Kuala Lumpur , Malaysia .
Please enjoy it . Thanks .
M.A.M08
www.ontoshikivun.com/blog/2012/05/29/interview-mohd-azlan...
Sometimes I know
I feel untouchable
Drowning in life
Caught up in the accessible
Back down the ground
I hear the sound
there's no escape
The concrete cloud
Spilling on me
I hear the sirens
From the back of me
Clash with reality
It rears it's ugly head
Clash with reality
The indescribable
It swells my hatred
Day by day...
Explored !
To look in the mirror — everything there is reversed, right becoming left —
and still, it feels completely real to me. True.
When I speak on Zoom — it shows me reversed, and when someone
takes a selfie — they appear on the wrong side.
And still, everything seems real.
So when do we truly see reality correctly? Or is there even
such a thing as a correct reality?
Or perhaps reality is only a reflection of
facts, which I interpret automatically without noticing?
And maybe each one of us
sees a different reality — the one we carry in our minds?
How can one choose to see reality
in a way that fits oneself?
Réalité alternative
Se regarder dans un miroir — tout y est inversé, la droite devient la gauche —
et pourtant, cela me semble très réel. Vrai.
Quand je parle sur Zoom — l’image me montre inversé, et quand quelqu’un
prend un selfie — il apparaît du mauvais côté.
Et pourtant, tout semble réel.
Alors, quand voyons-nous réellement la réalité correctement ? Ou existe-t-il seulement
quelque chose que l’on pourrait appeler une réalité juste ?
Ou peut-être que la réalité n’est qu’un reflet
de faits, que j’interprète automatiquement sans même m’en rendre compte ?
Et peut-être qu’en réalité, chacun de nous
voit une réalité différente — celle que nous portons dans notre esprit ?
Comment peut-on choisir de voir la réalité
d’une manière qui nous corresponde ?
It took me years to find out this place exists, and it took me a couple more years to finally come to terms with where it was and go there. It's in East Portland, a trashy place I highly condemn, the scarier part of town. I hate it.
Attempting to conceal my camera as best as I could and without a bag, I was looking over my shoulder constantly as I was walking here. Hopscotch is a light exhibit that has characteristics in it's installments mirroring Meow Wolf and Teamlab (it's only now dawning on me how often I visit these kind of places).
This room mirrors a glass orb room from Teamlab Azabudai (that I have yet to upload). An infinity room with programmed light sequences, and the loudest subwoofers I've heard in a long time. It's impossible to not touch the lights as you walk through it so I was able to get a bit more of an improvisational shot. I got close to the mirror and then laid down to get an upward shot, changing my focus to the closest light and let the other lights fade into the distance to make the effect stronger. Also figured it would be appropriate for the 100th shot in my 2025 album.
But the closest light had a problem, it had a strange outline around it that makes it look like it was photoshopped in. So in editing I had to compromise it's sharpness to make the edges blurry and lighter (I also didn't want to go heavy on the saturation, I've been doing that a lot lately).
Truth be told this place was actually pretty good. Maybe not as good as contenders due to budget but still delivers. The only primary issue is it's location. Be safe if you plan to go.
Long summer days in Antarctica mean almost 24 hours of sunlight each day, a debt that must be repaid when the Antarctic winter returns…along with almost 24 hours of darkness each day!
Zeiss ikon Contax IIa, Zeiss Opton 50mm 1:2 loaded with Ilford FP4 Plus and developed in Ars imago FD at box speed.
all development process performed with an Agfa Rondinax 35U
Fig. 51 (p. 134) - A representation of the art of dying in Savonarola’s book ‘Predica dell’arte del bene morire’ (Firenze, 1504). The two-division of life and death is superimposed on a four-division of heaven and earth.
Pp. 267 - 268 in: Vision of Four Notions - Marten Kuilman (unpublished). 'Visions of Four Notions' is the second book of a quadrilogue by Marten Kuilman. The book deals primarily with the theoretical aspects of quadralectic thinking. It was completed in November 2001:
The introduction of das Geviert (the four-fold), in the later works of Martin Heidegger (Vorträge und Aufsätze, 1954), pointed to the interplay of heaven and earth, the holy and the mortal. He saw these four entities as the main constituencies in the creation of space and Being. His visualisation of the four-fold, as a meeting place for man and nature, is a strong reminder to the picture of the ‘art of dying’ in Girolamo Savonarola’s book ‘Predica dell’arte del bene morire’ (see p. 134; fig. 51). This symmetrical woodcut – shaped at the Pivotal Point of the European cultural history (Chapter 6.1; fig. 66; p. 188) – has exactly the components, which Heidegger saw as the ‘world’ (das bauende Hervorbringen).
The boundary between heaven and earth is right in the middle. The Death emphasizes the opposition by pointing his arms to the signs quasu (now written as quassu, an (Italian) adverb meaning ‘up here’ or ‘on high’) and quagiu (now quaggiu, translated as ‘down here’, on earth). The contrast between holy and mortal is envisaged in God and the angels, in the upper half, and Satan (as the fallen angel Lucifer) and the devils in the lower half. These two oppositional pairs (heaven-earth and holy-mortal) represent the basic qualities of any communication in place and time (or in their operational disguises as division and movement).
Heidegger’s Geviert has, although covered in a blanket of hard-to-under-stand terms (‘penetrating the thickets of Heidegger’s terminological jungle’), a strong analogy with Savonarola’s ‘art of dying’. Both renderings try to construct, despite a time gap of 450 years, a ‘life-monument’, which is able to surpass the black-and-white setting of life (and death). The composition of (four) quadrants gives room for a broader picture of reality-itself:
1. God sits in heaven, in a circle of clouds. The blessing figure, surrounded by nine angels (the muses?) amidst stars, is framed in a mandorla with four angels. This holy place bears all the characteristics of the First Quadrant, the invisible invisibility of the quadralectic mind.
2. The holy circle shines its light into a rather empty sky. Only two angels populate this part of the picture, floating on a cloud. Their gestures indicate an invitation to the mortals below. The symmetry of the figures is probably a reference to the First Division, in this case a two-division. They form, together with God in heaven, a trinity in quasu. The invisible visibility of the division-environment is characteristic for the Second Quadrant.
3. The dualism of Life and Death reaches its zenith in the world of the mortal. The richly dressed nobleman, with his purse strapped to his belt, has an encounter with Death. The man tries to plea his innocence, but death is merciless pointing to heaven. It is time to leave the quagui. Two devils are ready to assist the departure of this earth. They form, together with the mortal and the death, a curious quaternity in quagiu. The visible visibility of the Third Quadrant is a place of limitations.
4. The sad cry of victory by a troubled Lucifer, roaring in the half-circle of the earth, represents the opposite face (of power) in the lower quarter of the picture. Four devils surround the Devil, while he is crushing two unlucky mortals. It seems as if there is no mercy in this place of darkness. A comparison with the visible invisibility of the quadralectic Fourth Quadrant might be appropriate here, but it should be noted, that the emphasis is very much on the oppositional aspects.
"Reconocer la realidad como forma de ilusión, y la ilusión como forma de realidad, es igualmente necesario e igualmente inútil."
Fernando Pessoa
copyright: © FSUBF. All rights reserved. Please do not use this image, or any images from my photostream, without my permission.
Arbiter Of Reality.
Propostas contrárias assuntos universais em relação à ininteligibilidade queixas queixas particulares entendimentos ultrajantes e injustificados encargos filosóficos,
Korrekturen Haltung vu Prévisiounsmethoden falsch denken spekulative Meenungsverschiddenheeten nët respektéiert Formen fir d'assoziéiert Suggestiounen ze bestëmmen,
illusztrálva a dialektikus kiállásokat vitató átmeneteket spekulatív filozófiai okokból, amelyek a javaslatokat kifejtették az edifíziós tanulmányok eredményeit,
σύνθετο κριτήριο επικρατούσες πληροφορίες αφηρημένη φιλοσοφία ρητορική παραγωγή πεζογραφίας ποίηση αυθαίρετη αμελητέα φαντασία διαισθητική ιδιοφυΐα,
végső lelkiismeret szervezett érzékek előzetes előfeltételek alapvető filozófiai elvek felülvizsgálata a tudományos mélység végtelen értékelések,
le temps méprisant correspondant les idées éduquées l'universalité l'exactitude le réveil des audiences des assurances progressives justifiant des vues,
特定の法律が消えていること生き残ることの本質的な意味絶対的な意味の差異吸収の暗黙的な意味の定義ここで暗黙的に横断された意味定義が異なる.
Steve.D.Hammond.
Right on a Tree
After the Shame
____________________________________
Uploaded while listening to S.Prokofieff, Sonata 7 in B Flat Major, 3rd movement
“ The reality of having a toddler is to get ready for a new adventure.”
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+ Baby Details +
♦️Shape: Kidorable – *Custom Shape*
♦️Head: ToddleeDoo – Bento Head
♦️Body: {Bebe} – Bebe Body Fitted
♦️Outfit: Vk! : Lupy Overall [GROUP GIFT]
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+ Adult Details +
♦️Head: Letluka – Evolution Bento Head
♦️Body: Signature– Gianni v4.9
♦️Hair:Unorthodox– Afriloc Hair (with option to dye the tips / Rigged and unrigged versions)
♦️Scar:Unorthodox– V-Scar (BOM)
♦️Eyebrows: Unorthodox– Zair brows (bushy and clean version)
♦️Socks: [ VERSOV ] COMFOV_SOCKS_2.7 – ( 90 Exclusive colors & 27 selection hide / show) / Compatible With : Signature, Legacy M&F Slink Female and Male, Maitreya, KUPRA , Belleza female and male, Bebe Youth & TD Baby.
♦️Shoes: [ VERSOV ] – EXODOV sneakers (2 single colors / fatpack that includes a 42 colors hud to fully customize) Compatible With : Signature / Legacy M&F / Slink Hg / , Maitreya / KUPRA / Belleza M&F / Td baby / Bebe Youth -UBER event
♦️Outfit: // tiller // Iconic Outfits – ( 7 Top Patterns / 7 Jeans + Fatpack 3 Extra Tops)
Two out of Three photos for my Alternate Realities assignment at course
Last minute reshoot
And a very last minute manipulation idea.
We should all do what, in the long run, gives us joy, even if it is only picking grapes or sorting the laundry.
E. B. White