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Partido de dieciseisavos de la Copa del Rey de fútbol. La Real deja escapar un 2-0 en el partido de ida y acaba perdiendo 2-3 en una pésima segunda mitad.
Chapim real Parus major
As fotografias não deverão ser utilizadas para fins comerciais, agradece-se que na sua utilização, que carece de autorização, se faça referência ao seu autor.
Great tit
The photos should not be used for commercial purposes, Thank that in its use, it lacks authorization, reference is made to the author.
Paulo Pereira Pinto
rop80206@mail.telepac.pt
Contam que as duas casas não eram interligadas.
Em um dos lados morava a dita D. Glória que vendeu a casa para um ordem religiosa, passou a funcionar ali um internato feminino e com o tempo, foi ficando pequeno e as freiras acabaram por comprar a casa da frente e construiram a ponte, odiada pela população da época, para que as meninas não ficassem expostas aos olhares masculinos de um colégio ali próximo.
Contam ainda, que um senhor nunca mais desceu a rua, pois não era homem de passar por baixo de saia de mulher.
Causos de Minas...
democracia real ya...
popular assembly of the group "real democracy now-Berlin / Gr "
with greek, spanish, italian, german and american people
Berlin, 5.Juni 2011
Real Madrid home shirt worn by striker #9 Fernando Morientes against Manchester United 4.4.00 in the Champions League.
Swapped with Ole Gunnar Solskjær
rattan furniture,Water hyacinth furniture, rattan furniture,sea grass furniture, real rattan furniture, rattan furniture, indoor furniture,rattan furniture, home furniture, hotel furniture,rattan furniture
Water hyacinth furniture
a. Strong wooden. Frame with real rattan top
b. Suitable for home and hotel using.
c. All kinds of series including: sofa set, dining set, leisure set, TV stand, bar table, bar stool, coffee table, coffee chair, bed and so on.
The Real Ghostbusters
Robo-Buster
Written by: Francis Moss
Original air date: October 15, 1988
Available on The Real Ghostbusters Complete Collection DVD Set. bit.ly/T3GQY9
To Order this Mounted Butterfly Frame Click Here
Rare White Morpho Butterfly Mounted Morpho Theseus Juturna
Real Mounted Butterflies from my home in the Amazon to yours
ALWAYS FREE SHIPPING IN THE CONTINENTAL U.S.
The first two pictures shown are the front and back sides of the frame in that order.
7.25" x 6.5" White frame with double pane glass front and back (see through)
*All frames are hand crafted and the quality and characteristics are much better then the common, one-sided Riker Mounts. One of the great benefits of double pane glass framing is that you can see the front and back sides of the mounted butterflies. In most cases involving Neotropical butterflies the front and back sides of the wings are distinctly different. The back many times displays a species distinct form of self defense.*
The Morpho Theseus Juturna is one of the rarer Morpho butterfly species, known as an elegant White morpho. This species, which has several sub-species and is found in scattered regions of the Amazon. This particular sup-species is found on the connecting borders of Peru, Colombia and Brazil.
In Greek Mythology, hero king Theseus was the son of Poseidon, Aegeus and Aethra (yes, that's correct the son of a mortal king, mortal queen and Greek God, as in it was a crazy honeymoon). To some he was the king that founded Athens, to others he was the king that redefined it into a new era. He is known for such conquests as slaying the minotaur and ridding Greece of some sadistic thugs.
This phenomenal butterfly is also available in Black and Brown framing.
Every butterfly from Ben the Butterfly Guy comes from butterfly farms throughout the Eastern region of Peru. I personally visit each farm to assure their operations are respectable and revise documentation to make sure each butterfly farm is legally permitted to operate by Peruvian law. All butterflies here are classified non-endangered by the international CITES listings as reviewed by both the Ministry of Agriculture from Peru and U.S. Fish and Wildlife in the States. Copies of documentation and clearance are available upon request for your assurance and peace of mind.
nate, from the foo fighters and sunny day real estate
before the
jimmy eat world/sdre/glassjaw/motion city soundtrack sidewave
A real Shelby Cobra 427 that was hidden in the back of the show at Turkey Run 2010 @ Daytona International Speedway.
More shots from the show coming soon. It's finals week....
The Alcázar of Seville, officially called Royal Alcázar of Seville (Spanish: Real Alcázar de Sevilla or Reales Alcázares de Sevilla),[1] is a historic royal palace in Seville, Spain. It was formerly the site of the Islamic-era citadel of the city, begun in the 10th century and then developed into a larger palace complex by the Abbadid dynasty (11th century) and the Almohads (12th to early 13th centuries). After the Castilian conquest of the city in 1248, the site was progressively rebuilt and replaced by new palaces and gardens. Among the most important of these is a richly-decorated Mudéjar-style palace built by Pedro I during the 1360s.[2][3]
The palace is a preeminent example of Mudéjar style in the Iberian Peninsula and also includes sections with Gothic and Renaissance elements. The upper stories of the Alcázar are still occupied by the royal family when they visit Seville and are administered by the Patrimonio Nacional. It was registered in 1987 by UNESCO as a World Heritage Site, along with the adjoining Seville Cathedral and the General Archive of the Indies.[4]
Islamic era
In the year 712, Seville was conquered by the Umayyad Caliphate. In the year 913–914, after a revolt against Cordoba's government, the first caliph of Al-Andalus Abd al-Rahman III built a fortified construction in place of a Visigothic Christian basilica.[9] It was a quadrangular, roughly square enclosure about 100 meters long on each side, fortified with walls and rectangular towers, and annexed to the city walls.[10][11] In the 11th century, during the Taifa period, the Abbadid king Al-Mu'tamid expanded the complex southwards and eastwards,[10] with a new southern enclosure measuring approximately 70 by 80 meters.[11] This new palace was called Al Mubarak (Arabic: المبارك).[2] Various additions to the construction such as stables and warehouses were also carried out.[9]
Towards 1150, the Almohad Caliphs began to develop Seville as their capital in Al-Andalus. The Almohad governor extended the fortified complex to the west, nearly doubling its size. At least six new courtyard palaces were constructed in the old enclosures and nine palaces were added in the western extensions.[11] In 1163 the caliph Abu Ya'qub Yusuf made the Alcazar his main residence in the region.[9][11] He further expanded and embellished the palace complex in 1169, adding six new enclosures to the north, south, and west sides of the existing palaces. The works were carried out by architects Ahmad ibn Baso and 'Ali al-Ghumari.[11] With the exception of the walls, nearly all previous buildings were demolished, and a total of approximately twelve palaces were built.[10] Among the new structures was a very large garden courtyard, now known as the Patio del Crucero, which stood in the old Abbadid enclosure. Between 1171 and 1198 an enormous new congregational mosque was built on the north side of the Alcazar (later transformed into the current Cathedral of Seville). A shipyard was also built nearby in 1184 and a textiles market in 1196.[11]
There are few remnants of these Islamic-era constructions today. Archaeological remains of the Al Mubarak Palace are currently preserved under Patio de la Monteria. Several wall painting fragments were found that are now exhibited in the Palacio del Yeso.[9] The courtyard buildings now known as the Palacio del Yeso (or Patio del Yeso), the Palacio de la Contratación, and the Patio del Crucero all preserve remains from the Almohad period
Christian era
Seville was conquered in 1248 by Ferdinand III of Castile. The former Moorish palace-citadel was taken over by the Castilian monarchs and underwent significant reconstruction and modification, such that most of the Islamic-era structure has since disappeared.[12]
A Gothic-style palace was built on the site in 1258 for Alfonso X (Ferdinand's successor).[3] It stood on the site of the present-day Patio del Crucero, incorporating and preserving parts of the Almohad-era courtyard that was found here, including the Islamic-style garden divided into quadrants by two intersecting paths. Over these paths and around the courtyard, Gothic-style vaults and pointed arches were added, along with a hall divided into several naves. Corners towers containing spiral staircases granted access to an upper terrace.[13] Of the Gothic palace today, only the upstairs Sala de las Bóvedas and the Baños de MarÃa de Padilla, with their Gothic cross-ribbed vaults, have been preserved or partially preserved.[13]
In the mid-14th century, Alfonso XI commissioned the construction of a new throne hall known as the Hall of Justice, which commemorated his victory at the Battle of RÃo Salado (1340).[2] It is attached to the Patio del Yeso, an Almohad-era courtyard, and also serves as its antechamber. This new addition was made in a Mudéjar style, with stucco decoration and an overall arrangement of elements directly based on contemporary Islamic Andalusi architecture.[2]
1895 photo of a Mudéjar room in the palace
In the 1360s, much of the complex was rebuilt by Pedro I in an ornate Mudéjar style.[2] The palace includes a monumental façade, a courtyard (the present-day Patio de las Doncellas), and a great domed hall known as the Hall of the Ambassadors (Salon de los Embajadores). A Latin inscription on the palace façade includes the year 1364 while an Arabic inscription in the Hall of Ambassadors gives the year 1366, which indicate the probable dates for the start and completion of construction, respectively.[2] The architecture of Pedro I's palace has strong similarities to the contemporary Nasrid palaces of the Alhambra in Granada, although the complicated chronology of construction and renovations at both sites makes it difficult to determine what roles they might have played in influencing each other's designs.[2] It is likely that Muhammad V, the Nasrid ruler of Granada and Pedro I's ally, sent craftsmen to Seville to help assist in the palace's construction and decoration.[14] Under the Catholic Monarchs, Isabella (d. 1504) and Fernando (d. 1516), the upper floor of the palace was extended and transformed into their main residence.[9]
The palace was the birthplace of Infanta Maria Antonietta of Spain (1729–1785), daughter of Philip V of Spain and Elisabeth Farnese, when the king was in the city to oversee the signing of the Treaty of Seville (1729) which ended the Anglo-Spanish War (1727).[10] Much of the old Gothic Palace of Alfonso X was destroyed during the 1755 Lisbon earthquake.[13]
from wikipedia