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LA TURCHIA RIDE
Ramize ERER - Mehmet ÇAGÇAG - Tuncay AKGÜN - Güneri IÇOGLU
8 -16 Settembre 2007
Mole Vanvitelliana - Ancona
Gian Mario Spacca Presidente Regione Marche
L’iniziativa Adriatico-Mediterraneo, è un progetto di durata triennale ideato dalla Regione Marche in collaborazione con la Provincia e il Comune di Ancona, per sviluppare un confronto istituzionale e uno scambio culturale “diffuso”, che sottolinei il ruolo di primo piano delle Marche nello stabilire nuovi e profondi legami di pace e sviluppo tra le comunità dell’Adriatico e del Mediterraneo.
Il richiamo a questi mari che, nel corso della Storia, hanno consentito l’incontro, non sempre facile, di differenti culture (cristianesimo cattolico ed ortodosso, islam ed ebraismo), diventa elemento fondamentale e rappresenta il valore identitario dell’Iniziativa. In questo quadro, la mostra “La Turchia ride” rappresenta uno dei momenti più significativi dell’iniziativa Adriatico-Mediterraneo, perché non si tratta di una semplice mostra di fumetti, ma di un efficace strumento per conoscere l’odierna Turchia e per riflettere sulle questioni della modernità, della politica, della tolleranza in un Paese che attualmente vive tra isolamento e integrazione.
La Regione Marche, attraverso la realizzazione di questo evento, dà concretezza al modello di cooperazione internazionale costruito in questi anni, un modello capace di far crescere e sviluppare le comunità locali costruendo concreti percorsi di democrazia contro tentazioni integraliste e nazionaliste che sono sempre portatrici di violenza.
E’ questo un punto centrale del programma di governo della Regione Marche: la cooperazione è lo strumento insostituibile di quella politica di pace a cui la nostra regione è particolarmente chiamata.
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Patrizia Casagrande Esposto Presidente Provincia di Ancona
Carlo Maria Pesaresi Assessore alla Cultura Provincia di Ancona
“Chi fa satira vede sempre più avanti rispetto agli altri”.
Lo dice Mehmet Çagçag, uno dei fondatori e condirettore di LeMan, la rivista di satira più famosa della Turchia, un vero e proprio settimanale di attualità politica completamente a fumetti, i cui personaggi sono ormai punti di riferimento
per tutta la società turca.
Con “La Turchia Ride” ci è offerta l’occasione di ospitare ad Ancona le opere di alcuni suoi autori. È un evento importante, parte integrante e significativa di “Adriatico Mediterraneo Klezmer 2007”, manifestazione ambiziosa e innovativa.
Alla Mole Vanvitelliana, circondati da un mare che deve saper unire popoli e culture, gli autori di LeMan ci aprono gli occhi - e la mente - su un grande Paese che attraversa ora una fase delicata, fatta di grandi cambiamenti sociali e di una controversa candidatura europea, al quale forse ci lega un’immagine carica di troppi luoghi comuni.
La mostra offre molti spunti di riflessione: sul possibile concetto di modernità, sulla politica, sullo scontro religioso e sul conflitto tra uomini e donne. Il quotidiano turco viene letto e desacralizzato, le abitudini comportamentali e politiche messe in discussione.
È lo spazio della libertà quello in cui si muovono gli artisti di LeMan ed è un dovere, ancor prima che un grande piacere, ospitarli nella nostra Provincia.
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Fabio Sturani Sindaco Comune di Ancona
Questo catalogo è un documento importante per gli esperti e per gli appassionati del mondo della satira e del fumetto. “La Turchia ride” è, infatti, una mostra dedicata alla tradizione vignettistica e satirica turca, che, come noto agli esperti, è di grande qualità e ampiezza. E i disegnatori della rivista LeMan, protagonisti in prima persona dell’evento anconetano, sono conosciuti, non solo in patria, come intellettuali liberi e impegnati nella politica e nella società.
Per Ancona, però, questo volume ha una valenza in più: è, e sarà ricordato in futuro, anche come uno dei primi documenti di questo nuovo percorso che, con il festival “adriatico Mediterraneo Klezmer”, che ospita la mostra e che quest’anno è alla sua prima edizione, vuole alimentare il circolo virtuoso di idee, di scambi e di esperienze tra popoli accomunati dallo stesso mare.
L’Amministrazione comunale crede in questa formula, che rispecchia profondamente la natura di Ancona: centro dell’Adriatico e del Mediterraneo, porta dell’Est, punto di passaggio e di compenetrazione di culture e tradizioni diverse.
E la Turchia si pone, in questo contesto, come Paese centrale nell’ottica di allargamento a Oriente dell’Europa, per il quale anche la nostra città e il mare Adriatico sono sempre più strategici.
La nostra ambizione è quella di dar vita a un appuntamento stabile, a un’occasione per approfondire, anno dopo anno, la nostra storia e il nostro presente.
L’auspicio, dunque, è che il lavoro che ha portato a realizzare la mostra e, poi, queste pagine, prosegua nel tempo, contribuendo
a far crescere questa grande e composita comunità del Mediterraneo, le cui frontiere, come afferma lo scrittore Predrag Matvejevic, “non sono né statali, né nazionali”.
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Andrea Nobili Presidente A.M. Adriatico/Mediterraneo
Qualcosa di più di una semplice mostra di fumetti: un modo diverso e originale per tentare di conoscere l’odierna Turchia.
La satira è uno strumento straordinario per riflettere sulle questioni della modernità, della politica, dello scontro religioso e del conflitto tra uomini e donne. In questo caso ci viene offerto un vero e proprio spaccato sociale di un Paese in bilico tra isolamento e integrazione.
Guardando questo vignette si scopre una realtà nascosta all’Occidente. Idee in movimento per una Turchia in grado di tollerare le diversità, senza discriminazioni sessuali, per una Turchia in cui i conservatori islamici non possano costringere la parte di popolazione più moderna a fare ciò che non vuole, per una Turchia in cui ci siano soldi a sufficienza per tutti e più sicurezza per i bambini.
Sappiamo che la miopia dell’Europa rischia di consegnare la Turchia al fondamentalismo islamico. Perché le strade a disposizione di quel Paese sono solo due: da una parte l’aggancio con l’Unione Europea e con quegli ordinamenti liberali che governano le nostre nazioni, dall’altra l’isolamento
nazionalista che precede la vittoria del fondamentalismo.
Quest’ultima ipotesi sarebbe una sconfitta storica. La Turchia, ad oggi, rappresenta una delle poche incarnazioni geopolitiche di quell’Islam moderato e democratico di cui tutti a parole diciamo di avere un gran bisogno.
Nel nostro piccolo abbiamo deciso da che parte stare, credendo nel processo di integrazione europea della Turchia e nella possibilità di una nazione insieme islamica e democratica. Per questo sosteniamo con convinzione l’impegno di chi, anche con disegni e caricature, si batte per la libertà, l’emancipazione sociale e la democrazia.
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Elettra Stamboulis Associazione Culturale MIRADA
Nel nostro immaginario la Turchia è un Paese in cui si portano ostinatamente i baffi, si fuma liberamente il narghilé, la mattina ti sveglia il muezzin e il caffè ha un fondo denso che per noi diventa un problema quando lo beviamo velocemente come un espresso… La Turchia ha però molte facce, molte identità e una storia fatta di molti incontri. Incontri tra culture, lingue, etnie diverse.
Il nostro incontro ha avuto luogo, come spesso accade, in un bazar, quello di Bursa. Vagando tra le bancarelle di piccola oggettistica e spezie ci siamo imbattuti in un venditore di libri usati, una delle nostre passioni, anche se non conosciamo neanche una parola di turco. E oh! Sorpresa! In mezzo a tante copertine decorate, spiccavano moltissimi fumetti. Ma non riviste di fumetti con personaggi tradotti, per bambini o ragazzini che amano l’avventura, come succede da noi. Riviste che si capiva erano per adulti, con scene evidentemente hard: la forza comunicativa del disegno sta proprio in questo. Anche se non capivamo le parole, era chiarissimo qual era l’impostazione generale di queste storie. Parlavano della contemporaneità, della vita di tutti i giorni, satireggiando e ironizzando su tutto, senza paura. Ne abbiamo comprate dieci, costavano 50 centesimi l’una. Il giorno dopo abbiamo scritto alla redazione, dicendo che ci sarebbe piaciuto conoscere gli autori. E così è stato.
Leman è una rivista che esce dal 1985 anni in Turchia ogni settimana: si tratta di un fenomeno editoriale inesplorato in Europa. Nessuno dei nostri amici amanti del fumetto lo conosceva, e questo la dice lunga sulla distanza che ancora ci separa da questo Paese che aspira ad entrare in Europa. Ogni settimana Leman analizza e critica e ironizza quanto avviene a livello politico e sociale nel Paese. L’avventura di Leman ha costituito il seguito della rivista storica Girgir, il cui animatore Oguz Aral è morto 2 anni fa. Questo disegnatore è considerato il maestro sia da Mehmet ÇaGçaG che dall’altro co – fondatore Tuncay Akgün, ma è un maestro un po’ per tutti coloro che hanno spirito critico nel Paese della mezzaluna. Oltre a Leman, il gruppo edita anche libri che raccolgono le strisce dei personaggi fissi della rivista, stampano altre due riviste (una mensile sempre solo a fumetti e un mensile di politica con articoli e foto), gestiscono un café che si trova vicino alla centrale piazza Taksim e hanno anche il tempo di perdere tempo bevendo thé nel locale sotto gli uffici della redazione. A volte penso che siano clonati.
È molto divertente osservare chi legge Leman per strada o sul tram: innanzitutto chi lo compra lo mette bene in vista. È come una sorta di passaporto identitario. Per leggerlo lo spiega davanti a sé come un lenzuolo, così anche i vicini possono dargli un’occhiata. E ovviamente ride. Non con la risata a squarciagola, ma con la risata dell’intelligenza. Inoltre la buona educazione prevede che, se finisce di leggerlo prima di scendere dal mezzo, lo lasci sul sedile, così qualcun altro lo potrà leggere.
Questa pratica di lasciare le copie sulle panchine, nei bar, sugli autobus, è molto comune: tanto che le copie lette sono stimate essere molto di più di quelle vendute. E comunque le copie distribuite sono 100.000, con una media di venduto di 50/60.000 copie. Certo, l’epoca di Girgir che vendeva 500.000 copie è finita, spazzata via dalla velocità di Internet.
Ma è anche vero che questa rivista era molto più soft di Leman, doveva piacere a tutti, e quindi la satira in un certo senso si autocensurava. Inoltre era molto legata all’opposizione alla giunta militare: finita la giunta, sembrava che fosse finita la sua ragion d’essere, mentre Leman è critica non solo contro i fascismi, ma anche verso gli islamici radicali, i taboo, le feudalità, la cultura della conservazione…
L’impianto è molto caricaturista. I personaggi rappresentano una sintesi eccessiva della società turca: il militante lento e sempre a riposo Bekir, il rivoltante tassista Kozalak, non sono altro che macchiette di personaggi effettivamente esistenti. Difatti i nomi dei personaggi a fumetti sono diventati
aggettivi utilizzati in modo popolare per definire un certo modo di essere e di comportarsi.
LeMan è anche una fucina per le nuove leve: l’ultima pagina è sempre dedicata agli autori in erba e alle vignette dei lettori. La redazione riceve proposte anche dai villaggi sperduti dell’Anatolia, e questo è molto importante per comprendere quanto la rivista è trasversale socialmente nel Paese.
Recentemente Tayyip Erdogan, il Primo Ministro turco, ha avviato un azione legale contro il direttore della rivista in cui chiede 26.000 euro di risarcimento per la sua caricatura.
Ma il mondo del disegno turco è ormai allenato al boicottaggio e alle aule dei tribunali: Tuncay è vissuto come fuggitivo per 15 anni, mentre Guneri è stato imprigionato per il suo lavoro. Il potere non ama mai che si rida di lui ed attua le tattiche che meglio conosce per emarginare la critica. Nell’occidente “civilizzato” si usa l’arma della morte commerciale, in Turchia dove l’autoritarismo è più a briglia sciolta, si usa l’arma legale, in Paesi come l’Algeria dove c’era una guerra civile si usava l’estinzione fisica, l’omicidio.
I disegnatori algerini sopravvissuti sono quelli espatriati in Francia.
L’importante è sapere che nel Paese dei muezzin e del caffè turco, c’è chi ancora resiste, usando l’intelligenza e la matita, per raccontare una versione della realtà che non è quella edulcorata dei canali del potere. Scusate se è poco.
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Peronaggi in mostra:
Bezgin Bekir:
Personaggio creato da Tuncay Akgün.
È lento, calmo. È sempre seduto o steso sui cuscini con i suoi gatti e il suo narghilé. È un buontempone, un conforto per chi si sente vinto dalla velocità dei nostri tempi. È anche un attivista politico, ma forse il termine “attivista” è poco adeguato ai suoi tempi lunghi. È un intellettuale, ma questo lo percepiamo non dalle sue parole, ma dalle sue azioni e dalla sua attitudine verso gli eventi.
“Bezgin Bekir” è diventato oggi un aggettivo nel linguaggio parlato per descrivere un certo tipo di persone, quelli che sono molto lenti nel fare le cose, che vogliono cambiare il mondo seduti sul loro sofà.
Daral & Timsah:
Personaggi creati da Mehmet ÇaGçaG.
Anche il nome di questi personaggi è usato come aggettivo nel linguaggio quotidiano.
Daral è il figlio di un padre molto ricco che cerca il senso della vita. Sua madre è morta quando era bambino, l’ha allevato suo padre. Ha un grande buco nell’anima, non può riempirlo, si annoia e non sa cosa fare.
Timsah invece è un fallito, ma per saltare in una classe sociale più alta, vive come un borghese. Non è un intellettuale,
il suo mondo si basa sulle marche, il lusso e il sesso. È un Casanova.
Quando Daral e Timsah si incontrano, anche se non hanno nulla in comune, Daral si lega a Timsah moltissimo. Timsah
è diventato uno dei personaggio più popolari tra i giovani. Nei primi anni di creazione, era un po’ estremo e immaginario.
Ma oggi questo personaggio non è per niente originale, perché milioni di giovani sono di fatto come lui.
Kozalak:
Personaggio creato da Mehmet Çagçag.
È un tassista. È ignorante, rude, volgare ma anche coraggioso e aggressivo. Viene da un villaggio e insiste nel vivere in città seguendo le sue regole. È immorale, ma è molto moralista. Ha una ragazza, ?ehriye che porta il capo coperto dal velo e ha anche un amante travestito, Fethi. Ogni settimana ha un’avventura differente. È uno dei personaggi più divertenti.
Gönül Adami:
Personaggio creato da Güneri Içoglu.
È un vecchio gentleman di Istanbul, un musicista, un “neyzen” (un suonatore di flauto ad ancia). Vive in un vecchio quartiere di Istanbul sul Bosforo, attorniato di vecchie case di legno.. Gönül Adam? e il suo amico francese Jean Pierre litigano sempre su Occidente e Oriente. Getta del simit (pane tondo turco con il sesamo) ai gabbiani mentre viaggio sul Bosforo in vaporetto, aiuta i pescatori vecchio stile, corre al salvataggio se c’è una vecchia casa in legno che va a fuoco...
C’è sempre una lacrima sul suo viso perché non può sopportare i grandi edifici che crescono uno dopo l’altro accanto alle vecchie case.
Anche Gönül Adam è diventato un aggettivo nel linguaggio comune per descrivere le persone che vivono sempre nella nostalgia del fascinoso passato di Istanbul, che cercano i luoghi “veri” e un po’ rattoppati, emozionandosi di fronte a catapecchie e lacerti di passato.
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Autori in mostra:
Ramize Erer è nata nel 1963. Si è diplomata all’Accademia di Belle Arti di Istanbul, ma ha cominciato a realizzare fumetti già dalle Scuole Superiori. Il suo primo fumetto è stato pubblicato sulla più prestigiosa rivista di comics turca ovvero GirGir! e, insieme ad altre fumettiste donne, ha creato una striscia a fumetti chiamata Senza baffi. Il suo personaggio Partner Nadide è stato all’inizio pubblicato sulla rivista, fondata da lei e da altri amici, Hibir, nata dopo che avevano deciso di chiudere GirGir!. Più tardi ha cominciato a disegnare per molte riviste, tra cui la rivista femminista Paravfesi e Leman. Per dieci anni ha disegnato la striscia giornaliera per uno dei principali quotidiani turchi, Radikal. Il titolo della striscia era Dangerous liaisons e veniva disegnato dal lunedì al venerdì, mentre sabato e domenica usciva la striscia chiamata Cattiva ragazza. I libri a fumetti da lei pubblicati includono Senza baffi, Partner Nadide, Dangerous liaisons, Cattiva ragazza e Matrimoni. Quest’ultimo raccoglie una serie di strisce ironiche e disincantate sui matrimoni turchi, laici e non: una sorta di spaccato sociale dell’odierna turchia osservata dal punto di vista della camera da letto.
Ramize Erer è sposata con Tuncay Akgin, anch’egli fumettista e fondatore della rivista Le man. Vivono ad Istanbul
Güneri Içoglu è nato nel 1965. Da bambino, ha cominciato a disegnare fumetti come allievo di Ouz Aral, fondatore della famosa rivista GirGir. Ha lavorato in numerose riviste tra cui Girgir, Firt, Limon, Leman, Lemanyak.
È stato incarcerato nel 1989: uno dei suoi fumetti è stato considerato “un insulto per la tradizione turca” ed è stato condannato a dieci mesi di prigione. Dopo un mese è stato rilasciato grazie ad un’amnistia generale.
Al momento è un disegnatore e scrittore fisso di Leman. In questo periodo il suo personaggio più noto è Gönül Adam? e Dumur. Il suo personaggio
Gönül Adami è un musicista classico turco ed un suonatore di strumenti musicali mistici tradizionali: egli rimpiange tutto ciò che è passato e cerca continuamente nella modernità tracce di retrò. Gli fa da spalla l’amico francese Jean Pierre, che lo prende continuamente in giro per questa sua inguaribile nostalgia.
È di fatto un alter ego dell’autore, che oltre a disegnare, suona e canta anche canzoni tradizionali greche e turche.
Mehmet ÇaGçaG co – fondatore della rivista LeMan, è la vera anima editoriale di questa importante realtà turca. Considerato lui stesso un personaggio della cultura critica della Turchia, segue da vicino tutti i progetti (quattro riviste editate, una serie di libri, un bar caffè a due piani nell’antica Pera…e molte altre cose) senza perdere mai la bussola. Il suo personaggio più famoso è Kozalak: è un tassista ignorante, rude, volgare, tanto da diventare a volte aggressivo. Viene da un villaggio e insiste nel vivere in città seguendo le sue regole. La sua vita è immorale, ma lui al contrario è molto moralista. Difatti ha una ragazza, ?ehriye che porta il capo coperto dal velo e con la quale è molto moralista, ma ha anche un amante travestito, Fethi. Ogni settimana ha un’avventura differente e rappresenta tutto quanto Mehmet non ama nel suo Paese. È ovviamente un personaggio molto divertente.
Tuncay Akgun è uno dei fondatori della rivista Le man. Di carattere schivo, non ama stare sotto i riflettori e continua la sua vita lenta di quartiere frequentando assiduamente il “cafenion”: questo aspetto del suo carattere, si riflette nel suo personaggio più famoso, Bezgin Bekir, che è sempre seduto o steso sui cuscini con i suoi gatti e il suo narghilé. È un buontempone, un conforto per chi si sente vinto dalla velocità dei nostri tempi. È anche un attivista e un intellettuale, elemento che non emerge dalle parole, ma dalle azioni del personaggio. “Bezgin Bekir” è un personaggio paradigmatico, diventato oggi un aggettivo nel linguaggio parlato per descrivere un certo tipo di persone.
Tuncay è stato considerato persona non grata durante gli anni della giunta militare, in cui è vissuto senza passaporto in semi clandestinità.
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LA TURCHIA RIDE
Ramize ERER - Mehmet ÇAGÇAG - Tuncay AKGÜN - Güneri IÇOGLU
8 -16 Settembre 2007 Mole Vanvitelliana - Ancona
Coordinamento organizzativo e progetto a cura di: Elettra Stamboulis e Gianluca Costantini
Collaboratori: Viola Giacometti, Barbara Colombo, Linda Landi, Leonardo Guardigli, Tania Pavirani
Traduzioni: Aylin Attar
Ideazione grafica: Associazione Culturale Mirada
WeatherGirl was particularly keen to return to the V&A because she wanted to see their temporary exhibit Out of the ordinary: Spectacular craft. There was some very cool work there a number of different (and very diverse) artists, all of whom share a certain obsessive quality and intense level of detail. (It reminded us a lot of Jess Larson's cool work, especially her wonderful girdles.)
I took quite a few photos of the artworks, but (much to my surprise) this may be my favorite. Naomi Filmer focuses on the human body, but taking unusual views or using unusual techniques. This is from a lenticular image where you see this face in different ways as you move around it; I really like the superposition of these two angles.
This composition is intended for the IE Business School admission application. It includes images from my personal collection as well as images from the Internet.
Internet sources:
One of my gorgeous nieces (I'm lucky to have 6). One of her favourite games with her dad is for him to ask her a "really hard question but not so hard". Captured while she was waiting for the "really hard question".
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
One of the most common questions people have regarding #cannabis is exactly what it is, and what types of cannabis tinctures you can have and how they compare to other products.
Given that they are similar to the #CBD #oil that you see, a lot of times people mistake it for that. But what can you do differently with it?
That’s what we’re about to go into here, with the difference between a tincture and other products, and of course, why it matters.
What is a tincture
If you see #tinctures, you’re probably familiar with the little droppers that are attached to the caps of this.
But it’s pretty much a solution that has an alcohol solvent, along with animal extracts, and they’re oftentimes quite concentrated.
So, consuming them like you would a normal drink is not a good thing to do, but instead a drop or two goes a long way.
You need to use the dropper with this, because otherwise too much can impact the state of your body and mind as well.
How do they Work?
They’ve been around for centuries, and they are actually the main choice for delivering herbal medicine to others.
Why is that the case though?
They actually have a very powerful nature to them, and they do have higher concentration of compounds within this, and they can hit the affected areas quite fast.
Most of these used to be made with both #vinegar and #glycerin, but today, glycerin is on the list, but #alcohol is the main choice in these instances too.
The solvents are able to dissolve the #compounds of the organic matter that’s there, which is a fancy name for plant parts, and take the #ingredients that are out of them.
The process then brings those compounds directly to the body, and it does it so much faster than other sorts of means, and it’s a lot more potent than others too, sometimes more than #edibles in some cases too.
CBD Tinctures?
CBD tincture sis pretty much alcohol-based extracts, and most of the time, the manufacturer may use a higher level of alcohol to extract this, and in other cases, they use glycerin.
There are CBD tinctures and THC tinctures, and the main difference is the CBD one is CBD alcohol, and the THC one is THC alcohol infusions, and of course, neither of them are completely devoid of the other component either.
How to Use
You can use this in one of two ways.
The first, is you take that dropper and put either a drop or two directly underneath the tongue, and the effects happen within an hour of you doing this type of method.
The second way is additives. Take a food or a drink that you have, put it in, and consume it. While it does take longer for this to happen, if you don’t feel like buying or making your own edibles, this is a good way to do it.
The tinctures are not good to be used with application topically and aren’t considered good topicals in general.
The best way to start with tinctures is one drop, and then go from there. If you don’t feel the effects within an hour or so, you should then try again, or try another day in order to see if those effects are right for you.
The use of tinctures is important for so many who are interested in making sure that they get the most effects that they can out of this, and here, you learned about it.
NASA’s Hubble Space Telescope has also observed the galaxy cluster MACS-J0417.5-1154, but the dusty red galaxy that appears multiple times to form a question mark shape is much more prominent in the Webb image. The infrared light that Webb detects is better able to pass through the cosmic dust of its home galaxy to reach the telescope. Astronomers used Hubble’s ultraviolet observations to help determine where star formation is happening in both the red galaxy and its close companion, a face-on spiral galaxy.
Technical information about the images:
The Hubble image is a composite of separate exposures acquired by the ACS instrument on the Hubble Space Telescope. Several filters were used to sample various wavelength ranges. The color results from assigning different hues (colors) to each monochromatic (grayscale) image associated with an individual filter. In this case, the assigned colors are: Blue= F435W, Green=F606W, Red= F814W.
Likewise, the Webb image is a composite of separate exposures acquired by the NIRCam instrument. The color results from assigning different hues (colors) to each monochromatic (grayscale) image associated with an individual filter. In this case, the assigned colors are: Blue: F090W Green: F150W Red: F444W
Credits: NASA, ESA, CSA, STScI, Vicente Estrada-Carpenter (Saint Mary's University)
Image Description: The same region of space in side-by-side images. The left image is labeled “Hubble” and the galaxies shown have an overall yellow tone and haze. The image on the right is labeled “Webb.” In the center of that image, several images of an elongated red galaxy for a shape like the top of a question mark. In comparison it’s clear that some of the features creating the question mark shape are present in the left-hand image as well, but probably wouldn’t be noticed if that image stood alone. The right-hand image is more colorful and defined than the image on the left, with shades of white, red, and a little blue.
We used to play 20 questions in the car when I was a kid, in those long ago olden days before cars came with TVs in the headrests...the second question was always 'Is it bigger than a bread box'? I'm not sure we even knew what a bread box was, 'cause I don't think we had one... but that phrase keeps popping into my mind nowadays... it's about women and girls and body image, and the struggles we go through... Why can't I stop stressing about my body, and is it too big, or too flabby, or I'm putting the wrong foods in, or I'm not exercising enough, or SHE must be a happy person 'cause she's so damn skinny, and really, truly, who gives a BLEEP if I'm bigger than a bread box!
So this is made in defiance, to be stuck on the fridge when I'm eating well, and when I'm not eating well, and with shoulders squared back, and chin in air I say, "I AM bigger than a bread box!"
it's a magnet for sale at my etsy shop! see profile for details!
The question is not what you look at, but what you see. - Henry Thoreau - [Journal, 5 August 1851]
Although you could not see San Francisco with the naked eye the camera did.
Revealing that “they did not turn away ads selling children—they just tried to make it less obvious,” U.S. Senator Claire McCaskill today directly challenged the CEO and senior leadership of Backpage—who invoked their Fifth Amendment rights against self-incrimination and refused to answer questions—at a bipartisan hearing to examine the company’s knowing facilitation of online sex trafficking, including of children, and a stunning report undermining the company’s central immunity defense as just a platform without an active role in ad postings.
“[Backpage] did not turn away ads selling children,” said McCaskill, a former sex crimes prosecutor. “We now know as a result of our legal battle, based on their own documents, they did not turn away ads selling children. They just tried to make it less obvious. And worse, coached the traffickers and the pimps on how to clean up their ads. Not turning away their business. Those children were still sold. They just tried to sanitize it. That, ladies and gentleman, is the definition of evil. Simply evil.”
Last night, in response to the Subcommittee’s report, Backpage shut down the adult sections of its website across the United States effectively immediately.
In response to questions from McCaskill and Republican Senator Rob Portman of Ohio, the Ranking Member and Chairman of the Permanent Subcommittee on Investigations, Backpage CEO Carl Ferrer, General Counsel Elizabeth McDougall, Chief Operations Officer Andrew Padilla, and company co-founders Michael Lacey and James Larkin, all invoked their Fifth Amendment right against self-incrimination and declined to answer.
McCaskill continued: “Throughout this investigation, I have spoken of a 15-year-old girl who was sold for sex on Backpage across the United States before seeking help at Cardinal Glennon Children’s Hospital in St. Louis…These experiences remind us that this investigation is not about curbing the First Amendment rights, give me a break—rights which are more important now than ever—or using the powers of the Subcommittee to target private actors engaged in unpopular conduct. This investigation is about understanding how criminals systematically use online platforms to transform normal American teenagers into sex slaves… Our responsibility, as elected representatives, to protect the most vulnerable Americans requires nothing less.”
The Senators also heard testimony from several victims of Backpage’s practices, including a mother from St. Louis who found her missing 14-year-old daughter after a desperate search through the escort section” on Backpage’s website. The mother, Kubiiki Pride, contacted Backpage to demand her daugher’s ad be removed, but received no immediate response from the company.
McCaskill and Portman also released a report in conjunction with the hearing, which found Backpage knowingly facilitated sex trafficking, including of children, on the internet. The Senators’ report is the culmination of a two-year investigation examining more than one million pages of documents. Legal cases previously brought against Backpage were dismissed because the company claimed immunity as “just a platform” that doesn’t take an active role in online ad postings. A sample of the report’s findings include:
• Backpage automatically deleted incriminating words from sex ads prior to publication: These words included: lolita, teenage, rape, young, amber alert, fresh, innocent, and school girl. When a user would submit an adult-section ad using one or more of these words, Backpage would automatically delete the word-and then post the remainder of the ad. Over time, Backpage CEO Carl Ferrer personally directed or approved the addition of new words to the filter, including terms taken directly from reports on Backpage-related sex trafficking.
• Backpage altered the evidenciary value of the original ads: According to Backpage's own Chief Operations Officer, the filter was created in such a way that Backpage "wouldn't run the risk of caching stripped terms," potentially destroying criminal evidence. No communications were found in Backpage's files to suggest that law enforcement was ever informed that ads for sex trafficking and prostitution were being routinely edited by the company.
• Backpage moderators manually deleted incriminating evidence in ads that automatic filters missed: Manual editing would target words and phrases similar to those flagged in the filter, including terms that indicated criminal activity. While most of the terms that Backpage moderators would remove related to standard prostitution, some words specifically indicated child exploitation, such as "teen" and "young."
• Backpage coached its users on how to post "clean ads" for illegal transactions: At Ferrer's instructions, when a user attempted to post ads with even the most egregious banned words, the user would receive an error message identifying the problemative word choice. The site also used a similar approach for its age verification process. A contractor that helped create one of these error messages said, "Backpage executives recognized that their filter would alert users to the use of a banned word and cause them to alter their future word choice, thereby resulting in a clean ad."
• Backpage employees are aware that prostitution and child exploitation occur on the site, and may have intentionally underreported instances of child exploitation: One former moderator asserted that all Backpage employees involved in adult moderation knew that the ads they reviewed were offering sex for money, and that some even used the services of prostitutes on the site. They "went through the motions putting lipstick on a pig, because when it came down to it, it was what the business was about."
For the last two years, McCaskill and Portman have led an investigation into online sex trafficking facilitated by Backpage, resulting in a unanimous Senate vote to enforce the Subcommittee’s subpoena and a federal court order compelling Backpage to turn over responsive documents.
The Subcommittee began its bipartisan investigation of human trafficking on the Internet in April 2015. With estimated annual revenues of more than $150 million, Backpage is a market leader in commercial sex advertising and has been linked to hundreds of reported cases of sex trafficking, including the trafficking of children.
Visit mccaskill.senate.gov/backpage to see more about McCaskill’s bipartisan investigation.
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
The latest subject of my Leading Questions series, pianist, Bill Anschell. The interview can be found here:
NRC staff answer questions from the public during the Palisades nuclear power plant’s annual assessment meeting open house in South Haven, Mich.
Pictured in the photo: Jennivine Rankin, project manager for Palisades; Julie Boettcher, resident inspector Palisades; and April Nguyen, senior resident inspector Palisades.
Visit the Nuclear Regulatory Commission's website at www.nrc.gov/.
Photo Usage Guidelines: www.flickr.com/people/nrcgov/
Privacy Policy: www.nrc.gov/site-help/privacy.html.
For additional information, or to comment on this photo contact: OPA Resource.
Local Accession Number: 2012.AAP.456
Title: A question of color by F. C. Philips
Date issued: 1890-1920 (approximate)
Physical description: 1 print (poster) : lithograph, color ; 31 x 36 cm.
Summary: Scales are weighing between Cupid and a bag of money.
Genre: Book & magazine posters; Lithographs
Subjects: Cupids; Money
Notes: Title from item.
Date note: Date supplied by cataloger.
Statement of responsibility: Lincoln
Collection: American Art Posters 1890-1920
Location: Boston Public Library, Print Department
Rights: No known restrictions.
Central California, San Joaquin Valley, Valle Central de California, Clovis, church, iglesia, Unitarian Universalist, actors, actores, question and answer, pregunta y contestación, play, pieza teatral, The Laramie Project - Ten Years Later, proyecto Laramie - después de diez años
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LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH,LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90210 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90219 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90211 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90212 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90213 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90209 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90208 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90207 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90206 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90205 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90204 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90203 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90202 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY HILLS LOCKSMITH, LOCKSMITH 90201 BEVERLY SMITH, Prompt Locksmith Services in The Entire Los Angeles Area
Locksmith Los Angeles 90001 Locksmith Los Angeles 90002
Locksmith Los Angeles 90003 Locksmith Los Angeles 90004
Locksmith Los Angeles 90005 Locksmith Los Angeles 90006
LOCKSMITH Los Angeles 90007 LOCKSMITH Los Angeles 90008
Locksmith Los Angeles 90010 Locksmith Los Angeles 90011
Locksmith Los Angeles 90012 LOCKSMITH Los Angeles 90013
LOCKSMITH Los Angeles 90014 Locksmith Los Angeles 90015
Locksmith Los Angeles 90016 LOCKSMITH Los Angeles 90017
Locksmith Los Angeles 90018 Locksmith Los Angeles 90019
LOCKSMITH Los Angeles 90020 Locksmith Los Angeles 90021
Locksmith Los Angeles 90022 LOCKSMITH Los Angeles 90023
LOCKSMITH Los Angeles 90024 LOCKSMITH Los Angeles 90025
LOCKSMITH Los Angeles 90026 Locksmith Los Angeles 90027
LOCKSMITH Los Angeles 90028 LOCKSMITH Los Angeles 90029
Locksmith Los Angeles 90030 LOCKSMITH Los Angeles 90031
LOCKSMITH Los Angeles 90032 Locksmith Los Angeles 90033
LOCKSMITH Los Angeles 90034 LOCKSMITH Los Angeles 90035
LOCKSMITH Los Angeles 90036 LOCKSMITH Los Angeles 90037
Locksmith West Hollywood 90038 Locksmith Los Angeles 90039
LOCKSMITH Los Angeles 90040 Locksmith Los Angeles 90041
Locksmith Los Angeles 90042 LOCKSMITH Los Angeles 90043
LOCKSMITH Los Angeles 90044 Locksmith Los Angeles 90045
LOCKSMITH West Hollywood 90046 LOCKSMITH Los Angeles 90047
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LOCKSMITH 90040 LOCKSMITH 90041
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LOS-ANGELES LOCKSMITH at LOS-ANGELES LOCKSMITH, LOS-ANGELES
LOS-ANGELES LOCKSMITH at LOS-ANGELES LOCKSMITH, LOS-ANGELES google map | yahoo map
Prompt Locksmith Services in The Entire Los Angeles Area
Locksmith Los Angeles 90001 Locksmith Los Angeles 90002
Locksmith Los Angeles 90003 Locksmith Los Angeles 90004
Locksmith Los Angeles 90005 Locksmith Los Angeles 90006
LOCKSMITH Los Angeles 90007 LOCKSMITH Los Angeles 90008
Locksmith Los Angeles 90010 Locksmith Los Angeles 90011
Locksmith Los Angeles 90012 LOCKSMITH Los Angeles 90013
LOCKSMITH Los Angeles 90014 Locksmith Los Angeles 90015
Locksmith Los Angeles 90016 LOCKSMITH Los Angeles 90017
Locksmith Los Angeles 90018 Locksmith Los Angeles 90019
LOCKSMITH Los Angeles 90020 Locksmith Los Angeles 90021
Locksmith Los Angeles 90022 LOCKSMITH Los Angeles 90023
LOCKSMITH Los Angeles 90024 LOCKSMITH Los Angeles 90025
LOCKSMITH Los Angeles 90026 Locksmith Los Angeles 90027
LOCKSMITH Los Angeles 90028 LOCKSMITH Los Angeles 90029
Locksmith Los Angeles 90030 LOCKSMITH Los Angeles 90031
LOCKSMITH Los Angeles 90032 Locksmith Los Angeles 90033
LOCKSMITH Los Angeles 90034 LOCKSMITH Los Angeles 90035
LOCKSMITH Los Angeles 90036 LOCKSMITH Los Angeles 90037
Locksmith West Hollywood 90038 Locksmith Los Angeles 90039
LOCKSMITH Los Angeles 90040 Locksmith Los Angeles 90041
Locksmith Los Angeles 90042 LOCKSMITH Los Angeles 90043
LOCKSMITH Los Angeles 90044 Locksmith Los Angeles 90045
LOCKSMITH West Hollywood 90046 LOCKSMITH Los Angeles 90047
LOCKSMITH 90038 LOCKSMITH 90039
LOCKSMITH 90040 LOCKSMITH 90041
LOCKSMITH 90042 LOCKSMITH 90043
LOCKSMITH 90044 Locksmith 90045
Locksmith 90046 LOCKSMITH 90047
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LOCKSMITH 90066 LOCKSMITH 90067
LOCKSMITH 90068 Locksmith 90069
Locksmith 90071 LOCKSMITH 90077
Locksmith 90089 LOCKSMITH 90095
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OPEN FOR ALL ACCOUNTS 866-539-3397
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Automotive - residential - commercial - industrial. ================================================================================================================================================================================================================================================================================== All Los-Angeles Locksmith 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH, 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,9029390291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,===INTELEGENT 24 HR LOCKSMITH LOW PRICES=== 866-539-3397 866-539-3397 LCO#:3542 allsecuritylockandkey.com/
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BILLING ARE AVIALBLE * installing door closers . * rekeying all sorts of locks. * high security locks . * fresh installations (new dead bolt halls on the door for extra security). * shabes combination locks. * auto services any models. * costume made answers for repair. * 24/6 professional locksmith service With great customer service and professional workmanship, we are ready to assist you 24 hours a day, 365 days a year. Automotive - residential - commercial - industrial. ================================================================================================================================================================================================================================================================================== All Los-Angeles Locksmith 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH, 90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293 LOCKSMITH,90293 PLAYA DEL REY LOCKSMITH,90294 VENICE LOCKSMITH,90291 LOCKSMITH,90291 VENICE LOCKSMITH,90292 MARINA DEL REY LOCKSMITH,90294 VENICE PLAYA VISTA LOCKSMITH, LOS ANGELES LOCKSMITH, CALIFONIA 90066 LOCKSMITH,MAR VISTA LOCKSMITH 90066,PLAYA DEL REY 90293
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みーとぅー、やってみたよ。
色味しっぶいな。
Simply type your answer to each of the questions below into Flickr search.
Then, using only the first page, pick an image.
Then, copy and paste each of the URLs for the images into this mosaic maker:
www.bighugelabs.com/flickr/mosaic.php
1. What is your first name? Tomo
2. What is your favorite food? curry
3. What high school did you go to? musashi
4. What is your favorite color? green
5. Who is your celebrity crush? 椎名林檎
6. Favorite drink? tea
7. Dream vacation? nowhere
8. Favorite dessert? ビスコ
9. What you want to be when you grow up? paleontologist
10. What do you love most in life? cat
11. One Word to describe you. optimist
12. Your flickr name. tomoto,
1. Tomo-05-03, 2. Mom's Pineapple Prawns Curry, 3. Musashi, 4. Green coat - canon eos 550d, 5. 我要推這張-椎名林檎 - 私と放電, 6. tea time, 7. Nowhere man., 8. 昭和45年ごろのビスコ, 9. Junior Paleontologists 2009, 10. Cat / Animals / Kitten / Photography, 11. optimist , 12. tomoto, group gift
NBC's Andrea Mitchell asks U.S. Secretary of State John Kerry a question during his joint press conference with Ukrainian Foreign Minister Pavlo Klimkin at the U.S. Department of State in Washington, D.C., on July 29, 2014. [State Department photo/ Public Domain]
U.S. Secretary of Defense Leon Panetta responds to a question by a Soldier of the 173rd Airborne Brigade Combat Team about whether he thinks the America Dream is becoming more and more unattainable.
“’Is the American Dream becoming more and more unattainable?’ I’m someone who believes deeply in the American dream because I’ve lived it. I have parents from Italy, who were immigrants, who had no skills, no money, but understood if they worked hard, they would be able to make use of the great opportunity that America offers people. As a result of that they gave my brother and I a better life. We’re the first kids in our family to go to college, and then to law school. I’ve got three sons -- two lawyers and a doctor -- one is serving in the military in Afghanistan, and the other two served in the Peace Corps. I’ve seen them be able to make use of the opportunity that was afforded them. And I honestly think the United States can continue to provide that kind of greater opportunity to our children in the future so that everyone of them can achieve their dreams. And that’s what it’s all about. If you have dreams about what you can be and you have a chance to achieve those dreams, then that’s what the American Dream is all about. I think we can make that happen, but to make that happen, it doesn’t just come about. It happens because there are people who are willing to make sacrifices. Sacrifice sometimes becomes a bad word in politics, I don’t know why because frankly, that’s what makes us great -- our willingness to sacrifice, our willingness to put our lives on the line, our willingness to work hard, our willingness to do less to make sure our kids have more. It is about sacrifice, and that’s true not only for you but for the people we elect. They have to be willing to make sacrifices too. If people are willing to accept that responsibility, to make a sacrifice, to do something that may be tough, to take a risk, to sometimes take on a challenge you may not want to do, but if you’re willing to do that, then we will give our children that better life. That’s the example we have to set to make sure that happens,” Panetta said. (U.S. Army Africa photo by Sgt. Terysa M. King)
To learn more about U.S. Army Africa visit our official website at www.usaraf.army.mil
Official Twitter Feed: www.twitter.com/usarmyafrica
Official Vimeo video channel: www.vimeo.com/usarmyafrica
Join the U.S. Army Africa conversation on Facebook: www.facebook.com/ArmyAfrica
I got creative today at work . . scribbled this while painting some windows on a storefront : ) couldent resist tagging it with mark of ..the riddler.from. batman : )
The field trip took us to Lake Naivasha, north of Nairobi. While there we were witness to some direct climate change impacts, and some solutions - in the form of a geothermal plant that has the potential to supply energy for much of sub-Saharan Africa.
But being a nature reserve, and in the rift valley, there were many other tours heading in the same direction. At the entrance to the park we met this group of school children. Instantly the members of our party were there, capitalising on the curiosity that the students were feeling towards this mixed-nationality, mixed-generational group.
The topic soon turned to Climate Change - education was, after all, what the conference was about. Enticed by prizes of UNEP hats and badges, we started an impromptu quiz. The kids knew their stuff, and many left wearing blue baseball caps and small silver pins with pride.
Such a small gesture, but I hope that the seed was planted in their heads. The idea of their responsibility as they grow. The idea of the role they must play. Africa may be the hardest hit by climate change, but the opportunity to act, to develop in a different way, exists there like in no other place. Much of what remains of the Earth's resources and diversity is in Africa, and none of us can afford for it to be destroyed.
See the rest of the conference pictures here.
"I love you period
Do you love me question mark
Please, please exclamation point
I want to hold you in parentheses
I love you period
Do you love me question mark
Please, please exclamation point
I want to hold you in parentheses"
-Dan Baird
I chased this beauty all over the yard before he let me get close enough to get some nice closeups of the closed and open wings, I think these butterflies are so interesting because of the wing shape and the markings. I like the little golden curled up probiscus in the closed wing shot!
Frame 40x40 cm, picture 20x20 cm (8x8"). I'd like to print several b&w photographs. Use thin line around photo or without? Ad, is the form good for wall pictures?
Thank you. All remarks are welcome.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Pretty! Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
"My Lazy Boy!" Roger Kriegl Jr. of Troop 802 from California at the 2010 National Scout Jamboree at Fort A.P. Hill, Virginia, Monday July 26, 2010. Photo by Kathy Disney
**********Beginning of Shooting Data Section**********
Canon EOS DIGITAL REBEL XTi iso - 800 f/32 shutter - 1/60
file name - 6730-05-002-016 date - 7/26/10 time - 10:02:51 PM
program - Shutter Priority white balance -
meter - multi-segment tone comp - exp. comp - 0.0
flash - off
Part of the Question of the Moment bulletin board set, “Would You Rather Eat Live Spiders or Raw Mouldy Bacon?”
Working in a junior high brings the challenge of engaging students. We’re trying to bring more boys into the library, and this question was geared at their love of the disgusting. One boy said he would choose bacon over spiders simply because he was worried he would get spider bones stuck in his throat”. After many giggles from surrounding students and an explanation that some spiders have exoskeletons, but none have bones, we all sung a rousing made-up rendition of “Spider Bones” to the theme song of the original cartoon “Spider-Man”. Who said you can’t have fun in the library?!
U.S. Secretary of State John Kerry fields an audience question after addressing a cross-service corps of U.S. service members stationed at Camp Lemonnier - the only U.S. military base in Africa - during a visit to Djibouti, Djibouti, on May 6, 2015. [State Department photo/ Public Domain]
If you have any questions or would like to contribute to this archive, please visit www.underjams.art and contact me on Twitter DM or Telegram ♥
New Instagram! instagram.com/45surf
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Black Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!