Once Sir Joseph of Baeth learnt of Lenfald's separation, he feared that Djorn and Roger were in danger on their way to Garheim. This fear was realized when he received a note stating that the traveling duo had in fact been captured at the Lenfald-Loreos border and were being held for ransom at the old Garhim embassy; roughly ten miles north along the western coast. At this same time Joseph had received an order to go fishing in Lenfald in order to spy on the province. Figuring this was a perfect time to do so, he proceeded to hire a crew, pack his wares and fishing rods, and load up the Rogue Spur for the rescue of Roger and Djorn.....

Several weeks had passed since their departure from Dalmunatha. It took time for Joseph to sail far enough south in order to steer clear of the Magic Isles and plot a very careful course through the Sea of Despair to reach the safer coasts of the Western side of Roawia. Upon arrival to the cliffs that held the old Garhim embassy, its banners changed to the colors of Lenfald, Joseph told his crew to prepare to be boarded with weapons at the ready- if they had previously kicked the Garhims out of the embassy, who knows what they would do to them as Loreesis.

Surprisingly enough however, Sir Joseph and his crew were met with open arms as they docked to the old embassy with dock hands helping to immediately unload the sea-wary contents of their journey. Djorn and Roger were waiting along the lookout just above the docks holding on to two beautiful women each with giant grins on their faces. Standing next to them was a Lenfel knight with a light grey beard and swept back hair, wearing black lapels, noting him as a higher lord. He yelled out, "What ho Sir Joseph! How thee fare on this fine day?! Did thy winds give you quick course to mighty Lenfald?!"

Not sure if this was a ruse or sincere question Joseph knew to keep his tongue witty and his sword close for this encounter. He called back to the lord,

"Greetings noble Lenfel! The winds were sure in helping us get 'ere at the best pace it could!" He began to walk up the stairs to talk to the noble more clearly, "I dont think we have had the pleasure of acquaintance, I am Sir Joseph of Baeth, merchant and knight of Loreos. I was requested to come rescue my two colleagues here, who seem to have both made themselves rather comfortable. I feel I have brought more than enough gold and treasure to negotiate with for their immediate release. Exactly who do I have the pleasure of doing business with my lord?"

At this, the "captured" duo had begun laughing while the noble wrapped an arm around the confused Joseph and gave out a hearty laugh too. Gathering himself, the high lord finally spoke to Joseph, "Nay Sir Joseph! Yer friends aren't our prisoners! Why they have been great fun in our little castle! That note was written just to scare ye to get yer booty out here sooner! Twas a big misunderstanding that has happened since the separation of Lenfald from the nations of Roawia. Thou first think we kicked out the Garhims from their embassy, tis a false accusation- all the occupants left when Garheim was in most dire trouble with the Queen's soldiers. We took up residence because we didnt want them damn filthy Dragon soldiers to find and take root in this abandoned outpost.."

He turned and gestured to Roger and Djorn, "And the capturing of these two twas a complete accident, I had not yet returned from the council meeting so when word of our separation began to incorrectly spread- the local militias deemed it best to start building a wall and patrolling the Lorseesi-Lenfel border which is where your companions were taken. Our most sincere apologies for this mistake, we do not request any form of ransom and if you'd like you can set up a booth in the courtyard and sell thy wares! Stay awhile and let thy crew rest from your long journey! Im sure many 'ere would love to buy some gems and trinkets! AH I almost forgot the pleasantries, I am Lord Jon of House Dragmar.'

Surprised at this revelation and indeed tired from his journey here, Joseph was still suspicious of this Lord Jon and those Lenfels around him. He decided it would be best to accept the invitation and let the crew rest for a few days so he could dig a bit deeper into the mystery that Lenfald had become... He accepted the high lord's apology and invitation to set up shop and rest for a couple days. He finished by giving a sly grin and asking a single question, "So Lord Jon, I have heard that Lenfald's western shores are home to some of the best fishing the realm has ever seen! I just so happen to have my fishing rods with me, would you be up for a spot of fishing tomorrow?"

The old Lenfel replied, "Well of course we have the world's best fishing! I will take you up on that offer Sir Joseph! Tomorrow at mid morning we shall fish!"

.......

It was summertime in Roawia and like the other nations, Lenfald's denizens were enjoying this time of peace. This gave the old embassy a very festive feel. Merchants were selling their wares, people were milling about and talking, children were laughing; jesters juggled and told jokes, the men were having fun practicing their archery and sword skills. Roger had met a cute baker so while he managed Joseph's booth, he allowed her to sell bread to hungry customers. Djorn was off of his shift so he resumed courting the fair ladies he had previously been seen with.

The Garhims had set up a rather good system of agriculture here so many were tending and harvesting the varieties of produce and food that was growing around the castle though the guard presence was quite large for such a small outpost...Joseph noticed this.

Just a few meters down from the dock that held the Rogue Spur was a wooden outlook that jutted out over the cliffs, a perfect spot for fishing. It was here that Lord Jon and Sir Joseph had cast out their lines and began to wait for something to bite.

"Ahhh... a lovely day ain't it Lord Jon?" Asked Joseph. Slipping the objective of spying to Roger and Djorn late in the night, he knew that the information the three could collect would be valuable to his Areani allies. Joseph had also given the Lord some of his strongest Loreesi ale at breakfast to loosen him up before their little fishing excursion.

"Yes, tis a great day after all Sir Joseph! Nothing quite like men of stature relishing in the simple enjoyments of the commoners."

Looking away, Joseph rolled his eyes and nodded. "Aye milord, tis always a surreal experience. Tell thee, what dost thou think of Lenfald's separation from the Roawia?"

"Not much to be honest with ya lad. Everyone be a little tenser with being afraid of how the other nations will react, but we will all get along in the end Im sure. I will tell ya what Joseph, I dont give much trust to them Loreesi or Garhim diplomats and politicians. Tis the tried and true men of Roawia, those who work its land and seas that I trust the most. Men like you lad... I will tell you this though my new friend, something you'd like to hear but cannot tell anyone..."

He leaned in close to Joseph, so close Joseph could smell the Loreesi ale on the high lord's breath.

"I heard something remarkable has happened that gives reason for the sudden movements of Lenfald's ships-- the reason why there wasn't a vessel stationed here upon your arrival. There are trusted rumors that us Lenfel's have discovered something." He pointed out to the sea, "Something out there...-"

His sentence was cut off by Joseph being startled by the sudden jerking of his fishing line. "AHA! I believe I caught me a fish!" He yelled as he pulled up a medium sized fish.

Broke from his drunken trance, Lord Jon exclaimed, "Oi! That is a fine lookin fish me boy! Let us cook it up and get more of that fancy ale of yours!"

__________________________

First off, sorry for the rather long story! But it is needed for the continuation of Sir Joseph of Baeth's story which will probably be shorter in upcoming installments.

(Also, apologies for the kind of crappy pics- my actual camera isnt working and my light box didnt fit this size MOC so a lot of photoshop was used in the first pic so sorry about that.)

Secondly, Wow! This was a big entry to both the Loreos Local Challenge LCXXII and the second Journeyman task of the Merchants guild!

This was originally apart of a display last year for a local Lego event here in the Northern Colorado area but I never got around to posting it as life got in the way and I wasn't sure how to incorporate this into my character's story at the time. The base had been sitting around while the original castle was taken down to build something for my next Merchants Guild task.

It was really my first attempt at building an actual castle for once and since it was intended for a display- I wanted an open area for easy viewing while keeping the castle modular so that is why it doesnt really have a keep or anything. But after my quick redux I think it turned out quite well!

If you've made it this far thanks so much for viewing! It's good to be actively building again and there is still quite a bit in store! :)

Marcus

While out clicking my daily photos of the isthmus, I found myself admiring what has become quite the undertaking on the 100 Block of State Street. Lot's of private money has been put into a project tear down and rebuild several historic buildings on the block. and while I can't say I totally agree it's fun to see the changes unfold. As I looked through my viewfinder I saw out of the corner of my eye I saw a man watching me in a Wisconsin winter jacket, he seemed intrigued about my clicks so I decided to extend a word. He (being Marcus) asked me if I was a photographer, and being a smart ass I replied with a chuckle "Being one with a camera, I do suppose that make's me a photographer." He was such a good spirit and laughed along, as we discussed the changes to one of the existing buildings on the 100 Block I gave my usual speech explaining who I am and what I do. He thought it was a great idea to capture these fading buildings as they were and as they grow into a new skin of sorts. When I asked him if I would be able to click his photographed he smiled and agreed: While at first he seemed a little uncomfortable by the time I composed and exposed my third frame he fit perfectly in frame with the question mark in the window of the recently reopened central library building. I extended my hand and formally introduced myself as Chris aka local paparazzi, and he informed his name was Marcus. Such a simple name to remember especially with the large question mark in the background, we parted ways leading onward with the evening knowing that we were no longer strangers. I place his photo along side many others in my 100 more strangers project album as well as the 100 strangers group on flickr, as there are many talented photographers sharing stores and portraits of strangers from all across the world. Check it out if you feel like seeing some awesome portraits, and just maybe find yourself inspired enough to do your own project!

031/100

50mm f/1.4 USM

f4 1/80

ISO2500

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

Ask me any questions! :)

Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!

Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!

Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.

New 500px!

500px.com/herosodysseymythology

New instagram! instagram.com/45surf

twitter.com/45surf

Pretty Swimsuit Bikini Model Goddess! :)

Follow me on facebook! facebook.com/elliot.mcgucken

vimeo.com/45surf

dailymotion.com/45surf

Nikon D300 Photos of Beautfiul Sexy Hot Brunette!

She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!

Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)

A laid-back,classic, socal lifestyle shoot!

May the 45surf goddesses inspire you along am artistic journey of your own making!

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.

All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

Ask me any questions! :)

Pretty! Nikon D800E Beautiful Swimsuit Bikini Model Goddess! Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II Lens!

All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!

She's from Spain!

www.facebook.com/45surfAchillesOdysseyMythology

A pretty goddess straight out of Homer's Iliad & Odyssey!

New Instagram! instagram.com/45surf

New facebook: www.facebook.com/45surfAchillesOdysseyMythology

Sony A7R RAW Photos of Pretty, Tall Bikini Swimsuit Model Goddess Sony A7R RAW Photos of Pretty, Tall Blond Bikini Swimsuit Model Goddess in Seaside Bluff Cliff! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3

New blog!

45surf.wordpress.com

Ask me any questions! :)

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Blond Hair!

And here're a couple of HD video movies I shot of the goddess with the 4K Sony:

vimeo.com/45surf

Enjoy! Be sure to watch in the full 1080P HD!

The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).

Check out my greatest hits compilation, and let me know what you think:

www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...

Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!

Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.

New 500px!

500px.com/herosodysseymythology

New instagram! instagram.com/45surf

twitter.com/45surf

Pretty Swimsuit Bikini Model Goddess! :)

Follow me on facebook! facebook.com/elliot.mcgucken

vimeo.com/45surf

She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic odyssey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.

ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!

Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)

A laid-back,classic, socal lifestyle shoot!

May the 45surf goddesses inspire you along am artistic journey of your own making!

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.

New blog celebrating my philosophy of photography with tips, insights, and tutorials!

45surf.wordpress.com

Ask me any questions! :)

Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!

All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!

All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.

Questions for our Skype chat this week with the Rauch Brothers:

rauchbrothers.com/blog/

Set a duration for each candidate interview and stick to it. Brevity is important for you and the candidate. Each of the established questions should have a basic time limit. 5 questions, 10 minutes for each, plus 10 minutes of lead in time makes an hour. Keep the interview to 1 hour if possible. 1.5 hours to 2 hours should be the maximum length. Longer interviews are not helpful. Schedule a follow up interview if you wish.

...have patience with everything unresolved in your heart and to try to love the questions themselves as if they were locked rooms or books written in a very foreign language. Don't search for the answers, which could not be given to you now, because you would not be able to live them. And the point is to live everything. Live the questions now. Perhaps then, someday far in the future, you will gradually, without even noticing it, live your way into the answer

Dwayne Brown, NASA Public Affairs Officer, takes a question from a member of the press on theupcoming launch of the Mars Atmosphere and Volatile Evolution (MAVEN) mission, at a press conference at NASA Headquarters in Washington on Monday, Oct. 28th, 2013. MAVEN is the agency's next mission to Mars and the first devoted to understanding the upper atmosphere of the Red Planet. (Photo credit: NASA/Jay Westcott)

This question mark butterfly was so preoccupied it allowed me to get very close - so I accepted the invitation! You can spot the "question mark" on the underside of the wing towards the end.

A question mark from nature

I don't know what happened here at Herald Square in New York City, across from Macy's Department store. The person bleeding may have been the victim of a crime. I came upon the incident, and police were to busy for me to ask questions.

Through the glass.

Through the mask.

Through the monitor.

Through the screen.

How are we enjoying our human made environment?

Will we take responsibility this time?

Will we learn?

Are we truly...intelligent?

That remains to be seen, doesn't it...

From the series "TOTEM"

Photo caption: Juniors Allie Reece and Carver Nichols prepare to take streamflow measurements in the Davidson River. During the TIME Summer Field Study, students explore science research topics of local importance.

The TIME Honors Science Research Course is an intensive, inquiry-based school-day course. Students learn about the process of science as they conduct original scientific research into topics of their own choosing. They are supported by both teacher and scientist mentors as they choose a topic of interest, develop a testable question, design a procedure, collect and analyze data and present their findings.

All Transylvania County Schools high school students (rising 9-12 graders) are eligible to apply for the course. Participants will be chosen through an application process that began in January of 2015, with application deadlines beginning Jan. 30. Course enrollment will be limited. Students will be chosen by an independent selection committee based on their demonstrated interest in science, potential for success in scientific research, and commitment to all components of the course.

Students chosen in 2015 will attend a trip to observe state research competitions in March and a summer field study week prior to the course. The school-day portion of the course will be held during the fall of 2015 in Brevard High School's Science Research Laboratory. Students will enter their work in one or more science competitions during the winter of 2016.

Why apply for the TIME Honors Science Research Course? Students benefit from doing research projects because they see how science applies to their own lives and community. They learn more about the process of science and what scientists do as they act as co-learners with teachers, scientists and other students. They discover new careers in science. While conducting research projects, students develop independence-no one is telling them exactly what to do or how to do it. They learn how to break down a complex, long-term project into manageable pieces, develop a plan of action, and follow it through. As they conclude their projects, students learn how to communicate their results clearly and persuasively to a variety of audiences as they contribute to the bank of scientific knowledge with their findings.

Students who have conducted long-term research projects are more competitive as they apply for college and scholarships. Top colleges want students who can write as well as possess analytical skills, creativity and a multidisciplinary perspective. Most of all they want people with a capacity for continuous innovation. These are skills gained from conducting original research. Doing a science project and participating in a competition can give students the opportunity to meet and spend time with others from around the world who have similar interests while competing for significant scholarships, travel, monetary awards and other prizes.

Current TIME students have recently completed the following research projects: Testing for the presence of estrogen-like compounds In Stevia rebaudiana (Cameron McCathern, Erin Smith and Sam Farrar); Electroantennogram response of Megacopta cribraria to chemical components in its defensive secretion (Abby Williams and Carly Onnink); Evaluation of honeybee health in Transylvania County: An assessment of Varroa destructor and Nosema levels (Ingrid Findlay, Aaron Neumann, and Hannah Lemel); Isolation, identification and screening of local wood rot fungi for the production of lignin-degrading enzymes (Hannah Field and Ryan Holland); Agrobacterium-mediated stable transformation of Coleus X hybridus plants using the floral dip method and B-glucuronidase (GUS) gene as a reporter system (Carver Nichols); Adapting the LAMP assay and culturing methods for hops downy mildew, Pseudoronospora humuli (Sam Lemel and Bryce Spradlin); The effect of antibiotics on the mortality of the hemlock woolly adelgid, Adelges tsugae (Allison Reece and Lauren DuBreuil); Evaluation of VOC producing Diaporthe species for enzyme production (Joe Roberts, Lauren Tooley and Eliza Witherspoon); Identifica-tion and heavy metal remediation potential of fungi isolated from Duke Energy's 1964 Asheville coal ash pond (Ryulee Park and Aidan Spradlin); and studies on the walnut twig beetle (Pityophthorus juglandis) and its association with Geosmithia morbida (Crista Cali and Sarah Branagan).

Current TIME students would like to thank all who have helped with their research during the year including students, teachers, administration, parents and numerous scientists and community volunteers. Thanks go to 2014 TIME volunteers: Ken Chepenik, Don Wauchope, Paul Sisco, Jeanine Davis, Kelly Gaskill, Laurie Moorhead, Chuck McGrady, Page Lemel, Craig DeBrew, Ervin Kovacs, Chris Cali, Pat Montgomery, Tammy Bellefeuil, Adam DeWitt, Brian Heath, Amy Kinsella, Kelly Oten, Bryan Dubois, David Williams, Cindy Carpenter, Lisa Smith, Eric Caldwell, Jay Case, Andy VonCanon, Dan Harris, Danny Fender, Paul Sisco, Scott Pryor, Rene Timmons, Nancy Knights, Sheila and Marvin Holland, George Logsdon, Ed Burdette, Mary Ann Mickewitz, Crawford and Jeanette Lowe, Allen Frost, Ora Wells, Randy Oliver, Coby Schal, Bart Renner, Harriett Walls, Kaitlin McCreery, Gordon Riedesel, Summer Cortinas, Bruce Roberts, Roger Frisbee and Wes Freund. Special thanks go to Dr. Kent Wilcox and Mary Arnaudin, without whose help, guidance, and actions the class could not have been possible!

Funds for the TIME Science Research Course are provided in part by a grant from the Burroughs Wellcome Fund in addition to support from Transylvania County Schools and NC Cooperative Extension. Special thanks go to a growing group of community donors: the American Association of University Women, Pisgah Forest Rotary Club, PharmAgra, The Robertson Foundation, Merrill Well and Pump Company, Environmental Quality Institute, Roger Frisbee, June Litchfield, Peter Chaveas, Steve and Mary Beth Whitmire, Newell and Mary Witherspoon, Ed Buckbee, Kristine and John Candler, NC BioNetwork Labs, Kent Wilcox, Ken Chepenik, Ann Farash and Paul Onnink, Bee Cool Bee Supply and Pat Montgomery.

For more information, to apply for the research course, or to indicate an interest in volunteering or donating to the program, visit time4realscience.org.

© 2015, Transylvania County Schools. All rights reserved.

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

Some background:

The Heinkel He 276 was a night fighter that served with the German Luftwaffe in the later stages of World War II. Its inception dated back to June 1942 when the RLM requested a multi-purpose combat aircraft, the so-called "Arbeitsflugzeug", that could be adapted to various roles and would replace the Bf 110, Ju 88/188 and Do 217.

The He 276 B-2 was the only version to enter service, though - a planned B-3 upgrade with four reheated Jumo 109s (rated at 1.200 kp each) remained on the drawing board.

General characteristics:

Crew: 2

Length (incl. rear antenna): 14.97 m (49 ft 2 in)

Wingspan: 16.56 m (54 ft 3 in)

Height: 5.14 m (16 ft 10 in)

Wing area: 44.4 m² (478 ft²)

Max. takeoff weight: 13,580 kg (29,900 lb)

Powerplant:

4× Junkers Jumo 109-004D jet engines, each rated at 1.015 kp

Performance:

Maximum speed: 916 km/h (494 kn, 568 mph)

Range: 1,540 km (831 nmi, 960 mi)

Ferry range: 2,148 km (1,160 nmi, 1,335 mi)

Service ceiling: 13.300 m (43.564 ft)

Armament:

4 × 30 mm MK 103 cannons in a detachable fairing under the fuselage, 220 RPG;

2× 13 mm MG 131 in an FDL 131ZR tail barbette, 450 RPG;

Factory Rüstsatz "U1" with 4× 30 mm (1.18 in) MK 108 cannons, mounted dorsally as

Schräge Musik (oriented 65° above horizontal), 100 RPG

Two hardpoints under the outer wings, capable of carrying 500 kg each

(normally occupied by 300l drop tanks).

The kit and its assembly:

This whiffy Luft ’46 aircraft model had two inspirational roots. One was the question what could a jet-powered He 219 night fighter have looked like, the other was the real Heinkel P.1065 ‘Arbeitsflugzeug’ project(s), following the idea what that aircraft might have looked like if it had been ushered into production and service?

It would certainly have relied upon existing components – so the concept for this jet-propelled, dedicated night fighter design was born.

The model is a wild kitbash, welded together from the following main ingredients:

• Fuselage of a 1:72 Frog He 219 (Matchbox re-boxing)

• Wings from a 1:100 VEB Plasticart An-24 (NuBee re-boxing)

• Two pairs of 1:72 Revell Me 262 engine nacelles

• Fin and stabilizer from an 1:72 Matchbox Douglas F3D Skyknight

Sounds odd? Yes, and it took some surgical work to get these pieces together. The He 219 fuselage was shortened, a 1” plug taken out at the wings’ trailing edge, thereby shortening the wing roots to the An-24’s dimensions, and the tail section cut off. The tail gap was replaced by a scratched FDL 131Z barbette, and new stabilizers from a Matchbox F3D placed on top of the fuselage, far away from the jet efflux.

I did not want to open the cockpit, but the canopy offers good visibility into the interior, so I scratched something together - the Frog kit has literally nothing of value to offer, so I added a new floor (also acting as front wheel well), new Me 262 seats, dashboards, an IR sight and something that looks like the upper side of a fuselage tank, plus two crew figures.

The wings were clipped, too, and the original An-24 turboprops replaced by two pairs of Me 262 engines in the same place, mounted closely together.

This meant that the landing gear had to go elsewhere, so I relocated the main landing gear wells into the lower fuselage, changing it into a narrow Ar 234 or B-66 style arrangement - from AH-64, F-86 and Bv 155 parts.

For this new arrangement the belly was cut open and a Fiat G.91 part from a Revell kit integrated. The covers for the main landing gear were scratched from sytrene sheet.

The front wheel strut is OOB, but shortened, and instead of a single, big wheel I used smaller twin wheels, from a Matchbox Canberra PR.9. After 25 years these parts finally found a new destination. ^^

The thimble radome is a Pavla resin piece, it actually belongs to a Bristol Beaufighter TF Mk. X, but perfectly fits ins shape and size - and the new nose dramatically changes the He 219 lines!

On the fuselage, I finally added four vertical guns as a "Schräge Musik" installation, adding some more purpose to the rather ugly aircraft. A pair of drop tanks (from two Academy Fw 190 kits) and their respective hardpoints (from a Me 262) complete the ordnance.

I must admit that the thing is ugly as hell, but on the other side looks very German and purposeful - and the new nose section recalls some similarity with a CF-100 or even a B-57a C-130 or a Transall?

Painting and markings:

As a late war German night fighter, almost anything goes. I went for a personal mix of two real night fighter schemes, blended into one: the basis comes from a Me 262 two seater which was finished in an unusual scheme for night duties: upper surfaces in RLM 81 & 83 (Braunviolett and Dunkelgrün), with black (RLM 22) undersides.

Since many night fighters received field modifications, and in patricular much lighter upper surfaces, I added an individual RLM 76 treatment (maybe whitewash, though - not certain if it was intended as winter or night cammo) that comes from a Ju 188 night reconnaissance aircraft and which can only be described as original.

In an initial step the model received its normal paint scheme (using Humbrol 116 and 155, plus flat black from Modelmaster), the RLM 76 additions (with Modelmaster Authentic enamel paint and some Humbrol 127) were then added, so that the original paint could shine through. Everything done with a soft brush, and the result is IMHO very good.

All interior surfaces and the landing gear were painted in dark grey (Humbrol 67) and later slightly dry-painted with medium grey (Humbrol 176) in order to point out details.

Decals were puzzled together from various sources, and I kept everything very simple and minimal - just some German insignia, a tactical code and the last digits of the airframe's serial number at the top of the fin.

Finally, some soot stains were added with grinded graphite and everything sealed under matt acrylic varnish (Revell).

I will admit that the He 276 is an ugly aircraft, with a rather utilarian design. But this actually adds a very German touch to it - and how else could a successos to the He 219 or Ju 88 C look like? ;)

VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST

www.emergencyrooms.org/biennalist.html

Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk

www.colonel.dk

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In 2013 Thierry Geoffroy / Colonel is represented at the Malives pavilion at the Venice Biennale and then went further and received hospitality at the Zimbabwe pavilion with the Emergency Room Mobile

www.emergencyrooms.org/biennalist.html

Meanwhile Thierry Geoffroy is in Copenhagen the work about todays emergencies continue at the gallery Marianne Friis on the

ULTRACONTEMPOARY WARM UP Wall established for this occasion since 6sept 2013

thierrygeoffroy.blogspot.dk/2013/09/colonel-s-warm-up-wal...

www.emergencyrooms.org

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lists of artists participating at the Venice Biennale :

Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.

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other pavilions at Venice Biennale

Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison

Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella

Curators: Josep M. Ubach, Paolo De GrandisAngola Artist: Edson Chagas Commissioner: Ministry of Culture

Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos

Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina

Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan /AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher /AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp /AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov /Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff

Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory/BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School/Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi./BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia /Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture /Curator: Melissa Enders-Bhatiaa/BelgiumArtist: Berlinde De Bruyckere

Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren /Bosnia and Herzegovina

Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić

Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari

Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo

CanadaArtist: Shary Boyle /Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois/Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov

Commissioner: HIVOS (Humanist Institute for Development Cooperation)

Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)

Curators: Ayatgali Tuleubek, Tiago Bom

Scientific Committee: Susanne M. Winterling

ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn

ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao

Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen

Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto

Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)

Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.

CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria ViciniCurators: Jorge Fernández Torres, Giacomo Zaza

CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister /Louli Michaelidou

Deputy Commissioners: Angela Skordi, Marika Ioannou/Curator: Raimundas Malašauskas

Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny /DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt

Artists: Mohamed Banawy, Khaled Zaki

EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak

FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso

FranceArtist: Anri Sala ,Curator: Christine Macel

GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze/Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza

GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer /Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead

Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci

Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl

Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch

Curators: Mary Ceruti , Ilaria Bonacossa/IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi

Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif

Curators: Carla Bianpoen, Rifky Effendy

IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)

Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.

IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan

Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein

ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni

Curator: Bartolomeo Pietromarchi /Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny

Commissioner: Paolo De Grandis , Curator: Yacouba Konaté

Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya

KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi /Korea (Republic of)Artist: Kimsooja

KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg

KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein

Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis /Latin AmericaIstituto Italo-Latino Americano

Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi. /Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug

Deputy Curator: Paz Guevara /Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale

LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute Curator: Raimundas Malašauskas /LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro /MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz

Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic

The Netherlands ,Artist: Mark Manders

Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti

New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton /Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso

Norway:Artists: Edvard Munch, Lene Berg

Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese

Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza

Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real

Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk

Portugal Artist: Joana Vasconcelos Curator: Miguel Amado

RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca VoineaArtists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet

Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann

Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric

SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar

South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart

Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya

Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki

Curator: Giovanni CarmineVenue: Pavilion at Giardini

Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo

Commissioner: Christian Maretti Curator: Duccio Trombadori

Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu

Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang

Curators: Penwadee Nophaket Manont, Worathep Akkabootara

Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal

Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko

Curators: Soloviov Oleksandr, Burlaka Victoria

United Arab Emirates Artist: Mohammed Kazem /Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda

Uruguay Artist: Wifredo Díaz Valdéz

Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro

USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block

Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla

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Encyclopedic Palace is curated by Massimiliano Gioni

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Other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale

Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art

Ce matin, un pygargue s'en prend à un petit canard colvert qui est en compagnie de deux bernaches. Le canard a une malformation congénitale. Il ne peut pas voler. Son aile droite est incomplète et il est du lunch pour les plus gros. Je me doutais bien qu'un jour j'assisterais à ceci. Pour le moment le canard est sauf ainsi que les deux bernaches, mais ce n'est qu'une question de jours.

Live the Question: Lower Society

Quantes preguntes la pregunta... Quantes fulles la fulla...

Grand Canyon National Park,

Grand Canyon, Arizona, USA

This picture was taken over 5 years ago. I love it because it captures my "essence".

50 Questions

Tagged by ShePuppy

Post a pic of yourself & answer the questions.

1: What are you doing?

Watching America's Next Top Model...

2: Something about you that nobody ever knew?

I've never been kissed. I've never had a "true" relationship.

3: Biggest phobias?

I am so scared of the dark.

4: How tall are you?

5ft 3

5: Ever been in love?

Yes

6: Any tattoos that you want?

I'm actually getting a tattoo of my fave girl, Alice next Saturday!

7: Any piercings that you want?

I really want a tragus piercing but I have terrbily sensitive ears.

8: Makeouts or cuddling?

No.

9: Shoe size?

8 1/2

10: Favorite bands?

Pink Floyd, Nine Inch Nails, Siouxsie and the Banshees, Switchblade Symphony, Rasputina...things of that sort.

11: Something you miss?

My friends. I have none outside of my house right now. (My sister, my cat and Alice are literally my friends...so sad)

12: Favourite song?

The Great Below by NIN

13: How old are you?

26

14: Zodiac sign?

Pisces

15: Hair Color?

White with a hint of pale green.

16: Favourite Quote?

"..I listened to the old brag of my heart, I am, I am, Iam." ~Sylvia Plath from the Bell Jar

17: Favourite singer?

Trent Reznor

18: Favourite colour?

Pink

19: Loud music or soft?

What does loud music consist of? I hate lite rock and easy listening...so I guess loud?

20: Where do you go when you're sad?

My bed.

21: What's your grail stock Blythe? Goldie

22: What are some of your grail custom Blythes?

I really REALLY want a Calvera girl but it has to be perfect.

23:How many kids do you have? None.

24: Turn on?

An open mind, a sense of humor, good taste in music and a big...nose.

25: Turn off?

Guys who KNOW they're good looking.

26: The reason I joined Flickr?

Blythe

27: Most recent Blythe obsession:

Mimsy Beuno hats.

28: Last thing that made you cry?

Talking about my inability to drive.

29: Last time you cried?

A couple days ago.

30: Meaning behind your url:

Daifuku is a type of mochi (asian bean cake) that I used to eat. I got really sick one time from eating too much and now I can't eat it any more. Darling is just one of my favorite nick names.

31: Last book you read?

Good grief...Its been a while since I've ready anything. I have severe ADD so reading is a problem.

32: Last song you listened to?

"Folksom Prison Blues" by Johnny Cash

33: Last show you watched?

America's Next Top Model

34: Last person you talked to?

My sister, Melissa

35: The relationship between you and the person you last texted?

Father

36: Favourite food?

Unagi Sushi roll (eel)

37: Place you want to visit?

The Daikenyama (sp?) district in Japan. Blythe shopping!!

38: Last place you were?

Outside of the house-Party City, inside the house-My bedroom

39: Do you have a crush?

Does Trent Reznor count?

40: Last time you kissed someone?

I already told you, I've never been kissed...

41: Last time you were insulted and what was it?

My sister told me I need to plan things out better about an hour ago...but it's true.

42: What are you looking forward to?

Next Saturday's tattoo appointment!

43: Any dolly plans today? Straightening up the doll house.

44: Are you tired?

Ermgerd..So very tired

45: Wearing any bracelets?

No.

46: Last sport you played?

......

47: Last song you sang?

"Freedom" by George Micheal

48: Last prank call you remember doing?

I Pony-fied my sister's computer so that everything she ready said "Call Me Maybe" lyrics.

49: Last time you hung out with anyone?

Maybe a month or two ago. Unless you count my sister, which was yesterday.

50: Do you consider yourself to be approachable?

Hmm...Personality wise, yes. Image wise, I'm a bit intimidating.

Here, Red is doing the classic running-at-an-angle manoeuvre towards Blue.

I have to say their mimicking of the WWF-style wrestling is quite entertaining.

Question: if fake violence on TV breeds fake violence in real life, does real violence on TV also breed real violence in real life?

Two guys in my neighbourhood decided to perform some WWF-style wrestling for their kid brother. It's quite hilarious.

I took this at nearby mountain.

Answer to the Ultimate Question of Life, the Universe, and Everything (42). In the first novel and radio series, a group of hyper-intelligent pan-dimensional beings demand to learn the Answer to the Ultimate Question of Life, The Universe, and Everything from the supercomputer, Deep Thought, specially built for this purpose. It takes Deep Thought 7½ million years to compute and check the answer, which turns out to be 42. The Ultimate Question itself is unknown. When asked to produce The Ultimate Question, Deep Thought says that it cannot; however, it can help to design an even more powerful computer, the Earth, that can. The programmers then embark on a further ten-million-year program to discover The Ultimate Question. This new computer will incorporate living beings in the "computational matrix", with the pan-dimensional creators assuming the form of mice. The process is hindered after eight million years by the unexpected arrival on Earth of the Golgafrinchans and then is ruined completely, five minutes before completion, when the Earth is destroyed by the Vogons to make way for a new Hyperspace Bypass. This is later revealed to have been a ruse: the Vogons had been hired to destroy the Earth by a consortium of psychiatrists, led by Gag Halfrunt, who feared for the loss of their careers when the meaning of life became known. Lacking a real question, the mice decide not to go through the whole thing again and settle for the out-of-thin-air suggestion "How many roads must a man walk down?" from Bob Dylan's song "Blowin' in the Wind". At the end of the radio series (and television series, as well as the novel The Restaurant at the End of the Universe) Arthur Dent, having escaped the Earth's destruction, potentially has some of the computational matrix in his brain. He attempts to discover The Ultimate Question by extracting it from his brainwave patterns, as abusively suggested by Ford Prefect, when a Scrabble-playing caveman spells out forty two. Arthur pulls random letters from a bag, but only gets the sentence "What do you get if you multiply six by nine?" "Six by nine. Forty two." "That's it. That's all there is." "I always thought something was fundamentally wrong with the universe" Six times nine is, of course, fifty-four. The program on the "Earth computer" should have run correctly, but the unexpected arrival of the Golgafrinchans on prehistoric Earth caused input errors into the system—computing (because of the garbage in, garbage out rule) the wrong question—the question in Arthur's subconscious being invalid all along. Quoting Fit the Seventh of the radio series, on Christmas Eve, 1978: Narrator: There is a theory which states that if ever anyone discovers exactly what the Universe is for and why it is here, it will instantly disappear and be replaced by something even more bizarre and inexplicable. There is another theory which states that this has already happened. Some readers subsequently noticed that 613 × 913 = 4213 (using base 13). Douglas Adams later joked about this observation, saying, "I may be a sorry case, but I don't write jokes in base 13." In Life, the Universe and Everything, Prak, a man who knows all that is true, confirms that 42 is indeed The Answer, and confirms that it is impossible for both The Answer and The Question to be known about in the same universe (compare the uncertainty principle) as they will cancel each other out and take the Universe with them to be replaced by something even more bizarre (as described in the first theory) and that it may have already happened (as described in the second). Though the question is never found, 42 is shown as the table number at which Arthur and his friends sit when they arrive at Milliways at the end of the radio series. Likewise, Mostly Harmless ends when Arthur stops at a street address identified by his cry of, "There, number 42!" and enters the club Beta, owned by Stavro Mueller (Stavromula Beta). Shortly after, the earth is destroyed in all existing incarnations. The number 42 Douglas Adams was asked many times why he chose the number 42. Many theories were proposed, including the fact that 42 is 101010 in binary code, the fact that light refracts off water by 42 degrees to create a rainbow, the fact that light requires 10−42 seconds to cross the diameter of a proton. Adams rejected them all. On November 3, 1993, he gave an answer on alt.fan.douglas-adams: The answer to this is very simple. It was a joke. It had to be a number, an ordinary, smallish number, and I chose that one. Binary representations, base thirteen, Tibetan monks are all complete nonsense. I sat at my desk, stared into the garden and thought '42 will do'. I typed it out. End of story. Adams described his choice as 'a completely ordinary number, a number not just divisible by two but also six and seven. In fact it's the sort of number that you could without any fear introduce to your parents'. While 42 was a number with no hidden meaning, Adams explained in more detail in an interview with Iain Johnstone of BBC Radio 4 (recorded in 1998 though never broadcast) to celebrate the first radio broadcast's 20th anniversary. Having decided it should be a number, he tried to think what an "ordinary number" should be. He ruled out non-integers, then he remembered having worked as a "prop-borrower" for John Cleese on his Video Arts training videos. Cleese needed a funny number for the punchline to a sketch involving a bank teller (himself) and a customer (Tim Brooke-Taylor). Adams believed that the number that Cleese came up with was 42 and he decided to use it. Adams also had written a sketch for The Burkiss Way called "42 Logical Positivism Avenue", broadcast on BBC Radio 4 on 12 January 1977[10] – 14 months before the Hitchhiker's Guide first broadcast "42" in fit the fourth, 29 March 1978. In January 2000, in response to a panelist's "Where does the number 42 come from?" on the radio show "Book Club" Adams explained that he was "on his way to work one morning, whilst still writing the scene, and was thinking about what the actual answer should be. He eventually decided that it should be something that made no sense whatsoever- a number, and a mundane one at that. And that is how he arrived at the number 42, completely at random." Stephen Fry, a friend of Adams, claims that Adams told him "exactly why 42", and that the reason is "fascinating, extraordinary and, when you think hard about it, completely obvious." However, Fry says that he has vowed not to tell anyone the secret, and that it must go with him to the grave. John Lloyd, Adams' collaborator on The Meaning of Liff and two Hitchhiker's fits, said that Douglas has called 42 "the funniest of the two-digit numbers." The number 42 also appears frequently in the work of Lewis Carroll, and some critics have suggested that this was an influence. Other purported Carroll influences include that Adams named the episodes of the original radio series of The Hitchhiker's Guide to the Galaxy "fits", the word Carroll used to name the chapters of The Hunting of the Snark. There is the persistent tale that forty-two is actually Adams' tribute to the indefatigable paperback book, and is really the average number of lines on an average page of an average paperback book. On the Internet The number 42 and the phrase, "Life, the universe, and everything" have attained cult status on the Internet. "Life, the Universe, and Everything" is a common name for the off-topic section of an Internet forum and the phrase is invoked in similar ways to mean "anything at all". Many chatbots, when asked about the meaning of life, will answer "42". Several online calculators are also programmed with the Question. If you type the answer to life the universe and everything into Google (without quotes or capitalising the small words), the Google Calculator will give you 42, as will Wolfram's Computational Knowledge Engine. Similarly, if you type the answer to the ultimate question of life, the universe and everything into DuckDuckGo, the 0-click box will read "42".[19] In the online community Second Life, there is a section on a sim called "42nd Life." It is devoted to this concept in the book series, and several attempts at recreating Milliways, the Restaurant at the End of the Universe, were made. In the OpenOffice.org software, if you type into any cell of a spreadsheet =ANTWORT("Das Leben, das Universum und der ganze Rest"), which means the answer to life, the universe and everything, the result is 42.[20] ISO/IEC 14519-2001/ IEEE Std 1003.5-1999, IEEE Standard for Information Technology - POSIX(R) Ada Language Interfaces - Part 1: Binding for System Application Program Interface (API) , uses the number '42' as the required return value from a process that terminates due to an unhandled exception. The Rationale says "the choice of the value 42 is arbitrary" and cites the Adams book as the source of the value. The random seed chosen to procedurally create the whole universe including all the regions, constellations, stars, planets, moons and mineral distribution of the online massively multi-player computer game EVE Online was chosen as 42 by its lead game designer in 2002. Cultural references The Allen Telescope Array, a radio telescope used by SETI, has 42 dishes in homage to the Answer. In the TV show Lost, 42 is the last of the mysterious numbers, 4, 8, 15, 16, 23, and 42. In an interview with Lostpedia, producer David Fury confirmed this was a reference to Hitchhiker's. The TV show The Kumars at No. 42 is so named because show creator Sanjeev Bhaskar is a Hitchhiker's fan.[24] The band Coldplay's album Viva la Vida includes a song called "42". When asked by Q magazine if the song's title was Hitchhiker's-related, Chris Martin said, "It is and it isn't." The band Level 42 chose its name in reference to the book. The episode "42" of the British science fiction television series Doctor Who was named in reference to the Answer. Writer Chris Chibnall acknowledged that "it's a playful title". Ken Jennings, defeated along with Brad Rutter in a Jeopardy match against IBM's Watson, writes that Watson's avatar which appeared on-screen for those games showed 42 "threads of thought," and that the number was chosen in reference to this meme.

After coming out of prison last summer, Welcome is now a One Man Can Training Assistant. He explains how the project asks questions and encourages men to rethink how they value women and change their lives.

“How can I say that I’m gender conscious if I’m still being abusive? How can I say I’m gender conscious if I’m still seeing women as objects rather than our equals? So in order to change, I needed to do this introspection and move myself away from gang activity to understand I could be a loving man and a loving provider, if I just worked on that process.”

Background

In March 2013 the United Nation's Commission on the Status of Women will meet to discuss how to prevent all forms of violence against women and girls.

This International Women's Day, help demand action by sending a message to global leaders that it's time to put a stop to this worldwide injustice.

UK aid is working in 21 countries to address physical and sexual violence against women and girls and will be supporting 10 million women and girls with improved access to security and justice services by 2015.

Find out more at www.dfid.gov.uk/violence-against-women-and-girls

For more information about the Sonke Gender Justice programme visit genderjustice.org.za/

Picture: Lindsay Mgbor/Department for International Development

Terms of use

This image is posted under a Creative Commons - Attribution Licence, in accordance with the Open Government Licence. You are free to embed, download or otherwise re-use it, as long as you credit the source as Lindsay Mgbor/Department for International Development'.

This picture is featured on the prosperity blog at www.prosperityblogger.wordpress.com.

President Cyril Ramaphosa replies to Questions for Oral Reply in the National Council of Provinces (NCOP) in Parliament, Cape Town. (Photo: GCIS)

what advantage is there to being born with a silver spoon ... when the riches of life come from within

submitted to 100 words

76/100 words: question

行政長官答問會

行政长官答问会

The Chief Executive's Question and Answer Session (9.6.2022)

कुछ ख्वाब,कुछ सवाल

कुछ बेसबब ख़याल

और एक हकीकत..

ज़िंदगी ने ये सब मुफ़्त दिया है इन्हें

- Self Composed

...हंसी का एहसास...

...धूप की चुभन..

...धूल का स्वाद...

...ज़िंदगी फिर भी "जीती" है..

..ज़िंदगी तभी जीती है...

..यह ख़्वाब और खयाल...

- Somesh ( See comments )

When I had written the first lines, they were rather on a sad note..

For those who cant read Hindi, It means:

These little ones have got some free gifts from life,

Some Dreams, Some questions, and A Big REALITY of life..

Thanks to Som.. to add a greater meaning to this..

for those who cant understand hindi, His lines mean:

Life is truly lived : ...ज़िंदगी फिर भी "जीती" है..

and is won by them: ..ज़िंदगी तभी जीती है...

Its because, they have experienced all the bitter truths,

and still know how to smile..

Thanks a tonn to him , to add a greater meaning to the pic..

From the autumn 2016 trip to Vietnam:

Hey, Hey, Hue Hue! (“Hue” rhymes with “way,” by the way, and has an aspirated ‘h’ at the beginning.) As I mentioned yesterday, the fine folks at Huenino arranged a private car to shuttle us around the Hue countryside. That cost $37, flat rate, to take as long as we wanted, but she said we would probably be done around 2:00.

After eating an omelet and toast, our driver came to our hotel (which was in an alley) to pick us up. The agenda was this: First, we went to the Thien Mu Pagoda about 1-2 kilometers due west of the Citadel along the Perfume River. After that, we went to three different imperial tombs that were roughly 20 kilometers from downtown Hue (and a few kilometers from each other), and then ended up at the Citadel.

Normally, I wouldn’t be very excited about a pagoda, but when we got to Thien Mu, I was pleased. It’s situated on a slight hill above the Perfume River. (I love the name of the river, by the way, though there was nothing pleasantly aromatic about it. I’m also glad to say it wasn’t a sarcastic name with a pungent bouquet to offend the senses, either.) When you get to the pagoda, though, it has a wonderful little approach: a small, steep staircase that leads up to the pagoda with four pillars right at the top of the stairs that frame the pagoda well.

Next to the pagoda are a few minor temples (about the size of outhouses) surrounded by trees with views of the river. Directly behind the pagoda is the entrance to the temple. The main gate is nice and, upon entering, the main hall is about a hundred meters directly in front of you. The green is pretty lovely and, on the side of the green are some minor halls.

Behind the main hall there is a bonsai garden and a second hall. Finally, behind the secondary hall is another green with a mini pagoda/statue at the back of the grounds. The back of the grounds are enclosed by trees.

After leisurely making our way to the back of the grounds (in 30-45 minutes, I’d guess), we walked back towards the front, photographing flowers and two women in traditional dress before stopping at a side hall that had a peculiarity: A sky blue Austin dating from around 1960.

This is the car (which, I believe, I mentioned in my Saigon posts as well) in which the monk Thich Quang Duc rode from An Quang Pagoda down to Saigon before self-immolating in 1963 to protest the treatment of the Ngo Dinh Diem government. (I won’t elaborate here, but the response of Ngo’s sister, to say the least, was callous. You can find a letterbox in the LP Vietnam and read about it.) As I said, I was absolutely delighted by this temple. I suppose I could ascribe it the polar opposite from how I felt at seeing Disappointment Falls en route to Hue on Thursday.

After roughly an hour here at Thien Mu Pagoda, our driver took us to the first of three imperial tombs. To say a little bit about imperial Vietnam – and the era that these tombs cover – the first thing you need to know is that you can NOT associate dynastic Vietnam with China. They couldn’t be much more different. China’s dynasties span more than two thousand years from 221 B.C.-1911 A.D. (with smaller kingdoms even predating those). When talking about imperial Vietnam, we have to reach way, way back in time…to the 1800s – A.D., that is. So, these tombs are somewhere around 150-200 years old, give or take a few years.

Another thing to know about imperial Vietnam is that they ruled while the country was really being run by the French who, by this point, had taken over Indochina. So, I suppose if you were desperate to compare Vietnamese emperors to Chinese, you could go with the last emperor, Puyi, who was pretty much a puppet emperor in Manchuria until the 1930s when the Japanese let him rule as a figurehead. (Speaking of Puyi, that movie – the Last Emperor – is extraordinary.)

For now, I’ll focus squarely on the tombs themselves. The first one we stopped at was the Tomb of Minh Mang. When we arrived here, we went to the ticket booth to buy a pass to the four sites (three tombs plus Citadel) for 360,000 VND/person (~17-18 USD).

Of the imperial tombs I’ve seen – primarily in southeastern Korea – this one was the most like those. The Korean mausoleums are massive mounds built on top of the tombs and that’s what this was.

In retrospect, Minh Mang’s tomb was my favorite of the three we would see on the day. It was parklike and fairly expansive. Minh Mang “ruled” from 1820-1840, so obviously the tomb would date from sometime around 1840. The tomb was planned during his reign and built by his successor, Thieu Tri.

The Honor Courtyard is at the south end of the complex directly in front of Dinh Vuong (Stele Pavilion). There are three stairways leading up to the pavilion. From inside the pavilion, you have a nice view of Sung An Temple (dedicated to Minh Mang and his empress) directly in front of you and two side halls framing in a courtyard filled with potted flowers.

Behind Sung An temple, you pass through Hien Duc Gate descend some stairs and can cross one of three bridges to span Trung Minh Ho (Lake of Impeccable Clarity). The central bridge was for the emperor’s use only, so I guess I was an emperor on this day.

Once across the bridge, you find yourself looking up at Minh Lau Pavilion (Pavilion of Light) which is built on three superimposed terraces that represent the “three powers”: the ehavens, the earth, and water. To the left of this is the Fresh Air Pavilion and, to the right, the Angling Pavilion.

Finally, you cross another, slightly longer, stone bridge that carries you over Tan Nguyet Lake (Lake of the New Moon). This is a crescent-shaped lake and, once across, you finally find yourself at the base of Minh Mang’s tomb with its rather large staircase flanked by dragon banisters that lead to his sepulcher. However, you also find that the gates are locked and you can’t actually go see the tomb. (It’s only open one day a year, on the anniversary of his death.)

After reaching the tomb, you can walk out the same way you came in or, after crossing the stone bridges in front of Minh Lau Pavilion, you can veer off and take a path that skirts the large and rather pleasant Tan Nguyet Lake back to the front gate (which is what we did).

When we finally made our way back to our driver, I think we’d spent an hour or so at the first tomb. From there, it was a short 5-10 minute drive to the second of the three: the Tomb of Khai Dinh. I’ll simply copy the LP Vietnam description of this tomb here:

“This hillside monument is a synthesis of Vietnamese and European elements. Most of the tomb’s grandiose exterior is covered in blackened concrete, creating an unexpectedl Gothic air, while the interiors resemble an explosion of colorful mosaic.

Khai Dinh was the penultimate emperor of Vietnam, from 1916 to 1925, and widely seen as a puppet of the French. The construction of his flamboyant tomb took 11 years.

Steps lead to the Honor Courtyard where mandarin honor guards have a mixture of Vietnamese and European features. Up three more flights of stairs is the stupendous main building, Thien Dinh. The walls and ceiling are decorated with murals of the Four Seasons, Eight Precious Objects, and Eight Fairies. Under a graceless, gold-speckled concrete canopy is a gilt bronze statue of Khai Dinh. His remains are interred 18m below the statue.”

Khai Dinh’s tomb was a stark contrast to Minh Mang’s. Minh Mang’s takes advantage of a natural setting whereas this tomb has a castle/temple feel to it. It’s on a hill and the views afforded from in front of Thien Dinh are quite wonderful. The temple itself – actually it advertises itself as a palace – is pretty much as Lonely Planet described it: rather ostentatious. That being said, it’s still well worth coming out here, especially to use it as a contrast from the other two tombs. Anyway, about 30 minutes at the Tomb of Khai Dinh should more than suffice even the most leisurely of visitors.

From there, we hopped back in the car for a 15 minute drive to the third and final tomb of the day: the Tomb of Tu Duc. This is actually the closest of the three to the city. I rather like the order in which we visited, though. My favorite first, least-favorite second, and another nice one to end it.

The Tomb of Tu Duc was built between 1864 and 1867. According to LP, it’s “the most popular, and certainly one of the most impressive of the royal mausoleums.” (That being said, I preferred Minh Mang’s tomb…by a long way.)

This tomb was designed by the emperor himself for use both before and after his death. Tu Duc was an interesting puppet king. Basically…he was a sterile Lothario. He had 104 wives and countless concubines, though no offspring. (Ok…he may not have been sterile, but with that many women around, I don’t think it’s a terribly unreasonable guess.)

This tomb is much closer in style to Minh Mang’s than to Khai Dinh’s. When you walk through the front gate, a path leads directly to Lou Khiem Lake. There’s a tiny island to the right – Tinh Khiem – where he used to hunt small game. Across the water to the left is Xung Khiem Pavilion, where he would compose and recite poetry to his concubines.

From the lake, turn directly behind you to find Hoa Khiem Temple, where Tu Duc and his wife (Empress Hoang Le Thien Anh) were worshipped. It’s not much to speak of when visiting it today, for it doesn’t seem to be a priority to maintain it. There are two thrones in here…and the larger one was for the empress. Tu Duc was, shall we say, vertically challenged, only reaching 153 cm in stature. (That’s a hair over 5’0”, which would even make Prince seem to tower over him.)

Anyway, the temples to honor the emperor/empress and another to honor his mother were so unimpressive to me that I won’t bother with more details. From this area, you continue to walk back less than 5 minutes to the Honor Courtyard with its statues of elephants, horses, and diminutive mandarins (the emperor ensured that his servants were even shorter than he, though I’m not sure where he found enough that fit that description). The courtyard leads to the Stele Pavilion, which has a 20 ton stele for which the emperor drafted the inscriptions himself. From LP, “He freely admitted that he had made mistakes and chose to name his tomb Khiem (modest).”

Of the three tombs on the day, this one is the least impressive. It’s enclosed by a wall on the back side of a tiny crescent-shaped lagoon. It’s a drab, gray monument. The reason it’s unimpressive, I guess, is because the emperor isn’t actually buried here. The site of his remains is unknown as, to keep it a secret from grave robbers, all 200 servants who buried the king were beheaded. How lovely.

As you can tell, I’m not a fan of this particular kind. (Paranoid and insecure, anyone?) However, the grounds and his tomb – barring the temples dedicated to him and his mom – are pleasant enough. I honestly don’t know why people would consider this the most popular, but I won’t argue. I’ll just say it’s a nice place to visit – but not if it’s the only destination you have in mind. The tombs are best seen as a group for contrast’s sake.

Having had our fix of tombs satisfied, the driver took us back into town and dropped us off just inside the Quang Duc Gate (southwestern gate) of the Citadel right in front of the Nine Holy Cannons. (Actually, there are five on this side; the other four are inside the southeast gate: Ngan Gate.)

The Citadel, for comparison, is quite a bit like China’s Forbidden City in its layout and use. Having said that…it’s nothing like the Forbidden City in terms of scale or elaborate detail. However, it’s still quite photogenic.

To get the dimensions out of the way, the outer wall of the Citadel is 10 kilometers long (close to square in orientation, so 2.5 km by 2.5 km) with a moat surrounding it that is 30 meters across. Within the Citadel, there are very distinct sections: the Imperial Enclosure and Forbidden Purple City is in the center. Temple compounds are in the southwest section and residences for family members (emperor’s mother, for example) are in the northwest. There are gardens in the northeast and to the north was the Mang Ca Fortress (which is still a military base).

Unfortunately for the world, you need to really use your imagination when visiting the Forbidden City because the one thing that wasn’t forbidden, sadly, were bombs by both the French and U.S troops during the various wars of the 20th century. Of the 148 buildings that were originally here, only 20 are still standing.

Getting back to our particular tour of the citadel, it started inside the southwest gate which was the outer wall of the compound. It was more of a military parade ground for the emperor and is currently flanked by the nine aforementioned cannons (for decorative purposes only, found under small pavilions) and a massive Vietnamese flag flying high at the center of the southern outer wall.

Walking across the parade grounds, you get to the ticket booth and pass through Ngo Mon Gate. This is a gate with three doors, the central of which was only for the emperor’s use. On top of the gate is the Ngu Phung (Belvedere of the Five Phoenixes). There’s a large drum and bell on its upper level as well. The emperor only came here on special occasions, the last of which, on 30 August 1945, was when Emperor Bao Dai appeared to end the Nguyen Dynasty, abdicating to a delegation sent by Ho Chi Minh.

After entering and crossing a bridge, you arrive at the Thai Hoa Palace (Palace of Supreme Harmony, built in 1803). This is an attractive palace which forbids photography inside. That’s all for the best. It has nice details but, except for the throne, is essentially a large, empty chamber. In a back room, though, is a nice introductory video that previews the Citadel which I’d recommend watching.

We actually went counter to the plan laid out by Lonely Planet here. Instead of continuing directly through the middle of the compound, we turned left out of the back door of the main palace.

After resting for half an hour or so in a cafe, we continued to the southwest corner of the compound. The highlights here are open fields – in a few cases where temples used to be before being blown to smithereens – and a few nice temples are still standing. The most photographic of these is a temple in front of which stand Nine Dynastic Urns. Having seen the three temples in the southwestern corner of the Citadel, we made our way north along the inside of the western wall towards the residential compounds.

On the way there, we decided to skip those and head back towards the center of the Citadel where we came upon the Hall of Mandarins. This is a hall that lists the accomplishments of every emperor of the Nguyen Dynasty. Again, most of the buildings here are gone, and there are just open, grassy fields framed by the halls. The mandarins used to have their offices off the halls here.

Once through the western hall, you come back into an interior grassy field – also framed by rather nice, long corridors. This is/was the Forbidden Purple City where the private residence of the emperor would have been. To the right of the eastern corridor, just outside the Forbidden Field, is the Royal Theater which, while we were here, was under restoration.

From here, we made our way back towards the Thai Hoa Palace, only to find that we couldn’t exit whence we came in, so we had to follow the wall around to the eastern gate. I can say that the southeastern section of the Citadel just has a nice forest-like feel to it, but nothing architectural of note.

When we finally made our way out the eastern gate, we paid two bike drivers (these are bikes on the front of which are placed chariot-ish looking carts that seat one person) to take us back over towards our hotel where we grabbed a very late lunch/early dinner.

For the evening, we just went out for a walk along the river, but – unlike Hoi An – Hue isn’t terribly impressive at night. There’s a night market, but really, everything just seemed a bit dark and not interesting. This was probably also due to the fact that I was feeling a slight fever (possibly from the afternoon shower the day before) and my energy was practically drained. I’m glad to say that I felt fine the following morning, which was good, since we had a one hour flight to Hanoi that would get us to the capital around noon.

As always, thanks for dropping by and viewing these pictures. Please feel free to leave any questions or comments and I’ll answer as I have time.

It’s been selling since 2023 but it’s the first one I ever see. First it was sold by an independent importer. Now it's being sold by the Stellantis group.

The car was assembled in Poland from CKD Chinese parts, to get. The European Union has stopped that kind of trick to avoid the invasion of Chinese cars who are not fully produced in the EU. But it’s already too late. Volvo, MG, SMART, and many others, are in Chinese hands.

Also we start seeing BYD, XPENG, LYNK&Co etc. everywhere. The death of our European automobile industry is just a question of time. Meanwhile STELLANTIS is looking for an alternative to build the T03, as the best cheap EV city car for the moment. It's a competitor of the DACIA Spring... also built in China.

I posed the question the night before, that I wondered if the bells of the Minster would chime all night, and so would they be made silent after, say, eleven? I can now reveal that the bells did chime all night. I would like to say it was kind of re-assuring, but the ringing, not only of the hours but an attractive peal before the hours were chimed, was loud, loud enough to wake me from my slumber on a few occasions.

We arranged to meet Bradey at eight for breakfast, and in an unusual move we had to exit the guesthouse and go in the front door for the breakfast room. It worked, and soon we were tucking into toast, cereal and a huge cup of coffee or two.

Before breakfast, Jools and I walked round the monster, and saw that it opened at nine, so we hoped to load the car and be at the doors at the final stroke of nine so we could hit toe road as soon as we, or rather, I had my shots.

And this is what happened. The car loaded, we walked to the monster to find the door unlocked, but the church deserted. So, I rushed round getting my shots, it is always wonderful to have a building to oneself, but one as grand and as special as Beverley Minster was a rare treat.

----------------------------------------------------------------

Beverley Minster, in Beverley, East Riding of Yorkshire, is a parish church in the Church of England. It is one of the largest parish churches in the UK, larger than one third of all English cathedrals and regarded as a gothic masterpiece by many.

Originally a collegiate church, it was not selected as a bishop's seat during the Dissolution of the Monasteries; nevertheless it survived as a parish church and the chapter house was the only major part of the building to be lost. It is part of the Greater Churches Group and a Grade I listed building.[1] Every year it hosts events in association with local schools. Including the Beverley Minster Primary School Nativity Performance and the Beverley Grammar School Speech Night.

The minster owes its origin and much of its subsequent importance to Saint John of Beverley, who founded a monastery locally around 700 AD and whose bones still lie beneath a plaque in the nave. The institution grew after his death and underwent several rebuildings. After a serious fire in 1188, the subsequent reconstruction was overambitious; the newly heightened central tower collapsed c. 1213 bringing down much of the surrounding church. Work on the present structure began around 1220.

It took 200 years to complete building work but, despite the time scale involved, the whole building has coherent form and detail and is regarded[who?] as one of the finest examples of Perpendicular design, the twin towers of the west front being a superlative example. These formed the inspiration for the design of the present Westminster Abbey.

Saint Thomas Becket of Canterbury, (c. 1118–29 December 1170) was named Provost of Beverley in 1154.

Henry Percy, 4th Earl of Northumberland (1449–1489), was buried in the church after being murdered by the citizens of York in 1489 during the Yorkshire Rebellion over high taxes imposed by King Henry VII.

As with many English churches during the wars of religion in the 16th century, Beverley Minster was not immune to dissension. Church authorities cracked down hard on those they felt were part of the "Popish" conspiracy contrary to Royal decrees. "Among those holding traditional beliefs were three of the clergy at the minster, who were charged with Popish practices in 1567; John Levet was a former member of the college and Richard Levet was presumably his brother. Both Levetts were suspended from the priesthood for keeping prohibited equipment and books and when restored were ordered not to minister in Beverley or its neighbourhood."[2]

In the 18th century the present central tower replaced an original lantern tower that was in danger of collapse. This central tower now houses the largest surviving treadwheel crane in England, which is used when raising building materials to a workshop located in the roof. A distinctive feature of both the north and south transepts is the presence of rose windows, and a White Rose of York, with ten equal parts. Daily tours to the crane and rose windows are available to the general public, subject to other church commitments.

Features of the interior include columns of Purbeck Marble, stiff-leaf carving and the tomb of Lady Eleanor Percy, dating from around 1340 and covered with a richly-decorated canopy, regarded[who?] as one of the best surviving examples of Gothic art. A total of 68 16th century misericords are located in the quire of the minster and nearby is a sanctuary or frith stool dating back to Anglo-Saxon times.

The misericords were probably carved by the Ripon school of carvers and bear a strong family resemblance to those at Manchester Cathedral and Ripon Cathedral.

The church contains one of the few remaining Frith Stools (also known as Frid Stools, meaning "peace chairs") in England. Anyone wanting to claim sanctuary from the law would sit in the chair. The chair dates from Saxon times before 1066.[3][4][5][6]

The organ is mounted above a richly carved wooden screen dating from the late 19th century. There is a staircase in the north aisle which would have been used in collegiate times to gain access from and to the chapter house.

Improvements to the choir were made during the 16th and 18th centuries and medieval glass, which was shattered by a storm in 1608, was meticulously collected and installed in the East Window in 1725. The Thornton family, great craftsmen of the early 18th century, were responsible for the font cover and the west door. Another notable feature is the series of carvings of musicians which adorn the nave.

en.wikipedia.org/wiki/Beverley_Minster

Beverley Minster is the Parish Church of St. John and St. Martin

John, bishop of York, founded a monastery on the site where Beverley Minster stands.

John died in 721 and his body was buried in a chapel of the Saxon church.

He was canonised in 1037.

The present church was built around his tomb.

Building work began in 1220 and was completed in 1425.

Throughout the Middle Ages miracles which took place at his tomb attracted pilgrims from far and wide.

Today the church is still a place of pilgrimage for visitors. It also continues to be a place of prayer and worship at the heart of the community.

beverleyminster.org.uk/about-us/

Grab your old-style red/ blue lens glasses and enjoy this anaglyph photograph.

© Norman Posselt (Monotype)

I am trying to put together a better list of what fits my clothing. Right now I own Minifee and I've been told that some of my clothing fits Bluefairy msds. I would really appreciate it if anyone could take the time to let me know what other MSD sculpts fit my clothing so I can list it on my Etsy. You can PM me if you'd like. Thank you! <3

Frank Issac, of Tonalca, Ariz., answers a question during a news conference July 27, 1974 at the Iwo Jima Memorial in Arlington, Va. called by Navajo veterans of four U.S. wars to protest discriminatory treatment toward Native American veterans.

“We have kept our word, but the United States has not kept its word with Navajo veterans,” said one unidentified vet.

Many spoke of the Navajo code-talkers who of the vital role secure communications played in the island-hopping strategy employed by the Marines in the Pacific during World War II.

“We used our Navajo language backwards,” said Billy Goodman of the Navajo Nation, “in radioing messages in the South Pacific. It was a code the Japanese never did break. That’s ow we won the war for the United States.”

Carson B. Charley, a Navajo who was a “code talker” with the First Marines added, “Some of the radiomen were white guys, but everything they radioed was decoded by the enemy. Somebody finally hit on the idea of letting Navajos transmit in a Navajo language code, all over those little islands around 1943 and 1944. The war soon ended.”

“But I got out in 1946,” said Rev. Allen Yashie Hill, a Navajo and Presbyterian minister, “and it was only last month I finally got my eligibility certificate for veterans’ benefits.

“We have no veterans’ housing on our reservation, and when we try to apply for loan guarantees to the Veterans Administration,” said another Navajo, “we are shunted from agency to agency and told we are wards of the Bureau of Indian Affairs.

“But when the United States needed code talkers in the war, or infantrymen or marines, they didn’t recruit the Bureau of Indian Affairs, they recruited us.”

Frank Isaac, a Navajo who watched when the United States flag was raised in Iwo Jima in 1945, says his pride has turned to disappointment and bitterness.

“We Navajos fought for our country, we helped win the war against Japan. Now our sons have also fought for our country. And how are we treated? On my reservation, 70 percent of the veterans are unemployed,” he said.

Gordon Franklin, a Navajo silversmith, said, “Our tuberculosis rate is 15 times the rest of the country. We have 20 times as much alcoholism. To get to a hospital, it may be in Phoenix or Albuquerque, we have to provide transportation at our own expense. We are here to ask for what we earned in the war, to tell our senators.”

“It’s bad. If I got burned, I’d have to get somebody to drive me 60 miles to a hospital, there is no emergency medical care on the reservation. There are no ambulances.,” he added.

One of the most famous Native Americans of the war was Ira Hayes, a Pima Indian, who is one of the Marines portrayed raising the flag over Iwo Jima.in the memorial died of alcoholism.

For more information and related images, see flic.kr/s/aHsmJ2MVZz

The photographer is unknown. The image is an Associated Press photograph housed in the D.C. Library Washington Star Collection.

A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV

Question: Raphael Perez Tell us about your work process as a naive painter?

Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.

Question: How do you give depth in your naive paintings?

Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.

A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.

Question: Raphael Perez What characterizes your naive painting?

Answer: Most naive paintings have the same characteristics

(Definition as it appears in Wikipedia)

• Tells a simple story to absorb from everyday life, usually with humans.

• The representation of the painter's idealization to reality - the mapping of reality.

• Failure to maintain perspective - especially details even in distant details.

• Extensive use of repeating patterns - many details.

• Warm and bright colors.

• Sometimes the emphasis is on outlines.

• Most of the characters are flat, lack volume

• No interest in texture, expression, correct proportions

• No interest in anatomy.

• There is not much use of light and shadow, the colors create a three-dimensional effect.

I find these definitions to be valid for all my naive paintings

Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?

Answer: I was born in Jerusalem, the capital city which I love very much and also paint,

I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one

Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.

Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem

Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today

In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs

Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings

Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:

In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,

In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more

I also created three paintings of the city of Haifa and one painting of Safed

In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city

Question: Have you created series of other cities from around the world?

Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings

Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments

I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city

We were seeing each other after 3 months and I had been through couple of major events like starting a new job, getting a car and completing School. This her drilling me with questions eventhough she's pissed off that I was late for our meeting.

P.S. I think I have figured out something, its tough for people to stay mad at you when you are taking snaps, As they know that those snaps are gonna end up in the albums.

Deputy President Cyril Ramaphosa replies to questions in the National Council of Provinces (NCOP) [Photos GCIS]

For any question or request:

bankvideo@yahoo.com

All over the capital, the Arirang adverts (« Grand mass gymnastic and artistic performance », « Welcome to Pyongyang » and so on) warn the profane…Between August and October, takes place one of the biggest and most impressive performances in the world. The tone is set : even the Beijing Olympics ceremony can’t compete with the mass games organized by the Democratic People's Republic of Korea (DPRK). The show is held several times a week and welcomes tourists from all over the World, including the US, in one of the most isolated and despised country on earth. The well-called « mass games » are designed to emphasize group dynamics rather than individual performances as the supreme emblem of communism. Prepared by hundred of thousands performers all along the year, after their classes for the youngest of them, they are entirely dedicated to the NK’s leader Kim Jong Il and his deceased father Kim Il Sung, considered as the « Eternal president » and « sun of the 21st century »…

In the surroundings of Pyongyang's May Day giant Stadium, two girls are running to perform for the Arirang show. They are already dressed in their gymnastic outfits, as well as some 100,000 others who participate to the performance. They all come to honour their self-proclaimed « dear leader » Kim Jong Il, after a very hard and gruelling training, since their earliest age. Yet, it has been many years that Kim Jong Il has not shown up, formally for business reasons. But officials now admit the western medias’ assertions of illness. Anyways, Kim Jong Il or not, the mass games are held every year in Pyongyang, as a means for the regime to show to the entire world the country’s strength and good shape. To reach this sole purpose, not less than 100,000 people are involved in a choreographed show of simultaneous dancing and gymnastics. Many symbols are displayed by thousands of trained athlets, whether they are adults or even children. Hand over their heart, the young pupils sing in chorus "We are the happiest children in the world", one of the famous propaganda songs in North Korea. Many dancers make movements either with ribbons or colourful flowers named « kimjonglias » after the leader Kim Jong Il. All along the show, a live band plays a ceremonious music.

On the background, some 20,000 young koreans sit on the terraces, facing the spectators. They flip coloured cards at a high speed to form a fresco of animated and detailed images, changing from one to another. Each time they turn the page to create a new giant picture, they cry out. It creates a awe-inspiring atmosphere, as the shout is mixed with the noise of thousands of pages turned at the same moment. The figures are stunning : to compose these images, 2000 children are needed to make only one soldier, 20,000 for a north korean flag. Hiding a much more grim reality, the panels represent Pyongyang enlightened by night, wheat fields ready for harvest, scientists at work, atoms as symbols of the nuclear bomb and others for the reunification of two Koreas. One of the North Korea’s myths (history according to them) is recounted by the means of a huge image made by thousands of children. It represents the two pistols reportedly used by Kim Il Sung, when he founded the Anti-Japanese People’s Guerrilla Army in 1932. When the pistols appear, the audience applauses loudly. Among them, many soldiers attend the show as the ultimate award after years of good and faithful service.The thousands and thousands of boys and girls involved create a giant mass movement in the stadium which leaves the public stunned. These talented performers are used to that kind of performance: in North Korea they have to dance, sing, jump and spin around as many times as there are celebrations, always in praise of their leaders. There are mainly two sorts of shows. The first one is the classical artistic show, named "Arirang" after the famous korean folk song (whose story sometimes changes, but most often recounts the legend of a disappointed woman who hopes that her lover will return to her –metaphor of the break-up with South Korea). The second one is a more political show, which was untitled in 2008 "Prosper our country" and intended to show the country’s greatest achievements and its struggle against the foreign oppressors.

The show continues in the same way for one hour. Thereafter, the thousands of people present vanish in the dark and silent streets of Pyongyang, which contrast with the flood of lights and music in the stadium. Within the space of a few hours, it gives us a a strange feeling, between the real and unreal, of another universe both terrifying and fantastic.

Pyongyang North Korea 북한

Questions @ Fun House 19/2/9