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Composition in landscape photography is less about fixed rules and more about attentive questioning. It is a process of looking, listening, and deciding how a... Read the full article
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If you know the answer / could you tell me the question...
dragermeurtant.wordpress.com/2021/07/24/dark-and-more-don...
A volte bastano pochi secondi ed una foto apparentemente da cestinare viene salvata dal primissimo raggio di Sole della giornata che decide di illuminare proprio il treno, mentre la nebbia che nascondeva ogni cosa alla vista si dissolve all'improvviso per rimanere solo quel tanto che basta ad impreziosire la scena.
Another moon, or painting with light.
For those who ask themselves such questions, no, I am not as small as it seems here.
Question Marks and Eastern Commas were "puddling" on a "leaky" maple that dripped water and sap from holes sapsuckers had drilled into the trunk.
These species fly here on warm days in the winter.
Get permission for any use.
Title: 'Agreeable friends
they ask no questions;
they pass no criticisms.' George Elliot
Year: 2015
Location: Port Lincoln Marina, South Australia
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— in South Australia, Australia
I shot these Sealion's in Coos Bay on the beautiful Oregon coast.
I have been mostly offline my apologies.
There comes a time in life for each one of our life force to return to God.
That will be the only statment I make on my health, please do not ask any questions.
Thank you all so much for all you have done to lift me up and treat me so great on this platform, You good People are very beautiful.
I wanted to make this post about you People, so if you like please post your favorite picture that you took right here in the comments.
How you can do that is click on your picture you like the most and copy the entire link, then past the link in the comments, and a small copy of your beautiful picture will show up in the comments, Type what you like and you are official.
Do not worrie if you are just learning photography or you are very advanced, we all will enjoy seeing your picture no matter what level you are at, do not be shy. We want to see your favorite picture that you took.
If you are very advanced do not worrie if your picture is much better than mine, I will fully enjoy it.
I took some time to try to pick just the right song for you, I hope you all enjoy it
Hello dear visitors,
In this exhibition, I invite you to experience the concept of "consciousness" through photographs. Let's discuss and debate the sum of our experiences, feelings, and awareness, and together question our intellectual and emotional processes as we oscillate between boredom and passing the time.
Throughout the flow of photographs, I hope that internal and external stimuli, along with some symbolic elements, will invite you to reflect on what motivates you in your consciousness during a spontaneous day.
I hope you have a pleasant time, keeping in mind the idea that the artist is the embodiment of "consciousness," deeply feeling all the pain of life and returning the surreal universes they create to art lovers through a work of art.
Rita Glad (Sanem Albatros)
Art Will Always Live
RITA GLAD SHOWRROM & ART LM
That question was heard several times on our drive through a handful of small towns in Western Pa. on Saturday. When we told people it was a Lamborghini they all said "oh yeah". It's a lot of fun introducing people to the Aventador and seeing there reaction as our group of exotics drove by.
______________________________
Be sure to check out my Instagram page as well....
Enigmatic mystery in the shape of a girl
The shape of the world
Held in your hands, mouth pressed to the forehead
Of the future, the history of you before you knew
She exists, just another piece to fit
In the mosaic of your life, a mirror held to your eyes
Showing you, there's a reason for everything she'll do
Created out of unused space for you, where there might've been a star
A flower blooms, the seeds blown on the wind, intended
To bury her roots deep within you, to prove
You're important, and needed for the universe to breathe
She is your answer, for the question you didn't know you would end up asking.
Words by Silent Lilian
Le courage, l'incompréhension, le défi, la tristesse, la peur et pleins d'autres sentiments marquent souvent le regard des gens. Mais que peut-on lire dans les sentiments de cet escargot ?
Entre nous, j'en ai chié pour n'avoir que les deux yeux nets au même moment, mon regard devait être agacé 😅
From last summer, never published...
I really like the question mark on her face while she's asking "why do you want my photo??", and in the background ;-)
The beachfront houses are just tiny spots with the mighty mountains behind them.
This early morning shot was taken in Norway.
**********
Arctic Norway
© All rights reserved Rui Baptista. Please do not use this image on websites, blogs or any other media without my explicit written permission.
Ceci est le club dont il est question ---> www.flickr.com/groups/4211769@N21/
- Perfection in macho
This is the club it is all about ---> www.flickr.com/groups/4211769@N21/
La idea de construir un temple expiatori (és a dir, a partir de donatius) dedicat a la Sagrada Família va partir del llibreter Josep Maria Bocabella, inspirat pel sacerdot Josep Manyanet —canonitzat el 2004—, fundador de la Congregació de Fills de la Sagrada Família i de la Congregació de Missioneres Filles de la Sagrada Família de Natzaret, encarregades de promoure el culte a la Sagrada Família i de fomentar l'educació cristiana de nens i joves.[6] El 1866, Bocabella va fundar l'Associació de Devots de Sant Josep, entitat dedicada entre altres qüestions a recaptar fons per a la construcció d'un temple. Per a la difusió de la seva tasca, va editar a partir del 1867 una revista, titulada inicialment El Propagador de la devoción a San José, inspirada en la revista francesa Le propagateur de la dévotion à Saint Joseph, publicada a Dijon pel pare Joseph Huguet.[7][b]
El 31 de desembre de 1881, Josep Bocabella va comprar per 172.000 pessetes uns terrenys situats a la zona del Poblet, aleshores una barriada de Sant Martí de Provençals.[8][9][c][10] Delimitats pels carrers de Mallorca, Provença, Marina i Sardenya, corresponien a una de les illes del Pla Cerdà, la qual, però, era més gran que les altres perquè, en principi, estava previst construir-hi un hipòdrom.[8]
El projecte fou encomanat a l'arquitecte Francesc de Paula Villar i Lozano, que va traçar un projecte neogòtic amb una església de tres naus amb creuer i un absis amb deambulatori, rebutjant la idea de Bocabella de fer una rèplica del santuari de Loreto, que se suposa va ser la casa de Josep i Maria a Natzaret.[11] El dia de Sant Josep de 1882, el bisbe Urquinaona posava la primera pedra,[12][13][14] coincidint amb la proclamació al Concili Vaticà I de sant Josep com a patró de l'Església Universal. Els desacords de Villar amb Bocabella van fer que aquest demanés assessorament a l'arquitecte Joan Martorell i Montells i van provocar la dimissió del primer. Aleshores, es va oferir el càrrec a Martorell, però aquest el va rebutjar i va recomanar Gaudí, que havia treballat per a ell com a ajudant, i el 1883, assumí la direcció de les obres.[15]
El desembre de 1884, Gaudí signà el projecte de la capella de Sant Josep a l'absis de la cripta, que fou inaugurat el 19 de març de 1885, en el qual intervingueren els escultors Llorenç Matamala i Piñol i Carles Mani.[16] Se sap que en aquest any hi treballaven un equip de vuit paletes, deu picapedrers, dotze escultors i un nombre indeterminat de fusters i serrallers.[17] El 1891 van començar les obres de la façana del Naixement,[cal citació] i des del 1895, la gestió del projecte va a càrrec de la Junta Constructora del Temple Expiatori de la Sagrada Família, una fundació canònica per a promoure la construcció del temple mitjançant donatius i iniciatives privades.[cal citació]
A partir de l'encàrrec de la casa Milà de l'any 1906, Gaudí pràcticament es concentraria només en l'obra de la Sagrada Família que, de fet, ocuparia tota la seva carrera, ja que feia un quart de segle que en dissenyava i dirigia la construcció i moriria fent-ho; així i tot, el temple només quedava embastat.[18] Va poder veure'n construïda una part del costat de l'Epístola amb la façana del Naixement, de la qual només la torre de sant Bernabé estava acabada totalment i una part del mur exterior de l'absis.[cal citació]
El 12 de juny de 1926, Antoni Gaudí va ser sepultat a la capella de la Mare de Déu del Carme de la cripta.[cal citació] A la seva època, hi van col·laborar molts dels seus deixebles i ajudants, com Francesc Berenguer, Josep Maria Jujol, Josep Francesc Ràfols, Cèsar Martinell, Joan Bergós, Francesc Folguera, Josep Canaleta i Joan Rubió, i a la seva mort, es va fer càrrec de les obres un altre dels seus deixebles, Domènec Sugrañes, que va finalitzar la construcció de les tres torres de la façana del Naixement que quedaven pendents.[cal citació]
El 20 de juliol de 1936, tot just iniciada la Guerra Civil espanyola, grups d'exaltats anarquistes van incendiar el temple i van destruir bona part del taller en el qual Gaudí havia treballat i on hi havia els seus esbossos, maquetes i models. Tot i que es va perdre molt material van quedar restes de les maquetes, que es van restaurar, i la documentació que s'havia publicat en El Propagador, en l'Àlbum i que havia estat recollida pels seus deixebles, com Isidre Puig i Boada.[cal citació]
L'any 1944 es van reprendre les obres per un equip dirigit per Francesc de Paula Quintana i Vidal, Isidre Puig i Boada, Lluís Bonet i Garí, els quals, a la mort del primer l'any 1966, continuaren fins a l'any 1981, en què prengué el relleu Francesc Cardoner i Blanch.[19] El 1985 va ser nomenat director Jordi Bonet i Armengol,[20][21] amb un equip on figuraven Carles Buxadé, Joan Margarit i Jordi Faulí i Oller.[20] El 2012, Jordi Bonet va ser substituït per Jordi Faulí i Oller.[22]
El 18 de març de 2007 se'n va commemorar el 125è aniversari de la col·locació de la primera pedra amb una festa, concerts i ballant una sardana (La Santa Espina) encerclant tot el temple.[23]
Segons les darreres previsions, la torre de Jesús s'acabaria a finals del 2025, i el 2026 es faria la inauguració oficial, coincidint amb el centenari de la mort de Gaudí.[24]
The Basílica i Temple Expiatori de la Sagrada Família,[a] otherwise known as Sagrada Família, is a church under construction in the Eixample district of Barcelona, Catalonia, Spain. It is the largest unfinished Catholic church in the world. Designed by the Catalan architect Antoni Gaudí (1852–1926), in 2005 his work on Sagrada Família was added to an existing (1984) UNESCO World Heritage Site, "Works of Antoni Gaudí".[5] On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica.[6][7][8]
On 19 March 1882, construction of Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned,[5] Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the church's crypt. At the time of his death in 1926, less than a quarter of the project was complete.[9]
Relying solely on private donations, Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, anarchists from the FAI set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans.[10] In 1939, Francesc de Paula Quintana took over site management, which was able to go on with the material that was saved from Gaudí's workshop and that was reconstructed from published plans and photographs.[11] Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer-aided design and computerised numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. In 2014, it was anticipated that the building would be completed by 2026, the centenary of Gaudí's death,[12] but this schedule was threatened by work slowdowns caused by the 2020–2021 depths of the COVID-19 pandemic.[13] In March 2024, an updated forecast reconfirmed a likely completion of the building in 2026, though the announcement stated that work on sculptures, decorative details and a controversial proposed stairway leading to what will eventually be the main entrance is expected to continue until 2034.[14]
Describing Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art",[15] and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages".[16]
Though sometimes[when?] described[by whom?] as a cathedral, the basilica is not the cathedral church of the Archdiocese of Barcelona; that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral).
History
Origins
Sagrada Família was inspired by a bookseller, José María Bocabella [es], founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically.[17] Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884.[citation needed]On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry."[18] When Gaudí died in 1926, the basilica was between 15 and 25 percent complete.[9][19] After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations.[14] Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Garí and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. Armengol began introducing computers into the design and construction process in the 1980s.[citatiThe central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. In 2002, the Sagrada Família Schools building was relocated from the eastern corner of the site to the southern corner, and began housing an exhibition. The school was originally designed by Gaudí in 1909 for the children of the construction workers.[20]
As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. Computer-aided design technology has allowed stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand.[21] In 2008, some renowned Catalan architects advocated halting construction[22] to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years.[23]
Since 2013, AVE high-speed trains have passed near Sagrada Família through a tunnel that runs beneath the centre of Barcelona. The tunnel's construction, which began on 26 March 2010, was controversial. The Ministry of Public Works of Spain (Ministerio de Fomento) claimed the project posed no risk to the church.[24][25] Sagrada Família engineers and architects disagreed, saying there was no guarantee that the tunnel would not affect the stability of the building. The Board of the Sagrada Família (Patronat de la Sagrada Família) and the neighborhood association AVE pel Litoral (AVE by the Coast) led a campaign against this route for the AVE, without success.[citation needed] In October 2010, the tunnel boring machine reached the church underground under the location of the building's principal façade.[24] Service through the tunnel was inaugurated on 8 January 2013.[26] Track in the tunnel makes use of a system by Edilon Sedra in which the rails are embedded in an elastic material to dampen vibrations.[27]
The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies.[28] The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people.[29] A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion.[30]In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project.[31][32] Mark Burry of New Zealand serves as Executive Architect and Researcher.[33] Sculptures by J. Busquets, Etsuro Sotoo and Josep Maria Subirachs decorate the fantastical façades.
Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure were planned to be completed by 2026, the centennial of Gaudí's death;[14] as of a 2017 estimate, decorative elements should be complete by 2030 or 2032.[34][failed verification] Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million.[35] Completion of the structure will use post-tensioned stone.[36]
Starting on 9 July 2017, an international mass is celebrated at the basilica every Sunday and holy day of obligation, at 9 a.m., and is open to the public (until the church is full). Occasionally, Mass is celebrated at other times, where attendance requires an invitation. When masses are scheduled, instructions to obtain an invitation are posted on the basilica's website. In addition, visitors may pray in the chapel of the Blessed Sacrament and Penitence.[37]
The stone initially used in its construction came from the Montserrat mountain, but it became clear that as quarrying there went deeper, the stone was increasingly fragile and an alternative source had to be found. Since 2018 stone of the type needed to complete the construction has been sourced from the Withnell Quarry in Brinscall, near Chorley, England.[3
Il est sur la route.
Cette triste route que l'on nomme la route des migrants...Je ne sais pas par quelles épreuves il est passé. Il vient de Guinée, il est jeune... Je ne sais rien de lui mais j'ai apprécié son sourire, notre échange si court soit il. Une halte à Bayonne pour repartir mais où? Quel sera son futur?
Je me questionne et finalement c'est un luxe que lui n'a peut être pas.
Il s'appelle Lansana.
Thank you all of you for your visits, comments, will continue to catch up slowly :-)
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Κατά τύχη είδα σε κάποιο κανάλι ένα αφιέρωμα στον “Μύλο των ξωτικών”
Ακούγοντας την χαζοχαρούμενη διάθεση κάποιου “υπευθύνου” να δηλώνει ότι εφέτος προσδοκούμε να ξεπεράσουμε τον περσινό αριθμό των 1.200.000 επισκεπτών(!!!),μου γεννήθηκαν κάποιες σκέψεις τις οποίες θα μεταφέρω γνωρίζοντας ότι ρίχνω λίγες σταγόνες στον ωκεανό του διαδικτύου:
1)Τελικά είμαστε παντοιοτρόπως ΝΟΥΜΕΡΑ
2) Το περίφημο αυτό “θεματικό” πάρκο τι ΘΕΜΑ έχει;
3) Αν έχει πάντως τα Χριστούγεννα,είναι καταφανώς εκτός θέματος εφόσον τίποτα απολύτως σ’αυτό το καταναλωτικό κιτς συνονθύλευμα δεν έχει την παραμικρή σχέση με την έλευση του Χριστού στον κόσμο μέσα σε άκρα ταπείνωση και φτώχεια.
4) Όλες οι ανά τους αιώνες δικτατορίες την ίδια αλάνθαστη μέθοδο ελέγχου των μαζών
(και όχι βέβαια συνειδητοποιημένων λαών) χρησιμοποιούν: “άρτο και θεάματα”
By chance I saw on a channel a tribute to "The Elf Mill".
Hearing the cheerful disposition of a “manager” to say that this year we expect to surpass last year's 1,200,000 visitors (!!!), I have some thoughts to share that I know will throw a few drops into the internet ocean:
1) Finally we are all numbered
2) What theme does this famous theme park have?
3) If it is Christmas anyway, it is obviously out of the question since nothing in this consumer kit patch has anything to do with Christ's coming into the world in extreme humility and poverty.
4) All dictatorships over the centuries have the unmistakable same method of controlling the masses
(and not of course conscious peoples) use: "bread and spectacles"
The story of the very important industrial heritage monument has been mentioned in a previous post
Η ιστορία του πολύ σημαντικού μνημείου βιομηχανικής κληρονομιάς έχει αναφερθεί σε προηγούμενη ανάρτηση εδώ here
from rilke: “try to love the questions themselves, like locked rooms and like books written in a foreign language. do not look for the answers. they cannot now be given to you because you could not live them. it is a question of experiencing everything. at present you need to live the question. perhaps you will gradually, without even noticing it, find yourself experiencing the answer.”
That is the question. Thunderstorm June 17th, 2022. View previous image => for Not Cropped.
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Questione morale, poliziotti che sparano, ragazzini che per noia distruggono una stazione e genitori che li giustificano... se non fosse che oggi nevica..visto? un lato positivo, un barlume di speranza, c'è sempre..
the city speaks in lines and angles, in the stories cast by sunlight on stone. here, a figure moves between realms—half in the dark, half in the glow. the shadows stretch like questions unanswered, and the pavement catches the memory of footsteps. silence. movement. contrast. this is the poetry of the streets.
Could you use a good fish story today? Once upon a time there were these beautiful fish who lived five miles under the ocean. How do I know? They were the subject of a PBS television special. So this is a for real fish story. Because these fish are really striking - they are incredibly colorful - some folks thought they might look good in someone's tropical fish aquarium. So, they tried to bring these fish to the surface. They didn't make it. They blew up when they got near the surface! They were designed to live under that pressure at the bottom. No happy ending - except they're leaving the rest of them where they belong - five miles under the ocean. That's where they were created to be!
It really works this way in all of God's creation. There's an environment that things and people were created to be in, and things really work when they're in that place. They really don't work very well when they're not where they were designed to be. Thankfully, God makes very clear the environment you and I were created for, so we don't have to waste our lives searching for it. In fact, probably the single most important question you have to answer while you're on earth is this: Why am I here?
God answers that question in six simple, life-changing words in His book the Bible. Our word for today from the Word of God comes from Colossians 1:16. Speaking of Jesus Christ, the Bible says, "All things were" - now here are the six words - "created by Him and for Him." Try putting your name in that Biblical statement. Here we go. "(Your name) was created by Jesus and for Jesus." Just like those fish were created to be in the pressure of that deep-sea environment. Just like the earth was created to be in an orbit around the sun, you were created for Jesus. You were created by Jesus for a relationship with Jesus, where you live for Jesus.
All these years you've been away from the one that your heart's been searching for all along. Isn't it time to experience the relationship you were made for - to finally be where you were born to be?
_Ron_Hutchcraft
Please tell me it's something more interesting than the immature white-crowned I suspect it of being, please!
Ophir Creek at Tahoe Meadows, Nevada. August 2018.
This is the photo that started the conversation with questions that perhaps can't be answered. I've always liked and hated this shot. The larger Blue-eyed Darners are known to perch in a vertical position and, in 11 years, I've managed to capture just one of these three-inch beauties. It's funny that I was able to catch five of these in flight with an SX10 in 2010, but never just resting.
But the question came up, should I Photoshop all the grass out or would that be cheating? Opinions varied and still do. My problem was that I've never learned Photoshop, and although I think it's fantastic what can be done with the software, I also think there's a limit as to what changes can be made.
Besides, I have a mid-level software program which I use for some edition. Certainly cropping. Maybe a little contrast, but I rarely touch the color. Guaranteed that my Cardinal Meadowhawk is the brightest red you've ever or I've ever seen.
Over the years, I diddled with this shot. The only thing I could do is put a vignette around it, but that still left most of its habitat. I actually started the summer of 2019 trying to find another perched as this, but no luck. So, like it or not, here's my one and only Blue-eyed Darner Mosaic (aka, Mosaic Darner) in all its grassy splendor.
A big mess and a moment that still fascinates me to this day when I look at this photo. There is so much to discover and every time I look at it I see a little more detail. The little black duckling doesn't want to fit right into this chaotic-looking mess of flying seagulls. I asked myself why is it even found in the middle of so many seagulls? What is it doing there as the only one of its kind? And then you're just suddenly left alone. What could have been the reason for the departure of so many seagulls? In any case, it wasn't me, because I photographed the whole scene from a greater distance and had been standing in this hidden place for a while. But whatever, many questions remain unanswered and the whole scenery is still a mystery to me to this day. And that's right, because we humans don't must have to have an explanation for everything that's going on on our Planet. Nature keeps many secrets to itself for a good reason I think.
www.youtube.com/watch?v=KEXdWfsKZ1k
(Clue Trailer)
It was Mrs.Ruler with the candlestick. The murder took place in the kitchen. When questioned about the death of Mr. Boddy she smiled and cackled. "what can I say he owed me my money".
Question : S'agit-il d'une scène de rue ou d'une sainte scène ?
...En tout cas, ce ne sera pas la dernière.
her last resort
(THE last resort)
always the place of platitudes (or misconception)
dripping down the side of her peeling memory, as the last words are shoved into the dirt, ready for planting
in another season.
(she won't make it)
and now
it is all just discarded letters and numbers
and drying (and dying) leaves
with new hives on her arms
from cleaning up the (end of the year) flowers (words)
crushed inside a garbage bin
the aroma fading into the plastic that has years of
debris laced into its skin
waiting for Wednesday
to be carried away
(and tossed out)
with the rest of her words
because there will never be enough therapy
to fix
this