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Alan Taylor is an Emmy Award-winning Director of multiple espisodes in such series as 'Mad Men,' 'Sex in the City,' 'The Sopranos,' 'Deadwood,' 'Rome,' and 'Lost.'
Twenty years ago today, my wife and I stood staring out our front door transfixed by the Fox News helicopter hovering low nearly overhead. The thing couldn’t have been much above the treetops. For about thirty minutes we watched the copter, all while wondering why we couldn’t find explanation for its presence.
In October 2002, there were no social networks, like Facebook or Twitter, to blast second-by-second chirps about immediate happenings. We relied on radio and television, along with Google and Yahoo search. None answered the question. So Annie headed out for a walk. Literally, two minutes later, a friend rang, warning: “Someone is driving a white van down Connecticut Ave. shooting people”. Ah, yeah.
Thus would be our introduction to the DC sniper, who terrorized the Washington metro area, including suburban Maryland and Northern Virginia, for 22 days. The first series of assaults would be personal because so many of the shootings were where we went.
Killer at Large
Late-afternoon (5:20 p.m. EDT) on October 2nd, a bullet blasted through a window at the Michael’s in Aspen Hill, Md. Annie often shopped there. Distance to our house: 5.8 km (3.6 miles). No one was hurt, fortunately. However, a man was murdered outside the Shoppers Food Warehouse on Randolph Rd in Wheaton, Md about an hour later. That was one of our regular grocery stores—5.1 km (3.2 miles) from our place.
The next five shootings occurred on October 3rd: 7:41 a.m., outside Fitzgerald Auto Malls on Rockville Pike in North Bethesda, Md (5 km; 3.1 miles away); 8:12 a.m., Connecticut Avenue and Aspen Hill Road (5.3 km; 3.3 miles away); 8:37 a.m., near Leisure World (8.2 km; 5.1 miles away). We frequently drove by or visited any of these locations. We knew them well.
The one that mattered most, because of proximity, was the Kensington, Md Shell station at Connecticut and Knowles, where a woman was shot at 9:58 a.m.—0.97 km (0.6 miles) walk from our home. That was our direct neighborhood. The sniper struck lastly for the day, at 9:20 p.m., killing a man walking on Georgia Avenue near Kalmia Road in the District of Columbia; 8.5 km (5.3 miles) away and a location we would pass by only occasionally, unlike the others.
Close to Home
But backtracking, around 10:40 a.m., with only a friend’s phone call warning, I couldn’t guess what had happened in the preceding hours or foresee what metro-area (and beyond) residents would endure during the weeks ahead. There was no white van. The sniper shot hidden from inside a car trunk.
The immediate danger had already passed, not that I knew. I rushed out the door, jumped in the car, and started searching for my wife along her normal walking route. Seeing something happening down Connecticut Avenue, she chose a different way—not knowing a young woman had been murdered while vacuuming her vehicle. Unable to find Annie, I drove home and waited for her to return.
Because the initial locations were all so familiar, and some where we often shopped or visited, I experienced a kind of Twilight Zone—this can’t be real—sensation in response to the initial killings. Obviously my experience was pitifully personal compared to what trauma the victims’ families and shooting survivors endured. What I feebly try to express: Familiarity made the unfolding drama more real.
Where Friends Were
The majority of the subsequent shootings occurred in Northern Virginia and largely outside our, ah, territory. While gravely concerned about the wellbeing of others, I didn’t experience the same emotional shock. The locales weren’t as intimate.
But there were two exceptions, and one relates to the shooting that literally shook the entire populace’s psyche. Our family has good friends in Bowie, Md and Fredericksburg, Va whom we frequently visited. On October 7, at 8:09 a.m., the sniper shot a 13-year-old boy arriving at Benjamin Tasker Middle School in Bowie. Thanks in part to the fast response of his aunt, the teenager survived.
We knew Bowie well, including the area around Benjamin Tasker. Like many other people I wondered: What parent wanted to send their kid to school after that? Attack against a child demonstrated that the killer would cross any bounds.
Taunting Change
The school shooting marked one of several seemingly meant to mock public official statements and news media reports. One example: On October 14, at 9:15 p.m., the sniper shot and killed an FBI analyst nearby her car in a covered parking garage; location that seemed safe, wasn’t.
Three days earlier, at 9:30 a.m., the sniper killed a gentleman as he filled up his tank at an Exxon station near Fredericksburg. We would drive by there when visiting friends. Again, my reaction was something Twilight Zone-like unsettling disbelief.
Strange how taunting attacks changed behavior. Before the sniper’s arrival, many local women would chose to fill up at well-lit gas stations; they felt safer from assault. Afterwards, filling up at night, and in darker quarters, came to be a more common practice. How strange is that?
Happy Halloween
As October 31 approached, trick-or-treating looked like the last activity anyone would welcome. But unexpectedly, and dramatically, one week earlier, at 3:15 a.m., Maryland State Troopers captured the sniper and his accomplice at a rest stop that was off of I-70. The threat ended, at last.
Halloween was happy indeed that year—more festive than any other that I recall. The weight of real fear removed, spirits lifted—and I don’t mean ghosts or goblins. There was such a light feeling and sense of relief everywhere. You could see burgeoning community camaraderie among a citizenry that (sadly) shared something in common.
I don’t remember if Annie bought Halloween decorations at the Michael’s in Aspen Hill. I often thought about the bullet hole and what it foreshadowed. Meanwhile, the Shell station was too close to home to forget, particularly because even many months later flower bouquets would pile up where was stolen the life of a 25-year-old woman.
Well, what a morbid thought upon which to end.
Note: With no artwork from 2002 to illustrate this memory, I had to improvise my own. I set up a single shot (no pun intended) with help of a flashlight.
Rapid strata formation in soft sand (field evidence).
Photo of strata formation in soft sand on a beach, created by tidal action of the sea.
Formed in a single, high tidal event. Stunning evidence which displays multiple strata/layers.
Why this is so important ....
It has long been assumed, ever since the 17th century, that layers/strata observed in sedimentary rocks were built up gradually, layer upon layer, over many years. It certainly seemed logical at the time, from just looking at rocks, that lower layers would always be older than the layers above them, i.e. that lower layers were always laid down first followed, in time, by successive layers on top.
This was assumed to be true and became known as the superposition principle.
It was also assumed that a layer comprising a different material from a previous layer, represented a change in environmental conditions/factors.
These changes in composition of layers or strata were considered to represent different, geological eras on a global scale, spanning millions of years. This formed the basis for the Geologic Column, which is used to date rocks and also fossils. The evolutionary, 'fossil record' was based on the vast ages and assumed geological eras of the Geologic Column.
There was also circular reasoning applied with the assumed age of 'index' fossils (based on evolutionary beliefs & preconceptions) used to date strata in the Geologic Column. Dating strata from the assumed age of (index) fossils is known as Biostratigraphy.
We now know that, although these assumptions seemed logical, they are not supported by the evidence.
At the time, the mechanics of stratification were not properly known or studied.
An additional factor was that this assumed superposition and uniformitarian model became essential, with the wide acceptance of Darwinism, for the long ages required for progressive microbes-to-human evolution. There was no incentive to question or challenge the superposition, uniformitarian model, because the presumed, fossil 'record' had become dependant on it, and any change in the accepted model would present devastating implications for Darwinism.
This had the unfortunate effect of linking the study of geology so closely to Darwinism, that any study independent of Darwinian considerations was effectively stymied. This link of geology with Darwinian preconceptions is known as biostratigraphy.
Some other field evidence, in various situations, can be observed here: www.flickr.com/photos/101536517@N06/sets/72157635944904973/
and also in the links to stunning, experimental evidence, carried out by sedimentologists, given later.
_______________________________________________
GEOLOGIC PRINCIPLES (established by Nicholas Steno in the 17th Century):
What Nicolas Steno believed about strata formation is the basis of the principle of Superposition and the principle of Original Horizontality.
dictionary.sensagent.com/Law_of_superposition/en-en/
“Assuming that all rocks and minerals had once been fluid, Nicolas Steno reasoned that rock strata were formed when particles in a fluid such as water fell to the bottom. This process would leave horizontal layers. Thus Steno's principle of original horizontality states that rock layers form in the horizontal position, and any deviations from this horizontal position are due to the rocks being disturbed later.”)
BEDDING PLANES.
'Bedding plane' describes the surface in between each stratum which are formed during sediment deposition.
science.jrank.org/pages/6533/Strata.html
“Strata form during sediment deposition, that is, the laying down of sediment. Meanwhile, if a change in current speed or sediment grain size occurs or perhaps the sediment supply is cut off, a bedding plane forms. Bedding planes are surfaces that separate one stratum from another. Bedding planes can also form when the upper part of a sediment layer is eroded away before the next episode of deposition. Strata separated by a bedding plane may have different grain sizes, grain compositions, or colours. Sometimes these other traits are better indicators of stratification as bedding planes may be very subtle.”
______________________________________________
Several catastrophic events, flash floods, volcanic eruptions etc. have forced Darwinian, influenced geologists to admit to rapid stratification in some instances. However they claim it is a rare phenomenon, which they have known about for many years, and which does nothing to invalidate the Geologic Column, the fossil record, evolutionary timescale, or any of the old assumptions regarding strata formation, sedimentation and the superposition principle. They fail to face up to the fact that rapid stratification is not an extraordinary phenonemon, but rather the prevailing and normal mechanism of sedimentary deposition whenever and wherever there is moving, sediment-laden water. The experimental evidence demonstrates the mechanism and a mass of field evidence in normal (non-catastrophic) conditions shows it is a normal everyday occurrence.
It is clear from the experimental evidence that the usual process of stratification is - that strata are not formed by horizontal layers being laid on top of each other in succession, as was assumed. But by sediment being sorted in the flowing water and laid down diagonally in the direction of flow. See diagram:
www.flickr.com/photos/truth-in-science/39821536092/in/dat...
The field evidence (in the image) presented here - of rapid, simultaneous stratification refutes the Superposition Principle and the Principle of Lateral Continuity.
We now know, the Superposition Principle only applies on a rare occasion where sedimentary deposits are laid down in still water.
Superposition is required for the long evolutionary timescale, but the evidence shows it is not the general rule, as was once believed. Most sediment is laid down in moving water, where particle segregation is the general rule, resulting in the simultaneous deposition of strata/layers as shown in the photo.
See many other examples of rapid stratification (with geological features): www.flickr.com/photos/101536517@N06/sets/72157635944904973/
Rapid, simultaneous formation of layers/strata, through particle segregation in moving water, is so easily created it has even been described by sedimentologists (working on flume experiments) as a law ...
"Upon filling the tank with water and pouring in sediments, we immediately saw what was to become the rule: The sediments sorted themselves out in very clear layers. This became so common that by the end of two weeks, we jokingly referred to Andrew's law as "It's difficult not to make layers," and Clark's law as "It's easy to make layers." Later on, I proposed the "law" that liquefaction destroys layers, as much to my surprise as that was." Ian Juby, www.ianjuby.org/sedimentation/
The example in the photo is the result of normal, everyday tidal action formed in a single incident. Where the water current or movement is more turbulent, violent, or catastrophic, great depths (many metres) of stratified sediment can be laid down in a short time. Certainly not the many millions of years assumed by evolutionists.
The composition of strata formed in any deposition event. is related to whatever materials are in the sediment mix, not to any particular timescale. Whatever is in the mix will be automatically sorted into strata/layers. It could be sand, or other material added from mud slides, erosion of chalk deposits, coastal erosion, volcanic ash etc. Any organic material (potential fossils), alive or dead, engulfed by, or swept into, a turbulent sediment mix, will also be sorted and buried within the rapidly, forming layers.
See many other examples of rapid stratification with geological features: www.flickr.com/photos/101536517@N06/sets/72157635944904973/
Stratified, soft sand deposit. demonstrates the rapid, stratification principle.
Important, field evidence which supports the work of the eminent, sedimentologist Dr Guy Berthault MIAS - Member of the International Association of Sedimentologists.
(Dr Berthault's experiments (www.sedimentology.fr/)
And also the experimental work of Dr M.E. Clark (Professor Emeritus, U of Illinois @ Urbana), Andrew Rodenbeck and Dr. Henry Voss, (www.ianjuby.org/sedimentation/)
Location: Yaverland, Isle of Wight. Photographed: 14/03/2019
This field evidence demonstrates that multiple strata in sedimentary deposits do not need millions of years to form and can be formed rapidly. This natural example confirms the principle demonstrated by the sedimentation experiments carried out by Dr Guy Berthault and other sedimentologists. It calls into question the standard, multi-million year dating of sedimentary rocks, and the dating of fossils by depth of burial or position in the strata.
Mulltiple strata/layers are evident in this example.
Dr Berthault's experiments (www.sedimentology.fr/) and other experiments (www.ianjuby.org/sedimentation/) and field studies of floods and volcanic action show that, rather than being formed by gradual, slow deposition of sucessive layers superimposed upon previous layers, with the strata or layers representing a particular timescale, particle segregation in moving water or airborne particles can form strata or layers very quickly, frequently, in a single event.
And, most importantly, lower strata are not older than upper strata, they are the same age, having been created in the same sedimentary episode.
Such field studies confirm experiments which have shown that there is no longer any reason to conclude that strata/layers in sedimentary rocks relate to different geological eras and/or a multi-million year timescale. www.youtube.com/watch?v=5PVnBaqqQw8&feature=share&.... they also show that the relative position of fossils in rocks is not indicative of an order of evolutionary succession. Obviously, the uniformitarian principle, on which the geologic column is based, can no longer be considered valid. And the multi-million, year dating of sedimentary rocks and fossils needs to be reassessed. Rapid deposition of stratified sediments also explains the enigma of polystrate fossils, i.e. large fossils that intersect several strata. In some cases, tree trunk fossils are found which intersect the strata of sedimentary rock up to forty feet in depth. upload.wikimedia.org/wikipedia/commons/thumb/0/08/Lycopsi... They must have been buried in stratified sediment in a short time (certainly not millions, thousands, or even hundreds of years), or they would have rotted away. youtu.be/vnzHU9VsliQ
In fact, the vast majority of fossils are found in good, intact condition, which is testament to their rapid burial. You don't get good fossils from gradual burial, because they would be damaged or destroyed by decay, predation or erosion. The existence of so many fossils in sedimentary rock on a global scale is stunning evidence for the rapid depostion of sedimentary rock as the general rule. It is obvious that all rock containing good intact fossils was formed from sediment laid down in a very short time, not millions, or even thousands of years.
See set of photos of other examples of rapid stratification: www.flickr.com/photos/101536517@N06/sets/72157635944904973/
Carbon dating of coal should not be possible if it is millions of years old, yet significant amounts of Carbon 14 have been detected in coal and other fossil material, which indicates that it is less than 50,000 years old. www.ldolphin.org/sewell/c14dating.html
www.grisda.org/origins/51006.htm
Evolutionists confidently cite multi-million year ages for rocks and fossils, but what most people don't realise is that no one actually knows the age of sedimentary rocks or the fossils found within them. So how are evolutionists so sure of the ages they so confidently quote? The astonishing thing is they aren't. Sedimentary rocks cannot be dated by radiometric methods*, and fossils can only be dated to less than 50,000 years with Carbon 14 dating. The method evolutionists use is based entirely on assumptions. Unbelievably, fossils are dated by the assumed age of rocks, and rocks are dated by the assumed age of fossils, that's right ... it is known as circular reasoning.
* Regarding the radiometric dating of igneous rocks, which is claimed to be relevant to the dating of sedimentary rocks, in an occasional instance there is an igneous intrusion associated with a sedimentary deposit -
Prof. Aubouin says in his Précis de Géologie: "Each radioactive element disintegrates in a characteristic and constant manner, which depends neither on the physical state (no variation with pressure or temperature or any other external constraint) nor on the chemical state (identical for an oxide or a phosphate)."
"Rocks form when magma crystallizes. Crystallisation depends on pressure and temperature, from which radioactivity is independent. So, there is no relationship between radioactivity and crystallisation.
Consequently, radioactivity doesn't date the formation of rocks. Moreover, daughter elements contained in rocks result mainly from radioactivity in magma where gravity separates the heavier parent element, from the lighter daughter element. Thus radiometric dating has no chronological signification." Dr. Guy Berthault www.sciencevsevolution.org/Berthault.htm
Rapid strata formation and rapid erosion at Mount St Helens.
slideplayer.com/slide/5703217/18/images/28/Rapid+Strata+F...
Visit the fossil museum:
www.flickr.com/photos/101536517@N06/sets/72157641367196613/
Just how good are peer reviews of scientific papers?
www.sciencemag.org/content/342/6154/60.full
www.examiner.com/article/want-to-publish-science-paper-ju...
The neo-Darwinian idea that the human genome consists entirely of an accumulation of billions of mutations is, quite obviously, completely bonkers. Nevertheless, it is compulsorily taught in schools and universities as 'science'.
www.flickr.com/photos/truth-in-science/35505679183
Dr James Tour - 'The Origin of Life' - Abiogenesis decisively refuted.
If you have any questions or would like to contribute to this archive, please visit tigerjams.art/ and contact me on Twitter DM or Telegram ♥
Zone : Place Ville-Marie
Installation
Question de temps fait allusion aux univers intérieurs habitant chaque individu et ses rapports avec les forces extérieures de son quotidien. Les formes ovales de la structure suspendue constituent un noyau qui se dissout progressivement au travers des fils. Le graphite griffonné sur l'une des surfaces de chaque ovale est un rappel de l'enseignement Kanien'kehá : ka de la Création qui met en scène le Bon Jumeau et son Frère, le Jumeau trouble-fête. La trace de ce dernier interrompt et perturbe la perfection de l'autre. En ce faisant, l'équilibre est établi.
With the pipe gons, the D&RGW had found an answer for the pipe traffic on their NG lines. This answer however posed a new question: As running oversized pipe loads demanded at least 1 flatcar per pipe gon, where was the railroad going to find enough flatcars to cope?
While demand for ore cars had fallen, demand for flatcars had not. Automotive traffic had exploded on the D&RGW in the war years, and lumber traffic supporting the post war construction boom was demanding more carloads by the day. Additionally, the D&RGW did not have flatcars with decks low enough to fit under overhanging pipe loads, meaning pipe gons would have to be cribbed prior to loading.
Both problems were solved with one solution: just as the D&RGW had modified a fleet of dedicated pipe carriers, they too would modify a fleet of dedicated pipe "idlers". The 6700 series as they became known were flatcars made from the underpinnings of old boxcars, another car type which the D&RGW had in surplus. As the structure of the original frames was so dependent on trussing within the boxcar wall, the new flats were re-enforced along their undersides with scrap rail. This gave the already very low riding cars an even more squat appearance.
Together, the "Pipe Gons" and "Pipe Idlers" made up an inseparable fleet of dedicated cars that served the D&RGW throughout the 50's and 60's, right up until the abandonment of the San Juan extension in 1969. Some of the last revenue freights over the extension were pipe trains, composed chiefly of 1100 series gons and 6700 series flats.
So question. If you came halfway across the country and wanted to shoot a shortline railroad with classic old geeps how would you feel if THIS is what you saw? Yeah, I think most of you would, like me, be umm...not happy to put it politely! In fact my local friends and I have a totally un-PC derisive term we use when railroads set up their power this way, but I won't repeat that here.
However, my two friends were super excited to see the units come into view coupled nose to nose. You guys know who you are! And while I truly do not understand it, I'm glad you were happy and it just goes to show that in this hobby, as in life, tastes and preferences are truly diverse and who am I to judge right? I mean come on, I like shooting CSXT Gevos on cloudy days after all!
Anyway, here is Pioneer Valley local PV2 starting back to Westfield after making their biweekly trek north to work a handful of customers and deliver some cars to the Pan Am Southern interchange. EX CN GP9RMs 7030 and 7031 (blt. Sep. And Feb. 1959 as CN 4154 and 4284 respectively) are MUed and working hard to lift 14 heavy loads of scrap and debris from Sullivan and Casella back up tbe stiff climb out of the Connecticut River Valley on this former New Haven Railroad branchline.
To learn more check out the lengthy caption with this earlier post: flic.kr/p/2mivuJ5
Holyoke, Massachusetts
Friday August 21, 2021
Maria Lassnig (1919 - 2014), Das Wiesel und der blöde Mensch - The Weasel and the Stupid Human Being, 1996, Greifvogel - Bird of Prey, 2000, "The Question about Nature", 2000 (Bleistift, Guasche in Gelb - Pencil, gouache in yellow), Albertina
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
St Andrew, Holborn, is a Church of England church on the northwestern edge of the City of London, on Holborn within the Ward of Farringdon Without.
History
Roman and medieval
Roman pottery was found on the site during 2001/02 excavations in the crypt. However, the first written record of the church itself is dated as 951 (DCCCCLI) in a charter of Westminster Abbey, referring to it as the "old wooden church", on top of the hill above the river Fleet.[2] The Charter's authenticity has been called into question because the date is not within the reign of the King Edgar of England who is granting it. It may be that this is simply a scribal error and that the date should be '959' (DCCCCLIX). A 'Master Gladwin', i.e. a priest, held it after the Norman Conquest and he assigned it to St Paul's Cathedral, but with the proviso that the advowson be granted at 12 pence a year to the Cluniac Order's, St Saviour's foundation of what was to become Bermondsey Abbey. This assignment dates between 1086 and 1089. In about 1200 a deed was witnessed by James, the Parson, Roger, his chaplain, Andrew, the Deacon and also Alexander his clerk. In 1280 one Simon de Gardino bequeathed funds towards the building of a belfry, it is assumed this would be stone and that there were due to be bells to be cast for it.[3]
In the Early Middle Ages the church is referred to as St Andrew Holburnestrate and later simply as St Andrew de Holeburn.[4]
In 1348, John Thavie, a local armourer, "left a considerable Estate towards the support of the fabric forever", a legacy which survived the English Reformation, was invested carefully through the centuries, and still provides for the church's current upkeep. In the 15th century, the wooden church was replaced by a medieval stone one.[5] On the 8th of July 1563, during a severe storm, the steeple of the church was struck and badly damaged by lightning.[6]
16th to 18th century
The medieval St Andrew's survived the 1666 Great Fire of London, saved by a last minute change in wind direction,[7] but was already in a bad state of repair and so was rebuilt by Christopher Wren anyway.[8] In what is his largest parish church, he rebuilt from the foundations (creating the present crypt) and gave the existing medieval stone tower (the only medieval part to survive) a marble cladding. Its rector from 1713 to 1724 was Henry Sacheverell.
Thomas Coram, founder of the Foundlings' Hospital (first set up in a house in Hatton Garden) is buried here, his remains were translated from his foundation in the 1960s. The organ casing (an organ played by Handel), the pulpit and the font is also from the Foundlings' Hospital Chapel's Bloomsbury site.
The church of St George the Martyr Holborn was built between 1703 and 1706, as a chapel of ease for the parish. It became a parish church in its own right in 1723.[9]
19th century
The opening of Holborn Viaduct, 1869
In 1808, writer William Hazlitt married Sarah Stoddart, with Charles Lamb as his best man, and Mary Lamb as a bridesmaid. The twelve-year-old Benjamin Disraeli, the future Prime Minister, was received into the Christian Church in 1817.
It was on the church's steps in 1828 that the surgeon William Marsden found a homeless girl suffering from hypothermia, and sought help for her from one of the nearby hospitals. However, none would take her in, and she died in Marsden's arms; the horror of the experience inspired him to establish the Royal Free Hospital for the poor and destitute. Today the hospital is located in Hampstead.
In the mid 19th century, the Holborn Valley Improvement Scheme bought up the church's North Churchyard (with many of the bodies re-interred in the crypt) and in the City of London Cemetery in Ilford (the latter also being the destination for the bodies from the crypt when it was cleared in 2002–2003) to make way for the Holborn Viaduct, linking Holborn with Newgate, which was opened by Queen Victoria in 1869.[10]
As part of this improvement scheme the Church received compensation to replace its assets and the Gothic architect Samuel Sanders Teulon was commissioned to build a new Rectory and Court House on the South side of the church — this now operates as the offices for the Foundation, the associated Charities and the Archdeaconry of Hackney, as well as the Rectory and the Conference Rooms. Teulon incorporated into the Court Room, the building's main room, a 17th Century fireplace.[11] This was from the 'Quest Room' for the 'below Bars' part of the parish i.e. that lying outside the City boundary sited as part of a block of buildings in the middle of the main street. This block was removed as part of the Holborn Viaduct improvements and explains why Holborn is so wide at this point.[12]
In Charles Dickens's Oliver Twist Bill Sykes looks up at this church's tower (an episode referenced by Iris Murdoch in Under the Net, though from where her character stands such a view is almost impossible).
20th century to present
During the London Blitz, on the night of 7 May 1941, the church was bombed and gutted by German bombs, leaving only the exterior walls and tower.[13] However, instead of demolition which sometimes occurred in similar cases, it was decided after a long delay that it would be restored "stone for stone and brick for brick" to Wren's original designs.
The church re-opened in 1961 as a non-parochial Guild Church intended for serving the local working rather than resident community which had declined as had the City's population as a whole.
In January 2005 a new large icon was installed, made for the site by the Monastic Family Fraternity of Jesus in Vallechiara [1]. The church runs a selection of recitals and lectures, as well as weekly services and evening concerts.
The church was designated a Grade I listed building on 4 January 1950.[14]
In August 2010, St Andrew Holborn's Icon Cross became motorised, allowing the large icon of Jesus on the Cross to be raised and lowered for services.
Philippe Crist (Project Manager, ITF) answering a question during the Summit Kick-Off Press Conference at the International Transport Forum’s 2018 Summit on “Transport Safety and Security” in Leipzig, Germany on 23 May 2018.
Two dark questions:
Question 1: If you knew a woman who was pregnant, who had eight children already, three who were deaf, two who were blind, one with extreme learning difficulties, and she had syphilis, would you recommend that she have an abortion?
Remember your honest answer and go to question 2.
Question 2: It is time to elect the world leader, and yours is the deciding vote. Here are the facts about the three leading candidates:
Candidate A: He associates with crooked politicians, and consults with astrologers. He's had two mistresses. He also chain smokes and drinks up to ten Martinis a day.
Candidate B: He was ejected from office twice, sleeps until noon, used opium in college and drinks large amounts of whisky every evening.
Candidate C: He is a decorated war hero. He's a vegetarian, doesn't smoke, drinks an occasional beer and hasn't had any extra-marital affairs.
Go here for answers and
A question from the floor.
Relations between police and the lesbian, gay, bisexual and trans communities were debated at a special event as part of the Manchester Pride Fringe.
The free event, held at Manchester Town Hall, was organised by Greater Manchester Police and Crime Commissioner Tony Lloyd, brought together police, activists, council representatives and members of the public to examine how relations have changed – and whether the transformation is real or just window-dressing.
The event was called “Police with Pride?” and members of the public who attended were given the opportunity to share their experiences and insights and question the panel.
The event was also be recorded by Gaydio, the country’s leading LGBT radio station, for broadcast at a future date.
The debate covered a wide range of topics including the relationship between GMP and the LGBT community over the last 30 years and the growth of LGBT representation within the Force.
Joining Tony on the panel were:
•Paul Martin OBE, chief executive, The Lesbian and Gay Foundation
•Councillor Sue Murphy, deputy leader, Manchester City Council
•Assistant Chief Constable Garry Shewan, Greater Manchester Police
•Inspector Emma Taylor, Greater Manchester Police
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
With the North Light Physiotherapy man of the match memento tucked under an arm, Chris Laker gives to Huddersfield Examiner sports editor Mel Booth his take on the 2016 All Rounder Cricket Sykes Cup Final. Laker's unbeaten 69 at Far End Lane, Honley, helped Delph & Dobcross to a crushing win, with eight wickets and almost half their 50 overs to spare, over outclassed Drakes Huddersfield Premiership division rivals Shepley.
Victory in this 97th annual showpiece added to Delph & Dobcross's recent triumph in the league's T20 competition. With a healthy lead over title rivals Hoylandswaine and Shepley in the Premiership division, Delph & Dobcross are on course to complete a stunning clean sweep of Huddersfield League honours. This was their second Sykes Cup success. The first came in in 2012.
Match statistics: Shepley 108 off 45.1 overs (Daniel Anderson 48, Nathan Jones 4-23, Wasim Qasim 2-15, Shakir Muhammad 2-30) lost by eight wickets to Delph & Dobcross 112-2 off 26.4 overs (Chris Laker 69 not out, Shreevats Goswami 23 not out, Nasir Jamal 2-29). Delph & Dobcross won the toss and elected to bat. Admission: £3. Programme: six pages (w/a). Attendance: 550. Refreshments: mug of tea (50p).
Script:
U.P. Breaking News: K. I. Sawyer Latest KC-135 Emergency Landing/Raising Safety Concerns
The following exclusive information was not reported yet by Upper Peninsula TV stations and other media.
Many safety questions remain and a military plane is officially grounded after an emergency in the skies over Marquette County, Michigan on Tues. July 8, 2014
The emergency landing of a KC-135 refueling tanker is the latest in a series of similar hydraulic incidents involving the aging fleet of Milwaukee's 128th Air Refueling Wing, Upper Peninsula Breaking News has learned.
Veteran Investigative Reporter Greg Peterson has the story:
upperpeninsulabreakingnews.wordpress.com/2014/07/09/u-p-b...
-----
Essentially a flying gas station – this Air National Guard KC-135 is grounded – following an emergency that has happened at least 5 times in the past two years to KC 135 refueling tankers from the 128th Air Refueling Wing in Milwaukee.
That's right – at least 5 times in the past two years – a KC-135 from the 128th has developed hydraulic problems resulting in emergency landings at airports around the Midwest.
The tankers are all about 50 years old.
In fact in June 2013, a reporter for Milwaukee Television station WISN TV-12 investigated a rash of KC-135 emergency landings after hydraulic warning.
Upper Peninsula Breaking News called the 128th's public affairs office to verify this important safety problem.
With overcast skies, the three-member crew of this KC-135 declared a hydraulic emergency:
Chief Don Hutchens, Forsyth Township Volunteer Fire Department:
Emergency officials from across Marquette County responded to the plane's call for help – fearing it might crash while landing – which would have been catastrophic.
The KC -135 was among several planes from the 128th Refueling Wing that have been practicing touch and goes on K.I. Sawyer's long runways.
Now the Marquette County Airport, the once vibrant K.I. Sawyer Air Force Base was a Strategic Air Command base – constantly on alert - with bomber crews ready to fly in moments.
This reporter has had the pleasure of riding on two KC-135 Refueling Tankers – as show in this photo when I worked at WLUC TV-6 in Marquette.
We refueled F-16 Jets over Lake Huron.
Then this reporter became one of only a handful of civilians to ride aboard a B-52 Bomber – this while I did features stories for the Mining Journal newspaper.
I was given this official coin of the Sawyer bomber wing and a patch – after as 12-hour flight that included Fourth of July Parades and an airshow in Grand Rapids.
This reporter hopes the officials at Milwaukee's 128th Air Refueling Wing get to the bottom of this hydraulic issues before there is a tragedy – as the large number of emergencies on this flying gas station is scary to all involved.
Greg Peterson, Upper Peninsula Breaking News
Milwaukee's 128th Air Refueling Wing
Public Affairs Office
414-944-8715
128 HQ/Public Affairs
mailto:128HQ.PublicAffairs@ang.af.mil
Milwaukee's 128th Air Refueling Wing on Facebook
Wikipedia
en.wikipedia.org/wiki/128th_Air_Refueling_Wing
Forsyth Township Volunteer Fire Department; Forsyth Township Police department
www.forsythtwpmi.org/FT%20POLICE%20DEPT.htm
Local News Coverage
abc10up.com/air-national-guard-plane-makes-emergency-land...
www.upmatters.com/story/d/story/news/15079/3fYz_NNJ0kmTs-...
www.uppermichiganssource.com/news/story.aspx?id=1067608
WISN TV-12 Investigation in June 2013:
Emergency landing prompts questions about KC-135 safety
Hydraulic problems lead to 4th in-flight emergency
June 19, 2013
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
www.wisn.com/news/south-east-wisconsin/milwaukee/emergenc...
Military plane makes emergency landing in Indiana
www.wisn.com/news/south-east-wisconsin/milwaukee/Military...
A plane from Milwaukee's 128th Air Refueling Wing of the Wisconsin Air National Guard is grounded and undergoing repairs after an in-flight emergency Tuesday.
For the fourth time in two months a KC-135 from Milwaukee makes an emergency landing, this time in Indiana.
The flight crew lost control of the hydraulic system and made an emergency landing in Indiana.
It's the fourth in-flight emergency in recent weeks involving four KC-135 refueling tankers.
Each of the planes is about 50 years old, which has some wondering if the aging aircraft are as safe as they should be.
Upper Peninsula Breaking News
U.P. Breaking News
Gmail:
UpperPeninsulaBreakingNews@gmail.com
Wordpress:
upperpeninsulabreakingnews.wordpress.com
youtube:
www.youtube.com/UPBreakingNews
www.youtube.com/watch?v=tocLjvEslBA
Facebook:
www.facebook.com/UpperPeninsulaBreakingNews
Twitter:
Greg Peterson
@UPBreakingNews
flickr
If you have any questions or would like to contribute to this archive, please visit tigerjams.art/ and contact me on Twitter DM or Telegram ♥
Stacked lobster traps and buoys on a pier in Maine.
Image © 2013 Clarence Holmes / Clarence Holmes Photography, All Rights Reserved. The image is protected by U.S. and International copyright laws, and is not to be downloaded or reproduced in any way without written permission.
If you would like to use this image for any purpose, please see the available licensing and/or print options for this image on my website or contact me with any questions that you may have.
A journalist asks a question during a press conference by President Donald J. Trump in New York, on September 25, 2019, during high-level week of the 74th Session of the UN General Assembly. [State Department photo by Ron Przysucha/ Public Domain]
Mark Question is a bit of mystery. He lives for philosophy and constantly ponders life and its mysteries. Mark asks more questions than he or anyone else can ever answer.
Mark’s special move is just one big question, no one knows what it is (yet amazingly it still has a rank?!) This is just the type of Mystery Mark craves!
Please note i'm not a good writer, and I won't mind if you correct me with my grammar in this story. These are completely made up, but I do believe in ghost and demons. Please don't tease me on my beliefs. Okay, so here I go.
"Kesley, where are you?" questioned my mom. I wanted to say i'm right here, but something was happening. I couldn't control my body, and I think something bad happened.
Something answered, "right here mom." I was confused.
"Well get ready for school young one," she demanded with a sweet tone, as usual.
'I' was in the bathroom, and in the mirror I could see myself. My eyes were turning yellow and my skin was slowly getting brighter than before. However was controlling my body did the things I usually did, take a shower, brush my hair and teeth and things like that. Then, 'I' went to my room, and got my private school uniform on. The person continued brushing my long, brown hair.
At the school, the person did everything I did. I was really creepy, so I just thought it was a nightmare. Until, social studies class with Mrs. Jenningston, and she told was all about ghost, demons, and the devil. It is different for every person she said. Then, she looked at me. "Kesley Moore, come up here," she demanded. So, my body came up the the front of the classroom, and Mrs. Jenningston checked me out. "Kesley Moore, what do you think about ghosts?" asked the teacher. I didn't respond. "Kesley Moore, you're not yourself. First you look paler and have yellow eyes. Second, real Kesley would of responded already that she didn't believe in ghost; they are silly stories that made people want to do good."
"May you root in hell; where you f*cking belong," the person said. My hands slowly came up, and made the water fountain leak. Then it leaked so much it covered the whole floor. Then, I forced someone's Iphone down, and killed everyone but me.
I came home like any other day, and did everything else like every other day. "Sweetie, its time for bed," my mom yelled. So, I went to my room, but I didn't go to sleep. I was chanting some unknown things. I sounded creepy. I felt like I was in a horror movie; being trapped inside my own body, chanting. My head started moving all weirdly, and I got up doing some weird dance. Then, my mom opened my door. "Kesley, what are you doing? You are supposed to be sleeping! You are keeping your little brother awake!" My head turned to face mom, and I started to do the weird hand thing again. And, I started to do something that sounded like barking over and over again. I soon grabbed my mom (attention this part is disturbing; if you can't handle it please don't hate me) and started to rip her neck right open. The blood was raining on my nice carpet floor.
"Mommy, whats happening?" asked my little brother, Daniel. He was standing there, scared. Hoping mom was alright.
"Alisha Moore is not with us anymore," I responded with my demon voice. After that, I started to rip his neck opened. And I did.
Nero: the Man Behind the Myth
(May - Oct 2021)
Nero is known as one of Rome's most infamous rulers, notorious for his cruelty, debauchery and madness.
The last male descendant of the emperor Augustus, Nero succeeded to the throne in AD 54 aged just 16 and died a violent death at 30. His turbulent rule saw momentous events including the Great Fire of Rome, Boudicca's rebellion in Britain, the execution of his own mother and first wife, grand projects and extravagant excesses.
Drawing on the latest research, this major exhibition questions the traditional narrative of the ruthless tyrant and eccentric performer, revealing a different Nero, a populist leader at a time of great change in Roman society.
Through some 200 spectacular objects, from the imperial palace in Rome to the streets of Pompeii, follow the young emperor’s rise and fall and make up your own mind about Nero. Was he a young, inexperienced ruler trying his best in a divided society, or the merciless, matricidal megalomaniac history has painted him to be?
Nero was the 5th emperor of Rome and the last of Rome’s first dynasty, the Julio-Claudians, founded by Augustus (the adopted son of Julius Caesar). Nero is known as one of Rome’s most infamous rulers, notorious for his cruelty and debauchery. He ascended to power in AD 54 aged just 16 and died at 30. He ruled at a time of great social and political change, overseeing momentous events such as the Great Fire of Rome and Boudica’s rebellion in Britain. He allegedly killed his mother and two of his wives, only cared about his art and had very little interest in ruling the empire.
Most of what we know about Nero comes from the surviving works of three historians – Tacitus, Suetonius and Cassius Dio. All written decades after Nero’s death, their accounts have long shaped our understanding of this emperor’s rule. However, far from being impartial narrators presenting objective accounts of past events, these authors and their sources wrote with a very clear agenda in mind. Nero’s demise brought forward a period of chaos and civil war – one that ended only when a new dynasty seized power, the Flavians. Authors writing under the Flavians all had an interest in legitimising the new ruling family by portraying the last of the Julio-Claudians in the worst possible light, turning history into propaganda. These accounts became the ‘historical’ sources used by later historians, therefore perpetuating a fabricated image of Nero, which has survived all the way to the present.
Nero was born Lucius Domitius Ahenobarbus on 15 December AD 37.
He was the son of Gnaeus Domitius Ahenobarbus and Agrippina the Younger. Both Gnaeus and Agrippina were the grandchildren of Augustus, making Nero Augustus’ great, great grandson with a strong claim to power.
Nero was only two years old when his mother was exiled and three when his father died. His inheritance was taken from him and he was sent to live with his aunt. However, Nero’s fate changed again when Claudius became emperor, restoring the boy’s property and recalling his mother Agrippina from exile.
In AD 49 the emperor Claudius married Agrippina, and adopted Nero the following year. It is at this point that Lucius Domitius Ahenobarbus changed his name to Nero Claudius Caesar Drusus Germanicus. In Roman times it was normal to change your name when adopted, abandoning your family name in favour of your adoptive father’s. Nero was a common name among members of the Claudian family, especially in Claudius’ branch.
Nero and Agrippina offered Claudius a politically useful link back to Augustus, strengthening his position.
Claudius appeared to favour Nero over his natural son, Britannicus, marking Nero as the designated heir.
When Claudius died in AD 54, Nero became emperor just two months before turning 17.
As he was supported by both the army and the senate, his rise to power was smooth. His mother Agrippina exerted a significant influence, especially at the beginning of his rule.
The Roman historians Tacitus, Suetonius and Cassius Dio all claim that Nero, fed up with Agrippina’s interference, decided to kill her.
Given the lack of eyewitnesses, there is no way of knowing if or how this happened. However, this did not stop historians from fabricating dramatic stories of Agrippina’s murder, asserting that Nero tried (and failed) to kill her with a boat engineered to sink, before sending his men to do the job.
Agrippina allegedly told them to stab her in the womb that bore Nero, her last words clearly borrowed from stage plays.
It is entirely possible, as claimed by Nero himself, that Agrippina chose (or was more likely forced) to take her own life after her plot against her son was discovered.
Early in his rule, Nero had to contend with a rebellion in the newly conquered province of Britain.
In AD 60–61, Queen Boudica of the Iceni tribe led a revolt against the Romans, attacking and laying waste to important Roman settlements. The possible causes of the rebellion were numerous – the greed of the Romans exploiting the newly conquered territories, the recalling of loans made to local leaders, ongoing conflict in Wales and, above all, violence against the family of Prasutagus, Boudica’s husband and king of the Iceni.
Boudica and the rebels destroyed Colchester, London and St Albans before being heavily defeated by Roman troops. After the uprising, the governor of Britain Suetonius Paulinus introduced harsher laws against the Britons, until Nero replaced him with the more conciliatory governor Publius Petronius Turpilianus.
The marriage between Nero and Octavia, aged 15 and 13/14 at the time, was arranged by their parents in order to further legitimise Nero’s claim to the throne. Octavia was the daughter of the emperor Claudius from a previous marriage, so when Claudius married Agrippina and adopted her son Nero, Nero and Octavia became brother and sister. In order to arrange their marriage, Octavia had to be adopted into another family.
Their marriage was not a happy one. According to ancient writers, Nero had various affairs until his lover Poppaea Sabina convinced him to divorce his wife. Octavia was first exiled then executed in AD 62 on adultery charges. According to ancient writers, her banishment and death caused great unrest among the public, who sympathised with the dutiful Octavia.
No further motives were offered for Octavia’s death other than Nero’s passion for Poppaea, and we will probably never know what transpired at court. The fact that Octavia couldn’t produce an heir while Poppaea was pregnant with Nero’s daughter likely played an important role in deciding Octavia’s fate.
On 19 July AD 64, a fire started close to the Circus Maximus. The flames soon encompassed the entire city of Rome and the fire raged for nine days. Only four of the 14 districts of the capital were spared, while three were completely destroyed.
Rome had already been razed by flames – and would be again in its long history – but this event was so severe it came to be known as the Great Fire of Rome.
Later historians blamed Nero for the event, claiming that he set the capital ablaze in order to clear land for the construction of a vast new palace. According to Suetonius and Cassius Dio, Nero took in the view of the burning city from the imperial residence while playing the lyre and singing about the fall of Troy. This story, however, is fictional.
Tacitus, the only historian who was actually alive at the time of the Great Fire of Rome (although only 8 years old), wrote that Nero was not even in Rome when the fire started, but returned to the capital and led the relief efforts.
Tacitus, Suetonius and Cassius Dio all describe Nero as being blinded by passion for his wife Poppaea, yet they accuse him of killing her, allegedly by kicking her in an outburst of rage while she was pregnant.
Interestingly, pregnant women being kicked to death by enraged husbands is a recurring theme in ancient literature, used to explore the (self) destructive tendencies of autocrats. The Greek writer Herodotus tells the story of how the Persian king Cambyses kicked his pregnant wife in the stomach, causing her death. A similar episode is told of Periander, tyrant of Corinth. Nero is just one of many allegedly ‘mad’ tyrants for which this literary convention was used.
Poppaea probably died from complications connected with her pregnancy and not at Nero’s hands. She was given a lavish funeral and was deified.
Centred on greater Iran, the Parthian empire was a major political and cultural power and a long-standing enemy of Rome. The two powers had long been contending for control over the buffer state of Armenia and open conflict sparked again during Nero’s rule. The Parthian War started in AD 58 and, after initial victories and following set-backs, ended in AD 63 when a diplomatic solution was reached between Nero and the Parthian king Vologases I.
According to this settlement Tiridates, brother of the Parthian king, would rule over Armenia, but only after having travelled all the way to Rome to be crowned by Nero.
The journey lasted 9 months, Tiridates’ retinue included 3,000 Parthian horsemen and many Roman soldiers. The coronation ceremony took place in the summer of AD 66 and the day was celebrated with much pomp: all the people of Rome saw the new king of Armenia kneeling in front of Nero. This was the Golden Day of Nero’s rule
In AD 68, Vindex, the governor of Gaul (France), rebelled against Nero and declared his support for Galba, the governor of Spain. Vindex was defeated in battle by troops loyal to Nero, yet Galba started gaining more military support.
It was at this point that Nero lost the support of Rome’s people due to a grain shortage, caused by a rebellious commander who cut the crucial food supply from Egypt to the capital. Abandoned by the people and declared an enemy of the state by the senate, Nero tried to flee Rome and eventually committed suicide.
Following his death, Nero’s memory was condemned (a practice called damnatio memoriae) and the images of the emperor were destroyed, removed or reworked. However, Nero was still given an expensive funeral and for a long time people decorated his tomb with flowers, some even believing he was still alive.
After Nero’s death, civil war ensued. At the end of the so-called ‘Year of the Four Emperors’ (AD 69), Vespasian became emperor and started a new dynasty: the Flavians.
[Francesca Bologna, curator, for British Museum]
Taken in the British Museum
The Star Wars Question and Answer Book about Space. The personable droids from Star Wars answer all your questions about space: Are there Moon creatures? Can humans explore Mars? And more!
The sticker on the cover was added by a young Jedi Knight.
Random House; 1977.
Postits are the preferred media of choice for ICT teachers at Suffolk's conference.
Thinking about all sorts of big questions.
• Foto por Wander Willian •
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Se quiser utilizar a foto, por favor dê os devidos créditos:
"Foto por Wander Willian: www.flickr.com/photos/xdecox/"
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Modeling 45surf shirts, hats, hoodies, and t-shirts!
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess in Sea Cave! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 !
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Blonde Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Blonde Wavy Hair!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosodysseymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Odyssey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
All the best on your Epic Hero's Odyssey from Johnny Ranger McCoy!
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
A question from a delegate.
Greater Manchester Police has just concluded this year’s Operation Protector. The operation is put in place whenever one of the major political parties holds an annual conference in the city.
Chief Superintendent John O’Hare said: “Manchester has been host to the annual Conservative Party Conference since Sunday 29 September 2013.
“This has been a major security operation for Greater Manchester Police which has caused some disruption to residents, visitors and businesses across the city.
“We have worked closely with our partners to ensure that we struck the right balance between security and the day to day life of the City.
“I want to take this opportunity to thank the people of Manchester for their patience and support over the last week or so.”
Next year Manchester will host the Labour Party’s annual conference.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the new national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
Check out my review of the set on Eurobricks: www.eurobricks.com/forum/index.php?/forums/topic/187498-r...
WSDOT Construction Engineer Jeff Carpenter fielded questions and led media personnel on a guided tour of the new floating bridge pontoons. This photo was taken on the existing in-service bridge pontoon beneath the eastern high rise on Lake Washington.
All photos used from this gallery are to be credited: UNR Med/Brin Reynolds.
Questions: please contact brinr@unr.edu.
Playing with my camera and some water freezing.
equip: Canon 7D, 430 ex ii, Canon 100mm 2.8L IS Macro USM
Any questions just ask
I learned a lot this afternoon from simply asking library staff if I could take some photos in the library. First of all, that no one whom I initially asked knew the answer to my question suggests that not many people take photos in the library, for whatever reason, for which reason the staff did not know whether or not I could take photos. Second, that the more I asked around, the more my question crept quietly up the chain of command, until at length the director of the library was asked, when she walked onto the premises after lunch, suggests that there is a centralized command in the library; in that regard, this institution is not organized in a similar manner to the way by which HKU is organized. Finally, that nobody knew the answer but rather than assume authority deferred to the director's discretion suggests that there are very few change agents, if any at all, in this institution. That isn't necessarily a bad thing, however, because this organization likely doesn't have to deal with major change at the moment: the best course of action is plodding straight ahead.
Likewise, no one whom I asked knew about the library's renovation cost and the cost of being a donor; but these staff members did point me to someone else who could possibly answer my question!
The lights were off in the men's washroom. It seems as if the washroom isn't used much. Inside the washroom, I noticed the automated sinks, urinals and paper towel dispenser -- that reminded me much of Hong Kong and South Korea; automation has arrived in America! In addition, I enjoyed the hot water flowing from the sinks. That was a pleasant surprise.
What impresses me the most about this library is the seating variety. There are not only many different types of seating furniture, but also many different environments in which these seats are placed: by windows; inside rooms; in seating areas; in corners. In addition, just as there were many different types of furniture looks, so there were, in fact, more broadly, many different, conspicuous areas in the library. They were clearly labeled to boot. In this way, this library shares its best feature with the City University of Hong Kong library: such a variety of learning spaces that surely one would find at least one type conducive toward studying. In this instance, I liked to study at the rectangular table in the cafe area. Many libraries, including the HKU library, could certainly improve its learning space by following the diversity model adopted by both the CityU library and the Livingston library.
What also makes this library conducive toward studying is its underuse. One could find a seat anywhere in the library: no squatting, thankfully. The shelves also seem underutilized. While on an individual basis, this surplus in seating is a boon, this surplus is lamentable for the community since it obviously isn't taking full advantage of this invaluable learning space!
I gushed about the effectiveness of the library's learning space to the staff. Perhaps they were amused that such a mundane environment to them could be so special to me.
Sen. John Glenn answers questions at a NASA Tweetup event celebrating Glenn's legacy and 50 years of americans in orbit held at the Cleveland State University Wolstein Center on Friday, March 3, 2012 in Cleveland, Ohio. Glenn became the first American to orbit Earth in 1962. Photo Credit: (NASA/Bill Ingalls)