View allAll Photos Tagged Question
Image from 'A History of the United States for schools ... With topical analysis, suggestive questions ... by F. A. Hill. [With maps.]', 001244698
Author: Fiske, John
Page: 126
Year: 1894
Place: London
Publisher: Watt & Son
Following the link above will take you to the British Library's integrated catalogue. You will be able to download a PDF of the book this image is taken from, as well as view the pages up close with the 'itemViewer'. Click on the 'related items' to search for the electronic version of this work.
Plusieurs visiteurs posent des questions à l’aspirant de marine Zyang Tan au sujet du NCSM Moncton, lors des visites publiques à Montréal, le 30 juillet 2018.
Many visitors ask questions to Naval Cadet Zyang Tan about HMCS Moncton, while HMCS Moncton was open for public tours in Montréal, 30 July 2018.
Photo by: A/SLt Francois Marquette, Public Affairs, HMCS Donnacona. DON02-2018-0005.
© 2018 DND-MDN Canada
"What is it exactly that you do Mary?" is a question i get asked almost everyday. Well, what you see here represents a good 70% of what I spend a LOT of my time doing. Meeting and talking with various stakeholders of whatever program possibility I happen to be looking into. Not super exciting, but a huge part of my job.
Photographed here are all the major heads of various municipal, governmental, and educational institutions involved in working with people with different abilities in Manta.
Chances are you know the deal by now! This is the craze that has been sweeping across Flickr, MySpace and many more websites aimed towards developing a worldwide community of friends.
ANYTHING you want...
5 questions.
1 chance.
5 honest answers.
Full confidentiality (Nobody will know what you asked me.)
Just Flickr mail me and let the fun begin.
Feel free to copy this onto your own Flickr page if you want to join in the fun!
Question: what do most of the telegraph poles, half the lamp-posts, most of the fire hydrants, most of the dog mess bins, grit bins and traffic signs in Skelmorlie village have in common?
2024 Conference of CSOs working on the Question of Palestine
“Building Bridges with International Civil Society to Address the Ongoing Nakba”
Convened by the
Committee on the Exercise of the Inalienable Rights of the Palestinian People (CEIRPP)
United Nations Office in Geneva (UNOG), Switzerland
3-4 April 2024, PLENARY III
“State Actions on Accountability: Discussing Best Practices”,
Afin de permettre aux jeunes générations de questionner et de s’approprier les nouveaux usages du numérique, l’Inventarium met régulièrement en résidence de design collectif et d’expérimentation des jeunes de 11 à 20 ans qui réfléchissent et agissent collectivement sur nos quotidiens futurs.
Dans le cadre du dispositif Cultures Urbaines et Innovantes, porté par la Région PACA, l’Inventarium se déploie dans le centre- ville de Marseille, auprès des publics du quartier de Noailles, durant les vacances de la Toussaint 2015. Il invitera ainsi une douzaine de jeunes issus de ce quartier prioritaire de Marseille à imaginer puis prototyper les objets de demain.
Un prétexte pour découvrir des pratiques de fabrication innovantes, issues de l’univers des fablabs, sensibiliser aux problématiques engendrées par l’obsolescence programmée et favoriser la culture de l’inventivité !
Un projet réalisé en partenariat avec le Pôle des Arts Décoratifs de la Ville de Marseille et le Centre Social de La Palud.
Frederick “Rusty” Gage has spent his life asking a question many neuroscientists once considered heretical: can the adult brain grow new neurons?
When I photographed him at the Salk Institute in February 2026, that question felt less like rebellion and more like legacy. We made portraits in his study overlooking the Pacific, a quiet room washed in coastal light. The ocean moved below the cliffs in long, steady breaths. It is the same office once occupied by Jonas Salk, who recruited Rusty decades ago. The desk, the view, the gravity of the place. You feel it immediately. History is not abstract there. It presses in from the walls.
In the late twentieth century, neuroscience was built on a stark premise: you are born with a fixed number of neurons. Damage them and they are gone. Memory fades. Injury lingers. Aging narrows possibility. Rusty challenged that dogma with careful, methodical experiments that showed new neurons could, in fact, form in the adult hippocampus. The implications were enormous. Learning, mood, resilience, even the biology of hope took on new dimensions.
In person, what strikes you first is his attentiveness. He leans in slightly when you speak, hands folded, eyes steady behind round glasses. There is warmth in him that feels unforced. Soft spoken, yes, but never distant. You sense a mind that is constantly mapping connections, not only between neurons but between people. Students drift in and out of his orbit with ease. Colleagues seek him out. He listens more than he declares.
The study itself holds layers of meaning. Jonas Salk built the institute as a place where scientists could think expansively, where architecture and intellect met the horizon. Standing in that room with Rusty, you understand that recruitment was more than a hire. It was a passing of trust. Salk had imagined a future for biology that included imagination and risk. Rusty carried that forward into the living brain.
His work has since expanded beyond neurogenesis into how the genome shapes the nervous system over time. His lab explores mosaicism in the brain, the idea that our neurons are not genetically identical but subtly varied. The brain becomes not a static organ but a dynamic landscape, shaped by experience and by the restless choreography of DNA. It is a vision of the self that is fluid and intricate.
Photographing him in that office felt less like documenting a single scientist and more like tracing a lineage. Salk sought a vaccine that would protect children from paralysis. Rusty sought evidence that the adult brain was not condemned to decline. Both projects required a certain stubborn optimism. A belief that the body holds more possibility than we assume.
The weight of history was there, yes. But so was something lighter. A current of curiosity that refuses to settle. In Rusty Gage’s presence, you feel that science is not a monument. It is a conversation, still unfolding, with the ocean as witness.
14. Your earliest memory
The earliest thing I remember was when I was about 2 or 3 and I was playing with these little toy cars, similar to the one's in the picture but they were plastic, I was playing with them on the living room's coffee table. :P
Answers to questions:
1. Light source-I ended up using the natural light coming through the window since it was darker in the house.
2.Quality of light-subtle and not too harsh.
3.Editing choice- Black and white.
4.Light coming from-Natural light from outside.
5.Location- Kitchen table.
6.Angle of view- In front of subject holding the camera at a slight angle.
7.Elements necessary for image-Finding a surface that was more distressed and a simple white rose with some distress to some of the pedals and the proper amount of light.
This execution marked a shortlived turning point in advertising strategy for the World RPS Society. Instead of bludgeoning viewers with strong clear simple mesages as they had done in the past, a more subtle approach was explored.
While this execution went on to win many industry awards for it's thought-provocking approach and was appauled for not "insulting the intelligence of its viewer", for the most part, this execution went far over the heads of the intended audience
Questione di pitting 6a+
Canyon sa tappara
parte 03 I route 2
Nannai Climbing
Ulassai I Sardegna
3 Octobre 2017
This card uses a transfer from an artist trading card I made. See the original ATC here: www.flickr.com/photos/mandypoet/3850069859/in/set-7215762...