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Yuki Kondo (Black Trunks) Def. Ryuji Ohori by KO R2 2:41 at Pancrase Shining Tour 6
This image is copyright. Do not use this image for websites or publications without permission. For questions about usage, please contact daniel@danielherbertson.com.
Idea from Rebecca_bexxi. None of these photos were taken by me. All links to the photographers are below.
1. Christoph
2. Haxe (hock)
3. FH Zwickau
4. Blue
5. Tannenzäpfle (Swabian Beer - fir cone)
8. Birne Helene (Pear with Chocolate)
9. Astronaut
10. Frau (Wife)
11. Smiling
12. Mendt
Created with fd's Flickr Toys.
The concept:
a. Type your answer to each of the questions below into Flickr Search.
b. Using only the first page, pick an image.
c. Copy and paste each of the URLs for the images into fd's mosaic maker).
The Questions:
1. What is your first name?
2. What is your favorite food?
3. What high school did you go to?
4. What is your favorite color?
5. Who is your celebrity crush?
6. Favorite drink?
7. Dream vacation?
8. Favorite dessert?
9. What you want to be when you grow up?
10. What do you love most in life?
11. One Word to describe you.
12. Your flickr name
If you like to do this please feel free to post a link to your creation in the comments.
Entertainers and athletes take questions and interact with the audience during a USO Show at Al Asad Airbase, Iraq; the sixth stop on the annual Vice Chairman’s USO Tour, April 2, 2019. Country music artist Craig Morgan, celebrity chef Robert Irvine, UFC Hall of Famer BJ Penn, former UFC Middleweight champion Chris Weidman, professional mixed martial artist Felice Herrig, two-time MLB World Series champion Shane Victorino; and professional surfer Makua Rothman joined Air Force Gen. Paul J. Selva, vice chairman of the Joint Chiefs of Staff, on a tour across the world as they visit service members overseas to thank them for their service and sacrifice. (DoD Photo by U.S. Army Sgt. James K. McCann)
So i have gotten into the habit of taking pictures everyday...or at least almost everday. Now i am wonderin if i should do a 365 or not...not all self portraits [but im working on doing more of those as you may as noticed.] So i'd like the opinion of my flickr friends. Would you guys actually follow it if I did a 365?
The security questions on the London 2012 ticket registration website (http://tickets.london2012.com) are subjective meaning their answers may well change over the next two years, especially for younger visitors to the site.
Security questions should be based on solid facts that won't change, but that are hard for potential fraudsters to divine.
You should also take the target audience's age into account. For example, first school will not be so obscure for a 12 year old as it would for an adult.
mémoire2cité - Avant les trente glorieuses (1945-1973), il n’est pas question de zones industrielles. Les industries s’installent où elles le peuvent, en fonction de la commodité, d’abord le long des cours d’eau qui fournissent la force motrice. C’est ainsi que l’île des Carmes et les rives de la Doutre en général forment dans les années 1830 la première zone de concentration des industries.
Le grand combat
L’après-guerre invente la politique d’aménagement du territoire, théorisée par l’Angevin Claudius-Petit, ministre de la Reconstruction et de l’Urbanisme (1948-1953), qui présente en février 1950 le premier plan national d’aménagement. Son texte comporte trois idées fondatrices : développer l’économie, corriger les disparités des territoires et les spécialiser. Il en résulte un mouvement de décentralisation industrielle : les entreprises doivent quitter Paris qui a pour fonction d’être un territoire de commandement, non de production. Des zones industrielles sont créées pour les accueillir avec l’aide d’un nouvel outil, le Fonds national de l’aménagement du territoire. Angers est dans les premières villes à se doter d’une zone industrielle. Le plan d’aménagement, d’embellissement et d’extension de 1934 en prévoyait même déjà trois : le long de la Maine en aval de la Basse-Chaîne, en amont de la gare Saint-Serge jusqu’au pont du chemin de fer de Segré et à l’est, une large zone de Montrejeau (où se trouve déjà l’entreprise Bessonneau) jusqu’à la route de Paris. Malheureusement - Auguste Allonneau le rappelle au conseil municipal du 23 mars 1953 - les municipalités de l’époque, de même que la chambre de commerce, ont refusé de prêter leur concours à cette création :« On ne voulait pas que des industries s’installent à Angers. Tout simplement parce qu’on ne tenait pas du tout à avoir une main-d’œuvre qualifiée, ce qui aurait obligé les patrons à augmenter les salaires. On ne voulait pas une classe ouvrière importante, car elle aurait changé le climat politique. »
La situation est tout autre après la guerre. Les jeunes gens qualifiés sont obligés de quitter la ville en raison du manque de travail. Huit usines ont fermé, d’autres ont réduit leur activité, d’où un déficit de 1 500 emplois alors qu’entre 1936 et 1954, la population est passée de 87 988 à 102 100 habitants, faisant d’Angers la vingt-quatrième ville de France. Parallèlement aussi, beaucoup de main-d’œuvre agricole est libérée par le progrès technique. La question de l’industrialisation est donc le « grand combat », une question de survie : « Si Angers n’a pas le courage d’entreprendre cette réalisation, dit gravement le préfet Jean Morin dans son discours à la chambre de commerce le 10 janvier 1952, cela veut dire qu’elle n’a pas foi en elle et qu’elle accepte de mourir. »Le projet de la chambre de commerce
Il n’a pas besoin d’insister. Dès juin 1951, la chambre de commerce prend à bras le corps ce problème de l’industrialisation. De juin à septembre, elle étudie l’exemple de Rennes et d’Orléans, recueille en juillet l’appui de la Ville pour obtenir du ministère de la Reconstruction et de l’Urbanisme une étude de zone industrielle. Le ministère a précisément classé l’Ouest dans les régions prioritaires de la décentralisation industrielle. Toute l’année 1952 se passe en étude des projets, transmission aux ministères concernés. Le ministère de la Reconstruction donne son accord le 31 octobre 1952. En décembre, le Comité national d’urbanisme accorde une avance de 25 millions sur le Fonds national d’aménagement du territoire.
La chambre de commerce a sélectionné deux groupes de terrains à acheter : 15 hectares entre la gare Saint-Serge, la Maine et le canal des Fours-à -Chaux ; 12 hectares dans le quartier de la Croix-Blanche, à l’est de la ville, entre la route de Paris et le chemin des Gâts. Elle souhaite traiter en priorité les terrains de Saint-Serge, mais en raison de longs délais à prévoir pour le remblaiement et la mise en valeur de ces prairies inondables, elle se tourne finalement vers le secteur de la Croix-Blanche qui peut être aménagé très rapidement. L’emprunt consenti par le Fonds national d’aménagement étant insuffisant, le 23 mars 1953, la Ville donne son accord pour réaliser la voirie – notamment un large boulevard de desserte, appelé dans un premier temps le boulevard industriel - et les travaux de viabilisation. La création de ces zones industrielles étant « d’un intérêt capital pour notre ville », le conseil « unanime » adresse à la chambre de commerce ses remerciements « pour le grand effort qu’elle entreprend en vue de développer l’activité économique ».« Une importance absolument capitale »
Cependant, le ministère du Commerce se refuse encore à donner son autorisation pour les acquisitions de terrains, souhaitant connaître plus précisément le concours financier de la Ville dans la réalisation de la zone industrielle de la chambre de commerce. Le nouveau conseil municipal réaffirme le 15 juin 1953 les positions prises précédemment. Quatre jours plus tard, le maire Victor Chatenay adresse au préfet Jean Morin la délibération accompagnée d’une lettre formelle :« Je suis entièrement acquis à ce projet. Je considère sa prompte mise en œuvre comme étant d’une importance absolument capitale pour notre ville. Angers doit résoudre de très importants problèmes d’équipement en matière de logements, de voirie, d’eau, d’écoles, et ce dans un délai assez court. Elle n’y arrivera que si son économie industrielle et commerciale se développe, permettant une plus large répartition des charges communes. Ce n’est qu’à ces conditions, au surplus, qu’Angers pourra fournir les efforts qu’exige sa réputation de ville largement ouverte aux activités intellectuelles et artistiques.
Ces idées étaient celles qui ont inspiré le conseil municipal lorsqu’il a pris sa délibération du 23 mars 1953, jointe au dossier ; ce sont celles du conseil municipal issu des élections du 25 avril, puisqu’il vient, par sa délibération du 15 juin, de préciser les engagements de la Ville quant à sa participation à la réalisation du projet de la chambre de commerce. […]
Je sais, M. le préfet, pour en avoir eu maints témoignages, l’intérêt que vous portez à notre ville ; aussi est-ce en pleine confiance que je vous demande d’apporter l’appui de votre haute autorité à un projet qui doit avoir une influence déterminante sur son avenir, auquel je vous sais si attaché. »
Après l’accord du ministère de tutelle, la Commission de contrôle des opérations immobilières doit encore donner son visa pour les acquisitions. Lors de la réunion du 16 septembre 1953, le rapporteur se montre dubitatif sur le fait qu’Angers, en dehors des grands courants industriels et dans une région agricole, puisse susciter un dynamisme propre à remplir une zone industrielle… Mais Maurice Denis, secrétaire général de la chambre de commerce, sait trouver les mots pour convaincre : si les exemples d’Orléans, Rennes, Reims, Châlons-sur-Saône sont peu probants, c’est que leurs chambres de commerce ne se sont pas suffisamment investies dans ces projets. À Angers, la décision a été prise d’acheter et d’aménager les terrains pour les rétrocéder ensuite aux industriels intéressés. L’affaire ne traînera donc pas en longueur. La possession de terrains propres à l’usage qu’on voulait en faire est « un facteur puissant de réussite » et la Commission donne finalement son accord à l’unanimité, moins trois abstentions. 2 667 emplois à la Croix-Blanche
Les terrains sont donc achetés en novembre 1953. De son côté, la Ville d’Angers se montre également très active, par l’achat de terrains complémentaires et de l’usine désaffectée Buirette et Gaulard, rue de la Brisepotière, pour servir de pépinière d’entreprises. Sur le plan fiscal, le conseil municipal vote en juillet 1954 une réduction de 50 % de sa part de patente en faveur des industries nouvelles qui s’implanteraient dans la zone industrielle, tout comme le conseil général l’a décidé en mai. Les conditions de main-d’œuvre étant réunies – abondante et d’excellente qualité, déclare le président de la chambre de commerce Eugène Moreau – la zone industrielle devait être un succès.
Le premier contact fructueux avec des entreprises en quête de décentralisation date de janvier 1954. Très vite la Compagnie Thomson-Houston – fabrication de rasoirs, électrophones, postes de radio et de télévision – manifeste son intérêt pour le plus grand des terrains de la Croix-Blanche (16 ha 19 a 4 ca), ce qui permet à la chambre de commerce de créer officiellement la zone industrielle par sa délibération du 2 février 1954. La décision d’implantation officielle de Thomson est prise en juin 1955 et les travaux commencent en avril 1956. L’usine ouvre en juin de l’année suivante. Cette décentralisation intégrale d’une usine depuis la région parisienne signe la réussite de l’opération. Elle hâte l’ouverture du boulevard industriel en 1955-1956, dénommé boulevard Gaston-Birgé le 16 janvier 1956. Son coût de 75 millions de francs est financé à hauteur de plus de 59 millions par le Fonds national de l’aménagement du territoire et une subvention du ministère de l’Intérieur au titre des travaux d’équipement des collectivités locales. Un embranchement ferroviaire est aménagé pour relier les entreprises à la ligne Angers-Le Mans.
Am I a set? (town and country?)
I find these go well together. The Yellow is much softer then the yellow from the primary fridgie set.
The British Heart Foundation's Question Time held at the Guardian office in London.
The panel was chaired by BBC Radio 4's Sarah Montague. The panelists were RT Hon Andy Burnham MP, Professor Peter Weissberg, Professor Huon Gray, Mr Denis Campbell and Professor Sir Rory Collins.
Picture licenced to the British Heart Foundation
Pictures by Danny Fitzpatrick / dfphotography.co.uk
Old City or Inner City (Azerbaijani: İçərişəhər) is the historical core of Baku, the capital of Azerbaijan. The Old City is the most ancient part of Baku, which is surrounded by walls. In 2007, the Old City had a population of about 3,000 people. In December 2000, the Old City of Baku, including the Palace of the Shirvanshahs and Maiden Tower, became the first location in Azerbaijan to be classified as a UNESCO World Heritage Site.
The Old City, including its Maiden Tower, is widely accepted to date at least to the 12th century, with some researchers contending that construction dates as far back as the 7th century. The question has not been completely settled.
During this medieval period of Baku, such monuments as the Synyg Gala Minaret (11th century), the fortress walls and towers (11th–12th centuries), the Maiden Tower, the Multani Caravanserai and Hajji Gayyib bathhouse (15th century), the Palace of the Shirvanshahs (15th–16th centuries), the Bukhara Caravanserai and Gasimbey bathhouse (16th century) were built.
In 1806, when Baku was occupied by the Russian Empire during the Russo-Persian War (1804–13), there were 500 households and 707 shops, and a population of 7,000 in the Old City (then the only neighbourhood of Baku) whom were almost all ethnic Tats. Between 1807 and 1811, the city walls were repaired and the fortifications extended. The city had two gates: the Salyan Gates and the Shemakha Gates. The city was protected by dozens of cannons set on the walls. The port was re-opened for trade, and in 1809 a customs office was established.
It was during this period that Baku started to extend beyond the city walls, and new neighbourhoods emerged. Thus the terms Inner City (Azerbaijani: İçəri Şəhər) and Outer City (Azerbaijani: Bayır Şəhər) came into use. Referring to the early Russian rule, Bakuvian actor Huseyngulu Sarabski wrote in his memoirs:
Baku was divided into two sections: Ichari Shahar and Bayir Shahar. Inner City was the main part. Those who lived in the Inner City were considered natives of Baku. They were in close proximity to everything: the bazaar, craftsmen's workshops and mosques. There was even a church there, as well as a military barracks built during the Russian occupation. Residents who lived inside the walls considered themselves to be superior to those outside and often referred to them as the "barefooted people of the Outer City".
With the arrival of Russians, the traditional architectural look of the Old City changed. Many European buildings were constructed during the 19th century and early 20th century, using styles such as Baroque and Gothic.
In 1865, a part of the city walls overlooking the sea was demolished, and the stones were sold and used in the building of the Outer city. The money obtained from this sale (44,000 rubles) went into the construction of the Baku Boulevard. In 1867, the first fountains of Baku appeared in the Boulevard.
In this period two more gates were opened, one of them being famous Taghiyev Gate (1877). The opening of new gates and passes continued well into the Soviet period.
The church mentioned by Huseyngulu Sarabski was the Armenian Church of the Holy Virgin, built under Persian rule between 1797 and 1799 in the shadow of the Maiden Tower, defunct since 1984 and demolished in 1992.
The Old City was divided into several quarters, which also served as social divisions. Sometimes, the divisions of the Old City were named after their mosque: for example, Juma Mosque quarter, Shal Mosque quarter, Mahammadyar Mosque quarter, etc.
List of main neighborhoods
Seyyids, a quarter of clergymen
Aghshalvarlilar, a quarter of city nobles, literally "those with white pants"
Bozbashyemeyenler, a quarter of "those who do not eat meat"
Gemichiler, a quarter of shipbuilders and sailors
Hamamchilar, a quarter of public bath workers
Arabachilar, a quarter of wagoners and cart-drivers
Noyutchuler, a quarter of oil workers
Juhud Zeynallilar, a Jewish quarter
Lezgiler, a quarter of Dagestani armourers and blacksmiths
Gilaklar, a quarter of merchants from Gilan
Underground infrastructure
In 2008, an ancient underpass, dated back to the 19th century, was discovered while holding reconstruction at Vahid park. The workers marched about 200 metres (660 ft) along the tunnel, but then stopped, having met with water and silt masses. Judging by the photographs taken in the cave, the tunnel is built very thoroughly, the walls, ceiling and floor of the tunnel are paved with white sawn stone. The workers also found a handful of coins of the Soviet period, suggesting that there was somebody in the tunnel before them, but the unknown went down at least 20 years ago.
According to scholar Vitaly Antonov, in the late 18th century Baku was the Caucasian center of the revolutionary movement, and the found underpass was dug to save the governor in case of mass riots in the city. Another version is that this passage is one of the several, leading to the ancient Sabayil Castle, flooded by the Caspian Sea. There are several tunnels leading from the Palace of Shirvanshahs and Synykh Gala, situated in Icheri Shekher, to the sea. Synykh Gala was the mosque in the 15th century, in the times of the Shah Ismail Khatai, and was destroyed by the troops of Peter I. That is, the discovered passage is part of the underground network connecting the city of Sabayil to the land.
The first known madrasa in the Old City was opened in the 12th century, and amongst its popular lectors was Baba Kuhi Bakuvi. Four hundred years later, another distinguished scholar named Seyid Yahya Bakuvi (born in 1403) founded a Darulfunun (the House of Arts and Sciences, a prototype of a modern university) at the Palace of the Shirvanshahs. But with the fall of the Shirvanshahs' state, the education in Baku gradually diminished. By 1806 there remained only twelve mollakhanas (primary and secondary schools, kept by mosques) in the Old City, and only three of them survived into the 20th century. Later, all such schools were closed and replaced with modern kindergartens and state secular schools.
In December 2000, the Old City of Baku with the Palace of the Shirvanshahs and Maiden Tower became the first location in Azerbaijan classified as a World Heritage Site by UNESCO.
Three years later, in 2003, UNESCO placed the Old City on the List of World Heritage in Danger, citing damage from a November 2000 earthquake, poor conservation, and "dubious" restoration efforts.
In 2009, the World Heritage Committee praised Azerbaijan for its efforts to preserve the walled city of Baku and removed it from the endangered list.
Some scenes of famous Azerbaijani and USSR movies such as "Diamond hand", "Amphibian man", "Aybolit-66", "Teheran-43", "Don not be afraid, I'm with you" which are famous around the world were shot in Old City.
The well-known scene of "In foreign country – Istanbul" of "Brilliant hand" was shot in Old City through the decision of Leonid Gayday. The old streets of Old City, Shirvanshahs' Palace, minarets of mosques and fortress walls appear in the movie. A monument of Yuri Nikulin was erected in Icherisheher, where the movie was shooting.
Other film scenes that were shot in the Old City include:
"Arshin Mal Alan" (1945), film directors: R.Tahmasib and N.Leshenko
"If Not That One, Then This One" (1956), film director: Huseyn Seyidzadeh
"A Telephone Girl" (1962), film director: Hasan Seyidbeyli
"Where is Ahmad" (1963), film director: Adil Isgenderov
"Arshin Mal Alan" (1965), film director: Tofig Taghizadeh
"The last night of Childhood" (1968), film director: Arif Babayev
"In a southern city" (1969), film director: Eldar Guliyev
"Shared bread" (1969), film director: Shamil Mahmudbeyov
"The Day Passed" (1971), film director: Arif Babayev
"The most important interview" (1971), film director: Eldar Guliyev
"Amphibian Man" (1961), film director: V.Chebotaryov and G.Kazanski (Mosfilm)
"Aybolit-66" (1961), film director: R.Bikov (Mosfilm)
"The Diamond Arm" (1968), film director: L.Gayday (Mosfilm)
"Teheran-43" (1981), film director: A.Alov vÉ™ V.Kaumov (Mosfilm)
Documentary
Old city (film, 1964), film director: Alibala Alakberov
Old city (film, 1978), film director: Nijat Bakirzadeh
A walk in the Old City (2003), film director: Javid Imamverdiyev
For a long period of time, an explicit symbol of the Old City was a mulberry tree located behind the Djuma Mosque. It was believed that the tree was several hundred years old. The tree made its way into many sayings and songs popular in the Old City and became a local landmark. The place where that tree was located was referred to as Mulberry Tree Square. However, in the 1970s, the mulberry tree was cut down, because of the nearby construction works.
Another popular landmark of the Old City is the local bookstore that sells mostly second-hand, but also new books. Situated amongst the Bukhara and the Multani Caravanserais, the Maiden Tower, and Hajinski's Palace (otherwise known as Charles de Gaulle House, because he stayed there during World War II), it is a popular destination of Bakuvian students and bibliophiles, mostly because of its low prices.
The Old City of Baku is depicted on the obverse of the Azerbaijani 10 manat banknote issued since 2006.
This is the a photograph from the start of the Fore Village 5KM and 10KM road races and fun runs which were held in the beautiful village and area of Fore, Castlepollard, Co. Westmeath, Ireland on Wednesday 15th June 2016 at 19:30 and 19:45 respectively. This is the second year where there has been a 10KM race which is an addition to the annual 5KM race. Both races start close to the beautiful Fore Abbey and both races finish at the visitor car park area in front of the Abbey. The race was organised by Fore Motorcycle Racing Club Ltd and Ballycomoyle GAA club. Both clubs are from the surrounding areas and supplied stewards and other help on the night.
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
FlyFisherMike guided me to the location of these on W. C. Johnson Park. I spotted a couple but this was the best one I could get. This is the first of this particular species I've seen in almost two years and can't complain.
Note-Grids are a tool for collecting and connecting objects of thought (in this case, words).
They treat words and other manifestations of thought as objects that can be freely manipulated to create new meaning.
They break meaning up into individual words to facilitate a more fluid, intuitive, and improvisational approach to knowledge production.
Follow Note Grids on tumblr: notegrids.tumblr.com/
To read some direct statements about these ideas, see "Note-Grids: Statements" www.flickr.com/photos/asgood/sets/72157626654002747/
To see lots of words and patterns you can use to remix meaning, see "Note-Grids: Scores"
www.flickr.com/photos/asgood/sets/72157626782923062/
To see where this might be going, see "Note-Grids: Directions"
"How many times will I put this stool away in the hope that we will sing the damned song, only to have that hope dashed and be forced to drag it back ontage to have a rest?"
medievalpoc: Anonymous (Saxony) Saint Maurice and His Companions; Adoration of the Magi (left panel, Altarpiece) Germany (c. 1520) Oil on Wood, (left wing) 168 x 64 cm. The Image of the Black in Western Art Research Project and Photo Archive, W.E.B. Du Bois Institute for African and African American Research, Harvard University
Do-it-yourself photo studio @home
Thank you for your visits and faves, your comments, remarks and questions are highly appreciated and will be responded a.s.a.p!
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Lighting Setup:
Main Light: 2 Floodlights on Tripod (from Home Depot) through one white Umbrella from upper right
Support: 1 Floodlight (from Home Depot) from lower left
Fill Light: Canon Speedlight 580 EX II with orange Lee filter
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Photoshop CS 5:
Beauty Retouche
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Question: What are these? >>>>>>>>>>>>>>>>>>>>>>>>Answer: Device to keep birds, especially pigeons, off upper areas to not have droppings all over the place and on people.
Judges ask questions as Opstarts launches Opstarts in the Work Cloud market segment during DEMO Fall 2014 at the San Jose Convention Center in San Jose, California, on Thursday, November 20, 2014. Opstarts is an application for business forecasting, projections, and scenario planning without spreadsheets. For more information on Opstarts please visit bit.ly/Opstarts. Complete coverage of DEMO, New Tech Solving Big Problems, can be found at bit.ly/DEMOsite. Photo by Stephen Brashear (www.stephenbrashear.com)