View allAll Photos Tagged PyrocatHD
On purpose I left the last couple of frames "on wiped". There was an amazing amount of dust stuck to the static cling of the film. Looks like an old pre 1900 negative!
Kate, one of the workers at SNO, holds out a transplant. I forget which vegetable it is, but I'm sure it's in my notes somewhere.
This is also the cover shot for my recently self-published book entitled:
Certified Organic: Alternative Farming in a Conservative Province
It is available to view or purchase at www.blurb.com/my/book/detail/1283245
Photographed December 2017 / Ricoh 500 rangefinder film camera with RIKEN 4.5cm/2.8 lens. Film was Rollei RPX 400 bulk stock metered ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min @ 20*C). Negative was digitalised via a Pentax k3 DSLR with Schneider Componon-S 80mm/4 enlarging lens on helicoid extension tubes. Negative image was uploaded to an iPad mini and edited on the iPad screen with the Snap Seed application: the ‘curves’ facility of the app was used to convert the negative image to a positive. Full Frame scan without any cropping.
@tateshina, nagano, sep/2012
Hasselblad 503cx
Carl Zeiss CF T* Planar 80mm F2.8
Carl Zeiss T* Proxar 0.5m
Fuji 100ACROS / Pyrocat-HD
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ありとみて手には取られず見ればまた 行方も知らず消えし蜻蛉
-- 源氏物語 / 浮舟 より（薫の君）
,,
Inside Granville Island Market. Terra makes some good bread - though sometimes the crust is a bit tough.
Good almond croissants though - essential tool for film testing.
About a 50% crop just to see. I love the fine nuance of the stiffness, "slightly", not very or a little not very just slightly but enough for a sign.
...Blacks Harbour, Booderee NP.
Toyo-View 45CF, Nikkor-M 200mm, Kodak TMax 400, stand developed Pyrocat HD.
..."No Stopping 10pm-5am", Belmore Basin, Wollongong.
Kine Exacta, Carl Zeiss Jena Tessar 50mm f/3.5 lens, Ultrafine Xtreme 100, stand developed in Pyrocat HD (4.4.500).
We have a stretch of sunshine at the moment and frequent walks around the beaches. Winter sun is rather brutal - but gives interesting shadows.
Photograph made on Ilford FP4 5x4 Film using a 1920's Voitlander Lens
Developed in PyrocatHD for 32 Minutes
The Color Skopar 35f2.5 has a remarkable lack of vignetting. Even stopped down to somewhere around f16 as here.
The good thing is that all the versions of the CS 35f2.5 share the same optical formula - only the "packaging" is different.
The Heliar 75mm f1.8 is designed to give slightly lower contrast at f1.8. It is a very subtle change and by f2.8 it is fully "modern". resolution is still high. It works out as very good portrait lens at f1.8.
Contax RX + zeiss distagon 28mm f2.8
Rollei retro80s
Sur pied avec une bonne optique c'est remarquable
I am definitely liking this format but composition is proving a little challenging, as this image shows. FP4 in Pyrocat
Here I wanted a very graphic effect with real deep blacks and accentuated grain, so my choice went to MGIV in SE5. This paper doesn't really lith (except when used with a 2nd pass lith) but after adding a generous amount of "E", the result is a huge contrast with pure BW and an exploding grainy texture.
View large.
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Mamiya RZ67 Pro II with Fuji Acros 100 developed in Pyrocat-HD.
Printed on Ilford MGIV FB
Lith developed in Moersch SE5 - 30/30/0/8/3/1000
Toned in Selenium 1+10 1min
Our friend Gabor (Maddoc on Flickr)
[https://www.flickr.com/photos/maddoc2003jp]
sent me this Nikon F kit. Contains a lot of small pieces - but it will become a Nikon F in the end. Good for dark and rainy evenings.
The M-Yltron will focus close and well.
The short stump of Robson, behind the Art Gallery, is being redeveloped as a"people" area. It was done before for a couple of month every summer, but now it will be a permanent situation.
Nice idea if it is done right, seating, rain shelters, food truck access etc.
Chamonix 4x5, nikkor 150mm f5.6@f16, 1/4 sec. filtre jaune, Ilford Fp4 125@100 iso. dev. Pyrocat Hd ,
A fallen apple earlier in the year.
Shot on a roll of Rollei Infrared film that I had loaded but which I failed to use up in the more usual season of infrared photography.
Still trying to get a handle on this camera. The fallen tree here was about 7 feet away from the lens. FP4 in Pyrocat
@shimokitazawa, tokyo, oct/2011
Zeiss Ikon ZM
Ricoh GR 28mm F2.8 L
FOMAPAN 400 / Pyrocat-HD
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ひさびさにFOMAPAN 400。
仕上げつつ、こんなフィルムだったっけ？と思うくらいひさしぶり。
それともPyrocat-HDのせいか・・・Pyrocat-HDはもうちょい色々試してみないとよくわからない・・・
(Photonlab 主催のハービー山口さんとお散歩ワークショップでの写真）
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My comments will delay...
A pair of mannequins in a shopping center - an excuse to test my new portrait lens.
Shot on HP5 at 200 ASA with Bronica ETRSi and Zenzanon 135/4, developed in Pyrocat HD.
Agfa APX 100 at EI 100. F2 . Voigtlander R4A 35mm, 28mm lens. Developed in Pyrocat HD 10.5 minutes at 23C.
Not a fantastic photo, the focus is a bit off. I posted this to demonstrate just how good a range of contrast can be extracted from using pyrocathecol.
The Epicurean, a cafe on York Avenue is no more. Too bad as they had some good coffee and interesting pizza's. Now it is called Cacao, featuring brazilian/Argentinian food - not a trace of chocolate. Operating under false advertising?
Photographed July 2018 / Praktica FX 35mm SLR camera with Carl Zeiss prism attachment & Meyer Optik Lydith 30mm/3.5 lens. Film was Ilford PAN 100 rated ASA 80 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 5min 30secs @ 20*C). Negative was digitalised in a JUMBL scanner box unit; image processed & finished in Flickr.
31-Jan-2023 14:57 - Rollei 80 Retro-S @ EI 50
3 min pre wash
Developed in PyrocatHD 1+1+100
13 mins (N) @ 20C
2 : 1 minute washes with water @ 20C
Alkaline Fix (cleared in 1:30s) - 3 minutes total
5,5,10,15,20 inversion washes (7 mins)
Final Water bath with 1ml of Ilfotol (2 mins)
Bronica SQAi + 80mm
Highlight = 14
Shadow = 9
Midpoint = 11
Filter : None
Final EV = 11
1/2 sec @ f22