View allAll Photos Tagged PyrocatHD

Photographed December 2018 / Voigtlander Brilliant TLR with Voigtlander Anastigmat-Skopar 7.5cm/4.5 lens. Film was ILFORD HP5 PLUS metered ASA 200 developed in sodium carbonate based PYROCAT-HD (5ml A + 25ml B > 600ml, 7min, 20*C). Negative was illuminated on a light box and 'scanned' with an iPad mini using the FilmScanner app. Image was processed & finished in Flickr.

Photographed February 2019 / Rolleiflex 622 'Old Standard' TLR with Carl Zeiss Jena Tessar 7.5cm/3.5 lens. Film was ILFORD 3200 DELTA PRO metered ASA 800 developed in PYROCAT-HD (5ml A + 50ml B > 600ml, 8min, 20*C). Negative was illuminated on a light box and scanned with an iPad mini using FilmScanner app. The image was processed & finished in Flickr.

4x5 Ilford HP5 Plus negative

Tachihara field camera

150mm Caltar SII lens

Epson V850 scanner

Storm clouds on a windy day.

Mamiya 645 Pro, HP5+ rated 500 ISO, developed in Pyrocat-HD.

Printed on RCMG DeLuxe in Bromophen.

@kujyukurihama, chiba, oct/2011

Zeiss Ikon ZM

Ricoh GR Lens 28mm F2.8

 

Kodak 400TMY-2 / Pyrocat-HD

--

かくして、日曜日の午後も終わっていく。

釣り人は獲物を、僕は最後のシャッターを切るとフィルムを持って家路を急ぐのだ・・・

 

my comments will delay..

Testing CINESTILL XX Double-X 120 film in 1978 HASSELBLAD + 16-On Kit + Zeiss Makro-Planar T* CF 120mm f4 lens with the Focus Screen Re-Seated . I processed in Home-Made PYROCAT HD for 12.5 mins @ 20oC rating film at 500 ASA

4x5 Ilford FP4 Plus negative

Tachihara field camera

210mm Schneider Symmar lens

Epson V850 scanner

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Hasselblad 500 C/M with Kodak Tri-X 400 developed in Pyrocat-HD.

 

Printed on Ilford Art 300

 

SE1 Sepia

 

Selenium / Thiourea / Carbon / Sepia

pentax spotmatic

super takumar 55/2

tasma 42l

pyro 350

Camera: Pentacon Six TL

Lens: Leitz Elmaron 150mm f3.2

Film: Kodak Tri-X TX400

Developer: Pyrocat-HD

...Town Hall & St Paul's from outside the Capitol Theatre, Melbourne.

 

RanicaPramien 4x5 PC, Fomapan 100, Pyrocat HD

ksphoto.me

 

Taken on Grobnik field, Rijeka, Croatia.

My first dev of Ilford FP4+ in Pyrocat HD (glycol).

 

Mamiya RZ67 Pro II - Z 250mm f/4.5 (CPL, #25 Red Filter, 0.9 GND Soft)

Ilford FP4+ @ ISO 100

Pyrocat HD (1+1+100) @ 20°C 18:00

Agitation: 30 sec start, 1x invert each 3 min.

Distilled water for 1 min as Stop bath.

Ilford Rapid Fixer 5 mins.

Formulary's Hypo Clear Agent with 30 sec pre soaking, then 2 min with agent..

Ilford like way of rinse in water (5x20 agitation) then Rollei RWA wetting agent.

Scanner: Canon CanoScan 9000F

 

Some digital adjustments: contrast and dodging/burning.

The Judges' Lodgings, formerly a town house and now a museum, is located between Church Street and Castle Hill, Lancaster, Lancashire, England. It is recorded in the National Heritage List for England as a designated Grade I listed building.The building is the oldest existing town house in Lancaster, and was also the first house in Lancaster to have shutters. It was used by judges when they attended the sessions of the Assize Court and this was only ended in 1975, and the building was turned into a museum.

 

02-Jun-2023 18:10

Ilford Delta 100 ISO 100 rated @ EI 100

 

Ebony 45SU

Rodenstock 150-S

Developed in Pyrocat HD 7.5 + 5 + 500 Semi-stand 45 mins (N) @ 20C

Inversions at start, 15min, 30 min

Two water Stop Baths - 1 min each

Ilford Rapid Fixer (1+4) for 4 mins

 

Front Fall : 3cm down

Rear Tilt : 3 deg back

 

Mid tone LV = 11

Highlight = 13

Shadow = 10

 

Filters : None

 

Final LV=11

 

1/4 sec @ f22

@minami-aoyama, tokyo, feb/2012

Zeiss Ikon

Ricoh GR Lens 28mm F2.8 L

 

Fuji 400 PRESTO / Pyrocat-HD

--

It was just like looking around "snow pictures at an exhibition"...

 

Mussorgsky's "Pictures at an Exhibition"

youtu.be/NPf8zvgollM

 

..

# explored

...Murramarang Beach

 

RealitySoSubtle 45Z, Shanghai 100, Pyrocat HD

4x5 platinum print

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Hasselblad 500 C/M with Kodak 100 TMX developed in Pyrocat-HD.

 

Printed on Argenta Brom 114 (matt rauh gelblich) from '75

 

Two trays lith:

LD20 + D / B+ G + NH4Cl

Photographed November 2017 / Rollei 35s miniature 35mm camera with 40mm/2.8 Sonnar lens. Rollei RPX 400 bulk stock rated ASA 320 developed in Pyrocat-HD (5ml A + 25ml B > 600ml, 7min @ 20* C). Negative was scanned in a JUMBL scanner box; image was processed & finished in Flickr.

Nikon f-601

Volna 3 80/2.8

Tasma 25k

Pyro 350

Zone VI Ultralight 4x5

Caltar II-N 210mm MC 5.6

Ilford FP4+ (100)

Pyrocat-HD 1+1+100 18 mins 20c, reduced agitation

Epson V850 Silverfast 9

 

I was approximately an hour too late with this exposure. I had been running an errand along the coast - without my camera - and witnessed a remarkable effect: there was dense low cloud but for a more or less straight gap, miles long, which allowed for a straight, burned line along the ocean's surface, below the horizon. It gave the appearance of a crack in the known universe. But by the time I was able to get back out with a camera, it had receded to the point you see it now. It's still a nice enough effect, but definitely not nearly as striking as when I first saw it.

Yosemite Valley, near Swinging Bridge, Yosemite National Park, CA

Ebony RW810, 300mm f/5.6 Rodenstock Apo-Sironar-N, Arista .EDU Ultra 100 8x10, Processed in a unicolor drum, Pyrocat HD 1:1:100, Bronze toned in CS4

View Large: farm8.staticflickr.com/7410/9456023512_6d8d90d23f_o.jpg

 

Zone VI Ultralight 4x5

Caltar II-S MC 135mm 5.6

f/8 1/8

Ilford HP5+ (320)

Pyrocat-HD 1+1+100 15mins 20c

Epson V850

 

From the few initial exposures I've made so far, I like this lens - although I don't understand it. This was meant to be a more or less simple frame, to get a sense for the sharpness at f/8, and if/how it falls off around the edges. But I guess this fence was not as straight as I thought, and/or I had not been as careful as I thought in setting up the camera at all zero points and parallel to the fence, because I cannot figure out how the zone of focus is working here. Oh well.

Testing out a new chemical, PyroCAT-HD

Chamonix Alpinist X 8x10 + Nikkor SW 150mm f/8

Fomapan 100 dev. with PyroCAT HD 1:1:100 12mins @ 20C

@kawasaki, kanagawa, apr/2012

Hasselblad SWC

Carl Zeiss Biogon 38mm F4.5

 

Fuji 100 ACROS / Pyrocat-HD

--

 

この荒地の何処かで

君の声が聞こえている

しょぼくれたブルースは

闇に預けて

 

-- 荒地の何処かで / 佐野元春

...blunt-leaved heath, Barren Grounds Nature Reserve.

 

Chamonix 045F1, Rodenstock Ysaron 75mm, TMax 400, PyrocatHD

Camera: Pentacon Six TL

Lens: 80mm Biometar

Film: Kodak Tri-X TX400

Developer: Pyrocat-HD

 

Photographed August 2018 / Yashica-Mat TLR camera with Lumaxar 7.5cm/3.5 lens. Film was ILFORD DELTA 3200 metered at ASA 800-1000 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 8mln 15sec @ 20*C). Negative was illuminated on a light box and 'scanned' with an iPad mini using film Scanner app. Image was processed & finished in Flickr ; cropped slightly and straightened up.

Acros/Pyrocat HD/SWC

Photographed August 2018 / Rolleicord 1 TLR camera with Carl Zeiss Triotar 7.5cm/3.8 lens. Film was ILFORD HP5 PLUS metered @ ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 8min 10sec @ 20*C) . Negative was illuminated on a light box and 'scanned' with an iPad mini using the Film Scanner app. The image was processed & finished in Flickr. Cropped out of 'full frame' & squared up.

Darwin, CA

Ebony RW810, 300mm f/5.6 Rodenstock Apo-Sironar-N, Kodak Ektascan B/RA CRT X-Ray film, Processed in a unicolor drum, Pyrocat HD 1:1:100, Bronze toned in CS4

 

View Large: farm3.staticflickr.com/2900/13438974834_f6dac943d6_o.jpg

Photographed May 2020 / PrakticaVF SLR 35mm Film Camera with Asahi PENTAX SMC Takumar 24mm/3.5 lens. Film was KENTMERE400 bulk stock metered ASA 200 developed in sodium carbonate version PYROCAT-HD (5ml A + 50ml B > 600ml, 6min 50sec, 20*C).

Photographed October 2018 / Rolleiflex Original Model circa. 1931/2 with Carl Zeiss Jena Tessar 7.5cm/4.5 lens. Film was ILFORD 3200 DELTA PRO metered at ASA 800 developed in PYROCAT-HD (5ml A + 25ml B > 700ml, 8min @ 20*C). Negative was illuminated on a light panel and 'scanned' with an iPad mini using FilmScanner application. A medium grey zone V negative was used as a reference to obtain correct scanning exposure.The image was processed & finished in Flickr.

Photographs made while exploring and documenting Ohio’s State Nature Preserve system. Some of the only places left in the state where nature remains uninterrupted. These lands are underappreciated, underfunded, but rich with a subtle beauty that I revere with my view camera.

 

Tachihara 8x10 Double Extension

Schneider G-Claron 355mm f/9

Ilford HP5+

Pyrocat HD 1:1:100

 

www.marrash.com

Rolleiflex SL66, Zeiss Planar, Ilford HP5 Plus, Formulary Pyrocat-HD 1:1:100

Photographed November 2017 / Braun PAXINA 29 'tube lens' camera with PRAXANAR 75mm/2.9 lens. ILFORD HP5 PLUS rated ASA 320 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 7min @ 20*C). Negative was illuminated on a light box and scanned with an iPad mini using Film Scanner app. Image was processed & finished in Flickr.

Photographed July 2018 / Praktica FX 35mm SLR with Carl Zeiss Prism attachment & Meyer Optik Lydith 30mm/3.5. Film was Ilford PAN 100 metered at ASA 100 developed in PYROCAT-HD (5ml A + 25ml B > 600ml, 5min 30sec @ 20*C). Negative was digitalised in a JUMBL scanner unit; image processed & finished in Flickr.Cropped very slightly out of 'full frame'.

04-Jul-2023 16:15 - Ilford HP5+ 400 @ EI 400

 

Developed in PyrocatHD 1+1+90 (7+7+630) : 17 mins @ 20C

Two "stop" washes in water, 1 minute each

Ilford Rapid Fix : 4 mins

10 Minutes washing with several water changes

2 mins Ilford Ilfotol (1.5ml + 600ml)

 

Bronica SQAi + 80mm

 

Highlight = 17

Shadow = 11

Midpoint = 13.5

 

Filters : Yellow -1.5

 

Final LV=12

 

1/30 sec @ f22

Pentax P30T SMC Pentax-M 1:2 28mm FP4 PyrocatHD 1:1 08/23/2021

Shot from about 15 feet from previous, looking the other direction

 

14th April 2019 2:05pm

 

Chamonix 810V

Nikkor-W 300 f/5.6

(first exposure with this lens, bought off ebay from Japan – basically mint)

Ilford FP4+ 8x10

½” f/45

camera bed tilted downwards on Arca head, 10mm front fall, ±2º front tilt, a bit of rear tilt backwards to ‘loom’ foreground even more and bring rear back to vertical.

 

Same problem with filtration though matters less with this one. Seem to have overexposed it by at least 1 stop (esp. compared with previous image) but focus/dof bang on.

 

No problems with development; scanned at 1600ppi and toned and use of curves/platinum gradient in photoshop to assist darkening and contrast.

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