View allAll Photos Tagged PushProcessing
I am the Nightrider. I'm a fuel injected suicide machine. I am the rocker, I am the roller, I am the out-of-controller!
I heard you like Kala Namak so while I was cooking with Kala Namak I took a picture of Kala Namak and toned it in Kala Namak or Himalayan Black Salt.
Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal
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Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
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Read on at: emulsive.org/photography/35mm-format/just-a-lick-shot-on-...
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Filed under: #35mmformat, #Photography, #2018May, #35MmFormatFilm, #ColorNegativeFilm, #EI1600, #EI400, #EMULSIVEDailyPhoto, #ISO1600, #ISO400, #Kodak, #KodakULTRAMAX400, #PushProcessing, #PushingFilm
#shootfilmbenice #filmphotography #believeinfilm
Pentacon Six TL w/ Carl Zeiss Jena Sonnar 180mm f/2.8 and Kodak Tri-X @ EI 1600 (Kodak D76 1:1, Ilford rapid fixer). f/5.6, 1/250s. Epson V700 and Silverfast SE Plus 8.0 @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I had just gotten the Sonnar with the mail just a few hours before I took this photo. It seems to work alright. But it's a bit tricky to get accurate focus with such a narrow depth of field.
The film was a roll of Tri-X that I've bought second hand over Facebook. Although it had 10 monts left on the best before date, it produced some veil and took 50% extra time to dry. I guess it's relevant how you store your film.
Model: Bella
Leica M6 TTL 0.85 | Voigtlander 40mm 1.4 Nokton MC | Kodak Tri-X 400 @ 1600 | Kodak HC110b | www.JohnnyMartyr.com
I'm honored that Kodak has selected me to test drive their newly re-released TMAX P3200! Photos coming soon!
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Nikon FE - Nikkor 28 2.8 - Fujicolor Superia X-Tra 400 @ 800 - Cinestill Cs-41 - dslr scan - Negative Lab Pro
Asahi Pentax Spotmatic, SMC Takumar 1.8/55
Fujifilm Neopan ACROS 100@400
1/250, f16, yellow filter
On tumblr: theatreofthemundane.tumblr.com
On Instagram: lemonhats
Asahi Pentax Spotmatic, SMC Takumar 1.8/55
Fujifilm Neopan ACROS 100@400
1/250, f16, yellow filter
On tumblr: theatreofthemundane.tumblr.com
On Instagram: lemonhats
Olympus OM-1n | Zuiko 50mm 1.4 | Kodak Tri-X 400 @ 1600 | Kodak HC110b
Available Light B&W 35mm Photojournalism by Johnny Martyr
Thanks for checking out my work!
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Shot on ADOX Silvermax 100 at EI 200
Black and white negative film in 35mm format
Push processed one stop
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Read on at: emulsive.org/photography/35mm-format/skewed-shot-on-adox-...
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Filed under: #35mmformat, #Photography, #2018July, #35MmFormatFilm, #ADOX, #ADOXSILVERMAX100, #BlackAndWhiteNegativeFilm, #EI100, #EI200, #EMULSIVEDailyPhoto, #ISO100, #ISO200, #PushProcessing, #PushingFilm, #SilvermaxDeveloper
#shootfilmbenice #filmphotography #believeinfilm
Pentax ME
SMC Pentax-A 28mm f/2.8
Kodak Gold 200 @ 400, pushed processed +1 (4:40mins.)
Home Developed in Argentix/Unicolor
Scanned with Pakon F135
I can get Kodak Gold 200 fairly easily and for an okay price near me, but 400 ISO film is a bit harder and more expensive to get, so I tried pushing and push processing Gold 200, because 400 is handy for fall and winter light conditions. I got a couple of shots in sunny conditions, some in undercast conditions, and a few indoors too, and while the grain is not bad, the shadows need to come out a bit more. The film can possibly have more time in the developer or I can scan with my Epson V550 where I can do more adjustments, but my Pakon F135 is so convenient and I like the colours from it.
Zeiss Ikon Ikoflex IIa w/ Zeiss-Opton Tessar 3.5/75 and Kodak Tri-X @ EI 1600 (Kodak D76 1:1, Ilford rapid fixer). f/5.6, 1/25s. Epson V700 and Silverfast SE Plus 8.0 @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
Taken on a half-gloomy April afternoon. The TLR is a rather nifty studio camera, specially if you do posed portraits, since you more or less need a tripod to find perfect focus. But for headshots or non-sitting subjects it's a bit challenging to get in the same eye-hight. I would use an SLR anyday for that!
That Tessar lens doesn't disappoint, it's contrasty and sharp all over. Without a focusing prism you still need to stop down to f/4-5.6 to be somewhat certain that you got accurate focus anyway, although the groundglass of the Ikoflex IIa is rather bright and clear. So having "just" f/3.5 as largest aperture isn't a big deal.
Model: Bella