View allAll Photos Tagged PushProcessing
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
Pentacon Six TL w/ Carl Zeiss Jena Biometar 120mm f/2.8 and Ilford FP4+ @ EI 200 (Kodak Xtol 1:0, Kodak fixer). f/4, 1/60s. Epson V600 and EpsonScan @ 4800 dpi, downsized to 2400 dpi. Retouched and cropped.
I got some odd residues on this and previous roll of FP4+ that I developed. I guess that it's the antihalation stuff that got bad prematurely, despite having a couple years on the best before date (shot in 2018, exp 2021). No other film (TMX in 120 and 135), that I used the same soup with showed any signs of residues. Especially not the 135 films that I developed after this roll.
Another interesting thing is that they haven't fixed this broken window 2½ months after I shot this photo. Sure it's cool for effect, but is it really that hard to replace an orange window on a bridge over a train track?
Model: Selma (Sweden Models Agency).
Nikon Series E 50mm f/1.8 on Ilford HP5+ @ 1600.
Rodinal 1+25 / 12 min @ 20° C
Agitation: Constant for the first 30 secs, then 5 secs every 30 secs.
Nikon FM2n | Nikkor 50mm 1.8 AIS | Ilford Delta 3200 @ 6400 | Kodak HC110b | Epson V500 | Adobe Photoshop
From thedailylumenbox.com Rollei RPX-25 pushed to ISO 50 with 1949 Leica Ic and Chroma Double Glass 24mm f/11 lens. Developed in Cinestill Df96 monobath.
Church of St James. Normanton on Soar, Nottinghamshire.
Hasselblad 501CM
Carl Zeiss Distagon 4/50 T* CFi
f11
1/500th second
Hand-held
Kodak T-Max 400 (at EI 800)
N+1 development in DD-X 1:4 at 20 °C for 10 mins.
Digitised using 16-shot pixel-shift capture
Toned
Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.
(best viewed fullscreen in the lightbox)
Film: Rollei Retro 400S @ 800 ISO | Develop: HC-110B, 10:45 mins @ 20°C | Scan: Plustek OpticFilm 8200i
The John Rylands Library in Manchester.
Hasselblad 501CM
Carl Zeiss Distagon T* 4/50 CFi
f4
1/30th second
Ilford HP5+ at EI 1600
Hand held
Self developed in Ilfotec DD-X 1+4 at 20 C for 13 minutes
Digitised with DSLR
(best viewed fullscreen in the lightbox)
Scan of Kentmere Pan 400 pushed 2 stops and reversed to slide in PQ Universal + toned in Kala Namak or Himalayan Black Salt
Best enjoyed with Dark Ambient / URBEX
Canon A1 with Canon FD f1.2/55mm. Arista Premium 400 expired 2014 @800 in Xtol 1+2 for 12.5min. 20C
Bilbao's Plaza Nueva is a really nice place and as in all the Basque country the food is amazing.
I am the Nightrider. I'm a fuel injected suicide machine. I am the rocker, I am the roller, I am the out-of-controller!
I heard you like Kala Namak so while I was cooking with Kala Namak I took a picture of Kala Namak and toned it in Kala Namak or Himalayan Black Salt.
Kentmere Pan 400 pushed 2 stops and reversed in PQ Universal
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Shot on Kodak ULTRA MAX at EI 1600.
Color negative film in 35mm format.
Push processed two stops.
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Read on at: emulsive.org/photography/35mm-format/just-a-lick-shot-on-...
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Filed under: #35mmformat, #Photography, #2018May, #35MmFormatFilm, #ColorNegativeFilm, #EI1600, #EI400, #EMULSIVEDailyPhoto, #ISO1600, #ISO400, #Kodak, #KodakULTRAMAX400, #PushProcessing, #PushingFilm
#shootfilmbenice #filmphotography #believeinfilm