View allAll Photos Tagged PushProcessing

Minolta SR-T102

Kodak Gold @1600

C41 5min

 

St Mark's Place

Nikon F3, Nikkor 50/1.4, Fuji C200@400, push +1 stop developing.

Lizardman.

 

Olympus OM-2 with Zuiko Auto-Macro 50/3.5 + Kodak TriX 400 pushed 3 stops. Develop with Kodak D76 23 deg C @ 11min.

Negative scanned at 1000dpi.

Joshua Tree CA - Nightfall in Joshua Tree National Park. March 2017.

 

taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Ilford HP5 iso 400 pushed to 1600.

Nikon FE - Nikkor 28 2.8 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Ilford HP5 400 pushed to 800 - Yashica Electro 35 GTN

 

Snapped in Rethymno, Crete, Greece

 

More about Street Photography at www.streethunters.net

Joshua Tree CA - Desert landscape along the Hidden Valley trail in Joshua Tree National Park. March 2017.

  

taken on a Canon F-1 slr w/ 50mm FD f1.8 lens + polarizer. Ilford HP5 iso 400 pushed to 1600.

Toronto ON - Portrait of Katie Mathieu inside Brookfield Place in Toronto. Taken at waist level with accidental light leakage. March 2021.

 

Taken on a Hasselblad 500C/M medium format camera w/ Carl Zeiss Planar T* 80mm f2.8 lens. Ilford Delta 100 B&W film pushed to 400.

On top of visiting NYC to record the April Film Photography Podcast, Lauren and I took a few days to hang out in the city, and take some fun pictures. This included a late night "session" in Times Square. Taken ~10pm, these shots came out splendidly, no artificial lighting was used. We waited at the scene ~ 5 minutes each time for the advertisements on the lighted billboard to rotate through to one with a more "daylight" cast to it. This most definitely paid off. ^__^

 

For all the haters thinking this was heavily 'shopped, here's a link to the "test shot"

www.flickr.com/photos/mat4226/5560869859/in/set-721576263...

 

Hasselblad 500C + 80mm f/2.8 T*

1/125th @ f/2.8

Kodak Portra 400, shot @ 3200

Pushed only 1 stop in development

 

www.matmarrash.com

Louise Post of Veruca Salt - 07.14.23 by Johnny Martyr - Leica M6 TTL 0.85 | Leitz 50mm Summicron | Kodak Tri-X @ 1600

Forest Park, Portland, Oregon, December 30th, 2010. Misty, icey day near sunset.

 

Equipment

Camera: Minolta Autocord

Lens: Rokkor 75mm f/3.5

Filters: None

Film: Kodak Portra 160NC, pushed to 640 ASA, expired 12/2009

Metering: Sunny 16

 

Exposure

Aperture: f/3.5

Shutter speed: 1/30 to 1/60

 

Development

Tetenal C-41 Press Kit: Pre-soak, Developer 12 minutes at 90°F (32°C) with 2 inversions every minute, 3 washes, Blix 8 minutes at 90°F (32°C) with 2 inversions every minute, 7 washes, Stabilizer 1 minute with first 30 seconds inversions, Ilford Ilfotol wetting agent 1 minute with first 30 seconds inversions, hang dry.

 

Digitization

Scanner: Epson 4490

A rainy morning in Brooklyn

 

Ilford HP5 @ 1600

Ilford Microphen stock

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Smena-8M

Ilford HP5 Plus 200 Push+2

--

 

minolta talker x expired 2003 kodak MAX ISO400 35mm (pushed to ISO800)

Nikon FE - Nikkor 28 2.8 - Orange 21 Filter - HP5+@800 - Rodinal 1+50 - dslr scan

Misty Mountain Campgrounds, Crozet, Va.

 

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Fomapan100 pushed to 200 exposed with Contax 139q paired with Zeiss 50mm F1.7 developped at home with Rodinal.

This recipe works well for Fomapan 400 @ 1600. The time is slightly longer than what most other people use. D-76 stock solution, 24 minutes at 20C (or 12 minutes at 27C to speed things up). Inversions every 2 minutes. The film stays relatively low contrast. FPP76 mixes up more easily than Kodak's version. I haven't used ID-11, but I've heard it has less problems mixing as well. Then there's the new Adox D-76 that just got released. I haven't found anything better for pushing Foma film.

A push processed shot. Shot with a Minolta XG-M ,55mm f/1.7, Ilford HP5 ISO 400 pushed to 1600, ID11 (stock) developer

Minolta X-700 - Vivitar Auto Macro 55 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Nikon FE - Nikkor 28 2.8 - orange 21 filter - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

Ya like grain elevators? Check out Jan Normandale's fine collection.

Nikon FE - Nikkoe 50 1.2 - HP5 @ 800 - Rodinal 1+50 - dslr scan

Minolta X-700 - Vivitar Macro 55 2.8 - Ilford HP5+ @ 800 - Rodinal 1+50 - dslr scan

Fomapan100 pushed to 200 exposed with Contax 139q paired with Zeiss 50mm F1.7 developped at home with Rodinal.

Weavers Needle

Superstition Mountains, Arizona

 

Kodak Portra 800 (Pushed 1 Stop)

Nikon F3

Nikkor 50mm 1.4

Processed @ Oscar's Photo Lab

Rick Miller and Dave Hartman of Southern Culture on the Skids live at The Southern Cafe and Music Hall, Charottesville, Va., 3/4/22

 

Nikon FE - Nikkor 50 1.2 - Ilford HP5+ @ 1600 - Rodinal 1+50 - 24 minutes at 68° agitate every 3 minutes - dslr scan

august 2017

 

canon a-1 | canon fd 1.4/50 | tri-x pushed two stops

2022-01-23

 

Nikon FE2

Nikon Ais 105mm f/2.8 macro lens

Kodak Tri-X 400 (800-push) 35mm film

Kodak Xtol (1+1) devloper

20ºC - 11min

Mamiya M645 1000s

Sekor C 45mm f/2.8 + yellow filter

Ilford HP5+ @800

ID11 1+2 19:00 min

Nikon F-601. AF Nikkor 50/1.8 D, Fuji Venus 800@1250, push +1 stop developing.

Church of St James. Normanton on Soar, Nottinghamshire.

 

Hasselblad 501CM

Carl Zeiss Planar 3.5/100 T* CFi

f11

1/250th second

Hand-held

Kodak T-Max 400 (at EI 800)

Hasselblad Orange filter

N+1 development in DD-X 1:4 at 20 °C for 10 mins.

Digitised using 16-shot pixel-shift capture

Toned

 

Note: my images are processed to appear correct on a calibrated, professional grade colour-accurate monitor set to Adobe RGB output / 6500 K temperature / gamma 2.2. Many consumer grade screens (particularly mobile phone screens) at default settings will display these images with too much saturation and contrast, so please bear this in mind when viewing on such devices.

 

(best viewed fullscreen in the lightbox)

Nikon FE2

50mm

Kodak Tri-x pushed to 3200

Epson V600

 

Saigon, Vietnam

May2025. Ruins on the curve into Granite Mountain. Just outside of College Station, Arkansas USA. IlfordFP4@400.PentaxSuperProgram.Vivitar19-35AF.YellowFilter.DD-X

@18minutes.AGOProcessor.CameraScan:FujifilmXH1 Note: 4th use of same batch of Ilfotec DD-X. Still getting excellent results.

Pentax 67

S-M-C Takumar 105mm

 

leica m4 | voigtlander 28mm/f2 | kodak tri-x 400 @ 1600

Paddington, West London, Autumn 2017. Kentmere 400 pushed 2 stops in Ilford ID11 stock, 8.5 mins, 3 inversions every minute. Leica M5 + Voigtlander Color-Skopar 35 f2.5

The market at Edfu Egypt, along the Nile, just last week.

 

Pentax 645Nii, Pentax-A SMC 55mm f/2.8

Kodak Tri-X @ 800

XTOL 1+1, 9' 30" @ 21C

 

Nikon Coolscan 9000 ED

Mamiya M645 1000s

Sekor C 80mm f/2.8 with orange filter

Ilford HP5+ @800

Ilfosol 3 1+9 13:30 min

Nikon FE - Nikkor 28 2.8 - orange 21 filter - Ilford HP5+@800 - Rodianl 1+50 - dslr scan

Olympus XA, Portra 400 pushed one stop

Nikon FE - Nikkor 50 1.2 - Ilford HP5+@800 - Rodinal 1+50 - dslr scan

by Stuart Slade

 

23 May - 2 June, Teatro Nazionale di Genova

 

Directed by Alberto Giusto

Performed by Daniela Duchi, Mario Cangiano, Fabrizio Costella, Valentina Favella, Silvia Napoletano, Francesco Patanè

 

Nikon FE2/FM2

Nikkor lenses

Kodak Tri-X @1600

D-76

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