View allAll Photos Tagged Prompting
Prompt - A passenger train crossing the Rocky Mountains in the 1800s. A of the 1800s era, featuring steam locomotives and vintage passenger cars. Historic, adventurous, and serene. Natural, with soft lighting effect, Mid-distance to show the train within the grandeur of the mountains. Watercolor, emphasizing fluidity, soft color transitions, and a slightly impressionistic feel to capture the essence of the scene. Inspired by the style of 19th-century landscape watercolor, in the artistic style of Terence Cuneo, --ar 4:5 --personalize m3lgrn9 --stylize 750
Prompt: full body view, aged prospector, weathered face etched with wrinkles, long white beard flowing, brown hat, red bandana, suspenders, worn boots, holding miner's gold pan, a donkey carrying a backpack. Rocky terrain, sparse green shrubs, cloudy sky, high resolution, high detail, color pencil artwork, --v 6.1
digital fine art created using Midjourney AI v 6.1
Prompt: s.mj.run/DR9rL-KfQhc A hyper-realistic photo of a white horse, Christmas Wreath around his neck, in front of a wooden barn decorated for Christmas, and large rusted barrels filled with presents scattered nearby. The sun casts long shadows across the scene, and red and green decorations on the walls --ar 1:1 --personalize 9fytxep --v 6.1
Prompt: Watercolor painting of a Burmese cat sitting dark seamless studio background, facing the camera. The Cat has a dark brown coat. Its ears are pointed and alert, and its eyes are a striking yellow-green color. Professional studio back lighting is soft and even. The image is high quality and well-composed, with a focus on the cat's elegant and graceful appearance. --ar 4:5 --v 7
digital fine art was created using Midjourney AI v 6.1 and Photoshop
Prompt: Create a hyper-realistic thumbnail of a stranded wrecked VOC ship. The thumbnail should feature a rainy day on an ominous beach. Include a dramatic spotlight or above water drone light shining on the wreckage, highlighting key details. Add a hint of debris floating nearby to evoke a sense of mystery and discovery. Include 17th century survivors next to the wreckage, 8k ultra realistic, 8k, --ar 14:11 --personalize pqawvv7 --v 6.1
Prompt: color pencil sketch of a red and black 1868 steam engine with large front wheels, moving on the tracks of an American Western landscape. The locomotive has black smoke coming out from its chimney, a gold bell at top center that rings as it flawless details, hyper realistic, high resolution, --ar 14:11 --exp 10 --v 7
Digital Fine Art Created using Midjourney AI and Photoshop
Prompt
A close-up digital painting of a young woman's face partially obscured by a leafless tree with a thick, textured brown trunk running vertically through the center of the frame. Her pale skin is smooth and slightly frosted, with subtle frost or snowflakes visible on her cheekbones and lips. The woman has striking light blue eyes with intricate details in the iris, fine eyelashes, and visible blood vessels. Her eyebrows are thick and dark brown, contrasting sharply with her fair skin. She wears an ivory hooded garment that blends seamlessly into the snowy background, with her hair cascading down in soft white strands. Delicate branches with thin, pale gray bark extend across her face, their ends dusted with pristine white snow. The branches create a natural frame around her features, adding depth and texture to the composition. Small patches of snow cling to her nose and cheeks, emphasizing the cold environment. Her expression appears calm yet intense, with slightly parted lips revealing a hint of teeth. The lighting is soft and diffused, creating a serene and ethereal mood while highlighting the textures of both human and natural elements. The color palette consists of cool hues such as whites, grays, and pale blues, contributing to the tranquil winter atmosphere. The background is softly blurred, suggesting a snowy landscape or forest. The overall composition creates a harmonious blend of nature and human presence, evoking a sense of quiet contemplation amidst the wintry setting.
Prompt: create a beach scene with seashells and starfish scattered around, a large basket filled, tipped on it's side, various shells spilling out onto the sand, next to a fence, an umbrella sits behind the fence with a beach chair, seagulls flying overhead, ocean waves crashing against the shore, a blue sky with white clouds,
“Sense how
Even the smooth stones ache
With stories of their own
In the shuddering light of day.”
― Scott Hastie
Prompt: A black-and-white photograph of the Caped Crusader standing on top of a building, looking over the city. The view is from above, a wide shot, and the image is hyper-realistic. --ar 4:5 --v 6.1
Prompt
Eccentric character, wild bright orange hair, whimsical attire, holding large blue-gray cat, enlarged eyes, bushy tail, striped, tall black top hat, paintbrushes, quill, peacock feather, wide pink ribbon, pale face, vibrant makeup, bright eyeshadow, dark intricate costume, vibrant multicolored bow tie, delicate white lace, surreal forest background, blue hue, dark tree trunk
Prompt: a Victorian illustration in the artistic style of John Gould, of a beautiful black bird, perched on a branch with cherry blossoms --ar 11:14 --v 6.1
this digital fine art was created using Midjourney AI and Photoshop
He de reconocer que esta foto es una de mis favoritas desde el momento en que la ví en la pantalla de la cámara Una vez más el escenario y protagonista absoluto fue Tarifa, la playa de los Lances, justamente se estaban produciendo en esos días "las mareas vivas" y sobre la arena el mar en su retirada había dejado unas charcas enormes, el fin era buscar los reflejos de la nube sobre el agua y probé varias tomas, de repente se me ocurrió acoplar los filtros ND de 10 y 6 pasos y junto a los 192" obraron el milagro!
En lightroom probé a intensificar el contraste y los tonos dorados del atardecer, en photoshop le apliqué un ligero enfoque de paso alto y he aquí el resultado, espero sea de vuestro agrado.
Gracias a tod@s por vuestras palabras y visitas, feliz finde
Prompt: A beautiful watercolor, wide view of Lake clark in Alaska with beautiful wooden cabins, kayak, seaplane and moose --ar 5:4 --s 150 --p m3lgrn9 --v 6.0
What inspires you and how do you stay inspired? If you're in a slump, what can revive your creativity? I discuss this list in more detail in this week's modus operandi.
See additional modus operandi features on my blog. New techniques & tips shared every Tuesday!
Created with Midjourney AI engine. PP work in Luminar Neo filters for: Face; Eyes; Topaz Labs Denoise AI.
Prompt: portrait of a Ice King, frontal, elaborate cape, frosty, filigree, bejewelled, ultra realistic details, cold, in the style of Marjolein Basstin --ar 10:8 --v 5.1 --s 250 --style raw
Thank you all for the visit, kind remarks and invites, they are very much appreciated! 💝 I may reply to only a few comments due to my restricted time spent at the computer.
All art works on this website are fully protected by Canadian and international copyright laws, all rights reserved. The images may not be copied, reproduced, manipulated or used in any way, without written permission from the artist. Link to copyright registration:
www.canada.ca Intellectual property and copyright.
Prompt: In the artistic style of animal artist Guy Coheleach, a mountain lion, mid-leap, in a snowy forest. Shallow depth of field, blurred background. Dynamic pose, natural lighting. High detail, 8k, --ar 14:11 --v 6.1
digital fine art was created using Midjourney AI
The plan to build a railway in southern Queensland in 1863 prompted the residents of central Queensland to demand their own railway. The discovery of rich copper deposits at Peak Downs west of Rockhampton strengthened their case and in January 1864, Engineer for Roads, Northern Division, Henry Plews was ordered to survey a line to the copper field. Plews was made Chief Engineer of the northern railway in October 1864. The line opened as far as Westwood in September 1867.
This line was too short to be profitable and approval for an extension was granted in late 1872. Robert Ballard was appointed Chief Engineer and was given authority to let contracts for each section. The aim was to produce an affordable line.
As work progressed, towns developed at each temporary terminus. Some such as Pine Hill declined after the railway passed while others such as Alpha and Emerald continued to grow. Many buildings and businesses were shifted westwards from one terminus town to the next.
The line reached Duaringa in 1876, Blackwater in 1877 and Emerald in 1879. After Bogantungan (1881), the most difficult section was encountered - the crossing of the Drummond Range. The decision to extend the railway from Barcaldine (1886) to Longreach was the result of pressure being brought to bear by parliamentary representatives from Central Division and the fear that the northern Separation Movement could succeed. The final section was completed to Longreach in February 1892.
The Longreach site was selected by railways surveyors due to the presence of a large waterhole on the Thomson River. It was a popular stop for teamsters but it had never developed into a hotel or small community. Longreach was gazetted as a township in November 1887, and the first land sales occurred soon after that.
At the time the extension was completed, the bitterness of the Shearers' Strike was affecting the town and Premier Sir Samuel Griffith was rebuffed when he arrived to try to officially open the line.
When the line was completed, there were no railway buildings at the terminus, although a small post and telegraph office had been built to service the telegraph line which had advanced beside the railway. The first station building was a small timber shelter shed and office, 60ft x 14ft.
The opening of the railway from Barcaldine to Longreach caused a building and population boom in the area. By 1914, Longreach had 14 hotels.
In 1912 Commissioner Evans promised a deputation of locals that he would ask the government to build a station at Longreach similar to that at Winton. QR at this stage was undergoing a major reinvestment and rebuilding program of railway lines, branch lines, carriages, locomotives, and buildings. The new station was begun in 1915/16. This would indicate something of the political influence of central Queensland, in that a new building was provided even though the existing building remained intact. The new station was completed in 1916/17.
The current timber station was completed in 1916 to a design attributed to Henrik Hansen, this date appearing on the pediment. It is similar to stations he designed at Emerald, Mount Morgan and Archer Park. The most obvious difference is the platform awnings: Archer Park and Mount Morgan have carriage shades with a curved roof; Emerald re-used the platform shade from Central Station; and Longreach has a cantilevered platform shade.
The refreshment room was built shortly afterwards. It has now closed and the building is used as offices.
The goods shed is thought to have been built in 1892 and was substantially renovated in 1988.
Longreach is a focus for heritage tourism for Queensland Rail, being the terminus for Queensland Rail's 'Spirit of the Outback' rail adventure, offering what is promoted as a 'unique insight into the history and culture of early Australia'.
Longreach, Queensland:
Longreach, Queensland, is 620km west of Rockhampton, at the junction of the Capricorn and Landsborough Highways. The Aramac Creek flows southwards, joining the Thomson River which runs generally south-west through the Longreach district.
The Longreach district was explored by the New South Wales Surveyor-General, Thomas Mitchell (1846) and by Edmund Kennedy (1847). The pastoralist-explorer William Landsborough reported favourably on the district's pastoral prospects, and in 1863 the first pastoral lease was taken up by the vast Bowen Downs station. Several others followed soon afterwards. The district's centre was Aramac (1869), and it was governed by the Aramac local-government division (1879).
Railway Boom:
Considerable optimism surrounded the new settlement: town lots were auctioned and sold briskly, and by 1890 there were three hotels, several stores and tradespeople, a progress association, and a police station. The opening of the railway line in 1892 spurred further development, and thrust Longreach into the industrial upheaval of the age; whereas the 1891 shearer's strike had been based at Barcaldine, the 1894 strike was called at the new railway terminus, Longreach.
The town grew with astounding rapidity. By 1896 there were fourteen hotels, a hospital (1893), Catholic, Methodist, and Anglican churches, a school of the arts, a pastoral and agricultural society, and several clubs and friendly societies. From a population of about 150 in 1891, Longreach was approaching 2000 in 1903.
The progress association soon expressed criticism about the Aramac local-government division's neglect of the Longreach district. Aramac agreed, and the Longreach division was severed in 1900.
Apart from Longreach's role as a railhead and district centre, it also became the centre of an area subdivided for closer-settlement farms during the 1890s. Many blocks were too small, however, and the 1902 drought proved a substantial setback. Amalgamation of blocks and the successful drilling for bore water after the drought aided recovery.
Industrial Progress:
Longreach was usually quick to embrace new technology. Motor car hire and repair businesses were opened – the Longreach Motor Co (1910) and Edwards, Martin Ltd (1910) were major businesses in both repair and body-building for vehicles. In 1919 two young airmen, P. J. McGinness and Hudson Fysh visited Longreach while surveying the Darwin to Longreach section of a proposed England-Australia air route. The men later began Qantas outback airlines at Longreach and established a large plane assembly factory. With both a railway terminus and a pioneer air service, Longreach had some claim to being a 'Chicago of the West'. The railway advantage, however, subsided when the line was extended to Winton in 1927.
In 1921 an electricity powerhouse began operation and a rudimentary swimming pool opened. Reticulated water supply was laid on from the river in 1938, replacing the mineralised bore water and enabling trees to grace the city's parks. Despite the progress, Longreach remained a goat town for another two decades, with local herds essential as a reliable fresh milk supply. Fresh vegetables were also a problem, with grasshoppers damaging local crops and the railways sometimes failing to keep up supplies.
Postwar Tribulations:
The 1920s were relatively prosperous, as were the 1950s (apart from some dry years and a shearers' strike). Much of the commercial building stock was replaced, including the shire hall (the previous two, along with local hotels and the Catholic church had burnt down). A State high school and an Olympic pool were opened in 1966 and 1967. Within a few years wool prices declined, and an investment in beef cattle was met with a decline in meat prices. The town's population, which had stayed steady during 1933 - 1947 when other outback towns had fallen by a quarter, faltered badly during the 20 years from 1961 - 1981 falling from 3800 to fewer than 3000. Fortunately, improved roads and transport, which had solved the milk and vegetable supply problem, brought outback tourism. Sensing the tourist opportunity, Sir James Walker, Shire Chair (1957 - 1990), chair of regional electricity supply authorities and of the Longreach Pastoral College garnered national support for the Stockman's Hall of Fame, which opened in 1988 on land provided by the Pastoral College. The Qantas Founders Museum, abutting the original heritage-listed Qantas hanger at the Longreach aerodrome, and a museum based in the old powerhouse (also heritage-listed) are other attractions, particularly popular with 'grey nomads'.
In addition to the aforementioned attractions and facilities, Longreach has a racecourse, showground, a Catholic primary school (1985), a school of distance education, a base hospital (1944), aerodrome, a visitor information centre, an Olympic swimming pool, five churches, several hotels and motels, and an aged persons' accommodation. The elaborate railway station (1916, similar to the Emerald station) and the goods shed (1892) are listed on the Queensland Heritage Register.
Source: Queensland Heritage Register & Queensland Places (www.queenslandplaces.com.au/longreach).
prompt: An exquisitely detailed digital painting of a farmhouse on the edge of a tropical beach at sunset. Palm trees frame the scene their leaves vividly illuminated by the golden sun setting over the ocean seaview. Gentle waves create a rhythmic pattern on the sandy shore reflecting the brilliant tones of the sunset – oranges pinks and purples blending seamlessly. The clouds add a dramatic yet calming element to the warm serene atmosphere evoking tranquility and the inviting beauty of a nature themed paradise. --ar 14:11 --p 24n91wk --v 6.1
Prompt: portrait of a 3 years girl photo with blond hair, the girl has blue eyes, she holds in her hands a west highland white terrier puppy, ears up, studio lighting Rembrandt style, --ar 3:4 --profile 5k6z5tg --v 6.1
Created using Midjourney AI v 6.1
Prompt: In the style of vintage Norman Rockwell illustration, little boy and his White Westie, ears up, sitting on the side of a dirt road looking at a flat tire on his bicycle, boy has his head in his hands and is looking upset
Created using Midjourney AI v 6.1 and Photoshop
Prompt: in the artistic style of Michael Humphries, two wooden barrels overflowing with red and green apples, old wooden barn "APPLES" painted on side, nestled amongst autumn trees, soft natural sunlight, deep depth of field, serene rustic feel, smooth detailed brushstrokes, highly detailed, 8k, --ar 14:11 -- --v 6.1
digital fine art created using Midjourney AI v 6.1
Prompt: create a digital fine art of a vintage pickup truck parked under a tree in an open Oklahoma field, with storm clouds approaching, lightning in the distance, a farmer and his dog watching the storm, square aspect ratio
This digital fine art was created using Nano Banana AI and Photoshop
“A woman being never at a loss... the devil always sticks by them.”
― George Gordon Byron, Lord Byron: Selected Letters and Journals
Visit the Sakura Neighborhood in beautiful Bellisseria!
Prompt - a lop-earred rabbit surrounded by baby chicks. They are surrounded by lush Easter lillies in the artistic style of Bonnie Marris circular decorative frame, whimsical, Lilla Cabot Perry --ar 5:4 --personalize m3lgrn9 --stylize 250
i had intended to skip this prompt but i will use it to let you know i tripped yesterday damaging my left wrist which is now in a hugelw aeharg splibr -- i left that as typed -- hugely awkward splint, it is painful and i can't get close enuf to see the keys and when i backspace it goes to start of line, it takes 3-4 pecks 4 each letter, i have a few more pix done if i can suss how to upload them and 1 more 2 shoot, w/ mr bigg's help in between doung my jobs of cookinf and feedybg birds. new pc has already caused grief and virgin's doing work outside, wyll have 2 skip comments 4 awhile,
only had 2 change #s in title -- can't use left shift key,
Up-cycled from the theme 'Balloons' from the Blythe a Day October 2017 group hosted by Lyndell. This was one of my favourite pictures even though I was not particularly happy with the lighting challenges of the flat lay process. At the time I didn't have access to photo manipulation software to fix the shadows cast on the sky. It was this prompt along with my spur of the moment prisoner costume for Scar that inspired the story of The Great Escape, my ongoing soap opera.
This week I've been practicing blending with watercolors and trying to channel some spring vibes! I have been inspired by a watercolor artist I happened upon on IG and I've tried to recreate a few of her paintings. I am really loving the loose painting style with the blended colors. She doesn't use ink outlines, but my paintings never have definition unless I add ink...so ink it is for me!
Prompt
A highly detailed digital artwork presents a fantastical representation of Mother Nature as a contemplative human figure, seamlessly blending natural elements. The central focus is a humanoid shape formed by Earth's surface, with the head depicted as a realistic planet showing continents, oceans, and swirling cloud formations in shades of blue, white, and gray against a dark navy blue sky. The figure is captured in a deep, reflective pose, kneeling with the left hand resting thoughtfully on the chin, mirroring the classic 'Thinker' pose by Rodin. The torso and limbs are intricately designed with lush forests, cliffs, valleys, and waterfalls cascading down the figure, creating a surreal landscape. Waterfalls of varying sizes and colors, from clear to turquoise, flow from the upper body into the lower body, with some waterfalls dripping from the head. The background features a vast expanse of rugged mountains with snow-capped peaks, while the foreground showcases dense forests covering the mountainsides. Small lakes and rivers with vibrant turquoise waters are nestled within the landscape, some forming natural reservoirs. The sky above is a deep navy blue, dotted with numerous scattered stars, enhancing the ethereal quality of the scene. The lighting is soft yet bright, illuminating the entire composition evenly and highlighting the vivid colors and intricate details of the natural elements. The color palette includes various shades of green, blue, brown, and white, creating a harmonious and balanced composition that evokes a serene, contemplative, and majestic mood, emphasizing the interconnectedness of nature and the beauty of the natural world.
Prompt: A close-up side-by-side profile portrait of a West Highland White Terrier and a Alaskan Malamute, looking to the distance, watercolor
Prompt: create digital fine art of a surreal, cinematic fantasy scene at sunset, where a young girl stands at the edge of a rocky cliff overlooking a calm ocean covered in soft, rolling mist. The sky glows with deep blues and warm golden light as the sun sinks below the horizon, casting shimmering reflections across the water. Massive ethereal whales made of stardust and glowing nebula-like particles glide through the sky as if they are swimming through a cosmic ocean. Their forms are detailed and luminous, with soft bioluminescent highlights and gentle particle trails dispersing into the clouds. The environment blends celestial and earthly elements: dense, dramatic clouds illuminated from within, stars scattered through the atmosphere, and a dreamlike sense of scale and wonder. The scene should evoke awe, serenity, and magical realism, with soft volumetric lighting, high detail, and a painterly yet photorealistic finish. Use a sweeping wide-angle composition and rich atmospheric depth. Vertical aspect ratio
This digital fine art was created using Nano Banana AI and Photoshop
Prompt: A Digital fine art painting of a majestic, full-rigged tall ship glides across the rough deep blue ocean under a vibrant, sunset sky. The ship is the historic white U.S. Coast Guard tall ship with fully unfurled, billowing white sails catching the wind. The vessel proudly displays the iconic red, white, and blue racing stripe and U.S. Coast Guard emblem on its bow. A golden figurehead is visible at the ship's prow, adding a classic nautical touch. The perspective is from low on the water, emphasizing the ship’s grandeur against the vast sky and open sea. The scene is bright, detailed, and cinematic, evoking themes of maritime tradition, freedom, and exploration. High-resolution, realistic style.
This digital fine art was created using chatgpt Sora AI and Photoshop
“They heard a distant rumbling, like thunder on the peaks, or mountains crumbling, or huge waves crashing to shore, and the earth shook with each rumble.
“My husband is coming home,” said the giantess. “I hear his gentle footsteps in the distance.”
― Neil Gaiman, Norse Mythology
Twenty-five brand new Enviro 400 MMC vehicles will enter traffic at Folkestone and Hastings on the Wave group of routes on Monday 5th December prompting a carefully orchestrated cascade the same weekend will allow the withdrawal of the older Dennis Tridents in the fleet.
Well into what could be its final week in passenger service with Stagecoach South East, 17689 X601 VDY is pictured here on Bluebell Road, Park Farm whilst working route B2. Tuesday 29th November 2016.
Dennis Trident - Alexander ALX400 (Ex-Canterbury Park & Ride)
“It is with eight lengthy legs we use to catch food, balance and knit a beautiful silk bed, but as babies we had lost our bones and skin, and hence our legs we had shed.”
― Jasmine Martin, Whimsy Girl
Apologies to folks that commented on this when I first posted it. I saw a thing that made my eye twitch and had to fix it. I'm one of those.
Adorable song by: TubbyNug at YouTube
Prompt: realistic artwork of quail in a forest scene. In the artistic style of artist Archibald Thorburn. Edges of artwork artistically fade out, High resolution, high detail, --ar 1:1 --v 7
this digital fine art was created using Midjourney AI and Photoshop
The prompt today was "A Gift Loop or a Knot or Towel Day - a tribute to Douglas Adams."
That is a bit of a mouthful, so I took the Loop and Knot part and made today's sketch a Bow Tie which has a Loop and a Knot. Simples!
Staedtler 0.7 pencil
Uni Pin 0.1 pen
Cass Art watercolours
Seawhite A5 concertina sketch book
#EDiM
Prompt: painting of two tall ships, ships of the line, engaging in battle, in close cannon fire, smoke billowing under stormy sky and sea, waves crashing against weathered hulls, action
Digital fine art was created using Google ImageFX, Whisk and Photoshop
Prompted by today's prompt, I stacked these tiny bowls which are used for bits of this and that in the kitchen. #cy365#ruleofthirds#camanoislandpottery
Prompt: Bridge (the card game); watercolor pencil (blue), Bicycle playing cards (blue, red, yellow), washi tape (red, blue), pencil, 3"x5" index card.
Couldn't resist doing another card based on wordplay ;-)
My version of the Tower Bridge in London, collaged from pieces of playing cards and washi tape.
Today's prompt was Lime, so being cantankerous, I made it Limes. After a couple of aborted attempts at using salt to give me the texture I was looking for in the lime's skin, I eventually searched on YouTube and found the answer. I learned that the best way is not to remove the paint using salt, but to add the texture with a fine brush and a stippling action. Lo and behold, the additive method works. I'm done now with limes. I'll keep them and the salt for Margaritas!
Palomino Blackwing soft pencil
Cass Art watercolours
Seawhite Sketch book
#EDiF
#28DL
prompt: A realistic and detailed depiction of a moon landing scene under a pitch-black sky with no visible stars. An astronaut in a pristine white spacesuit stands on the gray, dusty lunar surface near a lunar module, with the American flag planted firmly in the ground. The surface is textured with craters and rocks, illuminated by the soft blue light reflecting off Earth, which is visible in the distant. --ar 14:11 --profile n3caljx --stylize 250 --v 6.1
AI digital fine art image created using Midjourney AI v 6.1