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Prompt | imagine a futuristic robot with human features, front facing the camera, walking along a crowded chinatown street, ultra insane details, realistic lighting and shading, HDR, Ray tracing, super soft lighting, 32k uhd, HDR, super sharp focus, hyper photo-realistic, use a nikon Z9, 35mm f/1.8 lens, --ar 3:4 --v 5b
Prompt: weather; alphabet letter stamps, ink, 3"x5" index card.
Channeling all the rainy weather we've had lately into art. I was curious to see if I could use rubber stamps in place of dot tools to create shape and value. For the most part, I used the letters R, A, I, N with a heavy emphasis on "I" (and the edge of the stamps) to create lines. So sort of a pointillist abstract?
PROMPT: hyper-realistic (analog film), backlit, woman bending water, medium wavy pixie mohawk haircut, black and orange, chaotic resonance, shimmering droplets, microdisplacement,chiaroscuro, intricate details, style of Leonid Afremov and Anna Dittmann, faded film, desaturated, ultra unique natural textures, slight imperfections, vray
Prompt: Nostalgic sunset in the countryside with a picturesque bountiful farm, some animals and fruit trees, an old tractor in the distance, in the artistic style of thomas kinkade --ar 4:5 --personalize pp1xqzi --v 6
Prompt: A charming, cinematic St. Patrick’s Day scene set in the Irish countryside. In front of a rustic stone cottage with ivy climbing the walls and a wooden hanging sign reading “The Shenanigan Inn,” stands a cheerful leprechaun with a bright red beard, wearing a classic green suit, gold-buckled shoes, striped socks, and a tall green hat. He holds a wooden walking stick and smiles mischievously. Rolling green hills dotted with sheep stretch into the background under warm golden-hour lighting. A small wooden barrel with a pint of dark stout sits near the cottage door.
Next to the leprechaun, add an adorable West Highland White Terrier puppy with fluffy white fur, bright dark eyes, and a playful stance, looking up happily. The puppy should feel naturally integrated into the scene, soft 3D animated style.
At the top center of the image, include large festive 3D text that reads: “Happy St. Patrick’s Day” in bold, glossy emerald green letters with gold trim, slightly curved and casting soft shadows for depth. Ultra-detailed, hyper-realistic 3D render, cinematic lighting, vibrant greens, soft depth of field, professional composition, highly textured stone and fabric details, 6K resolution, vertical aspect ratio, sharp focus, Pixar-style charm with realistic environment textures.
This digital fine art was created using OpenAI Sora AI and Photoshop
Prompt: A young woman in vibrant Ukrainian attire performs a traditional hopak dance in a blooming meadow. In the background, a shimmering river winds its way through the landscape, with a small windmill nearby. The meadow is filled with bright poppies and daisies, adding bursts of color to the scene. The atmosphere exudes joy, freedom, and harmony with nature. --ar 11:14 --v 6.1
Took advantage of a great deal and traded my NEX 6 for an A7 - no more crop factor (that actually prompted me to purchase the Voigtlander 21/4P (the little lens in the foreground) in the first place - so that I could have a wider FOV on the NEX 6). The one problem with the Color Skopar when used on the A7 is the magenta color cast the lens produces in the borders of the image (and sometimes almost half-way into the image). When I used the lens on the NEX6, it was easily corrected using cornerfix. On the A7, however, I have not been able to satisfactorily correct it with cornerfix or the flat-field plugin for Lightroom. It certainly doesn't help that the camera does not record the aperture in the EXIF data - information that would be useful when applying the correct correction profile in post processing. It's really unfortunate as I would really like to keep this little gem of a lens - alas it is going up for sale.
The Voigtlander Ultron 21/1.8 Aspherical (on the left) is one of two UWA lenses (the Leica Tri-Elmar (WATE) 16-18-21/4 is the other - but at $6K+ not really an option) that does not produce that magenta color cast. Of course, it is also 2 1/3 stop faster - even though there is some heavy vignetting wide open (but at f/4 it vignettes less than the 21/4P); it also has some field curvature that is very pronounced when the lens is used wide open and close-up to shoot something flat. The Ultron weighs three times as much, is three times larger and costs (almost) three times as much. The Ultron is almost as large and as heavy as the Leica Summicron-M 90/2 (on the right).
Mounted is the Leica Summicron-M 35/2 ASPH. As it turns out, it doesn't do all that well on the A7: there's corner smearing but no color shift. In November 2014, I replaced it with the Voigtlander Nokton Classic 40mm f/1.4: www.flickr.com/photos/beachwalker2007/15533248327/
While I could use the Tokina 11-16/2.8 with a with Fotodiox Nik(G) - NEX Adapter on the NEX 6 (www.flickr.com/photos/beachwalker2007/9271057515/), that option no longer exists because even at 16mm the Tokina vignettes and the images produced are quite soft in the corners. However, the A7 can now serve in a pinch as a backup to the D700 - albeit manual focus only of course.
21mm/35mm/90mm is quite a spread - usually people would opt for a 24mm instead. Or make do with a two-lens setup (28/90) - expanding it to three with the inclusion of a 50mm. I never got much use out of 50mm lenses and very much prefer the wider view of a 35mm - which is why 35mm on a DX camera almost always feels a little cramped to me.
Sony/Zeiss revealed that a Zeiss Vario-Tessar 16-35/4 OSS is going to be the next lens released in FE-mount. I have the AF-S Nikkor 16-35/4 VR for my D700 - I purchased the lens specifically for the VR and it also "caused" me to delve into FX. IF the Tessar is priced reasonably and performs at least as good as the Nikkor, then the Nikkor might be up for sale. Though I have to admit that I rather keep the Sony A7 system manual focus and with M-mount lenses only. The advantage of the small body is rather lost if I were to mount my Nikkor 28/2.8AiS and 105/2.5 Ai on it - they live more happily on the D700.
Update June 2015:
The idea of replacing my Nikon FX gear with Sony has been dropped: www.flickr.com/photos/beachwalker2007/18320884181/ and www.flickr.com/photos/beachwalker2007/18644962235/
Lastly, to round out the system, the Voigtlander Super Wide Heliar 15mm f/4.5 Aspherical III has been added: www.flickr.com/photos/beachwalker2007/18398172096/
Update January 2017:
The Summicron 90/2 has been replaced with the Sony 70-200/4G; the zoom is more versatile than the prime lens it replaces (which has not seen much use at all). Also added the Sony FE 28/2 to have at least one wide-angle lens with AF. www.flickr.com/photos/beachwalker2007/32159772370/stats/
Update February 2017:
Upgraded from the A7 to the A7II, courtesy of Sony's instant rebate and trade-in bonus ($455 off the retail price). Was hesitating for some time but the two Nikon D300 bodies and the old Nikon AF-D 80-400 VR were only gathering dust on the shelf while depreciating daily.
Update July 2017:
Major course correction on my Sony system. I knew I wanted the Sony FE 12-24/4G the instant it was announced and was just bidding time waiting for the reviews to show whether or not the lens is going to be a good one. I had briefly looked at the Sigma 12-24/4 for my Nikons and liked what I saw but not so much the size and weight of that lens. The Sony version is definitely smaller and only about half the weight. Every review I've seen so far has given high marks to the Sony 12-24/4 so yesterday I decided to see for myself.
Gone now are the Voigtlander 15/4.5 Heliar III, the Voigtlander 21/1.8 Ultron, and the Voigtlander 40/1.4 Nokton; the FE 12-24/4G has joined the FE 28/2 and FE 70-200/4G. For the time being, this will be it for my Sony system (even though there is a major gap between 28mm and 70mm right now. It's also the end of my excursion into the world of M-mount lenses. It's been fun but once Voigtlander came out with native E-mount versions of the 10/5.6, 12-5.6, and 15/4.5 the resale value of the M-mount versions began to drop significantly. I had toyed with the idea of getting the 12/5.6 E-mount but in the end decided that the 12-24 zoom was by far the more logical and flexible choice.
One thing I have a bit mixed feelings about is the fact that I can't easily use a filter on the 12-24 (something that would also have been an issue with the Voigtlander 12/5.6). It's not that I am such a big user of filters but I generally prefer to have an clear or UV filter on every lens because a filter is a lot easier to clean than a lens front element. But for ultrawide lenses, easily adding a filter is usually not an option.
Update April 2018: Added a low-priced A7RII to the bag.
Update November 2018: Added a Samyang 35/2.8 and a Sony FE 50/1.8.
Update March 2019: Couldn't resist changing some things around - together with some spring cleaning. Traded the A7II, A7RII, Samyang 32/2.8, Sony FE 50/1.8, Sony 28/2, and the Sony FE 70-200/4 for an A7RIII ($400 instant discount and $300 trade-in bonus certainly helped) - and added a used Sony FE 24-105/4. Now my Sony mirrorless system has shrunk to those two items and the 12-24/4. If I feel the need, I can carry the Leica Apo-Telyt 180/3.4 to cover the "long end". Makes for a compact travel kit.
While the 100-400 is a tempting choice to round out the system, I am not sure I want to use something that large and heavy on a body as small as the A7RIII. To me the 70-200/4 was already not a comfortable lens to use on the A7II and A7RII and while the ergonomics of the A7RIII is slightly better, working with larger lenses still isn't all that comfortable.
November 2019: Couldn't resist the temptation when lensrentals/lensauthority offered a Sony FE 100-400/4.5-5.6 at a generous discount. Now my Sony bag contains three zooms that cover 12-400mm - the "only" thing missing now is a second body.
Prompt: A wooden dock leading out to the ocean, with a sailboat in the distance on the horizon, at dusk. The sky is pink and blue, in a photorealistic, high-resolution style. --ar 1:1 --personalize yrvlcz7 --v 6.1
Prompt: A hyper-realistic portrayal of a Tabby cat wearing an Indiana Jones' hat, cinematic lighting. The cat's neck carries a detailed compass hanging by a leather cord, while one paw holds a rolled map with visible cartographic details. Its wide, sparkling eyes exude curiosity and adventure The background subtly suggests a natural, adventurous setting, like a dense forest or ancient ruins. Hyper-realistic, cinematic lighting, canon EOS-1D Mark II, cinematic --ar 11:14 --style raw --v 6.1
Promptly triggered by the truth?
Precise reality can be harsh for the feeble, frail, weak minds.
I can't find more dignified adjective to describe the uneducated
that want to remain ignorant and missing the essence of the truth.
Alex Jones’ InfoWars Sent To The Digital Gulag
Red Ice TV Published on 7 Aug 2018
www.youtube.com/watch?v=odLn3J_jtao
The biggest free speech battle in modern American history been initiated with the removal of Alex Jones and InfoWars from the Internet. Legislation and mass protests against the monopoly platforms that have banned Alex Jones from the internet is the only way forward.
Prompt: Watercolor painting of a Burmese cat sitting dark seamless studio background, facing the camera. The Cat has a dark brown coat. Its ears are pointed and alert, and its eyes are a striking yellow-green color. Professional studio back lighting is soft and even. The image is high quality and well-composed, with a focus on the cat's elegant and graceful appearance. --ar 4:5 --v 7
digital fine art was created using Midjourney AI v 6.1 and Photoshop
Prompt: medium low shot, old rustic ranch house, red roof, wooden exterior, wooden fence, view from behind of a young man and white Westie puppy dog along side, walking on the dirt driveway leading to the ranch house, wooden bar over the driveway with a hanging sign "Circle K Ranch", sunset, leading lines, high detail,
this digital fine art was created using Bing AI Image Creator
Variation of a text-prompt generation in AI Deep Dream. The text contained the words CURTAIN and GIGER.
The option of Text Prompt is a new feature on Deep Dream.
This is attempt six using my original drawing from 2012. First attempt had a prompt strength of 50%, after that I reduced it to 40%, the last three at higher resolution. I think I am quite happy with this one - quit while I am ahead. Also, I used up most of my credits so far.
Prompt: Create a single high-quality digital fine art 3D illustration. Depict one middle-aged woman (approx. 45–55), natural and realistic appearance, walking six dogs on leashes through a beautiful, sunlit park. Three dogs are West Highland White Terriers with bright white coats, compact builds, and alert expressions; the other three dogs have salt-and-pepper coats with clearly mixed gray, black, and white fur, similar size and energy. The woman confidently holds all leashes in a natural, balanced way while walking forward. The park is lush and vibrant with green grass, tall trees, soft shadows, and warm golden sunlight suggesting a pleasant sunny day. Add birds gently flying in the background and butterflies near the foreground for a peaceful, joyful atmosphere. Use a refined, cinematic fine-art 3D illustration style with realistic textures, detailed fur, natural lighting, and accurate shadows. Composition should be vertical, full-body framing, slightly low eye-level angle. Output in ultra-sharp 4K resolution, vertical aspect ratio, clean edges, no artifacts, no watermarks, no text, no logos, and no visual distortions.
This digital fine art was created using OpenAI Sora AI and Photoshop
Prompt: Create a digital fine-art, ultra-realistic vertical winter illustration. Depict a serene snowy forest at sunrise, with tall evergreen trees covered in thick snow and soft natural light illuminating the sky. Snowflakes drift gently across the scene, creating a magical, crisp winter atmosphere.
In the mid-background, include a small cozy log cabin and a thin trail of chimney smoke rising into the cold morning air. Below, show a frozen pond reflecting the sunrise.
In the foreground, include a salt and pepper Schnauzer puppy wearing a winter scarf, and a west highland white terrier puppy with a red scarf—standing together on the snowy ground with natural posture and lifelike fur detail. Render all characters in a beautifully realistic fine-art texture while maintaining a soft, heartwarming charm.
Top Center Text (Line 1):
“Welcome December” — in an elegant Christmas-style font with frosted, icy detailing. Integrate the text naturally into the scene with subtle glow and soft blending.
Art Style & Requirements:
– Ultra-realistic digital fine art
– High-detail textures in snow, fur, trees, and ice
– sunrise light contrasting cool winter tones
– Natural atmospheric depth and gentle shadows
– No noise, no grain, no distortion
– Vertical aspect ratio
This digital fine art was created using OpenAI Sora AI and Photoshop
Let this picture sink in for a minute, then write a short story to accompany it in the comments below!
Prompt: Create an ultra-realistic 3D digital fine-art illustration depicting a peaceful autumn evening in a small suburban neighborhood.
In the foreground, a turkey sits on a weathered wooden park bench, its feathers richly detailed. Beside the turkey, sitting on the same bench and gazing up curiously, is a West Highland White Terrier puppy — bright-eyed, fluffy, and full of character, its white fur softly illuminated by the nearby lamplight.
Around the bench, pumpkins rest on the cobblestone path amid scattered orange and gold fallen leaves. A tall vintage streetlamp glows, casting light over the scene and creating a gentle contrast against the cool moonlight.
In the background, a quiet neighborhood street winds gently uphill, lined with cozy houses and autumn trees. A full moon shines through drifting clouds and stars in the crisp night sky, adding a touch of serene magic.
Lighting: lamplight mixing with cool moonlight; soft shadows on cobblestones; gentle glow on the Westie’s fur and the turkey’s feathers.
Mood: Peaceful, heartwarming, and slightly whimsical — evoking the calm anticipation of Thanksgiving night.
Detail: Hyper-realistic textures on feathers, fur, pumpkins, leaves, and the metal lamp post. Text top center elegant "Happy Thanksgiving"
Aspect Ratio: Horizontal, wide view suitable for fine-art print.
Resolution: Ultra-high resolution, no noise, no grain, museum-quality digital artwork.
This digital fine art was created using OpenAI Sora AI and Photoshop
Prompt: create a highly detailed, hand-drawn graphite pencil sketch, portrait, featuring a dignified Native American elder, full feathered headdress, in traditional attire standing in front of a noble horse. Preserve the strong facial expression, realistic anatomy, layered beadwork, textured hair, and the horse's expressive eyes, flowing mane, and finely rendered musculature. Render every element with master-level pencil techniques, including crisp line work, subtle cross-hatching, smooth tonal gradients, delicate shading, and realistic texture. Remove all watermarks, branding, decorative graphics, mountains, trees, faded textures, and every piece of text from the reference. Replace the entire background with a perfectly clean, pure white background with no shadows, borders, patterns, or additional design elements. Keep the illustration centered with balanced negative space suitable for printing or apparel design. Produce an ultra-high-resolution monochrome graphite drawing with exceptional clarity, natural proportions, sharp detail, and a premium fine-art pencil sketch aesthetic. Vertical aspect ratio
This digital fine art was created using Google Flow AI and Photoshop
Prompt: 30 minutes
Nope, not gonna lie, couldn't do it in 30! But I love the way this came out, even with the extra time it took : )
Prompt: Create an ultra-realistic digital fine art capturing the charm of autumn in New England. The composition should depict a historic white clapboard church with a tall steeple, surrounded by brilliant fall foliage in shades of golden yellow, orange, and red.
The clear blue sky contrasts vividly with the vibrant leaves, while sunlight filters through the trees, casting soft, dappled light across the dirt pathway leading toward the church. In the foreground, include a rustic split-rail wooden fence framing the path, and a stone wall partially visible to the left. The setting feels peaceful and timeless, evoking the essence of a 19th-century rural New England village.
Near the church entrance, display a small horse-drawn carriage with a pair of brown horses waiting patiently beneath the trees, enhancing the nostalgic charm of the scene. The lighting should feel natural — midday sunlight — emphasizing crisp shadows of turning leaves. Every detail, from the texture of the weathered wood and stone to the soft rustle of fallen leaves, should feel lifelike.
Style: Ultra-realistic, digital fine art, high resolution, no noise, photorealistic, detail
Mood: Peaceful, nostalgic
Aspect Ratio: panoramic horizontal KeyElements: White church with steeple, horse carriage, rustic fences, stone wall, autumn foliage, sunlit village path, clear blue sky.
This digital fine art was created using OpenAI Sora AI and Photoshop
Created with ChatGPT
Prompt - 16:9, 64K, ultra-photorealistic cinematic fashion photograph. Paulina reclines gracefully across a plush shag carpet, resting her head against one hand, her body extended sideways in a relaxed pin-up pose. She has a heart-shaped face, high cheekbones, almond-shaped blue-grey eyes, long lashes, refined straight nose and full lips with a defined cupid’s bow. Her warm platinum-blonde hair is styled in a short, voluminous, tousled curly late-1960s bouffant shag, wrapped with a wide patterned fabric ribbon tied into the hairstyle, with no ponytail and no long hair. She wears a cream fringed two-piece outfit, knee-high cream boots and vintage jewellery. Behind her, bold psychedelic waves of orange, red, mustard, green and magenta flow across the walls, surrounded by patterned cushions, bead curtains and warm amber lamps. Authentic late-1960s psychedelic glamour, rich analogue warmth, realistic skin, cinematic depth, razor-sharp photography, no text, no logos, no watermark.
Pic and Prompt by Adrian
Prompt: painting in the artistic style of Aelbert Cuyp, a brave Scottish young man with a hat riding a black horse struggling across a raging river, highly detailed, 8k, circa 1700s --ar 4:3 --sref s.mj.run/1EcIOis79v4 --sw 20 --v 6.1
digital fine art created using Midjourney AI v 6.1
A bit bemused by my `strangeness` these kids needed a little guidance in posing for my camera.. I met this delightful family group in a crowded park in central Beijing.
Prompt-have someone draw on your page & you finish it. My husband dropped watercolor on my page. I added some more
watercolor & marked with a pen.
Staedler watercolouring crayons, water brush, Pilot multiball pen.
Prompt: very stylish purple camomile with mirrored petals, futuristic style, rich colors, high quality, photorealistic --v 6.0
Prompt: An oil painting of a cowboy riding a wild bull at a rodeo, wearing jeans, graphic t-shirt, cowboy jean vest, red bandana, cowboy hat, bull mid-jump with dust flying, glowing arena lights, cinematic lighting, --ar 4:5 --exp 10 --v 7
Digital fine art was created using Midjourney AI and Photoshop