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Prompt: wide view shot of a vintage Ford truck parked in front of Griswold General Store, with "Griswold General Store" sign over the door, all depicted with a touch of Christmas colors. The store is decorated for the holidays. A white west highland terrier, ears up, by the truck, This artwork captures both the whimsical charm and nostalgic feel typical of classic country stores during the festive season. in the classic style of Norman Rockwell --ar 14:11 --v 6.1
Prompt: Union Station Depot, Train Station, Couple of people, Norman Rockwell
Art Style: Cartoonist
The people were awful and so was the bench so I corrected the bench and replaced the people in Photoshop..
Prompt Key Words for Ai Include:
Female, girl, hair, eyes, rain, chest, choker, rainy windows, headphones, glasses.
Prompt | 3D pop-up book with beautiful background , Angry Birds, filled with many Angry Birds , hyper-realistic details, volumetric lighting, super soft lighting, vibrant colors, HDR, tone mapped, sharp focus, insane details, 16k uhd --ar 16:9 --v 5b
Prompt: Create a digital fine art painting of Christmas on the beach with presents, a Santa hat, light garlands, a palm tree, a night sky, ultra-realistic, no grain, no noise, 4K resolution, horizontal aspect ratio
This digital fine art was created using OpenAI Sora AI and Photoshop
This isn't related to this week's prompt but I wanted to share it anyway.....
My daughter's school is having a gala and silent auction this Saturday. I decided to donate these four prints for the auction. You might remember about a year ago, Jolanda (Jofabi) shared a prompt about creating art and I created the first one above - the cherry love. After that, Jolanda encouraged me to create some more of these and the other three were born. I finally got around to matting and framing them and I'm so happy with how they turned out. I call the set "Fruit of the Spirit."
So, this is just a little story to say thanks to all of you in this AWESOME group for the inspiration and encouragement. I wouldn't have these 4 photos today if it weren't for you!
Prompt | snow leopard leaping directly towards the camera, background and foreground is a natural snow covered mountainous environment, snowing heavily, ultra-realistic fur, ultra-realistic snow leopard features, use a Nikon Z9, 200mm f/4.0 lens, photo-realistic, realistic lighting & shading, soft natural light, --ar 4:3 --v 5b
spymaster is still recovering from his recent holiday… and now, from whatever he selfmedicated with while he was in pain.
cameo from part of my head in one of the pics ;)
Prompt
fantasy art of an elf woman with long blonde hair and pointed ears, embracing a large blue dragon, intricate details, detailed scales, glowing eyes, enchanted forest background, soft lighting, ethereal atmosphere BREAK digital art, fantasy illustration, artstation trending, Frank Frazetta, Donato Giancola BREAK professional artwork, detailed rendering BREAK 8k UHD, sharp focus, high quality, trending on artstation, award-winning
Prompt: a boat surrounded by cute stuffed animal toys like a giraffe, lion, west highland white terrier, monkey, and crocodile, clouds, hearts, and bubbles. The background is a light aqua color with large white balloons floating around the scene. A digital backdrop for a photography studio, high resolution, detailed, in the stock photo style. --ar 11:8 --stylize 750 --p m3lgrn9 --v 6.0
Prompt
A highly detailed digital artwork of an African Grey Parrot is captured in a close-up side profile, facing left against a solid black background. The parrot's head showcases its characteristic crest made up of numerous charcoal gray feathers, each meticulously rendered with subtle highlights and shadows to create depth and texture. The feathers form a dramatic fan pattern extending outward from the top of the head, creating a striking visual effect. The eye is a focal point, featuring a bright amber-orange iris surrounded by a small black pupil, adding a pop of color to the predominantly dark plumage. The beak is light gray with a textured surface, displaying fine details such as individual barbs and scales, curved inward to reveal a sharp, pointed tip. The overall lighting is low-key and focused, emphasizing the intricate details of the feathers while maintaining high contrast between the bird and the void-like backdrop. This artistic rendering creates a captivating and mysterious mood, highlighting the natural beauty and complexity of the parrot's appearance through its realistic style and a cool color palette dominated by various shades of charcoal gray.
Prompt:
The image portrays a male artist in the act of painting a portrait of a woman. It appears he's painting directly onto a canvas attached to an easel, suggested by the visible wooden edge on the left. The setting is dimly lit, highlighting the intimacy of the scene and drawing the viewer's attention to the interaction between the artist and his subject.
The artist is a young man with tousled dark blonde or light brown hair and a beard. He's seen from a side angle, focused intently on his work. He holds a paintbrush in his hand, applying paint to the canvas depicting the woman's hair. There are smudges of paint on his hand, suggesting active involvement in the painting process. He wears a dark, almost black shirt or top.
The woman, seemingly his muse, has long blonde hair and fair skin. She’s positioned very close to him, her head slightly tilted back. Her eyes are closed, giving an impression of serenity or perhaps deep connection with the artist. Her expression is soft and her lips are slightly parted. Her proximity to the artist and their intense focus create an atmosphere of intimacy and passion. It's almost as though they are about to kiss, adding a layer of romance and intrigue to the scene. The composition places them in the center of the image against a dark background, further emphasizing their connection and the act of artistic creation.
Prompt: wide angle shot, Fantasy, full body, beautiful female angel in a dreamy beautiful gleaming white light, beautiful white flowing dress, 60 year old man, gray hair, kneeling in front of the angel, looking at the angel with hands folded in prayer, the angel's hands are resting on the man, white background, text along the bottom "I Will Always Be With You", --no beard, facial hair, moustache --ar 5:4 --v 6.1
digital fine art was created using Midjourney AI v 6.1 and photoshop
Prompt: A cute West Highland White Terrier, ears up, wearing Christmas hat with a light string and Christmas ornaments around his neck, with the text "Merry Christmas", a sublimation design on a white background, in the photorealistic style of watercolor illustration clipart, with colorful pastels. --ar 11:14 --v 6.1
spymaster is still recovering from his recent holiday… and now, from whatever he selfmedicated with while he was in pain.
cameo from part of my head in one of the pics ;)
Prompt: two Giraffes close up showing mostly face neck, and some body with African sunset and trees in the background, vivid colors, hyper realistic --ar 11:14 --v 7
this digital art was created using Midjourney AI v 7 and photoshop
Prompt: A white west highland terrier puppy inside of a pair pf leather work boots watercolor painting depicting --no human --ar 2:3 --stylize 750
digital fine art created using Midjourney AI and Photoshop
Festival Theatre, Edinburgh
The Edinburgh Festival Theatre (formerly Empire Palace Theatre) is a performing arts venue located on Nicolson Street in Edinburgh, Scotland used primarily for performances of opera and ballet, large-scale musical events, and touring groups. After its most recent renovation in 1994, it seats 1,915. It is one of the major venues of the annual summer Edinburgh International Festival and is the Edinburgh venue for the Scottish Opera and the Scottish Ballet.
The present theatre’s location is Edinburgh’s longest continuous theatre site, for there has been a theatre in that location since 1830. From being Dunedin Hall, the Royal Amphitheatre, Alhambra Music Hall, the Queen’s Theatre, Pablo Fanque's Amphitheatre, and Newsome’s Circus, the site became the Empire Palace Theatre, the first of the famous Moss Empires’ chain, opening on 7 November 1892. Designed by the great British theatre architect, Frank Matcham, (who built the London Coliseum, among others) its décor was lavish, with elephants with Nubian riders, nymphs and cherubs in abundance on the plasterwork, and it seated 3000 people on four levels.
For the following twenty years all the top artists of the day played at the Empire Palace until, on 9 May 1911, there was a disastrous fire on stage. While all 3000 theatre goers escaped safely (there were eleven backstage deaths and the death of a lion), the theatre reopened three months later. However, given the long term competition from the growth of film as a popular medium, the theatre was re-equipped to present bigger and more spectacular shows. Reusing some of Matcham’s original design concepts, the theatre reopened on 1 October 1928 with the musical Show Boat.
Between 1928 and 1963 the Empire was a variety, musical and opera house, often including ice shows. Big names like Harry Lauder, Charles Laughton, Fats Waller, Joe Loss, and Laurel and Hardy appeared, while English comedians Max Wall, Morecambe and Wise and Harry Worth established themselves at the Empire.
In addition to the music hall and popular entertainers who appeared at the Empire, the theatre became a principal venue of the Edinburgh International Festival between 1947 and 1963. It was particularly associated with international ballet and, during the first Festival in 1947, Margot Fonteyn danced in The Sleeping Beauty, while in subsequent years, performances by the Old Vic theatre company, the Royal Ballet and the Royal Opera were presented.
However, for nearly thirty years after 1963 the theatre became a bingo hall, only temporarily serving as a Festival venue. Finally, after its third major remodeling, the Empire Palace Theatre reopened in June 1994 with a glass-fronted structure for the new entrance (created by Law & Dunbar-Nasmith Architects), as the now-renamed Edinburgh Festival Theatre. In 1997, the distinguished theatre manager and artistic director Stephen Barry was appointed to shape the rejuvenated venue's future. With the restoration of the Empire Theatre’s former 1928 glory, plus a dramatic mix of art nouveau, beaux arts and neo-classicism, and including adequate acoustics, the new theatre serves all the artistic needs of the community.
The theatre is said to be haunted by a tall, dark stranger rumoured to be the famous illusionist Sigmund Neuberger, aka The Great Lafayette, who was one of those who burned to death in the fire at the Empire in 1911. [Wikipedia]
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There were a series of circuses and performance halls on this site from the 1820s (Ducrow’s, etc) and a music hall from about 1860 (Alhambra, Queen’s etc). Frank Matcham built the very first Moss Empire (the Empire Palace) here in 1892 and also carried out its reinstatement after a destructive fire in 1910. The 1892 theatre had a circus-theatre interior of almost barbaric magnificence. In 1928 the Matcham house was demolished and a new theatre built by W & T R Milburn, who were amongst the most competent theatre designers of their time (see e.g. London Dominion, Liverpool Empire and Southampton Mayflower). The Edinburgh auditorium is arguably their best surviving work. The subsequent transformation of the Empire into the Edinburgh Festival Theatre by Law & Dunbar-Nasmith (Colin Ross) completed in 1994 was (until the Royal Opera House reopening) perhaps the most radical make-over of an old theatre undertaken in Britain in modern times. Edinburgh’s long drawn-out quest for an opera house, which spawned a number of abortive new-build projects over the years, had become a standing joke by the 1980s. Theatre Projects Consultants with Law & Dunbar-Nasmith identified the Empire as a prime candidate for conversion for this purpose as early as 1975, but it was to be nearly twenty years before their sensible idea was followed up. When it was eventually done, there was no penny-pinching. The undistinguished façe and front of house were demolished and, with the acquisition of additional space, rebuilt on spacious modern lines, with a curved, transparent façe, visible distantly as a glowing landmark in Nicolson Street. The back of house, too, was totally demolished and a new stage house built, together with dressing rooms and a generous staircase, described as a ‘vertical green room’. The stage itself is immense at 25m x 18m (82ft x 59ft), plus huge wing space on stage left and a rear scene dock which can be opened up for deep vistas. The retained Milburn auditorium has become the splendid filling in a modern sandwich. Like most of the Milburns’ designs, it owes more to contemporary North American models than to the Matcham school. Two balconies with slips meeting a deep-splayed ante-proscenium with pairs of boxes stepping down on either side. Rectangular enriched proscenium frame with a flaming urn at the centre. Ceiling divided into panels with a central dome. Three forestage lifts. Sighting throughout is excellent. The stalls (altered for bingo) have been re-raked to work with the now flattened stage which has thereby been raised at the front edge and thus improved sightlines from the unaltered circles. Necessary changes of this kind have been easily absorbed. The architects did not lose their nerve (as so often happens with so-called restorations) over matters of detail. The seats, for example, are either 1928 originals or careful reproductions. The decorations are not an exact recreation of the Milburn scheme, which was rather skimped, but a convincing essay in the manner of the period with sensitively applied patina glazes to avoid an over-bright appearance. [Theatres Trust ]
{prompt free}
"Be the best version of yourself in anything that you do. You don't have to live anybody else's story." ~Stephen Curry
Prompt: painting of a small white westie Terrier puppy laying in a blue mail box. The puppy has a curious expression. The background is a soft, dreamy blend of light blue and white, with a few pink and white flowers. The painting has a soft, watercolor-like texture, with gentle shading and highlights. The style is cute and whimsical, with a focus on the adorable puppy.
digital fine art created using Bing AI Image Creator DALL-E 3 and Photoshop
Prompt:
The image presents a stylized portrait of a woman with futuristic, cyborg-like features against a dark teal-blue backdrop.
The most striking element is the transparent, helmet-like device partially enclosing her head. It's rounded and appears to be made of clear plastic or glass. Inside the helmet, visible mechanical components in a metallic olive green are attached to the back of her head, suggesting technological integration. These components include what looks like wiring, small cameras, and other indeterminate parts.
The woman's skin and lips have a glossy, almost plastic-like sheen with a matching green hue. This unusual texture reinforces the impression of artificiality and possibly modification. Her eyes are also highlighted, adding to the surreal quality of the image. Thin golden lines or wires extend from the helmet down the side of her neck, appearing integrated with her skin. Fabric-like material in a similar transparent green extends from her shoulders and trails off to the right, blending somewhat with the background.
The lighting emphasizes the woman's features and the technological elements, contributing to the overall otherworldly and technologically advanced aesthetic. The backdrop is simple but creates a sense of depth and mystery. The overall impression is one of a futuristic being or a human enhanced with technology.