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LOS ANGELES - The Los Angeles Fire Department is proud to honor the achievements of seventy LAFD uniformed and civilian members who have successfully completed the demanding process of promoting in rank or status within the Department.
Expressing her pride in their accomplishments, City of Los Angeles Fire Chief Kristin M. Crowley oversaw a formal promotion ceremony at the LAFD Frank Hotchkin Memorial Training Center in Elysian Park on Thursday, July 20, 2023.
Individually honored at the event were:
Deputy Chief:
Jason Hing
Jaime Moore
Battalion Chief:
Shin Black
Matthew Conroy
Benjamin Culp
Donald Dillenberger
Aaron Guggenheim
Sloane Joseph
Adam Knabe
Damon Leach
Kyle Rausch
Thomas Raymond
Eric Roberts
Arturo Tarango
Shawn Tukua
Brian Wall
Captain II:
Amy Bastman
David Dunivan
Leon Dunn
Dustin Gates
Brian Harris
Milton Johnson
Wonmeen Jun
Craig Kuykendall
Ronald Landers
Ruben Lopez
John Marasco
Eric Matillo
Jeffrey Sambar
Roberto Sanchez
John Smith III
Nathan Sweet
Edward Tumbleson
Jennifer Wilcox
Jesse Wong
Captain I:
George Anderson Jr.
Abel Avalos
Daniel Balzano
Henry Chavez
Joseph Cunningham
Christopher Klimpel
Mark Perine
Anthony Randolph
Justin Randolph
James Sharlein
Casey Stevens
Christopher Swailes
Robert Villa
Fire Helicopter Pilot III:
Cherif Amin
Anthony V. Cecola
David Habib III
Jonith Johnson Jr.
Joel A. Smith
Fire Helicopter Pilot I:
Kyle Brantner
Scott Keelin
Alexander Kriewall
Paramedics:
Jacob Anderson
Steven Bui
Marc Correy
Kevin Lumada
Christopher Vu
Civilians:
Rebecca M. Alvarado (Executive Administrative Assistant II)
Alina Bieschke (Hazardous Materials Specialist)
Mariano Bucag (Senior Management Analyst I)
Nicole Castro (Management Analyst)
Jennifer Corona (Senior Management Analyst I)
Vidal Garcia (Fire Protection Engineer Associate IV)
Minh Le (Hazardous Materials Supervisor)
Deanna Minatiskan-Vargas (Senior Administrative Clerk)
Aleta-Jean Orozco (Secretary)
Photo Use Permitted via Creative Commons - Credit: LAFD Photo | Gary Apodaca
LAFD Event: 040123 - Promotional Ceremony
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LOS ANGELES - The Los Angeles Fire Department gathered on May 5, 2022 to honor the achievements of seventy LAFD uniformed and civilian members who successfully completed the demanding process of promoting in rank or status within the Department.
Expressing her pride in their accomplishments, City of Los Angeles Fire Chief Kristin M. Crowley oversaw the formal promotion ceremony at the LAFD Frank Hotchkin Memorial Training Center in Elysian Park.
Individually honored at the event were:
PROMOTING TO BATTALION CHIEF:
Martin G. Mullen
Ricky D. Crawford
Brett R. Willis
Timothy G. Lambert
PROMOTING TO CAPTAIN II:
Abran Tapia III
Kyle M. Rausch
Timothy J. Toledo
Bryan R. Willis
Leroy R. Rogers
Santino B. Marcione
Daniel J. Will
PROMOTING TO CAPTAIN I:
Landon Rupright
Kuniyuki Kasahara
Austin M. Hajjar
Scott R. Benton
Jason E. Yim
Bryan A. Geiger
Senay I. Teklu
Dameon A. Cane
Osbaldo G. Garcia
Stephen M. Hiserman
PROMOTING TO APPARATUS OPERATOR:
Brian A. Farris
Aaron E. Brownell
Mark S. Perine
Cameron S. Sentance
PROMOTING TO ENGINEER:
Anh M. Nguyen
Garrett M. Roach
Jacob S. Gonzalez
Jake B. Lins
Paul D. Jeremica
Matthew R. Moon
Calos Zuniga
Chelsey C. Grigsby
Cody A. Morgan
Drew R. Denton
Jesus Padilla
Cody E. Eitner
Christopher R. Winn
William F. Isozaki
Presyller G. Gadia Jr.
PROMOTING TO INSPECTOR II:
Laveon Rider
Daryl S. Yoshihashi
Lance S. Kawakami
PROMOTING TO INSPECTOR I:
Mathew J. Kovar
Blake S. Robbins
Jason G. Bunn
Marteese Smith
Benjamin R. Guzman
Ildefonso Felix
Lonnie Lopez
John D. Heller
PROMOTING TO FIREFIGHTER III / PARAMEDIC:
Natalie N. Martin
A'Raymond S. Smith
Charles Flowers
Jacy W. Hernandez
Sergio Lara Jara
Edward J. Oh
Mitchell R. Wasserman
Darion M. Timmons
Zulema Chavez
Jonathan C. McNey
PROMOTING TO SENIOR COMMUNICATIONS ELECTRICIAN:
Frank Moreno
PROMOTING TO FIRE SPECIAL INVESTIGATOR:
Valerie J. Ross
PROMOTING TO SECRETARY:
Hana K. Ali
PROMOTING TO SENIOR ADMINISTRATIVE CLERK:
Gina Nelson
PROMOTING TO SENIOR ACCOUNTANT II:
Marife Espenilla
PROMOTING TO EXECUTIVE ADMINISTRATIVE ASSISTANT III:
Isela Iniquez
PROMOTING TO FIRE PROTECTION ENGINEER ASSOCIATE IV:
William D. Johns
Oscar Salgado
PROMOTING TO SENIOR PERSONNEL ANALYST II:
Irma Romanelli
----------------------------
Photo Use Permitted via Creative Commons - Credit LAFD
LAFD Event 050522-Promotion Ceremony
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Society of Friends of Music in Vienna
The Society of Friends of Music in Vienna (briefly : Wiener Musikverein) is a traditional club in Vienna to promote musical culture. It was founded in 1812.
(Pictures you can see by clicking on the link at the end of the site!)
Founded Concert 1812
Foundation
On 29 November and 3 December 1812 was performed in the Winter Riding School of the Hofburg the Handel oratorio Timothy. This concert can be considered as a trigger for the founding of the Society of Friends of Music in Vienna. As the founder of the association is Joseph Sonnleithner (1766-1835) then secretary of the imperial Viennese court theater (Burgtheater and Kärntnertortheater). The proceeds of the concert should benefit the newly founded institution. Emperor Franz I donated 1,000 guilders, the net profit amounted to 25,934 florins finally Viennese currency. First office of the company was the Lobkowitz Palace today Lobkowitzplatz.
Goals
According to its statutes, which originated in 1814, is the "Empor renewed progress on music in all its branches" primary purpose of the Company.
The Friends of Music Society reaches(d) this in three ways:
The establishment of a conservatory,
The systematic collection of musicological documents (archive)
Organizing their own concerts.
To date, private commitment of individual members shapes the functioning of the Company. Since January 2000, all editions of the monthly appearing club newspaper "music lovers" on the website of the company are available .
Concerts
On the initiative of Antonio Salieri's first choral activities at the Musikverein go back, for example, also in 1824 at the Vienna initial or first performances of Beethoven's Missa Solemnis and 9th Symphony was involved. After there had been choral concerts of the Association for many years, then in 1858 was the official establishment of the Concert Choir held as a branch association of the Vienna Musikverein. The first principal conductor of the Vienna Singing Society was Johann von Herbeck, directs the choir since 1991, Johannes Prinz.
Musikverein (1831-1870) to the Tuchlauben (home to the Red Hedgehog), first building on the right, then No. 558, now No. 12
First concert hall of the society
1829 , the Company purchased a scoring for Kärnthnerviertl house on the Tuchlauben (home to the Red Hedgehog, rented from 1822, then House # 558, today Tuchlauben 12) with several business offices and apartments, it had the house demolished and gave at Franz Lossl (Site Manager: Carl Högl) by around 88,000 guilders (including equipment) the construction of a three storey new building with a concert hall on the 1st Floor in order. The site was approximately opposite the former Ofenlochgasse, since 1863 Kleeblattgasse. The Brandstätte that time not yet branched of from the Tuchlauben, but was a small place near the St. Stephen's Cathedral.
The festival opening concert of the hall took place on 4 November 1831 instead (then the cholera raged in Vienna). The Musikverein contributed among other things at this location (visitor concerts were still highly popular in the large ball room of the Hofburg ) essentially to the public concert life in Vienna.
The hall proved with 700 seats soon to be too small, but was still used for almost 40 years. 1846 gas lighting was installed. In the upper floors of the Conservatory and the archives of the Society, offices and rehearsal rooms were located.
The Society of Friends of Music in 1870 moved into their new house and sold its first house in the same year. In the subsequent use of it emerged inter alia the Strampfer-Theatre. The building was demolished in 1885.
Vienna Musikverein in 1898
Today's office of the Company
1863, Emperor Franz Joseph I donates the society from the state capital, the area on the bank of the river opposite the Vienna Karlskirche (church). It was on the former glacis of the 1858 demolished city walls around the old town. 1861-1869 emerged near the present-day Vienna State Opera, on the neighboring construction site on the riverbank 1865-1868 the Vienna Künstlerhaus, on the direction of ring road adjacent square 1862-1865 today's Imperial Hotel.
The of Theophil Hansen, who later built the Parliament, designed house, shortened to Vienna Musikverein, was on 6 January 1870 opened with a celebratory concert. That same year, the High Steward of the Emperor, Prince Constantine zu Hohenlohe-Schillingsfürst, was in gratitude for the favor of the imperial court for the new building project appointed as a honorary member of the society.
1869 Carl Heissler was the first conductor of the orchestra of the Society of Friends of Music in Vienna. 187, and 1872 was the Russian composer Anton Rubinstein artistic director of the company. After a short time he was replaced by Johannes Brahms.
Children and Youth Projects
In order to convey the joy of music and access to classical culture children and adolescents, the Friends of Music Society offers a pertinent program: In April 1989, it was the first "Celebration for Children" in all the rooms of the Musikverein building, since the offer has been steadily expanded and now includes more than 150 projects for all ages 3-19 years. The 20-year anniversary of the youth concerts was celebrated with a big party at the Vienna Musikverein in 2009. Symbol of child and youth concerts of the Society of Friends of Music is the concert clown Allegretto.
Artistic performances will be processed in accordance with the relevant age requirements paying particular attention to opportunities for active contribution. These include sing and dance along to the little ones, a gallery of children's drawings on the Internet and artist talks under the slogan "meet the artist" with internationally renowned conductors, soloists and composers for 15- to 19- year-old.
Conservatory of the Society of Music Lovers
The Conservatory was the first public music school in Vienna and was founded in 1819 by the violinist Joseph Böhm. As early as 1818, the Court Kapellmeister Antonio Salieri began to form a singing class. The general musical newspaper wrote here about 7 January 1818: "As the beginning of a newly established Conservatory imparts our worthy Hofkapellm. (chapel masteer) Salieri already to 12 girls and 12 boys gratuitous singing lessons."
On 19 April, the first 24 students of the Conservatory presented themselves in a collective concert of the Friends of Music to the public and sing an A cappella choral of Salieri. The dedication on the autograph reads: "Ringraziamento because farsi alli Benefattori del Conservatorio della musica nazionale inglese dalli primi Ventiquattro allieve dodici Ragazzi e dodici Ragazze, di detto luogo, nella quarta accademia dei dilettanti il giorno 19 Aprile 1818".
In the 19th Century, this facility has been significantly expanded, in the 1890s it had more than 1,000 students and found imitation in Vienna in other such facilities. In 1909, the private institute was to resolution of the emperor as "k.k. Academy of Music and Dramatic Art" nationalized. Thus, it is predecessor of today's University of Music and Performing Arts Vienna.
Archive
The archives of the Society of Friends of Music is one of the most important music collections in the world.
Personalities
Musikverein building of 1870 (2006)
Musikverein building at night
Founder
Joseph Sonnleithner (1766-1835)
Co-Founder
Fanny von Arnstein (1758-1818)
Prince Franz Joseph Maximilian von Lobkowitz (1772-1816) , Major General, art lover and patron
Famous members
Leopold of Sonnleithner (1797-1873), lawyer and music collector
January Václav Voříšek (1791-1825), composer, pianist and organist, as a member in 1818.
Franz Schubert (1797-1828), full member from 12 June 1827
Concert directors
Carl Heissler, lithography by Joseph Kriehuber, 1866
Carl Heissler (1823-1878), Artistic Director 1869-1871
Anton Rubinstein, Artistic Director 1871-1872
Johannes Brahms (1833-1897), concert director 1872-1875
Eduard Schön (1825-1879), Ministerialrat and composer, director in 1870
Johann von Herbeck (1831-1877), conductor and composer
Hans Richter (1843-1916), conductor, director until 1900
Franz Schalk (1863-1931), concert director 1904-1921
Ferdinand Löwe (1865-1925), concert director
Wilhelm Furtwängler (1886-1954), concert director 1921-1927 (jointly with Leopold Reichwein)
Leopold Reichwein (1878-1945), concert director 1921-1927 (together with Wilhelm Furtwängler)
Robert Heger (1886-1978), concert director 1925-1933
Walter Legge (1906-1979), director from 1946
Herbert von Karajan (1908-1989), last concert director 1948-1964
Vice Presidents
Raphael Georg Kiesewetter (1773-1850), privy councillor and musician, vice president 1821-1843
Nikolaus Dumba (1830-1900), industrialist, vice president in 1880
Gustav Ortner (born 1935) , diplomat, vice president since 2001
Directorate members
Heinrich Eduard Josef von Lannoy (1787-1853), conductor and composer, member
Martin Gustav Nottebohm (1817-1882), musicologist and composer, member from 1858
Anthony van Hoboken (1887-1983), musicologist and collector, member since 1957
Brothers Czartoryski, circa 1870
Secretaries
Leopold Alexander Zellner, general secretary in 1880
Botstiber Hugo (1875-1941), secretary and office director 1905-1912
Angyan Thomas (born 1953), general and artistic director since 1988
Archivist
Martin Gustav Nottebohm in 1864
Eusebius Mandyczewski (1857-1929), musicologist and composer, from 1887
Karl Geiringer (1899-1989), musicologist and librarian, 1930-1938
Otto Biba (born 1946), musicologist and director of the archive, since 1979
Asian Pacific Festival of Arts & Music By the Sea unites the Asian Pacific communities, empowers them with a forum for expression, and promotes cultural diversity and awareness through arts and music. The theme “Reflection Through a Shining Community” captures the unity of our Asian Pacific communities and their successes.
The purpose of the Festival is to introduce and celebrate the rich Asian cultures, Asian arts, and Asian music artists to everyone, including the one-point-five and second generations Asian Americans, who might not have traveled to these Asian countries yet.
The opening ceremony on Saturday will kick off with Taiko drums, and the dragon boat demonstration. The Festival offers everyone a virtual trip to “HOME” in many Asian countries such as Vietnam, China, Thailand, Korea, India, Philippines, Japan, Cambodia and many more. Festival-goers will enjoy a variety of cultural exhibits, art walk, folk dances, fashion shows, music and entertainments, martial arts, food eating contests, cooking challenges, alcohol garden, and authentic food from different countries. Children will enjoy the day touring through the Kid’s Village where they will be issued a “Bon Voyage” Passport to tour different Asian countries. While there, the children have the opportunities to participate in fun and collaborative activities.
Highlights include APF Hip-Hop Dance Competition, Miss Scholarship Asian Pacific Pageant, and different exhibits inspired by various artists around the world.
The Festival’s closing ceremony will be on Sunday with an Ondo Dance and a Lantern Ceremony.
Asian Pacific Festival of Arts & Music By the Sea unites the Asian Pacific communities, empowers them with a forum for expression, and promotes cultural diversity and awareness through arts and music. The theme “Reflection Through a Shining Community” captures the unity of our Asian Pacific communities and their successes.
The purpose of the Festival is to introduce and celebrate the rich Asian cultures, Asian arts, and Asian music artists to everyone, including the one-point-five and second generations Asian Americans, who might not have traveled to these Asian countries yet.
The opening ceremony on Saturday will kick off with Taiko drums, and the dragon boat demonstration. The Festival offers everyone a virtual trip to “HOME” in many Asian countries such as Vietnam, China, Thailand, Korea, India, Philippines, Japan, Cambodia and many more. Festival-goers will enjoy a variety of cultural exhibits, art walk, folk dances, fashion shows, music and entertainments, martial arts, food eating contests, cooking challenges, alcohol garden, and authentic food from different countries. Children will enjoy the day touring through the Kid’s Village where they will be issued a “Bon Voyage” Passport to tour different Asian countries. While there, the children have the opportunities to participate in fun and collaborative activities.
Highlights include APF Hip-Hop Dance Competition, Miss Scholarship Asian Pacific Pageant, and different exhibits inspired by various artists around the world.
The Festival’s closing ceremony will be on Sunday with an Ondo Dance and a Lantern Ceremony.
Asian Pacific Festival of Arts & Music By the Sea unites the Asian Pacific communities, empowers them with a forum for expression, and promotes cultural diversity and awareness through arts and music. The theme “Reflection Through a Shining Community” captures the unity of our Asian Pacific communities and their successes.
The purpose of the Festival is to introduce and celebrate the rich Asian cultures, Asian arts, and Asian music artists to everyone, including the one-point-five and second generations Asian Americans, who might not have traveled to these Asian countries yet.
The opening ceremony on Saturday will kick off with Taiko drums, and the dragon boat demonstration. The Festival offers everyone a virtual trip to “HOME” in many Asian countries such as Vietnam, China, Thailand, Korea, India, Philippines, Japan, Cambodia and many more. Festival-goers will enjoy a variety of cultural exhibits, art walk, folk dances, fashion shows, music and entertainments, martial arts, food eating contests, cooking challenges, alcohol garden, and authentic food from different countries. Children will enjoy the day touring through the Kid’s Village where they will be issued a “Bon Voyage” Passport to tour different Asian countries. While there, the children have the opportunities to participate in fun and collaborative activities.
Highlights include APF Hip-Hop Dance Competition, Miss Scholarship Asian Pacific Pageant, and different exhibits inspired by various artists around the world.
The Festival’s closing ceremony will be on Sunday with an Ondo Dance and a Lantern Ceremony.
PAHO promotes public health approaches for diabetes prevention and care. In occasion of World Diabetes Day 2014, PAHO’s campaign encouraged this year healthy living, reducing diabetes risk factors and establishing personal healthy lifestyle goals.
There was an active participation from PAHO workers, who choose a personal goal and committed to it by taking their selfie.’
Royston was promoted during the event for Georigia On My Mind Days held at the Georgia Vistor Center on I-85. The Better Hometown Program spoke with many travelers letting them know about Royston and encouraged them to make plans to visit our community in the near future.
From left to right - Mohammed Bilal Abdullah, Abdul Khayim Khalique (Jamal), Konnie Huq, Rabina Khan and Mesba Ahmed at the Promoting British Muslims event in Tower Hamlets
Licking our wounds after Saturday's round on Trail Creek before heading off to camp.
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I'm always interested in any type of constructive photographic feedback, but with all respect, no awards or self/group-promoting signatures (high risk of being blocked).
MAYOR CUTS 20 YEAR PONYTAIL TO PROMOTE CANCER DETECTION AWARENESS
Tamaqua Mayor Christian Morrison decided to help citizens become more aware of the importance of cancer awareness by parting with his long 20 year tradition of growing his lengthy ponytail. Megan Donner, stylist at Justine Evans Styling Salon in Tamaqua, made the historical cut Thursday evening. Morrison stated, “We’ve all lost someone to cancer. Simple, routine blood work and checkups are the key for early detection and fast treatment.” Morrison’s mother, Rita Morrison of Hometown, is currently undergoing heavy treatment for cancer. Mayor Morrison originally had planned on giving his hair to his mother in early April, but his mother honorably asked him to give it to another cancer recipient in need. Wigs can cost as much as $1,200 and are often only partially covered by health insurance. Mayor Morrison’s lock of hair will be mailed to the Pantene Beautiful Lengths and Entertainment Industry Foundation (EIF), a joint program that encourages people to cut, grow, and donate their hair to create free, real-hair wigs for women who’ve lost their hair due to cancer. In addition to providing free, real-hair wigs to women in need, Pantene has donated more than one million dollars to the EIF’s Women’s Cancer Research Fund, a program committed to saving lives by raising funds and awareness for millions of women and their families affected by cancer. Witnesses to the historic cutting stated that the Mayor looks a lot younger without long hair. Mayor Morrison stated, “I feel like a new man and I could use a new look.” The Pantene website states, “A real-hair wig allows a woman to look in the mirror and at least see a familiar face while she fights to regain a sense of normalcy in her life.” Pantene only requires 8 inches of hair for a donation. Anyone else interested in donating hair should visit Pantene’s website at www.BeautifulLengths.com or call the American Cancer Society at (877) 227-1596 for hair requirements and more ways to help.
Scouts Camporee on Omaha Beach Honors Heroes and Promotes Peace.
By Robert Turtil
U.S. Scouts gathered April 24 to 27 for the 2014 Omaha Beach Camporee, in event held every three years in Normandy, France. This years Camporee was particularly special, because it was recognized as the opening event of the 70th anniversary of the D Day landings planned for June. Hundreds of Scouts from France, Britain, Poland, Switzerland, the BeNeLux and Scandinavian countries, Germany and other nations joined for a weekend of remembrance.
U.S. embassy personnel and active duty service members brought their families from facilities around Europe and North Africa. More than a few F-16 fighter jockeys directed AstroVans from the Autobahn to the AutoRoute to the D-514, while others followed the more historic route across, or below, the English Channel. Some Scouts flew from American cities over their spring break, and as usual, moms led the charge when dads couldn’t get away. All converged on a welcoming destination for Americans on the French coast.
Nearly 4,200 troops and their supporting families battled sometimes horizontal rain to re-live the history, and recognize the sacrifices of American and Allied soldiers, many close to their own age, who have fought and died fighting for freedom and peace. World War Two Veterans were honored, and sacrifices made during The Great War, Korea, Vietnam and The War on Terror were also recognized by scout leaders and other volunteers, many of whom are U.S. Veterans, the traditional backbone of scouting in America.
Campsites were pitched in the rain, the mud and the dark; pots of pasta were swamped by tent malfunctions. The elements provoked short-term tears and tantrums, and perhaps a sleepless night. But complaints were mitigated with stories of invasion boats packed with seasick assault troops, mud filled foxholes, and cold k-rations, as Scouts peered at the sogginess of this Norman spring. But, as EVERY Scout knows, only fun will be remembered of the mud and chill of this weekend.
Scout convoys raced around the invasion coast following ambitious schedules: Utah Beach, Point D’Hoc, Sainte Mere Eglise, Arromanches, the Pegasus Bridge and many museums. Scouts and Veterans were the special guests of honor at the historic and grand Notre Dame Cathedral of Bayeux where clergy, along with national and local leaders, christened a newly forged Bell of Peace and Freedom. The Cathedral was a packed and flowing sea of international scout uniforms, flags and neckerchiefs… all highlighted by sunbeams streaking through stained-glass windows.
90 year-old, World War ll Army Air Force Veteran Captain Samuel Wiley Hammersmith, B-25 pilot with 28 missions in the Pacific, mingled with Scouts throughout the weekend.
New Eagles and candidates for the Order of the Arrow were sworn in at an Omaha Beach campfire in the most meaningful of ceremonies for Scouts and their families. A French Air Force flyover, a military band and youth choir opened the Messengers of Peace multimedia presentation, bringing home the sacrifices made in the past and the promise of peace Scouting seeks to contribute worldwide. That evening, friendships were made, neckerchiefs swapped, and Paella shared at sunset on the beach, followed by a fusillade of fireworks.
Sunday’s closing ceremony was held in the drizzle at the Normandy American Cemetery and Memorial. Each Troop flew its colors and laid a wreath at the base of the huge bronze statue, The Spirit of American Youth Rising from the Waves. Scouts and their families then joined hundreds of others walking the many acres of markers, looking for specific names, or just looking, at the beauty- with history, the sense of sacrifice and a touch of tears that the damp, perfect green grass of the cemetery envokes. Slowly the parking lot emptied as each American Troop and Patrol headed in every direction across Europe and the ocean… home.
If you would like to support the Scouts quest to preserve Omaha Beach as a UNESCO World Heritage site, follow this link and sign the petition:
www.change.org/petitions/unesco-save-the-d-day-beaches-ma...
Photos Courtesy Robert Turtil
This is a photograph from the 1st round of the 2017 Pat Finnerty Memorial 5KM Road League which was held in Belvedere House and Gardens, Mullingar, Co. Westmeath, Ireland on Wednesday 3rd May 2017 at 20:00. The Road League is promoted and organised by Mulligar Harriers Athletic Club and sponsored by local sponsors including O'Brien's Renault dealership. This is a very well established as an annual event which takes place on every Wednesday night in the month of May. In a change from previous years the weather on the first night tonight was perfect running weather - a warm early summer evening with little or no breeze. About 220 participants took part in the race which runs a traffic free course over a mix of road and hilly forest trail.
Timing and event management was provided by http://www.myrunresults.com/. Their website will contain the results to today's race.
The full set of photographs is available at: www.flickr.com/photos/peterm7/albums/72157680670545682
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Fiza Farhan promoting Sustainable Development Goals 5 and 8 with women energy entrepreneurs, also known as “Roshnah Bibi’s”
Photo: UN Women/Buksh Foundation
HHS Secretary Alex Azar joined top health officials and global health partners at a World Health Assembly side event to look at ways to boost public trust in vaccines as our most reliable front line defense against disease. WHO Director General Dr. Tedros Adhanom Ghebreyesus delivered closing remarks at the event entitled “Promoting Vaccine Confidence: Enhancing Global Immunization Efforts to Protect the Health of all Generations.”
“Vaccines are some of the most thoroughly tested medical products we have,” said Secretary Azar in opening remarks at the event. “Vaccines are safe, effective, and lifesaving. But around the world, complacency among the public, coupled with misunderstanding and misinformation, is causing vaccination rates to decline, with tragic results.”
Speakers at the event included EU Commissioner Dr. Vytenis Andriukaitis, Dr. Luiz Henrique Mandetta, Minister of Health, Brazi:, Dr. Theresa Tam, Chief Public Health Officer of Canada; Prof. Dr. Alexandru Rafila, Romania, Member of WHO Executive Board, Dr. Seth Berkley CEO, GAVI Vaccine Alliance and Prof. Dr. Peter Hotez, Dean of the Baylor College of Medicine National School of Tropical Medicine. The event was moderated by Dr. Katherine O'Brien, Director, Department of Immunization, Vaccines and Biologicals, WHO.
Read HHS Secretary Azar’s opening remarks at the event: geneva.usmission.gov/2019/05/21/secretary-azar-remarks-on...
U.S. Mission Photo/Eric Bridiers
Finally. Found the 8th Avengers Dr Pepper can.
Promoting the upcoming Avengers movie. Check out the full set of Dr Pepper Avengers cans.
Dr Pepper previously did a Loki can as a part of the Thor promotional cans in 2011. Check out that set here.
Children celebrate Handwashing Day in Lekma South Cluster of Schools, where USAID has built school bathrooms and handwashing stations to prevent disease spread. (USAID/A. Kauffeld)
On the opening week of the 74th session of the UN General Assembly, an inter-generational conversation convened by UN Women, placed youth leadership at the centre of its new campaign, Generation Equality: Realizing women’s rights for an equal future.
The multigenerational campaign to mark the 25th anniversary of the Beijing Declaration and Platform for Action, demands a sustainable future where women and girls have equal rights and opportunities. The side event on 16 September examined what’s needed and what’s working to promote the leadership of young women within the United Nations.
Read More: www.unwomen.org/en/news/stories/2019/9/news-coverage-un-p...
Speakers Included:
Daniela Bas, Director of the Division for Inclusive Social Development under the UN DESA
Irem Tumer, UN Population Fund (UNFPA)
Jayathma Wickramanayake, UN Secretary-General’s Envoy on Youth
Minna Nurminen, UN Women
Phumzile Mlambo Ngcuka, UN Women Executive Director
David Bearfiled, Director of Human Resourcess, UNDP
Mahlatse Ramoroka, Moderator, UN Women
About Generation Equality: www.unwomen.org/en/get-involved/beijing-plus-25
Photo: UN Women/Ryan Brown
Volvo B7RLE Wright Eclipse Urban YJ08 XYB has gained a bright yellow overall advertising livery to promote York's brand new iTravel 'York By Bus' smartcard system which has been implemented by the city council with money from the Better Bus Area Fund so as to improve accessibility to buses.... for a relatively compact city, York has quite a diverse bus scene with no less than 9 different companies operating regular stagecarriage services in and out of the city - the aim of the smartcard system is for one card to be able to be used on any bus operated by any of these companies in the city. On-street terminals have been installed over the last few weeks and have undergone commissioning ready for the system going live in November.
Originally part of the Park and Ride fleet, this and 69364 were de-branded and initially operated route 13A in a basic silver-only livery but more recently have been dual purpose and operate any route as and when required. Today the 'flying banana' is parked on Parliament Street as part of the York Residents Festival to encourage more bus use and to raise awareness of a recruitement drive. The drivers there kindly let me have a crack at the Hanovers, so I put up some of the lesser-seen destinations and those normally not seen in daylight; these include the following:
- 66x, this is a single journey bolted on to a Yellow Line 8 diagram: the bus works from Grimston Bar to Piccadilly (showing 'Piccadilly' as the destination) then switches to 66X working via Lawrence Street to the university Heslington Hall and along Field Lane to Grimston Bar;
- Hb1, this is the early morning hospital bus which leaves the university at 6.30am on a single journey to the hospital via Tang Hall, 4th Avenue, Layerthorpe and Lord Mayors Walk
- Ub1, the free campus shuttle at the university, this is usually only worked by a Versa as the uni requires an electric bus for it (though Solo 49913 did work this route during its brief stay at York)
- Cb1, the late night clubbers bus. This operates three overnight journeys in the early hours of the morning on selected nights in term time between the clubs in the city centre and the university before returning to the city centre via Fulford Broadway and Fulford Road
- Ss1 Study Shuttle. This is an odd service that normally only runs for 2 weeks a year in the early hours of a morning from the university along Melrosegate and Tang Hall Lane to Heslington East, west campus, Fulford Broadway, Fulford Road, Heslington Road and back to the university
- university free shuttle, this would be used if York Pullman required extra vehicles on an open day or if First laid on a campus shuttle service during Freshers week, as Transdev did in the past
- route 26 to Fulford Crossfield Crescent, this is usually worked by Arriva but funding cuts meant the late night final journey on fri/sat were due to be withdrawn until First stepped in to operate them using a bus that comes off route 1, just one journey operates at 2345
- 197 Racecourse shuttle, usually only seen on double deckers
- 500 Askham Bar P&R and Foxwood or Bishopthorpe, a free shuttle service linking areas no longer having their normal bus service to the P&R site for the city centre
I also put up generic displays such as Special Service, Shuttle Service, York City Centre (Generic), Special Event Shuttle (usually used for the X31 Leeds Festival service), Rail Replacement (First York buses have done this in the past, Andy Burbridge has photos of B7L's at Darlington waiting to head to Newcastle), Works Service (staff bus), Private Hire, First logo. I also put up the most rare of destinatiosn to be seen, the Hanover test screen (which, among other info such as display and controller type, shows the display address and size)
Designer unknown (佚名)
1966, August
In the spirit of revolution - eradicate the Four Pests - promote hygiene
Yi geming hua de jingshen - da chu si hai - da gao weisheng (以革命化的精神 - 大除四害 - 大搞卫生)
Call nr.: BG E48/500 (IISH collection)
More? See: Eliminate the Four Pests!
Janashakthi Insurance PLC
Held at Taj Samudra Golden pond on 26th Friday May 2017
Sharing Rights of all images is reserved for any personal. All images here are copyrighted by the photographers who created them. Under no circumstances shall these digital files be used, copied, displayed on any inappropriate site. © 3Pixels™| Photography.
This is a photograph from the 6th annual running of the Meath Spring Half Marathon and 10KM Road Races and Fun Runs which were promoted and hosted by Bohermeen Athletic Club at Bohermeen, Navan, Co. Meath, Ireland on Sunday 12th of March 2017 at 11:00. The half marathon consists of a 11KM and 10KM repeated loop around the roads of Bohermeen and Oristown. The 10KM race just completes the 2nd part of the half marathon. The finish line is on the running track within Bohermeen Community Center. The course is a fast fair course with a few small hills. Last year the course was 'reversed' which just meant that the traditional course changed to accomodate the large number of participants and the narrow country roads on which both the race participants and race traffic must both share before, during and after the race. Most runners agreed that this made the course much faster as a result. There was almost a total of 1,000 participants in both races.
The other great variable in road racing - the weather - was dry, clear but rather windy. At several parts of the course there was a stiff headwind which made these sections that bit more difficult. Temperatures were around a seasonal 10C for this time in March in Ireland.
Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. Having now organised the event for six years running it is certain that the event will continue to grow and expand become one of the mainstays on the Irish athletic club road racing calendar for many years to come.
This race takes place about one month after the Bewley's 10 Mile Road Race in Trim (just down the road from Bohermeen). Indeed these races truly kick-start the whole road racing season of fixtures amongst the clubs in Meath who are now famous for the quality and standard of the road races staged and organised.
The race is supported by substantial local sponsorship from businesses in the local area. McNally Logistics and Transportation are the main sponsors of this year's event. The company specialises in national and international haulage.
Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.
Some useful Internet links related to the race
MapMyRun GPS Trace of the Route in 2016: www.mapmyrun.com/routes/view/988503627
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Photographs from previous events
Our Flickr Photograph set from the 4th Spring Marathon 2016: www.flickr.com/photos/peterm7/albums/72157665850980555
Our Flickr Photograph set from the 4th Spring Marathon 2015: www.flickr.com/photos/peterm7/albums/72157648897769373
Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Rasheda is a field organiser for the gender quality action learning programme. She hosts courtyard meetings for community members, addressing violence against women and promoting gender equality.
Scouts Camporee on Omaha Beach Honors Heroes and Promotes Peace.
By Robert Turtil
U.S. Scouts gathered April 24 to 27 for the 2014 Omaha Beach Camporee, in event held every three years in Normandy, France. This years Camporee was particularly special, because it was recognized as the opening event of the 70th anniversary of the D Day landings planned for June. Hundreds of Scouts from France, Britain, Poland, Switzerland, the BeNeLux and Scandinavian countries, Germany and other nations joined for a weekend of remembrance.
U.S. embassy personnel and active duty service members brought their families from facilities around Europe and North Africa. More than a few F-16 fighter jockeys directed AstroVans from the Autobahn to the AutoRoute to the D-514, while others followed the more historic route across, or below, the English Channel. Some Scouts flew from American cities over their spring break, and as usual, moms led the charge when dads couldn’t get away. All converged on a welcoming destination for Americans on the French coast.
Nearly 4,200 troops and their supporting families battled sometimes horizontal rain to re-live the history, and recognize the sacrifices of American and Allied soldiers, many close to their own age, who have fought and died fighting for freedom and peace. World War Two Veterans were honored, and sacrifices made during The Great War, Korea, Vietnam and The War on Terror were also recognized by scout leaders and other volunteers, many of whom are U.S. Veterans, the traditional backbone of scouting in America.
Campsites were pitched in the rain, the mud and the dark; pots of pasta were swamped by tent malfunctions. The elements provoked short-term tears and tantrums, and perhaps a sleepless night. But complaints were mitigated with stories of invasion boats packed with seasick assault troops, mud filled foxholes, and cold k-rations, as Scouts peered at the sogginess of this Norman spring. But, as EVERY Scout knows, only fun will be remembered of the mud and chill of this weekend.
Scout convoys raced around the invasion coast following ambitious schedules: Utah Beach, Point D’Hoc, Sainte Mere Eglise, Arromanches, the Pegasus Bridge and many museums. Scouts and Veterans were the special guests of honor at the historic and grand Notre Dame Cathedral of Bayeux where clergy, along with national and local leaders, christened a newly forged Bell of Peace and Freedom. The Cathedral was a packed and flowing sea of international scout uniforms, flags and neckerchiefs… all highlighted by sunbeams streaking through stained-glass windows.
90 year-old, World War ll Army Air Force Veteran Captain Samuel Wiley Hammersmith, B-25 pilot with 28 missions in the Pacific, mingled with Scouts throughout the weekend.
New Eagles and candidates for the Order of the Arrow were sworn in at an Omaha Beach campfire in the most meaningful of ceremonies for Scouts and their families. A French Air Force flyover, a military band and youth choir opened the Messengers of Peace multimedia presentation, bringing home the sacrifices made in the past and the promise of peace Scouting seeks to contribute worldwide. That evening, friendships were made, neckerchiefs swapped, and Paella shared at sunset on the beach, followed by a fusillade of fireworks.
Sunday’s closing ceremony was held in the drizzle at the Normandy American Cemetery and Memorial. Each Troop flew its colors and laid a wreath at the base of the huge bronze statue, The Spirit of American Youth Rising from the Waves. Scouts and their families then joined hundreds of others walking the many acres of markers, looking for specific names, or just looking, at the beauty- with history, the sense of sacrifice and a touch of tears that the damp, perfect green grass of the cemetery envokes. Slowly the parking lot emptied as each American Troop and Patrol headed in every direction across Europe and the ocean… home.
If you would like to support the Scouts quest to preserve Omaha Beach as a UNESCO World Heritage site, follow this link and sign the petition:
www.change.org/petitions/unesco-save-the-d-day-beaches-ma...
Photos Courtesy Robert Turtil
This is a photograph from the 6th annual running of the Meath Spring Half Marathon and 10KM Road Races and Fun Runs which were promoted and hosted by Bohermeen Athletic Club at Bohermeen, Navan, Co. Meath, Ireland on Sunday 12th of March 2017 at 11:00. The half marathon consists of a 11KM and 10KM repeated loop around the roads of Bohermeen and Oristown. The 10KM race just completes the 2nd part of the half marathon. The finish line is on the running track within Bohermeen Community Center. The course is a fast fair course with a few small hills. Last year the course was 'reversed' which just meant that the traditional course changed to accomodate the large number of participants and the narrow country roads on which both the race participants and race traffic must both share before, during and after the race. Most runners agreed that this made the course much faster as a result. There was almost a total of 1,000 participants in both races.
The other great variable in road racing - the weather - was dry, clear but rather windy. At several parts of the course there was a stiff headwind which made these sections that bit more difficult. Temperatures were around a seasonal 10C for this time in March in Ireland.
Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. Having now organised the event for six years running it is certain that the event will continue to grow and expand become one of the mainstays on the Irish athletic club road racing calendar for many years to come.
This race takes place about one month after the Bewley's 10 Mile Road Race in Trim (just down the road from Bohermeen). Indeed these races truly kick-start the whole road racing season of fixtures amongst the clubs in Meath who are now famous for the quality and standard of the road races staged and organised.
The race is supported by substantial local sponsorship from businesses in the local area. McNally Logistics and Transportation are the main sponsors of this year's event. The company specialises in national and international haulage.
Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.
Some useful Internet links related to the race
MapMyRun GPS Trace of the Route in 2016: www.mapmyrun.com/routes/view/988503627
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Photographs from previous events
Our Flickr Photograph set from the 4th Spring Marathon 2016: www.flickr.com/photos/peterm7/albums/72157665850980555
Our Flickr Photograph set from the 4th Spring Marathon 2015: www.flickr.com/photos/peterm7/albums/72157648897769373
Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Gloucester Cathedral is one of England's finest churches, a masterpiece of medieval architecture consisting of a uniquely beautiful fusion of Norman Romanesque and Perpendicular Gothic from the mid 14th century onwards. Until the Reformation this was merely Gloucester's Abbey of St Peter, under Henry VIII it became one of six former monastic churches to be promoted to cathedral status, thus saving the great church from the ravages of the Dissolution.
The most obviously Norman part is the nave, immediately apparent on entering the building with it's round arches and thick columns (the exterior is the result of Gothic remodelling). Much of the remainder of the building is substantially the Norman structure also, but almost entirely modified in the later Middle Ages inside and out, the result of the great revenue brought to the abbey by pilgrims to the tomb of the murdered King Edward II in the choir. It was this transformation of the Norman church that is credited with launching the late gothic Perpendicular style in England.
The gothic choir is a unique and spectacular work, the walls so heavily panelled as to suggest a huge stone cage (disguising the Norman arches behind) crowned by a glorious net-like vault adorned with numerous bosses (those over the Altar with superb figures of Christ and angels) whilst the east wall is entirely glazing in delicate stone tracery, and still preserving most of it's original 14th century stained glass. The soaring central tower, also richly panelled with delicate pinnacles, is another testament to the abbey's increasing wealth at this time.
The latest medieval additions to the church are equally glorious, the Lady Chapel is entered through the enormous east window and is itself a largely glazed structure, though the original glass has been reduced to a few fragments in the east window, the remainder now contains beautiful Arts & Crafts stained glass by Christopher and Veronica Whall.
The early 16th century cloisters to the north of the nave are some of the most beautiful anywhere, being completely covered by exquisite fan vaulting, with a separate lavatorium (washing room) attached to the north walk as a miniature version of the main passages.
There is much more of interest, from 14th century choir stalls with misericords to the comprehensive collection of tombs and monuments of various dates, including the elaborate tomb of Edward II and that of Robert Duke of Normandy, eldest son of William the Conqueror. The stained glass also represents all ages, from the 14th century to the striking contemporary windows by Tom Denny.
Further areas of the cathedral can be accessed at certain times, such as the Norman crypt under the choir and the triforium gallery above.
2013 World Water Week.
Thursday, September 5.
Promoting Coherence and Building Bridges in Urban Sanitation, K16.
Photo: Mikael Ullén.
Scouts Camporee on Omaha Beach Honors Heroes and Promotes Peace.
By Robert Turtil
U.S. Scouts gathered April 24 to 27 for the 2014 Omaha Beach Camporee, in event held every three years in Normandy, France. This years Camporee was particularly special, because it was recognized as the opening event of the 70th anniversary of the D Day landings planned for June. Hundreds of Scouts from France, Britain, Poland, Switzerland, the BeNeLux and Scandinavian countries, Germany and other nations joined for a weekend of remembrance.
U.S. embassy personnel and active duty service members brought their families from facilities around Europe and North Africa. More than a few F-16 fighter jockeys directed AstroVans from the Autobahn to the AutoRoute to the D-514, while others followed the more historic route across, or below, the English Channel. Some Scouts flew from American cities over their spring break, and as usual, moms led the charge when dads couldn’t get away. All converged on a welcoming destination for Americans on the French coast.
Nearly 4,200 troops and their supporting families battled sometimes horizontal rain to re-live the history, and recognize the sacrifices of American and Allied soldiers, many close to their own age, who have fought and died fighting for freedom and peace. World War Two Veterans were honored, and sacrifices made during The Great War, Korea, Vietnam and The War on Terror were also recognized by scout leaders and other volunteers, many of whom are U.S. Veterans, the traditional backbone of scouting in America.
Campsites were pitched in the rain, the mud and the dark; pots of pasta were swamped by tent malfunctions. The elements provoked short-term tears and tantrums, and perhaps a sleepless night. But complaints were mitigated with stories of invasion boats packed with seasick assault troops, mud filled foxholes, and cold k-rations, as Scouts peered at the sogginess of this Norman spring. But, as EVERY Scout knows, only fun will be remembered of the mud and chill of this weekend.
Scout convoys raced around the invasion coast following ambitious schedules: Utah Beach, Point D’Hoc, Sainte Mere Eglise, Arromanches, the Pegasus Bridge and many museums. Scouts and Veterans were the special guests of honor at the historic and grand Notre Dame Cathedral of Bayeux where clergy, along with national and local leaders, christened a newly forged Bell of Peace and Freedom. The Cathedral was a packed and flowing sea of international scout uniforms, flags and neckerchiefs… all highlighted by sunbeams streaking through stained-glass windows.
90 year-old, World War ll Army Air Force Veteran Captain Samuel Wiley Hammersmith, B-25 pilot with 28 missions in the Pacific, mingled with Scouts throughout the weekend.
New Eagles and candidates for the Order of the Arrow were sworn in at an Omaha Beach campfire in the most meaningful of ceremonies for Scouts and their families. A French Air Force flyover, a military band and youth choir opened the Messengers of Peace multimedia presentation, bringing home the sacrifices made in the past and the promise of peace Scouting seeks to contribute worldwide. That evening, friendships were made, neckerchiefs swapped, and Paella shared at sunset on the beach, followed by a fusillade of fireworks.
Sunday’s closing ceremony was held in the drizzle at the Normandy American Cemetery and Memorial. Each Troop flew its colors and laid a wreath at the base of the huge bronze statue, The Spirit of American Youth Rising from the Waves. Scouts and their families then joined hundreds of others walking the many acres of markers, looking for specific names, or just looking, at the beauty- with history, the sense of sacrifice and a touch of tears that the damp, perfect green grass of the cemetery envokes. Slowly the parking lot emptied as each American Troop and Patrol headed in every direction across Europe and the ocean… home.
If you would like to support the Scouts quest to preserve Omaha Beach as a UNESCO World Heritage site, follow this link and sign the petition:
www.change.org/petitions/unesco-save-the-d-day-beaches-ma...
Photos Courtesy Robert Turtil
Promotor: Adela ruiz lopez
tienda: Farmacia guadalajara
lugar. Xalapa veracruz
vendedor: Evelyn santiago
South African Gospel Music promoted by SAHC at the Barbican Centre London Reception in the Fountain Room with Ditshupo aka Dee Beautiful Nurse from Botswana in Green Dress and Kansani in Burberry Check Dress from SA
Rasheda is a field organiser for the gender quality action learning programme. She hosts courtyard meetings for community members, addressing violence against women and promoting gender equality.
Green, European anti-nuclear bus to Brussels for a nuclear-free Europe
09.07.2012 – 13.07.2012
The idea behind the “Green Bus” is to promote and to strengthen antinuclear and pro-green-energy/pro-energy-democracy civic and political movements in Poland, Belarus, Estonia, Kaliningrad, Latvia and Lithuania.
The bus was realised through networking and cooperation between green parties, green think-tanks, green youth organizations and civic movements from the countries of the Baltic coast.
The final destination of the bus was Brussels where the participants met with the Green Group in the European Parliament and other Green Family members: GEF, HBF, EGP, FYEG.
The Green Bus Project has at least double meaning for anti-nuclear action.
First of all it has a European dimension in skills and knowledge transfer for all regions struggling with the national nuclear programs and promoting green solutions.
Secondly it is a strong tool helping to develop and strengthen cooperation and network oriented actions both in Central and Eastern Europe, the Baltic Sea and at the EU level.
In the European Parliament there was a very valuable exchange of knowledge and ideas between the activisits and Greens/EFA Co-President and long time nuclear campainger Rebecca Harms, and Green MEP and energy expert Claude Turmes
Article:
www.greens-efa.eu/anti-nuclear-bus-7828.html
Facebook Album:
www.facebook.com/media/set/?set=a.394582103935980.95156.1...
Xavier promotes math, science clubs to younger girls
By Ambria Hammel | April 16, 2009 | The Catholic Sun
Girls at local Catholic schools show a great interest in the math and sciences, but studies show that women account for only 29 percent of college math and computer science degrees.
To bridge that gap and keep girls interested in such fields, Xavier College Preparatory teamed up with middle-schoolers throughout the diocese March 27 to host a “Girls Have IT Day.”
The all-girls Catholic high school math and information technology fair included 15 activity booths and featured presentations by two young science professionals — both Xavier alums — who talked about their career paths.
“I never thought, going into science and math, that people would expect you to be creative. But they do,” Tammy Greasby, a 2000 Xavier alumna, told 200 middle schoolers. “Creativity is a must because if you can only do what you’re told, you’re not going to go very far.”
Greasby, a doctoral candidate in biostatistics, has had to determine the best way to test, chart, color and interpret data. She’s studied the most efficient way to capture wind energy and the cause of tumors in cats.
Greasby also told the middle-schoolers about a handful of female friends in related science, technology, engineering and math fields. They’ve studied proteins, memory and the brain, DNA and the environmental impact of fuel cell vehicles and trash.
They’ve also volunteered abroad, worked for the CIA, competed in bike and swim races and created crafty projects.
“We’re not nerds, we’re normal people,” said Patricia Blaha, assistant principal at St. Thomas the Apostle School, of engineers and like-minded people.
Blaha, who has a bachelor’s degree in mechanical engineering, brought a group of students to the event to help them consider math and science careers.
The girls explored math, science and music activities in small groups. They looked through telescopes to see the sun, played Math Twister, used a green screen to star in a film, worked with puzzles and video games, controlled a flight simulator and made music with their water bottle.
“The whole thing behind the water is to blow in it and the sound changes as your water goes down,” explained Catherine Wyman, Xavier’s technology director. Wyman helped organize the IT day.
Many of the girls who attended IT day already had an interest in math and science classes, but learned more about major and career opportunities.
Frankie Leija, a seventh-grader at St. Louis the King School in Glendale, likes exploring computer programs, especially those that allow photo manipulation. She plans to go into forensic science, though.
“I like learning how you can talk for the dead,” Leija said.
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BEGINNINGS: 1866-1883
The beginnings of the Expiatory Temple of the Holy Family, known as the Sagrada Familia, go back to 1866 when Josep Maria Bocabella i Verdaguer founded the Spiritual Association of Devotees of Saint Joseph, which in 1874 began campaigning for the construction of an expiatory temple dedicated to the Holy Family. In 1881, enabled by various donations, the Association purchased a 12,800m² plot of land, located between the streets of Marina, Provença, Sardenya, and Mallorca, to build the temple on.
The first stone was laid on St Joseph’s day, 19 March, 1882, in a ceremony presided over by the Bishop of Barcelona, Josep Urquinaona. It signalled the start of construction, first in the crypt located under the apse, following the Neo-gothic design drawn up by the architect Francisco de Paula del Villar y Lozano, the Sagrada Familia’s first architect. After a short while, due to disagreements with the promotors, he resigned from the post of chief architect and the job fell to Antoni Gaudí.
GAUDÍ: 1883-1926
After taking over the project in 1883, Gaudí continued work on the crypt, which was finished in 1889. Later he began work on the apse, while donations were received at a steady rate. After receiving a substantial anonymous donation, Gaudí proposed a new and grander design. He proposed abandoning the old Neo-gothic plan in favour of a design that was more monumental and innovative, both in regard to the form and structure as well as the construction. Gaudí’s design consisted of a large church with a floor plan based on a Latin cross and soaring towers. It was to be immensely symbolic, both architecturally and sculpturally, and convey the teachings of the Gospels and the Christian Church.
In 1892 the foundations for the Nativity facade were started. This facade was built first because, as Gaudí himself put it, “If, instead of building this decorated, richly ornamented facade, we had started with the hard, bare and skeletal Passion facade, people would have rejected it.” In 1894 the apse facade was finished, and the Rosary portal, one of the entrances to the cloister on the Nativity side, was finished in 1899.
In 1909 Gaudí built the Sagrada Familia provisional school buildings, for children of Sagrada Familia workers and local children, on the south-west corner of the site. In the following year, 1910, a model of the Nativity facade was displayed at the Grand Palais in Paris in an exhibition featuring Gaudí’s work organised by his friend and patron Eusebi Güell. The Pasion facade was designed in 1911.
In 1914 Gaudí decided to concentrate exclusively on the construction of the Expiatory Temple of the Sagrada Familia, a fact which explains why he did not undertake any other major work in the later years of his life. He became so involved that he lived his final months close by his studio workshop; a space located next to the apse used for producing scale models, drawings and designs, sculptures and for taking photographs, amongst other activities.
In 1923 he produced the final design for the naves and roofs. Construction work however progressed slowly. The first bell tower on the Nativity facade, 100 metres high and dedicated to Saint Barnabus, was finished on 30 November 1925. This was the only tower Gaudí saw completed. On 10 June 1926 he died as a result of injuries sustained three days earlier when he was tragically knocked down by a tram. On 12 June he was buried in the Chapel of Our Lady of Mount Carmel in the crypt of the Sagrada Familia, where his mortal remains rest to this day.
Over all these years a sizable group of architects, draughtsmen, sculptors and modellers collaborated with Gaudí on the construction.
HANDOVER: 1926-1938
After the death of Gaudí, his close collaborator Domènec Sugrañes took over the management of the works until 1938.
In 1930 the bell towers on the Nativity facade were finished, and in 1933 the Faith portal and central cypress tree were also completed.
In July 1936, after the military uprising and the outbreak of the Spanish Civil War, revolutionaries set fire to the crypt, burnt down the provisional school of the Sagrada Familia and destroyed the studio workshop. Original plans, drawings and photographs were lost and many large-scale plaster models were broken. It should be pointed out that, from when Gaudí took the helm in 1883 and despite these acts of vandalism, work on the Sagrada Familia, although disrupted, never came to a complete stop, and has always gone ahead according to the architect’s original concept.
HERITAGE: 1938-1999
After the Spanish Civil War building resumed on the Sagrada Familia and it continued to slowly rise. Between 1939 and 1940 the architect Francesc de Paula Quintana i Vidal, who had started working with Gaudí in 1919, restored the fire-damaged crypt and repaired many of the broken models, which were then used to continue construction according to Gaudí’s original plan.
The next directors were also men who had known and collaborated with Gaudí, Isidre Puig-Boada and Lluís Bonet i Garí, who were in charge of works until 1983. They were succeeded by Francesc de Paula Cardoner i Blanch, Jordi Bonet i Armengol, and lastly Jordi Faulí i Oller, who has currently been in charge since 2012.
In 1952 the 35th International Eucharistic Congress was held in Barcelona and several events took place in the Sagrada Familia to mark the occasion. In the same year the steps to the Nativity facade were built and the facade was floodlit for the first time. This lighting became a permanent feature in 1964 thanks to the Barcelona City Council.
Work continued at a steady pace and in 1954 the foundations to support the Passion facade were started, based on several studies Gaudí had carried out between 1892 and 1917. After the foundations were laid the Passion facade crypt was built on them, and in 1961 a museum was opened in the crypt to provide visitors with information about the history and technical, artistic and symbolic aspects of the temple. The four bell towers on the Passion facade were completed in 1976.
1955 was a significant year for the Sagrada Familia; it was the year of the first fund-raising drive to raise money to pay for the building works. The initiative was so successful that it has been repeated every year since, and is a way of allowing society as a whole to participate in the construction of the temple.
Numerous sculptors have left their mark of the Nativity facade. On Saint Joseph’s day, 19 March, 1958 the group of statues by Jaume Busquets representing the Holy Family was put in place.
In 1986 the sculptor Josep Maria Subirachs was charged with producing the statues and sculpture for the Passion façade, which were executed in accordance with his very personal style for over 25 years.
21st CENTURY 2000 – 2015
In 2000 the vaulting in the central nave and the transepts was built, and the foundations of the Glory facade were started. In the same year, to mark the new millennium, a Mass was held inside the temple which showcased the grandeur of the building.
In 2001 the central window of the Passion facade was finished and stained glass by Joan Vila-Grau representing the Resurrection was installed. The four columns of the crossing were also finished.
Gaudí and his work were celebrated in 2002, with the Barcelona City Council sponsoring International Gaudí Year to mark the 150th anniversary of his birth. The Expiatory Temple of the Sagrada Familia participated with various initiatives, including the restoration, relocating and opening of the Sagrada Familia schools building.
In 2002 the sculptor Josep Maria Subirachs completed the wall of the Patriarchs and Prophets which Gaudí had envisaged for the top of the porch on the Passion facade, and in 2005 the sculpture representing the Ascension was positioned between the towers of this same facade. In the same period the windows in the central nave were installed and the Eucharistic symbols for bread and wine were completed by the Japanese sculptor Etsuro Sotoo.
In 2006 the choir inside the Glory facade was constructed, based on models by Gaudí. The vaulting in the ambulatory around the apse was finished in 2008. The vaulting in the crossing and the apse was finished between 2008 and 2010.
2010 was a milestone in the history of the Sagrada Familia: the temple was consecrated as a place of worship by His Holiness Pope Benedict XVI.
PRESENT
As of today, 70% of the work on the temple has been executed, and the goal is to complete all of the architectural work by 2026.
The following projects were completed in 2016:
Western sacristy: It was blessed in 2015 and is nearly finished now. Visitors enter the sacristy from inside the Basilica, via the Liturgical Path. Since mid-2016, visitors have been able to enter the cloister and get a close-up look inside.
Upper narthex on the Passion façade: The upper narthex, or cyma, on the Passion façade is nearly finished. Work is currently underway on the representation of the quarry and the garden where Jesus Christ was buried.
Interior of the Basilica: The choirs have been finished, with the benches covered in stone and the wrought-iron railings with the musical notes of the hymns sung throughout the year.
The upper stained-glass windows in the apse have been visible since December 2015 and those on the Nativity staircase, since July 2016.
The stained-glass windows on the staircases in the apse on the Passion side are also now in place, as of December 2016. The apse staircase completes the stained-glass windows inside the Basilica, except for those on the Glory façade.
The goal for 2020 is to finish all six central towers:
Tower of the Virgin Mary: Rising up from the apse. The centre of the star crowning this tower will be the same height as the towers of the evangelists (135 metres), so the tip of the star will be nearly 140 metres high.
Towers of the evangelists: These four towers currently stand at 76 of the 135 metres they will have by 2020.
Tower of Jesus Christ: This will be the tallest of them all, 172.5 metres high. The next big milestone, after the temple was consecrated in 2010, will be when this tower is finished with the cross that will top it. The harmonious ensemble of the eighteen towers will give the building great vertical strength.
Work on the temple will finish with the construction of the main façade, the Glory façade.