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Coronavirus hero Captain Tom Moore has been promoted to Colonel on his 100th birthday. The veteran has raised over 30 million pounds for the NHS. His big day will also be marked with a flypast by a Spitfire and a Hurricane over his Bedfordshire home.
Happy 100th birthday Colonel Tom. You are an inspiration and epitomise everything that is, a British soldier 🇬🇧
(From the digital archive of my own photos, 2009)
The city of Córdoba (Andalusia, Spain) is full of beautiful courtyards ("patios"). Some of them are several centuries old.
In this case, it is the courtyard of the Asociación Cordobesa de Artesanos (ACA), created in 1986 and located in the historic downtown of Córdoba.
It has a total of 14 workshops with an interest in protecting and promoting artisan trades.
There are workshops for ceramics, artistic leather, leather goods, Caliphal silverware, jewelry, glass, luthier and fan making, mainly, which coexist and exchange synergies in a joint space, where they exhibit and market part of their creations. (Source: Association website artesaniadecordoba.com/asociacion/)
UN PRECIOSO PATIO, 2009
(Del archivo digital de mis propias fotos, 2009)
La ciudad de Córdoba, (Andalucía, España) está llena de preciosos patios. Algunos de ellos tienen varios siglos de antigüedad.
En este caso se trata del patio de la Asociación Cordobesa de Artesanos (ACA), creada en el año 1986 y situada en el casco histórico de Córdoba.
Tiene un total de 14 talleres con interés de proteger y promocionar los oficios artesanos.
Hay talleres de cerámica, cueros artísticos, marroquinería, platería califal, bisutería, vidrio, lutier y abaniquería, principalmente, conviven e intercambian sinergias en un espacio conjunto, donde exponen y comercializan parte de sus creaciones. (Fuente: Web de la Asociación artesaniadecordoba.com/asociacion/)
G-EZIW : Airbus A319-111 : easyJet
At runway 06 holding point.
This aircraft had special marks promoting easyJet's Milan-Rome route.
'IW was sold to United Airlines, becoming N3303U in February 2021.
Another image from my favorite retail art museum (as I call it), Anthropologie. If I purchased everything I photographed, I'd be broke! Thanks, Anthropologie, for your free license to photograph and promote your gorgeous design creations!
"No Filters!"
But of course filters are used, if I have a look at my cameras' settings, I'll discover all sorts of neat little adjustments. Digital adjustments which control the built in "filter" imbedded on the sensor. Camera phones included.
Another question I sometimes I ask myself.....Can anyone tell me "Why do sunsets have to be in color?". Nothing wrong with color, I love color imagery. We punch it up with our articificial software, adding more filtration beyond what our artificial camera/sensor provides (they ALL have built in filters btw, phones included) creating artificial scenes, which is fine if expressing an artitistic interpretation, but then many are then used to promote tourism.....are they *realistic* as to what any givien person would actually see? When we do this, are we bordering on "false advertising"?
Kinda like back in the days of airbrushing the models that appear on the magazine cover....it's fake. The only way to appreciate a scene is to acually see it with ones' own eyes....other than that, it's all "fake news". lol
And yes... I include my own images, but I never make any bones about it.... I'm an artist first, everything else is then my interpretation of what I see with no representation of "Come see this..." ....because it doesn't exist except of course, in my own mind. lol
Image was taken last night in front of our home as the sun was setting. Happy Sunday!
The Long Beach Convention and Entertainment Center is a convention center located in Long Beach, California. Built on the former site of the Long Beach Municipal Auditorium; the venue is composed of the Long Beach Convention Center, Long Beach Arena and the Long Beach Performing Arts Center.
Long Beach Arena was the first building to be completed in the complex. Capacities are as follows: 11,200 for hockey, 13,609 for basketball and either 4,550, 9,200 or 13,500 for concerts, depending on the seating arrangement.
The arena has hosted various entertainment and professional and college sporting events, most notably the volleyball events of the 1984 Summer Olympic Games.
For trade shows, the arena features 46,000 square feet (4300 m2) of space, with an additional 19,000 square feet (1800 m2) of space in the lobby and 29,000 square feet (2700 m2) in the concourse. Hanging from the arena's 77 foot (23 m) high ceiling is a center-hung scoreboard with four White Way "Mega Color" Animation Screens. There is an 11 by 15 foot SACO Smartvision LED Wall located on the south end of the arena.
The arena was the site of the first NHL game involving a 1967 expansion team, as the Los Angeles Kings and the Philadelphia Flyers, both expansion teams, played on October 14, 1967, the Kings won 4–2. The Kings played in Long Beach for the first half of their expansion season while The Forum was being completed.
In the 1970s, the arena hosted several games of the Los Angeles Sharks, of the WHA and regular appearances of the Los Angeles Thunderbirds roller derby team. The Grateful Dead played the arena on December 15th, 1972; the first of 13 concerts there through 1988.
In 1980–81 the arena was also home to the California Surf of the North American Soccer League for one season of indoor soccer.
The arena was home to the former Long Beach Ice Dogs team, which played professional ice hockey in the IHL, WCHL and ECHL. The Ice Dogs ceased operations of the team in 2007.
The Eagles performed during a benefit concert for California Senator Alan Cranston on July 31, 1980, on what has been described as "Long Night at Wrong Beach".Tempers boiled over as Glenn Frey and Don Felder spent the entire show telling each other about the beating each planned to administer backstage. "Only three more songs until I kick your ass, pal," Frey recalls Felder telling him near the end of the band's set.Felder recalls Frey making a similar threat to him during "Best of My Love"."We're out there singing ‘Best of My Love', but inside both of us are thinking, 'As soon as this is over, I'm gonna kill him,' " recalled Frey. The animosity purportedly developed as a result of Felder's response of "You're welcome – I guess" to Senator Cranston as he was thanking the band for doing the benefit for his reelection. A live recording of their song "Life in the Fast Lane" from this show was included on their live album, entitled Eagles Live. This marked their final live performance, as The Eagles, for 14 years, until April 25, 1994.
Iron Maiden performed four consecutive shows during their World Slavery Tour on March 14–17, 1985. The show on the 15th was recorded and released as a double live-album, entitled Live After Death.
The arena was also one of the sites of the 1986 NCAA Men's Division I Basketball Championship Rounds of 64 and 32. The teams, which played at the arena, included Maryland, Pepperdine & UNLV. Maryland's Len Bias played his final collegiate game at the arena on March 14, 1986, in a loss to UNLV in the Round of 32. The arena was also the site of the Big West Conference men's basketball tournament from 1989 to 1993. It was the home court for Long Beach State's men's basketball team for several seasons in the 1970s and 1980s.
Run–D.M.C. performed during their Raising Hell Tour on August 17, 1986, with Whodini, LL Cool J, The Beastie Boys and The Timex Social Club as their opening act. The show made news worldwide when gang fights broke out between the Long Beach-based Insane Crips and the Los Angeles based Rollin 60's Crips within the audience, with 42 reported injuries during the incident.
From 2009 to 2016, the FIRST Robotics Competition Los Angeles Regional was held at the Long Beach Arena.
On July 1 and 2, 2017, the arena hosted New Japan Pro-Wrestling's G1 Special in USA shows, which marked the company's first independently promoted shows in the United States.
The arena will host handball during the 2028 Summer Olympics.
Hoping to see much more of local designers like SafiyaSathi at bangladeshi weddings!
Currently the market is saturated with indian and pakistani designer attires.
Dhaka, Bangladesh
Engaging with customers at the Childwickbury Arts and Christmas Market in Hertfordshire. Katharina is an actress and artist in her own right. She is also the daughter of Christiane Kubrick, the widow of Stanley (the film maker, d. 1999) Kubrick. Fuji X-E2.
★WHO IS THE INTERNATIONAL FIBER COLLABORATIVE?
As the leading voice for collaborative public art projects around the world, the International Fiber Collaborative is dedicated to promoting understanding and appreciation of contemporary art & craft through educational experiences. We are committed to developing vital education programs that elevate, expand, modernize and enhance the image of collaboration and education today.
INTERDEPENDENCE TREE PROJECT / HUNTSVILLE, ALABAMA.
*Participants represented 39 states and 23 countries
*Estimated 431 submitting entities
*62 Schools
*Estimated 14,000 leaves were submitted
* 25 Feet wide x 35 Feet Tall
THE GAS STATION WRAP / SYRACUSE, NEW YORK
*Participants represented 17 countries and 29 states
*6,000 square foot wrap
*Approx. 6,000 artworks included
-----------------------------------------------------------------
★WHAT IS THE DREAM ROCKET PROJECT?
The Dream Rocket Team is collecting nearly 8,000 artworks from participants around the globe. The artwork will be assembled together to create a massive cover in which will wrap a 37 story Saturn V Moon Rocket at the U.S. Space & Rocket Center in Huntsville, Alabama. We will also be displaying submitted artwork in dozens of national venues prior to the wrapping of the Saturn V. Additionally, we are posting images of submitted artwork & their stories on our Website, Flickr, and Facebook.The Dream Rocket project uses the Saturn V Moon Rocket as a symbolism of universal values of the human spirit. Optimism, hope,
caring for our natural resources, scientific exploration, and harnessing technological advancements for a better quality of life while safeguarding our communities, are all common desires across national and international boundaries. Participants are able to express and learn about these values through this creative collaboration. With the completion of each artwork, participants are asked to write an essay explaining their artwork, and the dream theme in which they chose.
★How can I Participate & Have my Artwork Displayed?
The Dream Rocket project would like to challenge you to ‘Dare to Dream’. To dream about your future and the future of our world through dream themes such as health, community, conservation, science, technology, space, peace, and so on. We would like you to use your selected Dream Theme to express, explore, and create your vision on your section of the wrap. We hope that you are able to express and learn through this creative collaboration. With the completion of each artwork, you are asked to write a brief essay explaining your artwork, and the dream theme in which you chose.
“The Saturn V is the ideal icon to represent a big dream. This rocket was designed and built as a collaboration of nearly half-a-million people and allowed our human species to venture beyond our world and stand on ANOTHER - SURELY one of the biggest dreams of all time. ENABLING THE DREAMS of young people to touch this mighty rocket sends a powerful message in conjunction with creating an educational curriculum to engage students to embrace the power of learning through many important subjects”
-Neil deGrasse Tyson, Director of the Hayden Planetarium, New York
★I VALUE THE ARTS!!!!
The International Fiber Collaborative is able to share the power of a collaboration and art, thanks to the support of generous individual donors. We welcome any amount of donations and remember the International Fiber Collaborative is exempt under Section 501(c)(3) of the Internal Revenue Code, making this gift tax deductible.
Donate Today at: www.thedreamrocket.com/support-the-dream-rocket
See our Online Flickr Photo Album at: www.flickr.com/photos/thedreamrocket/
★★★SIGN UP AT WWW.THEDREAMROCKET.COM
Promoting CBC Radio Canada's 50th anniversary, VIA 6403, with helpers 6444 and 6441, lead "The Canadian" across the Seguin River at mile 22.7 on the CP's Parry Sound Sub.
Hello Lovely People! 🌟
We're excited to invite you to our official Flickr group! This is a space for everyone to connect, share, and enjoy all things PRIMA:
✨ Share Your Style: Upload your photos and show off your unique look! ✨ Stay in the Loop: Get a first look at our new releases and exciting updates. ✨ Promote Your Items: Creators are welcome to share ads for items, sales, and exclusive deals.
Don’t miss out on connecting with other members and showcasing your creativity. We’d love to see you there!
El Colegio de San Gregorio de Valladolid es la sede principal del Museo Nacional de Escultura. Es uno de los mejores ejemplos de la arquitectura del periodo de los Reyes Católicos. En particular, su patio y su portada son célebres por su refinada ornamentación, las elegantes proporciones y una ostensible simbología del poder.
Igualmente interesante es su historia como institución docente. Destinado a colegio de Teología para frailes dominicos, adquirió una notable autoridad doctrinal y actuó como un semillero espiritual y político de la España renacentista y barroca.
La Universidad de Valladolid fue fundada en el siglo XIII durante el reinado de Alfonso X el Sabio; como en otros países se potenció la aparición de centros colegiales, de modo que tardíamente se creó el Colegio de San Gregorio, que actuaron en paralelo o complementariamente con relación a la vida universitaria. En Valladolid se creó además el Colegio de Santa Cruz también a finales del siglo XV
La creación del Colegio, bajo la advocación del doctor de la Iglesia San Gregorio, fue obra del dominico Alonso de Burgos, obispo de la diócesis de Palencia y confesor de los Reyes Católicos. Alonso de Burgos condicionó su fundación a la obtención de la comunidad dominica de San Pablo de los terrenos para la construcción de su propia capilla funeraria, que serviría igualmente para el alumnado del Colegio. Tal petición se vio satisfecha en 1487: consigue el espacio necesario, lo cual fue confirmado por el Papa Inocencio VIII.
Las obras se iniciaron en 1488 aunque se había comenzado ya la construcción de la capilla funeraria, cuya puerta de entrada se percibe en el crucero sur de la Iglesia conventual de San Pablo.
La fachada fue concebida como un telón o estandarte (arquitectura suspendida). Su compartimentación se organiza con elementos vegetales que evocan los arcos triunfales construidos con madera y enramada, reforzándose su carácter civil y urbano. Dada su significación simbólica, la explicación de los diferentes motivos y elementos que la integran ofrece una gran dificultad, tanto individualmente como en su totalidad y en la relación entre los diferentes elementos.
En el tímpano principal y sobre el dintel decorado con flor de lis aparece la dedicatoria y la ofrenda del Colegio por parte del fraile dominico Alonso de Burgos a san Gregorio Magno en presencia de San Pablo y Santo Domingo.
Destacan las figuras de hombres silvestres cubiertos, o no, de pelo, y con garrotes y escudos; o bien aluden a la costumbre cortesana de disfrazar escuderos con ocasión de fiestas, o bien representan la imagen mítica del «hombre natural», tal como se discutió por esas fechas y entran en diálogo visual con esculturas de caballeros, vestidos con armaduras y portando lanzas y escudos, encarnando la Virtud.
La parte central superior está ocupada por un pilón hexagonal, rebosante de agua, que puede evocar la especulación intelectual como Fuente de la Vida. En torno al pilón, se arremolinan parejas de niños y de él arranca el tronco de un granado, en posible alusión a la Fuente de la Vida y al Árbol de la Ciencia, aparte de la celebración de la reciente conquista del Reino de Granada. Todo el relieve central de la fachada se constituye con esta representación simbólica de un microcosmos, a imagen del Paraíso, lugar hacia donde deberían dirigirse los hombres mediante el conocimiento de las Artes y la Teología.
La presencia del escudo de los Reyes Católicos, sostenido por leones y por el águila de San Juan podría tener una significación política o podría ser una alusión a la dedicación del edificio a la Monarquía, a la que Alonso de Burgos nombró heredera y patrona del Colegio.
El patio del Colegio es de planta cuadrada y representa una de las joyas de estilo hispanoflamenco. Sus dos pisos se levantan sobre pilares helicoidales decorados sus capiteles con medias bolas y lises separados ambos por el tema de la cadena.
En las arquerías del piso superior se encuentra toda la decoración mediante calados pretiles de tracería gótica y cortinas pétreas que al abrirse originan arcos geminados de guirnaldas y follaje, entre los que juguetean niños, concebido con una talla muy plana próxima al estilo renacentista. Un friso de yugos y flechas y las gárgolas es lo único que se conserva de su antiguo coronamiento.
El acceso al piso superior se realiza a través de una sola escalera con pretiles góticos a los que se suceden los paramentos almohadillados de su caja decorada también con el timbre heráldico del fundador y con un artesonado mudéjar, en cuyo friso se pueden observar las iniciales de los Reyes Católicos y que cierra todo su ámbito.
es.wikipedia.org/wiki/Colegio_de_San_Gregorio
es.wikipedia.org/wiki/Museo_Nacional_de_Escultura
The Colegio de San Gregorio is an Isabelline style building located in the city of Valladolid, in Castile and León, Spain, it was formerly a college and now is housing the Museo Nacional de Escultura museum. This building is one of the best examples of the architectural style known as Isabelline, which is the characteristic architectural style of the Crown of Castile region during the Catholic Monarchs' reign (late-15th century to early-16th century).
Among other sections highlights its courtyard and its facade for its refined decoration, elegant proportions and the number of symbologies. It was founded as a teaching institution. Aimed at College of Theology for Dominican friars, it has acquired a doctrinal authority and acted as a spiritual and political hotbed in the Central region of Spain's Renaissance and Baroque periods.
The University of Valladolid was founded in the 13th-century during the Alfonso X of Castile the Wise's reign; as in other countries, the emergence of college centers was potentiated, then belatedly was created the Colegio de San Gregorio, who performed in parallel or complementarily in relation to university life. In Valladolid the Colegio Mayor Santa Cruz was also created also in late 15th-century.
The creation of the College, under the title of the Doctor of the Church Saint Gregory the Great, was work of Dominican Alonso de Burgos, the Catholic Monarchs's confessor and Bishop of the dioceses of Córdoba, Cuenca and Palencia. The foundation of the college was confirmed by with Papal Bull of Pope Innocent VIII in 1487, and accepted as Royal patronage by Queen Isabella the Catholic in 1500, after the founder's death.
It attached to the Convento de San Pablo, which Friar Alonso had been its prior, its foundation was subject to the assignment of the Capilla del Crucifijo (Crucifix's chapel), attached to the Epistle's arm of the Dominican church, to become his own funeral chapel, which later acquired dual function to also serve as a chapel for college.
Work began in 1488 in a process from the inside to outside, being the main facade the last in lift. The Royal shields in the corners of the Large courtyard still do not present the Granada's symbol suggests that this part would be completed before 1492. The building is assumed to completed in 1496.
The facade, plain facing and topped with a crest, stands out above all for its spectacular main facade, which by its stylistic features it sets regarding the workshop of Gil de Siloé, a Flemish origin artist, who was at that time in Burgos dealing with the royal sepulchers of the Miraflores Charterhouse and is known to have been commissioned to make the defunct altarpiece of the chapel, very in connection with which the sculptor had made in the Conception's chapel or of Bishop Acuña in the Cathedral of Burgos and has obvious similarities to the upper of the main facade of San Gregorio.
Perhaps evoking the triumphal arches of the architectures at that time were developing in Central Europe, or perhaps the Islamic Madrasas, architects of this building applying an individually decorated of the Castilian late-Gothic (Isabelline), it has a complex symbolic significance in that mix contemporary figures, saints, allegories, wild men, abundant symbolic of power, etc.
It has two bodies framed by two buttresses. The lower hosts a vain lintel decorated with fleur-de-lys, the founder's symbol repeated often enough, covered with three-centered arch in turn covered by another ogee trefoil.
It draw attention to the "savage men" of the jambs and buttresses, a total of sixteen. Theories about the significance of these figures, present in many buildings of 15th-century, are varied and should be put in relation to the context in which these appear. One of its functions would be simple heraldry sculptures. It is also said that, dressed with shield and mace, were the guardians of the building, beastmen guaranteeing security. Or these could allude to the custom of disguising the squires and lackeys in Court (nobility) festivities in which it presented the "savage" as inferior, in relation, for example, the chivalric romances, which mentions hair covered wild men, degraded men, estranged from the civilized world, not Christianized, and could here be in visual confrontation with the knights who also appear on the main facade, with armor, spears and shields, that would be interpreted as allegories of Virtue. On the contrary, these could also be a positive allusion, the mythical image of man in nature, unpolluted, symbol of purity that evokes the time in a perfect and happy world, with prototype to John the Baptist.
Those on the lower part, flanking the main facade, are completely covered with long hair, carrying weapons and the shields are decorated with demonic figures except in one, which has a Knight order of Calatrava's cross, the same motifs of the soldiers's shields of the second floor, the same iconography already seen for over a century.
However, in the top of the main facade are completely different, with the same attributes but without hair on the body and even two hairless, with a more human aspect, and there are authors who consider the oldest representation in Castile of an American Native, reflecting the effect of the Americas's arrival in the European imagination.
The tympanum, on a lintel, seems to represent the offering of the college by Friar Alonso de Burgos to Saint Gregory the Great in the presence of Saints Dominic and Paul, patrons of the neighboring Dominican convent, a somewhat disconcerting scene, unbalanced, with disproportion between the figures and Saint Paul with a cruciferous nimbus, an exclusive attribute of Christ. It seems to be earlier work than the rest, or even reused from other site.
The upper body is divided into three sections, with the center occupied by a hexagonal pylon which starts a pomegranate tree, referring to the Nasrid Kingdom of Granada's conquest in 1492, swirling around putti playing and jumping. It could be a Fountain of Eternal Youth's representation, hence the children, of the Tree of Knowledge, in relation to the building dedicated to the study, an allegory of the Paradise, the place to which men aspire to reach through the knowledge, an allegory of the Golden Age, in relation to the historical moment that was occurring to the Spanish monarchy.
The pomegranate tree is topped by a big shield of the Catholic Monarchs with the St. John's eagle held by two attitude lions and below the Catholic Monarchs's symbols also appear: the beam and arrows. And the use of the royal heraldry with propaganda purposes in this period reached prominence hitherto unknown, present not only in buildings directly promoted by the Catholic Monarchs but also in many that of their closest collaborators, in that way showing participation and acceptance in the political project undertaken by Isabella I and Ferdinand II in relation to the establishment of a modern state with which to control and organize all their territories under their unique power.
Upper body's side sections have the founder's heraldic decoration and two kings of arms placed at height of the central shield.
Distributed among the distributed arboured throughout the main facade are seen multiple scenes related to the defects to be overcome with the study, in relation to the search for truth and rejection of heresy, the triumph of intelligence over force or the strength to overcome temptation.
(Large courtyard) The Patio Grande was the access to the most important stays of the set. It considered a Hispanic-Flemish (Isabelline) gem, is set in relation to Juan Guas for its similarities to Palacio del Infantado in Guadalajara, although have also located abundant motifs that Bartolomé Solórzano, an active artist at that time in the area, used in the Cathedral of Palencia, seat of the Friar Alonso's bishopric.
It is square with two floors, the lower with slender pillars, perhaps a Solomonic reference in relation to a building as a "temple of wisdom", with capitals of average balls and fleur-de-lis sustaining segmental arches, and the upper with one of the most decorative Isabelline galleries, with parapets openwork with Gothic tracery and geminare arches riddled with garlands and foliage among those appears children playing and where already shown Renassaince influence, of midpoint and a form that goes be more flat.
Then follows a frieze of yokes and arrows on highlighting the imaginative gargoyles.
It has abundant emblems of the Catholic Monarchs and the kingdoms of Navarre and Granada, incorporated into the Crown of Castile during the erection of the building.
The only staircase that connects both floors is rectangular of two sections, Isabelline base, decorated walls with padding of Renaissance influence with the founder's heraldry; an impressive Mudéjar roof on a frieze with the Catholic Monarchs's initials; and neo-Gothic parapets with same trace that the base, added in works in the 1860s to replace the wooden fence that had.
en.wikipedia.org/wiki/Colegio_de_San_Gregorio
en.wikipedia.org/wiki/Museo_Nacional_de_Escultura,_Vallad...
Mzansi Sings a Tribute to Oliver Tambo. South African Music promoted by SAHC at the Barbican Centre London
The idea to promote the Nine Little Streets as a shopping area came from Djoeke Wessing. Still a local shop keeper, she wanted a common name for the area to give the same allure as the Jordan. This, she felt, would promote cooperation and business growth, but also attract more tourists to the hitherto relatively unknown area. The Association of The 9 Streets was founded on November 12, 1996. Nobody thought it was a good name at the time, but the name has stuck, and the area retains de 9 Straatjes' name.
The Nine Streets: Reestraat, Hartenstraat, Gasthuismolensteeg, Oudespiegelstraat, Wolvenstraat, Berenstraat, Huidenstraat, Runstraat y Weide Heisteeg.
Amsterdam (The Netherlands).
Gotta promote the Nerdly strikes back contest over on Bricknerd.com a bit so here is my first entry!
(I can't win any of the prizes of course...but bragging rights counts for a lot, haha!)
So get in the game and head over to the site bricknerd.com/home/tag/Do+or+do+not+there+is+no+try for more details! Bribes and flattery towards the judges are encouraged ;)
My posts are also on Instagram
Prints are available at my Webstore EU and Webstore US or feel free to contact me :)
Free shipping available
With all respect, No Awards and post 1 comment etc & self promoting signatures (high risk for permanent ban)
Visit my website : Reinier
Photographer Spotlight Nov 2024 : Blog
ND Awards Brons Medal :
ndawards.net/winners-gallery/nd-awards-2024/non-professio...
i thought i'd get some signs and stuff ready to promote the 'It's yours, take it!' street exhibition for which i'm one of the 'nailers'.
as always i got sidetracked and did some free art too
Born from the bowels of the Free Art Friday Flickr Group, "It's yours, take it!" is a global free art project taking place in 5 cities. Stateside we have Chicago,Illinois, Honolulu,Hawaii and Phoenix, Arizona. Outside the land of consumption is Tel Aviv, Isreal and Portsmouth Hampshire, UK.
38 artists are contributing one piece each to these five locations. In place of curators we have "Nailers"... those that will be putting these pieces up at an impromptu outdoor location. The installations will be put up around the last weekend of March, 2008. Stay tuned for previews of finished pieces and complete photographic coverage!
Francesco Portelli ©
Is our featured Instagram artist of the day!
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Visit us at www.eye-photomagazine.com.
Our Instagram feature: www.instagram.com/p/B0XhBsBoNyk/
My posts are also on Instagram
Prints are available at my Webstore EU and Webstore US or feel free to contact me :)
Free shipping available
With all respect, No Awards and post 1 comment etc & self promoting signatures (high risk for permanent ban)
Visit my website : Reinier
Photographer Spotlight Nov 2024 : Blog
ND Awards Brons Medal :
ndawards.net/winners-gallery/nd-awards-2024/non-professio...
Matteo Maggini©
Is our featured Instagram artist of the day!
Check out and follow the artist @matt3o_maggini
Use #eyephotomagazine or tag @eyephotomagazine for a chance to be featured too!
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Alfredo Oliva Delgado©
Is our featured Instagram artist of the day!
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I have always dreamed out of doing a flour shoot and for whatever wild reason- I had yet to do it until PPC. We gathered for our photo walk with Brooke on day 2 and two different shoots happening with flour and it was wonderful. I was so mesmerized watching them dance around with the flour.
Model: Brooke
Promoting Passion 2018
Joshua Tree, CA
El toro de Osborne es una enorme silueta de un toro de lidia, de aproximadamente 14 metros de altura, concebida originalmente como una gran valla publicitaria de carretera para promocionar el brandy de Jerez Veterano del Grupo Osborne.
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Las vallas se encuentran repartidas a lo largo de la geografía española, de forma general junto a carreteras y sobre cerros para cortar el horizonte y favorecer de ese modo su visión. Aunque la función inicial era publicitaria, con el paso del tiempo y el arraigo cultural se ha convertido, traspasando los límites de la marca comercial de esta empresa, en un símbolo cultural de España.
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The Osborne bull is a huge silhouette of a bull fighting bull, approximately 14 meters high, originally conceived as a large road billboard to promote the Osborne Group Jerez Veteran brandy.
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The fences are distributed throughout the Spanish geography, generally along roads and hills to cut the horizon and thus favor their vision. Although the initial function was advertising, with the passage of time and cultural roots has become, beyond the limits of the trademark of this company, a cultural symbol of Spain.
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Special logojet promoting 'Star Wars - Galaxy's Edge', the latest movie in the Star Wars franchise, featuring the 'Millennium Falcon'.
Final departure from Manchester for G-VLIP as it heads to Ciudad Real, central Spain, for storage.
Named: "Hot Lips", later "The Falcon" (Sep-19).
Originally ordered by GECAS for lease to Alitalia as EI-CVI, the lease was cancelled and the aircraft was leased to Virgin Atlantic Airways as G-VLIP in May-01.
In May-10 it carried large 'Harry Potter' graphics until Jan-11. In Sep-19 the aircraft was renamed 'The Falcon' and repainted in a Star Wars 'Millennium Falcon' special livery promoting the 'Star Ward - Galaxy's Edge' movie.
Virgin Atlantic were due to start retiring their seven remaining B747-400's from the end of 2000, however the COVID-19 Pandemic in 2020 caused them to retire the aircraft early. All seven aircraft were initially stored at Manchester, UK in Mar/Apr-20.
They are gradually being moved to Ciudad Real in central Spain for long term storage and lease return. This aircraft ferried Manchester / Ciudad Real on 15-Jun-20.
It was ferried to London-Heathrow and onwards to Marana, AZ, USA in Dec-20 where it was permanently retired.
From the Bella Kotak workshop at PPC this year. I was so excited to finally learn from and meet her. She has been such a huge inspiration for me. It was really fun to incorporate something different into my work as well. <3
Model: Lieke
Promoting Passion 2018
Joshua Tree, CA
Classical Khmer kings of medieval Cambodia promoted the notion of Devarāja, a cult of the "god-king” that provided the religious rationale for royal authority. They were depicted as divine universal rulers or deified monarchs with transcendental qualities.
The gigantic sandstone smiling faces at Bayon Temple portray the great Mahayana Buddhist king, Jayavarman VII, as a living god on earth - a Bodhisattva Avalokitesvara or enlightened Buddhist saint overseeing a vast and disparate empire with an enigmatic blend of benevolence and absolute authority.
Bayon Temple served as the primary locus of the royal cult and was Jayavarman's personal mausoleum at the height of his rein over the Khmer Empire in the late 12th Century. The temple is positioned at the centre of the ancient Angkor Thom city complex and rural in northwestern Cambodia. Over 200 serenely smiling visages carved on more than 50 sandstone face-towers remain throughout the temple. UNESCO World Heritage Site.
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The Paramount Theater promotes its history with a set of posters about classic concerts that occurred there. In this picture, there’s a poster to the right of the door that you can read the year 1982 on. That was The Clash. I was at that concert. It was the first concert The Clash played after firing Topper Headon; they brought back Tory Crimes (Terry Chimes), their original drummer, to replace him. It was also the first show they played after Joe Strummer fucked off to Paris for a few weeks without telling anyone to busk on the streets, cancelling their entire tour of the UK. The band was on fire that night, one of the best concerts they ever gave by all accounts. It was fucking amazing. Opening for them was Pulsallama, starring Ann Magnuson, who were also pretty damned intense and interesting. I still shake my head at the thought that I was there for that. Chroma Click, Kosmo Foto Agent Shadow (Kentmere 400), Rodinal 1:50.
This 360 degree HDR panorama has been taken at the Angels Landing summit in Zion National Park on January 15th, 2012 with Nikon D3 and a Nikkor 18-35mm/F3.5-4.5D lens mounted on a Gigapan Epic Pro motorized panoramic head. The Promote Control was started by the Gigapan pano head at every panoramic position. The series of images were batch-processed in Photomatix Pro and the resulting HDR images were assembled using PTGui Pro to form a 360 degree equirectangular panorama.
Catrina promoting truism in Michoacan,
Paseo de la Reforma Mexico City
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These were signs to promote the DYI tent, which was to the right of the signs. Hand crafted items could be made -- for a price. You could make something to take home, but you had to pay for the privilege to do it as well. If I were to do something like this, I would rather learn silversmithing, or goldsmithing. But such classes aren't available at this Faire.