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For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store signs and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
name: lee, g f
occupation: carriage cleaner
dept:
location: old oak common
vol: 27
issue no: 1
pg: 17
1915
18/365
So it looks like Sundays will be hump days for this project. Hands down the most boring and uninspiring day of the week. I feel so lazy..
Apparently, i failed to post daily foto for the past two days. Here I start again. Day 3 : this is what I have for dinner mr.pacman pizza. Although papa johns isn't my fav pizza, they have a good deal by far. It is $10 for large pizza with 7 choices of toppings. Better ingredient Better Pizza ...Lily's Pizza =p
I posted a photo yesterday about an art project being undertaken by on class. Three of the students found one another and decided to piece their targets together before getting down to work.
I took this photo a while ago for an assignment in my portrait class. This set was taken on a film stage in front of a green screen then converted to black and white later. I'm still pretty new to the whole off camera flash thing and unfortunately I can't remember the settings for the strobes, sorry.
Nikon D300s
28mm f/10
1/125
ISO 200
For lighting I used an old Novatron power generator with two speedlights. The main light was on camera left and a bit up and I used a screen to diffuse the light. The second light was placed at camera left behind her and pointed at the wall to create the gradation of light.
Someone was holding a reflector at camera right.
Maytime flan (a quiche made with cottage cheese) made with heritage tomatoes from my garden.
Week 4 Theme: Red.
Saturday, 26th January 2019.
Strawberry. I hadn't realised quite how proud of the fruit the pips stood before the flesh plumped up.
Thursday, 30th November 2017.
The project is about understanding or finding connection between two very different people.
Travelling and documenting objects is the tool to understand main project goal.
//
Photo taken with Mamiya RB67 Pros, Sekor 250mm
T-MAX 400, developed in FOMA EXCEL
My current photography project is on the local shop keepers of Horbury and their businesses. I have been taking images of the owners and colleagues in their premises. The focus is on the person with all their products in shot, showcasing their shop as it is on an average day. I started this because I think local independent shops are a part of what keeps small communities together. As I have spent time taking the photos I have come to see the good relationships the shop keepers have with the local public, how many of them are on first name terms and how much the local community supports the local shops and services.
For more information on, or to join The Crisis Project, visit: www.crisisproject.com
The Crisis Project was named after the interpretation of the definitions of the word Crisis:
“A stage in a sequence of events at which the trend of all future events, esp. for better or for worse, is determined; turning point. “
“A condition of instability, or danger, as in a social, economic, political, or international affairs, leading to decisive change.”
“A dramatic emotional or circumstantial upheaval in a person’s or people’s existence.”
The goal of The Crisis Project is to alter people’s perception of ‘the suburbs’, while both encouraging artists to use the public space as their canvass, and to create a sense of fear within the affected communities for those who don’t understand.
The Suburbs have the undeniable connotation of: “white picket fences, and safe community living for all.” Those who live here by choice do so to: either escape the negative aspects of city dwelling, or to move out of the country in search of a more connected lifestyle. Those who are born here, who grow up in ‘Suburbia’ don’t see their surroundings as an escape, but as a prison of town parks and strip malls.
Excluding illuminated store sings and the odd billboard, the suburbs are devoid of any visual stimulation, exactly what property owners want, and expect. But this existence, compounded with the many destructive aspects of the suburban youth lifestyle, only intensifies the angst against the powers that be, by starving creativity.
The Crisis Project is the initial attack on the habituated suburban lifestyle, which hopes to both bring together suburban youth to inspire art and creativity, and to initiate the waves of change against the clean walls, and municipal supremacy.
If you would like to participate, please either visit: www.crisisproject.com or email your mailing address to: crisisproject@hotmail.com and you will be mailed resources for you to help perpetuate the project.
This guy was very high and far away, so a pretty heavily cropped photo but just had to share my great sightings on what I thought was going to be a come up dry day as far as wildlife goes.
Project 365 day 43
Wow, it was close, things got crazy here at home and I had 30 seconds to grab the camera and shoot, these fake flowers did the trick... Too close for comfort.
Some days, I'm really not to keen on the way things operate round about these parts. Especially on the other side of the freeway. It's as timeless a story as any. Wait until the last minute to drop everything one us.
...Go ahead. We're ready...
Tuesday, November 25th. 2008
Project 365 #3 - Jan 3, 2011
Feeling a little rough. My wife and youngest child were making fun of my hair. I see nothing wrong myself.
strobist info:
yongnuo 468 attached with "black foamie thing" (formed like a cylinder) from upper left at 1/4 power.
The Sean Maxwell Project
Project Sky High
09/14/2008
Lawrenceville, Ga
Jackey Hall - Pictured above on left
Kola - Pictured above on right
Concept and Wardrobe Styling by Sean Maxwell
Photography: Deelite Photography
Jefferson Jr. High - War Bonds Booth. c. 1946
For more information or additional images, please contact 202-586-5251.
Aperture: f/3.4
Shutter Speed: 1/280
ISO: 64
Flash Off
Focal Length: 28.7 mm
Edits: Cropped to remove some tree branches
Rabbit Island, Kamloops, BC in fall with Mounts Peter and Paul in the background & Thompson River in the foreground.