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March 31 - Project: Thinking about putting this on canvas for a house porch display. Hoping it is fun to look at for hidden stars! Rather artsy, I guess!
For over a year now, Elisa and I have been looking out for opportunities to contribute to our Found Shadow Project. Here are some of the results.
We set up these rules for the project:
1. Only 'found' shadows could be entered in the project (nothing is staged!).
2. The object casting the shadow must be out of frame.
3. Only available light, natural or otherwise. may be used.
More in the Shadow Project set
6/8/12
I swear food like fries, chicken tenders, and hotdogs taste way better at a ballpark. Even though I sat at the nose bleed seats I like the view of the whole field. I went to the game with most of my close guy friends and even though we lost I still had a great time.
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Nikon D5100
Sigma 10-20mm
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
This day was a race day. I had been running since Friday afternoon and during all day. So, there is no photos with my fuji today. I was carrying my sports camera and took some photos during the day but nothing good... I've chosen this photo as the photo of the day because there is no more... Sorry.
I finished the race wirh 32h50m in 137th position over 2500...it is the best result ever for me.
well, we knew that could happen, but still was a surprise. Polaroid films are very unstable, and where I live is too hot to it, so this kind of thing is "normal". No problem, no problem.
Bully Suicide Project campaign for Campus Harmony, Inc. photographed by Fashion photographer Tracy Nanthavongsa.
I grew up with these chairs. They were painted a couple of times in the 70s and 80s by my dad. I have stripped back to the original wood and polished up. Now heading to our daughter’s house….
Peter Paul Rubens, Siegen 1577 - Antwerpen 1640
Salomons Urteil / The Judgement of Solomon (ca. 1617)
SMK - Statens Museum for Kunst, Kopenhagen
The first Book of Kings in the Bible tells the story of how King Solomon had to pass judgment in a case concerning two prostitutes who lived in the same house and had given birth at the same time. One of the children died shortly afterwards, and now both women claimed the living child as theirs.
King Solomon’s wisdom and sense of justice led him to have a sword brought in and to order the living child cloven in two so that the women could share it. This order provoked the desired response in the true mother who gave up her half in the hope of saving the child’s life.
The painting has a warm and a cold side. This polarisation concerns both the grouping of the colours and the story itself. The warm colours - the yellow garments of the true mother, Solomon’s red cloak and golden throne - against the cold hues - the executioner’s blue sash, the false mother’s icily white dress, and the twisted silvery columns behind her.
The painting was made by Rubens' workshop. Rubens is a master of arranging compositions to form natural narratives. In this case, however, he did not do much of the brushwork himself. The painting is believed to be a product of his lucrative workshop where a group of highly skilled painters translated the master’s own oil studies into large finished canvases.
Quelle:: Google Art Project
Cis-Iscte is a partner in the European Erasmus+ Project GRIT - Growing in uRban educatIon and diversity that focuses on fostering educational equity in urban educational settings, which are particularly vulnerable to problems associated with early school leaving.
Experience sharing with policy makers in ESL and researchers, on the 24tht of september 2020.
Fotografia de Hugo Alexandre Cruz.
Vanuatu warrior dancer ... this guy was awesome ...he and his troupe had just performed a whole bunch of dances and finished with the warrior dance... wow ... very energetic and violent with the spears ... but so cool that they keep up with the old cultures ...
he was happy to pose for me ...most excellent...he looked very tired ans was sweating profusely ... I think his name was Marcel ... his accent was quite thick, plus he was short of breath ...and well ...my hearing ain't what it used to be ...lol
Pour sa sixième session, le LASCO PROJECT invite 6 artistes français et internationaux à défricher de nouveaux espaces du Palais de Tokyo : Philippe Baudelocque, Stelios Faitakis, JR et les OSGEMEOS, Olivier Kosta-Théfaine.
Philippe Baudelocque, - + / = +
Au Palais de Tokyo, Philippe Baudelocque entend « composer l’espace au jour le jour, comme un blog, sur plusieurs mois. » Son intervention défriche un escalier monumental - entre une élévation spatiale et une chute dans les abysses -, plongeant le public en immersion dans ses tracés atomiques. Entre les lignes et les dégradés de ces paysages instables, le macro rencontre le micro, le physique devient mental, le vertical défie l’horizontal, la force cohabite avec le vulnérable et le sauvage a des allures domestiques…
Philippe Baudelocque (né en 1974 à Yerres, France, où il vit) trace à la craie blanche sur fond noir son bestiaire cosmique, ses univers infinis, ses empreintes de mains, ses OVNI, ses magmas emmêlés… : autant de travaux composés de symboles mystérieux et désacralisés. Ses fresques fragiles et éphémères sont composées de cellules, d’étoiles filantes, de croisement de lignes chamaniques et autres motifs - ses « codex » - qu’il dessine à l’avance dans un carnet.
Stelios Faitakis, Elegy Of May. Part I: The Deepness Of Things. Part II: The Round Table
Stelios Faitakis présente deux peintures murales sur le thème de l’insoumission, tissant des liens entre les événements de Mai 68 influencés par la pensée situationniste, et les luttes actuelles. Comme l’artiste le précise : « Les deux surfaces de mon projet au Palais de Tokyo présentent une relation intéressante entre elles, l’une étant cachée sous l’autre. C’était parfait pour une composition en deux parties (…), toutes deux en lien étroit avec des images bien connues de l’iconographie byzantine, de la crucifixion et de la Cène, mais détournées. »
Sur fonds dorés ou argentés, les peintures d’Histoire de Stelios Faitakis (né en 1976, vit à Athènes) décomposent l’architecture, les symboles géométriques, la typographie et remixent les références et les techniques. Ses icônes désacralisées mettent en scène des auréoles enflammées, des résistants palestiniens, des émeutes, les excès du capitalisme ou plus récemment les traversées mortuaires des migrants.
JR et OSGEMEOS, Manutention - ŒUVRE INACCESSIBLE AU PUBLIC
Installée dans un espace inaccessible au public, l’œuvre de JR et les OSGEMEOS est visible grâce à un écran vidéo situé dans le Foyer Jean-Renoir (niv. 1).
Pour leur première collaboration dans une institution, JR et les OSGEMEOS investissent un tunnel souterrain secret du Palais de Tokyo. Travaillant sur la mémoire de ces murs – pendant l’Occupation, les sous-sols du Palais de Tokyo ont été réquisitionnés pour stocker des milliers de pianos spoliés –, les artistes ont collé des photographies, élaboré des peintures à partir d’images d’archives, brûlé les plafonds et composé des sculptures en bougies.
Les peintures de Otavio et Gustavo Pandolfo (nés à Sao Paulo en 1974, où ils vivent), connus sous le nom de OSGEMEOS, mixent les codes du graffiti avec ceux du hip-hop, du folklore brésilien, de la politique, des cirques alternatifs, ou encore de la mythologie. Depuis 2002, ils peignent une série de « Géants » jaunes, dans l’espace public, pour rétrécir visuellement nos villes. JR (né en 1983, il vit entre Paris et New York) effectue un travail de photographies XXL, en noir et blanc, qu’il colle dans l’espace public pour révéler les invisibles du monde entier, des banlieues françaises à la Turquie, de Times Square au Louvre, en passant par les ghettos du Kenya ou les favelas du Brésil.
Olivier Kosta-Théfaine, Soffitto
Olivier Kosta-Théfaine s’empare de trois coupoles sur lesquelles il compose au briquet un ciel calciné - la technique vient des halls HLM où des jeunes, pour brûler le temps, s’essayent aux écritures en feu sur les plafonds - remixant les fresques classiques des Palais Italiens avec la tradition du vandalisme quotidien des cités. Olivier Kosta-Théfaine dissèque la ville par ses périphéries, ses mauvaises réputations et ses légendes urbaines. Il peint les détails abstraits d’une rue, observe les mauvaises herbes ou crée des écharpes de supporters de foot en hommage aux banlieues, ciblant la tension qu’il y a entre l’envie de fuir sa zone tout en la défendant corps et âme.
Project Be is the superimposition of many profound political statements over an abandoned 700-unit apartment complex in the Bywater neighborhood of New Orleans. Co-ordinated largely by local artist Brandon Odums, it represents the work of dozens of artists. Their work covers the faces of several buildings and every surface of the abandoned apartments in those buildings. Honored are Malcolm X, Huey Newton, Angela Davis, and many other public figures.
The cabin we are staying at has a little gated garden. I was unable to unlatch the gate so I had to take pictures through the fence. I took this picture in the morning before we left.
استمتعت بتصويركِ
شكراً لجمالك
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Canon 500D
Canon lens 18-55mm
sec : 1/800
F : 4.5
iso : 100
Photo by : Sara AlBarrak ©
Bergamo - Citta Alta.
One of the local industries in this upper town is baking cakes and bread. It all looked so delicious but unfortunately not for me! I did find some Meringues which survived the journey home very well.
"There are the "POLENTA E OSEI"
a tipical bergamo's cake
VERY GOOD" Thank you very much Gianmy 57
What : Casual Shoot - Project Seifuku
Where : Bonifacio Highstreet
When : August 24, 2014
Model : Faye Liper
Seifuku courtesy of Imel
Photo by Me
About the Photo:
Another "I summon you Agito" Shoot. This project was organised by Imel for Tonari no Tsun but since Faye was unable to attend the said shoot, here's the part II of it!
I got this table (today!) from Macy's. It'/s really nice because you can tuck all sorts of things onto the shelving units on each side. It is counter height, so I can work long periods of time without hurting my back. (I'm a stand-up worker). The shelving on each side is on wheels and can be moved away from the table, should I ever decide I want to do that.
Kitty looks on in approval