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1971 Cb750 Chopper in the works K0 motor and frame.
In 2010 I finished it and rode it a few times then sold it, priorities change and the world moves on. It was fun to take a junkyard frame and motor and make something new.
new personal project, started yesterday.
all us photographers know about the 365 project. a way to keep us accountable of taking a photo every day for a long period of time. i attempted to take a photo every day in May and didn’t eve accomplish that. but i like to take on things that overwhelm me, with the end result usually being failure. so of course thought every day of an entire year would be a smart idea. than i thought, why not just start this now. on an average day i am looking at at least 87,493 more photos than i take, pouting about how brilliant they are and how brilliant mine aren’t. part of this (which i need to keep reminding myself) is that i am young. which is no excuse just a reminder that i don’t have to have a wonderful portfolio and have traveled the world, yet. i am at the age where i need to learn, i need to do and make and create and expand. So that is why i am taking on this project, because right now a lot of my photography i am disappointed with, not because it is bad but because i want it to be better. so day by day i will document my self taught (and some friend taught) progress.
We're spreading this one over the weekend, as we've got something tomorrow as well, but it's Sue's birthday!
Happy birthday! :)
Three of the heads from the defunct Doggie Diner Restaurants that used to be around the SF Bay Area. These heads sit on Treasure Island, not too far from the old bowling alley.
Project SWORD was a TV21 feature built around a very fantastic range of toys as opposed to a TV programme. This Annual featured striking images of the vehicles.
This morning before I went on a little walk in the trail behind my house, I had to knock the snow off of a few of my bushes. This is how the snow looked on top of one of my smaller trees. The snow is melting a little bit which is causing it to look like it does in this picture.
.22 converted Crosman 1377 with removable stock and silencer with AGS mildot 3-12x44 swat scope fitted.
Designed as a packable weapon suitable for getting game in the field to supplement rations when silence and the preservation of ammunition is important. Something like a custom Ruger 22 auto pistol with silencer would be the normal weapon for game used by SF operators when they can.
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The VACANCY Project invites the public (and local government officials) into Richmond's vacant Central National Bank on April 8th 2011 to experience a series of light and sound installations through the building's interior. The project hopes to creatively address and affect issues of building vacancy in Richmond by observing the history of the Central National Bank and its current state of decay and disuse. Lighting design in the space is compo...sed with respect to the building's architectural features, history, and deterioration. The project's sound design is composed of natural audio recorded at the Bank in 2011, and of local popular music recorded in Richmond in 1929.
Once Richmond's tallest building, the twenty three story Central National Bank stood as a testament to Richmond's economic strength during America's Depression. Built in 1929 to provide needed office space and draw new businesses to the heart of the city, it became the pulse of a bustling Virginia economy.
Times changed and the city shifted. The skyscraper now stands vacant (along with 2,400 other structures), with rich history and potential, visible to nearly all of Richmond.
The VACANCY Project is a collaboration between sculptor Joshua Bennett and sound artist John Dombroski, undergraduate students who received a research grant from the VCU School of the Arts supporting the project.
Another atmospherey horror shot... this time featuring the zombie driver on dawn patrol. I think it could be a movie still, no?
The Eastern Hellbender Juvenile Habitat Restoration project is funded through the State Wildlife Grant Program to assess survival in juveniles receiving an enriched captive environment and enriched juvenile habitat in the Blue River, IN. This research project is with the Indiana DNR and the Purdue Aquaculture Research Lab at Purdue University. In addition, 167 juvenile hellbenders will continue to be reared at the Purdue aquaculture facility and be released in 2017 as part of the reintroduction program.
The overarching goals of this research are to assess the historical eastern hellbender habitats for potential reintroductions and reintroduce captive reared juveniles into a former portion of their native range. The specific goals of the project include conducting eDNA screening, habitat suitability assessments, and estimating post-release survival using radio-telemetry. Ultimately, the results of this research could influence management decisions to repatriate eastern hellbenders throughout portions of its former range within Indiana and prevent extirpation.
Photos by Jessica Piispanen/USFWS.
I've been moved to a different room on the hospital ward.
A different room, a different view from the window.
Thursday, 18th August 2016
MTA New York City Transit conducted extensive outreach to notify and educate the public about the L project and its service impact when the tunnel rehabilitation portion of the project began on Friday, April 26, 2019. The project is expected to take 15-18 months to complete.
Altered and embellished vintage dress.
Blogged at: teteenlair-headintheclouds.blogspot.com/2011/04/project-r...
Images by Josephine Cross.
For more information please visit the Ghana Teaching project page of the Frontier website.
The Eden Project is a visitor attraction in Cornwall, England. Inside the two biomes are plants that are collected from many diverse climates and environments. The project is located in a reclaimed Kaolinite pit, located 2 km (1.2 mi) from the town of St Blazey and 5 km (3 mi) from the larger town of St Austell, Cornwall.
The complex is dominated by two huge enclosures consisting of adjoining omes that house thousands of plant species, and each enclosure emulates a natural biome. The biomes consist of hundreds of hexagonal and pentagonal, inflated, plastic cells supported by steel frames. The largest of the two biomes simulates a Rainforest environment and the second, a Mediterranean environment. The attraction also has an outside botanical garden which is home to many plants and wildlife native to Cornwall and the UK in general; it also has many plants that provide an important and interesting backstory, for example, those with a prehistoric heritage.
Aerojet-General second stage being hoisted into position on 8/4/57. On the TV-2 vehicle, only the first stage ( Martin-built modified Viking rocket ) was fully functional. In the second and third stages, only a few systems were active. The stages were weight and balance correct, but inert. Glenn L. Martin Co. Photo.
The Ballerina Project is a worldwide photo shoot of ballerinas posed in the most random of places. Here are the beautiful and talented young ladies of the Bay Area for my take on The Ballerina Project! Stay tuned for more :)
Photo: Cherish Ortiz
Model: Ohana
Frank Lloyd Wright - Robie House
in Oak Park, IL - USA (1910)
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Designed and built between 1908-1910, the Robie House for client Frederick C. Robie and his family was one of Wright's earlier projects. Influenced by the flat, expanisve prairie landscape of the American Midwest where he grew up, Wright's work redefined American housing with the Prairie style home. According to Wright, “The prairie has a beauty of its own and we should recognize and accentuate this natural beauty, its quiet level. Hence, gently sloping roofs, low proportions, quiet sky lines, supressed heavy-set chimneys and sheltering overhangs, low terraces and out-reaching walls sequestering private gardens."More on the Robie House after the break.
The Robie House creates a clever arrangement of public and private spaces, slowly distancing itself from the street in a series of horizontal planes. By creating overlaps of the planes with this gesture, it allowed for interior space expanded towards the outdoors while still giving the space a level of enclosure. This play on private spaces was requested by the client, where he insisted on the idea of "seeing his neighbors without being seen." Wright specifically approached this request with an enormous cantilever over the porch facing west that stretched outwards 10' feet from its nearest structural member and 21' from the closest masonry pier.
As is seen in many of Wright’s project, the entrance of the house is not clearly distinguishable at first glance due to the fact that Wright believed the procession towards the house should involve a journey. Wright also expressed the importance of the hearth in a home with a fireplace that separated the living and dining room that is open to the ceiling above the mantelpiece for the billiard room and playroom. The program of the house includes a living room, a dining room, a kitchen, a billiards room, four bedrooms, and a servant's wing which are defined while still flowing into one another.
The rooms were determined through a modular grid system which was given order with the 4' window mullions. Wright, however, did not use the standard window in his design, but instead used "light screens" which were composed of pieces of clear and colored glass, usually with representations of nature. The purpose for these windows was to allow light into the house while still giving a sense of privacy. Wright also stated about the light screens, "Now the outside may come inside, and the inside may, and does, go outside." There are 174 art glass windows in the Robie House made of polished plate glass, cathedral glass, and copper-plated zinc cames, which are metal joints that hold the glass in place. The protrusions of these windows on the East and West facade, along with low ceilings, emphasized the long axis of the house and directed views towards the outside. These windows were also stretched on French doors along the entire south wall on the main level, opening up to a balcony. The sun angles were calculated so perfectly with this cantilever that a midsummer noon’s sun hits just the bottom of the entire facade while still allowing light to flood in to warm the house during the spring and autumn months.
The entire house is sheathed in Roman brick with yellow mortar, and only the overhangs and the floating brick balcony have steel beams for structural support. Using the horizontality of the brick, Wright added the finishing touches to the Robie House to create the ideal modern Prairie style home where he was able to build with the principles he believed in. The sweeping horizontal lines, extensive overhangs, warm well-lit interiors with furniture designed by Wright himself, and the balance of public and private spaces made the Robie House, in the words of Frederick C. Robie, "…the most ideal place in the world."
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Na 10 maanden bouwtijd wordt het traject van lijn 41 stilaan zichtbaar.
Dankzij de breedhoek lens was het mogelijk om vanuit de hoek van de kelder de ganse baan in beeld te brengen zoals ze nu is.
Lijn 41 start uiterst recht vanuit een schaduwstation. Via het tracé in de voorgrond wordt de aangeklede sectie bereikt. Deze situeert zich achter de achtergrondplaat achteraan de foto. Daarna plooit de lijn terug om zo de ganse kelderruimte te doorlopen.
Het eindpunt van de lijn ligt op een tweede dek wat in de voorgrond gebouwd zal worden boven het huidige tracé.
Overal is het spoor goed te bereiken. De modelbaan is immers opgebouwd volgens het meewandel concept.