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A SpaceX Falcon 9 rocket with the company's Crew Dragon spacecraft onboard is seen as it is rolled out of the horizontal integration facility at Launch Complex 39A as preparations continue for the Demo-1 mission, Feb. 28, 2019 at the Kennedy Space Center in Florida. The Demo-1 mission will be the first launch of a commercially built and operated American spacecraft and space system designed for humans as part of NASA's Commercial Crew Program. The mission, currently targeted for a 2:49am launch on March 2, will serve as an end-to-end test of the system's capabilities Photo Credit: (NASA/Joel Kowsky)
Did you know the Film Photography Project provides refurbished and tested vintage film cameras free-of-charge to schools and not-for-profit organizations with film programs nationwide? When we started the program nearly a decade ago, we had no idea the demand would continue – much less grow! More and more educational and arts organizations are adding a film component to their photography courses, and the FPP is here for them. In 2024 alone, we’ve supplied over 300 working vintage cameras to High School, College and Arts Programs photography programs including Pickerington High School Central Ohio / California High School in San Ramon CA, Columbia University / BIPA grant program in NYC, ProPhound Kids Inc., RVCC Arts and Desgin in Branchburg NJ, Edgerton Jr. Sr. High School in Edgerton OH, Southeastern School District in Chillicothe OH and Woodrow Wilson High School in Los Angeles CA among others. Photos courtesy of Dan Yeager,
Pickerington High School Central, Pickerington Ohio.
It's been fully film tested and it's in my camera shop CC Design Studios at www.ccstudio2380.com
Thanks, Chris
Follow me on Instagram @ccphotographyai
Artemis will light our way to Mars. The new Artemis identity draws bold inspiration from the Apollo program and forges its own path, showing how it will pursue lunar exploration like never before and pave the way to Mars.
A Grieg Program
Morton Gould, The Robin Hood Dell Orchestra Of Philadelphia
Columbia Masterworks/USA (1949)
Cover by Alex Steinweiss
Casa da música from architect Rem Koolhaas. Porto - Portugal
bi-cam using pinhole side + Fujichrome 64T (Expired July 2003)
It's been fully film tested and it's in my camera shop CC Design Studios at www.ccstudio2380.com
Thanks, Chris
Follow me on Instagram @ccphotographyai
The Vehicle Assembly Building from Kerbal Space Program. Complete with Kerbal figures and a rocket/launch pad.
Support on LEGO Ideas: ideas.lego.com/projects/135315
Using Olympus live composite mode this is a photo of a TV program over a 2 minute period.
01/04/20
Olympus OMD EM1 mkII camera.
Panasonic H-FS12060 lens.
Adjusted with DXO Photolab 3 and Nik Analog Effex Pro.
P4011743
Title: Program, Hippodrome Theater, Los Angeles [cover]
Repository: California Historical Society
Digital object ID: CHS2013.1311.jpg
Call Number: BUS EPH
Collection: California business ephemera collection
Date: 1915
Preferred citation: Program, Hippodrome Theater, Los Angeles [cover], California business ephemera collection, courtesy, California Historical Society, CHS2013.1311.jpg.
Online finding aid: www.oac.cdlib.org/findaid/ark:/13030/kt7f59s1tv/
flickriver.com/photos/javier1949/popular-interesting/
Sede de la SGAE en Santiago de Compostela
Rúa das Salvadas 2, Finca Simeón, Parque de Vista Alegre. Santiago de Compostela
ARQUITECTO: Antón García-Abril -Ensamble Studio- Proyecto 2005 Construcción 2006-08
Tras la inauguración de la Escuela de Altos Estudios Musicales en la Finca Simeón, Antón García Abril y el Ensamble Estudio recibieron el encargo de proyectar y construir, en el mismo recinto, la nueva sede en Galicia de la Sociedad General de Autores de España. La nueva sede compostelana de la SGAE es un ejercicio arquitectónico de alto riesgo, cuyo resultado construido ofrece toda una lección de las posibilidades significativas y sensoriales de la arquitectura contemporánea. La concepción arquitectónica del edificio es fiel al espíritu de la ciudad de Santiago, al desarrollo de una identidad singular y un diálogo con la historia y la memoria del lugar, así como una estrecha relación con el lenguaje contemporáneo. La parcela es bastante conflictiva, al estar ubicada al borde del parque de Vista Alegre, obliga a tomar una decisión trascendental: generar una transición entre la calle y el parque, o un muro que separe ambos. Se adopta la segunda opción, y se lleva ese carácter de muro a ambos lados de la edificación.
Ocupa una superficie de 4000 m2 y consta de cuatro áreas funcionales: Formación con diversas aulas; Administrativa con oficinas; Difusión con un auditorio con un aforo de 200 butacas y laboratorio de audio y vídeo digital, un estudio de grabación y un plató multiusos; y finalmente un espacio dedicado a la Exhibición y a la promoción. Organiza su programa en un sistema espacial complejo, definido por dos planos curvados dispuestos en paralelo, el de vidrio impreso que sigue la alineación de la calle, y el de las moles pétreas, que se presenta al interior de la finca, entre los que se dispone una fina membrana perfectamente tensa. Entre este plano interior y la piel de vidrio se dispone todo el programa menudo de despachos y áreas administrativas. Entre el mismo plano y la fachada de grandes piedras se abre en toda la altura y longitud del edificio un gran vestíbulo-pasillo de acceso. El auditorio, los espacios de formación y los laboratorios se disponen en el volumen bajo rasante en la finca y abiertos hacia la rúa das Salvadas.
El edificio presenta el enfrentamiento de tres muros que corren a lo largo de un espacio longitudinal. Un muro de piedra cóncavo mirando al jardín interior de la finca, una pared interior plana hecha de fundas de CD, y una pared convexa de cristal translúcido a la calle, sobre la alineación exterior de la finca. Todos ellos trabajan como filtros de las distintas situaciones urbanas delimitar y organizar el programa en franjas funcionales. La pared interior, construida con 500.000 carátulas de CD, es un plano situado en medio de los elementos exteriores curvos, muro de piedra y pared de cristal. La pared de cristal transparente ofrece un rostro discreto a la calle, el control de la luz y las vistas de los espacios según su actividad y necesidades. Su composición material y calidad lo hacen aparecer como una ventana de cristal con diferentes grados de transparencia, una pared hecha de luz y color, en claro contraste con la pared de piedra del lado contrario, al interior de la finca, formada con gigantescas piezas de granito apenas elaboradas. Cada una de las piedras irregulares que construyen ese muro pesa unas 22 toneladas y mide alrededor de 2 m de altura por 0'2 m de ancho y 1,60 m de fondo, en posición inestable, quedan engarzadas en una estructura metálica calada. Se ha buscado ligar la tradición gallega del uso de la piedra desde un lenguaje muy contemporáneo, utilizando losas de piedra apilada para crear un espacio intermedio con luz filtrada, buscando la abstracción de un muro en Galicia: mampuestos de granito colocados a hueso. El muro adquiere un carácter agresivo y refleja la fuerza del material, evocando la belleza y poética de las construcciones megalíticas.
arquitecturaespectacular.blogspot.com.es/2010/06/sede-de-...
www.santiagoturismo.com/programadores-culturais/sede-sgae
www.santiagoturismo.com/arquitecturas-de-autor/470
compostimes.com/2012/12/arquitectura-en-compostela-sede-d...
A rushing creek at Mt Raineer National Park. Shot on Cinestill 50d with Canon ae1 Program mounted with 20mm f2.8 lens
See the entry and support the project on Bricklink:
www.bricklink.com/v3/designer-program/series-1/331/PCS-99...(Remote-Travel-Logistics)
Before the likes of the LL-924 and LL-928 were winging their way through the stars, the galaxy was being explored by the members of the Pre-Classic Space agency. PCS charted new worlds and built relationships across the galaxy.
But that requires infrastructure and support! PCS-99-RTL is one of the workhorse hover vehicles employed by the agency to carry materials to remote outposts. The PCS-99-RTL floats above the surface of even the most hostile planets to deliver needed supplies anywhere the PCS needs them. From craters to icy oceans, the PCS-99-RTL can cross them with ease.
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This model is inspired by the collaborative fan theme created in the early 2000s within the AFOL community. The theme’s hallmarks are the curved canopies and color schemes which harken back to the classic space theme of the 1980s, but using advanced building techniques we’ve developed since then.
Built for expansion, the PCS-99-RTL uses a modular design for containers allowing you to design your own mimicking the three provided. In addition, there’s no limit to the length of a PCS train you can build!
The set includes two minifigures to help guide the train on its important journeys. The set has 535 elements, including a number of hard-to-find parts that are critical to bringing your own PCS creations to life.
Summer means special reading programs at historic local libraries. The Andrew Bayne Memorial Library in Bellevue, Pennsylvania, built in 1875, was the home of Amanda Bayne Balph. It was presented to the people of Bellevue as a public library in 1927.
Catalog #: 08_00849
Title: Space Shuttle Program
Date: 4/12/81
Additional Information: shows the launch of the space shuttle Columbia
Repository: San Diego Air and Space Museum Archive
I recently became a little obsessed with the early space race between the U.S.S.R and U.S. These posters are the result.
This one displays the many satellites of the Luna program that either land on or orbited the moon.
The Future Soldiers Program at Pendleton Juvenile Correctional Facility gives selected juvenile offenders the chance for an early release pending the completion of boot-camp like military training and lifestyle. Officials in charge of the program at Pendleton are seeking to coordinate with area military recruiters to send graduates to active service upon their release.