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1. Sample pixels from images of trees.
2. Use them as textures for a distorted grid.
Made with Processing.
Starbucks frappuccinos cheer me up every time I'm upset. Lol!
Took during one boring evening in Boracay.
Would you believe it? We found Starbucks in Bora! Heehee.
All the walking was worth it. :)
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
A nice Sunday afternoon studio shooting session with FB.
Story and other shot on my blog as soon as possible.
D200 + Tamron 28/75 f 2.8
SB 900+ shoot through umbrella high camera left M 1/16 ISO 100
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved.
The more I tweak this project, the more I love it. Through controlled accidents, I got it to look rather Nebular. I will continue tinkering and if all goes well, soon I will have an audio-responsive universe!
Read about it here. There is a short video too!
sometimes i wish i could snap my finger then tadaaaa things are in front of me shortly. But nothing just happen. Just like Amerie says, "Sometimes you gotta work hard for it".
An opportunity to shamelessly mention "Flora & the Prince", the brand new oratorio I've been writing for Dundee University, and which will be premiered in Dundee on 12th March! The first performance of the complete new piece will be recorded.
Plaxtongeezer's superbly restored Plaxton Supreme bodied Leyland Leopard SNC365X seen at Kirkby bus station whilst out for a leg stretch.
Thought I'd better take advantage of Picnik's editing tools before it is taken from us later this month.
Saw this at a local garden on a visit with my son. It is an HDR image, and then crossed processed on Picnik.
Here was my process for the Ty Nant water shot:
1. One strobe above and in front of the bottle, bounced off my umbrella. This looks terrible! The blue is hardly noticeable, the reflection totally knocks out the label, and the label on the back of the bottle (marked with the *) makes a horrible white mark.
2. One light on the right of the bottle, bounced off the umbrella. I also cut out a piece of paper the shape of the bottle to put behind it. This bounces light through the glass, showing the blue. Unfortunately, you can see all the details of the umbrella in the reflection, and that label on the back is still there. also, the flash from my camera that I use to trigger the strobe makes an annoying reflection (marked with the *). I soak off the label, and cover my flash with a piece of cloth. That way it is still bright enough to trigger the strobe, but doesn't show up on the bottle.
3. Light below and behind the bottle, bounced off the black (!) backdrop. I removed the white paper behind the bottle for this, since it was unnecessary. I used a long exposure so that the lights from the windows on the sides and in front of the bottle would light up the label. Unfortunately, this makes for ugly reflections on the sides of the bottle.
4. One light behind and below bottle, bounced off backdrop. This is beautiful -- I love black-line glass photography, and the blue is gorgeous. Unfortunately for a product shot, the label is way too dark. And I don't have another light to snoot on it from the front. Have to go a different direction.
5. Light on the right side again, this time shone directly through a large plastic tub. That disperses the light enough that it makes a nice clean long white highlight. The paper is behind the bottle again, and I dropped the coins behind the bottle. But the paper behind the bottle is wrinkled, and that shows (marked with the *) and it tapers at the top of the neck where the water stops, which you can see. I cut a new piece of paper.
Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org