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"Really?!? Are you really trying to fool me with this fake flower?!? But this nectar is so delicious!!!"
~Yellow Jacket (Hive ID#: 261854927)
These are some of my favorite presets. I have never purchased a preset in my life, I have fun making my own and have developed my own workflow. I have a preset for just about everything, low light, backlight, exposure, contrast, and so on! Each preset not only changes skin tone, but also changes the colors and contrast of the rest of the image, making it very fun to edit and process each image just the way I like it for the shot. One thing I never do or have done is touch my subjects face or eyes in any way. I do not go in and smooth skin or change eye colors and so fourth. The beauty of the subject is truly untouched in my images. I really do stick to the natural in natural light photography not just for lighting, but for facial features and so on! Here are a few I just wanted to share as I am working through this session :)
A little process peek - choosing fabric for the bird quilt. www.shinyhappyworld.com/2014/04/choosing-fabrics-bird-qui...
Taken at Djúpalónssandur wich is an amazingly beautiful place. English ship got stranded there 13th of march 1948 and still you can see the pieces shattered on the black beach.
History mosaic mirror installed in the McLeod Residence's bathrooms. This is a Barbarian Group project.
Working on a retelling of the Solar engine so that it runs in real-time from microphone input. The original version existed only as renders because I was asking the computer to perform highly processor intensive particle repulsion. Given a mass of particles (10,000+), each particle had to exert a force on every other particle.
The original render ran at less than one frame per second. This version, still visually dense and reactive, runs at near 30fps on my laptop. Once the port to Cinder (with some optimization magic courtesy of Andrew Bell) is complete, we expect it to hit the coveted 60fps mark.
Still working on the visuals and behavior. Next up, variable size spheres and pushing more of the workload to the GPU.
This performance was made after the opening of my current exhibition at the Lars Bolin gallery in Östersund, after hours with only the gallerist and photographer as participants / spectators.
photos: www.jimmydahlberg.se
Bonkers processed several different ways, (including with my BumpCam program), in the bedroom in Kitahiroshima in February of 2019.
Over troubled waters memories soar
Endlessly, searching night and day
The moonlight caresses a lonely hill
With the calmness of a whisper
I wear a naked soul
A blank face in the streaming water
It is cold in here
Frost scar my coat with dust...
- Opeth (Black Rose Immortal)
Another one from the Blind Wino 618 camera, this time more of a straight scan for a true cross-processed look.
Ektachrome 100 film.
I thought it would be interesting to post a before and after on a digital frame after all the recent film colour which needs seconds to minor crop sometimes and then post, Canadian Film Lab do the heavy lifting but sometimes as here a film frame wouldn't have the look I was after. the sun was low and soft but the blue sky wasn't giving the Spring look I saw so off to CaptureOne.
The out of camera is just that, with some default sharpening in CaptureOne V10 that really doesn't affect the comparison and it can be turned off. It has a flat, called linear, profile, applied so no curve at all. The processed had adjustments to:
White Balance - to taste not accuracy
Crop - obvious on the OOC, I was view point restricted.
Colour Editor tool- to bring out the pink
Layers - just one to take down the upper branch exposure a touch as the colour had brought it up being similar to the selected pink hue. A bit heavy handed there, I need more practice and the mouse is not optimal for mask drawing.
RGB and Luma curves applied selectively
Levels just brought in a touch at extremes
Film Grain - Silver Rich
Clarity and Structure - just a touch
Sharpening on my default
How long on the job, I think about 5 mins in total, I'm getting better with the on-line tutorials but the new dedicated shortcut keyboard is attractive as is a Wacom tablet.
Taken on the Square Phase One P20 back Hasselblad V 500cm with the 100mm f3.5 CF Planar Hand held on the evening dog walk
1. Sample pixels from images of trees.
2. Use them as textures for a distorted grid.
Made with Processing.
Moscow. Gorky Park.
Camera: Canon EOS 5
Lens: Canon Zoom Lens EF 70-210 mm
Film: Kodak Vision3 200t + dev.D-76
Photo taken: 29/07/2017
Scanner: Noritsu LS-1100
sometimes i wish i could snap my finger then tadaaaa things are in front of me shortly. But nothing just happen. Just like Amerie says, "Sometimes you gotta work hard for it".