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Illustração produzida com Processing.

Nesta comecei a introduzi interatividade pelo mouse, uma coisa mei inutil ainda.

Ao se clicar na imagem, esta desaparece e um fundo preto aparece.

 

abaixo se encontra link para o teste,

nao sei por qual motivo, mas ao se clicar

esta demorando para alterar o estado do fundo.

=\

 

clicando-se e permanecendo,

a imagem se altera.

Dedicated to Jan Svankmajer

New limited edition poster for Process Journal featuring graphic depictions of ephemera I've found and collected. $25. Buy it here: www.processjournal.com.au

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Notice the power differences...... Pratt & Whitney PW4170 vs Rolls Royce Trent 772B-60!!

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Process Ghanedus paradise / Paraiso "Ghanedus" mixed media ///

A high key shot!

Credited to the learning's at 'Prem Muthu portrait workshop' I was at, sometime back.

Please - no awards, photos, group invites or graphics!

Please do not use this image on a website without explicit permission from me. Thanks.

AGENCY: Banjo Sydney

Agency Producer: Richard Frost

Creative Director: Georgia Arnott

Agency Creatives: Sean Larkin, Les Sharpe

Type & 3D : Luca Ionescu | Like Minded Studio

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Trying out cross processing.

Sycamore maple tree in the hills near my hometown. DIgital picture, analoguely printed as a saltprint.

I use this set-up for Cyanotype, Oil-print, Gum Bichromate and Photopolymer Gravure.

Made with Processing.

 

Using edge detection and random walk to generate an old, grungy photo. I like the way it draws not only the outlines but also some areas.

 

Inspired by www.openprocessing.org/sketch/59807, but I didn't checked his code.

 

Code:

www.openprocessing.org/sketch/61722

 

Video:

vimeo.com/42271081

 

Photo:

The photo was taken by me in Jerusalem / Western Wall during my vacation last year.

www.flickr.com/photos/dianalange/6761106447/in/set-721576...

So some of you have asked me about this. Here is the process. Read from left to right, top to bottom. Everything is done by me during down time at work.

 

I started with sketches and concepts. I would like to visualize the design as much as possible on paper first. This is the most crucial step which helps a lot with modeling later. Here I only show the final sketches but these are just a small portion of what actually went on paper.

 

Second step is to start modeling! When I have a basic idea of what the design looks like, I use a program called Alias Auto Studio to visualize the 2D drawings into 3D. I modeled everything, no premade 3D parts. I also did some computer rendering of the design to test out some color choices.

 

When all the parts are done on 3D. I use my 3D printer to print them out. Final step is to paint! The grey you see on the last photo is the primer. I usually do 3-4 coats of primer, and sanding in between from 150 grid to 400 grid, before moving on color paints.

 

The whole process takes about 1 month for sketching, 3-6 months for modeling ( depends on how many hours I have free), Printing all the pieces takes about 350 hours on the printer. The result: the model is 5th scale, about 100 pieces, and eats up about 600 hours so far.

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altered newspaper. still processing

Cross processed slide film; then color switched to get the grass back to green.

WORKSHOP of Cyanotype process printing

-Por Que Base

 

A happy sissy with head full of perm rods

canon EOS 5DmkII 5Dmk2 5D2 5DII Bowens Stuido Beautydish BD Grid offcamera flash "Off camera lighting" Beauty Glamour Fashion Phottix Atlas Beautydish Luna

a little darker this time and perhaps a little more foreboding

Fabriano Artistico 300gsm cold press

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29/365, Canon EOS 40D, EF100mm f/2.8 Macro USM, 1/80 sec at f/6.3, 100mm

I hope the negs are cleaner than than the sign. This in Alnwick on the trip easily shot a roll there switched to Tr-X as it was well below a 100iso day but no rain.

  

iPhone 12 Pro Max + ProC + RP + Snapseed

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