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Balance Image
A balanced composition has a feeling of equilibrium. There are two forms of balance –formal and informal. Symmetry defines formal balance. Informal balance relies upon asymmetry. Informal balance provides flexibility and looks modern (Denton Chapter 4 P. 61). This graphic has formal balance and symmetry, the top of the page has a picture of a modern Adam with a vivid green color, contrasting with the other half with a yellow tone; it also incorporates verbal integration but is well balanced, it does not overlap the visual. www.macmothership.com/gallery/MiscAds/AdamAd.JPG
The Digital Impact Alliance hosted a Digital Principles Workshop in October 2017. DIAL is the Steward of the Digital Principles. For more information, visit digitalprinciples.org/
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Definition: Focusing a certain subject that contrasts with the background of a photograph.
This photograph portrays emphasis because of the colour contrast between the bright red of the EXIT sign and the dark tones of the background. The viewer immediately focuses their view on the EXIT sign because of its immense presence in the foreground and the colour contrast.
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6 Another bad photo but it does have pattern. There are some elements of art such as form, line and texture. It definitely needs something of interest among other things…I'm not going for a Pulitzer but I hope I get a little better at this!
When creating an animation there are twelve vital principles to create something which looks professional. Each was extremely important and something I had considered carefully when creating my animation. Such as the squash and stretch principal, my character was a human being and I needed to make him look organic, so when my character did things such as move I had to keep the squash and stretch in mind so I could make it seem like my character had some weight behind it. This was extremely important along with the other principal I had to think about which anticipation was. I had to make it seem obvious that my character was about to do certain moves in each frame so I had to make sure my joints and timing was equally balanced. This also fit in with the timing principal. I had to also think heavily about the staging for my character to be in a position that I would both be apparent to the audience and display its surrounding, to further shows its purpose. The remaining principals which are exaggeration, slow in and out, arcs, secondary action, solid drawing, appeal, follow through and straight ahead action pose, were still involved in my animation but to a lesser extent.