principles of uncertainty
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others their principles for the sake of their party :-(
Winston Churchill
HMM!! Protest Injustice! Resist!! Vote!!!
tricyrtis, toad lily, 'Fluffy Orchid', j c raulston arboretum, ncsu, raleigh, north carolina
“The principles of true art is not to portray, but to evoke.” – Jerzy Kosinski
Yesterday, I saw that I was not a member of a Flickr group anymore. In short, "kicked-out". I didn't break any rules neither posted anything obscene. I think I have HQ photos (pm me if I don't have). I actually supported this group that from time to time I award photos in their photo pool. I feel a bit bad because I don't know the "why" I was out of the group. I was thinking maybe my work are not good enough? Of course I know beauty is in the eyes of the beholder but doing such act to members reduces motivation, as well as inspiration specially to those who are still learning the art.
Anyway, I took the "higher path" - the path of understanding the admin / admins. If they feel they are gods that they can choose who they want to be part of their group then be it. They don't deserve respect and support at least from me. The fact that I have high regard for their group. Maybe they forgot they were newbies once...
I am thankful that most of the groups I support are not like this group. They are groups that nurture creativity, talent and friendships... And I see beauty in their photo pools. They showcase talents from professional and amateur Flickr users. They create a dynamic "melting pot" of people all over the world from different cultures and walks of life. They give chances to newbies like me to upgrade our game and learn from their works.
Ok, enough said... JUST SHARING MY THOUGHTS 😍 I guess my real life work in community inclusion and diversity just took a bit of me today 😇 thus writing what I observe and feel about this.
Happy Wednesday y'all! We call Wednesdays "little Saturday" here in my place so enjoy 💕
Surely we all have a responsibility to care for our blue planet. The future of humanity and indeed, all life on earth, now depends on us.
David Attenborough
Only we humans make waste that nature can’t digest.
Charles Moore
The Ocean is a mighty harmonist.
William Wordsworth
No water, no life. No blue, no green.
Sylvia Earle
Thank you for your kind visit. Have a beautiful day and spread love and kindness! ❤️❤️❤️
What united us as true sisters were the honor, the truth, the strength of the fight against falsehood, charming words from those who want to deceive, steal, lie or look at us like meat in the butcher's shop. Each of us has a brother who shares the same principles: equality, friendship, trust, honesty, loyalty.
We fight if needed: www.youtube.com/watch?v=SLNktQr3dyI
Kongsten Fort is situated 500 metres east of The Old Town.
The fortress was constructed according to the ancient Italian principles of fortification, with high bastions, hornworks, and redans that would provide protection from invading armies. Military strategists understood that, if captured, the small hill would provide an enemy with a raised platform for their artillery, greatly increasing the range of canon shot.
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Runa Photography, Daniel © 2020
© Some rights reserved, don´t use this image without my permission
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Pachamama is a goddess revered by the indigenous people of the Andes. She is also known as the earth/time mother. In Inca mythology, Pachamama is a fertility goddess who presides over planting and harvesting, embodies the mountains, and causes earthquakes. She is also an ever-present and independent deity who has her own self-sufficient and creative power to sustain life on this earth.[1] Her shrines are hallowed rocks, or the boles of legendary trees, and her artists envision her as an adult female bearing harvests of potatoes and coca leaves.
The four cosmological Quechua principles – Water, Earth, Sun, and Moon – claim Pachamama as their prime origin. Priests sacrifice llamas, cuy (guinea pigs), and elaborate, miniature, burned garments to her. Pachamama is the mother of Inti the sun god and Mama Killa the moon goddess. Pachamama is said to also be the wife of Inti, her son.
In pre-Hispanic culture, Pachamama was often a cruel goddess eager to collect her sacrifices. After the Spanish colonization of the Americas, conversion to Roman Catholicism took place and the figure of the Virgin Mary was equated with that of the Pachamama for many of the indigenous people.
Source: wikipedia
The facade details of Bridgepoint Hospital in Toronto (2014) make for an interesting geometric pattern.Incorporating evidence-based, patient centered design principles, this award winning hospital was designed by architect teams: Stantec Architecture / KPMB Architects (Planning, Design and Compliance Architects) and HDR Architecture / Diamond Schmitt Architects (Design, Build, Finance and Maintain Architects)
Schermer, North-Holland, The Netherlands.
facebook | website | maasvlakte book 2014 | portfolio book | getty images
© 2014 Bart van Damme.
The Schermer polder was reclaimed from the Schermer Lake between 1633 en 1635 by water extraction using windmills.
The sanatorium was designed according to the modernist principles of 'het Nieuwe Bouwen' (new way of building) by Johannes (Jan) Duiker in collaboration with Bernard Bijvoet and engineer Wiebenga, an early specialist in concrete constructions. The main building and the Ter Meulen pavilion opened in 1928. The Dresselhuys pavilion was finished in 1931, De Koepel pavilion in 1934. There has been ongoing restauration since 1997 by Dutch architects Hubert-Jan Henket and Wessel de Jonge. The main building and workshops were restored in 2003. The exterior envelope of the Dresselhuys pavilion was restored in 2008. Further restoration stages are being planned. The surrounding site is being restored by landscape architect Bureau Alle HospeZonnestraal was built as a tuberculosis sanatorium in the 1920s and 1930s. The building features the classic design of the sanatorium, which focuses on as much open space and fresh air as possible. However, it still embodies the definition of the modern architecture by the immense amount of repetition and the avoidance of superfluous decoration. The building is mostly made of transparent materials to allow as much light as possible to enter the patients' rooms. With this transparency, the building runs a large risk of overheating. However, the architects understood these risks and incorporated a cooling system in the building; something that was not common at this point in time. The surfaces that are not transparent are very sterile and smooth in appearance making very hygienic surroundings. The buildings are arranged in a loose "pin-wheel" design that created separation between patients' rooms, giving each of them the adequate amount of sunlight needed for therapy. The distribution of space in this manner created the ability for every patient to have a sunbathing balcony that was unobstructed by any other patient's room or building. The design of this architecture can be referred to as Heliotherapeutic Architecture (Light therapy) and was actually a short lived style in its purpose for therapy because of the discovery of the cure for tuberculosis. However, this style focuses on the engineering required to satisfy the patient's needs. In fact, the architects preferred to refer to themselves as building engineers.[4] After abandonment in the 1980s the building was submitted to UNESCO's list of World Heritage Sites. However, with this submittal, the building's structural deterioration could not be solved by demolition and rebuilding. Instead new techniques of concrete repair had to be used
Just over five centuries ago, Da Vinci spent 5 years waiting for Mona Lisa. And it was great, because until today Mona enchants us with her enigmatic smile, her charm, elegance and nobility of character.
But Leonardo had to wait much longer before Mona Harris appeared. And he admits, it was worth it. A woman of principles and knowledge transformed into wisdom, able of uniting a people disunited since the American Civil War. We live on a wild little planet. It's time to heal our wounds. It's time to look to a future for everyone. Of all races. Of all religions. From all social classes. Ignorance makes wars. Uniting people is an Art. The true Art of Life.
Nestled in the heart of Tokyo, the Imperial Palace East Gardens offer a serene escape from the bustling city life. These gardens, part of the larger Imperial Palace grounds, are steeped in history and tradition, making them a must-visit for anyone interested in Japan's rich cultural heritage. The East Gardens were once the site of Edo Castle, the residence of the Tokugawa shogunate, which ruled Japan from the early 17th century until the mid-19th century. Today, visitors can explore the remnants of this historical era, including the foundation of the former castle tower, which was destroyed by fire in the 17th century and never rebuilt. The meticulously landscaped gardens feature a variety of seasonal flowers, ancient trees, and traditional Japanese elements such as stone lanterns and koi ponds. One of the highlights is the Ninomaru Garden, a classic example of a Japanese landscape garden, complete with a central pond, walking paths, and carefully placed rocks and plants. The garden's design reflects the aesthetic principles of harmony, balance, and tranquility, providing a peaceful retreat for contemplation and relaxation.
The East Gardens are open to the public year-round, offering a changing tapestry of colors and textures with each season. Spring brings cherry blossoms, summer lush greenery, autumn vibrant foliage, and winter a stark, serene beauty. Whether you're a history buff, a nature lover, or simply looking for a quiet place to unwind, the Imperial Palace East Gardens are a hidden gem in the heart of Tokyo, offering a glimpse into Japan's past and a sanctuary of natural beauty.
i look at this and think positive and negative charge and see the hand as the conductor. the back story is that smiley guy was grumpy a lot that day, perfecting his pouty lips, and his older brother was totally upbeat. just caught a moment when they switched protons and electrons.
Shizen - the absence of pretense or artificiality.
Close-up of a loose thread on a white sun canopy in Cagliari. No processing apart from the square crop
The sixth of seven Zen aesthetic principles. You can see the others below.
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Took alot of effort to get a good one but worth it in the end. Loving the sunsets at the moment.
Drysdale.
"There are necessarily two principles of beings; the one containing the series of beings organized, and finished, the other, of unordered and unfinished beings. That one which is susceptible of being expressed, by speech, and which can be explained, both embraces beings, and determines and organises the non-being.
For every time that it approaches the things of becoming, it orders them, and measures them, and makes them participate in the essence and form of the universal. On the contrary, the series of beings which escape speech and reason, injures ordered things and destroys those which aspire to essence and becoming; whenever it approaches them, it assimilates them to its own nature.
But since there are two principles of things of an opposite character, the one the principle of good, and the other the principle of evil, there are therefore also two reasons, the one of beneficent nature, the other of maleficent nature.
That is why the things that owe their existence to art, and also those which owe it to nature, must above all participate in these two principles; form and substance.
The form is the cause of essence; substance is the substrate which [it] receives the form. Neither can substance alone participate in form, by itself; nor can form by itself apply itself to substance; there must therefore exist another cause which moves the substance of things; and forms them. This cause is primary, as regards substance, and the most excellent of all."
***
A lot of great things has happened lately that i suddenly realized i haven't been shooting and posting here at flickr.
I am undergoing a certain kind of hibernation state that compels me to discipline my self and suspend everything else for the sake of some other tremendous things in anticipation. I know this is a difficult stage and somehow the only strength i have is the passion that empowers my will to carry on...
"To the pure finite spirit, Liberty is what it is to the wind and elements -- a power to obey the imperious laws of its nature; a power to act on conditions, emotions and desires would arise, and be preceded, followed, or co-exist with perceptions and judgments in a necessary succession, and with a rapidity which would preclude all comparison, consideration, and determination.
This power is liberty, and is the basis of responsibility. It is simple. The mind on the condition of a body learns the laws of its nature, its activity, their conditions and objects, and thus acquires a power over itself. This is Liberty. Hence there are degrees of liberty. Hence there may be minds that possess no more freedom than the brutes that perish."
There is the purpose for everyone you meet
Some people come into your life to test you
Some to teach you and some to use you
and some to bring out the very best in you
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
Les immeubles Perret au Havre - Patrimoine UNESCO
Après la destruction du centre-ville du Havre à 85% en 1944, l'architecte Auguste Perret a reconstruit la ville selon les principes de l'architecture moderne. Sur 160 hectares, plus de 160 immeubles en béton armé composent ce site classé au patrimoine mondial de l'UNESCO.
Perret a utilisé le béton armé et la préfabrication pour créer des bâtiments de six étages avec balcons filants, disposés sur une trame orthogonale de rues et places. Les façades en béton brut présentent des motifs géométriques sobres, parfois inspirés de l'architecture antique.
Éléments emblématiques : l'hôtel de ville (18 étages), les Halles Art déco, l'église Notre-Dame et la Porte Océane. Ce chef-d'œuvre d'architecture moderne reste unique en France.
ENGLISH
The Perret Buildings in Le Havre - UNESCO Heritage
After 85% of Le Havre's city center was destroyed in 1944, architect Auguste Perret rebuilt the city following modern architecture principles. Spanning 160 hectares, over 160 reinforced concrete buildings make up this UNESCO World Heritage site.
Perret used reinforced concrete and prefabrication to create six-story buildings with continuous balconies, arranged on an orthogonal grid of streets and squares. The raw concrete facades feature simple geometric patterns, sometimes inspired by ancient architecture.
Key landmarks include: the 18-story city hall, the Art Deco market halls, Notre-Dame church, and the Porte Océane. This masterpiece of modern architecture remains unique in France.
At some point it was bound to happen. The edifice of reality slips and there it is: the essense of reality.
"The principles of true art is not to portray, but to evoke." - Jerzy Kosinski
Title: "S8 XCIII" 5x7"
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You can use an eraser on the drafting table or a sledge hammer on the construction site.
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Three Brothers El Capitan Merced River Yosemite Autumn Colors Red Yellow Orange Green Leaves Fuji GFX100! Yosemite National Park California Autumn Colors Fall Foliage Fine Art Landscape Nature Photography! Elliot McGucken Master Fine Art Luxury Photography Fuji GFX 100 !
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Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
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All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
#3 Real is Emotional
"Why does being real hurt so much?" asked Harper.
"I think humans feel the emotions of nature. It's kind of magical really. The willow weeps, but never sheds a tear, the hyena laughs, but never smiles and the dandelion carries hope yet knows of no tomorrow. Humans carry the weight of nature so nature can be beautiful."
"It is rather tiring Mr. Rabbit," announced Harper.
"That's what power naps are for."
"It is not important whether you believe in spirituality or not, the four principles of spirituality apply to all from the moment one is born and will remain there till the end!
The Four principles of Spirituality are...
The First Principle states:
"Whomsoever you encounter is the right one"
This means that no one comes into our life by chance. Everyone who is around us, anyone with whom we interact, represents something, whether to teach us something or to help us improve a current situation.
The Second Principle states:
"Whatever happened is the only thing that could have happened"
Nothing, absolutely nothing of that which we experienced could have been any other way. Not even in the least important detail. There is no "If only I had done that differently, then it would have been different". No. What happened is the only thing that could have taken place and must have taken place for us to learn our lesson in order to move forward. Every single situation in life which we encounter is absolutely perfect, even when it defies our understanding and our ego.
The Third Principle states:
"Each moment in which something begins is the right moment"
Everything begins at exactly the right moment, neither earlier nor later. When we are ready for it, for that something new in our life, it is there, ready to begin.
The Fourth Principle states:
"What is over, is over"
It is that simple. When something in our life ends, it helps our evolution. That is why, enriched by the recent experience, it is better to let go and move on.
If these words strike a chord, it's because you meet the requirements and understand that not one single snowflake falls accidentally in the wrong place!
Be good to yourself.
Love with your whole being.
Always be happy
Love like there's no tomorrow.
And if tomorrow comes, well, Love again......"
An old pic with words sent to me by a friend
I do not know who the words are by
www.youtube.com/watch?v=LsdhoMhbiyw
Hope the weekend is a fun one :D
Thank you for taking the time to stop by
xxx
Ion Mystical Principles - The Incremental Metamorphosis Or Spiritual Transfiguration Of Reality by Daniel Arrhakis (2020)
With the music : Apocryphos - Heartsick by Cryo Chamber
Ion's Mystical Principles: Incremental Metamorphosis Or Spiritual Transfiguration Of Reality
One of the principles of the Ion Mystical World is "The Incremental Metamorphosis Or Spiritual Transfiguration Of Reality".
Spiritual evolution does not normally take place due to large immediate changes, it requires learning, small increments that with the time factor and the preservation can change us spiritually.
An inner transformation or metamorphosis that in addition to transforming us ends up transforming those around us through our interactions. This network of interactions and transformations does not only change those with whom we interact but also with time, the World or Reality that surrounds us, multiplying, increasing real and lasting change with repercussions in time and thus also in the Future.
Like the caterpillar that turns into a butterfly but needs to feed, we also need knowledge and learning to strengthen our spirit and learning about ourselves, only then we can understand ourselves and understand better the others.
When the butterfly frees itself it interacts with its world, pollinating, reproducing itself or feeding other living beings, strange as it seems a single butterfly does not seem to make a difference but if it did not exist the repercussions would be huge in the natural world by the multiplier of their interaction and influence.
So we all have an important role in transforming this World and we must not give it up, as we will be giving up the future!
________________________________________________
Os Princípios Místicos de Ion : A Metamorfose Incremental Ou Transfiguração Espiritual Da Realidade
Um dos princípios do Mundo Místico de Ion é a " A Metamorfose Incremental Ou Transfiguração Espiritual Da Realidade" .
A Evolução espiritual não se dá normalmente por grandes transformações imediatas, necessita de aprendizagem, pequenos incrementos que com o factor tempo e a preserverança podem mudar-nos espiritualmente.
Uma transformação ou metamorfose interior que para além de nos transformar acaba por transformar os que nos rodeiam através das nossas interações. Esta rede de interações e transformações não mudam só aqueles com quem interagimos mas também com o tempo o Mundo ou a Realidade que nos rodeia multiplicando , incrementando uma mudança real e duradoira com repercussões no tempo e assim também no Futuro.
Tal como a lagarta que se transforma em borboleta mas precisa de se alimentar, também nós precisamos de conhecimento e aprendizagem para fortalecer o nosso espirito e a aprendizagem sobe nós proprios, só assim podemos compreender e entender também melhor os outros.
Quando a borboleta se liberta ela interage com o seu mundo, polinizando, reproduzindo-se ou alimentando outros seres vivos, por estranho que pareça uma só borboleta parece não fazer a diferença mas se ela não existisse as repercussões seriam enormes no Mundo natural pelo factor multiplicador da sua interação e influencia.
Todos temos então um papel importante de transformação neste mundo e não devemos abdicar dele, pois estaremos a abdicar do Futuro !
________________________________________________
HAPPY NEW YEAR OF 2021 DEAR FRIENDS ! : )
Let's all change the world for the better !
With Love, Peace, Tolerance And Sharing !
________________________________________________
The Panthéon (Latin: Pantheon,[1] from Greek Πάνθειον meaning "Every god") is a building in the Latin Quarter in Paris. It was originally built as a church dedicated to St. Genevieve and to house the reliquary châsse containing her relics but, after many changes, now functions as a secular mausoleum containing the remains of distinguished French citizens. It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome, surmounted by a dome that owes some of its character to Bramante's "Tempietto". Located in the 5th arrondissement on the Montagne Sainte-Geneviève, the Panthéon looks out over all of Paris. Designer Jacques-Germain Soufflot had the intention of combining the lightness and brightness of the gothic cathedral with classical principles, but its role as a mausoleum required the great Gothic windows to be blocked. Nevertheless, it is one of the most important architectural achievements of its time and the first great neoclassical monument.
Questa foto è stata scattata con una Canon 5D mark II + Canon 24 1.4 II
Big Waves Cape Disappointment Lighthouse King Tide Washington Coast PNW Storm Fine Art Landscape Seascape Ocean Art Photography! Sony A1 ILCE-1 Fine Art Wave Photography Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS E-Mount Lens SEL70200G Pacific Northwest! Elliot McGucken Nature Photography Alpha1
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
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Following, a text, in english, from Wikipedia the free encyclopedia:
Great Egret
For the similar Australasian species, see Eastern Great Egret.
The Great Egret (Ardea alba), also known as the Great White Egret or Common Egret or (now not in use) Great White Heron,[1][2] is a large, widely-distributed egret. Distributed across most of the tropical and warmer temperate regions of the world, in southern Europe it is rather localized. In North America it is more widely distributed, and it is ubiquitous across the Sun Belt of the United States and in the rainforests of South America. It is sometimes confused with the Great White Heron in Florida, which is a white morph of the closely related Great Blue Heron (A. herodias). Note, however, that the name Great White Heron has occasionally been used to refer to the Great Egret.
Description:
The Great Egret is a large bird with all-white plumage that can reach one meter in height, weigh up to 950 grams (2.1 lb) and a wingspan of 165 to 215 cm. It is thus only slightly smaller than the Great Blue or Grey Heron (A. cinerea). Apart from size, the Great Egret can be distinguished from other white egrets by its yellow bill and black legs and feet, though the bill may become darker and the lower legs lighter in the breeding season. In breeding plumage, delicate ornamental feathers are borne on the back. Males and females are identical in appearance; juveniles look like non-breeding adults. It is a common species, usually easily seen. It has a slow flight, with its neck retracted. This is characteristic of herons and bitterns, and distinguishes them from storks, cranes, ibises, and spoonbills, which extend their necks in flight.
The Great Egret is not normally a vocal bird; at breeding colonies, however, it often gives a loud croaking cuk cuk cuk.
Systematics and taxonomy:
Like all egrets, it is a member of the heron family, Ardeidae. Traditionally classified with the storks in the Ciconiiformes, the Ardeidae are closer relatives of pelicans and belong in the Pelecaniformes instead. The Great Egret—unlike the typical egrets—does not belong to the genus Egretta but together with the great herons is today placed in Ardea. In the past, however, it was sometimes placed in Egretta or separated in a monotypic genus Casmerodius.
Subspecies
There were four subspecies in various parts of the world, which differ but little. Differences are bare part coloration in the breeding season and size; the largest A. a. modesta from Asia and Australasia is now considered a full species, the Eastern Great Egret (Ardea modesta). The remaining three subspecies are:
Ardea alba alba (Europe)
Ardea alba egretta (Americas)
Ardea alba melanorhynchos (Africa)
Ecology and status:
The Great Egret is partially migratory, with northern hemisphere birds moving south from areas with colder winters. It breeds in colonies in trees close to large lakes with reed beds or other extensive wetlands. It builds a bulky stick nest.
The Great Egret is generally a very successful species with a large and expanding range. In North America, large numbers of Great Egrets were killed around the end of the 19th century so that their plumes could be used to decorate hats. Numbers have since recovered as a result of conservation measures. Its range has expanded as far north as southern Canada. However, in some parts of the southern United States, its numbers have declined due to habitat loss. Nevertheless, it adapts well to human habitation and can be readily seen near wetlands and bodies of water in urban and suburban areas. In 1953 the Great Egret in flight was chosen as the symbol of the National Audubon Society, which was formed in part to prevent the killing of birds for their feathers.[3][4]
The Great Egret is one of the species to which the Agreement on the Conservation of African-Eurasian Migratory Waterbirds (AEWA) applies.
Diet:
The Great Egret feeds in shallow water or drier habitats, feeding mainly on fish, frogs, small mammals, and occasionally small birds and reptiles, spearing them with its long, sharp bill most of the time by standing still and allowing the prey to come within its striking distance of its bill which it uses as a spear. It will often wait motionless for prey, or slowly stalk its victim.
Though it might appear that they feed on the parasites of African buffaloes, they actually feed on leafhoppers, grasshoppers and other insects which are stirred open as buffaloes move about in water.
In culture:
The Great Egret is depicted on the reverse side of a 5-Brazilian reais banknote.
"White Egrets" is the title of Saint Lucian Poet Derek Walcott's fourteenth collection of poems.
A seguir, texto em português da Wikipédia, a enciclopédia livre:
Garça-branca-grande
A garça-branca-grande (Casmerodius albus, sin. Ardea alba), também conhecida apenas como garça-branca, é uma ave da ordem Ciconiiformes. É uma garça de vasta distribuição e pode ser encontrada em todo o Brasil.
Dieta:
Se alimenta de presas aquáticas, depois de aproximar-se sorrateiramente com o corpo abaixado e o pescoço recolhido e bicar seu alimento, esticando seu longo pescoço.
Taxonomia:
Subespécies
C. a. modesta - Ásia e Australasia
C. a. alba - Europa
C. a. egretta - América do Norte
C. a. melanorhynchos - África
Ipê Amarelo, Tabebuia [chrysotricha or ochracea].
Ipê-amarelo em Brasília, Brasil.
This tree is in Brasília, Capital of Brazil.
Text, in english, from Wikipedia, the free encyclopedia
"Trumpet tree" redirects here. This term is occasionally used for the Shield-leaved Pumpwood (Cecropia peltata).
Tabebuia
Flowering Araguaney or ipê-amarelo (Tabebuia chrysantha) in central Brazil
Scientific classification
Kingdom: Plantae
(unranked): Angiosperms
(unranked): Eudicots
(unranked): Asterids
Order: Lamiales
Family: Bignoniaceae
Tribe: Tecomeae
Genus: Tabebuia
Gomez
Species
Nearly 100.
Tabebuia is a neotropical genus of about 100 species in the tribe Tecomeae of the family Bignoniaceae. The species range from northern Mexico and the Antilles south to northern Argentina and central Venezuela, including the Caribbean islands of Hispaniola (Dominican Republic and Haiti) and Cuba. Well-known common names include Ipê, Poui, trumpet trees and pau d'arco.
They are large shrubs and trees growing to 5 to 50 m (16 to 160 ft.) tall depending on the species; many species are dry-season deciduous but some are evergreen. The leaves are opposite pairs, complex or palmately compound with 3–7 leaflets.
Tabebuia is a notable flowering tree. The flowers are 3 to 11 cm (1 to 4 in.) wide and are produced in dense clusters. They present a cupular calyx campanulate to tubular, truncate, bilabiate or 5-lobed. Corolla colors vary between species ranging from white, light pink, yellow, lavender, magenta, or red. The outside texture of the flower tube is either glabrous or pubescentThe fruit is a dehiscent pod, 10 to 50 cm (4 to 20 in.) long, containing numerous—in some species winged—seeds. These pods often remain on the tree through dry season until the beginning of the rainy.
Species in this genus are important as timber trees. The wood is used for furniture, decking, and other outdoor uses. It is increasingly popular as a decking material due to its insect resistance and durability. By 2007, FSC-certified ipê wood had become readily available on the market, although certificates are occasionally forged.
Tabebuia is widely used as ornamental tree in the tropics in landscaping gardens, public squares, and boulevards due to its impressive and colorful flowering. Many flowers appear on still leafless stems at the end of the dry season, making the floral display more conspicuous. They are useful as honey plants for bees, and are popular with certain hummingbirds. Naturalist Madhaviah Krishnan on the other hand once famously took offense at ipé grown in India, where it is not native.
Lapacho teaThe bark of several species has medical properties. The bark is dried, shredded, and then boiled making a bitter or sour-tasting brownish-colored tea. Tea from the inner bark of Pink Ipê (T. impetiginosa) is known as Lapacho or Taheebo. Its main active principles are lapachol, quercetin, and other flavonoids. It is also available in pill form. The herbal remedy is typically used during flu and cold season and for easing smoker's cough. It apparently works as expectorant, by promoting the lungs to cough up and free deeply embedded mucus and contaminants. However, lapachol is rather toxic and therefore a more topical use e.g. as antibiotic or pesticide may be advisable. Other species with significant folk medical use are T. alba and Yellow Lapacho (T. serratifolia)
Tabebuia heteropoda, T. incana, and other species are occasionally used as an additive to the entheogenic drink Ayahuasca.
Mycosphaerella tabebuiae, a plant pathogenic sac fungus, was first discovered on an ipê tree.
Tabebuia alba
Tabebuia anafensis
Tabebuia arimaoensis
Tabebuia aurea – Caribbean Trumpet Tree
Tabebuia bilbergii
Tabebuia bibracteolata
Tabebuia cassinoides
Tabebuia chrysantha – Araguaney, Yellow Ipê, tajibo (Bolivia), ipê-amarelo (Brazil), cañaguate (N Colombia)
Tabebuia chrysotricha – Golden Trumpet Tree
Tabebuia donnell-smithii Rose – Gold Tree, "Prima Vera", Cortez blanco (El Salvador), San Juan (Honduras), palo blanco (Guatemala),duranga (Mexico)
A native of Mexico and Central Americas, considered one of the most colorful of all Central American trees. The leaves are deciduous. Masses of golden-yellow flowers cover the crown after the leaves are shed.
Tabebuia dubia
Tabebuia ecuadorensis
Tabebuia elongata
Tabebuia furfuracea
Tabebuia geminiflora Rizz. & Mattos
Tabebuia guayacan (Seem.) Hemsl.
Tabebuia haemantha
Tabebuia heptaphylla (Vell.) Toledo – tajy
Tabebuia heterophylla – roble prieto
Tabebuia heteropoda
Tabebuia hypoleuca
Tabebuia impetiginosa – Pink Ipê, Pink Lapacho, ipê-cavatã, ipê-comum, ipê-reto, ipê-rosa, ipê-roxo-damata, pau d'arco-roxo, peúva, piúva (Brazil), lapacho negro (Spanish); not "brazilwood"
Tabebuia incana
Tabebuia jackiana
Tabebuia lapacho – lapacho amarillo
Tabebuia orinocensis A.H. Gentry[verification needed]
Tabebuia ochracea
Tabebuia oligolepis
Tabebuia pallida – Cuban Pink Trumpet Tree
Tabebuia platyantha
Tabebuia polymorpha
Tabebuia rosea (Bertol.) DC.[verification needed] (= T. pentaphylla (L.) Hemsley) – Pink Poui, Pink Tecoma, apama, apamate, matilisguate
A popular street tree in tropical cities because of its multi-annular masses of light pink to purple flowers and modest size. The roots are not especially destructive for roads and sidewalks. It is the national tree of El Salvador and the state tree of Cojedes, Venezuela
Tabebuia roseo-alba – White Ipê, ipê-branco (Brazil), lapacho blanco
Tabebuia serratifolia – Yellow Lapacho, Yellow Poui, ipê-roxo (Brazil)
Tabebuia shaferi
Tabebuia striata
Tabebuia subtilis Sprague & Sandwith
Tabebuia umbellata
Tabebuia vellosoi Toledo
Ipê-do-cerrado
Texto, em português, da Wikipédia, a enciclopédia livre.
Ipê-do-cerrado
Classificação científica
Reino: Plantae
Divisão: Magnoliophyta
Classe: Magnoliopsida
Subclasse: Asteridae
Ordem: Lamiales
Família: Bignoniaceae
Género: Tabebuia
Espécie: T. ochracea
Nome binomial
Tabebuia ochracea
(Cham.) Standl. 1832
Sinónimos
Bignonia tomentosa Pav. ex DC.
Handroanthus ochraceus (Cham.) Mattos
Tabebuia chrysantha (Jacq.) G. Nicholson
Tabebuia hypodictyon A. DC.) Standl.
Tabebuia neochrysantha A.H. Gentry
Tabebuia ochracea subsp. heteropoda (A. DC.) A.H. Gentry
Tabebuia ochracea subsp. neochrysantha (A.H. Gentry) A.H. Gentry
Tecoma campinae Kraenzl.
ecoma grandiceps Kraenzl.
Tecoma hassleri Sprague
Tecoma hemmendorffiana Kraenzl.
Tecoma heteropoda A. DC.
Tecoma hypodictyon A. DC.
Tecoma ochracea Cham.
Ipê-do-cerrado é um dos nomes populares da Tabebuia ochracea (Cham.) Standl. 1832, nativa do cerrado brasileiro, no estados de Amazonas, Pará, Maranhão, Piauí, Ceará, Pernambuco, Bahia, Espírito Santo, Goiás, Mato Grosso, Mato Grosso do Sul, Minas Gerais, Rio de Janeiro, São Paulo e Paraná.
Está na lista de espécies ameaçadas do estado de São Paulo, onde é encontrda também no domínio da Mata Atlântica[1].
Ocorre também na Argentina, Paraguai, Bolívia, Equador, Peru, Venezuela, Guiana, El Salvador, Guatemala e Panamá[2].
Há uma espécie homônima descrita por A.H. Gentry em 1992.
Outros nomes populares: ipê-amarelo, ipê-cascudo, ipê-do-campo, ipê-pardo, pau-d'arco-do-campo, piúva, tarumã.
Características
Altura de 6 a 14 m. Tronco tortuso com até 50 cm de diâmetro. Folhas pilosas em ambas as faces, mais na inferior, que é mais clara.
Planta decídua, heliófita, xerófita, nativa do cerrado em solos bem drenados.
Floresce de julho a setembro. Os frutos amadurecem de setembro a outubro.
FloresProduz grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em menos de 90 dias após coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978). As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A germinação ocorre após 30 dias e de 80%. As sementes são ortodoxas e há aproximadamente 72 000 sementes em cada quilo.
O desenvolvimento da planta é rápido.
Como outros ipês, a madeira é usada em tacos, assoalhos, e em dormentes e postes. Presta-se também para peças torneadas e instrumento musicais.
Tabebuia alba (Ipê-Amarelo)
Texto, em português, produzido pela Acadêmica Giovana Beatriz Theodoro Marto
Supervisão e orientação do Prof. Luiz Ernesto George Barrichelo e do Eng. Paulo Henrique Müller
Atualizado em 10/07/2006
O ipê amarelo é a árvore brasileira mais conhecida, a mais cultivada e, sem dúvida nenhuma, a mais bela. É na verdade um complexo de nove ou dez espécies com características mais ou menos semelhantes, com flores brancas, amarelas ou roxas. Não há região do país onde não exista pelo menos uma espécie dele, porém a existência do ipê em habitat natural nos dias atuais é rara entre a maioria das espécies (LORENZI,2000).
A espécie Tabebuia alba, nativa do Brasil, é uma das espécies do gênero Tabebuia que possui “Ipê Amarelo” como nome popular. O nome alba provém de albus (branco em latim) e é devido ao tomento branco dos ramos e folhas novas.
As árvores desta espécie proporcionam um belo espetáculo com sua bela floração na arborização de ruas em algumas cidades brasileiras. São lindas árvores que embelezam e promovem um colorido no final do inverno. Existe uma crença popular de que quando o ipê-amarelo floresce não vão ocorrer mais geadas. Infelizmente, a espécie é considerada vulnerável quanto à ameaça de extinção.
A Tabebuia alba, natural do semi-árido alagoano está adaptada a todas as regiões fisiográficas, levando o governo, por meio do Decreto nº 6239, a transformar a espécie como a árvore símbolo do estado, estando, pois sob a sua tutela, não mais podendo ser suprimida de seus habitats naturais.
Taxonomia
Família: Bignoniaceae
Espécie: Tabebuia Alba (Chamiso) Sandwith
Sinonímia botânica: Handroanthus albus (Chamiso) Mattos; Tecoma alba Chamisso
Outros nomes vulgares: ipê-amarelo, ipê, aipê, ipê-branco, ipê-mamono, ipê-mandioca, ipê-ouro, ipê-pardo, ipê-vacariano, ipê-tabaco, ipê-do-cerrado, ipê-dourado, ipê-da-serra, ipezeiro, pau-d’arco-amarelo, taipoca.
Aspectos Ecológicos
O ipê-amarelo é uma espécie heliófita (Planta adaptada ao crescimento em ambiente aberto ou exposto à luz direta) e decídua (que perde as folhas em determinada época do ano). Pertence ao grupo das espécies secundárias iniciais (DURIGAN & NOGUEIRA, 1990).
Abrange a Floresta Pluvial da Mata Atlântica e da Floresta Latifoliada Semidecídua, ocorrendo principalmente no interior da Floresta Primária Densa. É característica de sub-bosques dos pinhais, onde há regeneração regular.
Informações Botânicas
Morfologia
As árvores de Tabebuia alba possuem cerca de 30 metros de altura. O tronco é reto ou levemente tortuoso, com fuste de 5 a 8 m de altura. A casca externa é grisáceo-grossa, possuindo fissuras longitudinais esparas e profundas. A coloração desta é cinza-rosa intenso, com camadas fibrosas, muito resistentes e finas, porém bem distintas.
Com ramos grossos, tortuosos e compridos, o ipê-amarelo possui copa alongada e alargada na base. As raízes de sustentação e absorção são vigorosas e profundas.
As folhas, deciduais, são opostas, digitadas e compostas. A face superior destas folhas é verde-escura, e, a face inferior, acinzentada, sendo ambas as faces tomentosas. Os pecíolos das folhas medem de 2,5 a 10 cm de comprimento. Os folíolos, geralmente, apresentam-se em número de 5 a 7, possuindo de 7 a 18 cm de comprimento por 2 a 6 cm de largura. Quando jovem estes folíolos são densamente pilosos em ambas as faces. O ápice destes é pontiagudo, com base arredondada e margem serreada.
As flores, grandes e lanceoladas, são de coloração amarelo-ouro. Possuem em média 8X15 cm.
Quanto aos frutos, estes possuem forma de cápsula bivalvar e são secos e deiscentes. Do tipo síliqua, lembram uma vagem. Medem de 15 a 30 cm de comprimento por 1,5 a 2,5 cm de largura. As valvas são finamente tomentosas com pêlos ramificados. Possuem grande quantidade de sementes.
As sementes são membranáceas brilhantes e esbranquiçadas, de coloração marrom. Possuem de 2 a 3 cm de comprimento por 7 a 9 mm de largura e são aladas.
Reprodução
A espécie é caducifólia e a queda das folhas coincide com o período de floração. A floração inicia-se no final de agosto, podendo ocorrer alguma variação devido a fenômenos climáticos. Como a espécie floresce no final do inverno é influenciada pela intensidade do mesmo. Quanto mais frio e seco for o inverno, maior será a intensidade da florada do ipê amarelo.
As flores por sua exuberância, atraem abelhas e pássaros, principalmente beija-flores que são importantes agentes polinizadores. Segundo CARVALHO (2003), a espécie possui como vetor de polinização a abelha mamangava (Bombus morio).
As sementes são dispersas pelo vento.
A planta é hermafrodita, e frutifica nos meses de setembro, outubro, novembro, dezembro, janeiro e fevereiro, dependendo da sua localização. Em cultivo, a espécie inicia o processo reprodutivo após o terceiro ano.
Ocorrência Natural
Ocorre naturalmente na Floresta Estaciobal Semidecicual, Floresta de Araucária e no Cerrado.
Segundo o IBGE, a Tabebuia alba (Cham.) Sandw. é uma árvore do Cerrado, Cerradão e Mata Seca. Apresentando-se nos campos secos (savana gramíneo-lenhosa), próximo às escarpas.
Clima
Segundo a classificação de Köppen, o ipê-amarelo abrange locais de clima tropical (Aw), subtropical úmido (Cfa), sutropical de altitude (Cwa e Cwb) e temperado.
A T.alba pode tolerar até 81 geadas em um ano. Ocorre em locais onde a temperatura média anual varia de 14,4ºC como mínimo e 22,4ºC como máximo.
Solo
A espécie prefere solos úmidos, com drenagem lenta e geralmente não muito ondulados (LONGHI, 1995).
Aparece em terras de boa à média fertilidade, em solos profundos ou rasos, nas matas e raramente cerradões (NOGUEIRA, 1977).
Pragas e Doenças
De acordo com CARVALHO (2003), possui como praga a espécie de coleópteros Cydianerus bohemani da família Curculionoideae e um outro coleóptero da família Chrysomellidae. Apesar da constatação de elevados índices populacionais do primeiro, os danos ocasionados até o momento são leves. Nas praças e ruas de Curitiba - PR, 31% das árvores foram atacadas pela Cochonilha Ceroplastes grandis.
ZIDKO (2002), ao estudar no município de Piracicaba a associação de coleópteros em espécies arbóreas, verificou a presença de insetos adultos da espécie Sitophilus linearis da família de coleópteros, Curculionidae, em estruturas reprodutivas. Os insetos adultos da espécie emergiram das vagens do ipê, danificando as sementes desta espécie nativa.
ANDRADE (1928) assinalou diversas espécies de Cerambycidae atacando essências florestais vivas, como ingazeiro, cinamomo, cangerana, cedro, caixeta, jacarandá, araribá, jatobá, entre outras como o ipê amarelo.
A Madeira
A Tabebuia alba produz madeira de grande durabilidade e resistência ao apodrecimento (LONGHI,1995).
MANIERI (1970) caracteriza o cerne desta espécie como de cor pardo-havana-claro, pardo-havan-escuro, ou pardo-acastanhado, com reflexos esverdeados. A superfície da madeira é irregularmente lustrosa, lisa ao tato, possuindo textura media e grã-direita.
Com densidade entre 0,90 e 1,15 grama por centímetro cúbico, a madeira é muito dura (LORENZI, 1992), apresentando grande dificuldade ao serrar.
A madeira possui cheiro e gosto distintos. Segundo LORENZI (1992), o cheiro característico é devido à presença da substância lapachol, ou ipeína.
Usos da Madeira
Sendo pesada, com cerne escuro, adquire grande valor comercial na marcenaria e carpintaria. Também é utilizada para fabricação de dormentes, moirões, pontes, postes, eixos de roda, varais de carroça, moendas de cana, etc.
Produtos Não-Madeireiros
A entrecasca do ipê-amarelo possui propriedades terapêuticas como adstringente, usada no tratamento de garganta e estomatites. É também usada como diurético.
O ipê-amarelo possui flores melíferas e que maduras podem ser utilizadas na alimentação humana.
Outros Usos
É comumente utilizada em paisagismo de parques e jardins pela beleza e porte. Além disso, é muito utilizada na arborização urbana.
Segundo MOREIRA & SOUZA (1987), o ipê-amarelo costuma povoar as beiras dos rios sendo, portanto, indicado para recomposição de matas ciliares. MARTINS (1986), também cita a espécie para recomposição de matas ciliares da Floresta Estacional Semidecidual, abrangendo alguns municípios das regiões Norte, Noroeste e parte do Oeste do Estado do Paraná.
Aspectos Silviculturais
Possui a tendência a crescer reto e sem bifurcações quando plantado em reflorestamento misto, pois é espécie monopodial. A desrrama se faz muito bem e a cicatrização é boa. Sendo assim, dificilmente encopa quando nova, a não ser que seja plantado em parques e jardins.
Ao ser utilizada em arborização urbana, o ipê amarelo requer podas de condução com freqüência mediana.
Espécie heliófila apresenta a pleno sol ramificação cimosa, registrando-se assim dicotomia para gema apical. Deve ser preconizada, para seu melhor aproveitamento madeireiro, podas de formação usuais (INQUE et al., 1983).
Produção de Mudas
A propagação deve realizada através de enxertia.
Os frutos devem ser coletados antes da dispersão, para evitar a perda de sementes. Após a coleta as sementes são postas em ambiente ventilado e a extração é feita manualmente. As sementes do ipê amarelo são ortodoxas, mantendo a viabilidade natural por até 3 meses em sala e por até 9 meses em vidro fechado, em câmara fria.
A condução das mudas deve ser feita a pleno sol. A muda atinge cerca de 30 cm em 9 meses, apresentando tolerância ao sol 3 semanas após a germinação.
Sementes
Os ipês, espécies do gênero Tabebuia, produzem uma grande quantidade de sementes leves, aladas com pequenas reservas, e que perdem a viabilidade em poucos dias após a sua coleta. A sua conservação vem sendo estudada em termos de determinação da condição ideal de armazenamento, e tem demonstrado a importância de se conhecer o comportamento da espécie quando armazenada com diferentes teores de umidade inicial, e a umidade de equilíbrio crítica para a espécie (KANO; MÁRQUEZ & KAGEYAMA, 1978).
As levíssimas sementes aladas da espécie não necessitam de quebra de dormência. Podem apenas ser expostas ao sol por cerca de 6 horas e semeadas diretamente nos saquinhos. A quebra natural leva cerca de 3 meses e a quebra na câmara leva 9 meses. A germinação ocorre após 30 dias e de 80%.
As sementes são ortodoxas e há aproximadamente 87000 sementes em cada quilo.
Preço da Madeira no Mercado
O preço médio do metro cúbico de pranchas de ipê no Estado do Pará cotado em Julho e Agosto de 2005 foi de R$1.200,00 o preço mínimo, R$ 1509,35 o médio e R$ 2.000,00 o preço máximo (CEPEA,2005).
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
An osprey landing on a tree.
Visit my website to see more of my photos and order prints: www.adamwoodworth.com
Check out my book! Night Sky Photography: From First Principles to Professional Results
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!