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Origins of a 14 Trillion Dollar Defecit

 

Project for the New American CenturyFrom Wikipedia, the free encyclopedia

Project for the New American Century

 

Formation 1997

Extinction 2006

Public policy think tank

Location Washington, D.C.

Website newamericancentury.org

The Project for the New American Century (PNAC) was an American think tank based in Washington, D.C. that lasted from 1997 to 2006. It was co-founded as a non-profit educational organization by William Kristol and Robert Kagan. The PNAC's stated goal was "to promote American global leadership."[1] Fundamental to the PNAC were the view that "American leadership is both good for America and good for the world" and support for "a Reaganite policy of military strength and moral clarity."[2] The PNAC exerted influence on high-level U.S. government officials in the administration of U.S. President George W. Bush and affected the Bush Administration's development of military and foreign policies, especially involving national security and the Iraq War.[3][4]

 

Contents [hide]

1 History

1.1 Statement of Principles

1.2 Calls for regime change in Iraq during Clinton years

1.3 Rebuilding America's Defenses

1.4 Post-9/11 call for regime change in Iraq

1.5 Human Rights and the EU Arms Embargo

1.6 End of the organization

2 Controversy

2.1 US world dominance

2.2 Excessive focus on military strategies, neglect of diplomatic strategies

2.3 "New Pearl Harbor"

2.4 Inexperienced in realities of war

2.5 PNAC role in promoting invasion of Iraq

2.6 PNAC role in promoting genetically operating racist bioweapons

3 Persons associated with the PNAC

3.1 Project directors

3.2 Project staff

3.3 Former directors and staff

3.4 Signatories to Statement of Principles

3.5 Signatories or contributors to other significant letters or reports[15]

3.6 Associations with Bush administration

4 See also

5 Notes

6 References

6.1 External links

6.2 Further reading and media programs: Analysis and criticism

 

History Statement of PrinciplesPNAC's first public act was releasing a "Statement of Principles" on June 3, 1997, which was signed by both its members and a variety of other notable conservative politicians and journalists (see Signatories to Statement of Principles). The statement began by framing a series of questions, which the rest of the document proposes to answer:

 

As the 20th century draws to a close, the United States stands as the world's pre-eminent power. Having led the West to victory in the Cold War, America faces an opportunity and a challenge: Does the United States have the vision to build upon the achievements of past decades? Does the United States have the resolve to shape a new century favorable to American principles and interests?[5]

 

In response to these questions, the PNAC states its aim to "remind America" of "lessons" learned from American history, drawing the following "four consequences" for America in 1997:

 

we need to increase defense spending significantly if we are to carry out our global responsibilities today and modernize our armed forces for the future;

we need to strengthen our ties to democratic allies and to challenge regimes hostile to our interests and values;

we need to promote the cause of political and economic freedom abroad; [and]

we need to accept responsibility for America's unique role in preserving and extending an international order friendly to our security, our prosperity, and our principles.

While "Such a Reaganite policy of military strength and moral clarity may not be fashionable today," the "Statement of Principles" concludes, "it is necessary if the United States is to build on the successes of this past century and to ensure our security and our greatness in the next."[5]

 

[edit] Calls for regime change in Iraq during Clinton yearsThe goal of regime change in Iraq remained the consistent position of PNAC throughout the 1997-2000 Iraq disarmament crisis.[6][7]

 

Richard Perle, who later became a core member of PNAC, was involved in similar activities to those pursued by PNAC after its formal organization. For instance, in 1996 Perle composed a report that proposed regime changes in order to restructure power in the Middle East. The report was titled A Clean Break: A New Strategy for Securing the Realm and called for removing Saddam Hussein from power, as well as other ideas to bring change to the region. The report was delivered to Prime Minister Benjamin Netanyahu.[8] Two years later, in 1998, Perle and other core members of the PNAC - Paul Wolfowitz, R. James Woolsey, Elliot Abrams, and John Bolton - "were among the signatories of a letter to President Clinton calling for the removal of Hussein."[8] Clinton did seek regime change in Iraq, and this position was sanctioned by the United Nations. These UN sanctions were considered ineffective by the neoconservative forces driving the PNAC.

 

The PNAC core members followed up these early efforts with a letter to Republican members of the U.S. Congress Newt Gingrich and Trent Lott,[9] urging Congress to act. The PNAC also supported the Iraq Liberation Act of 1998 (H.R.4655), which President Clinton had signed into law.[10]

 

On January 16, 1998, following perceived Iraqi unwillingness to co-operate with UN weapons inspections, members of the PNAC, including Donald Rumsfeld, Paul Wolfowitz, and Robert Zoellick drafted an open letter to President Bill Clinton, posted on its website, urging President Clinton to remove Saddam Hussein from power using U.S. diplomatic, political, and military power. The signers argue that Saddam would pose a threat to the United States, its Middle East allies, and oil resources in the region, if he succeeded in maintaining what they asserted was a stockpile of Weapons of Mass Destruction. They also state: "we can no longer depend on our partners in the Gulf War to continue to uphold the sanctions or to punish Saddam when he blocks or evades UN inspections" and "American policy cannot continue to be crippled by a misguided insistence on unanimity in the UN Security Council." They argue that an Iraq war would be justified by Hussein's defiance of UN "containment" policy and his persistent threat to U.S. interests.[11]

 

On November 16, 1998, citing Iraq's demand for the expulsion of UN weapons inspectors and the removal of Richard Butler as head of the inspections regime, Kristol called again for regime change in an editorial in his online magazine, The Weekly Standard: "...any sustained bombing and missile campaign against Iraq should be part of any overall political-military strategy aimed at removing Saddam from power."[12] Kristol states that Paul Wolfowitz and others believed that the goal was to create "a 'liberated zone' in southern Iraq that would provide a safe haven where opponents of Saddam could rally and organize a credible alternative to the present regime ... The liberated zone would have to be protected by U.S. military might, both from the air and, if necessary, on the ground."

 

In January 1999, the PNAC circulated a memo that criticized the December 1998 bombing of Iraq in Operation Desert Fox as ineffective, questioned the viability of Iraqi democratic opposition which the U.S. was supporting through the Iraq Liberation Act, and referred to any "containment" policy as an illusion.[13]

 

[edit] Rebuilding America's DefensesIn September 2000, the PNAC published a controversial 90-page report entitled Rebuilding America's Defenses: Strategies, Forces, and Resources For a New Century. The report, which lists as Project Chairmen Donald Kagan and Gary Schmitt and as Principal Authors. Thomas Donnelly, quotes from the PNAC's June 1997 "Statement of Principles" and proceeds "from the belief that America should seek to preserve and extend its position of global leadership by maintaining the preeminence of U.S. military forces."[14][15]

 

The report argues:

 

The American peace has proven itself peaceful, stable, and durable. It has, over the past decade, provided the geopolitical framework for widespread economic growth and the spread of American principles of liberty and democracy. Yet no moment in international politics can be frozen in time; even a global Pax Americana will not preserve itself.[14]

 

After its title page, the report features a page entitled "About the Project for the New American Century", quoting key passages from its 1997 "Statement of Principles":

 

“ [What we require is] a military that is strong and ready to meet both present and future challenges; a foreign policy that boldly and purposefully promotes American principles abroad; and national leadership that accepts the United States’ global responsibilities. Of course, the United States must be prudent in how it exercises its power. But we cannot safely avoid the responsibilities of global leadership of the costs that are associated with its exercise. America has a vital role in maintaining peace and security in Europe, Asia, and the Middle East. If we shirk our responsibilities, we invite challenges to our fundamental interests. The history of the 20th century should have taught us that it is important to shape circumstances before crises emerge, and to meet threats before they become dire. The history of the past century should have taught us to embrace the cause of American leadership.[14]

 

In its "Preface", in highlighted boxes, Rebuilding America's Defenses states that it aims to:

 

ESTABLISH FOUR CORE MISSIONS for the U.S. military:

 

defend the American homeland;

fight and decisively win multiple, simultaneous major theater wars;

perform the “constabulary” duties associated with shaping the security environment in critical regions;

transform U.S. forces to exploit the “revolution in military affairs”;

and that

 

To carry out these core missions, we need to provide sufficient force and budgetary allocations. In particular, the United States must:

MAINTAIN NUCLEAR STRATEGIC SUPERIORITY, basing the U.S. deterrent upon a global, nuclear net assessment that weighs the full range of current and emerging threats, not merely the U.S.-Russia balance.

RESTORE THE PERSONNEL STRENGTH of today’s force to roughly the levels anticipated in the “Base Force” outlined by the Bush Administration, an increase in active-duty strength from 1.4 million to 1.6 million.

REPOSITION U.S. FORCES to respond to 21st century strategic realities by shifting permanently-based forces to Southeast Europe and Southeast Asia, and by changing naval deployment patterns to reflect growing U.S. strategic concerns in East Asia. (iv)

 

It specifies the following goals:

 

MODERNIZE CURRENT U.S. FORCES SELECTIVELY, proceeding with the F-22 program while increasing purchases of lift, electronic support and other aircraft; expanding submarine and surface combatant fleets; purchasing Comanche helicopters and medium-weight ground vehicles for the Army, and the V-22 Osprey “tilt-rotor” aircraft for the Marine Corps.

CANCEL “ROADBLOCK” PROGRAMS such as the Joint Strike Fighter, CVX aircraft carrier,[16] and Crusader howitzer system that would absorb exorbitant amounts of Pentagon funding while providing limited improvements to current capabilities. Savings from these canceled programs should be used to spur the process of military transformation.

DEVELOP AND DEPLOY GLOBAL MISSILE DEFENSES to defend the American homeland and American allies, and to provide a secure basis for U.S. power projection around the world.[17]

CONTROL THE NEW “INTERNATIONAL COMMONS” OF SPACE AND “CYBERSPACE,” and pave the way for the creation of a new military service – U.S. Space Forces – with the mission of space control.

EXPLOIT THE “REVOLUTION IN MILITARY AFFAIRS” to insure the long-term superiority of U.S. conventional forces. Establish a two-stage transformation process which

• maximizes the value of current weapons systems through the application of advanced technologies, and,

• produces more profound improvements in military capabilities, encourages competition between single services and joint-service experimentation efforts.

INCREASE DEFENSE SPENDING gradually to a minimum level of 3.5 to 3.8 percent of gross domestic product, adding $15 billion to $20 billion to total defense spending annually. (v)

 

The report emphasizes:

 

Fulfilling these requirements is essential if America is to retain its militarily dominant status for the coming decades. Conversely, the failure to meet any of these needs must result in some form of strategic retreat. At current levels of defense spending, the only option is to try ineffectually to “manage” increasingly large risks: paying for today’s needs by shortchanging tomorrow’s; withdrawing from constabulary missions to retain strength for large-scale wars; “choosing” between presence in Europe or presence in Asia; and so on. These are bad choices. They are also false economies. The “savings” from withdrawing from the Balkans, for example, will not free up anywhere near the magnitude of funds needed for military modernization or transformation. But these are false economies in other, more profound ways as well. The true cost of not meeting our defense requirements will be a lessened capacity for American global leadership and, ultimately, the loss of a global security order that is uniquely friendly to American principles and prosperity. (v-vi)

 

In relation to the Persian Gulf, citing particularly Iraq and Iran, Rebuilding America's Defenses states that "while the unresolved conflict in Iraq provides the immediate justification [for U.S. military presence], the need for a substantial American force presence in the [Persian] Gulf transcends the issue of the regime of Saddam Hussein" and "Over the long term, Iran may well prove as large a threat to U.S. interests in the [Persian] Gulf as Iraq has. And even should U.S.-Iranian relations improve, retaining forward-based forces in the region would still be an essential element in U.S. security strategy given the longstanding American interests in the region."[14]

 

One of the core missions outlined in the 2000 report Rebuilding America's Defenses is "fight and decisively win multiple, simultaneous major theater wars."[4][18]

 

[edit] Post-9/11 call for regime change in IraqOn September 20, 2001 (nine days after the September 11, 2001 attacks), the PNAC sent a letter to President George W. Bush, advocating "a determined effort to remove Saddam Hussein from power in Iraq," or regime change:

 

...even if evidence does not link Iraq directly to the attack, any strategy aiming at the eradication of terrorism and its sponsors must include a determined effort to remove Saddam Hussein from power in Iraq. Failure to undertake such an effort will constitute an early and perhaps decisive surrender in the war on international terrorism.[4][19]

 

From 2001 through 2002, the co-founders and other members of the PNAC published articles supporting the United States' invasion of Iraq.[20] On its website, the PNAC promoted its point of view that leaving Saddam Hussein in power would be "surrender to terrorism."[21][22][23][24]

 

In 2003, during the period leading up to the 2003 invasion of Iraq, the PNAC had seven full-time staff members in addition to its board of directors.[1]

 

[edit] Human Rights and the EU Arms EmbargoIn 2005, the European Union considered lifting the arms embargo placed on Beijing. The embargo was put in place after the events at Tiananmen Square in 1989. The PNAC, along with other concerned countries, composed a letter to Javier Solana, asking that the EU not lift the embargo until three conditions were met:

 

A general amnesty of all prisoners of conscience, including those imprisoned in connection to peaceful protest in 1989, and public trials by independent court for those charged with ‘criminal’ acts.

A reversal of the official verdict on the 1989 movement as a ‘counter-revolution riot,’ allowing an independent ‘truth commission’ to investigate and provide a comprehensive account of the killings, torture, and arbitrary detention, and bringing to justice those responsible for the violations of human rights involved.

Adoption and implementation of the International Covenant on Civil Political Rights, taking concrete actions to enforce other international human rights conventions and treaties that China has joined.

The justification for these conditions was explained as follows:

 

“Doing away with this sanction without corresponding improvements in human rights... would send the wrong signal to the Chinese people, including especially those of us who lost loved ones, who are persecuted, and for all Chinese who continue to struggle for the ideal that inspired the 1989 movement.”[25]

[edit] End of the organizationBy the end of 2006, PNAC was "reduced to a voice-mail box and a ghostly website", with "a single employee" "left to wrap things up", according to the BBC News.[26] According to Tom Barry, "The glory days of the Project for the New American Century (PNAC) quickly passed."[27] In 2006, Gary Schmitt, former executive director of the PNAC, a resident scholar at the American Enterprise Institute and director of its program in Advanced Strategic Studies, stated that PNAC had come to a natural end:

 

When the project started, it was not intended to go forever. That is why we are shutting it down. We would have had to spend too much time raising money for it and it has already done its job. We felt at the time that there were flaws in American foreign policy, that it was neo-isolationist. We tried to resurrect a Reaganite policy. Our view has been adopted. Even during the Clinton administration we had an effect, with Madeleine Albright [then secretary of state] saying that the United States was 'the indispensable nation'. But our ideas have not necessarily dominated. We did not have anyone sitting on Bush's shoulder. So the work now is to see how they are implemented.[26]

 

PNAC's successor organization is the Foreign Policy Initiative.[28][29]

 

[edit] Controversy[edit] US world dominanceAccording to critics, including Paul Reynolds, PNAC promoted American "hegemony" and "full-spectrum" dominance in its publications.[30][31][32][33]

 

Ebrahim Afsah, in "Creed, Cabal, or Conspiracy – The Origins of the Current Neo-Conservative Revolution in US Strategic Thinking", published in the German Law Journal, cited Jochen Bölsche's view that the goal of the PNAC was world dominance or global hegemony by the United States.[34][35] According to Bölsche, Rebuilding America's Defenses "was developed by Rumsfeld, Cheney, Wolfowitz and Libby, and is devoted to matters of 'maintaining US pre-eminence, thwarting rival powers and shaping the global security system according to US interests.'"[34][35]

 

George Monbiot, a political activist from the United Kingdom, stated: "...to pretend that this battle begins and ends in Iraq requires a willful denial of the context in which it occurs. That context is a blunt attempt by the superpower to reshape the world to suit itself."[36]

 

PNAC co-founder Robert Kagan countered such criticism in his statement during a debate on whether or not "The United States Is, and Should Be, an Empire":

 

"There is a vital distinction between being powerful--even most powerful in the world--and being an empire. Economic expansion does not equal imperialism, and there is no such thing as "cultural imperialism". If America is an empire, then why was it unable to mobilize its subjects to support the war against Saddam Hussein? America is not an empire, and its power stems from voluntary associations and alliances. American hegemony is relatively well accepted because people all over the world know that U.S. forces will eventually withdraw from the occupied territories. The effect of declaring that the United States is an empire would not only be factually wrong, but strategically catastrophic. Contrary to the exploitative purposes of the British, the American intentions of spreading democracy and individual rights are incompatible with the notion of an empire. The genius of American power is expressed in the movie The Godfather II, where, like Hyman Roth, the United States has always made money for its partners. America has not turned countries in which it intervened into deserts; it enriched them. Even the Russians knew they could surrender after the Cold War without being subjected to occupation."[37]

 

[edit] Excessive focus on military strategies, neglect of diplomatic strategiesJeffrey Record, of the Strategic Studies Institute, in his monograph Bounding the Global War on Terrorism, Gabriel Kolko, research professor emeritus at York University in Toronto, and author of Another Century of War? (The New Press, 2002), in his article published in CounterPunch, and William Rivers Pitt, in Truthout, respectively, argued that the PNAC's goals of military hegemony exaggerated what the military can accomplish, that they failed to recognize "the limits of US power", and that favoring pre-emptive exercise of military might over diplomatic strategies could have "adverse side effects."[38][39][40] (Paul Reynolds and Max Boot have made similar observations.[30][31])

 

The Sydney Morning Herald published an English translation of an article published in German in Der Spiegel summarizing former President Jimmy Carter's position and stating that President Carter:

 

judges the PNAC agenda in the same way. At first, argues Carter, Bush responded to the challenge of September 11 in an effective and intelligent way, "but in the meantime a group of conservatives worked to get approval for their long held ambitions under the mantle of 'the war on terror'." The restrictions on civil rights in the US and at Guantanamo, cancellation of international accords, "contempt for the rest of the world", and finally an attack on Iraq "although there is no threat to the US from Baghdad" - all these things will have devastating consequences, according to Carter. "This entire unilateralism", warns the ex-President, "will increasingly isolate the US from those nations that we need in order to do battle with terrorism".[34]

 

[edit] "New Pearl Harbor"Section V of Rebuilding America's Defenses, entitled "Creating Tomorrow's Dominant Force", includes the sentence: "Further, the process of transformation, even if it brings revolutionary change, is likely to be a long one, absent some catastrophic and catalyzing event––like a new Pearl Harbor" (51).[14]

 

Though not arguing that Bush administration PNAC members were complicit in those attacks, other social critics such as commentator Manuel Valenzuela and journalist Mark Danner,[41][42][43] investigative journalist John Pilger, in New Statesman,[44] and former editor of The San Francisco Chronicle Bernard Weiner, in CounterPunch,[45] all argue that PNAC members used the events of 9/11 as the "Pearl Harbor" that they needed––that is, as an "opportunity" to "capitalize on" (in Pilger's words), in order to enact long-desired plans.

 

[edit] Inexperienced in realities of warFormer US Congressman Lionel Van Deerlin and UK Labour MP and Father of the House of Commons, Tam Dalyell, criticized PNAC members for promoting policies which support an idealized version of war, even though only a handful of PNAC members have served in the military or, if they served, never seen combat.[46]

 

As quoted in Paul Reynolds' BBC News report, David Rothkopf stated:

 

Their [The Project for the New American Century's] signal enterprise was the invasion of Iraq and their failure to produce results is clear. Precisely the opposite has happened. The US use of force has been seen as doing wrong and as inflaming a region that has been less than susceptible to democracy. Their plan has fallen on hard times. There were flaws in the conception and horrendously bad execution. The neo-cons have been undone by their own ideas and the incompetence of the Bush administration.[26]

 

In discussing the PNAC report Rebuilding America's Defenses (2000), Neil MacKay, investigations editor for the Scottish Sunday Herald, quoted Tam Dalyell: "'This is garbage from right-wing think-tanks stuffed with chicken-hawks -- men who have never seen the horror of war but are in love with the idea of war. Men like Cheney, who were draft-dodgers in the Vietnam war. These are the thought processes of fanaticist Americans who want to control the world.'"[47]

 

Eliot A. Cohen, a signatory to the PNAC "Statement of Principles", responded in The Washington Post: "There is no evidence that generals as a class make wiser national security policymakers than civilians. George C. Marshall, our greatest soldier statesman after George Washington, opposed shipping arms to Britain in 1940. His boss, Franklin D. Roosevelt, with nary a day in uniform, thought otherwise. Whose judgment looks better?"[48]

 

[edit] PNAC role in promoting invasion of IraqCommentators from divergent parts of the political spectrum––such as Democracy Now! and American Free Press, including Nobel Peace Prize Laureate Jody Williams and former Republican Congressmen Pete McCloskey and Paul Findley––voiced their concerns about the influence of the PNAC on the decision by President George W. Bush to invade Iraq.[49][50] Some have regarded the PNAC's January 16, 1998 letter to President Clinton, which urged him to embrace a plan for "the removal of Saddam Hussein’s regime from power,"[11] and the large number of members of PNAC appointed to the Bush administration as evidence that the 2003 invasion of Iraq was a foregone conclusion.[42][51]

 

The television program Frontline, broadcast on PBS, presented the PNAC's letter to President Clinton as a notable event in the leadup to the Iraq war.[52]

 

Media commentators have found it significant that signatories to the PNAC's January 16, 1998 letter to President Clinton (and some of its other position papers, letters, and reports) included such later Bush administration officials as Donald Rumsfeld, Paul Wolfowitz, Richard Perle, John Bolton, Richard Armitage, and Elliott Abrams.[30][38][41][52]

 

[edit] PNAC role in promoting genetically operating racist bioweapons"And advanced forms of biological warfare that can “target” specific genotypes may transform biological warfare from the realm of terror to a politically useful tool"(60). [14] This quote shows PNAC thoughts about genetically operating racist bioweapons and mentions them as "a politically useful tool".

 

[edit] Persons associated with the PNAC[edit] Project directors[as listed on the PNAC website:]

 

William Kristol, Co-founder and Chairman[1]

Robert Kagan, Co-founder[1]

Bruce P. Jackson[1]

Mark Gerson[1]

Randy Scheunemann[1]

 

[edit] Project staffEllen Bork, Deputy Director[1]

Gary Schmitt, Senior Fellow[1][53]

Thomas Donnelly, Senior Fellow[1]

Reuel Marc Gerecht, Senior Fellow[1]

Mitch Jackson, Senior Fellow

Timothy Lehmann, Assistant Director[1]

Michael Goldfarb, Research Associate[1]

 

[edit] Former directors and staffDaniel McKivergan, Deputy Director[54]

[edit] Signatories to Statement of PrinciplesElliott Abrams[5]

Gary Bauer[5]

William J. Bennett[5]

John Ellis "Jeb" Bush[5]

Richard B. Cheney[5]

Eliot A. Cohen[5]

Midge Decter[5]

Paula Dobriansky[5]

Steve Forbes[5]

Aaron Friedberg[5]

Francis Fukuyama[5]

Frank Gaffney[5]

Fred C. Ikle[5]

Donald Kagan[5]

Zalmay Khalilzad[5]

I. Lewis "Scooter" Libby[5]

Norman Podhoretz[5]

J. Danforth Quayle[5]

Peter W. Rodman[5]

Stephen P. Rosen[5]

Henry S. Rowen[5]

Donald Rumsfeld[5]

Vin Weber[5]

George Weigel[5]

Paul Wolfowitz[5]

 

[edit] Signatories or contributors to other significant letters or reports[15]Elliott Abrams[9][11]

Kenneth Adelman[55]

Richard V. Allen[19]

Richard L. Armitage[11]

Gary Bauer[19][55]

Jeffrey Bell[19][55]

William J. Bennett[9][11][19][55]

Jeffrey Bergner[9][11][19]

John Bolton[9][11]

Ellen Bork[55]

Rudy Boschwitz[19]

Linda Chavez[55]

Eliot Cohen[14][19][55]

Seth Cropsey[19]

Midge Decter[19][55]

Paula Dobriansky[9][11]

Thomas Donnelly[14][19][55]

Nicholas Eberstadt,[19][55][56]

Hillel Fradkin[19][55][57]

Aaron Friedberg[19]

Francis Fukuyama[9][11][19]

Frank Gaffney[19][55]

Jeffrey Gedmin[19][55]

Reuel Marc Gerecht[19][55]

Charles Hill[19][55]

Bruce P. Jackson[19][55]

Eli S. Jacobs[19]

Michael Joyce[19]

Donald Kagan[14][19][55]

Robert Kagan[9][11][14][19][55]

Stephen Kantany

Zalmay Khalilzad[9][11]

Jeane Kirkpatrick[19]

Charles Krauthammer[19]

William Kristol[9][11][14][19]

John Lehman[19][55]

I. Lewis Libby[14]

Tod Lindberg[55][58]

Rich Lowry[55]

Clifford May[19][55]

John McCain[59]

Joshua Muravchik[55]

Michael O'Hanlon [60][61]

Martin Peretz[19][55]

Richard Perle[9][11][19][55]

Daniel Pipes[55]

Norman Podhoretz[19][55]

Peter W. Rodman[9][11][19]

Stephen P. Rosen[14][19][55]

Donald Rumsfeld[9][11]

Randy Scheunemann[19][55]

Gary Schmitt[14][19][53][55]

William Schneider, Jr.[9][11][19][55]

Richard H. Shultz[19][62]

Henry Sokolski[19]

Stephen J. Solarz[19]

Vin Weber[9][11][19]

Leon Wieseltier[19]

Marshall Wittmann[19][55]

Paul Wolfowitz[9][11][14]

R. James Woolsey[9][11][55]

Dov Zakheim[14][63]

Robert B. Zoellick[9][11]

 

[edit] Associations with Bush administrationAfter the election of George W. Bush in 2000, a number of PNAC's members or signatories were appointed to key positions within the President's administration:

 

Name Position(s) held

Elliott Abrams Special Assistant to the President and Senior Director for Democracy, Human Rights, and International Operations (2001–2002), Special Assistant to the President and Senior Director for Near East and North African Affairs (2002–2005), Deputy Assistant to the President and Deputy National Security Advisor for Global Democracy Strategy (2005–2009) (all within the National Security Council)

Richard Armitage Deputy Secretary of State (2001–2005)

John R. Bolton Under-Secretary of State for Arms Control and International Security Affairs (2001–2005), U.S. Ambassador to the United Nations (2005–2006)

Dick Cheney Vice President (2001–2009)

Eliot A. Cohen Member of the Defense Policy Advisory Board (2007–2009)[64]

Seth Cropsey Director of the International Broadcasting Bureau (12/2002-12/2004)

Paula Dobriansky Under-Secretary of State for Global Affairs (2001–2007)

Aaron Friedberg Deputy Assistant for National Security Affairs and Director of Policy Planning, Office of the Vice President (2003–2005)

Francis Fukuyama Member of The President's Council on Bioethics (2001–2005)

Zalmay Khalilzad U.S. Ambassador to Afghanistan (11/2003 - 6/2005), U.S. Ambassador to Iraq (6/2005 - 3/2007) U.S. Ambassador to the United Nations (2007–2009)

I. Lewis "Scooter" Libby Chief of Staff to the Vice President of the United States (2001–2005)

Richard Perle Chairman of the Board, Defense Policy Board Advisory Committee (2001–2003)

Peter W. Rodman Assistant Secretary of Defense for International Security (2001–2007)

Donald Rumsfeld Secretary of Defense (2001–2006)

Randy Scheunemann Member of the U.S. Committee on NATO, Project on Transitional Democracies, International Republican Institute

Paul Wolfowitz Deputy Secretary of Defense (2001–2005) 10th President of the World Bank (2005-2007)

Dov S. Zakheim Department of Defense Comptroller (2001–2004)

Robert B. Zoellick Office of the United States Trade Representative (2001–2005), Deputy Secretary of State (2005–2006), 11th President of the World Bank (2007–Present)

[edit] See alsoCenter for a New American Security

American Century

A Clean Break: A New Strategy for Securing the Realm

Committee for the Liberation of Iraq

Jewish Institute for National Security Affairs

Office of Special Plans

The New American

[edit] Notes^ a b c d e f g h i j k l m "About PNAC", newamericancentury.org, n.d., accessed May 30, 2007: "Established in the spring of 1997, the Project for the New American Century is a non-profit, educational organization whose goal is to promote American global leadership. The Project is an initiative of the New Citizenship Project (501c3); the New Citizenship Project's chairman is William Kristol and its president is Gary Schmitt."

^ Home page of the Project for the New American Century, accessed May 30, 2007.

^ "Empire builders - Neoconservatives and their blueprint for US power", The Christian Science Monitor (Copyright © 2004), accessed May 22, 2007.

^ a b c The PNAC was often identified as a "neo-con" or "right-wing think tank" in profiles featured on the websites of "left-wing" and "progressive" "policy institute" and "media watchdog" organizations, which were critical of it; see, e.g., "Profile: Project for the New American Century", Right Web (International Relations Center), November 22, 2003, accessed June 1, 2007.

^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Elliott Abrams, et al., "Statement of Principles", June 3, 1997, newamericancentury.org, accessed May 28, 2007.

^ Kristol, William; Kagan, Robert (January 30, 1998). "Bombing Iraq Isn't Enough". The New York Times. www.nytimes.com/1998/01/30/opinion/bombing-iraq-isn-t-eno...

^ Kristol, William; Kagan, Robert (February 26, 1998). "A 'Great Victory' for Iraq". The Washington Post. www.newamericancentury.org/iraq-022698.htm

^ a b Wedel, Janine (2009). Shadow Elite. New York: Basic Books. p. 170.

^ a b c d e f g h i j k l m n o p q r Elliott Abrams, et al.,Letter to Newt Gingrich and Trent Lott, May 28, 1998, newamericancentury.org, accessed May 30, 2007.

^ "ENR H.R. 4655: Iraq Liberation Act of 1998 (Enrolled as Agreed to or Passed by Both House and Senate)", 105th Congress of the United States, thomas.loc.gov (THOMAS online database at the Library of Congress), January 27, 1998, accessed June 1, 2007.

^ a b c d e f g h i j k l m n o p q r s t "Open Letter to President Bill Clinton", January 16, 1998, accessed May 28, 2007.

^ William Kristol, "How to Attack Iraq", The Weekly Standard, November 16, 1998, editorial, online posting, newamericancentury.org, web.archive.org, accessed May 30,

Epic 45SURF t-shirts & hoodies for your EPIC HERO'S ODYSSEY!

 

shop.spreadshirt.com/45surf/45surf+hero's+odyssey+mytholo...

 

Epic Malibu Sea Caves 2018 Caledar!

www.zazzle.com/elliotmcgucken

 

My book on Epic Landscape Photography!

www.amazon.com/Epic-Landscape-Photography-Principles-Comp...

 

Photographing the Venus Archetype!

www.amazon.com/Photographing-Women-Models-Photography-Arc...

 

Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!

 

The 45surf and gold 45 revolver swimsuits, shirts, logos, designs, and lingerie are designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:

 

www.facebook.com/Photographing-Women-Models-Portrait-Swim...

 

"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"

 

If you would like a free review copy, message me!

 

Epic Landscape Photography! New Book!

www.facebook.com/epiclandscapephotography

 

And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!

 

www.facebook.com/goldennumberratio/

'

The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!

 

www.facebook.com/lightimedimensiontheory/

 

Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)

 

facebook.com/mcgucken

http:/instagram.com/elliotmcgucken

instagram.com/goldennumberratio

 

Beautiful swimsuit bikini model goddess!

 

Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!

 

Would you like to see the whole set? Comment below and let me know!

 

Follow me!

instagram.com/45surf

facebook.com/mcgucken

instagram.com/elliotmcgucken

 

I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!

 

www.facebook.com/goldennumberratio/

 

The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.

 

The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.

 

The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!

  

Read all about how classical art such as The Birth of Venus inspires all my photography!

www.facebook.com/Photographing-Women-Models-Portrait-Swim...

 

"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"

   

Sketchnote of the four key design principles from Robin Williams' excellent book "The Non-Designer's Design Book". I applied these four principles to sketchnotes, layouts and the organization of content in particular.

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

Nestled in the tranquil heart of Kanazawa, Japan, the D.T. Suzuki Museum offers visitors an immersive experience in Zen philosophy and minimalism. The Contemplation Space, as depicted in this image, is a cornerstone of the museum's design. Conceived by renowned architect Yoshio Taniguchi, the museum's architecture elegantly encapsulates the teachings of D.T. Suzuki, a pioneering figure in bringing Zen to the West.

 

This space is an embodiment of simplicity and mindfulness, with its understated wooden benches and smooth flooring that seamlessly integrate with the dark, serene backdrop. The choice of natural materials reflects Zen ideals, where form follows function, and every element serves a purpose. The soft interplay of light and shadow invites visitors to pause, reflect, and connect with the present moment, away from the distractions of modern life.

 

Taniguchi's design integrates traditional Japanese aesthetics with contemporary architecture, resulting in a space that resonates with both historical reverence and modern sophistication. The Contemplation Space is part of a larger narrative, complemented by the museum’s reflective water features and meticulously landscaped gardens. Together, these elements create an atmosphere of quiet introspection, where visitors can experience a profound sense of stillness.

 

The museum is not merely a tribute to D.T. Suzuki’s philosophy but also an architectural masterpiece that embodies the principles he taught. A visit to the D.T. Suzuki Museum is more than just a cultural outing—it is an opportunity to reconnect with oneself in a beautifully crafted space that epitomizes the essence of Zen.

Every once in a while I have to remind myself to re-focus on how I can get work done effectively and efficiently...

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

Hannibal Lecter: First principles, Clarice. Simplicity. Read Marcus Aurelius. Of each particular thing ask: what is it in itself? What is its nature? What does he do, this man you seek?

Clarice Starling: He kills women...

Hannibal Lecter: No. That is incidental. What is the first and principal thing he does? What needs does he serve by killing?

Clarice Starling: Anger, um, social acceptance, and, huh, sexual frustrations, sir...

Hannibal Lecter: No! He covets. That is his nature. And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer now.

Clarice Starling: No. We just...

Hannibal Lecter: No. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? And don't your eyes seek out the things you want?

 

"It is just preposterous the idea that if a party comes third in the number of votes, it still has somehow the right to carry on squatting in No 10..."

 

Nick Clegg

Getting Things Done - Basic Principles summarized.

 

Currently, I'm yet to practice GTD but that's a start.

 

Update: I *AM* practicing GTD, since the 23rd of May.

Dr. Elliot McGucken Fine Art Landscape & Nature Photography

 

New book page!

 

www.facebook.com/epiclandscapephotography/

 

Epic Landscape Photography: The Mythological Principles of Fine Art Nature Photography

 

instagram.com/elliotmcgucken

 

facebook.com/mcgucken

 

Golden Number Ratio Divine Proportion Compositions Fine Art Photography Dr. Elliot McGucken : Using the Nature's Golden Cut to Exalt Nature Photography!

 

Join my golden ratio groups!

www.facebook.com/goldennumberratio/

 

www.facebook.com/groups/1401714589947057/

 

instagram.com/goldennumberratio

 

Dr. Elliot McGucken Fine Art Landscape & Nature Photography

 

New book page!

 

www.facebook.com/epiclandscapephotography/

 

Epic Landscape Photography: The Mythological Principles of Fine Art Nature Photography

 

instagram.com/elliotmcgucken

 

facebook.com/mcgucken

 

Ansel Adams used the golden ratio in his photography too:

 

www.youtube.com/watch?v=WFlzAaBgsDI

 

www.youtube.com/watch?v=zrOUX3ZCl7I

 

The Fibonacci Numbers are closely related to the golden ratio, and thus they also play a prominent role in exalted natural and artistic compositions!

 

I'm working on a far deeper book titled The Golden Ratio Number for Photographers. :)

 

The famous mathematician Jacob Bernoulli wrote:

 

The (golden spiral) may be used as a symbol, either of fortitude and constancy in adversity, or of the human body, which after all its changes, even after death, will be restored to its exact and perfect self.

 

Engraved upon Jacob’s tombstone is a spiral alongside the words, "Eadem Mutata Resurgo," meaning "Though changed, I shall rise again." And so it is that within the Golden Ratio Principle, the golden harmonies rise yet again.

 

The golden ratio is oft known as the divine cut, the golden cut, the divine proportion, the golden number, and PHI for the name of the architect of the Parthenon Phidias. It has exalted classical art on down through the millennia and it can exalt your art too!

 

Ask me anything about the golden ratio! :) I will do my best to answer!!

 

Enjoy my Fine Art Ballet instagram too!

 

instagram.com/fineartballet

 

Dr. Elliot McGucken's Golden Ratio Principle: The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio. the golden number, rectangle, and spiral!

 

www.instagram.com/goldennumberratio/

  

St. Hilda’s By The Sea is a small Anglican church in Sechelt. Set among the verdant green trees of the temperate rainforest, it is an eclectic mix of old and new: retired British pensioners polish the altar crystal and set out flowers for Sunday services, presided over by a gay Chinese-Canadian priest. Tai chi mixes with Celtic mysticism in a melange that is somehow stronger than its parts. And isn’t that what community is all about?

 

From the official website:

 

Walking the labyrinth is an ancient spiritual act that is being rediscovered during our time.

 

Usually constructed from circular patterns, labyrinths are based on principles of sacred geometry. Sometimes called “divine imprints”, they are found around the world as sacred patterns that have been passed down through the ages for at least 4,000 years. When a pattern of a certain size is constructed or placed on the ground, it can be used for walking meditations and rituals.

 

Labyrinths and their geometric cousins (spirals and mandalas) can be found in almost every religious tradition. For example, the Kabbala, or Tree of Life, is found in the Jewish mystical tradition. The Hopi Medicine Wheel, and the Man in the Maze are two forms from the Native American labyrinth traditions. The Cretan labyrinth, the remains of which can be found on the island of Crete, has seven path rings and is the oldest known labyrinth (4,000 or 5.000 years old).

 

In Europe, the Celts and later the early Christian Celtic Church revered labyrinths and frequently built them in natural settings. Sacred dances would be performed in them to celebrate solar and religious festivals. During the Middle Ages, labyrinths were created in churches and cathedrals throughout France and Northern Italy. These characteristically flat church or pavement labyrinths were inlaid into the floor of the nave of the church.

 

The Chartres Labyrinth

 

The labyrinth constructed at St. Hilda’s is an 11-circuit labyrinth. It is a replica of the one embedded in the floor of Chartres Cathedral in France. The design of this labyrinth, and many of the other church labyrinths in Europe, is a reworking of the ancient labyrinth design in which an equal-armed cross is emphasized and surrounded by a web of concentric circles. As with many Christian symbols, this was an adaptation of a symbol; that is known to have predated the Christian faith. This medieval variation is considered a breakthrough in design because it is less linear than the preceding, more formal, Roman design that developed from quadrant to quadrant. The medieval design made one path as long as possible, starting at the outer circumference and leading to the centre. Fraught with twists and turns, the path’s meanderings were considered symbolic representations of the Christian pilgrim’s journey to the Holy City of Jerusalem and of one’s own journey through life. This classical design is sometimes referred to as “the Chartres Labyrinth” due to the location of its best known example. The labyrinth was built at Chartres in the early 13th century (~ 1215 A.D.). No one knows the source of this classical 11-circuit labyrinth design, and much of its spiritual meaning and use has been lost.

 

The Chartres Labyrinth is located in the west end of the nave, the central body of the cathedral. When you walk in the main doors and look towards the high altar, you see the center of the labyrinth on the floor about 50 feet in front of you. It is approximately 42 feet in diameter and the path is 16 inches wide. At Chartres, the center of the Rose Window mirrors the center of the labyrinth. The cathedral is perfectly proportioned, so that if we put the west wall of the cathedral on hinges and folded it down on the labyrinth, the Rose Window would fit almost perfectly over the labyrinth.

 

Labyrinth or Maze?

 

The difference between a labyrinth used for meditation and mazes can be confusing. Mazes often have many entrances, dead-ends and cul-de-sacs that frequently confound the human mind. In contrast, meditation labyrinths offer only one path. By following the one path to the center, the seeker can use the labyrinth to quiet his or her mind and find peace and illumination at the center of his or her being. “As soon as one enters the labyrinth, one realizes that the path of the labyrinth serves as a metaphor for one’s spiritual journey. The walk, and all that happens on it, can be grasped through the intuitive, pattern-discerning faculty of the person walking it. The genius of this tool is that it reflects back to the seeker whatever he or she needs to discover from the perspective of a new level of conscious awareness.”

 

The Labyrinth is a Universal Meditation Tool

 

Anyone from any tradition or spiritual path can walk into the labyrinth and, through reflecting in the present moment, can benefit from it. A meditation labyrinth is one of many tools that can be used for spiritual practice. Like any tool, it is best used with a proper, good, intention. A church or temple can be used simply as a refuge from a rainstorm, but it can be so much more with a different intention. The same is true of the labyrinth. The seeker is only asked to put one foot in front of the other. By stepping into the labyrinth, we are choosing once again to walk the contemplative spiritual path. We are agreeing to let ourselves be open to see, to be free to hear, and to becoming real enough to respond. The labyrinth is a prayer path, a crucible of change, a meditation tool, a blueprint where psyche meets soul.

 

The best way to learn about the labyrinth is to walk a well-constructed one a few times, with an open heart and an open mind. Then allow your experience to guide you as to whether this will be a useful spiritual tool for you.

 

The Chartres Labyrinth and the Pilgrim’s Journey

 

Pilgrims are persons in motion – passing through territories not their own – seeking something we might call completion, or perhaps the word clarity will do as well, a goal to which only the spirit’s compass points the way.

Richard R. Niebuhr in Pilgrims and Pioneers

 

“The tradition of pilgrimage is as old as religion itself. Worshippers on pilgrimage traveled to holy festivals whether to solstice celebrations, to Mecca to gather around the Ka’aba for the high holy days of Islam, or to Easter festivals in the Holy City of Jerusalem. Pilgrimages were a mixture of religious duty and holiday relaxation for the peasant, the commoner and rich land owner alike. The journey was often embarked on in groups with designated places to stay at night. The pilgrims were restless to explore the mystical holy places, and many were in search of physical or spiritual healing.

 

The Christian story, which emphasized the humanity of Christ, fascinated the pilgrims. In the Middle Ages, most people did not read. As a result, they were much more oriented to the senses than we are today. They learned the story by traveling to Jerusalem to walk where Jesus walked, to pray where he prayed, and to experience, in a solemn moment, where he died. Unlike today, Pilgrims encountered the truth of the Christian mystery through an ongoing intimacy with all their senses.

 

When a person committed his or her life to Christ in the early Middle Ages, they sometimes made a vow to make a pilgrimage to the Holy City of Jerusalem. However, by the 12th century when the Crusades swept across Europe and the ownership of Jerusalem was in tumultuous flux, travel became dangerous and expensive. In response to this situation, the Roman Church appointed seven pilgrimage cathedrals to become “Jerusalem” for pilgrims. Consequently, in the pilgrimage tradition, the path within the labyrinth was called the Chemin de Jerusalem and the center of the labyrinth was called “New Jerusalem”.

 

The walk into the labyrinth marked the end of the physical journey across the countryside and served as a symbolic entry-way into the spiritual realms of the Celestial City. The image of the Celestial City – taken straight out of the Book of Revelation to John – captivated the religious imagination of many during the Middle Ages. The wondrous Gothic cathedrals, with painted walls either in bright, even gaudy colours, or else white-washed, were designed to represent the Celestial City. The stained glass windows – when illuminated by the sun – created the sense of colourful, dancing jewels, allowing the pilgrim to experience the awesome mystery of the City of God.”

 

The Journey of Life

 

A fundamental approach to the labyrinth is to see it as a metaphor for life’s journey. The labyrinth reminds us that all of life, with its joys, sorrows, twists and turns, is a journey that comes from God (birth) and goes to God (death). It is a physical metaphor for the journey of healing, spiritual and emotional growth and transformation. Following the path is like any journey. Sometimes you feel you are at or nearing your destination, and at other times you may feel distant or even lost. Only by faithfully keeping to the path will you arrive at the physical center of the labyrinth, which signifies God, the center of our lives and souls.

 

Applying the Three Fold Mystical Tradition to the Labyrinth

 

In the Christian mystical tradition, the journey to God was articulated in the three stages. These stages have become recognized as being universal to meditation: to release and quiet; to open and receive; and to take what was gained back out into the world.

 

The Three Stages

 

The first part of the Three- Fold Mystical Path is Purgation. This archaic word is from the root word “to purge”, meaning to cleanse, to let go. Shedding is another way of describing the experience. The mystical word is empting or releasing. It is believed that monks journeyed the first part of the labyrinth Purgation on their knees as a penitential act. This was not done for reasons of punishment as we might think, but as a way to humble oneself before God.

 

The second stage of the Three-Fold Path, Illumination, is found in the center of the labyrinth. Usually it is a surprise to reach the center because the long winding path seems “illogical” and cannot be figured out by the linear mind. After quieting the mind in the first part of the walk, the center presents a new experience: a place of meditation and prayer. Often people at this stage in the walk find insight into their situation in life, or clarity about a certain problem, hence the label “illumination”. As one enters the

center, the instruction is simple: enter with an open heart and mind; receive what there is for you.

 

The third stage, Union, begins when you leave the center of the labyrinth and continues as you retrace the path that brought you in. In this stage the meditation takes on a grounded, energized feeling. Many people who have had an important experience in the center feel that this third stage of the labyrinth gives them a way of integrating the insights they received. Others feel that this stage stokes the creative fires within. It energizes insight. It empowers, invites, and even pushes us to be more authentic and confident and to take risks with our gifts in the world. Union means communing with God.

 

The Monastic Orders experienced a union with God through their community life by creating a fulfilling balance between the work that was assigned, sleep and the many hours of worship attended daily. Our times present a similar challenge: we struggle to find balance between work, sleep, family and friends, leisure and spiritual life. The lack of structured communities in which people share work responsibilities and the “every person for himself or herself” mentality (or every family for itself) prevalent in our highly individualistic society makes the task of finding balance even more difficult.

 

Monastic communities offered a mystical spirituality that spoke to highly intuitive and intensely introverted people and (paradoxically to some) at the same time provided an economic structure throughout Europe. Monasteries during the Middle Ages provided schools and hospitals managed by monks; yet, at the same time, cloistered life helped the monks stay inwardly directed. Today, without any reliable structure directing us, the way of union needs to be re-thought. Our times call for most of us to be outer-directed. We are called to action in every aspect of our society in order to meet the spiritual challenges that confront us in the 21st century. Gratefully, there are still people in religious orders holding the candle for deep contemplation, but the majority of people involved in the spiritual transformation are searching for a path that guides them to service in the world in an active, extroverted, compassionate way. The third stage of the labyrinth empowers the seeker to move back into the world replenished and directed – which makes the labyrinth a particularly powerful tool for transformation.

 

Walking the Labyrinth: The Process

 

The purpose of all spiritual disciplines – prayer, fasting, meditation – is to help create an open attentiveness that enables us to receive and renew our awareness of our grounding and wholeness in God.

 

The Experience of Walking Meditation

 

Many of us have trouble quieting our minds. The Buddhists call the distracted state of mind the “monkey mind”, which is an apt image of what the mind is frequently like: thoughts swinging like monkeys from branch to branch, chattering away without any rhyme or conscious reason. When the mind is quiet, we feel peaceful and open, aware of a silence that embraces the universe.

 

Complete quiet in the mind is not a realistic goal for most of us. Instead, the task is to dis-identify with the thoughts going through our minds. Don’t get hooked by the thoughts, let them go. Thomas Keating, a Cistercian monk who teaches Centering Prayer (meditation) in the Christian tradition, described the mind as a still lake. A thought is like a fish that swims through it. If you get involved with the fish (“Gee what an unusual fish, I wonder what it is called?”), then you are hooked. Many of us have discovered through learning meditation how difficult it is to quiet the mind; yet, the rewards are great.

 

In the labyrinth, the sheer act of walking a complicated, attention demanding path begins to focus the mind. Thoughts of daily tasks and experiences become less intrusive. A quiet mind does not happen automatically. You must gently guide the mind with the intention of letting go of extraneous thoughts. This is much easier to do when your whole body is moving – when you are walking. Movement takes away the excess charge of psychic energy that disturbs our efforts to quiet our thought processes.

 

Two Basic Approaches to the Walk

 

One way to walk the labyrinth is to choose to let all thought go and simply open yourself to your experience with gracious attention. Usually – though not always – quieting happens in the first stage of the walk. After the mind is quiet, you can choose to remain in the quiet. Or use the labyrinth as a prayer path. Simply begin to talk to God. This is an indication that you are ready to receive what is there for you, or you allow a sincere part of your being to find its voice.

 

A second approach to a labyrinth walk is to consider a question. Concentrate on the question as you walk in. Amplify your thoughts about it; let all else go but your question. When you walk into the center with an open heart and an open mind, you are opening yourself to receiving new information, new insights about yourself.

 

Guidelines for the Walk

 

Find your pace. In our chaotic world we are often pushed beyond a comfortable rhythm. In this state we lose the sense of our own needs. To make matters worse, we are often rushed and then forced to wait. Anyone who has hurried to the bank only to stand in line knows the feeling. Ironically, the same thing can happen with the labyrinth, but there is a difference. The labyrinth helps us find what our natural pace would be and draws our attention to it when we are not honouring it.

 

Along with finding your pace, support your movement through the labyrinth by becoming conscious of your breath. Let your breath flow smoothly in and out of your body. It can be coordinated with each step – as is done in the Buddhist walking meditation – if you choose. Let your experience be your guide.

 

Each experience in the labyrinth is different, even if you walk it often in a short period of time. The pace usually differs each time as well. It can change dramatically within the different stages of the walk. When the labyrinth has more than a comfortable number of seekers on it, you can “pass” people if you want to continue to honour the intuitive pace your inner process has set. If you are moving at a slower pace, you can allow people to pass you. At first people are uncomfortable with the idea of “passing” someone on the labyrinth. It looks competitive, especially since the walk is a spiritual exercise. Again, these kinds of thoughts and feelings, we hope, are greeted from a spacious place inside that smiles knowingly about the machinations of the human ego. On the spiritual path we meet every and all things. To find our pace, to allow spaciousness within, to be receptive to all experience, and to be aware of the habitual thoughts and issues that hamper our spiritual development is a road to self-knowledge.

 

Summary of How to Walk the Labyrinth

 

Pause at the entry way to allow yourself to be fully conscious of the act of stepping into the labyrinth. Allow about a minute, or several turns on the path, to create some space between yourself and the person in front of you. Some ritual act, such as a bow, may feel appropriate during the labyrinth walk. Do what comes naturally.

 

Follow your pace. Allow your body to determine the pace. If you allow a rapid pace and the person in front of you is moving slower, feel free to move around this person. This is easiest to do at the turns by turning earlier. If you are moving slowly, you can step onto the labyrs (wide spaces at the turns) to allow others to pass.

 

The narrow path is a two-way street. If you are going in and another person is going out, you will meet on the path. If you want to keep in an inward meditative state, simply do not make eye contact. If you meet someone you know, a touch of the hand or a hug may be an important acknowledgement of being on the path together.

 

Symbolism and Meanings Found in the Chartres Labyrinth

 

Circles and Spirals

 

The circle is the symbol of unity or union and it is the primary shape of all labyrinths. The circle in sacred geometry represents the incessant movement of the universe (uncomprehensible) as opposed to the square which represents comprehensible order. The labyrinth is a close cousin to the spiral and it, too, reflects the cyclical element of nature and is regarded as the symbol of eternal life.

 

The labyrinth functions like a spiral, creating a vortex in its center. Upon entering, the path winds in a clockwise pattern. Energy is being drawn out. Upon leaving the center the walker goes in a counter clockwise direction. The unwinding path integrates and empowers us on our walk back out. We are literally ushered back out into the world in a strengthened condition.

 

The Path

 

The path lies in 11 concentric circles with the 12th being the labyrinth center. The path meanders throughout the whole circle. There are 34 turns on the path going into the center. Six are semi-right turns and 28 are 180° turns. So the 12 rings that form the 11 pathways may symbolically represent, the 12 apostles, 12 tribes of Israel or 12 months of the year. Twelve is a mystical number in Christianity. In sacred geometry three represents heaven and four represents earth. Twelve is the product of 3 x 4 and, therefore, the path which flows through the whole is then representative of all creation.

 

The obvious metaphor for the path is the difficult path to salvation, with its many twists and turns. Since we cannot see a straight path to our destination, the labyrinth can be viewed as a metaphor for our lives. We learn to surrender to the path (Christ) and trust that he will lead us on our journey.

 

The path can also be viewed as grace or the Church guiding us through chaos.

 

The Cruciform and Labyrs

 

The labyrinth is divided equally into four quadrants that make an equal-armed cross or cruciform. The four arms represent in symbol what is thought to be the essential

 

structure of the universe for example, the four spatial directions, the four elements (earth, wind, water and fire), the four seasons and, most important, salvation through the cross. The four arms of the cross emerging from the center seem to give order to the would-be chaos of the meandering path around it.

 

The Chartres labyrinth cross or cruciform is delineated by the 10 labyrs (labyr means to turn and this is the root of the word labyrinth). The labyrs are double-ax shaped and visible at the turns and between turns. They are traditionally seen as a symbol of women’s power and creativity.

 

The Centre Rosette

 

In the Middle Ages, the rose was regarded as a symbol for the Virgin Mary. Because of its association with the myths of Percival and the Holy Grail at that time, it also was seen as a sign of beauty and love. The rose becomes symbolic of both human and divine love, of passionate love, but also love beyond passion. The single rose became a symbol of a simple acceptance of God’s love for the world.

 

Unlike a normal rose (which has five petals) the rosette has six petals and is steeped in mysticism. Although associated with the Rose of Sharon, which refers to Mary, it may also represent the Holy Spirit (wisdom and enlightenment). The six petals may have corresponded to the story of the six days of creation. In other mystical traditions, the petals can be viewed as the levels of evolution (mineral, plant, animal, humankind, angelic and divine).

 

The Lunations

 

The lunations are the outer ring of partial circles that complete the outside circle of the labyrinth. They are unique to the Chartres design.

 

Celtic Symbols on the St. Hilda’s Labyrinth

 

The Celtic peoples have given us seven enduring spiritual principles:

 

1. A deep respect of nature, regarding creation as the fifth Gospel.

 

2. Quiet care for all living things.

3. The love of learning.

4. A wonder-lust or migratory nature.

5. Love of silence and solitude.

6. Understanding of time as a sacred reality and an appreciation of ordinary life, worshipping God through everyday life, and with great joy.

7. The value of family and clan affiliation, and especially spiritual ties of soul friends.

To show our respect for such wisdom, two Celtic designs adorn the St. Hilda’s labyrinth.

 

To mark the entrance to the labyrinth is a Celtic zoomorphic design painted in red. Traditionally, Celtic monks used intricate knotwork and zoomorphic designs (odd animals intertwined in uncomfortable ways) as mere filler for their illuminated gospel texts. They had no discernible meaning.

 

However, because of their unique design components, zoomorphs are now associated with transformations.

 

Transformation, change, action, and passion are also associated with red, the colour of fire. Therefore, this entrance symbol may well be an appropriate sign for the journey ahead.

At the labyrinth’s centre is a Celtic triquetra. This interlocked knotwork design of three stylized fish (whales) is often interpreted as the Trinity knot. It is a perfect representation of the concept of "three in one" in Christian trinity beliefs. Having the design enclosed within the centre circle further emphasizes the unity theme.

 

The triquetra can also be considered to represent the triplicities of mind, body, and soul, as well as the three domains of earth- earth, sea, and sky.

 

Final Reflection: The Labyrinth as a “Thinning Place”

 

In Celtic Christianity, places where people felt most strongly connected with God’s presence were referred to as thin places. It was these places in nature (forest groves, hilltops and deep wells) that the seen and unseen worlds were most closely connected, and the inhabitants of both worlds could momentarily touch the other. Today our churches, temples and sacred sites are the new thin places to meet the Divine. Here, at St Hilda’s, we have opportunities to encounter many thinning places – whether it be during Eucharistic or Taize services, while singing or praying, or through the love of a welcoming inclusive community. The labyrinth is a welcome addition; and with the right intent can also become a new thinning place for the modern pilgrim/spiritual seeker.This outward journey is an archetype with which we can have a direct experience. We can walk it. It can serve to frame the inward journey – a journey of repentance, forgiveness and rebirth, a journey that seeks a deeper faith, and greater holiness, a journey in search of God.

 

This 360° High Dynamic Range panorama was stitched from 66 bracketed photographs images with PTGUI Pro, tone-mapped with Photomatix, processed with Color Efex, and touched up in Aperture.

 

Original size: 20000 × 10000 (200.0 MP; 1.04 GB).

 

Location: St. Hilda’s By The Sea Anglican Church, Sechelt, British Columbia, Canada

I made this one out of an old picture of my first Silkstone.

Trinity.

 

Second attempt at stand development of C-41. This is a roll of Kodak Portra 400 vc. Stand development for 45 minutes in standard C-41 developer diluted to 1+9. Inverted a couple of times at the 30 minute mark. Bleached, fixed, and stabilised as normal.

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

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The Epic Seascape! Malibu Sea Caves!

 

Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.

 

Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.

Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.

 

Best wishes throughout the coming year!

 

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Join my new 45EPIC fine art landscapes page on facebook!

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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

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And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

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I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

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Exalt your photography with Golden Ratio Compositions!

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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!

 

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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...

 

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Follow me friends!

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Epic books, prints, & more!

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Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

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Dr. Kadivar:

"The principle of Velayat e Faqih is neither intuitively obvious, nor rationally necessary. It is neither a requirement of religion (Din) nor a necessity for denomination (Mazhab). It is neither a part of Shiite general principles (Osoul), nor a component of detailed observances (Forou') It is, by near consensus of Shiite Ulama, nothing more than a jurisprudential minor hypothesis."

 

------------------

Mohsen Kadivar (محسن کدیور, born June 7, 1959) is an Iranian Islamic philosopher, Shia cleric and activist.

 

After completing his primary and secondary education in Shiraz, Mohsen Kadivar was admitted into electronic engineering at Shiraz University in 1977. During this time, Kadivar became active politically and was arrested in May 1978 in Shiraz because of his political beliefs. He switched his focus to religious education and began attending Shiraz Seminary in 1980. He moved to Qom in 1981 to pursue his studies in fiqh and philosophy. In Qom, he was taught by prominent teachers like Ayatollah Hossein-Ali Montazeri. Kadivar graduated with a degree in ijtihad in 1997. Then he went on to get his PhD in Islamic philosophy and theology from Tarbiat Modares University in Tehran in 1999.

 

Kadivar started his career as a teacher teaching fiqh and Islamic philosophy at Qom Seminary. Later he began teaching Islamic philosophy and theology at Imam Sadegh University, Mofid University, and Shahid Beheshti University. Currently, he is a faculty member of the Department of Philosophy at Tarbiat Modares University.

 

Kadivar has been writing extensively in various Iranian journals and he has 100 articles to his name. He has published twelve books including the Theories of State in Shiite Fiqh, which has been translated into Arabic. He is also a prominent critic of the Islamic Republic system in Iran. Because of his criticisms, he was arrested by the government of Iran and was sentenced to 18 months at Evin Prison, Tehran. He was released on July 17, 2000. Currently, he is active within the various reform movements of Iran.

---------------------------

Research works and contributions

 

Of nine published books of Kadivar, four are on political theology. Of these, three comprise a trilogy: The first volume of the trilogy, entitled "The Theories of State in the Shiite Jurisprudence" (Nazarrieh haye Doulat dar Figh'h e Shi'eh) encompasses a broad typology of religious opinions on the desired or permissible types of government in Shiite theology. Every single instance in this typology is either proposed or endorsed by the highest authorities in Shiite jurisprudence. Here is a summary of this typology:[1]

 

A. Theories of State based on Immediate Divine Legitimacy Four theocratic types, in chronological order:

 

1. "Appointed Mandate of Jurisconsult" in Religious Matters (Shari'at) along with the Monarchic Mandate of Muslim Potentates in Secular Matters (Saltanat E Mashrou'eh) Advocates: Mohammad Bagher Majlesi, Mirza ye Ghomi, Seyed e Kashfi, Sheikh Fadl ollah Nouri, Ayatollah Abdolkarim Haeri Yazdi.

 

2. "General Appointed Mandate of Jurissonsults" (Velayat E Entesabi Ye Ammeh) Advocates: Molla Ahmad Naraghi, Sheikh Mohammad Hassan Najafi (Saheb Javaher) Ayatollahs Borujerdi,Golpayegani, Khomeini, (before the revolution)

 

3. "General Appointed Mandate of the Council of the 'Sources of Imitation' " (Velayat E Entesabi Ye Ammeh Ye Shora Ye Marje'eh Taghlid) Advocates: Ayatollahs: Javadi Amoli, Beheshti, Taheri Khorram Abadi

 

4. "Absolute Appointed Mandate of Jurisconsult" (Velayat e Entesabi ye Motlaghe ye Faghihan) Advocate: Ayatollah Khomeini (after revolution)

 

B. Theories of State Based on Divine-popular Legitimacy Five democratic types, in chronological order:

 

5. "Constitutional State" (with the permission and supervision of Jurisprudents) (Dowlat e Mashrouteh) Advocates: Sheikh Esma'il Mahllati, Ayatollahs: Mazandarani, Tehrani, Tabataba'i, Khorasani, Na'ini

 

6. "Popular Stewardship along with Clerical Oversight" (Khelafat e Mardom ba Nezarat e Marjaiat) Advocate: Ayatollah Mohammad Bagher Sadr

 

7. "Elective Limited Mandate of Jurisprudents" (Velayat e Entekhabi ye Moghayyadeh ye Faghih) Advocate: Ayatollahs Motahhari, Montazeri

 

8. "Islamic elective State" (Dowlat e Entekhabi ye Eslami) Advocate: Ayatollah Mohammad Bagher Sadr

 

9. "Collective Government by Proxy" (Vekalat e Malekan e Shakhsi ye Mosha)" Advocate: Ayatollah Mehdi Ha'eri Yazdi

 

The significance of this typology in the context of the contemporary Iranian political discourse cannot be overestimated. Shiite political theology, which the ruling clerics present as a monolith, an obelisk on which the hieroglyph of absolute mandate of the jurisconsult "Velayat e Motlaghe ye Faghih" is etched, turns into a beguiling prism in Kadivar's nimble hands, reflecting no less than nine distinct possible forms of government, all proposed and supported by most revered religious scholars and texts. Having revealed a spectrum of authoritative options for Islamic society, Kadivar launches his criticism of the most absolutist thesis among them, that is Ayatollah Khomeini's theology.[2]

 

The second volume of the trilogy, is entitled "Hokumat e Vela'i" or Government by mandate. This 432-page opus which Kadivar considers as the heart of his trilogy and the most scholarly book he has written contains a frontal and unabashed attack on the thesis of the "Velayat e Motlagheh ye Faghih" introduced by Ayatollah Khomeini and enshrined in the constitution of the Islamic Republic of Iran.

 

The work unfolds in two phases: the first, lays bare the presuppositions of the concept of Velayat, which concerns the meaning of the term, its interpretation in mysticism (Irfan), philosophy (Kalam), jurisprudence (Figh'h), The Qur'an, and Tradition (Sonnat). In every instance, Kadivar discounts political implications of the term. He traces the first indication of the thesis to the writings of eighteenth and nineteenth century jurists namely, Mohaghegh e Karaki, Shahid Thani, and Ahmad Naraghi. Kadivar, thus determines the age of the concept as less than two centuries, a mere blinking of an eye compared to the history of Shiite jurisprudence.[3]

 

But he reserves his most devastating attacks for the second part of the book that is devoted to the critical analysis of the proofs and confirmations of the principle of government by divine mandate. Here Kadivar proceeds in four sections; following the sources of adjudication in Shiite theology he sets up and knocks down the arguments for the Velayat e Faghih adduced from Quran, Tradition, (Sonnat) consensus of the Ulama, (Ijma') and reason (Aghl), He thus concludes:

 

"The principle of Velayat e Faqih is neither intuitively obvious, nor rationally necessary. It is neither a requirement of religion (Din) nor a necessity for denomination (Mazhab). It is neither a part of Shiite general principles (Osoul), nor a component of detailed observances (Forou') It is, by near consensus of Shiite Ulama, nothing more than a jurisprudential minor hypothesis."

 

The third volume of Kadivar's trilogy is entitled: Government by Appointment. (Hokoumat e Entesabi.) It deals with practical consequences, disappointments, and disenchantments that the Government based on divine mandate has brought about.

--------------------

Source: Wikipedia: Mohsen Kadivar

 

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MOHSEN KADIVAR WAS BORN IN JUNE 7,1959 IN FASSA, SOUTHWESTERN PROVINCE OF FARS, IRAN. COMPLETING HIS PRIMARY AND SECONDARY EDUCATION IN THE CITY OF SHIRAZ, HE WAS ADMITTED TO THE UNDERGRADUATE PROGRAM OF ELECTRONIC ENGINEERING IN THE UNIVERSITY OF SHIRAZ (EX-PAHLAVI UNIVERSITY) IN 1977. LATER, IN 1980, HE SHIFTED TO RELIGIOUS EDUCATION IN SHIRAZ SEMINARY AND WENT TO QOM IN 1981 WHERE HE TOOK UP STUDYING FIQH (ISLAMIC JURISPRUDENCE), PRINCIPLES OF FIGH, PHILOSOPHY, THEOLOGY, MYSTICISM, AND KORANIC INTERPRETATION FOR SEVENTEEN YEARS. AMONG HIS TEACHERS, THE MOST PROMINENT WAS GRAND AYATOLLAH HOSSEINALI MONTAZERI. KADIVAR SUCCEEDED IN GAINING THE DEGREE OF IJTIHAD IN 1997. AT THE SAME TIME, HE PURSUED HIS ACADEMIC STUDIES IN ISLAMIC PHILOSOPHY AND THEOLOGY GETTING HIS PHD FROM INSTRUCTOR EDUCATION (TARBIAT MODARES) UNIVERSITY IN 1999.

 

KADIVAR TAUGHT THE PRINCIPLES OF FIQH, PHILOSOPHY, LOGIC, FIGH, KORANIC INTERPRETATION, AND LITERATURE IN QOM SEMINARY (RAZAVIEH SCHOOL, FAYZIEH SCHOOL, AND AYATOLLAH GOLPYGANI SCHOOL) FOR FOURTEEN YEARS. HE LECTURED IN IMAM SADEGH UNIVERSITY, MOFID UNIVERSITY , AND SHAHID BEHESHTI UNIVERSITY, WHERE HE HAS BEEN TEACHING ISLAMIC PHILOSOPHY AND THEOLOGY, GREEK PHILOSOPHY, ISLAMIC POLITICAL THOUGHT, AND PUBLIC LAW IN ISLAM. HE IS CURRENTLY A FACULTY MEMBER OF THE DEPARTMENT OF PHILOSOPHY, TARBIAT MODARES UNIVERSITY.

 

KADIVAR MARRIED IN 1981 AND HAS FOUR CHILDREN. HE HAS BEEN LIVING IN TEHRAN SINCE 1997. HE WAS THE DIRECTOR OF THE DEPARTMENT OF ISLAMIC THOUGHT, CENTER FOR STRATEGIC RESEARCH FROM 1991 UNTIL 1999. HE HAS PUBLISHED OVER 100 PAPERS IN VARIOUS IRANIAN JOURNALS AND HIS FIRST BOOK, THEORIES OF STATE IN SHIITE FIQH, CAME OUT IN 1998 IN TEHRAN AND WAS TRANSLATED INTO ARABIC AND PUBLISHED IN BEIRUT IN 2000. ALTOGETHER, HE HAS PUBLISHED 12 BOOKS.

 

KADIVAR WAS ARRESTED FOR THE FIRST TIME IN MAY 1978 – THE LAST YEAR OF MOHAMMED REZA PAHLAVI SHAH'S REIGN IN IRAN – IN SHIRAZ DURING THE ISLAMIC UPRISING WHICH LATER LED TO THE OVERTHROW OF THE MONARCHY. 20 YEARS LATER, THE UNCONSTITUTIONAL CLERIC COURT OF IRAN FOUND HIM GUILTY OF CAMPAIGNING AGAINST THE ISLAMIC REPUBLIC BECAUSE OF THE STATEMENTS HE HAD MADE IN AN INTERVIEW WITH THE BANNED KHORDAD DAILY IN WHICH HE REVIEWED THE ACHIEVEMENTS OF THE ISLAMIC REPUBLIC (1979-99) AND A SPEECH IN ISFAHAN’S HOSSEINABAD MOSQUE WHERE HE ARGUED THAT ACTS OF TERRORISM ARE CONDEMNED IN THE EYES OF THE SHIITE FAITH; HE WAS SENTENCED TO SPEND 18 MONTHS IN EVIN PRISON, TEHRAN, AND WAS RELEASED ON JULY 17, 2000. HE IS STILL CAMPAIGNING FOR THE REFORM OF THE ISLAMIC REPUBLIC OF IRAN.

 

HIS MAIN TWO FIELDS OF EXPERTISE ARE ISLAMIC THEOLOGY AND PHILOSOPHY AND POLITICAL THOUGHT IN ISLAM. HE IS CURRENTLY INVOLVED IN RESEARCHING, TEACHING, AND WRITING IN THE ABOVE TWO FIELDS.

-------------------------------

Source: His official web site

Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.

 

The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.

 

In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.

 

On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]

 

The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]

 

The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:

 

Adah (Jephthah's daughter, from the Book of Judges)

Ruth, the widow from the Book of Ruth

Esther, the wife from the Book of Esther

Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John

Electa (the "elect lady" from II John), the mother

 

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Order of the Eastern Star

 

General Grand Chapter logo

The Order of the Eastern Star is a Freemasonicappendant body open to both men and women. It was established in 1850 by lawyer and educator Rob Morris, a noted Freemason. The order is based on teachings from the Bible,[1] but is open to people of all religious beliefs. It has approximately 10,000 chapters in twenty countries and approximately 500,000 members under its General Grand Chapter.

 

Members of the Order are aged 18 and older; men must be Master Masons and women must have specific relationships with Masons. Originally, a woman would have to be the daughter, widow, wife, sister, or mother of a master Mason, but the Order now allows other relatives[2] as well as allowing Job's Daughters, Rainbow Girls, Members of the Organization of Triangles (NY only) and members of the Constellation of Junior Stars (NY only) to become members when of age.

 

Contents

HistoryEdit

The Order was created by Rob Morris in 1850 when he was teaching at the Eureka Masonic College in Richland, Mississippi. While confined by illness, he set down the principles of the order in his Rosary of the Eastern Star. By 1855, he had organized a "Supreme Constellation" in New York, which chartered chapters throughout the United States.

 

In 1866, Dr. Morris started working with Robert Macoy, and handed the Order over to him while Morris was traveling in the Holy Land. Macoy organized the current system of Chapters, and modified Dr. Morris' Rosary into a Ritual.

 

On December 1, 1874, Queen Esther Chapter No. 1 became the first Prince Hall Affiliatechapter of the Order of the Eastern Star when it was established in Washington, D.C. by Thornton Andrew Jackson.[3]

 

The "General Grand Chapter" was formed in Indianapolis, Indiana on November 6, 1876. Committees formed at that time created the Ritual of the Order of the Eastern Star in more or less its current form.[4]

 

Emblem and heroinesEdit

The emblem of the Order is a five-pointed star with the white ray of the star pointing downwards towards the manger. In the Chapter room, the downward-pointing white ray points to the West. The character-building lessons taught in the Order are stories inspired by Biblical figures:

 

Adah (Jephthah's daughter, from the Book of Judges)

Ruth, the widow from the Book of Ruth

Esther, the wife from the Book of Esther

Martha, sister of Mary and Lazarus, from the Gospel of Luke and the Gospel of John

Electa (the "elect lady" from II John), the mother

OfficersEdit

 

Officers representing the heroines of the order sit around the altar in the center of the chapter room.

 

Eastern Star meeting room

There are 18 main officers in a full chapter:

 

Worthy Matron – presiding officer

Worthy Patron – a Master Mason who provides general supervision

Associate Matron – assumes the duties of the Worthy Matron in the absence of that officer

Associate Patron – assumes the duties of the Worthy Patron in the absence of that officer

Secretary – takes care of all correspondence and minutes

Treasurer – takes care of monies of the Chapter

Conductress – Leads visitors and initiations.

Associate Conductress – Prepares candidates for initiation, assists the conductress with introductions and handles the ballot box.

Chaplain – leads the Chapter in prayer

Marshal – presents the Flag and leads in all ceremonies

Organist – provides music for the meetings

Adah – Shares the lesson of Duty of Obedience to the will of God

Ruth – Shares the lesson of Honor and Justice

Esther – Shares the lesson of Loyalty to Family and Friends

Martha – Shares the lesson of Faith and Trust in God and Everlasting Life

Electa – Shares the lesson of Charity and Hospitality

Warder – Sits next to the door inside the meeting room, to make sure those that enter the chapter room are members of the Order.

Sentinel – Sits next to the door outside the chapter room, to make sure those that wish to enter are members of the Order.

Traditionally, a woman who is elected Associate Conductress will be elected to Conductress the following year, then the next year Associate Matron, and then next year as Worthy Matron. A man elected Associate Patron will usually be elected Worthy Patron the following year. Usually the woman who is elected to become Associate Matron will let it be known who she wishes to be her Associate Patron, so the next year they will both go to the East together as Worthy Matron and Worthy Patron. There is no male counterpart to the Conductress and Associate Conductress. Only women are allowed to be Matrons, Conductresses, and the Star Points (Adah, Ruth, etc.) and only men can be Patrons.

 

Once a member has served a term as Worthy Matron or Worthy Patron, they may use the post-nominal letters, PM or PP respectively.

 

HeadquartersEdit

 

The International Temple in Washington, D.C.

Main article: International Temple

The General Grand Chapter headquarters, the International Temple, is located in the Dupont Circleneighborhood of Washington, D.C., in the former Perry Belmont Mansion. The mansion was built in 1909 for the purpose of entertaining the guests of Perry Belmont. This included Britain's Prince of Wales in 1919. General Grand Chapter purchased the building in 1935. The secretary of General Grand Chapter lives there while serving his or her term of office. The mansion features works of art from around the world, most of which were given as gifts from various international Eastern Star chapters.

 

CharitiesEdit

The Order has a charitable foundation[5] and from 1986-2001 contributed $513,147 to Alzheimer's disease research, juvenile diabetes research, and juvenile asthma research. It also provides bursaries to students of theology and religious music, as well as other scholarships that differ by jurisdiction. In 2000 over $83,000 was donated. Many jurisdictions support a Masonic and/or Eastern Star retirement center or nursing home for older members; some homes are also open to the public. The Elizabeth Bentley OES Scholarship Fund was started in 1947.[6][7]

  

Eureka Masonic College, also known as The Little Red Schoolhouse, birthplace of the Order of the Eastern Star

 

Signage at the Order of the Eastern Star birthplace, the Little Red Schoolhouse

Notable membersEdit

Clara Barton[8]

J. Howell Flournoy[9]

Eva McGown[10]

James Peyton Smith[11]

Lee Emmett Thomas[12]

Laura Ingalls Wilder[13]

H. L. Willis[14]

See alsoEdit

Achoth

Omega Epsilon Sigma

ReferencesEdit

^ "Installation Ceremony". Ritual of the Order of the Eastern Star. Washington, DC: General Grand Chapter, Order of the Eastern Star. 1995 [1889]. pp. 120–121.

^ "Eastern Star Membership". General Grand Chapter. Retrieved 2010-06-03. These affiliations include: * Affiliated Master Masons in good standing, * the wives * daughters * legally adopted daughters * mothers * widows * sisters * half sisters * granddaughters * stepmothers * stepdaughters * stepsisters * daughters-in-law * grandmothers * great granddaughters * nieces * great nieces * mothers-in-law * sisters-in-law and daughters of sisters or brothers of affiliated Master Masons in good standing, or if deceased were in good standing at the time of their death

^ Ayers, Jessie Mae (1992). "Origin and History of the Adoptive Rite Among Black Women". Prince Hall Masonic Directory. Conference of Grand Masters, Prince Hall Masons. Retrieved 2007-10-25.

^ "Rob Morris". Grand Chapter of California. Archived from the original on 2007-09-28. Retrieved 2007-10-01.

^ "OES Charities". Retrieved 2016-04-15.

^ "Elizabeth Bentley Order Of The Eastern Star Scholarship Award". Yukon, Canada. Retrieved 2009-11-05.

^ "Eastern Star has enjoyed long history". Black Press. Retrieved 2009-11-05. The Eastern Star Bursary, later named the Elizabeth Bentley OES Scholarship Fund, was started in 1947.[dead link]

^ Clara Barton, U.S. Nurse Masonic First Day Cover

^ "Sheriff 26 Years – J. H. Flournoy Dies," Shreveport Journal, December 14, 1966, p. 1

^ by Helen L. Atkinson at ALASKA INTERNET PUBLISHERS, INC

^ "James P. Smith". The Bernice Banner, Bernice, Louisiana. Retrieved September 13,2013.

^ "Thomas, Lee Emmett". Louisiana Historical Association, A Directory of Louisiana Biography (lahistory.org). Retrieved December 29, 2010.

^ Big Muddy online publications

^ "Horace Luther Willis". The Alexandria Daily Town Talk on findagrave.com. Retrieved July 25, 2015.

External linksEdit

Official website

Eastern Star Organizations at DMOZ

Pride of the North Chapter Number 61, Order of the Eastern Star Archival Collection, located at Shorefront Legacy Center, Evanston, Illinois

 

It's a digital world but it wasn't always so. These electric meters use principles of electricity discovered over a hundred years ago.These meters are probably as old as I am and still going strong.

 

The scene is lit by sunlight through a small glass block window behind the camera. Shot handheld, Program AE, ISO 3200, spot focused on the meter on the upper right.

 

I like the shallow DoF and the way it looks drained of color. I considered converting it to B&W but the low light and drab scene seems to have mostly done it for me.

  

A cheat sheet of animation principles that can be applied to the field of interaction design. Based on a presentation at Devoxx '09 that you can find over at Parleys: www.parleys.com/#st=5&sl=43&id=1578

Joshua Tree National Park Pretty Model Summer Dress Portrait Photoshoot! Joshua Trees NP California Desert Landscape Photography! Pretty Venus Woman! Gorgeous Girl! Sony A7 R & Carl Zeiss Sony Sonnar T* FE 55mm f/1.8 ZA Lens! Epic Bokeh!

 

My Epic Gear Guide for Epic Landscapes & Portraits!

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Everyone is always asking me for this! Here ya go! :)

 

Epic books, prints, & more!

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The Tao of Epic Landscape Photography: geni.us/taophotography

 

Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!

 

Exalt your photography with Golden Ratio Compositions!

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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !

 

Epic Landscape Photography:

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A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)

 

Epic Art & Gear for your Epic Hero's Odyssey:

geni.us/9fnvAMw

 

Follow me my good friends!

Facebook: geni.us/A0Na3

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Fine Art Ballet: geni.us/C1Adc

 

Photographing Women Models! geni.us/m90Ms

Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...

 

Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey

  

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

The "The Four Cardinal [or: Basic] Principles" (四项基本原则, sì xiàng jīběn yuánzé) outlined by Deng Xiaoping at 1979 (and a cornerstone of "邓小平理论, Dèng Xiǎopíng Lǐlùn, 'Deng Xiaoping Theory'"):

 

坚持社会主义道路

Jiānchí shèhuìzhŭyì dàolù

Uphold [or: Keep to] the Socialist Road [that is, the basic spirit of Communism],

  

坚持人民民主专政

Jiānchí rénmín mínzhŭ zhuānzhèng

Uphold the People's Democratic Dictatorship [the "dictatorship of the proletariat"],

  

坚持共产党的领导

Jiānchí gòngchăndăng delĭngdăo

Uphold the Leadership of the Communist Party,

  

坚持马克思列宁主义毛泽东思想 !

Jiānchí Măkèsī Lièníng zhŭyì Máo Zédōng Sīxiăng !

Uphold Marxism-Leninism - Mao Zedong Thought !

 

"Enlarge and crop" from image posted previously ("Zhengzhou, Guómián Liù Chăng (国棉六厂) terminal, 1983," www.flickr.com/photos/lwdemery/3397886580/).

 

I saw these same slogans, although arranged differently (horizontally), in Beijing:

 

www.flickr.com/photos/lwdemery/5025808214

 

1983 August 18.

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

Your ATTITUDE shows your MINDSET while you wait!

 

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A coolie (alternatively spelled cooli, cooly, quli, koelie, and other such variations), during the 19th and early 20th century, was a term for a locally sourced unskilled labourer hired by a company, mainly from the Indian subcontinent or Southern China.

 

Today, it is used varyingly as a legal inoffensive word (for example, in India for helpers carrying luggage in railway stations) and also used as a racial slur in Africa for certain people from Asia, particularly in South Africa

 

ETYMOLOGY

The origins of the word are uncertain but it is thought to have originated from the name of a Gujarati sect (the Kolī, who worked as day labourers) or perhaps from the Tamil word for a payment for work, kuli (கூலி). An alternative etymological explanation is that the word came from the Urdu qulī (क़ुली, قلی), which itself could be from the Turkish word for slave, qul. The word was used in this sense for labourers from India. In 1727, Dr. Engelbert Kämpfer described "coolies" as dock labourers who would unload Dutch merchant ships at Nagasaki in Japan.

 

The Chinese word 苦力 (pinyin: kǔlì) literally means "bitterly hard (use of) strength", in the Mandarin pronunciation.

 

HISTORY OF THE COOLIE TRADE

An early trade in Asian labourers is believed to have begun sometime in or around the 16th century. Social and political pressure led to the abolition of the slave trade throughout the British Empire in 1807, with other European nations following suit. Labour-intensive industries, such as cotton and sugar plantations, mines and railway construction, in the colonies were left without a cheap source of manpower. As a consequence, a large scale slavery-like trade in Asian (primarily Indian and Chinese) indentured labourers began in the 1820s to fill this vacuum. Some of these labourers signed contracts based on misleading promises, some were kidnapped and sold into the trade, some were victims of clan violence whose captors sold them to coolie brokers, while others sold themselves to pay off gambling debts. British companies were the first to experiment with this potential new form of cheap labour in 1807, when they imported 200 Chinese men to work in Trinidad.

 

The coolie trade was often compared to the earlier slave trade and they accomplished very similar things.

 

Although there are reports of ships for Asian coolies carrying women and children, the great majority of them were men. Finally, regulations were put in place, as early as 1837 by the British authorities in India to safeguard these principles of voluntary, contractual work and safe and sanitary transportation although in practice this rarely occurred especially during examples such as the Pacific Passage or the Guano Pits of Peru. The Chinese government also made efforts to secure the well-being of their nation's workers, with representations being made to relevant governments around the world.

 

CHINESE COOLIES

Workers from China were mainly transported to work in Peru and Cuba, but they also worked in British colonies such as Jamaica, British Guiana (now Guyana), British Malaya, Trinidad and Tobago, British Honduras (now Belize) and in the Dutch colonies Dutch East Indies and Suriname. The first shipment of Chinese labourers was to the British colony of Trinidad in 1806.

 

In 1847 two ships from Cuba transported workers to Havana to work in the sugar cane fields from the port of Xiamen, one of the five Chinese treaty ports opened to the British by the Treaty of Nanking in 1842. The trade soon spread to other ports in Guangdong province and demand became particularly strong in Peru for workers in the silver mines and the guano collecting industry. Australia began importing workers in 1848 and the United States began using them in 1865 on the First Transcontinental Railroad construction. These workers were deceived about their terms of employment to a much greater extent than their Indian counterparts, and consequently, there was a much higher level of Chinese emigration during this period.

 

The trade flourished from 1847 to 1854 without incident, until reports began to surface of the mistreatment of the workers in Cuba and Peru. As the British government had political and legal responsibility for many of the ports involved, including Amoy, the trade was shut down at these places. However, the trade simply shifted to the more accommodating port in the Portuguese enclave of Macau.

 

Many coolies were first deceived or kidnapped and then kept in barracoons (detention centres) or loading vessels in the ports of departure, as were African slaves. In 1875, British commissioners estimated that approximately eighty percent of the workers had been abducted. Their voyages, which are sometimes called the Pacific Passage, were as inhumane and dangerous as the notorious Middle Passage of the Atlantic slave trade. Mortality was very high. For example, it is estimated that from 1847 to 1859, the average mortality for coolies aboard ships to Cuba was 15.2 percent, and losses among those aboard ships to Peru were 40 percent in the 1850s and 30.44 percent from 1860 to 1863.

 

They were sold and were taken to work in plantations or mines with very bad living and working conditions. The duration of a contract was typically five to eight years, but many coolies did not live out their term of service because of the hard labour and mistreatment. Those who did live were often forced to remain in servitude beyond the contracted period. The coolies who worked on the sugar plantations in Cuba and in the guano beds of the Chincha Islands (the islands of Hell) of Peru were treated brutally. Seventy-five percent of the Chinese coolies in Cuba died before fulfilling their contracts. More than two-thirds of the Chinese coolies who arrived in Peru between 1849 and 1874 died within the contract period. In 1860 it was calculated that of the 4000 coolies brought to the Chinchas since the trade began, not one had survived.

 

Because of these unbearable conditions, Chinese coolies often revolted against their Ko-Hung bosses and foreign company bosses at ports of departure, on ships, and in foreign lands. The coolies were put in the same neighbourhoods as Africans and, since most were unable to return to their homeland or have their wives come to the New World, many married African women. The coolies' interracial relationships and marriages with Africans, Europeans and Indigenous peoples, formed some of the modern world's Afro-Asian and Asian Latin American populations.

 

Chinese immigration to the United States was almost entirely voluntary, but working and social conditions were still harsh. In 1868, the Burlingame Treaty allowed unrestricted Chinese immigration into the country. Within a decade significant levels of anti-Chinese sentiment had built up, stoked by populists such as Denis Kearney with racist slogans - "To an American, death is preferable to life on a par with the Chinese."

 

Although Chinese workers contributed to the building of the first Transcontinental Railroad in the United States and of the Canadian Pacific Railway in western Canada, Chinese settlement was discouraged after completion of the construction. California's Anti-Coolie Act of 1862 and the federal Chinese Exclusion Act of 1882 contributed to the curtailment of Chinese immigration to the United States.

 

Notwithstanding such attempts to restrict the influx of cheap labour from China, beginning in the 1870s Chinese workers helped construct a vast network of levees in the Sacramento-San Joaquin River Delta. These levees made thousands of acres of fertile marshlands available for agricultural production.

 

The 1879 Constitution of the State of California declared that "Asiatic coolieism is a form of human slavery, and is forever prohibited in this State, and all contracts for coolie labour shall be void."

 

Colonos asiáticos is a Spanish term for coolies. The Spanish colony of Cuba feared slavery uprisings such as those that took place in Haiti and used coolies as a transition between slaves and free labor. They were neither free nor slaves. Indentured Chinese servants also labored in the sugarcane fields of Cuba well after the 1884 abolition of slavery in that country. Two scholars of Chinese labor in Cuba, Juan Pastrana and Juan Perez de la Riva, substantiated horrific conditions of Chinese coolies in Cuba and stated that coolies were slaves in all but name. Denise Helly is one researcher who believes that despite their slave-like treatment, the free and legal status of the Asian laborers in Cuba separated them from slaves. The coolies could challenge their superiors, run away, petition government officials, and rebel according to Rodriguez Pastor and Trazegnies Granda. Once they had fulfilled their contracts the colonos asiáticos integrated into the countries of Peru, The Dominican Republic, Puerto Rico and Cuba. They adopted cultural traditions from the natives and also welcomed in non-Chinese to experience and participate into their own traditions. Before the Cuban Revolution in 1959, Havana had Latin America's largest Chinatown.

 

In South America, Chinese indentured labourers worked in Peru's silver mines and coastal industries (i.e., guano, sugar, and cotton) from the early 1850s to the mid-1870s; about 100,000 people immigrated as indentured workers. They participated in the War of the Pacific, looting and burning down the haciendas where they worked, after the capture of Lima by the invading Chilean army in January 1880. Some 2000 coolies even joined the Chilean Army in Peru, taking care of the wounded and burying the dead. Others were sent by Chileans to work in the newly conquered nitrate fields.

 

The Chinese Engineering and Mining Corporation, of which later U.S. president Herbert Hoover was a director, was instrumental in supplying Chinese coolie labour to South African mines from c.1902 to c.1910 at the request of mine owners, who considered such labour cheaper than native African and white labour. The horrendous conditions suffered by the coolie labourers led to questions in the British parliament as recorded in Hansard.

 

In 1866, the British, French and Chinese governments agreed to mitigate the abuse by requiring all traders to pay for the return of all workers after their contract ended. The employers in the British West Indies declined these conditions, bringing the trade there to an end. Until the trade was finally abolished in 1875, over 150,000 coolies had been sold to Cuba alone, the majority having been shipped from Macau. These labourers endured conditions far worse than those experienced by their Indian counterparts. Even after the 1866 reforms, the scale of abuse and conditions of near slavery did not get any better - if anything they deteriorated. In the early 1870s increased media exposure of the trade led to a public outcry, and the British, as well as the Qing government, put pressure on the Portuguese authorities to bring the trade at Macau to an end; this was ultimately achieved in 1874. By that time, a total of up to half a million Chinese workers had been exported.

 

The term coolie was also applied to Chinese workers recruited for contracts on cacao plantations in German Samoa. German planters went to great lengths to secure access to their "coolie" labour supply from China. In 1908 a Chinese commissioner, Lin Shu Fen, reported on the cruel treatment of coolie workers on German plantations in the western Samoan Islands. The trade began largely after the establishment of colonial German Samoa in 1900 and lasted until the arrival of New Zealand forces in 1914. More than 2000 Chinese "coolies" were present in the islands in 1914 and most were eventually repatriated by the New Zealand administration.

 

INDIAN COOLIES

By the 1820s, many Indians were voluntarily enlisting to go abroad for work, in the hopes of a better life. European merchants and businessmen quickly took advantage of this and began recruiting them for work as a cheap source of labour. The British began shipping Indians to colonies around the world, including Mauritius, Fiji, Natal, British East Africa, and British Malaya. The Dutch also shipped workers to labour on the plantations on Suriname and the Dutch East Indies. A system of agents was used to infiltrate the rural villages of India and recruit labourers. They would often deceive the credulous workers about the great opportunities that awaited them for their own material betterment abroad. The Indians primarily came from the Indo-Gangetic Plain, but also from Tamil Nadu and other areas to the south of the country.

 

Without permission from the British authorities, the French attempted to illegally transport Indian workers to their sugar producing colony, the Reunion Island, from as early as 1826. By 1830, over 3000 labourers had been transported. After this trade was discovered, the French successfully negotiated with the British in 1860 for permission to transport over 6,000 workers annually, on condition that the trade would be suspended if abuses were discovered to be taking place.

 

The British began to transport Indians to Mauritius in the Indian Ocean, starting in 1829. Slavery had been abolished with the planters receiving two million pounds sterling in compensation for the loss of their slaves. The planters turned to bringing in a large number of indentured labourers from India to work in the sugar cane fields. Between 1834 and 1921, around half a million indentured labourers were present on the island. They worked on sugar estates, factories, in transport and on construction sites.

 

In 1837, the Raj issued a set of regulations for the trade. The rules provided for each labourer to be personally authorised for transportation by an officer designated by the Government, it limited the length of service to five years subject to voluntary renewal, it made the contractor responsible for returning the worker after the contract elapsed and required the vessels to conform to basic health standards

 

Despite this, conditions on the ships were often extremely crowded, with rampant disease and malnutrition. The workers were paid a pittance for their labour, and were expected to work in often awful and harsh conditions. Although there were no large scale scandals involving coolie abuse in British colonies, workers often ended up being forced to work, and manipulated in such a way that they became dependent on the plantation owners so that in practice they remained there long after their contracts expired; possibly as little as 10% of the coolies actually returned to their original country of origin. Colonial legislation was also passed to severely limit their freedoms; in Mauritius a compulsory pass system was instituted to enable their movements to be easily tracked. Conditions were much worse in the French colonies of Reunion and Guadeloupe and Martinique, where workers were 'systematically overworked' and abnormally high mortality rates were recorded for those working in the mines.

 

However, there were also attempts by the British authorities to regulate and mitigate the worst abuses. Workers were regularly checked up on by health inspectors, and they were vetted before transportation to ensure that they were suitably healthy and fit to be able to endure the rigours of labour. Children under the age of 15 were not allowed to be transported from their parents under any circumstances.

 

The first campaign against the 'coolie' trade in England likened the system of indentured labour to the slavery of the past. In response to this pressure, the labour export was temporarily stopped in 1839 by the authorities when the scale of the abuses became known, but it was soon renewed due to its growing economic importance. A more rigorous regulatory framework was put into place and severe penalties were imposed for infractions in 1842. In that year, almost 35,000 people were shipped to Mauritius.

 

In 1844, the trade was expanded to the colonies in the West Indies, including Jamaica, Trinidad and Demerara, where the Asian population was soon a major component of the island demographic.

 

Starting in 1879, many Indians were transported to Fiji to work on the sugar cane plantations. Many of them chose to stay after their term of indenture elapsed and today they number about 40% of the total population. Indian workers were also imported into the Dutch colony of Suriname after the Dutch signed a treaty with the United Kingdom on the recruitment of contract workers in 1870. In Mauritius, the Indian population are now demographically dominant, with Indian festivals being celebrated as national holidays.

 

This system prevailed until the early twentieth century. Increasing focus on the brutalities and abuses of the trade by the sensationalist media of the time, incited public outrage and lead to the official ending of the coolie trade in 1916 by the British government. By that time tens of thousands of Chinese workers were being used along the Western Front by the allied forces (see Chinese Labour Corps).

 

SEX RATIOS AND INTERMARRIAGE AMONG COOLIES

A major difference between the Chinese coolie trade and the Indian coolie trade was that the Chinese coolies were all male, while East Indian women (from India) were brought alongside men as coolies. This led to a high rate of Chinese men marrying women of other ethnicities like Indian women and mixed race Creole women. Indian women and children were brought alongside Indian men as coolies while Chinese men made up 99% of Chinese colonies. The contrast with the female to male ratio among Indian and Chinese immigrants has been compared by historians. In Sumatra in the Dutch East Indies just 18,731 Chinese women and 92,985 Chinese men served as coolies on plantations. Chinese women migrated less than Javanese and Indian women as indentured coolies. The number of Chinese women as coolies was "very small" while Chinese men were easily taken into the coolie trade. In Cuba men made up the vast majority of Chinese indentured servants on sugar plantations and in Peru non-Chinese women married the mostly male Chinese coolies.

 

Chinese women were scarce in every place where Chinese indentured laborers were brought, the migration was dominated by Chinese men. Up to the 1940s men made up the vast majority of the Costa Rican Chinese community. Males made up the majority of the original Chinese community in Mexico and they married Mexican women.

 

In the early 1900s, the Chinese communities in Manila, Singapore, Mauritius, New Zealand, Victoria in Australia, the United States, and Victoria in British Columbia in Canada were all male dominated.

 

WIKIPEDIA

 

Original Collection: Visual Instruction Department Lantern Slides

 

Item Number: P217:set 028 050

 

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name: Jodi Youngman

school: Willow River Elementary School

town: Hudson,

state: Wisconsin

 

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

The Epic Seascape! Malibu Sea Caves!

 

Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.

 

Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.

Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.

 

Best wishes throughout the coming year!

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!

 

www.facebook.com/epiclandscapephotography/

 

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

 

Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!

 

More on my golden ratio musings: facebook.com/goldennumberratio

instagram.com/goldennumberratio

 

Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken

instagram.com/elliotmcgucken

 

Let me know in the comments if you would like a free review copy of one of my photography books! :)

 

Titles include:

The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!

 

The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography

facebook.com/goldennumberratio

 

And I am also working on a book on photographing the goddesses! :) More goddesses soon!

 

Best wishes on your epic hero's odyssey!:)

 

instagram.com/45surf

 

I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:

 

www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...

 

Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?

 

I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!

 

www.facebook.com/lightimedimensiontheory/

 

Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.

 

Follow me on instagram!

instagram.com/elliotmcgucken

 

Join my new 45EPIC fine art landscapes page on facebook!

facebook.com/mcgucken

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