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Pretty Cowgirl Model Portrait Photography! Cowboy Boots, Cutoff Jeans Shorts, & Cowboy Hat! Short Shorts Denim Jeans Daisy Dukes! Nikon D800 & AF-S NIKKOR 50mm F1.4G from Nikon ! Fast Lens & Bokeh! Pretty Eyes Long Legs Cowgirl Boots!
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Happy 4th of July American Flag Bikini Swimsuit Model Red, White, and Blue Bikini! Golden Ratio Composition Photography Surf Goddesses! Athletic Action Portraits Swimsuit Bikini Models! Helen, and Aphrodite! Athletic Fitness Models! dx4/dt=ic
My physics equation dx4/dt=ic graces the swimsuits and bikinis, while the golden gun is designed in proportion with the golden ratio, and the photos are oft cropped in divine proportions!
My Epic Gear Guide for Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Follow me friends!
facebook.com/goldennumberratio
Epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Enjoy my physics books graces with my fine art photography! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Happy 4th of July American Flag Bikini Swimsuit Model Red, White, and Blue Bikini! Golden Ratio Composition Photography Surf Goddesses! Athletic Action Portraits Swimsuit Bikini Models! Helen, and Aphrodite! Athletic Fitness Models! dx4/dt=ic
Through the 1860s, the Florentine critic Diego Martelli had championed the Italian group of plein-air painters known as the Macchiaioli who shared the same principles as the French Impressionists and influenced Federico Zandomeneghi’s early landscapes and genre scenes. Fittingly, it was likely Martelli who prompted his friend Zandomeneghi’s trip from his native Venice to Paris in 1874, after enthusiastically reporting on that year’s first Impressionist exhibition. He introduced the artist to Edgar Degas, who proved to be particularly inspiring to “Zandò” (as he came to be known by his fellow French artists), inviting the Italian to exhibit at the fourth, fifth, sixth, and eighth Impressionist exhibitions of 1879, 1880, 1881, and 1886 (Ann Dumas, Degas and the Italians in Paris, exh. cat., Royal Scottish Academy, Glasgow, 2004, pp. 19-20). Zandò initially found it difficult to establish himself in Paris’ competitive art market, but soon drew the attention of the powerful dealer Paul Durand-Ruel who sponsored three one-man shows for the artist in 1893, 1897, and 1903, and handled the sale of nearly all of his work of the period—including La coiffure. Zandò’s artistic life in Paris grew to be so prolific and profitable that he never returned to Italy, becoming a fixture at the Café de la Nouvelle-Athènes along with many of the city’s avant-garde painters, writers and musicians.
La coiffure, like many of Zandò’s favorite subjects, was taken from the late nineteenth century life of the Parisienne. However, while fellow Italian expatriates like Giuseppe de Nittis and Giovanni Boldini (see lot 49) favored painting fashionably dressed ladies strolling along the Bois de Boulogne or luxuriating in chicly designed interiors, Zandò generally preferred portraying women and girls observed in the private moments of their everyday life: reading letters, sewing, chatting, or as in the present work, attending to their coiffure. In the late nineteenth century, women typically grew their hair long, wearing it up through the day, making brushing and styling a necessary, if time consuming, ritual (Dumas, n.p.). Zandò depicted the practice in his first Impressionist exhibition work of 1879, Mère et fille, and through careful observation of pose and gesture used the routine chore to convey mood and feeling in a composition praised for its realism (Charles Moffet, The New Painting, Impressionism 1874-1886, exh. cat., The Fine Arts Museums of San Francisco, 1986, p. 307) (fig. 1).
Like Mère et fille, La coiffure depicts an older woman, perhaps a maid, attending to the hair of a younger girl. In the Fondazione Enrico Piceni's 2006 catalogue raisonné, La coiffure is placed between 1885-1894, and is likely painted toward the later date given the reapperance of the screen in the artist's Devant le miroir dated 1896 (no. 321). As such, the present work expands upon Zandò’s early Impressionist experiments and the theme and subject would be built upon by artists such as Degas’, seen clearly in his compositions of the period (fig. 2), and would later be boldly reinterpreted by Pablo Picasso (fig. 3). The cropped perspective of La coiffure creates an intimate space and demonstrates Zandò and Degas' shared influence by Japanese prints and photography while Zandò’s young sitter has rich, auburn hair as do many of Degas' models. With her tresses falling against pale skin and thick strands clasped in her maid's hand, Zandò emphasizes the tactile, sensual aspect of the daily coiffure. The mirror the standing woman holds is missing in an earlier pastel variation (or preparation) (fig. 4), and its inclusion here demonstrates how a simple prop is brilliantly employed by Zandò to convey mood and feeling. The woman looks toward the girl for direction, yet her obscured face, like the mirror’s reflection, reveals little, suggesting her indecision over the day’s hairstyle. Just as the critic Joris-Karl Huysmans suggested when seeing Mère et fille, the intimate composition and subtle yet sophisticated figure placement of La coiffure invites the viewer to interpret a painting “done on the spot, executed with none of the grinning faces so dear to ordinary daubers of genre subjects… [and] without too much or too little detail” (as quoted in Moffet, p. 333).
While Zandò’s working habits and compositional choices linked him to Degas and Pierre-Auguste Renoir, as well as Mary Cassatt and Berthe Morisot, his works are specific to him and his Italian heritage. Works like La coiffure earned him the additional nickname of “Le vénitien”, stemming from his luminous yet subtle use of color which recalls the work of the Macchiaioli, and points toward the Italian Divisonists and Symbolists Giuseppe Pelizza da Volpedo or Giovanni Segantini.In the present work, Zandò builds dabs and dashes of paint to create abstract patterns of wallpaper and curtain textile while subtle shifts of whites and greys capture the cool milky surface of lamp glass and pink highlights suggest warm light on freshly combed hair. The complex intertwining of tone and texture parallels the artist’s pastel compositions after the mid-1880s (Dumas, p. 21).
Born from multiple inspirations and painted with his own vibrant and carefully honed technique, a masterwork like La coiffure is distinctly “Zandò”. The painting perfectly illustrates the artist’s recollection that “looking, listening, arguing, I was transformed like all other artists, from Pissarro to Degas, from Manet to Renoir; my artistic life was a series of infinite evolutions that cannot be analyzed, that cannot be explained… As for my technique, a very vague term, the one I used was my own, I did not borrow from anyone (as quoted in Piceni, 1991, p. 60).
www.sothebys.com/en/auctions/ecatalogue/2013/19th-century...
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by gordon (TK8316): www.flickr.com/photos/gordonator_sg/3227082487/
Located in Tokyo, Rikugien Garden is a masterpiece of traditional Japanese landscape design, reflecting the Edo period's aesthetic principles. This serene image captures the garden's enchanting beauty, showcasing its meticulously pruned trees and serene pond. The pine trees, their trunks wrapped in traditional straw mats known as "komomaki," stand proudly, demonstrating the garden's dedication to preserving historical horticultural practices. The lush greenery surrounding the pond mirrors the tranquil waters, creating a picturesque scene that invites visitors to pause and appreciate nature's artistry. The garden's winding paths, stone bridges, and charming teahouse offer a journey through time, where each step reveals a new perspective on the harmonious blend of natural and man-made elements. Rikugien, meaning "Six Poems Garden," was created in the early 18th century by Yanagisawa Yoshiyasu under the orders of the fifth shogun, Tokugawa Tsunayoshi. It is renowned for its scenic beauty, featuring landscapes inspired by waka poems. Each area of the garden represents a stanza, creating a poetic and immersive experience. The garden is particularly stunning in autumn when the foliage transforms into a vibrant tapestry of red, orange, and yellow, attracting photographers and nature lovers alike. The seasonal changes add a dynamic aspect to the garden, making each visit unique. Rikugien Garden is not just a historical treasure but also a cultural haven where visitors can enjoy a cup of matcha in the teahouse while soaking in the serene surroundings. The garden's meticulous design and maintenance reflect the Japanese cultural emphasis on balance, tranquility, and respect for nature.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by *Blunight 72*: www.flickr.com/photos/blunight72/164070593/
Beautiful Homer's Iliad Venus Swimsuit Bikini Surfer Beach Model! Nikon D800 Surf Lifestyle Portrait Headshots Photoshoot! Gorgeous Blonde Hair Blue Eyes Tall Thin Fit Fitness Model Long Legs Abs 45SURF dx4/dt=ic AF-S NIKKOR 70-200mm f/2.8G ED VR II
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Montana Grizzly Bears Playing Wrestling Fighting Winter Snow Sony A1 ILCE-1 Fine Art Grizzly Bear Photography! Sony Alpha 1 & Sony FE 200–600mm F5.6–6.3 G OSS Emount Zoom Lens SEL200600G West Yellowstone Montana! Elliot McGucken Fine Art Wildlife Photography
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by Perecca: www.flickr.com/photos/irvaas/2492506956/
Greece is considered the cradle of Western civilization, being the birthplace of democracy, Western philosophy, Western literature, historiography, political science, major scientific and mathematical principles, theatre and the Olympic Games.
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
My fine art photography graces my physics books!
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction.
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me friends!
facebook.com/goldennumberratio
The great thing about the beach is that it presents an entirely different universe from season to season, from day to day, from hour to hour, from second to second, with the ever changing wind, tides, clouds, and sun. A split second with tumbling surf and a sinking sun can make a vast different, resulting in entirely different photographs.
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
The Atheist Bus Campaign, set out to convince you that a loving creator God does not exist, that you have no prospect of eternal life and that all you can look forward to is eternal oblivion.
Atheists have no evidence to back up that assertion. In fact logic, natural law and the basic principles of the scientific method rule out their naturalistic alternative to a creator as impossible.
They invent all sort of bizarre scenarios to replace a supernatural first cause (God), they even try to present their fantastical, naturalistic replacements for God as 'scientific'. Please don't be taken in by it.
Their naturalistic replacements for God are illogical, they all violate natural laws and the basic principles of science.
Atheism is rightly referred to as the no-hope philosophy.
Their ultimate goal and pinnacle of their short life is - eternal oblivion.
And, quite perversely, they want to convince you that is all you can look forward to.
Please don't be dragged down with them into that depressing pit of hopelessness.
The Good News is that they are entirely wrong, and furthermore, it is not just an opinion. It can be satisfactorily demonstrated by logic, natural law, and the basic principle of the scientific method ......
Read on .... and you will understand, why atheists can never replace God, however much they try.
Their Atheist Bus Campaign is deceitful because atheists have no logical or scientific grounds for claiming "There's Probably No God", in fact, the evidence of applied logic and natural law, is completely the contrary. The atheist claim that there's probably no God is just an unsubstantiated opinion based only on their own ideological beliefs.
You may wonder why they inserted the word 'probably'? Obviously, they knew that if they were challenged to present evidence for the truth of their advertisement and had to defend it in court, they would be unable to do so. Science and logic can be used to prove they have no alternative to a supernatural first cause, and they know it.
For atheists to propose that believing there is no God, is somehow a reason to stop worrying and the recipe for an enjoyable life, is perverse in the extreme.
For most sane people it would be the opposite - a road to depression, hopelessness, and a feeling that this short existence is worthless. It will all end in oblivion, and you might as well never have lived.
Thankfully, atheists are demonstrably wrong, there is every reason for hope - as we will show - a loving Creator definitely does exist. Your life is not a few short, stressful and worthless years leading to eternal oblivion. You are a unique, valuable, person, specially created out of supreme love, every human life is of infinite value right from the moment of conception. Humans really are special and not just intelligent apes, or a mere collection of atoms, as atheists would have you believe You can live forever in eternal bliss - that is the gift of life the loving Creator of the universe offers you, and it is all offered for free.
Please don't be fooled ... people who think for themselves (the REAL freethinkers), are able to see right through the atheist hype and propaganda. Ignore the relentless bombardment of atheist propaganda, such as the atheist bus campaign. Seek out and learn the real truth and the truth will set you free.
Please read on and you will understand ......
Because there is a law of cause and effect, the universe can't and won't create itself from nothing.
Consider this ....
A creator God (or supernatural first cause) has been made redundant and the final gap (pertaining to the so-called God of the gaps) has now been filled ... who says so?
Atheists, along with the secularist pundits in the popular media.
Why do they say that?
Because they believe that the greatest brain in atheism - Stephen Hawking, has finally discovered the secret of the origin of the universe and a naturalistic replacement for God.
The atheist replacement for God is summed up in a single sentence written by Hawking:
"Because there is a law such as gravity, the universe can and will create itself from nothing"
That is it .... problem solved - apparently!
The secularists in the popular media loved it, as far as they were concerned the problem certainly was solved. Hawking had finally dealt the fatal blow to all religion, especially Christianity. No need to question it, if a revered scientist of his calibre, is so sure of how the universe came into being, it must be correct.
The new atheists loved it, they wasted no time in proclaiming the ultimate triumph of 'science' over religious mythology and superstition.
So just how credible is the atheist claim that God has been made redundant?
And just how 'scientific' is Hawking's replacement for God?
Shall we analyse it?
"Because there is a law of gravity ....
So,
1) If the law of gravity existed, how is that nothing?
AND -
2) Where did the law of gravity come from?
AND -
3) How can a law of gravity exist before that which gravity relates to ... i.e. matter?
"the universe can and will create itself from nothing"
4) How can something create itself, without pre-existing its own creation?
(A) could possibly create (B), but how could (A) create (A)? Of course it can't.
5) What about the 'nothing' that is not really nothing, as most people understand 'nothing', but a bizarre 'nothing' in which a law of gravity exists. A nothing which is actually a 'something' where a law of gravity is presumably some sort of eternally, existent entity?
AND -
6) Is Hawking implying that the self-creation of the universe is made possible by the pre-existence of the law of gravity?
Of course, natural laws are not creative agents, they simply describe basic properties and operation of material things. They can't create anything, or cause the creation of anything. Something which is a property of something, cannot create that which it is a property of.
So, even if we ignore the law of cause and effect which definitively rules out a natural, first cause of the universe, the atheist notion of the universe arising of its own volition from nothing is still impossible, and can be regarded as illogical and unscientific nonsense. Hawking's naturalistic replacement for God, presented in his single sentence, and so loved by the new, atheist cabal, is obviously just contradictory and confused nonsense.
The truth, which atheists don't want to hear, is that atheism is intellectually and scientifically indefensible. That is why they always duck out of explaining how the concept of an uncaused, inadequate, natural first cause is possible.
The best they ever come up with, is something like "we don't really know what laws existed at the start of the universe".
However, the atheist claim that - we don't really know... is completely spurious.
We certainly do know that the Law of Cause and Effect is universal, there is no way round it.
The only reason atheists don't want to accept it, is ideological.
And ... isn't it strange, that the only laws atheists dispute are precisely those that interfere with their beliefs. For example, atheists seem pretty sure that one law existed .... the law of gravity (even prior to that which gravity is a property of … matter).
Why are they so sure that the law of gravity existed?
Because their naturalistic substitute for God, summed up in the sentence by Stephen Hawking, apparently requires that the law of gravity existed before anything else …..
Here it is again ...
‘Because there is a law such as gravity, the universe can and will create itself from nothing’ Stephen Hawking.
So atheists DO KNOW for sure that the law of gravity existed, but they don’t really know what other laws existed at the start of the universe. They especially doubt that the Law of Cause and Effect existed.
AMAZING!
Well, how about this for a refutation of Hawking’s replacement for God, also summed up in a single sentence?
Because there is a Law of Cause and Effect, the universe can’t and won’t create itself from nothing!
That is something Stephen Hawking conveniently forgot.
Apparently, he accepts that the law of gravity existed, because he thinks it suits his argument, but he ignores the existence of other laws that positively destroy his argument.
So now you know the truth about the best substitute for God that atheists have ever come up with.
IMPRESSED? I think not!
Why is it ATHEISTS that try to dispute the universality of natural laws?
According to their claims, atheists are supposed to be the champions of science. Yet we find in practice that it is actually theists who end up defending natural laws and the scientific method against those atheists who try to refute any laws and scientific principles that interfere with their naturalistic beliefs.
Whatever happened to the alleged conflict between science and religion?
That is revealed as purely, atheist propaganda. There is obviously much more conflict between atheism and science.
Why is the law of cause and effect so important?
Because it tells us that all natural entities, events and processes are contingent.
They are all subject to preceding causes. It tells us that natural entities and events are not autonomous, they cannot operate independently of causes.
That is such an important principle, it is actually the basis of the scientific method. Science is about looking for adequate causes of ALL natural events. According to science, a natural event without a cause, is a scientific impossibility.
Once you suggest such a notion, you are abandoning science and you violate the basic principle of the scientific method.
What about the first cause of the universe and everything?
How does that fit in?
Well, the first cause was obviously a unique thing, not only unique, but radically different to all NATURAL entities and occurrences. The first cause HAD to be an autonomous entity, it HAD to be eternally self-existent, self-reliant, NON-CONTINGENT ... i.e. it was completely independent of causes and the limitations that causes impose.
The first cause, by virtue of being the very first, could not have had any preceding cause, and obviously didn't require any cause for its existence. When we talk about the first cause, we mean the very first cause, i.e. FIRST means FIRST, not second or third.
The first cause also had to be capable of creating everything that followed it. It is responsible for every subsequent cause and effect that is, or has ever been. That means that nothing, nor the sum total of everything that followed the first cause, can ever be greater, in any respect, than the first cause.
So the idea that the first cause could be a natural entity or event is just ludicrous.
We know that the first cause is radically different to any natural entity, it is NOT contingent and that is why it is called a SUPERNATURAL entity, the Supernatural, First Cause (or Creator God). All natural events and entities ARE contingent without exception, so the first cause simply CANNOT be a natural thing.
That is the verdict of science, logic and reason. Atheists dispute the verdict of science and insist that the first cause was a 'natural' event which was somehow able to defy natural laws that govern all natural events.
Consequently, atheism can be regarded as anti-science. Which means .... the real enemy of atheism is science, not religion. And the real enemy of science is atheism, not religion.
An idea which seems to be popular with atheists at present, is a continuously, reciprocating universe, one which ends by running out of energy potential and then rewinds itself in an never ending cycle ..... this is an attempt to evade the fact that an uncaused, natural, first cause is impossible. They claim that, in this way a first cause, is not necessary. And that matter/energy is some sort of eternally existent entity.
So is it a valid solution?
Firstly .....
Matter/energy cannot be eternally existent in a cycle with no beginning).
Why?
Because all natural things are contingent, they have to comply with the law of cause and effect, so they cannot exist independently of causes. The nearest you could get to eternally existent matter/energy would be a very, long chain of causes and effects, but a long chain is not eternally existent, it has to have a beginning at some point. At the beginning there would still have to be a non-contingent first cause. So a long chain of causes and effects simply pushes the first cause further back in time, it can't eliminate it.
Secondly ....
It is pretty obvious that the idea of the universe simply rewinding itself in a never ending cycle, which had no beginning, is complete, unscientific nonsense. How such a proposal can be presented as serious science, beggars belief.
It seems atheists will try anything to justify their naturalist ideology. They apparently have no compunction about completely disregarding natural laws.
The Second Law of Thermodynamics rules out such atheist, pie-in-the-sky, origins mythology.
There is no such thing as a free lunch, the idea of a rewinding universe is tantamount to applying the discredited notion of perpetual motion - on a grand scale, to the universe.
Contingent things don't just rewind of their own accord.
The Second Law (not to mention common sense) rules it out.
Where does the renewed power or renewed energy potential come from?
If you wind up a clock, it doesn't rewind itself after it has stopped.
The universe had a beginning and it will have an end. That is what science tells us, it cannot rewind itself.
Such ridiculous, atheist musings are just a desperate attempt to wriggle out of the inevitable conclusion of logic, and the Law of Cause and Effect which are the real enemies of atheist ideology.
Once again atheism is hoisted on its own petard by natural law and science, not by religion.
A variation of the cyclical universe is the argument proposed by some that the universe just is?
Presumably they mean that the universe is some sort of eternally-existent entity with no beginning - and therefore not in need of a cause? Once again an eternally self-existent universe is not possible for the same reason outlined above.
In addition ....
The Second Law of Thermodynamics tells us the universe certainly had a beginning and will have an end. The energy potential of the universe is decreasing from an original peak at the beginning of the universe. Even the most rabid atheists seem to accept that. Which is why most of them believe in a beginning event, such as a big bang explosion.
So the question is how did it (the universe) begin to exist, not whether it began to exist?
Which takes us back to the question of the nature of the very first cause.
It can only be one of two options,
an uncaused, natural first cause
OR
an uncaused, supernatural first cause.
An uncaused, NATURAL first cause is impossible.
Thus the only possible option is a supernatural first cause, i.e. God.
Atheists can’t refute the Law of Cause and Effect which is so devastating to their naturalist agenda, so they regularly invent bizarre scenarios which ignore natural laws, and hope people won’t notice. If anyone does they just brush it off with remarks like “we just don’t know ” what laws existed prior to the beginning of the universe.
Sorry, the atheist apologists may not know …. but all sensible people do know, we certainly know what is impossible ….
And we certainly know that you cannot blithely step outside the constraints of natural laws and scientific principles, as atheists do, and remain credible.
We know that natural laws describe the inherent properties of matter/energy. Which means wherever matter/energy exist, the inherent properties of matter/energy also exist - and so do the natural laws that describe those properties. if the universe began, as some propose, with a cosmic egg. or a previous universe, those things are still natural entities with natural properties, and as such would be subject to natural laws. So the idea that there were natural events leading up to the origin of the universe that were not subject to natural laws is ridiculous.
The atheist claim; that we just don't know, is not valid, and should be treated as the silliness it really is.
The existence of the law of cause and effect is essential to the scientific method, but fatal to the atheist ideology.
SO ....
Is the law of cause and effect really universal?
Causation is necessary for the existence of the universe, but ALSO for the existence of any natural entities or events that may have preceded the creation of the universe.
In other words, causation is necessary for all matter/energy and all natural entities and occurrences, whether within the universe or elsewhere.
ALL natural entities are contingent wherever they may be, whether in some sort of cosmic egg, a big bang, a previous universe or whatever.
Contingency is an inherent character of all natural entities, so it is impossible for any natural entity to be non-contingent.
Which means you simply CANNOT have a natural entity which is UNCAUSED, anywhere.
If, for example, matter/energy was not contingent at the start of the universe, or before the universe began, how and why would it be contingent now?
Why would nature have changed its basic character to an inferior one?
If matter/energy once had such awesome, autonomous power - if it was, at some time, self-sufficient, not reliant on causes for its operation and existence, and not restricted by the limitations causes impose, it would effectively mean it was once an infinite, necessary, self-existent entity, similar to God.
Now if matter once had the autonomous, non-contingent powers of a god, why would it change itself to a subordinate character and role, when it became part of the universe?
Why would it change to a role where it is limited by the strictures of natural laws. And where it cannot operate without a preceding, adequate cause?
To claim matter/energy was, at one time, not contingent, not subject to causes (which is what atheists have to claim) – is to actually imbue it with the autonomous power of a god.
That is why atheism is really just a revamped version of pagan naturalism.
By denying the basic, contingent character of matter/nature, atheism effectively deifies nature, and credits it with godlike powers, which science clearly tells us it doesn’t possess.
Thus, if anyone dismisses causality, they effectively deify matter/nature.
Which means they have chosen the first of the 2 following choices …
1. Atheism ... the unscientific, illogical belief in a natural, uncaused god (of matter or nature) which violates natural laws - which science recognises restrict its autonomy?
2. Theism ... the logical belief in an uncaused, supernatural God, which created matter and the laws that govern matter. And therefore does not violate any laws, is not contingent, and thus has completely unrestricted autonomy and infinite powers?
Which one would you choose?
Which one do scientists who respect natural laws and the scientific method choose?
The great, scientific luminaries and founders of modern science, such as Isaac Newton, Michael Faraday, Louis Pasteur etc., in fact, nearly all of the really great scientists and founders of modern science, had no doubts or problem understanding that choice, and they readily chose the second (theism), as the only logical option.
So, by choosing the second - a supernatural first cause – rather than meaning you are anti-science or anti-reason or some sort of uneducated, superstitious, religious nut (as atheists frequently claim) actually puts you in the greatest of scientific company.
To put it another way, who would you rather trust in science, such scientific giants as: Newton, Pasteur, Faraday, Von Braun, Copernicus, Kepler, Galileo, Mendel, Marconi, Kelvin, Babbage, Pascal, Herschel, Peacock etc. who believed in a supernatural first cause?
OR,
the likes of: Richard Dawkins, Sam Harris, Christopher Hitchens, Lawrence Krauss, Stephen Hawking, Andrew Denton etc. who believe in an uncaused, natural first cause?
No contest!
We can see that atheists are anti-science, because they treat natural law and the whole principle of the scientific method with utter contempt, and all the while, they masquerade as the champions of science to the public.
The question of purpose ....
A further nail in the coffin of bogus, atheist science is the existence of order.
Atheists assume that the universe is purposeless, but they cannot explain the existence of order.
The development of order requires an organizational element.
To do useful work, or to counter the effects of entropy, energy needs to be directed or guided.
Raw energy alone actually tends to increase the effects of entropy, it doesn't increase order.
The organizational principle in living systems is provided by the informational element encoded in DNA.
Atheists have yet to explain how that first, genetic information arose of its own volition in the so-called Primordial Soup?
Natural laws pertinent to all natural entities, they guide the behaviour of energy and matter, but also serve to limit it, because natural laws are based only on the inherent properties of matter and energy.
So ... natural laws describe inherent properties of matter/energy, and natural processes operate only within the confines of natural laws which are based on their own properties. They can never exceed the parameters of those laws.
The much acclaimed, Dawkinsian principle that randomness can develop into order by means of a sieving process, such as shaken pebbles being sorted by falling through a hole of a particular size is erroneous, because it completely ignores the regulatory influence of natural laws on the outcome, which are not at all random.
If we can predict the outcome in advance, as we can with Dawkins' example, it cannot be called random. We CAN predict the outcome because we know that the pebbles will behave according to the regulatory influence of natural laws, such as the law of gravity. If there was no law of gravity, then Dawkins' pebbles, when shaken, would not fall through the hole, they would not be sorted, they would act completely unpredictably, possibly floating about in the air in all directions. In that case, the randomness would not result in any order. That is true randomness.
Dawkins' randomness, allegedly developing into order, is not random at all, the outcome is predictable and controlled by natural laws and the inherent properties of matter. He is starting with 2 organizational principles, natural laws and the inherent, ordered structure and properties of matter, and he calls that randomness!
Bogus science indeed!
This tells us that order is already there at the beginning of the universe, in the form of natural laws and the ordered composition and structure of matter .... it doesn't just develop from random events.
A major problem for atheists is to explain where natural laws came from?
In a purposeless universe there should be no regulatory principles at all.
Firstly, we would not expect anything to exist, we would expect eternal nothingness.
Secondly, even if we overlook that impossible hurdle, and assume by some amazing fluke and contrary to logic, something was able to create itself from nothing ….. we would expect the ‘something’ would have no ordered structure, and no laws based on that ordered structure. We would expect it to behave randomly and chaotically.
This is an absolutely fundamental question to which atheists have no answer. The basic properties of matter/energy, and the universe, scream …. ‘purpose’.
Atheists say the exact opposite.
Furthermore, if we consider the accepted, atheist belief; that matter is inherently predisposed to produce life and the genetic information for life, whenever environmental conditions are conducive (so-called abiogenesis), where does that predisposition for life come from? Once again, atheists are hoisted on their own petard, and the atheist idea of a random, purposeless, universe is left completely in tatters.
It is the atheist ideology that is anti-science, not necessarily individual scientists.
There may be sincere, atheist scientists who respect the scientific method and natural laws, but they are wedded to an ideology that - when push comes to shove, does not respect natural laws.
It is evident that whenever natural laws interfere with atheist naturalist beliefs, the beliefs take precedence over the rigorous, scientific method. It is then that natural laws are disregarded by atheists in favour of unscientific fantasies which are conducive to their ideology.
Of course, in much day-to-day practical science and technology, the question of violating laws doesn't even arise, and we cannot deny that in the course of such work, atheists will respect the scientific method of experiment and observation within the framework of the Law of Cause and Effect and other established laws of science.
Bizarrely, It is a different matter entirely, when it comes to hypotheses about origins. It then becomes an 'anything goes' situation. The main criteria then seems to be that it doesn’t matter whether your hypothesis violates natural laws (all sorts of excuses can be made as to why natural laws need not apply), all that matters is that it is entirely naturalistic, and can be made to sound plausible to the public.
However, the same atheist scientists would not entertain anything in general, day-to-day science, that is not completely in accordance with the scientific method, they make an exception ONLY with anything to do with origins, whether it be the origin of the universe, or the origin of life, or the origin of species.
Atheism is not simply passive non-belief, you can only be a ‘genuine’ atheist if you proactively believe in the following illogical and unscientific propositions:
1. A natural, first cause of the universe that was ‘uncaused’.
2. A natural, first cause of the universe that was patently not adequate for the effect, (a cause which was able to produce an effect far greater than itself and superior to its own abilities).
3. That the universe created ITSELF from nothing.
4. That natural laws simply arose of their own accord, without any reason, purpose or cause.
5. That energy potential at the start of everything material was able to wind itself up from absolute zero, of its own accord, without any reason, purpose or cause.
6. That the effect of entropy (Second Law of Thermodynamics) was somehow suspended or didn’t operate to permit the development of order in the universe.
7. That life spontaneously generated itself, of its own volition, from sterile matter, contrary to: the Law of Biogenesis, the laws of probability, the Second Law of Thermodynamics, Information Theory and common sense.
8. That the complete human genome was created by means of a long chain of copying mistakes of the original, genetic information in the first living cell, (mutations of mutations of mutations, etc. etc.).
9. That the complex DNA code was produced by chemical processes.
10. That the very first, genetic information, encoded in the DNA of the first living cell, created itself by some unknown means.
11. That matter is somehow inherently predisposed to develop into living cells, whenever conditions are conducive to life. But such a predisposition for life just arose of its own accord, with no purpose and with no apparent cause.
12. That an ordered structure of atoms, guiding laws of physics, order in the cosmos, order in the living cell and complex information, are what we would expect to occur naturally in a purposeless universe.
The claim of atheists to be the champions of science and reason is clearly bogus.
They think they can get away with it by pretending to have no beliefs.
However, when seriously challenged to justify their dogmatic rejection of a Supernatural First Cause, they indirectly espouse the unscientific beliefs outlined above, in their futile attempts to refute the evidence for a supernatural first cause.
Of course, whenever possible, they avoid declaring those beliefs explicitly, but you don’t need to be very astute to realize that relying on those beliefs is the unavoidable conclusion of their arguments.
That is why atheism is intellectually bankrupt and is doomed to the dustbin of history. And that is why we are seeing such a rise in militant, evangelizing, atheist zealots, such as Richard Dawkins and the late Christopher Hitchens.
Their crusading, bravado masks their desperation that the public is so hard to convince. What Dawkins et al need to face is that they are in no position to attack what they consider are the bizarre beliefs of others, when their own beliefs (which they fail to publicly acknowledge) are much more bizarre.
What about Christianity and pagan gods?
Atheists frequently try to dismiss and ridicule the idea of a Creator by comparing it to the numerous, pagan gods that people have worshipped throughout history.
Do they have a good point?
Certainly not, this is just a red herring ….
Other gods, cannot be the first cause or Creator.
Idols of wood or stone, or the Sun, Moon, planets, Mother Nature, Mother Earth etc. are all material, contingent things, they cannot be the first cause.
They are rejected as false gods by the Bible and by logic and natural laws.
They are considered gods by people who worship things which are 'created' rather than the Creator, which the Bible condemns.
In fact, they are much more similar to the atheist belief in the powers of a naturalistic entity to create the universe, than they are to the one, Creator God of Christianity.
For example, the pagan belief in the creative powers of Ra (the Sun god) is similar to the atheist belief that raw energy from the Sun acting on sterile chemicals was able to create life.
So atheist mythology credits the Sun (Ra) with the godlike power of creating life on Earth. And thus, atheism is just a revamped version of paganism.
Just like paganism, atheism rejects worship of a Supernatural, First Cause, and rather chooses to worship created, natural entities, imbuing them with the same godlike powers, that theists attribute to the Creator.
There is nothing new under the Sun ... We can see that atheism is just the age old deception of ancient paganism, revisited.
The Creator is a Supernatural, First Cause, which is not a contingent entity, nothing like the pagan gods, but rather a self-existent, necessary entity. As the very first cause of everything in the universe, it cannot be contingent (it cannot rely on anything outside itself for its existence, i.e. it is self-existent) and therefore it cannot be a material entity.
The first cause is necessary because, not being contingent, it necessarily exists.
If anything exists that is not contingent, it has to have within itself everything necessary for its own existence. If it is also responsible for the existence of anything outside itself (which as the first cause of the universe, we know it is) it is also necessary for the existence of those things, and has to be entirely adequate for the purpose of bringing them into being and maintaining their continued existence. It is not subject to natural laws, which only apply to natural events and effects, because, as the first cause, it is the initiator and creator of everything material, including the laws which govern material events, and of time itself.
The atheist view of a natural first cause is not even rational, to propose that all the qualities I have mentioned above could apply to a material entity is clearly ridiculous. But apparently, atheism has no regard for natural laws or logic. Atheists get round it by simply dressing up their irrational beliefs to make them appear ‘scientific’.
This combined with rants and erroneous and derisory slogans about religious myths and superstition makes it all seem perfectly reasonable. Unfortunately, those with little knowledge, or who can’t be bothered to think for themselves are taken in by it.
Atheists repeatedly claim that they have refuted the law of cause and effect by asking : So what caused God then?
How true is that?
The ... what caused God? argument is a rather silly argument which atheists regularly trot out. All it demonstrates is that they don't understand basic logic.
The question to always ask them is; what part of FIRST don't you understand?
If something is the very FIRST, it means there is nothing that precedes it. First means first, not second or third.
That means that the first cause cannot be a contingent entity, because a contingent entity depends on something preceding it for its existence. In which case, if something precedes it, it couldn't be FIRST.
All natural entities, events and effects are contingent ... that is why the Law of Cause and Effect states that ... every NATURAL effect requires an adequate cause.
That means that the first cause cannot be a natural entity. An UNCAUSED, NATURAL event or entity is ruled out as not possible by the Law of Cause and Effect.
Therefore the very FIRST CAUSE of the universe, which we know cannot be caused, by virtue of it being FIRST (not second or third) CANNOT be a natural entity or event.
Thus we deduce that the first cause ... cannot be contingent, cannot be a natural entity, and cannot be subject to the Law of Cause and Effect.
So the first cause has to be non-material, i.e. supernatural.
The first cause also has to have the creative potential to create every other cause and effect that follows it.
In other words, the first cause cannot be inferior in any respect to the properties, powers or qualities of anything that exists...
The effect cannot be greater than the cause....
So we can thus deduce that the first cause is: UNCAUSED, SUPERNATURAL, self-existent, and capable of creating everything we see in the existing universe.
If there is life in the universe, the first cause must have the ability to create life,
If there is intelligence in the universe, the first cause must have the ability to create intelligence.
If there is information in the universe, the first cause must have the ability to create information.
If there is consciousness in the universe, the first cause must have the ability to create consciousness. And so on and on. If it exists, the first cause is responsible for it, and must have the ability to create it.
That is the Creator God … and His existence is supported by impeccable logic and adherence to the demands of natural law.
Atheists often say: you can’t fill gaps in knowledge with a supernatural first cause.
But we are not talking about filling gaps, we are talking about a fundamental issue ... the origin of everything in the material realm.
The first cause is not a gap, it is the beginning - and many of the greatest scientists in the history of science had no problem whatsoever with the logic that - a natural, first cause was impossible, and the only possible option was a supernatural creator.
Why do atheists have such a problem with it?
Atheists also seem to think that to explain the origin of the universe without a God, simply involves explaining what triggered it, as though its formation from that point on, just happens automatically.
This has been compared by some as similar to lighting the blue touch paper of a firework. They think that if they can propose such a naturalistic trigger, then God is made redundant.
That may sound plausible to some members of the public, who take such pronouncements at face value, and are somewhat in awe of anything that is claimed to be 'scientific'.
But it is obvious to anyone who thinks seriously about it, that a mere trigger is not necessarily an adequate cause.
A trigger presupposes that there is some sort of a mechanism/blueprint/plan already existing which is ready to spring into action if it is provided with an appropriate trigger. So a trigger is not a sole cause, or a first cause, it is merely one contributing cause.
Natural things do only what they are programmed to do, i.e. they obey natural laws and the demands of their own pre-ordered composition and structure. Lighting blue touch paper would do absolutely nothing, unless there is a carefully designed and manufactured firework already attached to it.
What about the idea proposed by some atheists that space must have always existed, and therefore the first cause was not the only eternally, uncaused self-existent power?
This implies that the first cause was limited by a self-existent rival (space,) which was also uncaused, and therefore the first cause could not be infinite and could not even be a proper first cause, because there was something it didn’t cause i.e. ‘space’.
There seems to be some confusion here about what ‘space’ actually is.
Space is part of the created universe, it is what lies between and around material objects in the cosmos, if there were no material objects in the cosmos, there would be no space. The confusion lies in the failure to distinguish between empty space and nothing. Nothing is the absence of everything, whereas space is a medium in which cosmic bodies exist. ‘Empty’ space is just the space between objects. So space is not an uncaused, eternally self-existent entity, it is dependent on material objects existing within it, for its own existence.
What about nothing? Is that an uncaused eternally self-existent thing? Firstly, it is not a thing, it is the absence of all things. So has nothing always existed? Well, yes it essentially would have always existed, but only if the first cause didn’t exist. If there is a first cause is that is eternally self-existent, then there is no such thing as absolute nothing, because nothing is the absence of everything. If a first cause exists (which it had to), then any proposed eternal ‘nothing’ has always contained something, and therefore can never have been ‘nothing’.
What about the idea that the first cause created everything material from nothing? Obviously, the ‘nothing’ that is meant here is … nothing material, i.e. the absence of any material entities.
The uncaused, first cause cannot be material, because all material things are contingent, so the first cause brought material things into being, when nothing material had previously existed. That is what is meant by creation from nothing.
So what existed outside of the eternally existent first cause? Obviously no other thing existed outside of the first cause, the first cause was the only thing that existed. So did the first cause exist in a sea of eternally existent nothingness?
No! the first cause was not nothing, it was ‘something’. So to ask what surrounded the something that is the first cause is not a valid question, because if something exists that is not ‘nothing’. This means that such a notion of ‘nothing’ didn’t exist, only something – i.e. the eternally existent first cause. If you have a box with something in it, you wouldn’t say there is both something and nothing in the box. You would say there is something in the box, regardless of whether there was some empty space around the thing in the box.
Atheists invent all sorts of bizarre myths to explain the origin of the universe and matter/energy.
Such as the utterly, ludicrous notion of the universe creating itself from nothing. Obviously for something to create itself, it would need to pre-exist its own creation, in order to do the creating!
They are clutching at straws and anyone with any common sense understands that.
So to sum up .....
The atheist ideology is illogical, unscientific nonsense. Even worse, it has no compunction in treating natural laws and the basic principle of the scientific method with utter distain and contempt whenever they interfere with atheist beliefs.
Science is the real enemy of atheism, and atheism is the real enemy of science.
So please ignore the atheist bus slogans, they are not worth the ink the are printed with.
FOUNDATIONS OF SCIENCE
The Law of Cause and Effect. Dominant Principle of Classical Physics. David L. Bergman and Glen C. Collins
www.thewarfareismental.net/b/wp-content/uploads/2011/02/b...
"The Big Bang's Failed Predictions and Failures to Predict: (Updated Aug 3, 2017.) As documented below, trust in the big bang's predictive ability has been misplaced when compared to the actual astronomical observations that were made, in large part, in hopes of affirming the theory."
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Join my new 45EPIC fine art landscapes page on facebook!
The Scriptures present us with a variety of visible images which signify the presence and action of the Holy Spirit. These signs include wind, fire, breath, and rivers of living waters. You and I have been called to experience the adventure of life in and with the Holy Spirit. We all need the Fire of the Holy Spirit in our lives. In fact, Ephesians 5:18 urges us to constantly be filled with the Spirit. If you are in a place of hunger for more, you will be blessed by this teaching entitled Fire of the Holy Spirit.
Signs of fire in Scripture signify in a special way God’s holy presence, power, and glory, as well as the purification and cleansing action of the Holy Spirit. Some examples include:
• The Burning Bush – Exodus 3
• The Pillar of Fire in the wilderness – Exodus 13:21-22
• The Consuming Fire on Mount Carmel – 1 Kings 18:17-40
• The Burning Coal that purified the lips of Isaiah the Prophet – Isaiah 6:6-7
• The Tongues of Fire at Pentecost – Acts 2:1-4
• God’s Consuming Fire in the new heavenly Jerusalem – Hebrews 12:22,28
The role of the Holy Spirit is not an ‘optional extra’ for Christians; He is the very essence of our relationship with the Father and the means to accomplish what we have been called to do. We have generations of people that don’t know what it means to experience the Holy Spirit, and that in itself is heart-breaking. However, ordinary people filled with Fire can make all the difference.
I feel it is right to show you this life changing teaching and pray that the principles expressed in the teaching will take root in your life. For over four decades we as a ministry have seen the Holy Spirit radically transform people’s lives, bodies, relationships and circumstances. We’ve seen millions set on Fire from above and we want to see that same Fire released in your life.
FIRE OF THE HOLY SPIRIT
Now Moses was tending the flock of Jethro his father-in-law, the priest of Midian, and he led the flock to the far side of the wilderness and came to Horeb, the mountain of God. There the angel of the Lord appeared to him in flames of fire from within a bush. Moses saw that though the bush was on fire it did not burn up. So Moses thought, “I will go over and see this strange sight—why the bush does not burn up.” When the Lord saw that he had gone over to look, God called to him from within the bush, “Moses! Moses!” And Moses said, “Here I am.”
So now, go. I am sending you to Pharaoh to bring my people the Israelites out of Egypt. ”But Moses said to God, “Who am I that I should go to Pharaoh and bring the Israelites out of Egypt?” And God said, “I will be with you. And this will be the sign to you that it is I who have sent you: When you have brought the people out of Egypt, you will worship God on this mountain.” Exodus 3:1-4 & 10-12
YOUR WILDERNESS IN LIFE – THE PERFECT CONDITIONS TO CATCH FIRE
The first thing I want you to notice is the location where Moses encountered the Fire of God. I want you to notice that it doesn’t say that when Moses encountered the Fire he was lying next to a lush green pasture next to a cool bubbling brook of water surrounded by lilies. It doesn’t say that he encountered the Fire of God sitting in a 5-star resort getting massages. The Bible says that when Moses encountered the Fire of God he was in the desert.
In fact, let me take it one step further, the Bible actually says that Moses was on the backside of the desert when he encountered the Fire of God. Now, how many of you know that the desert is a dry place, the desert is a thirsty place, the desert is a lonely place. Yet, this is the place where God chose to reveal himself to Moses through this burning bush of fire.
We all go through times of difficulty, we all face trials. Maybe as you sit and read this teaching you don’t feel the presence of God, maybe you’re going through the most challenging wilderness experience you’ve ever experienced. I have good news for you; the dryer a piece of wood is, the quicker it catches on fire.
When the Lord Jesus began his public ministry, the first thing that John the Baptist said about him was:
“He will baptize you with the Holy Spirit and with fire” (Matthew 3:11 and Luke 3:16).
What does it mean to be baptized with the fire of God's Spirit?
When the Holy Spirit comes he sets our hearts on fire with the love of Jesus Christ. Paul the Apostle tells us that,
“God’s love has been poured into our hearts through the Holy Spirit who has been given to us” (Romans 5:5).
When we surrender our lives to Jesus Christ, and pray for the Holy Spirit to be fully released in our lives, what happens – what does the Holy Spirit do?
• The Holy Spirit opens our ears to hear God’s voice – the Spirit enables God’s Word to come alive in us so that God’s word becomes a living and life-changing Word that is sharper than any two-edged sword – Paul the Apostle calls the Word of God the Sword of the Spirit (Ephesians 6).
• The Spirit opens our eyes to give us vision of what God is doing today in the Church, the world, and our personal lives. “Without vision the people perish” (Proverbs 29:18)
• The Spirit opens our minds to give us knowledge, wisdom, and understanding of God and his ways (Isaiah 11:2). Jesus said the Holy Spirit will teach us the truth and help us remember all that Christ has taught (John 14:26; 16:13).
• The Spirit opens our tongues to praise God and to speak his word with faith, conviction, and boldness and to encourage the fainthearted, the hopeless, and the weak.
• The Spirit anoints our hands to bring blessing, healing, comfort, and help to others.
• The Spirit equips our feet with speed and haste to bring the good news of the Gospel to every neighbor near and far.
• The Holy Spirit purifies our hearts and minds and sets us on fire with the love of Christ.
When Jesus began his ministry, he was led by the Holy Spirit to proclaim the good news of the kingdom to every village, town, and region of Israel. The Spirit gave force or power to every word Jesus spoke. The Spirit revealed the thoughts and intention s of people’s hearts to Jesus. The Spirit empowered Jesus to perform signs and wonders and miracles, and power to free people from Satan’s oppression in their lives.
We are Christ’s body – members of his church on the earth. Jesus calls us to do the same works he did and he equips us with spiritual gifts to carry on the work which he began.
Saint Theresa of Avila (1515-1582) wrote:
“Christ has no body now but yours. No hands, no feet on earth but yours. Yours are the eyes through which he looks compassion on this world. Yours are the feet with which he walks to do good. Yours are the hands through which he blesses all the world. Yours are the hands, yours are the feet, yours are the eyes, you are his body. Christ has no body now on earth but yours.”
Outpouring of the Holy Spirit today
Why is God pouring out his Holy Spirit today, with signs, healings, and spiritual gifts? I believe one reason is that the Gospel and the Christian people are under unprecedented attack today. We need spiritual power to counter this attack and to proclaim the Gospel in the joy and power of the Holy Spirit. The charismatic renewal is a key part of God’s work to renew, restore, and equip God’s people to stand strong in faith and courage, to persevere with unwavering hope, and to be on fire with the love of Christ. Our task is to make Jesus known and loved by all who will receive him and the good news of salvation he brings.
Our role in the charismatic renewal movement
We are first foremost disciples of Jesus – disciples who are personally committed to the Lord Jesus, to follow him and obey him and to submit to his word for our lives.
The Lord Jesus calls us to be servants just as he came "not to be served, but to serve." As his servants who use their gifts, talents, and time to generously and selflessly serve others to help them grow in faith, hope, and love. We use our gifts, not to build up ourselves, but to build up the body of Christ and to advance his mission in the world.
The charismatic renewal is a sign of what God is bringing about through the gift of being baptized in the Holy Spirit. It is a visible public sign of the Lord’s work of renewal in bringing people into a revitalized relationship with God and a sign of the unity he desires for all of his people. The Spirit unites, Satan divides. A true sign and fruit of charismatic renewal is love for our church – our church leaders and members, and for all believers who are brothers and sisters in Christ. A sign can’t do everything – but it can point to God and to the work of the Holy Spirit to renew the churches and to bring God’s people into greater unity and love for one another.
Some traps or pitfalls we must avoid
We don’t lead or serve to draw attention to ourselves, to gain esteem, praise, or applause. We serve in humility like John the Baptist who said, “He [Jesus] must increase, but I must decrease” (John 3:30). Our reward comes from our Master Jesus Christ. He suffered abuse, mistreatment, and even rejection, and yet he loved his own to the very end (John 13:1), even those who rejected him and those who nailed him to the cross. Paul the Apostle said, “It is no longer I who live, but Christ who lives in me” (Galatians 2:20).
THE FIRE COMES FIRST
The next thing I want you to notice about this story. This encounter Moses had was the precursor to Moses being sent to Pharaoh, and once Moses went to Pharaoh the greatest story of God’s deliverance and God’s supernatural power that has been recorded, possibly in history, began to unfold. It all started right there at that burning bush; and I see a principle here that is enduring. Before God sends you to Pharaoh, before God sends you to your destiny, before God sends you to do that thing that you were made to do, He is first going to send you to the Fire.
The Fire comes first, that encounter with the presence of God comes first. When Jesus was about to go to heaven He looked down at His disciples and He said I want you to go to Jerusalem, and what? Wait. I want you to go and wait. Now, think about this for a moment. These 12 men were the most experienced and educated and qualified men in things pertaining to Jesus Christ of anybody that has ever walked the earth. Who else got to spend 3 ½ years, every day and every night with Jesus? These men had a PhD in the Jesus Christ school of ministry. If they were alive today, I am sure that every denomination in the world would give them honorary credentials and I’m pretty sure that every Christian University would give them an honorary Doctorate. If ever anybody was qualified to go and preach about Jesus, it was those men. Yet, Jesus looked them square in the eye and said you’re not ready, go to Jerusalem and wait.
What did He say to wait for? It was the promise of the Father. Do you know what the promise of the Father was? It was the outpouring of the Holy Spirit. Jesus knew that those men, if they were really going to be able to make a difference in the world, they were going to need the power of the Holy Ghost.
I’m convinced that when it comes to the infilling of the Holy Spirit, one of the main ingredients, if not the main ingredient is hunger. Just hunger! You can have what you want, you can have as much of God as you desire. Do you want Him today? Are you hungry for Him today?
LASTING FIRE OF THE SPIRIT
In Exodus 3:3 when Moses saw the bush he turned aside to see why the bush wasn’t burnt. I want you to notice that it was not the fact that there was a burning bush that impressed Moses so much. A lot of people don’t understand this, they think that it was some unusual sight, some unusual phenomenon and that was the reason Moses thought it was so interesting.
The Bible doesn’t say that Moses was interested because a bush was burning. In fact, there are indeed bushes in the wilderness that spontaneously combust. I’m sure that Moses had seen plenty of them, he had lived there for 40 years. He was interested because a bush kept on burning. I imagine it happened like this. Maybe one day Moses was walking through the wilderness with his sheep, following behind him and he passed this particular spot and looked over to his left side and there he saw the burning bush and he thought to himself, very interesting, one of those burning bushes and he kept going. On his way home that night with the sheep still following behind, he passed that spot and he looked and he saw it was still burning, he said wow, that is the toughest wilderness bush I have ever seen in my whole life and he kept walking.
The next week, Moses was on his way back on that trail again and when he came to that spot he looked and he said I could have sworn that was the same tree that was burning this time last week, but that’s impossible all these bushes look the same, and he kept walking. That night on his way home he saw it again and it was still burning. By this point Moses was starting to get curious, maybe he took some rocks piled them on the path and he said next week when I come back on this way I’m going to check that bush and see what’s happened to it. So he went home.
The next week as he was passing he saw that pile of rocks on the path, it reminded him. Oh yes, that bush was burning here and when he approached it he looked to his left side. Surprise, surprise, the bush was still burning. Maybe, it was at that point that Moses decided to turn aside to see what was going on with this bush.
I remember, when I was first filled with the Holy Spirit as a teenager. Well my friend, that was over 20 years ago now, and I have good news for you. I’m burning brighter today than I was back then and I believe 20 years from now, I will be burning brighter than I am today. The Fire of the Holy Ghost never goes out! Somebody said, ‘How do you keep the Fire burning?’ That’s the wrong way round, the Fire keeps me burning.
The Lord saw that Moses turned aside, that’s when the Lord spoke to him. People ask me all the time about how I hear God’s voice? Notice that the burning bush didn’t start shouting to Moses as he was walking by on the path taking care of his sheep.
The Holy Spirit is patient; He can wait for a long time. What is He waiting for? He’s waiting for you to turn aside and listen. People ask me, why is it that I don’t hear the voice of God? I think most of the time the answer is very simple, you are not listening. If you don’t believe me, let me ask you a question, a little diagnostic. When was the last time you sat in a room for 20 minutes quietly, without the television on, without the radio on, without praise and worship music on, without your mobile phone, without Facebook, without e-mail, you turned everything off and you sat there and said Holy Spirit I have no other agenda, I’m just here to listen, I’m not even here to talk, I’m not here to fill your ears with all of my needs, I’m just here to listen? When was the last time you did that?
DISTINGUISHED BY THE SPIRIT
So Moses turned aside and the Lord spoke to him. Now, I don’t know how many bushes there are in the wilderness, I assume there are a lot. One thing I do know is that there was only one bush in the wilderness that caught Moses’ attention. It was the one bush that was burning with the presence of the living God.
What is the world looking for? Are they looking for us to build nicer buildings? Are they looking for us to have more eloquent preachers? Are they looking for us to have better music? Or better marketing programmes? What is it they want? What we think is relevant to the world is completely irrelevant. We have just begun to become like them, sound like them and act like them, we never confront them, we never offend them, we think that we will win them by looking like them. The church has thought that we can convince the world that they need what we have, by looking, just like they look.
I tell you what we need, Elijah the Prophet discovered it thousands of years ago, when the people of Israel were serving their false God named Baal. Elijah stood up and he said today we have got to make a choice. I say it to you, we have got to make a choice. If Baal is god serve him, if money is your god then serve it, if popularity and acceptance is your god give your life to that, if partying and pleasure is god then live for that, but if Jehovah is God, Elijah said, then serve Him! This was the test, Elijah knew his God and he knew that the authentic God would be able to demonstrate His power.
Elijah said, ‘meet me on top of the mountain, bring all of your 700 prophets and I will stand there as one lonely man representing Jehovah, and we will find out whose God is the true God. The prophets of Baal began to dance and sing, try to call down the fire, Elijah was falling asleep. Not even a puff of smoke from Baal’s alter. After a while Elijah stood up, he said, ‘guys I hate to interrupt it looks like you’re having lots of fun. Don’t worry, maybe Baal is locked in the bathroom - it’s okay. I understand how it is, these gods are unpredictable. Maybe he’s gone on vacation.’ Then Elijah said, ‘Gentlemen before it gets too late, before the sun goes down let me pray. I don’t need a long time, I don’t need to scream and shout, I don’t need to cut myself, all I need to do is speak to God because He’s living.’
Elijah prayed, ‘Lord hear me, let these people know that you are God and that You’ve turned their hearts back to you in the fire.’ The Bible says fire fell from heaven, it consumed the sacrifice and the wood and the stones, it even lit up the water in the trench. Our God is a consuming fire! The world is not looking for pyrotechnics, they are not looking for Rock-n-Roll music, they are not looking for great entertainment. What they are looking for is the reality, the demonstration of the power of God and when they see it they will fall on their faces as the children of Israel did and begin to declare the Lord, He is God.
WHAT ARE YOU BURNING FOR?
This burns in me, we need revival in this nation. We have generations of people that don’t know what it means to experience the Holy Ghost, and it breaks my heart.
Some of us are way too dignified. Often caring too much about what people think or about how we look. If you care more about how you look than receiving the Holy Ghost then you are not hungry, that’s all I can say. A hungry man doesn’t give a flying leap what anybody else thinks. A hungry man has one agenda, to get that food and when you’re hungry for the Holy Ghost everything else in your life will come second to that. You will desire Him more than the air you breathe, you will desire Him more than the food you eat, you will desire Him more than your dignity, you will desire Him more than your reputation, you will desire Him more than your ministry, you will desire Him more than anything!
It is true that people will look at you and look down their nose and say it’s one of those crazy Pentecostals. Oh my friend, don’t worry, I’ll tell you what you do, let that unbelieving sceptic go to a football game. You follow that unbelieving mocker down to the stadium and watch as their team score the goal that wins the game in overtime. Then you will make a discovery, everybody burns! Some people burn for sports, some people burn for money, some people burn for popularity and power and sex and style and fashion. But everybody burns for something. The difference between us and them is that we burn for something that matters!
Yours in the harvest,
Evangelist Daniel Kolenda
Pretty Surf Girl Bikini Model! Black Surfboard 45SURF! Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite! Sexy Fitness Model! Pretty Woman!
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine New Statesman to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy.
In the UK anti-establishment figures and groups are seen as those who argue or act against the ruling class. Having an established church, in England, a British monarchy, an aristocracy, and an unelected upper house in Parliament made up in part by hereditary nobles, the UK has a clearly definable[citation needed] Establishment against which anti-establishment figures can be contrasted. In particular, satirical humour is commonly used to undermine the deference shown by the majority of the population towards those who govern them. Examples of British anti-establishment satire include much of the humour of Peter Cook and Ben Elton; novels such as Rumpole of the Bailey; magazines such as Private Eye; and television programmes like Spitting Image, That Was The Week That Was, and The Prisoner (see also the satire boom of the 1960s). Anti-establishment themes also can be seen in the novels of writers such as Will Self.
However, by operating through the arts and media, the line between politics and culture is blurred, so that pigeonholing figures such as Banksy as either anti-establishment or counter-culture figures can be difficult. The tabloid newspapers such as The Sun, are less subtle, and commonly report on the sex-lives of the Royals simply because it sells newspapers, but in the process have been described as having anti-establishment views that have weakened traditional institutions. On the other hand, as time passes, anti-establishment figures sometimes end up becoming part of the Establishment, as Mick Jagger, the Rolling Stones frontman, became a Knight in 2003, or when The Who frontman Roger Daltrey was made a Commander of the Order of the British Empire in 2005 in recognition of both his music and his work for charity.
Anti-establishment in the United States began in the 1940s and continued through the 1950s.
Many World War II veterans, who had seen horrors and inhumanities, began to question every aspect of life, including its meaning. Urged to return to "normal lives" and plagued by post traumatic stress disorder (discussing it was "not manly"), in which many of them went on to found the outlaw motorcycle club Hells Angels. Some veterans, who founded the Beat Movement, were denigrated as Beatniks and accused of being "downbeat" on everything. Lawrence Ferlinghetti wrote a Beat autobiography that cited his wartime service.
Citizens had also begun to question authority, especially after the Gary Powers U-2 Incident, wherein President Eisenhower repeatedly assured people the United States was not spying on Russia, then was caught in a blatant lie. This general dissatisfaction was popularized by Peggy Lee's laconic pop song "Is That All There Is?", but remained unspoken and unfocused. It was not until the Baby Boomers came along in huge numbers that protest became organized, who were named by the Beats as "little hipsters".
"Anti-establishment" became a buzzword of the tumultuous 1960s. Young people raised in comparative luxury saw many wrongs perpetuated by society and began to question "the Establishment". Contentious issues included the ongoing Vietnam War with no clear goal or end point, the constant military build-up and diversion of funds for the Cold War, perpetual widespread poverty being ignored, money-wasting boondoggles like pork barrel projects and the Space Race, festering race issues, a stultifying education system, repressive laws and harsh sentences for casual drug use, and a general malaise among the older generation. On the other side, "Middle America" often regarded questions as accusations, and saw the younger generation as spoiled, drugged-out, sex-crazed, unambitious slackers.
Anti-establishment debates were common because they touched on everyday aspects of life. Even innocent questions could escalate into angry diatribes. For example, "Why do we spend millions on a foreign war and a space program when our schools are falling apart?" would be answered with "We need to keep our military strong and ready to stop the Communists from taking over the world." As in any debate, there were valid and unsupported arguments on both sides. "Make love not war" invoked "America, love it or leave it."
As the 1960s simmered, the anti-Establishment adopted conventions in opposition to the Establishment. T-shirts and blue jeans became the uniform of the young because their parents wore collar shirts and slacks. Drug use, with its illegal panache, was favored over the legal consumption of alcohol. Promoting peace and love was the antidote to promulgating hatred and war. Living in genteel poverty was more "honest" than amassing a nest egg and a house in the suburbs. Rock 'n roll was played loudly over easy listening. Dodging the draft was passive resistance to traditional military service. Dancing was free-style, not learned in a ballroom. Over time, anti-establishment messages crept into popular culture: songs, fashion, movies, lifestyle choices, television.
The emphasis on freedom allowed previously hushed conversations about sex, politics, or religion to be openly discussed. A wave of radical liberation movements for minority groups came out of the 1960s, including second-wave feminism; Black Power, Red Power, and the Chicano Movement; and gay liberation. These movements differed from previous efforts to improve minority rights by their opposition to respectability politics and militant tone. Programs were put in place to deal with inequities: Equal Opportunity Employment, the Head Start Program, enforcement of the Civil Rights Act, busing, and others. But the widespread dissemination of new ideas also sparked a backlash and resurgence in conservative religions, new segregated private schools, anti-gay and anti-abortion legislation, and other reversals. Extremists[clarification needed] tended to be heard more because they made good copy for newspapers and television.[citation needed] In many ways, the angry debates of the 1960s led to modern right-wing talk radio and coalitions for "traditional family values".
As the 1960s passed, society had changed to the point that the definition of the Establishment had blurred, and the term "anti-establishment" seemed to fall out of use.
In recent years, with the rise of the populist right, the term anti-establishment has tended to refer to both left and right-wing movements expressing dissatisfaction with mainstream institutions. For those on the right, this can be fueled by feelings of alienation from major institutions such as the government, corporations, media, and education system, which are perceived as holding progressive social norms, an inversion of the meaning formerly associated with the term. This can be accounted for by a perceived cultural and institutional shift to the left by many on the right. According to Pew Research, Western European populist parties from both sides of the ideological spectrum tapped into anti-establishment sentiment in 2017, "from the Brexit referendum to national elections in Italy." Sarah Kendzior of QZ opines that "The term "anti-establishment" has lost all meaning," citing a campaign video from then candidate Donald Trump titled "Fighting the Establishment." The term anti-establishment has tended to refer to Right-wing populist movements, including nationalist movements and anti-lockdown protests, since Donald Trump and the global populist wave, starting as far back as 2015 and as recently as 2021.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Join my new 45EPIC fine art landscapes page on facebook!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Grand Canyon National Park Landscapes Arizona Desert Southwest Nature Fine Art Landscape Photography South Rim Summer Sunset GNCP Beautiful Epic Views! 45EPIC Dr. Elliot McGucken Master American Southwest Photographer AZ
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Distant Lobster Boats & Lights! Abstract Malibu Sunset Dusk Landscape Seascape Long Exposure Moonrise! Scenic Colorful High Res Abstract Photography! Dr. Elliot McGucken Fine Art Photography! Red, Orange, Yellow, Blue, Green, Indigo, & Violet Clouds & Water!
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
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Fine Art Ballet: geni.us/C1Adc
Some of my epic books, prints, & more!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love.
St. Hilda’s By The Sea is a small Anglican church in Sechelt. Set among the verdant green trees of the temperate rainforest, it is an eclectic mix of old and new: retired British pensioners polish the altar crystal and set out flowers for Sunday services, presided over by a gay Chinese-Canadian priest. Tai chi mixes with Celtic mysticism in a melange that is somehow stronger than its parts. And isn’t that what community is all about?
From the official website:
Walking the labyrinth is an ancient spiritual act that is being rediscovered during our time.
Usually constructed from circular patterns, labyrinths are based on principles of sacred geometry. Sometimes called “divine imprints”, they are found around the world as sacred patterns that have been passed down through the ages for at least 4,000 years. When a pattern of a certain size is constructed or placed on the ground, it can be used for walking meditations and rituals.
Labyrinths and their geometric cousins (spirals and mandalas) can be found in almost every religious tradition. For example, the Kabbala, or Tree of Life, is found in the Jewish mystical tradition. The Hopi Medicine Wheel, and the Man in the Maze are two forms from the Native American labyrinth traditions. The Cretan labyrinth, the remains of which can be found on the island of Crete, has seven path rings and is the oldest known labyrinth (4,000 or 5.000 years old).
In Europe, the Celts and later the early Christian Celtic Church revered labyrinths and frequently built them in natural settings. Sacred dances would be performed in them to celebrate solar and religious festivals. During the Middle Ages, labyrinths were created in churches and cathedrals throughout France and Northern Italy. These characteristically flat church or pavement labyrinths were inlaid into the floor of the nave of the church.
The Chartres Labyrinth
The labyrinth constructed at St. Hilda’s is an 11-circuit labyrinth. It is a replica of the one embedded in the floor of Chartres Cathedral in France. The design of this labyrinth, and many of the other church labyrinths in Europe, is a reworking of the ancient labyrinth design in which an equal-armed cross is emphasized and surrounded by a web of concentric circles. As with many Christian symbols, this was an adaptation of a symbol; that is known to have predated the Christian faith. This medieval variation is considered a breakthrough in design because it is less linear than the preceding, more formal, Roman design that developed from quadrant to quadrant. The medieval design made one path as long as possible, starting at the outer circumference and leading to the centre. Fraught with twists and turns, the path’s meanderings were considered symbolic representations of the Christian pilgrim’s journey to the Holy City of Jerusalem and of one’s own journey through life. This classical design is sometimes referred to as “the Chartres Labyrinth” due to the location of its best known example. The labyrinth was built at Chartres in the early 13th century (~ 1215 A.D.). No one knows the source of this classical 11-circuit labyrinth design, and much of its spiritual meaning and use has been lost.
The Chartres Labyrinth is located in the west end of the nave, the central body of the cathedral. When you walk in the main doors and look towards the high altar, you see the center of the labyrinth on the floor about 50 feet in front of you. It is approximately 42 feet in diameter and the path is 16 inches wide. At Chartres, the center of the Rose Window mirrors the center of the labyrinth. The cathedral is perfectly proportioned, so that if we put the west wall of the cathedral on hinges and folded it down on the labyrinth, the Rose Window would fit almost perfectly over the labyrinth.
Labyrinth or Maze?
The difference between a labyrinth used for meditation and mazes can be confusing. Mazes often have many entrances, dead-ends and cul-de-sacs that frequently confound the human mind. In contrast, meditation labyrinths offer only one path. By following the one path to the center, the seeker can use the labyrinth to quiet his or her mind and find peace and illumination at the center of his or her being. “As soon as one enters the labyrinth, one realizes that the path of the labyrinth serves as a metaphor for one’s spiritual journey. The walk, and all that happens on it, can be grasped through the intuitive, pattern-discerning faculty of the person walking it. The genius of this tool is that it reflects back to the seeker whatever he or she needs to discover from the perspective of a new level of conscious awareness.”
The Labyrinth is a Universal Meditation Tool
Anyone from any tradition or spiritual path can walk into the labyrinth and, through reflecting in the present moment, can benefit from it. A meditation labyrinth is one of many tools that can be used for spiritual practice. Like any tool, it is best used with a proper, good, intention. A church or temple can be used simply as a refuge from a rainstorm, but it can be so much more with a different intention. The same is true of the labyrinth. The seeker is only asked to put one foot in front of the other. By stepping into the labyrinth, we are choosing once again to walk the contemplative spiritual path. We are agreeing to let ourselves be open to see, to be free to hear, and to becoming real enough to respond. The labyrinth is a prayer path, a crucible of change, a meditation tool, a blueprint where psyche meets soul.
The best way to learn about the labyrinth is to walk a well-constructed one a few times, with an open heart and an open mind. Then allow your experience to guide you as to whether this will be a useful spiritual tool for you.
The Chartres Labyrinth and the Pilgrim’s Journey
Pilgrims are persons in motion – passing through territories not their own – seeking something we might call completion, or perhaps the word clarity will do as well, a goal to which only the spirit’s compass points the way.
Richard R. Niebuhr in Pilgrims and Pioneers
“The tradition of pilgrimage is as old as religion itself. Worshippers on pilgrimage traveled to holy festivals whether to solstice celebrations, to Mecca to gather around the Ka’aba for the high holy days of Islam, or to Easter festivals in the Holy City of Jerusalem. Pilgrimages were a mixture of religious duty and holiday relaxation for the peasant, the commoner and rich land owner alike. The journey was often embarked on in groups with designated places to stay at night. The pilgrims were restless to explore the mystical holy places, and many were in search of physical or spiritual healing.
The Christian story, which emphasized the humanity of Christ, fascinated the pilgrims. In the Middle Ages, most people did not read. As a result, they were much more oriented to the senses than we are today. They learned the story by traveling to Jerusalem to walk where Jesus walked, to pray where he prayed, and to experience, in a solemn moment, where he died. Unlike today, Pilgrims encountered the truth of the Christian mystery through an ongoing intimacy with all their senses.
When a person committed his or her life to Christ in the early Middle Ages, they sometimes made a vow to make a pilgrimage to the Holy City of Jerusalem. However, by the 12th century when the Crusades swept across Europe and the ownership of Jerusalem was in tumultuous flux, travel became dangerous and expensive. In response to this situation, the Roman Church appointed seven pilgrimage cathedrals to become “Jerusalem” for pilgrims. Consequently, in the pilgrimage tradition, the path within the labyrinth was called the Chemin de Jerusalem and the center of the labyrinth was called “New Jerusalem”.
The walk into the labyrinth marked the end of the physical journey across the countryside and served as a symbolic entry-way into the spiritual realms of the Celestial City. The image of the Celestial City – taken straight out of the Book of Revelation to John – captivated the religious imagination of many during the Middle Ages. The wondrous Gothic cathedrals, with painted walls either in bright, even gaudy colours, or else white-washed, were designed to represent the Celestial City. The stained glass windows – when illuminated by the sun – created the sense of colourful, dancing jewels, allowing the pilgrim to experience the awesome mystery of the City of God.”
The Journey of Life
A fundamental approach to the labyrinth is to see it as a metaphor for life’s journey. The labyrinth reminds us that all of life, with its joys, sorrows, twists and turns, is a journey that comes from God (birth) and goes to God (death). It is a physical metaphor for the journey of healing, spiritual and emotional growth and transformation. Following the path is like any journey. Sometimes you feel you are at or nearing your destination, and at other times you may feel distant or even lost. Only by faithfully keeping to the path will you arrive at the physical center of the labyrinth, which signifies God, the center of our lives and souls.
Applying the Three Fold Mystical Tradition to the Labyrinth
In the Christian mystical tradition, the journey to God was articulated in the three stages. These stages have become recognized as being universal to meditation: to release and quiet; to open and receive; and to take what was gained back out into the world.
The Three Stages
The first part of the Three- Fold Mystical Path is Purgation. This archaic word is from the root word “to purge”, meaning to cleanse, to let go. Shedding is another way of describing the experience. The mystical word is empting or releasing. It is believed that monks journeyed the first part of the labyrinth Purgation on their knees as a penitential act. This was not done for reasons of punishment as we might think, but as a way to humble oneself before God.
The second stage of the Three-Fold Path, Illumination, is found in the center of the labyrinth. Usually it is a surprise to reach the center because the long winding path seems “illogical” and cannot be figured out by the linear mind. After quieting the mind in the first part of the walk, the center presents a new experience: a place of meditation and prayer. Often people at this stage in the walk find insight into their situation in life, or clarity about a certain problem, hence the label “illumination”. As one enters the
center, the instruction is simple: enter with an open heart and mind; receive what there is for you.
The third stage, Union, begins when you leave the center of the labyrinth and continues as you retrace the path that brought you in. In this stage the meditation takes on a grounded, energized feeling. Many people who have had an important experience in the center feel that this third stage of the labyrinth gives them a way of integrating the insights they received. Others feel that this stage stokes the creative fires within. It energizes insight. It empowers, invites, and even pushes us to be more authentic and confident and to take risks with our gifts in the world. Union means communing with God.
The Monastic Orders experienced a union with God through their community life by creating a fulfilling balance between the work that was assigned, sleep and the many hours of worship attended daily. Our times present a similar challenge: we struggle to find balance between work, sleep, family and friends, leisure and spiritual life. The lack of structured communities in which people share work responsibilities and the “every person for himself or herself” mentality (or every family for itself) prevalent in our highly individualistic society makes the task of finding balance even more difficult.
Monastic communities offered a mystical spirituality that spoke to highly intuitive and intensely introverted people and (paradoxically to some) at the same time provided an economic structure throughout Europe. Monasteries during the Middle Ages provided schools and hospitals managed by monks; yet, at the same time, cloistered life helped the monks stay inwardly directed. Today, without any reliable structure directing us, the way of union needs to be re-thought. Our times call for most of us to be outer-directed. We are called to action in every aspect of our society in order to meet the spiritual challenges that confront us in the 21st century. Gratefully, there are still people in religious orders holding the candle for deep contemplation, but the majority of people involved in the spiritual transformation are searching for a path that guides them to service in the world in an active, extroverted, compassionate way. The third stage of the labyrinth empowers the seeker to move back into the world replenished and directed – which makes the labyrinth a particularly powerful tool for transformation.
Walking the Labyrinth: The Process
The purpose of all spiritual disciplines – prayer, fasting, meditation – is to help create an open attentiveness that enables us to receive and renew our awareness of our grounding and wholeness in God.
The Experience of Walking Meditation
Many of us have trouble quieting our minds. The Buddhists call the distracted state of mind the “monkey mind”, which is an apt image of what the mind is frequently like: thoughts swinging like monkeys from branch to branch, chattering away without any rhyme or conscious reason. When the mind is quiet, we feel peaceful and open, aware of a silence that embraces the universe.
Complete quiet in the mind is not a realistic goal for most of us. Instead, the task is to dis-identify with the thoughts going through our minds. Don’t get hooked by the thoughts, let them go. Thomas Keating, a Cistercian monk who teaches Centering Prayer (meditation) in the Christian tradition, described the mind as a still lake. A thought is like a fish that swims through it. If you get involved with the fish (“Gee what an unusual fish, I wonder what it is called?”), then you are hooked. Many of us have discovered through learning meditation how difficult it is to quiet the mind; yet, the rewards are great.
In the labyrinth, the sheer act of walking a complicated, attention demanding path begins to focus the mind. Thoughts of daily tasks and experiences become less intrusive. A quiet mind does not happen automatically. You must gently guide the mind with the intention of letting go of extraneous thoughts. This is much easier to do when your whole body is moving – when you are walking. Movement takes away the excess charge of psychic energy that disturbs our efforts to quiet our thought processes.
Two Basic Approaches to the Walk
One way to walk the labyrinth is to choose to let all thought go and simply open yourself to your experience with gracious attention. Usually – though not always – quieting happens in the first stage of the walk. After the mind is quiet, you can choose to remain in the quiet. Or use the labyrinth as a prayer path. Simply begin to talk to God. This is an indication that you are ready to receive what is there for you, or you allow a sincere part of your being to find its voice.
A second approach to a labyrinth walk is to consider a question. Concentrate on the question as you walk in. Amplify your thoughts about it; let all else go but your question. When you walk into the center with an open heart and an open mind, you are opening yourself to receiving new information, new insights about yourself.
Guidelines for the Walk
Find your pace. In our chaotic world we are often pushed beyond a comfortable rhythm. In this state we lose the sense of our own needs. To make matters worse, we are often rushed and then forced to wait. Anyone who has hurried to the bank only to stand in line knows the feeling. Ironically, the same thing can happen with the labyrinth, but there is a difference. The labyrinth helps us find what our natural pace would be and draws our attention to it when we are not honouring it.
Along with finding your pace, support your movement through the labyrinth by becoming conscious of your breath. Let your breath flow smoothly in and out of your body. It can be coordinated with each step – as is done in the Buddhist walking meditation – if you choose. Let your experience be your guide.
Each experience in the labyrinth is different, even if you walk it often in a short period of time. The pace usually differs each time as well. It can change dramatically within the different stages of the walk. When the labyrinth has more than a comfortable number of seekers on it, you can “pass” people if you want to continue to honour the intuitive pace your inner process has set. If you are moving at a slower pace, you can allow people to pass you. At first people are uncomfortable with the idea of “passing” someone on the labyrinth. It looks competitive, especially since the walk is a spiritual exercise. Again, these kinds of thoughts and feelings, we hope, are greeted from a spacious place inside that smiles knowingly about the machinations of the human ego. On the spiritual path we meet every and all things. To find our pace, to allow spaciousness within, to be receptive to all experience, and to be aware of the habitual thoughts and issues that hamper our spiritual development is a road to self-knowledge.
Summary of How to Walk the Labyrinth
Pause at the entry way to allow yourself to be fully conscious of the act of stepping into the labyrinth. Allow about a minute, or several turns on the path, to create some space between yourself and the person in front of you. Some ritual act, such as a bow, may feel appropriate during the labyrinth walk. Do what comes naturally.
Follow your pace. Allow your body to determine the pace. If you allow a rapid pace and the person in front of you is moving slower, feel free to move around this person. This is easiest to do at the turns by turning earlier. If you are moving slowly, you can step onto the labyrs (wide spaces at the turns) to allow others to pass.
The narrow path is a two-way street. If you are going in and another person is going out, you will meet on the path. If you want to keep in an inward meditative state, simply do not make eye contact. If you meet someone you know, a touch of the hand or a hug may be an important acknowledgement of being on the path together.
Symbolism and Meanings Found in the Chartres Labyrinth
Circles and Spirals
The circle is the symbol of unity or union and it is the primary shape of all labyrinths. The circle in sacred geometry represents the incessant movement of the universe (uncomprehensible) as opposed to the square which represents comprehensible order. The labyrinth is a close cousin to the spiral and it, too, reflects the cyclical element of nature and is regarded as the symbol of eternal life.
The labyrinth functions like a spiral, creating a vortex in its center. Upon entering, the path winds in a clockwise pattern. Energy is being drawn out. Upon leaving the center the walker goes in a counter clockwise direction. The unwinding path integrates and empowers us on our walk back out. We are literally ushered back out into the world in a strengthened condition.
The Path
The path lies in 11 concentric circles with the 12th being the labyrinth center. The path meanders throughout the whole circle. There are 34 turns on the path going into the center. Six are semi-right turns and 28 are 180° turns. So the 12 rings that form the 11 pathways may symbolically represent, the 12 apostles, 12 tribes of Israel or 12 months of the year. Twelve is a mystical number in Christianity. In sacred geometry three represents heaven and four represents earth. Twelve is the product of 3 x 4 and, therefore, the path which flows through the whole is then representative of all creation.
The obvious metaphor for the path is the difficult path to salvation, with its many twists and turns. Since we cannot see a straight path to our destination, the labyrinth can be viewed as a metaphor for our lives. We learn to surrender to the path (Christ) and trust that he will lead us on our journey.
The path can also be viewed as grace or the Church guiding us through chaos.
The Cruciform and Labyrs
The labyrinth is divided equally into four quadrants that make an equal-armed cross or cruciform. The four arms represent in symbol what is thought to be the essential
structure of the universe for example, the four spatial directions, the four elements (earth, wind, water and fire), the four seasons and, most important, salvation through the cross. The four arms of the cross emerging from the center seem to give order to the would-be chaos of the meandering path around it.
The Chartres labyrinth cross or cruciform is delineated by the 10 labyrs (labyr means to turn and this is the root of the word labyrinth). The labyrs are double-ax shaped and visible at the turns and between turns. They are traditionally seen as a symbol of women’s power and creativity.
The Centre Rosette
In the Middle Ages, the rose was regarded as a symbol for the Virgin Mary. Because of its association with the myths of Percival and the Holy Grail at that time, it also was seen as a sign of beauty and love. The rose becomes symbolic of both human and divine love, of passionate love, but also love beyond passion. The single rose became a symbol of a simple acceptance of God’s love for the world.
Unlike a normal rose (which has five petals) the rosette has six petals and is steeped in mysticism. Although associated with the Rose of Sharon, which refers to Mary, it may also represent the Holy Spirit (wisdom and enlightenment). The six petals may have corresponded to the story of the six days of creation. In other mystical traditions, the petals can be viewed as the levels of evolution (mineral, plant, animal, humankind, angelic and divine).
The Lunations
The lunations are the outer ring of partial circles that complete the outside circle of the labyrinth. They are unique to the Chartres design.
Celtic Symbols on the St. Hilda’s Labyrinth
The Celtic peoples have given us seven enduring spiritual principles:
1. A deep respect of nature, regarding creation as the fifth Gospel.
2. Quiet care for all living things.
3. The love of learning.
4. A wonder-lust or migratory nature.
5. Love of silence and solitude.
6. Understanding of time as a sacred reality and an appreciation of ordinary life, worshipping God through everyday life, and with great joy.
7. The value of family and clan affiliation, and especially spiritual ties of soul friends.
To show our respect for such wisdom, two Celtic designs adorn the St. Hilda’s labyrinth.
To mark the entrance to the labyrinth is a Celtic zoomorphic design painted in red. Traditionally, Celtic monks used intricate knotwork and zoomorphic designs (odd animals intertwined in uncomfortable ways) as mere filler for their illuminated gospel texts. They had no discernible meaning.
However, because of their unique design components, zoomorphs are now associated with transformations.
Transformation, change, action, and passion are also associated with red, the colour of fire. Therefore, this entrance symbol may well be an appropriate sign for the journey ahead.
At the labyrinth’s centre is a Celtic triquetra. This interlocked knotwork design of three stylized fish (whales) is often interpreted as the Trinity knot. It is a perfect representation of the concept of "three in one" in Christian trinity beliefs. Having the design enclosed within the centre circle further emphasizes the unity theme.
The triquetra can also be considered to represent the triplicities of mind, body, and soul, as well as the three domains of earth- earth, sea, and sky.
Final Reflection: The Labyrinth as a “Thinning Place”
In Celtic Christianity, places where people felt most strongly connected with God’s presence were referred to as thin places. It was these places in nature (forest groves, hilltops and deep wells) that the seen and unseen worlds were most closely connected, and the inhabitants of both worlds could momentarily touch the other. Today our churches, temples and sacred sites are the new thin places to meet the Divine. Here, at St Hilda’s, we have opportunities to encounter many thinning places – whether it be during Eucharistic or Taize services, while singing or praying, or through the love of a welcoming inclusive community. The labyrinth is a welcome addition; and with the right intent can also become a new thinning place for the modern pilgrim/spiritual seeker.This outward journey is an archetype with which we can have a direct experience. We can walk it. It can serve to frame the inward journey – a journey of repentance, forgiveness and rebirth, a journey that seeks a deeper faith, and greater holiness, a journey in search of God.
This 360° High Dynamic Range panorama was stitched from 66 bracketed photographs images with PTGUI Pro, tone-mapped with Photomatix, processed with Color Efex, and touched up in Aperture.
Original size: 20000 × 10000 (200.0 MP; 1.04 GB).
Location: St. Hilda’s By The Sea Anglican Church, Sechelt, British Columbia, Canada
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The five data privacy principles from Mozilla, put in big on a museum wall: no surprises, sensible settings, defense in depth, user control, limited data. More about this here: www.keek.be/2014/five-data-privacy-principles/
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Hi everyone!
The first levitation shot in the 52 Weeks project!
Last Friday my photo Principles of Levitation pt. 2: Reading to improve the technique was featured as "Photo of the day" in the Berlin subway, yes, the whole day you could see my photo between news, the weather and some other ads.
Yes, I also took a ride in the subway just to see my photo :D, and yes, I am still happy about this little achievement.
In the background on the top you can see my photo displayed in the right screen with my name and description in the left one.
In other news, I am really hating this "new" Flickr layout, I really hate it!
Well, now time to go to the balcony and enjoy of a delicious watermelon water and the nice weather!
Have a great Sunday you all!
“Beauty will save the world.” --Dostoevsky
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
An anti-establishment view or belief is one which stands in opposition to the conventional social, political, and economic principles of a society. The term was first used in the modern sense in 1958, by the British magazine New Statesman to refer to its political and social agenda. Antiestablishmentarianism (or anti-establishmentarianism) is an expression for such a political philosophy.
In the UK anti-establishment figures and groups are seen as those who argue or act against the ruling class. Having an established church, in England, a British monarchy, an aristocracy, and an unelected upper house in Parliament made up in part by hereditary nobles, the UK has a clearly definable[citation needed] Establishment against which anti-establishment figures can be contrasted. In particular, satirical humour is commonly used to undermine the deference shown by the majority of the population towards those who govern them. Examples of British anti-establishment satire include much of the humour of Peter Cook and Ben Elton; novels such as Rumpole of the Bailey; magazines such as Private Eye; and television programmes like Spitting Image, That Was The Week That Was, and The Prisoner (see also the satire boom of the 1960s). Anti-establishment themes also can be seen in the novels of writers such as Will Self.
However, by operating through the arts and media, the line between politics and culture is blurred, so that pigeonholing figures such as Banksy as either anti-establishment or counter-culture figures can be difficult. The tabloid newspapers such as The Sun, are less subtle, and commonly report on the sex-lives of the Royals simply because it sells newspapers, but in the process have been described as having anti-establishment views that have weakened traditional institutions. On the other hand, as time passes, anti-establishment figures sometimes end up becoming part of the Establishment, as Mick Jagger, the Rolling Stones frontman, became a Knight in 2003, or when The Who frontman Roger Daltrey was made a Commander of the Order of the British Empire in 2005 in recognition of both his music and his work for charity.
Anti-establishment in the United States began in the 1940s and continued through the 1950s.
Many World War II veterans, who had seen horrors and inhumanities, began to question every aspect of life, including its meaning. Urged to return to "normal lives" and plagued by post traumatic stress disorder (discussing it was "not manly"), in which many of them went on to found the outlaw motorcycle club Hells Angels. Some veterans, who founded the Beat Movement, were denigrated as Beatniks and accused of being "downbeat" on everything. Lawrence Ferlinghetti wrote a Beat autobiography that cited his wartime service.
Citizens had also begun to question authority, especially after the Gary Powers U-2 Incident, wherein President Eisenhower repeatedly assured people the United States was not spying on Russia, then was caught in a blatant lie. This general dissatisfaction was popularized by Peggy Lee's laconic pop song "Is That All There Is?", but remained unspoken and unfocused. It was not until the Baby Boomers came along in huge numbers that protest became organized, who were named by the Beats as "little hipsters".
"Anti-establishment" became a buzzword of the tumultuous 1960s. Young people raised in comparative luxury saw many wrongs perpetuated by society and began to question "the Establishment". Contentious issues included the ongoing Vietnam War with no clear goal or end point, the constant military build-up and diversion of funds for the Cold War, perpetual widespread poverty being ignored, money-wasting boondoggles like pork barrel projects and the Space Race, festering race issues, a stultifying education system, repressive laws and harsh sentences for casual drug use, and a general malaise among the older generation. On the other side, "Middle America" often regarded questions as accusations, and saw the younger generation as spoiled, drugged-out, sex-crazed, unambitious slackers.
Anti-establishment debates were common because they touched on everyday aspects of life. Even innocent questions could escalate into angry diatribes. For example, "Why do we spend millions on a foreign war and a space program when our schools are falling apart?" would be answered with "We need to keep our military strong and ready to stop the Communists from taking over the world." As in any debate, there were valid and unsupported arguments on both sides. "Make love not war" invoked "America, love it or leave it."
As the 1960s simmered, the anti-Establishment adopted conventions in opposition to the Establishment. T-shirts and blue jeans became the uniform of the young because their parents wore collar shirts and slacks. Drug use, with its illegal panache, was favored over the legal consumption of alcohol. Promoting peace and love was the antidote to promulgating hatred and war. Living in genteel poverty was more "honest" than amassing a nest egg and a house in the suburbs. Rock 'n roll was played loudly over easy listening. Dodging the draft was passive resistance to traditional military service. Dancing was free-style, not learned in a ballroom. Over time, anti-establishment messages crept into popular culture: songs, fashion, movies, lifestyle choices, television.
The emphasis on freedom allowed previously hushed conversations about sex, politics, or religion to be openly discussed. A wave of radical liberation movements for minority groups came out of the 1960s, including second-wave feminism; Black Power, Red Power, and the Chicano Movement; and gay liberation. These movements differed from previous efforts to improve minority rights by their opposition to respectability politics and militant tone. Programs were put in place to deal with inequities: Equal Opportunity Employment, the Head Start Program, enforcement of the Civil Rights Act, busing, and others. But the widespread dissemination of new ideas also sparked a backlash and resurgence in conservative religions, new segregated private schools, anti-gay and anti-abortion legislation, and other reversals. Extremists[clarification needed] tended to be heard more because they made good copy for newspapers and television.[citation needed] In many ways, the angry debates of the 1960s led to modern right-wing talk radio and coalitions for "traditional family values".
As the 1960s passed, society had changed to the point that the definition of the Establishment had blurred, and the term "anti-establishment" seemed to fall out of use.
In recent years, with the rise of the populist right, the term anti-establishment has tended to refer to both left and right-wing movements expressing dissatisfaction with mainstream institutions. For those on the right, this can be fueled by feelings of alienation from major institutions such as the government, corporations, media, and education system, which are perceived as holding progressive social norms, an inversion of the meaning formerly associated with the term. This can be accounted for by a perceived cultural and institutional shift to the left by many on the right. According to Pew Research, Western European populist parties from both sides of the ideological spectrum tapped into anti-establishment sentiment in 2017, "from the Brexit referendum to national elections in Italy." Sarah Kendzior of QZ opines that "The term "anti-establishment" has lost all meaning," citing a campaign video from then candidate Donald Trump titled "Fighting the Establishment." The term anti-establishment has tended to refer to Right-wing populist movements, including nationalist movements and anti-lockdown protests, since Donald Trump and the global populist wave, starting as far back as 2015 and as recently as 2021.
Malay custom, though based on Islamic principles of marriage, are heavily influenced by the neighbouring areas like Jawa, Sumatra, the Indian sub-continent, China, the Middle East and the West. This is probably due to the strategic position for trade between the China and India and the heavy influx of immigrants from these countries in the early 15 century.
A malay wedding, for example, has many elements of Indian culture and one of the most viisible is the use of henna to decorate the bride. In the present day, the use of henna, though not as elaborate, remains a strong component of the malay wedding.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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