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Epic Fine Art Malibu Seascape Landscape Photography: Elliot McGucken Fine Art Nature Photography!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Click here to join my Facebook page!
GIMP
Hi everyone!
The first levitation shot in the 52 Weeks project!
Last Friday my photo Principles of Levitation pt. 2: Reading to improve the technique was featured as "Photo of the day" in the Berlin subway, yes, the whole day you could see my photo between news, the weather and some other ads.
Yes, I also took a ride in the subway just to see my photo :D, and yes, I am still happy about this little achievement.
In the background on the top you can see my photo displayed in the right screen with my name and description in the left one.
In other news, I am really hating this "new" Flickr layout, I really hate it!
Well, now time to go to the balcony and enjoy of a delicious watermelon water and the nice weather!
Have a great Sunday you all!
The principles of physics and chemistry that make the daytime sky look blue have the same effect on the night’s sky, provided that one condition is satisfied. What might that condition be? The presence of moonlight! Blue skies are a result of sunlight getting scattered by gases and particles in the Earth’s atmosphere, with the shorter-wavelength blue hues getting spread around more than the other colours that make up the white light we receive from the Sun. Since moonlight is nothing more than light from the sun that is reflected back towards the earth by the Moon, the background tone of a moonlit sky is predominately blue.
When I shot the images that make up this eight-frame vertical panorama, the Moon was about half an hour from setting. Even with the Moon very low in the western sky, and at only 30% illuminated, there was plenty of that reflected sunlight available to give an overall blue tone to my photo. You can see the blue reflected in the pools of water on the rock shelf here at Gerroa, on the southeast coast of New South Wales, Australia. Fortunately, though, there wasn’t so much moonlight that the beautiful band of the Milky Way was washed out. After the setting of the moon, the planet Jupiter–the third-brightest object visible in the sky at night–dominated the heavens even more than you see here in the photo.
My vertical panorama was stitched together from eight overlapping images, each of which was photographed with a Canon EOS 6D Mk II camera, a Rokinon 24mm lens @ f/2.4, with a 13-second exposure @ ISO 6400.
Pretty Swimsuit Bikini Surfer Girl Malibu Beach Model! Surf Lifestyle Portrait Photoshoot! Pretty Tall, Thin, Fit Fitness Model Long Legs Abs! Cowgirl Cowboy Hat! Black Gold 45 Revolver Bikini! 45SURF 45EPIC dx4/dt=ic!
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
The Tao of Epic Landscape Photography:
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Imam al-Shafi'i (Abū ʿAbdillāh Muhammad ibn Idrīs al-Shāfiʿī) 767-820: Arab Muslim theologian, creator of the principles of Islamic jurisprudence (Uṣūl al-fiqh) & founder of the Shafi'i School of Law.
Patron: al-Malik al-Kamil (al-Malik al-Kamil Naser ad-Din Abu al-Ma'ali Muhammad) c.1177-1238 (Salah al-Din's nephew), Sultan of Egypt (r.1218-1238).
Islamic Monument #281
Now selling epic 45SURF t-shirts & hoodies!
shop.spreadshirt.com/45surf/45surf+hero's+odyssey+mytholo...
Epic Malibu Sea Caves 2018 Caledar!
My book on Epic Landscape Photography!
www.amazon.com/Epic-Landscape-Photography-Principles-Comp...
Photographing the Venus Archetype!
www.amazon.com/Photographing-Women-Models-Photography-Arc...
Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The 45surf and gold 45 revolver swimsuits, shirts, logos, designs, and lingerie are designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
If you would like a free review copy, message me!
Epic Landscape Photography! New Book!
www.facebook.com/epiclandscapephotography
And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!
www.facebook.com/goldennumberratio/
'
The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!
www.facebook.com/lightimedimensiontheory/
Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)
http:/instagram.com/elliotmcgucken
instagram.com/goldennumberratio
Beautiful swimsuit bikini model goddess!
Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!
Would you like to see the whole set? Comment below and let me know!
Follow me!
I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
www.facebook.com/goldennumberratio/
The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
www.facebook.com/Photographing-Women-Models-Portrait-Swim...
"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
Epic High Resolution Malibu Sunset! Malibu Sea Cave Sunset California Socal Photography! Fine Art Landscape & Nature Photography: Light Beams & Dr. Elliot McGucken Epic Fine Art! High Res!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
My fine art photography graces my physics books!
Regarding the award-winning physicist Dr. Elliot McGucken at Princeton University, the late John Archibald Wheeler stated, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet."
Dr. E would go on to heal the blind with his NSF-funded, award-winning Ph.D. dissertation which also laid down the foundations of Light Time Dimension Theory. Over the years, LTD Theory added foundational *physical* postulates, principles, and equations en route to becoming numerous books, with this one forming the simple, illustrated introduction.
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me friends!
facebook.com/goldennumberratio
The great thing about the beach is that it presents an entirely different universe from season to season, from day to day, from hour to hour, from second to second, with the ever changing wind, tides, clouds, and sun. A split second with tumbling surf and a sinking sun can make a vast different, resulting in entirely different photographs.
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Pretty Brunette Swimsuit Bikini Model! Laguna Beach Surf Girl! Epic Portrait & Landscape Photography! Golden Ratio Composition Surf Goddess! Athletic Portraits of Swimsuit Bikini Models! Sexy Hot Portraiture dx4/dt=ic 45SURF 45EPIC Venus!
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Swimsuit bikini model girls with the famous 45SURF surfboard dx4/dt=ic physics t-shirt! Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ...
Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Follow me my good friends!
facebook.com/goldennumberratio
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Enjoy my physics!! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical
Beautiful Surf Goddesses! Athletic Action Portraits of Swimsuit Bikini Models! Athena, Artemis, Helen, and Aphrodite!
I snagged this from an essay by David Holmgren, in which he discusses the 12 permaculture principles. I know from experience that permaculture has a lot of connotations and meanings to many different kinds of people. The most common association is with gardening, and rightfully so, that's where a lot of action happens. But David has a grace in which he describes the purposes and intents of permaculture; beyond a way of gardening or a set of skills, but as a means of designing, managing and improving the actions of humans and our settlements.
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
14 Performances. Relation Work (1976 - 1980). Filmed by Paolo Cardazzo. Marina Abramović/ Ulay. Neuer Berliner Kunstverein, Berlin, Germany.
Abramović, Marina. Student Body: Workshops 1979 - 2003: Performances 1993 - 2003. Milano: ed. Charta, 2003.
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Blaikie, William. How to Get Strong and How to Stay So. New York: Harper & Brothers Publishers, 1883.
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de Balzac, Honoré. The Human Comedy. EBook: Project Gutenberg, 2010. de Balzac, Honoré. Théorie de la démarche. 1833, 1853.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
„I like this neighborhood of Stuttgart around the „Hans-im-Glück“-Fountain. There's an open and relaxed mood.“
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After finishing my 100 Strangers Project, I continue to photograph strangers based on the principles of the Project. Find out more about the project at the group page 100 Strangers.
These Seven Principles of Human Learning taken from the National Academies Press free ebook Learning and Understanding (2002).
"During the last four decades, scientists have engaged in research that has increased our understanding of human cognition, providing greater insight into how knowledge is organized, how experience shapes understanding, how people monitor their own understanding, how learners differ from one another, and how people acquire expertise. From this emerging body of research, scientists and others have been able to synthesize a number of underlying principles of human learning. This growing understanding of how people learn has the potential to influence significantly the nature of education and its outcomes."
Image licensed under Creative Commons by happeningfish: www.flickr.com/photos/happeningfish/3007746661/
Harry Clasper (5 July 1812 – 12 July 1870) was a professional rower and boat builder from Tyneside in England. He was an innovative boat designer who pioneered the development of the racing shell and the use of outriggers. He is said to have invented spoon-shaped oars.[citation needed]
He was the first of three well-known Tyneside oarsmen, the other two being Robert Chambers and James Renforth.
Early history
Harry Clasper was born in Dunston,[1] now part of the Metropolitan Borough of Gateshead, but then an independent village on the south bank of the River Tyne, a mile upriver from Gateshead. Later his family moved to Jarrow, also on the south bank of the Tyne, downriver from Newcastle. At the age of 15, he began to work at Jarrow Pit, which was notorious for firedamp. After a while, Clasper decided that mining did not suit him and he became apprenticed as a ship's carpenter in Brown's Boatyard, Jarrow. There he learnt about woodworking and the principles of boatbuilding. This would be useful to him in later life.
After a while, his family moved back to Dunston and Clasper became employed as a coke burner and wherryman for the Garesfield Coke Company at nearby Derwenthaugh. His work as a wherryman would also serve him well in later life. Clasper then worked for a while at Hawks, Crawshay, and Sons Ironworks around the mid-1830s.
In 1836 he married his cousin Susannah Hawks, a member of a wealthy family. Their wedding certificate shows Clasper signing with a cross, as he could not read or write, whilst Susannah signed her name.
Racing
Clasper formed a racing crew with his brother William and two other men. Harry rowed as stroke (the oarsman who sits nearest the stern, opposite the cox and who sets the stroke rate) and another brother, Robert, acted as cox. The boat was named "Swalwell". The crew started well, winning several races and became known as the Derwenthaugh crew.
Clasper took over the tenancy of the Skiff Inn, Derwenthaugh, and in addition to being a pub landlord, he began to build boats on the same site. He built two skiffs for himself, the Hawk in 1840 and the Young Hawk in 1841. With the latter he won the Durham Regatta Single Sculls race in 1842.
Race against the Thames
The Derwenthaugh crew was dominating the rowing scene on the Tyne and the logical progression was to challenge a crew from the River Thames. This was done and the race was held on the Tyne on 16 July 1842. The race was rowed over a five-mile (8 km) course from the Tyne Bridge to Lemington for a stake of £150 a side. The Thames crew gained an easy victory. The Derwenthaugh crew's boat, St Agnes, although much narrower than the Thames boat (29 inches as against 40 inches), was 60% heavier than the Thames boat. Clasper realised that he needed to design and build a much lighter boat for future races.
The Five Brothers
Clasper had already started to build a new four-oared boat, called The Five Brothers. The completed boat had a five-strake, mahogany hull that had been French polished. It also had outriggers, as had the previous boat, the St Agnes. Outriggers had been used before, but were not universally in use. Despite being much lighter than the St Agnes, the new boat was still about 20% heavier than the boats being raced on the Thames. The Five Brothers made an appearance at the Thames Regatta in 1844 when the Derwenthaugh crew won a prize of £50 and narrowly missed winning the £100 top prize, the Champion Fours.
Lord Ravensworth
In 1845 Clasper took another four-oared boat, the Lord Ravensworth, to the Thames Regatta. This latest boat was a further improvement on The Five Brothers. The crew was all Claspers, consisting of Harry at stroke, brothers William and Robert with uncle Ned, and brother Richard as cox. The Derwenthaugh crew won the Champion Fours, beating two other crews, including one from London. They were given the title of four-oared "World Champions". The crew were given a hero's welcome on returning to Newcastle. Clasper then sold the Lord Ravensworth for £80.
Later career
In the next fifteen years, Clasper, with a variety of other crewmembers, won the Champion Fours at the Thames Regatta six further times. His crewmembers included his eldest son, John Hawks Clasper and Robert Chambers, later to be World Sculling Champion. His last victory was in 1859, when he was 47 years old.
For many years he was a champion sculler on the Tyne and in Scotland, but was never successful as a sculler at the Thames Regatta. His last competitive race was a sculling race on the Tyne in 1867, when he was 55; his younger opponent beat him easily.
Clasper became a rowing coach using his experience of many races. He recommended rest, light and regular meals, walking and running, as well as two sessions on the water each day. He coached Robert Chambers, who became Tyne, Thames, England and World Sculling Champion.
During his time racing and coaching he continued to be a pub landlord, and ran a succession of pubs, including the Skiff pub in Gateshead and the Clasper Hotel on Scotswood Road, Newcastle. He moved on from there and finally settled at the Tunnel Inn, Ouseburn. He ran this until his death in 1870.
Death
He died on 12 July 1870, probably of a stroke. For his funeral, the coffin was transported from the Tunnel Inn, Ouseburn to St Mary's Church, Whickham. Part of the journey was by paddle tug on the river, travelling over part of the course that had seen so many of his triumphs. Many thousands watched the funeral procession and burial.
Effect on boat design
Clasper realised early in his rowing career that, to produce faster racing boats, it was necessary to reduce the area of the hull in contact with the water, so as to produce less drag. At the time, boats were wide in the beam because the oar was attached to the gunwales, and the oarsman needed sufficient leverage. Wide boats had a large surface area in contact with the water. A way of getting round this problem was to attach outriggers to the side of the boat and attach the oars to the outer ends of the outriggers. This meant that the boat could be made as narrow as possible, thus reducing surface area, without affecting the leverage exerted by the oarsmen.
Wooden outriggers had first been tried out on the Tyne in 1828, fitted to a sculling boat. Two years later, iron outriggers were fitted to a boat. It cannot be claimed that Clasper originated the idea of the outrigger, but he saw its potential in allowing the boat designer to produce a slimmer faster boat. In the early years, when the Derwenthaugh crew was racing against crews from the Thames, it was doing so in narrow-beamed boats with outriggers whereas the Thames crews were in wide beamed boats. The sight of Claspers boats winning races helped to establish the use of outriggers as a standard in rowing.
Shell hulls
At the time when Clasper was starting to design racing boats, the standard boat hull was constructed of a number of strakes (or planks), with a keel projecting from bottom of the hull. Together with Matthew Taylor, another Tyneside boat-builder, he worked to reduce the surface area and drag. They did this by placing the keel inside the hull of the boat and constructing the hull with a single strake on each side. The surface would then be given several coats of varnish to give as smooth a finish as possible.
It is difficult to say who was the first to initiate the idea of a single-strake hull. Robert Jewitt a boat-builder of Dunston on Tyne claimed that Clasper had copied the idea from him, a claim that Clasper denied. It was, perhaps, unfortunate for Jewit that Claspers fame meant that he received the credit.
Sliding seats
John C. Babcock, of the Nassau Rowing Club of New York, is credited with inventing the sliding seat, which allowed oarsmen to add the power of their legs to the stroke. There were several attempts to develop one without success until Babcock showed that it could be used successfully in 1870.
Prior to that, Clasper's crews, and other Tyneside oarsmen had developed a technique of sliding on their fixed seats so as to make some use of their legs in producing a longer more powerful stroke. This became known as the "traditional Tyne stroke".
Scotswood Bridge is one of the main bridges crossing the River Tyne in North East England. It links the west end of Newcastle upon Tyne on the north bank of the river with the MetroCentre and Blaydon in Gateshead on the south bank. It is situated 5.2 km (3.2 mi) upstream of the better-known city centre bridges.
The Chain Bridge
Scotswood Bridge over River Tyne Act 1829
The first bridge across the river at this location was the Old Scotswood Bridge, or "The Chain Bridge" as it was known locally. It was a suspension bridge with two stone towers, from which the road deck was suspended by chains. An act to authorise the building of the bridge was passed by Parliament in 1829 (10 Geo. 4. c. x) and designed by John Green, with construction beginning that year. It was opened on 16 April 1831.
The toll to cross the bridge was abolished on 18 March 1907. In 1931 the bridge needed to be strengthened and widened. The width was increased from 17 ft (5.2 m) to 19.5 ft (5.9 m) with two 6 ft (1.8 m) footpaths. The suspension cables and decking were also strengthened, allowing the weight limit to be raised to 10 tonnes (9.842 long tons; 11.02 short tons). The bridge eventually proved too narrow for the traffic it needed to carry and its increasing repair costs proved too much. After standing for 136 years, it was closed and demolished in 1967 after its replacement had been completed.
Current bridge
Scotswood Bridge Act 1962
A replacement for the Chain Bridge had been proposed as early as 1941. Permission was finally granted in 1960, and authorised by an act of Parliament, the Scotswood Bridge Act 1962. A new bridge was designed by Mott, Hay and Anderson and built by Mitchell Construction and Dorman Long. Construction commenced on 18 September 1964. It was built 43 m upstream of the Chain Bridge, which continued operating during the new bridge's construction. The bridge was opened on 20 March 1967. It is a box girder bridge, supported by two piers in the river and carries a dual carriageway road. Combined costs for demolition of the old bridge and construction of the new one were £2.5 million.
Scotswood Bridge carried the traffic of the Gateshead A69 western by-pass from 1970 up until the construction of Blaydon Bridge and the new A1 in 1990. Between June 1971 and January 1974 traffic on the bridge was limited to single file to enable strengthening work to take place, which was needed to address design concerns. It has required further strengthening and repairs a number of times since; between 1979 and 1980, in 1983 and in 1990.
Newcastle upon Tyne, or simply Newcastle is a cathedral city and metropolitan borough in Tyne and Wear, England. It is located on the River Tyne's northern bank, opposite Gateshead to the south. It is the most populous settlement in the Tyneside conurbation and North East England.
Newcastle developed around a Roman settlement called Pons Aelius, the settlement became known as Monkchester before taking on the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. It was one of the world's largest ship building and repair centres during the industrial revolution. Newcastle was part of the county of Northumberland until 1400, when it separated and formed a county of itself. In 1974, Newcastle became part of Tyne and Wear. Since 2018, the city council has been part of the North of Tyne Combined Authority.
The history of Newcastle upon Tyne dates back almost 2,000 years, during which it has been controlled by the Romans, the Angles and the Norsemen amongst others. Newcastle upon Tyne was originally known by its Roman name Pons Aelius. The name "Newcastle" has been used since the Norman conquest of England. Due to its prime location on the River Tyne, the town developed greatly during the Middle Ages and it was to play a major role in the Industrial Revolution, being granted city status in 1882. Today, the city is a major retail, commercial and cultural centre.
Roman settlement
The history of Newcastle dates from AD 122, when the Romans built the first bridge to cross the River Tyne at that point. The bridge was called Pons Aelius or 'Bridge of Aelius', Aelius being the family name of Roman Emperor Hadrian, who was responsible for the Roman wall built across northern England along the Tyne–Solway gap. Hadrian's Wall ran through present-day Newcastle, with stretches of wall and turrets visible along the West Road, and at a temple in Benwell. Traces of a milecastle were found on Westgate Road, midway between Clayton Street and Grainger Street, and it is likely that the course of the wall corresponded to present-day Westgate Road. The course of the wall can be traced eastwards to the Segedunum Roman fort at Wallsend, with the fort of Arbeia down-river at the mouth of the Tyne, on the south bank in what is now South Shields. The Tyne was then a wider, shallower river at this point and it is thought that the bridge was probably about 700 feet (210 m) long, made of wood and supported on stone piers. It is probable that it was sited near the current Swing Bridge, due to the fact that Roman artefacts were found there during the building of the latter bridge. Hadrian himself probably visited the site in 122. A shrine was set up on the completed bridge in 123 by the 6th Legion, with two altars to Neptune and Oceanus respectively. The two altars were subsequently found in the river and are on display in the Great North Museum in Newcastle.
The Romans built a stone-walled fort in 150 to protect the river crossing which was at the foot of the Tyne Gorge, and this took the name of the bridge so that the whole settlement was known as Pons Aelius. The fort was situated on a rocky outcrop overlooking the new bridge, on the site of the present Castle Keep. Pons Aelius is last mentioned in 400, in a Roman document listing all of the Roman military outposts. It is likely that nestling in the shadow of the fort would have been a small vicus, or village. Unfortunately, no buildings have been detected; only a few pieces of flagging. It is clear that there was a Roman cemetery near Clavering Place, behind the Central station, as a number of Roman coffins and sarcophagi have been unearthed there.
Despite the presence of the bridge, the settlement of Pons Aelius was not particularly important among the northern Roman settlements. The most important stations were those on the highway of Dere Street running from Eboracum (York) through Corstopitum (Corbridge) and to the lands north of the Wall. Corstopitum, being a major arsenal and supply centre, was much larger and more populous than Pons Aelius.
Anglo-Saxon development
The Angles arrived in the North-East of England in about 500 and may have landed on the Tyne. There is no evidence of an Anglo-Saxon settlement on or near the site of Pons Aelius during the Anglo-Saxon age. The bridge probably survived and there may well have been a small village at the northern end, but no evidence survives. At that time the region was dominated by two kingdoms, Bernicia, north of the Tees and ruled from Bamburgh, and Deira, south of the Tees and ruled from York. Bernicia and Deira combined to form the kingdom of Northanhymbra (Northumbria) early in the 7th century. There were three local kings who held the title of Bretwalda – 'Lord of Britain', Edwin of Deira (627–632), Oswald of Bernicia (633–641) and Oswy of Northumbria (641–658). The 7th century became known as the 'Golden Age of Northumbria', when the area was a beacon of culture and learning in Europe. The greatness of this period was based on its generally Christian culture and resulted in the Lindisfarne Gospels amongst other treasures. The Tyne valley was dotted with monasteries, with those at Monkwearmouth, Hexham and Jarrow being the most famous. Bede, who was based at Jarrow, wrote of a royal estate, known as Ad Murum, 'at the Wall', 12 miles (19 km) from the sea. It is thought that this estate may have been in what is now Newcastle. At some unknown time, the site of Newcastle came to be known as Monkchester. The reason for this title is unknown, as we are unaware of any specific monasteries at the site, and Bede made no reference to it. In 875 Halfdan Ragnarsson, the Danish Viking conqueror of York, led an army that attacked and pillaged various monasteries in the area, and it is thought that Monkchester was also pillaged at this time. Little more was heard of it until the coming of the Normans.
Norman period
After the arrival of William the Conqueror in England in 1066, the whole of England was quickly subjected to Norman rule. However, in Northumbria there was great resistance to the Normans, and in 1069 the newly appointed Norman Earl of Northumbria, Robert de Comines and 700 of his men were killed by the local population at Durham. The Northumbrians then marched on York, but William was able to suppress the uprising. That same year, a second uprising occurred when a Danish fleet landed in the Humber. The Northumbrians again attacked York and destroyed the garrison there. William was again able to suppress the uprising, but this time he took revenge. He laid waste to the whole of the Midlands and the land from York to the Tees. In 1080, William Walcher, the Norman bishop of Durham and his followers were brutally murdered at Gateshead. This time Odo, bishop of Bayeux, William's half brother, devastated the land between the Tees and the Tweed. This was known as the 'Harrying of the North'. This devastation is reflected in the Domesday Book. The destruction had such an effect that the North remained poor and backward at least until Tudor times and perhaps until the Industrial Revolution. Newcastle suffered in this respect with the rest of the North.
In 1080 William sent his eldest son, Robert Curthose, north to defend the kingdom against the Scots. After his campaign, he moved to Monkchester and began the building of a 'New Castle'. This was of the "motte-and-bailey" type of construction, a wooden tower on top of an earthen mound (motte), surrounded by a moat and wooden stockade (bailey). It was this castle that gave Newcastle its name. In 1095 the Earl of Northumbria, Robert de Mowbray, rose up against the king, William Rufus, and Rufus sent an army north to recapture the castle. From then on the castle became crown property and was an important base from which the king could control the northern barons. The Northumbrian earldom was abolished and a Sheriff of Northumberland was appointed to administer the region. In 1091 the parish church of St Nicholas was consecrated on the site of the present Anglican cathedral, close by the bailey of the new castle. The church is believed to have been a wooden building on stone footings.
Not a trace of the tower or mound of the motte and bailey castle remains now. Henry II replaced it with a rectangular stone keep, which was built between 1172 and 1177 at a cost of £1,444. A stone bailey, in the form of a triangle, replaced the previous wooden one. The great outer gateway to the castle, called 'the Black Gate', was built later, between 1247 and 1250, in the reign of Henry III. There were at that time no town walls and when attacked by the Scots, the townspeople had to crowd into the bailey for safety. It is probable that the new castle acted as a magnet for local merchants because of the safety it provided. This in turn would help to expand trade in the town. At this time wool, skins and lead were being exported, whilst alum, pepper and ginger were being imported from France and Flanders.
Middle Ages
Throughout the Middle Ages, Newcastle was England's northern fortress, the centre for assembled armies. The Border war against Scotland lasted intermittently for several centuries – possibly the longest border war ever waged. During the civil war between Stephen and Matilda, David 1st of Scotland and his son were granted Cumbria and Northumberland respectively, so that for a period from 1139 to 1157, Newcastle was effectively in Scottish hands. It is believed that during this period, King David may have built the church of St Andrew and the Benedictine nunnery in Newcastle. However, King Stephen's successor, Henry II was strong enough to take back the Earldom of Northumbria from Malcolm IV.
The Scots king William the Lion was imprisoned in Newcastle, in 1174, after being captured at the Battle of Alnwick. Edward I brought the Stone of Scone and William Wallace south through the town and Newcastle was successfully defended against the Scots three times during the 14th century.
Around 1200, stone-faced, clay-filled jetties were starting to project into the river, an indication that trade was increasing in Newcastle. As the Roman roads continued to deteriorate, sea travel was gaining in importance. By 1275 Newcastle was the sixth largest wool exporting port in England. The principal exports at this time were wool, timber, coal, millstones, dairy produce, fish, salt and hides. Much of the developing trade was with the Baltic countries and Germany. Most of the Newcastle merchants were situated near the river, below the Castle. The earliest known charter was dated 1175 in the reign of Henry II, giving the townspeople some control over their town. In 1216 King John granted Newcastle a mayor[8] and also allowed the formation of guilds (known as Mysteries). These were cartels formed within different trades, which restricted trade to guild members. There were initially twelve guilds. Coal was being exported from Newcastle by 1250, and by 1350 the burgesses received a royal licence to export coal. This licence to export coal was jealously guarded by the Newcastle burgesses, and they tried to prevent any one else on the Tyne from exporting coal except through Newcastle. The burgesses similarly tried to prevent fish from being sold anywhere else on the Tyne except Newcastle. This led to conflicts with Gateshead and South Shields.
In 1265, the town was granted permission to impose a 'Wall Tax' or Murage, to pay for the construction of a fortified wall to enclose the town and protect it from Scottish invaders. The town walls were not completed until early in the 14th century. They were two miles (3 km) long, 9 feet (2.7 m) thick and 25 feet (7.6 m) high. They had six main gates, as well as some smaller gates, and had 17 towers. The land within the walls was divided almost equally by the Lort Burn, which flowed southwards and joined the Tyne to the east of the Castle. The town began to expand north of the Castle and west of the Lort Burn with various markets being set up within the walls.
In 1400 Henry IV granted a new charter, creating a County corporate which separated the town, but not the Castle, from the county of Northumberland and recognised it as a "county of itself" with a right to have a sheriff of its own. The burgesses were now allowed to choose six aldermen who, with the mayor would be justices of the peace. The mayor and sheriff were allowed to hold borough courts in the Guildhall.
Religious houses
During the Middle Ages a number of religious houses were established within the walls: the first of these was the Benedictine nunnery of St Bartholomew founded in 1086 near the present-day Nun Street. Both David I of Scotland and Henry I of England were benefactors of the religious house. Nothing of the nunnery remains now.
The friary of Blackfriars, Newcastle (Dominican) was established in 1239. These were also known as the Preaching Friars or Shod Friars, because they wore sandals, as opposed to other orders. The friary was situated in the present-day Friars Street. In 1280 the order was granted royal permission to make a postern in the town walls to communicate with their gardens outside the walls. On 19 June 1334, Edward Balliol, claimant to be King of Scotland, did homage to King Edward III, on behalf of the kingdom of Scotland, in the church of the friary. Much of the original buildings of the friary still exist, mainly because, after the Dissolution of the Monasteries the friary of Blackfriars was rented out by the corporation to nine of the local trade guilds.
The friary of Whitefriars (Carmelite) was established in 1262. The order was originally housed on the Wall Knoll in Pandon, but in 1307 it took over the buildings of another order, which went out of existence, the Friars of the Sac. The land, which had originally been given by Robert the Bruce, was situated in the present-day Hanover Square, behind the Central station. Nothing of the friary remains now.
The friary of Austinfriars (Augustinian) was established in 1290. The friary was on the site where the Holy Jesus Hospital was built in 1682. The friary was traditionally the lodging place of English kings whenever they visited or passed through Newcastle. In 1503 Princess Margaret, eldest daughter of Henry VII of England, stayed two days at the friary on her way to join her new husband James IV of Scotland.
The friary of Greyfriars (Franciscans) was established in 1274. The friary was in the present-day area between Pilgrim Street, Grey Street, Market Street and High Chare. Nothing of the original buildings remains.
The friary of the Order of the Holy Trinity, also known as the Trinitarians, was established in 1360. The order devoted a third of its income to buying back captives of the Saracens, during the Crusades. Their house was on the Wall Knoll, in Pandon, to the east of the city, but within the walls. Wall Knoll had previously been occupied by the White Friars until they moved to new premises in 1307.
All of the above religious houses were closed in about 1540, when Henry VIII dissolved the monasteries.
An important street running through Newcastle at the time was Pilgrim Street, running northwards inside the walls and leading to the Pilgrim Gate on the north wall. The street still exists today as arguably Newcastle's main shopping street.
Tudor period
The Scottish border wars continued for much of the 16th century, so that during that time, Newcastle was often threatened with invasion by the Scots, but also remained important as a border stronghold against them.
During the Reformation begun by Henry VIII in 1536, the five Newcastle friaries and the single nunnery were dissolved and the land was sold to the Corporation and to rich merchants. At this time there were fewer than 60 inmates of the religious houses in Newcastle. The convent of Blackfriars was leased to nine craft guilds to be used as their headquarters. This probably explains why it is the only one of the religious houses whose building survives to the present day. The priories at Tynemouth and Durham were also dissolved, thus ending the long-running rivalry between Newcastle and the church for control of trade on the Tyne. A little later, the property of the nunnery of St Bartholomew and of Grey Friars were bought by Robert Anderson, who had the buildings demolished to build his grand Newe House (also known as Anderson Place).
With the gradual decline of the Scottish border wars the town walls were allowed to decline as well as the castle. By 1547, about 10,000 people were living in Newcastle. At the beginning of the 16th century exports of wool from Newcastle were more than twice the value of exports of coal, but during the century coal exports continued to increase.
Under Edward VI, John Dudley, Duke of Northumberland, sponsored an act allowing Newcastle to annexe Gateshead as its suburb. The main reason for this was to allow the Newcastle Hostmen, who controlled the export of Tyne coal, to get their hands on the Gateshead coal mines, previously controlled by the Bishop of Durham. However, when Mary I came to power, Dudley met his downfall and the decision was reversed. The Reformation allowed private access to coal mines previously owned by Tynemouth and Durham priories and as a result coal exports increase dramatically, from 15,000 tons in 1500 to 35,000 tons in 1565, and to 400,000 tons in 1625.
The plague visited Newcastle four times during the 16th century, in 1579 when 2,000 people died, in 1589 when 1700 died, in 1595 and finally in 1597.
In 1600 Elizabeth I granted Newcastle a charter for an exclusive body of electors, the right to elect the mayor and burgesses. The charter also gave the Hostmen exclusive rights to load coal at any point on the Tyne. The Hostmen developed as an exclusive group within the Merchant Adventurers who had been incorporated by a charter in 1547.
Stuart period
In 1636 there was a serious outbreak of bubonic plague in Newcastle. There had been several previous outbreaks of the disease over the years, but this was the most serious. It is thought to have arrived from the Netherlands via ships that were trading between the Tyne and that country. It first appeared in the lower part of the town near the docks but gradually spread to all parts of the town. As the disease gained hold the authorities took measures to control it by boarding up any properties that contained infected persons, meaning that whole families were locked up together with the infected family members. Other infected persons were put in huts outside the town walls and left to die. Plague pits were dug next to the town's four churches and outside the town walls to receive the bodies in mass burials. Over the course of the outbreak 5,631 deaths were recorded out of an estimated population of 12,000, a death rate of 47%.
In 1637 Charles I tried to raise money by doubling the 'voluntary' tax on coal in return for allowing the Newcastle Hostmen to regulate production and fix prices. This caused outrage amongst the London importers and the East Anglian shippers. Both groups decided to boycott Tyne coal and as a result forced Charles to reverse his decision in 1638.
In 1640 during the Second Bishops' War, the Scots successfully invaded Newcastle. The occupying army demanded £850 per day from the Corporation to billet the Scottish troops. Trade from the Tyne ground to a halt during the occupation. The Scots left in 1641 after receiving a Parliamentary pardon and a £4,000,000 loan from the town.
In 1642 the English Civil War began. King Charles realised the value of the Tyne coal trade and therefore garrisoned Newcastle. A Royalist was appointed as governor. At that time, Newcastle and King's Lynn were the only important seaports to support the crown. In 1644 Parliament blockaded the Tyne to prevent the king from receiving revenue from the Tyne coal trade. Coal exports fell from 450,000 to 3,000 tons and London suffered a hard winter without fuel. Parliament encouraged the coal trade from the Wear to try to replace that lost from Newcastle but that was not enough to make up for the lost Tyneside tonnage.
In 1644 the Scots crossed the border. Newcastle strengthened its defences in preparation. The Scottish army, with 40,000 troops, besieged Newcastle for three months until the garrison of 1,500 surrendered. During the siege, the Scots bombarded the walls with their artillery, situated in Gateshead and Castle Leazes. The Scottish commander threatened to destroy the steeple of St Nicholas's Church by gunfire if the mayor, Sir John Marley, did not surrender the town. The mayor responded by placing Scottish prisoners that they had captured in the steeple, so saving it from destruction. The town walls were finally breached by a combination of artillery and sapping. In gratitude for this defence, Charles gave Newcastle the motto 'Fortiter Defendit Triumphans' to be added to its coat of arms. The Scottish army occupied Northumberland and Durham for two years. The coal taxes had to pay for the Scottish occupation. In 1645 Charles surrendered to the Scots and was imprisoned in Newcastle for nine months. After the Civil War the coal trade on the Tyne soon picked up and exceeded its pre-war levels.
A new Guildhall was completed on the Sandhill next to the river in 1655, replacing an earlier facility damaged by fire in 1639, and became the meeting place of Newcastle Town Council. In 1681 the Hospital of the Holy Jesus was built partly on the site of the Austin Friars. The Guildhall and Holy Jesus Hospital still exist.
Charles II tried to impose a charter on Newcastle to give the king the right to appoint the mayor, sheriff, recorder and town clerk. Charles died before the charter came into effect. In 1685, James II tried to replace Corporation members with named Catholics. However, James' mandate was suspended in 1689 after the Glorious Revolution welcoming William of Orange. In 1689, after the fall of James II, the people of Newcastle tore down his bronze equestrian statue in Sandhill and tossed it into the Tyne. The bronze was later used to make bells for All Saints Church.
In 1689 the Lort Burn was covered over. At this time it was an open sewer. The channel followed by the Lort Burn became the present day Dean Street. At that time, the centre of Newcastle was still the Sandhill area, with many merchants living along the Close or on the Side. The path of the main road through Newcastle ran from the single Tyne bridge, through Sandhill to the Side, a narrow street which climbed steeply on the north-east side of the castle hill until it reached the higher ground alongside St Nicholas' Church. As Newcastle developed, the Side became lined with buildings with projecting upper stories, so that the main street through Newcastle was a narrow, congested, steep thoroughfare.
In 1701 the Keelmen's Hospital was built in the Sandgate area of the city, using funds provided by the keelmen. The building still stands today.
Eighteenth century
In the 18th century, Newcastle was the country's largest print centre after London, Oxford and Cambridge, and the Literary and Philosophical Society of 1793, with its erudite debates and large stock of books in several languages predated the London Library by half a century.
In 1715, during the Jacobite rising in favour of the Old Pretender, an army of Jacobite supporters marched on Newcastle. Many of the Northumbrian gentry joined the rebels. The citizens prepared for its arrival by arresting Jacobite supporters and accepting 700 extra recruits into the local militia. The gates of the city were closed against the rebels. This proved enough to delay an attack until reinforcements arrived forcing the rebel army to move across to the west coast. The rebels finally surrendered at Preston.
In 1745, during a second Jacobite rising in favour of the Young Pretender, a Scottish army crossed the border led by Bonnie Prince Charlie. Once again Newcastle prepared by arresting Jacobite supporters and inducting 800 volunteers into the local militia. The town walls were strengthened, most of the gates were blocked up and some 200 cannon were deployed. 20,000 regulars were billeted on the Town Moor. These preparations were enough to force the rebel army to travel south via the west coast. They were eventually defeated at Culloden in 1746.
Newcastle's actions during the 1715 rising in resisting the rebels and declaring for George I, in contrast to the rest of the region, is the most likely source of the nickname 'Geordie', applied to people from Tyneside, or more accurately Newcastle. Another theory, however, is that the name 'Geordie' came from the inventor of the Geordie lamp, George Stephenson. It was a type of safety lamp used in mining, but was not invented until 1815. Apparently the term 'German Geordie' was in common use during the 18th century.
The city's first hospital, Newcastle Infirmary opened in 1753; it was funded by public subscription. A lying-in hospital was established in Newcastle in 1760. The city's first public hospital for mentally ill patients, Wardens Close Lunatic Hospital was opened in October 1767.
In 1771 a flood swept away much of the bridge at Newcastle. The bridge had been built in 1250 and repaired after a flood in 1339. The bridge supported various houses and three towers and an old chapel. A blue stone was placed in the middle of the bridge to mark the boundary between Newcastle and the Palatinate of Durham. A temporary wooden bridge had to be built, and this remained in use until 1781, when a new stone bridge was completed. The new bridge consisted of nine arches. In 1801, because of the pressure of traffic, the bridge had to be widened.
A permanent military presence was established in the city with the completion of Fenham Barracks in 1806. The facilities at the Castle for holding assizes, which had been condemned for their inconvenience and unhealthiness, were replaced when the Moot Hall opened in August 1812.
Victorian period
Present-day Newcastle owes much of its architecture to the work of the builder Richard Grainger, aided by architects John Dobson, Thomas Oliver, John and Benjamin Green and others. In 1834 Grainger won a competition to produce a new plan for central Newcastle. He put this plan into effect using the above architects as well as architects employed in his own office. Grainger and Oliver had already built Leazes Terrace, Leazes Crescent and Leazes Place between 1829 and 1834. Grainger and Dobson had also built the Royal Arcade at the foot of Pilgrim Street between 1830 and 1832. The most ambitious project covered 12 acres 12 acres (49,000 m2) in central Newcastle, on the site of Newe House (also called Anderson Place). Grainger built three new thoroughfares, Grey Street, Grainger Street and Clayton Street with many connecting streets, as well as the Central Exchange and the Grainger Market. John Wardle and George Walker, working in Grainger's office, designed Clayton Street, Grainger Street and most of Grey Street. Dobson designed the Grainger Market and much of the east side of Grey Street. John and Benjamin Green designed the Theatre Royal at the top of Grey Street, where Grainger placed the column of Grey's Monument as a focus for the whole scheme. Grey Street is considered to be one of the finest streets in the country, with its elegant curve. Unfortunately most of old Eldon Square was demolished in the 1960s in the name of progress. The Royal Arcade met a similar fate.
In 1849 a new bridge was built across the river at Newcastle. This was the High Level Bridge, designed by Robert Stephenson, and slightly up river from the existing bridge. The bridge was designed to carry road and rail traffic across the Tyne Gorge on two decks with rail traffic on the upper deck and road traffic on the lower. The new bridge meant that traffic could pass through Newcastle without having to negotiate the steep, narrow Side, as had been necessary for centuries. The bridge was opened by Queen Victoria, who one year later opened the new Central Station, designed by John Dobson. Trains were now able to cross the river, directly into the centre of Newcastle and carry on up to Scotland. The Army Riding School was also completed in 1849.
In 1854 a large fire started on the Gateshead quayside and an explosion caused it to spread across the river to the Newcastle quayside. A huge conflagration amongst the narrow alleys, or 'chares', destroyed the homes of 800 families as well as many business premises. The narrow alleys that had been destroyed were replaced by streets containing blocks of modern offices.
In 1863 the Town Hall in St Nicholas Square replaced the Guildhall as the meeting place of Newcastle Town Council.
In 1876 the low level bridge was replaced by a new bridge known as the Swing Bridge, so called because the bridge was able to swing horizontally on a central axis and allow ships to pass on either side. This meant that for the first time sizeable ships could pass up-river beyond Newcastle. The bridge was built and paid for by William Armstrong, a local arms manufacturer, who needed to have warships access his Elswick arms factory to fit armaments to them. The Swing Bridge's rotating mechanism is adapted from the cannon mounts developed in Armstrong's arms works. In 1882 the Elswick works began to build ships as well as to arm them. The Barrack Road drill hall was completed in 1890.
Industrialisation
In the 19th century, shipbuilding and heavy engineering were central to the city's prosperity; and the city was a powerhouse of the Industrial Revolution. Newcastle's development as a major city owed most to its central role in the production and export of coal. The phrase "taking coals to Newcastle" was first recorded in 1538; it proverbially denotes bringing a particular commodity to a place that has more than enough of it already.
Innovation in Newcastle and surrounding areas included the following:
George Stephenson developed a miner's safety lamp at the same time that Humphry Davy developed a rival design. The lamp made possible the opening up of ever deeper mines to provide the coal that powered the industrial revolution.
George and his son Robert Stephenson were hugely influential figures in the development of the early railways. George developed Blücher, a locomotive working at Killingworth colliery in 1814, whilst Robert was instrumental in the design of Rocket, a revolutionary design that was the forerunner of modern locomotives. Both men were involved in planning and building railway lines, all over this country and abroad.
Joseph Swan demonstrated a working electric light bulb about a year before Thomas Edison did the same in the USA. This led to a dispute as to who had actually invented the light bulb. Eventually the two rivals agreed to form a mutual company between them, the Edison and Swan Electric Light Company, known as Ediswan.
Charles Algernon Parsons invented the steam turbine, for marine use and for power generation. He used Turbinia, a small, turbine-powered ship, to demonstrate the speed that a steam turbine could generate. Turbinia literally ran rings around the British Fleet at a review at Spithead in 1897.
William Armstrong invented a hydraulic crane that was installed in dockyards up and down the country. He then began to design light, accurate field guns for the British army. These were a vast improvement on the existing guns that were then in use.
The following major industries developed in Newcastle or its surrounding area:
Glassmaking
A small glass industry existed in Newcastle from the mid-15th century. In 1615 restrictions were put on the use of wood for manufacturing glass. It was found that glass could be manufactured using the local coal, and so a glassmaking industry grew up on Tyneside. Huguenot glassmakers came over from France as refugees from persecution and set up glasshouses in the Skinnerburn area of Newcastle. Eventually, glass production moved to the Ouseburn area of Newcastle. In 1684 the Dagnia family, Sephardic Jewish emigrants from Altare, arrived in Newcastle from Stourbridge and established glasshouses along the Close, to manufacture high quality flint glass. The glass manufacturers used sand ballast from the boats arriving in the river as the main raw material. The glassware was then exported in collier brigs. The period from 1730 to 1785 was the highpoint of Newcastle glass manufacture, when the local glassmakers produced the 'Newcastle Light Baluster'. The glassmaking industry still exists in the west end of the city with local Artist and Glassmaker Jane Charles carrying on over four hundred years of hot glass blowing in Newcastle upon Tyne.
Locomotive manufacture
In 1823 George Stephenson and his son Robert established the world's first locomotive factory near Forth Street in Newcastle. Here they built locomotives for the Stockton and Darlington Railway and the Liverpool and Manchester Railway, as well as many others. It was here that the famous locomotive Rocket was designed and manufactured in preparation for the Rainhill Trials. Apart from building locomotives for the British market, the Newcastle works also produced locomotives for Europe and America. The Forth Street works continued to build locomotives until 1960.
Shipbuilding
In 1296 a wooden, 135 ft (41 m) long galley was constructed at the mouth of the Lort Burn in Newcastle, as part of a twenty-ship order from the king. The ship cost £205, and is the earliest record of shipbuilding in Newcastle. However the rise of the Tyne as a shipbuilding area was due to the need for collier brigs for the coal export trade. These wooden sailing ships were usually built locally, establishing local expertise in building ships. As ships changed from wood to steel, and from sail to steam, the local shipbuilding industry changed to build the new ships. Although shipbuilding was carried out up and down both sides of the river, the two main areas for building ships in Newcastle were Elswick, to the west, and Walker, to the east. By 1800 Tyneside was the third largest producer of ships in Britain. Unfortunately, after the Second World War, lack of modernisation and competition from abroad gradually caused the local industry to decline and die.
Armaments
In 1847 William Armstrong established a huge factory in Elswick, west of Newcastle. This was initially used to produce hydraulic cranes but subsequently began also to produce guns for both the army and the navy. After the Swing Bridge was built in 1876 allowing ships to pass up river, warships could have their armaments fitted alongside the Elswick works. Armstrong's company took over its industrial rival, Joseph Whitworth of Manchester in 1897.
Steam turbines
Charles Algernon Parsons invented the steam turbine and, in 1889, founded his own company C. A. Parsons and Company in Heaton, Newcastle to make steam turbines. Shortly after this, he realised that steam turbines could be used to propel ships and, in 1897, he founded a second company, Parsons Marine Steam Turbine Company in Wallsend. It is there that he designed and manufactured Turbinia. Parsons turbines were initially used in warships but soon came to be used in merchant and passenger vessels, including the liner Mauretania which held the blue riband for the Atlantic crossing until 1929. Parsons' company in Heaton began to make turbo-generators for power stations and supplied power stations all over the world. The Heaton works, reduced in size, remains as part of the Siemens AG industrial giant.
Pottery
In 1762 the Maling pottery was founded in Sunderland by French Huguenots, but transferred to Newcastle in 1817. A factory was built in the Ouseburn area of the city. The factory was rebuilt twice, finally occupying a 14-acre (57,000 m2) site that was claimed to be the biggest pottery in the world and which had its own railway station. The pottery pioneered use of machines in making potteries as opposed to hand production. In the 1890s the company went up-market and employed in-house designers. The period up to the Second World War was the most profitable with a constant stream of new designs being introduced. However, after the war, production gradually declined and the company closed in 1963.
Expansion of the city
Newcastle was one of the boroughs reformed by the Municipal Corporations Act 1835: the reformed municipal borough included the parishes of Byker, Elswick, Heaton, Jesmond, Newcastle All Saints, Newcastle St Andrew, Newcastle St John, Newcastle St Nicholas, and Westgate. The urban districts of Benwell and Fenham and Walker were added in 1904. In 1935, Newcastle gained Kenton and parts of the parishes of West Brunton, East Denton, Fawdon, Longbenton. The most recent expansion in Newcastle's boundaries took place under the Local Government Act 1972 on 1 April 1974, when Newcastle became a metropolitan borough, also including the urban districts of Gosforth and Newburn, and the parishes of Brunswick, Dinnington, Hazlerigg, North Gosforth and Woolsington from the Castle Ward Rural District, and the village of Westerhope.
Meanwhile Northumberland County Council was formed under the Local Government Act 1888 and benefited from a dedicated meeting place when County Hall was completed in the Castle Garth area of Newcastle in 1910. Following the Local Government Act 1972 County Hall relocated to Morpeth in April 1981.
Twentieth century
In 1925 work began on a new high-level road bridge to span the Tyne Gorge between Newcastle and Gateshead. The capacity of the existing High-Level Bridge and Swing Bridge were being strained to the limit, and an additional bridge had been discussed for a long time. The contract was awarded to the Dorman Long Company and the bridge was finally opened by King George V in 1928. The road deck was 84 feet (26 m) above the river and was supported by a 531 feet (162 m) steel arch. The new Tyne Bridge quickly became a symbol for Newcastle and Tyneside, and remains so today.
During the Second World War, Newcastle was largely spared the horrors inflicted upon other British cities bombed during the Blitz. Although the armaments factories and shipyards along the River Tyne were targeted by the Luftwaffe, they largely escaped unscathed. Manors goods yard and railway terminal, to the east of the city centre, and the suburbs of Jesmond and Heaton suffered bombing during 1941. There were 141 deaths and 587 injuries, a relatively small figure compared to the casualties in other industrial centres of Britain.
In 1963 the city gained its own university, the University of Newcastle upon Tyne, by act of parliament. A School of Medicine and Surgery had been established in Newcastle in 1834. This eventually developed into a college of medicine attached to Durham University. A college of physical science was also founded and became Armstrong College in 1904. In 1934 the two colleges merged to become King's College, Durham. This remained as part of Durham University until the new university was created in 1963. In 1992 the city gained its second university when Newcastle Polytechnic was granted university status as Northumbria University.
Newcastle City Council moved to the new Newcastle Civic Centre in 1968.
As heavy industries declined in the second half of the 20th century, large sections of the city centre were demolished along with many areas of slum housing. The leading political figure in the city during the 1960s was T. Dan Smith who oversaw a massive building programme of highrise housing estates and authorised the demolition of a quarter of the Georgian Grainger Town to make way for Eldon Square Shopping Centre. Smith's control in Newcastle collapsed when it was exposed that he had used public contracts to advantage himself and his business associates and for a time Newcastle became a byword for civic corruption as depicted in the films Get Carter and Stormy Monday and in the television series Our Friends in the North. However, much of the historic Grainger Town area survived and was, for the most part, fully restored in the late 1990s. Northumberland Street, initially the A1, was gradually closed to traffic from the 1970s and completely pedestrianised by 1998.
In 1978 a new rapid transport system, the Metro, was built, linking the Tyneside area. The system opened in August 1980. A new bridge was built to carry the Metro across the river between Gateshead and Newcastle. This was the Queen Elizabeth II Bridge, commonly known as the Metro Bridge. Eventually the Metro system was extended to reach Newcastle Airport in 1991, and in 2002 the Metro system was extended to the nearby city of Sunderland.
As the 20th century progressed, trade on the Newcastle and Gateshead quaysides gradually declined, until by the 1980s both sides of the river were looking rather derelict. Shipping company offices had closed along with offices of firms related to shipping. There were also derelict warehouses lining the riverbank. Local government produced a master plan to re-develop the Newcastle quayside and this was begun in the 1990s. New offices, restaurants, bars and residential accommodation were built and the area has changed in the space of a few years into a vibrant area, partially returning the focus of Newcastle to the riverside, where it was in medieval times.
The Gateshead Millennium Bridge, a foot and cycle bridge, 26 feet (7.9 m) wide and 413 feet (126 m) long, was completed in 2001. The road deck is in the form of a curve and is supported by a steel arch. To allow ships to pass, the whole structure, both arch and road-deck, rotates on huge bearings at either end so that the road deck is lifted. The bridge can be said to open and shut like a human eye. It is an important addition to the re-developed quayside area, providing a vital link between the Newcastle and Gateshead quaysides.
Recent developments
Today the city is a vibrant centre for office and retail employment, but just a short distance away there are impoverished inner-city housing estates, in areas originally built to provide affordable housing for employees of the shipyards and other heavy industries that lined the River Tyne. In the 2010s Newcastle City Council began implementing plans to regenerate these depressed areas, such as those along the Ouseburn Valley.
A view of the west side of Gropius House in Lincoln, Massachusetts. The upper deck was built for Gropius' 12-year old daughter who wanted to be able to sleep under the stars. It is directly accessible from her bedroom and includes a spiral stairway as her own private entrance, a feature she had also requested.
Walter Gropius founded the Bauhaus school of design in Weimar Germany following World War I and built this house as his family home in 1938 after moving to the United States to accept a teaching position at Harvard University. The design of the house reflects the Bauhaus principles of simplicity, efficiency, and aesthetics combined with the use of basic materials and the latest technology. The home also features many other traditional Bauhaus elements, including its furniture, art, and landscaping. Due to Gropius' enormous influence on 20th century architecture, his house was designated a National Historic Landmark on May 16, 2000.
For additional information on the house, Walter Gropius, and the Bauhaus, see these links:
www.historicnewengland.org/historic-properties/homes/Grop...
en.wikipedia.org/wiki/Gropius_House
Now selling epic 45SURF t-shirts & hoodies!
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Epic Malibu Sea Caves 2018 Caledar!
My book on Epic Landscape Photography!
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Photographing the Venus Archetype!
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Greetings mate! As many of you know, I love marrying art, science, and math in my fine art portrait and landscape photography!
The 45surf and gold 45 revolver swimsuits, shirts, logos, designs, and lingerie are designed in accordance with the golden ratio! More about the design and my philosophy of "no retouching" on the beautiful goddesses in my new book:
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"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
If you would like a free review copy, message me!
Epic Landscape Photography! New Book!
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And here's more on the golden ratio which appears in many of my landscape and portrait photographs (while shaping the proportions of the golden gun)!
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The dx4/dt=ic above the gun on the lingerie derives from my new physics books devoted to Light, Time, Dimension Theory!
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Thanks for being a fan! Would love to hears your thoughts on my philosophies and books! :)
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Beautiful swimsuit bikini model goddess!
Golden Ratio Lingerie Model Goddess LTD Theory Lingerie dx4/dt=ic! The Birth of Venus, Athena, and Artemis! Girls and Guns!
Would you like to see the whole set? Comment below and let me know!
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I am working on several books on "epic photography," and I recently finished a related one titled: The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography: An Artistic and Scientific Introduction to the Golden Mean . Message me on facebook for a free review copy!
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The Golden Ratio informs a lot of my art and photographic composition. The Golden Ratio also informs the design of the golden revolver on all the swimsuits and lingerie, as well as the 45surf logo! Not so long ago, I came up with the Golden Ratio Principle which describes why The Golden Ratio is so beautiful.
The Golden Number Ratio Principle: Dr. E’s Golden Ratio Principle: The golden ratio exalts beauty because the number is a characteristic of the mathematically and physically most efficient manners of growth and distribution, on both evolutionary and purely physical levels. The golden ratio ensures that the proportions and structure of that which came before provide the proportions and structure of that which comes after. Robust, ordered growth is naturally associated with health and beauty, and thus we evolved to perceive the golden ratio harmonies as inherently beautiful, as we saw and felt their presence in all vital growth and life—in the salient features and proportions of humans and nature alike, from the distribution of our facial features and bones to the arrangements of petals, leaves, and sunflowers seeds. As ratios between Fibonacci Numbers offer the closest whole-number approximations to the golden ratio, and as seeds, cells, leaves, bones, and other physical entities appear in whole numbers, the Fibonacci Numbers oft appear in nature’s elements as “growth’s numbers.” From the dawn of time, humanity sought to salute their gods in art and temples exalting the same proportion by which all their vital sustenance and they themselves had been created—the golden ratio.
The Birth of Venus! Beautiful Golden Ratio Swimsuit Bikini Model Goddess! Helen of Troy! She was tall, thin, fit, and quite pretty!
Read all about how classical art such as The Birth of Venus inspires all my photography!
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"Photographing Women Models: Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype"
Epic 45SURF Gear for your Epic Hero's Odyssey!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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The Epic Seascape! Malibu Sea Caves!
Landscape photography is not only about traveling through space, but it is also about traveling through time. One may return to the same beach time and again throughout the seasons to find a million different universes, changing in an infinitude of manners with each passing wave.
Not only do we voyage outwardly to get the shot, but we travel even further inwardly. While I spend my year trekking along the John Muir Trail, and on through Zion, Yosemite, the Grand Canyon, Death Valley, and the Colorado Plateau, my heart always finds its home in these Malibu sea caves, where I have stood in awe during all hours of the day and night.
Included within are a few shots that only I have so far captured, including a miraculous winter solstice sunrise.
Best wishes throughout the coming year!
Join my new 45EPIC fine art landscapes page on facebook!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
was in June 1992 that an unusual architectural manifesto was launched in Great Britain. For the next ten years or more, the manifesto entitled "Urban Villages, a concept for creating mixed-use urban developments on a sustainable scale" continued to make waves, and was much commented and criticised - often unfavourably - in the specialist and general media.
In the language of contemporary British town planning, the expression "urban village" has for many people come to be synonymous with the name "Poundbury", the neo-traditionalist suburban development on the fringes of the rural town of Dorchester, piloted and largely masterminded by the Prince of Wales. Yet although Poundbury is certainly the most extensively developed of Britain's urban village projects, there are many others throughout Britain, and the expression "urban villages" is also used in other English speaking countries to describe modern suburban developments - and in some cases rural developments - that conform (or more or les conform) to certain holistic principles of planning that run against the grain of accepted modern practices in suburban development.
This article takes a concise look at the origins of the "urban village" concept, and its definition, before studying the situation of urban village development in the UK today, looking at Poundbury and the other projects throughout the country that were in 2001 affiliated to the Urban Villages Forum, the think tank set up under the patronage of the Prince of Wales.
Indeed, no discussion of "urban villages" in a British context can begin without reference to the role of the Prince of Wales who, long dissatisfied by much of the dreary suburban development that has occurred in Britain during his lifetime, has used his position to spearhead the development of socially and architecturally successful sustainable communities designed to avoid the failures of the recent past.
The much-used expression "neo-traditionalist", imported from the United States, clearly establishes the conceptual framework that underlies the urban village movement; urban villages are seen as not just an architectural or planning concept, but one predicated on a form of social organisation that has its roots in a long-established model that has stood the test of time. In Britain, as in the United States, the aim of the proponents of urban villages is not just to design modern living environments that reflect those of a previous and supposedly more stable rural society, but to rediscover the forms of living environment that engendered the stability of such traditional rural communities. In this respect, the "urban village" is a concept that takes its place in a historic British - and notably English - paradigm that has previously been illustrated in the model towns of Lever, Cadbury and others, the garden cities of the first half of the twentieth century, and, in community terms at least, in late twentieth century developments such as Newcastle's Byker village.
The expression "urban village" seems however to be an American invention. The earliest bibliographical reference to the phrase would seem to be a book entitled Urban Village: Population, Community, and Family Structure in Germantown, Pennsylvania, 1683-1800, by Stephanie Grauman, published in 1980. Yet early usages of the expression do not refer to any specific planning concept, but are a more a convenient pairing of words used to describe certain types of close-knit urban communities whose structures reflected traditional rural models. The phrase was even used as a rendering of the Spanish expression "barrio". It was in the early eighties, however, that the first references to the "urban village" as a planning concept began to appear, in the writings of Christopher Leinberger, a Los Angeles based urban affairs consultant (Urban Villages: The Locational Lessons. Wall Street Journal. New York. November 13, 1984) and Charles Lockwood (The Arrival of the Urban Village in Princeton Alumni Weekly November 1986). Leinberger used the phrase "urban villages" to describe what he saw as a new tendency towards mixed-use development in suburban America, resulting from the fact that in post-industrial America, there was no longer any need to separate business and residential areas for environmental reasons (pollution, noise, etc.).
More recently, and notably in the 1990's, the phrase has been used sporadically in discussions of the American "new urbanism" movement, often by and with reference to neotraditionalist planners Leon Krier and the Andres Duany / Elizabeth Plater-Zyberk partnership; yet generally speaking, American writers and planners - until recently - have made considerably more use of the expression "new urbanism", rather than "urban village". The idea of the "village", with its notions of "community", seems to be particularly English, and it was only in the late 1990's, following the international interest aroused by the first of England's "urban villages", Poundbury, that the expression really began to become popular in the United States and Australia.
It was the Prince of Wales who introduced the concept of the "urban village" into the vocabulary of British planning; the expression is used briefly in his 1989 book A Vision of Britain (the follow up to a 1988 television documentary), though not at the time directly in conjunction with the Poundbury project, which is mentioned. It was also this book that clearly established the dual parentage of the urban village concept in the English acceptance of the phrase; on the one hand, the historic English village tradition, on the other hand the American neotraditionalist architectural planners, notably Krier and Duany. In the final pages of A Vision of Britain, a presentation of Krier's archetypal neotraditionalist development in Florida, the town of Seaside, covers a full five pages, compared to just two covering the development of "model villages" in the U.K. from Saltaire to the garden cities.
Yet clearly, however great the influence of Krier on Prince Charles has been, it is the historic English concept of the village, and the idealised view of village life, that form the theoretical models that the British proponents of the "urban village" have sought to translate into a modern idiom.
One may speculate as to whether Prince Charles, while thinking over the possibility of creating a planned modern urban village at Poundbury, on the outskirts of Dorchester, had read P.H.Ditchfield's 1908 book The Charm of the English Village, which had recently been reprinted (1985); there is a lot in this book, most notably perhaps its preoccupation with the small details, the use of materials, and the stylistic and functional variety that characterise traditional English villages, that prefigures the Prince's view of the model community. Along with many other publications, both Prince Charles's and Ditchfield's books are also woven on the loom of nostalgia for a supposed almost utopian past, common to the proponents of New Urbanism, and anathema to many modernists. In an article in Harvard Design Magazine in 1997, marxist geographer David Harvey, professor at Johns Hopkins university wrote :
"The New Urbanism in fact connects to a facile contemporary attempt to transform large and teeming cities, so seemingly out of control, into an interlinked series of 'urban villages', where, it is believed, everyone can relate in a civil and urbane fashion to everyone else."
Harvey, however was looking on new urbanism in the fundamentally North American idiom; and although, historically, many earlier settlers in the United States - notably in New England - transposed onto north American soil social models imitated from those of the English village, on the whole the American model was, by definition, different. Early American villages may not have been subject to the rectilinear grid planning of 19th century American towns and villages, but neither did they evolve slowly over time in the manner of the historic English village. In addition, America's "New Urbanism", as exemplified by Seaside, is rather different from the English "urban village" as first exemplified at Poundbury.
Ditchfield (1908) more than once stresses the particular nature of English villages, even as opposed to villages in other parts of Europe, referring to the particular social structure of the English village as the "village commonwealth", a structure that would more normally be referred to in modern terms as the "village community". It should be noted that the notion of "community" is a fundamental building block in the societies of modern English speaking countries, and is considerably more deeply rooted in the English tradition (and more broadly speaking the Germanic traditions) than in that of any newer country, or even of other European countries in which the structures of pre-industrial society had evolved out of Roman law.
Since the departure of the Romans, the village has been the core community unit in the British Isles. Though England long boasted, in London, Europe's largest city, and though Britain was the first European nation to undergo major population drift to the towns, the village has always survived - in thought, literature or art - as the ideal, and often idealised, social unit. In Roman times, cities became the nuclei of life in Britain; but after the Romans left, most of their great cities, with the exception of London, were largely abandoned, the British populations moving out to occupy new village sites outside the city walls or further afield; and whilst in continental western Europe the great cities of Roman times remained great cities after the Romans left, and in many cases remain so to this day, the same was not true in the British Isles.
In mediaeval Britain, the extensive devolution of power and authority under the Anglo-Norman feudal system - inherited from the Anglo Saxon period - and the territorial representation that existed in English parliaments from the late thirteenth century onwards, played their role in formulating, in the national psyche, an image of England as being a nation represented emblematically by its villages, rather than by its capital city. In the English mind, London has never been the nexus of national identity in the way that Paris has long been the symbol of France and French life. In Shakespeare, the quintessential images of English life are not those of Henry IV and Bolingbroke at court or on the battle field; they are those of Justice Shallow in his orchard in rural Gloucestershire.
The Industrial Revolution completed, by the mid nineteenth century, a process that had been set in motion by the Enclosures Acts of the eighteenth, precipitating Europe's first massive rural exodus, and with it a further pauperisation of the former rural labourers. It was during this period that poets, artists and novelists, from Blake to Constable to William Morris or Thomas Hardy, began to place rural England at the heart of English art and writing, often in an idealised manner that helped give a new impetus to the longstanding perception of the superiority of English rural society over urban society. The apparent immortality of the BBC's classic radio soap opera, the Archers, set in its fictitious village of Ambridge, is just another more modern illustration of the same point.
It is perhaps significant that Trevor Osborne, chairman of the Urban Villages Group, notes, in the introduction to Urban Villages, that "the term 'urban village' will not be readily understood in mainland Europe; when exported to other EC member states, it will need a different label." One might even add : "or to the USA".
It is clearly by another quirk of coincidence that the first English "Urban Village", Poundbury, should have been located on the outskirts of Dorchester, the town immortalised under the name of Casterbridge, in the novels of Thomas Hardy.
Proposals for a major expansion of Dorchester were first debated in 1987, and two years later outline planning permission for the westward extension of the town was granted by West Dorset District Council, for a mixed-use residential suburb that will eventually stretch over 400 acres (about 190 hectares). The initial development was to cover 35 acres of land.
Prince Charles was involved in the project from the start; the greenfield site on the outskirts of Dorchester was in effect his land, agricultural leasehold land belonging to the Duchy of Cornwall. When the Dorchester council applied to the Duchy to purchase the land for development, the answer they received was more favourable than they had imagined possible. Not only would the Duchy make the land available for development, but Prince Charles himself would oversee the operation, with the aim of establishing an attractive mixed-use and socially mixed suburban development; Britain's first "urban village".
For many in the UK architectural and planning establishment, news that the Prince of Wales was to take charge of a major suburban development project was like a red rag to a bull. Relations between the Prince and many of Britain's leading architects and planners had been, to say the least, tense ever since the Prince had begun airing in public his none-too-complimentary opinions on the architecture and planning of the sixties and seventies. His famous description of Birmingham's new library as looking more like an incinerator than a place of learning, or his much quoted speech to the Royal Institute of British Architects, in 1984, when he described the proposed extension to London's National Gallery as being like a "monstrous carbuncle on the face of a much-loved and elegant friend", had done little to endear him to the modernists in British architecture.
Consequently, and unsurprisingly, reactions to the initial proposals for Poundbury were not favourable, neither in the specialised reviews nor in the architectural columns of the British broadsheets. The project was decried variously as an exercise in retrophilia, a pastiche, an irrelevance, or worse.
That was in 1989; and it is true that Leon Krier's bird's-eye sketch of what Poundbury might look like, published at the time in A Vision of Britain (p138), does look more like a heteroclite exercise in nostalgia than a serious plan for a late twentieth century suburban development.
The reality of Poundbury has been somewhat different: with the first phase of building now complete, the earliest streets have already had time to mellow, and as an urban environment, the general consensus among both residents and the press is that this new "urban village" is a success. After its early hostile coverage, the British mainstream press - including the Guardian, the Telegraph, the Mirror and the Mail - has now changed tack, and since 1998 press coverage of the ever-evolving project has been largely positive.
Among the common complaints voiced by residents now is that Poundbury is a victim of its success, with large numbers of tourists and visiting architects and town planners who invade their space, sometimes in coachloads, turning their residential quarter into an unintended tourist attraction.
So why do they come? What is it that has established Poundbury as a stopping point on the architect's and town planner's tour of Britain in the early twenty-first century? Firstly, of course, there is its curiosity value - an unusual - some would still say eccentric - act of royal patronage, an experiment in suburban architecture and planning, masterminded by an amateur planner who is due to become the next King of England. Secondly they come to see how the ten point theory of the "urban village", laid out in the Vision of Britain, transforms into reality.
Over 22 pages, the book sets out a list of "ten principles we can build upon" in order to create a successful modern urban living environment. These are as follows:
1. Place. That planners should understand the local environment, and design their projects to blend with it.
2. Hierarchy. That the design of buildings should always reflect their hierarchical position in the community, that "public buildings ought to proclaim themselves with pride", and others be designed in function of their value in society.
3. Scale. That buildings should bear relation to the human scale, and the scale of other buildings in an area.
4. Harmony. That buildings should blend harmoniously with others in the vicinity.
5. Enclosure. That spatial identity is of major importance, and that new developments should incorporate such public spaces as squares and courtyards
6. Materials. that building materials used should reflect the diversity of local traditions, and not conform to any national or international standard.
7. Decoration. That decorative craftsmanship should still be, as it always has been, a major feature of the urban environment.
8. Art. That artistic decoration has a major and a symbolic role to play in the enhancement of the urban environment, and that artists as well as architects should have a role to play in the designing of new living environments.
9. Signs and lighting. That these also contribute to the success of the built environment, not detract from it, and should therefore be put up with care and attention.
10. Community. That a successful community is a place where residents feel involved, and contribute to the planning and running of their environment.
While points 1 - 9 can be - and in the case of Poundbury, are being - ensured through the masterplan, point 10 cannot. A successful community can only be brought about by the people who live in it; and so far, in spite of the fact that Poundbury is still very much an ongoing project, those who live there are happy with their environment and, on the whole, consider it to be a successful community.
Besides the above ten points, which essentially concern the architectural and visual aspects of the environment in urban villages, there are other fundamental aspects that distinguish the urban village from other suburban or rural housing projects, aspects that are perhaps rather more fundamental than aesthetics. These are social mixity, and mixed use - together seen as preconditions for the creation of new sustainable communities.
As well as reflecting the ten principles, the masterplan for Poundbury was for a housing development that would include a seamless and indistinguishable mixture of owner-occupied dwellings and social housing. The mixed-use plan also called for the inclusion, within easy walking distance of the residential streets, of shops, workshops and factories, enabling residents to live and work in the community without the need for commuting.
In many details, the masterplan for Poundbury went against conventional planning orthodoxy. Its fundamental tenet, mixed use, ran counter to accepted zoning theory, which prefers to concentrate business in business parks, housing in housing estates, and shops in shopping centers.
As for social diversity, critics of the Poundbury plan argued that the type of home buyers wanting to buy in Poundbury would not wish to buy houses that shared a dividing wall with social housing units; it was also suggested that the densely-packed housing environment was out of keeping with the tastes and expectations of modern middle-class British house-buyers, more usually attracted by the ideal of detached houses in wrap-around gardens.
Others predicted that industry would not want to relocate in the middle, or even on the edge, of a residential area, and that in the end, Poundbury would end up as no more than a "glorified council estate".
So far at least, this has not been the case - which is exactly what its planners expected. Having conceived Poundbury as a carefully planned (or, in its critics' opinions, contrived) recreation of a traditional organically developed village, they did not expect to encounter the problems facing many other suburban developments.
Like the village, the urban village is conceived as a community of mixed housing, catering for all ages and income groups. At Poundbury, the first phase of housing consisted of 55 units of social housing, administered by a housing association, the Guinness Trust, and 141 freehold owner-occupier homes, as well as retail and commercial premises. By the time the development is completed, towards the year 2020, Poundbury will have between 2,000 and 3,000 housing units, with social housing accounting for about 20% of the total, in line with the national average.
The question that remains, however, is whether the model of Poundbury can be transposed into other settings, or whether the success of this rather middle-class development on the edge of a rather trouble-free county town in the heart of the Westcountry, can be replicated in other areas?
Following the media coverage - both positive and negative - given to the Poundbury project when it was first mooted in the late 1980's, a forum known as the Urban Villages Group was founded in 1989, at the Prince of Wales's behest, under the wing of Business in the Community, an organisation whose purpose is "to tackle economic, social and environmental issues affecting local communities" (Aldous, p8).
Among the founder members of the Group were Leon Krier, plus the chief executives of a number of property development companies, housing corporations, and the Managing Director of the Cooperative Bank. The aim of the Group was to encourage councils and property developers to take the urban village concept nationwide, as a viable - if slightly more costly - alternative to the monotonous standardized run-of-the-mill developments, the "edge cities" that have mushroomed, and will continue to mushroom, on the outskirts of most British urban areas.
As of January 2002, eighteen development projects across England are being carried out in partnership with the Prince's Foundation, according to "urban village" principles; none however is as advanced as Poundbury, and some, such as the Westoe Colliery project at South Shields and the Northwich city centre project, are still on the drawing board. Yet as the location of these two projects shows - one in the heart of the depressed northeast, and the other in the rundown centre of a Cheshire town - the "urban village" concept can be, and is being, applied in areas that are very different from semi-rural Dorset.
Only two other projects are listed, like Poundbury, as "urban extensions" on greenfield sites, one in Basdildon Essex, the other in Northampton; by far the majority of projects are "urban regeneration" projects on brownfield sites.
Some of these are in fact far removed from the "urban village" concept as illustrated by Poundbury. In particular, the Ancoats project in Manchester, the Jewellery quarter in Birmingham and the Little Germany redevelopment in the centre of Bradford appear more like classic industrial heritage preservation programmes, along the lines of the Albert Dock regeneration scheme in Liverpool, or the redevelopment of Butler's Wharf on the South Bank in London.
They are, however, different, inasmuch as these three projects, though they will never become villages in the sense that Poundbury can call itself a large village, have been conceived with the ethos of the urban village concept in mind, and not as just three more chic urban residential areas for the upwardly mobile.
Little Germany and the Jewelry Quarter are interesting cases, both being central urban areas which, in the past, had a clear spatial and social identity, the former as the fiefdom of Bradford's German cloth merchants, the latter as the densely populated network of small streets which housed both the homes and the workshops of Birmingham's hundreds of jewelers and watchmakers - a classic historic example of both mixed usage and a clearly defined urban quarter.
A hundred years ago, Birmingham's Jewellery Quarter provided employment for some 70,000 people – many of whom lived and worked in the quarter. Since then, the number of jobs in the sector has fallen by over 90%, and the residential population has all but disappeared. In 2000, the quarter harboured some 1,200 business, but only about 700 residents. The aim of the project is to redress this imbalance, and rekindle the vibrant community that existed at the start of the twentieth century.
The Ancoats Urban Village, in Manchester, is different - so different indeed that although Ancoats announces itself as an "urban village", the project's development manager herself is not convinced that it really is one.
"I feel uneasy about offering Ancoats as representative of the Urban Villages movement, as it does not conform to many of the criteria that the Urban Villages movement sets out, and although we are still members of the Prince's Foundation, I don't think they would suggest Ancoats as an example of their philosophy; we seem to spend most time disagreeing!" (Lyn Fenton, private letter of 02/01/02).
Ancoats prides itself for its place in urban history, as the world's first industrial suburb – an area in which 13,000 people once lived and worked; the targets of the Urban Village project are to bring people back to live in this historic industrial site, close to the centre of Manchester, through a programme of mixed use residential and business development. Classed as a conservation area in 1989, it is on the UK's short list for designation as a UNESCO world heritage site. In spite of the reservations of the developers, the targets set out in the Ancoats Supplementary Planning Guidance reflect the same principles as those adopted for Poundbury; the fact that this, as some other urban village sites, are not totally new-build areas, does not fundamentally change the perspective.
Naturally perhaps, it is not in Britain's great urban centres that other urban village projects closer to the Poundbury model can be found, but on the edges of Britain's smaller towns and cities, as the following two examples illustrate. The Westoe site in South Shields is being developed by Wimpey on the 17 hectare site of a disused colliery, as a high-density mixed-use and socially mixed suburb with up to 800 homes, its own school, shops and office premises. In Lancashire, the Luneside development at Lancaster, albeit smaller - 6 hectares - is being developed along similar lines.
Finally, although only 18 projects are affiliated to the Prince's Trust as recognised "urban village" developments, neither the Prince nor the trust has exclusive rights to the expression, and other new housing development projects elsewhere in Britain, are taking up the label in order to give themselves a certain cachet.
Indeed, the "urban village" approach to the design and planning of residential areas has now found its way into official UK government guidelines, a new guide from the Department of the Environment, Transport and the Regions showing among its primary inspirations:
" the 'Urban Villages' movement in the UK and neo-traditional design generally. Indeed, the design philosophy promoted is essentially one of working with context, promoting pedestrian friendly environments, returning to traditional perimeter block systems, and - where possible - mixing uses." (DETR Website 2002)
The current popularity of the notion of the "urban village" in contemporary UK planning would tend to indicate that a sea change in planning theory has taken place in the UK since Prince Charles first launched his vision of Britain in 1989. Whether or not this will result in the recreation of something resembling the types of close-knit communities that existed in nineteenth century, or pre-Enclosures English villages, or even in twentieth century industrial villages, and whether "mixed usage" will really have any serious impact on the social habits of the British in the 21st century, other than reducing car usage, are different matters.
And in the end, it is perhaps of little matter in the context of this paper, in which I have set out to show the peculiarly high value attached to the word village in England, and the particularly strong belief that runs through English thought and culture, that the village - and notably the idealised village with its green spaces, flowered gardens, and friendly folk, is the finest possible form of spatial and social organisation - even in the resolutely urban society of the start of the third millennium. In this respect, the phrase "urban village" has readily come to be seen not as a contradiction in terms, but as a means of having one's cake and eating it, or at least getting the best of both worlds.
Bibliography
Aldous, Tony. Urban Villages, a concept for creating mixed-use urban developments on a sustainable scale, London, The Urban Villages Group 1992.
Ditchfield, P.H. The Charm of the English Village, 1908, reprinted London, Bracken Books, 1985,
Harvey, David. The New Urbanism and the Communitarian Trap, in Harvard Design Magazine, Winter/Spring 1997, no. 1.
Miller, Anthony. The role of Landscape Architecture in fostering community; Byker, a case study, in L'Espace Urbain Européen, Cahiers du Créhu 6. Annales littéraires de l'Université de Franche Comté 1996
Mumford, Lewis. T, The City in History, Secker & Warburg 1961, reprinted Penguin Books, Harmondsworth, 1973 &&.
Rossiter, Andrew. Retour à l'Utopie? Poundbury; redéfinir la banlieue en village urbain. In Ville et Utopie, Cahiers du Créhu no. 10, actes du Colloque. Presses Universitaires de Franche Comté, 2001.
Wales, Charles, Prince of. A Vision of Britain, a personal view of architecture. London, Doubleday, 1989
Webography:
Thandani, Diriu A. New Urbanism Bibliography, published by the Architectural Resources Network
periferia.org/publications/cnubibliography.html
Department of the Environment, Transport and the Regions:
www.planning.detr.gov.uk/livingplaces/02/03.htm
Copyright :
About-Britain academic : texts © Authors and About-Britain.com
Andrew Rossiter, Université de Franche Comté
From a paper presented at the International Symposium on Urban and Rural Britain at the University of Valenciennes, France, 2002
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
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And I am also working on a book on photographing the goddesses! :) More goddesses soon!
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I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
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Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
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Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
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The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
The Journal asked writers and illustrators to contribute a series based on design icon Dieter Rams’ Ten Principles of Good Design manifesto. Each writer wrote on one of Rams’ principles; each illustrator reacted to a writer’s essay. This is the eight illustration from the ten-part series.
Oliver Reichenstein wrote on Rams’s tenth principle, Good design is as little design as possible. Mr Reichenstein is the founder of the design firm Information Architects. Lab Partners, Ryan Meis’ and Sarah Labieniec’s design and illustration studio, created the above illustration based on Mr Reichenstein’s essay. They have designed and illustrated for numerous clients including Monocle, Wired Magazine and HP.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
“Beauty will save the world.” --Dostoevsky
Pretty Swimsuit Bikini Model Goddess! Golden Ratio Composition Photography Blonde Aphrodite Venus! Sony A7 R & Carl Zeiss Sony Sonnar T* FE 55mm f/1.8 ZA Lens Bokeh! Malibu Beach Autumn Photoshoot! Bikini Surf Girl Lifestyle Portraiture! Beauty High Res!
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
The Tao of Epic Landscape Photography: geni.us/taophotography
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
All my photography celebrates the physics of light! dx4/dt=ic! Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Physical: geni.us/Fa1Q
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
Atheist myths debunked.
The development of order.
One of many questions’ atheists are unable to answer is:
Why is there order in the universe?
Order denotes purpose. Purpose requires a purposeful creation, which atheists deny.
There are several laws of nature and principles of science that atheists dearly wish would not exist.
Among these are:
The Law of Cause and Effect, the First and Second Law of Thermodynamics and the Law of Biogenesis.
These laws frustrate all attempts by atheists to replace God with ‘naturalism’ - their extraordinary belief that everything arose from nothing of its own volition, progressively increasing in order and potential, by entirely, natural processes.
Every natural, origin scenario (naturalism) defies explanation of the existence of order in the universe.
The First Law of Thermodynamics tells us that the building blocks of the universe, matter and energy, cannot be created by natural means.
The Second Law tells us matter/energy does not increase in order and potential. It tells us that, over time, the natural tendency is towards disorder and decreasing potential, from an obvious, original peak. There cannot be any natural, ongoing, development of order. This is an inconvenient fact for all atheist, natural, origin scenarios, which require the exact opposite; a simple, natural origin of matter/energy from nothing, progressively increasing in order and potential.
In addition to this inconvenient truth is the fact that an effect cannot be greater than its cause. A simple, random, chaotic, or disordered origin cannot naturally lead to a complex, ordered result. This causality principle endorses the Second Law.
The Second Law tells us order/complexity/potential does not increase naturally, but tends to decrease, and the Law of Cause and Effect tells us the result of a process cannot be superior to the totality of its original cause or causes. There cannot subsequently be more potential or order in an effect/entity than that which was intrinsic to its origin. Furthermore, the tendency, over time, is for this potential to decrease.
The absolute killer for atheist, origins mythology is that: even if progressively increasing order/potential in the universe was possible, it would still denote purpose.
What inherent principle could support increasing order/improvement as a likely outcome of purely, natural processes?
For example: If, as atheists are compelled to believe, matter/energy automatically progressed, of its own volition, from its origin, to acquire an inherent predisposition for the spontaneous generation of life (so-called abiogenesis), which (incidentally) violates the Law of Biogenesis, they have to explain how such a predisposition/blueprint for life originated in an unconscious, unplanned, purposeless universe?
They may argue that the origin of life is a just a chance event, but the mechanism/constituents of any chance event must have the intrinsic capacity or capability to produce the chance outcome. A random, number generator may generate an unlikely combination of numbers by chance, but it cannot generate any numbers at all unless it is devised/constructed with the ability to do so. An unlikely event may happen by chance, but only if such an event is intrinsically possible. The atheist ploy, of just ignoring laws of nature, spectacularly fails.
How could the potential for constructive improvement develop autonomously in unplanned, unconscious, purposeless, dumb matter, which originated from nothing? The obvious, rational answer is that it couldn’t.
Atheists often employ bizarre arguments to justify their denial of the universality of laws which refute their beliefs. One of these, which has attained common currency among atheists, is the idea that snowflakes and crystals are examples of natural development of order. And that they somehow contradict the Second Law of Thermodynamics.
Here is an exchange I had with an atheist which illustrates this:
An atheist (Aimless Alliterations) in answer to part of my original post where I cited the Second Law of Thermodynamics, wrote this:
“Oh, goodness gracious. You tied yourself up in all sorts of knots a while back with this one . You really need to read the science and understand it before making statements like this.
Quoting me:
"The second Law of Thermodynamics rules out the spontaneous generation of life from non-life as a chance event. "
“Really? Where does it state this?”
Quoting me again:
"According to the Second Law of Thermodynamics, when left to themselves, things naturally become more disordered, rather than more ordered."
“Okay then..............account for snowflakes, rock crystals, the grading of sediment in a river system”.
My reply:
You wrote:
"According to the Second Law of Thermodynamics, when left to themselves, things naturally become more disordered, rather than more ordered." Okay then..............account for snowflakes, rock crystals, the grading of sediment in a river system."
I am afraid it is you who doesn’t understand the Second Law. What I said is perfectly correct.
There are only 2 ways the effects of entropy can be temporarily decreased, halted or reversed by an input of energy. Either by a directive means or agent guiding the energy input, OR a directive or conversion mechanism possessed by the recipient of the energy to utilise it in a constructive way.
Raw (unguided) energy (such as random heat) tends to increase entropy and time makes it worse.
Snowflakes, rock crystals etc. do not violate the Law of Thermodynamics, although atheists who hate all natural laws that interfere with their ideology dearly wish they did. They act only according to their pre-coded, atomic structure, and furthermore they are formed by the removal of heat, being transferred from them to their surroundings, rather than the opposite, which evolutionists require for abiogenesis.
Regarding the grading of sediment, I am surprised you mention that, because we know that is how most strata are formed, which effectively demolishes the uniformitarian interpretation of the geologic column and the fossil record. In this case, the grading is guided by the physical properties of the particles (size, shape, weight etc.) obeying physical laws. And, it will in time, be eroded and disorganised by the same forces that created it.
Abiogenesis (life arising of its own accord by natural processes from sterile matter) certainly does violate the Second Law of Thermodynamics, because it requires a reversal of the effects of entropy.
Atheists and evolutionists often argue that abiogenesis doesn’t violate the Second Law because the Earth is an ‘open system’ which allows an input of energy from outside itself, namely the Sun.
They claim that the law of entropy only applies to ‘closed systems. This claim is obviously spurious, because firstly, we can observe entropy happening all around us. We are in the open system of the Earth, and yet we are well aware of entropy. We see that the Sun does not halt or reverse entropy, in fact we see the opposite. The raw energy and heat from the Sun, unless harnessed, does damage, things all around us obey the law - they deteriorate, rot, erode and decay, they do not naturally improve. If you paint your house, the Sun, and the weather effects caused by the Sun, will eventually damage the paintwork, it will crack and peel after a few years. The hotter the Sun (the greater the energy input) the quicker it will happen.
Secondly, even if it were true that in an open system, things can defy the law of entropy, natural laws are laws for the whole universe, and the universe, as a whole, is a closed system.
So, what can we deduce from this?
Can the effects of entropy ever be reversed of halted?
Obviously, when you paint your house, you are reversing the bad effects of entropy for a short period, but you have to keep doing it, it is not permanent. Moreover, the energy you are using to repair and temporarily reverse the effects of entropy, is directed and guided by your skill and intelligence.
So, the atheist argument about the Earth being an open system is clearly not a valid one.
To conclude: We know that the energy input to the so-called Primordial Soup would have been raw, random, unguided energy. So the only other possibility to reverse the effects of entropy is that a directive or conversion mechanism was possessed by the recipient of the energy to utilise it in a constructive way, i.e. that basic matter (chemistry) is somehow inherently predisposed with the potential/blueprint for creating life and the information for life.
Please explain what that directive mechanism for the constructive utilisation of raw energy is - and where that inherent potential for the reversal of entropy and the construction of life comes from?
We certainly don't see abiogenesis happening naturally today, it doesn't even happen artificially in contrived experiments. To claim it happened long ago as a one-off phenomenon in some imagined scenario is not science, it is just pie-in-the-sky fantasy.
Atheist reply:
Quoting me:
“Snowflakes, rock crystals etc. do not violate the Law of Thermodynamics, although atheists who hate all natural laws that interfere with their ideology dearly wish they did. They act only according to their pre-coded, atomic structure, and furthermore they are formed by the removal of heat, being transferred from them to their surroundings...”
“So in other words they become MORE ordered despite become cooler? So the Second Law of Thermodynamics is violated because there is a REDUCTION in entropy? According to you this should be impossible.
You certainly don't understand the Second Law of Thermodynamics......or maybe you do but are simply lying about it to justify your absurd claims?”
My reply:
“You wrote:
"So in other words they become MORE ordered despite become cooler? So, the Second Law of Thermodynamics is violated because there is a REDUCTION in entropy? According to you this should be impossible.
You certainly don't understand the Second Law of Thermodynamics......or maybe you do but are simply lying about it to justify your absurd claims?"
Oh, for goodness sake! I warned you about scouring the internet searching for answers from quack, atheist websites. They are presented by people as clueless and gullible as the people they are trying to convince, or by people who are deliberately trying to deceive the public for ideological reasons.
Atheists should know that snowflakes, crystals etc. are not examples of the development of order. By regularly presenting them as such, they reveal either their deceitfulness or their complete misunderstanding of science.
There is NO reduction in entropy, the Second Law is NOT, and CANNOT be, violated, as you claim. If you knew even the basics of the Second Law, you would not make a fool of yourself by saying it is.
Snowflakes have absolutely no relevance whatsoever to the increase in complexity/order required for the origin of life.
Snowflakes, crystals etc. are simply reverting to the natural state dictated by their atomic structure as they cool. If you knew anything about the Second Law you would know that the natural, intrinsic order of matter is highest at lower temperatures. You would know that the application of raw (undirected) heat/energy increases entropy.
The natural, intrinsic order of substances is greatest at absolute zero.
That does not mean cooling causes a decrease in entropy overall, the heat/energy is transferred from one substance to its surroundings and the entropy is increased in the surroundings.
Snowflakes have absolutely no relevance to abiogenesis, because there is no increase in order above or beyond that which is intrinsic to the inherent, atomic properties of water. By lowering the temperature, the apparent increase in order is not an actual increase in, or the development of order, but simply a restoration at the atomic level to the original, natural, ordered state of water at the lower temperature.
If a rubber ball is squashed (made asymmetrical) by applying a heavy weight to it, would it be classed as an increase in order when the weight is removed, and it returns to its original, symmetrical shape?
According to the ridiculous, atheist analogy of snowflakes and crystals it would be. It only goes to show that atheists will clutch at any straw, however silly, to justify their ideology. They have the audacity to challenge and attempt to undermine natural laws with their nonsense and then accuse those who uphold them of being unscientific and ignorant. Their barefaced cheek never ceases to amaze me.
I repeat my question, which you have failed to answer:
We know that the energy input to the so-called Primordial Soup would have been raw, random, unguided energy. So the only other possibility to reverse the effects of entropy is that a directive or conversion mechanism was possessed by the recipient of the energy to utilise it in a constructive way, i.e. that basic matter (chemistry) is somehow inherently predisposed with the potential/blueprint for creating life and the information for life. Please explain what that directive mechanism for the constructive utilisation of raw energy is - and where that inherent potential for the reversal of entropy and the construction of life comes from?
The basic, inherent, atomic structure of water, and of all matter, along with natural law, is part of the initial order of the universe which became present at the moment of its creation. It is not developing order, such as that which would be required for abiogenesis or cosmic and biological evolution.”
Atheist reply:
“You really, really don't understand The Second Law of Thermodynamics and you shouldn't write any further drivel which relies on this.
Let's look at you original claim: The second Law of Thermodynamics rules out the spontaneous generation of life from non-life as a chance event. Fail - The Second Law of Thermodynamics is nothing to do with chance.
But I'll tell you what .........rather than carry on with this nonsense I'll refer you to a very useful site that you (and anyone else) can access and it'll tell you what entropy is and how it relates to the Second Law of Thermodynamics. It doesn't talk about origin of life or anything like that. It uses quite simple language and you need to read it and UNDERSTAND it.
entropysimple.oxy.edu/”
My reply:
You wrote:
"You asked for references to self-replicating information. There are many to choose from but here you go. Enjoy the bed-time reading."
There you go again - giving me links to internet sites, which I am quite capable of accessing myself. I am well aware of how to Google endless points of view on virtually every subject under the Sun. So please stop insulting my intelligence, I have seen all this stuff before. I asked you to give me examples yourself, a simple enough request. I don't want links to internet sites (or long copy and pasted tracts) which can be found on the internet to justify virtually anything. What is your problem with actually answering questions yourself?
You wrote:
"You really, really don't understand The Second Law of Thermodynamics and you shouldn't write any further drivel which relies on this.
Let's look at you original claim: The second Law of Thermodynamics rules out the spontaneous generation of life from non-life as a chance event. Fail - The Second Law of Thermodynamics is nothing to do with chance."
You accuse me of not knowing anything about the Second Law, after your astonishing, earlier statement:
"So in other words they become MORE ordered despite become cooler? So the Second Law of Thermodynamics is violated because there is a REDUCTION in entropy? According to you this should be impossible."
You, who wants to claim that (what Einstein called the premier law in science) can be violated have the audacity to accuse me of not knowing anything about the Second Law. Unbelievable!
The reason I used the word 'chance' is perfectly obvious to anyone who knows anything about the subject, which obviously doesn't include you.
Only DIRECTED energy can enable a temporary decrease in entropy, it does NOT HAPPEN by CHANCE. There has to be a guiding principle or agent either: 1) acting directly on the energy source - or: 2) a directive or conversion mechanism possessed by the recipient of the energy. A decrease in entropy doesn't happen randomly or as a 'chance' event.
You believe the atheist nonsense that snowflakes/crystals are an example of an increase in order, which demonstrates your dire knowledge of the subject.
If you knew anything about the Second Law you would not have cited such a spurious example, apparently you are willing to believe anything you read on atheist/evolutionist websites as though it is gospel.
Perhaps you can address the question I asked in my last post: If a rubber ball is squashed (made asymmetrical) by applying a heavy weight to it, would it be classed as an increase in order when the weight is removed and it returns to its original, symmetrical shape? But I doubt it, answering questions is not exactly your forte. You would rather nit pick about the qualifications of anyone who disagrees with atheist pseudoscience.
Atheist reply:
Quoting me:
“There you go again - giving me links to internet sites, which I am quite capable of accessing myself. I am well aware of how to Google endless points of view on virtually every subject under the Sun."
“Well you asked for examples and I provided these for you. These are references to well-respected research which provides evidence which you appear to be either too lazy or unwilling to research for yourself.
If you were aware of such research would you have written the nonsense you pour forth? ............Probably.
You also appear to have some sort of cognitive dissonance as far as the Second Law of Thermodynamics and entropy. I provide you with an excellent resource and you fail to take advantage of it to understand the subject matter properly.
That really is astonishing!
All your rubber ball example does is illustrate the law of conservation of energy.”
My reply:
You wrote:
"Well you asked for examples and I provided these for you. These are references to well-respected research which provides evidence which you appear to be either too lazy or unwilling to research for yourself."
No! You are either too lazy to answer any questions yourself, or you are unable to. I suspect it is the latter, because you have already demonstrated from previous remarks that your knowledge of the subject is absolutely dire. Yet you insist on continuing to try to bluff it out, by either copying or pasting other people's work or posting links to anything you think supports your argument.
I'm afraid you have been sussed.
You have already put your foot in it - big time, by citing snowflakes and crystals as an example of developing order.
You mistakenly thought all you had to do to win an argument was to parrot stuff direct from an atheist/evolutionist website. When, in fact, parroting the sort of pseudoscientific rubbish that atheist/evolutionist websites are filled with, is a sure way of making yourself look extremely foolish.
You wrote:
"All your rubber ball example does is illustrate the law of conservation of energy"
What sort of damn-fool answer is that?
I asked: "If a rubber ball is squashed (made asymmetrical) by applying a heavy weight to it, would it be classed as an increase in order when the weight is removed and it returns to its original, symmetrical shape?"
IS IT AN INCREASE IN ORDER OR NOT?
Please answer the question.
Because if it isn't an increase in order, it completely demolishes both your snowflake/crystal argument and the credibility of atheist/evolutionist so-called 'science'.
No wonder you don't want to answer.
**************************************************
Four and a half years later.
I am still waiting for any atheist to answer the rubber ball question?
The full debate can be seen here:
www.flickr.com/photos/truth-in-science/16208667768
___________________________________
Another argument employed by atheists to justify their denial of the Law of Cause and Effect is ‘quantum mechanics’.
Their claim being; because quantum effects appear to behave randomly, they could also be uncaused.
This is complete nonsense, quantum effects may appear random and uncaused, but they are definitely not uncaused. Even if their direct cause is difficult to determine, they are part of a CAUSED, physical universe.
The idea that anything within a CAUSED universe can be causeless is ridiculous, because whatever caused the whole universe, is the original cause of everything within it.
Furthermore, just because directly traceable causes cannot be determined, doesn’t mean a direct cause doesn’t exist.
For example:
It can be compared to the randomness of a number coming up from throwing a dice. It may appear random and without a direct cause, but it isn’t. Because if we knew all the complicated and variable factors involved – such as the exact orientation of the dice as it leaves the hand, the velocity of the throw and the amount of spin etc., we could predict the number in advance.
So, just because, in some instances, direct causes are too incredibly complex to accurately predict the result, doesn’t mean there is no cause.
Quantum effects - The smoke and mirrors trick.
www.flickr.com/photos/truth-in-science/35908166441
Evolution, multi-million year timescale refured.
Rapid strata formation - field evidence.
www.flickr.com/photos/truth-in-science/albums/72157635944...
Dr James Tour - 'The Origin of Life' - Abiogenesis decisively refuted.
youtu.be/B1E4QMn2mxk
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Venus Swimsuit Bikini Surer Beach Model! Pretty Smile Beach Goddess! Nikon D800E Surf Lifestyle Portrait Headshots Photoshoot! Gorgeous Blonde Hair Blue Eyes Tall, Thin, Fit Fitness Model Long Legs Abs! 45SURF dx4/dt=ic AF-S NIKKOR 70-200mm f/2.8G ED VR II Nikon
My Epic Gear Guide for Epic Landscapes & Portraits!
Everyone is always asking me for this! Here ya go! :)
Epic books, prints, & more!
The Tao of Epic Landscape Photography:
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's . . . !
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
Epic Art & Gear for your Epic Hero's Odyssey:
Follow me my good friends!
Facebook: geni.us/A0Na3
Instagram: geni.us/QD2J
Golden Ratio: geni.us/9EbGK
45SURF: geni.us/Mby4P
Fine Art Ballet: geni.us/C1Adc
Photographing Women Models! geni.us/m90Ms
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic...
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
www.facebook.com/epiclandscapephotography/
Join my new 45EPIC fine art landscapes page on facebook!
facebook.com/mcgucken
Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
instagram.com/goldennumberratio
Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
Follow me on instagram!
Join my new 45EPIC fine art landscapes page on facebook!
Mount Sneffels Ridgway Colorado Autumn Colors Sunset Snow Fall Foliage Aspens Fine Art Landscape Nature Photography! Sneffels Range DJI Mavic Pro 2 Aerial Drone Photography! 45EPIC Dr. Elliot McGucken Master Fine Art Hasselblad L1D-20c Camera Luxury Photography CO Fine Art ! Hasselblad Natural Colour Solution (HNCS) Technology!
Dr. Elliot McGucken Fine Art Spacetime Sculpture dx4//dt=ic:
Epic Fine Art Photography Prints & Luxury Wall Art:
Support epic, stoic fine art: Hero's Odyssey Gear!
Follow me on Instagram!
Facebook:
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
On Sunday Nov 13, about a hundred people attended the Vigil for Our Democracy in Perry Square, 6th and State St, Erie PA. Organizer Daniel Doubet of Keystone Progress described it as follows: "This a peaceful space for those coping with the election results. This election threatens our core values as a country, and our vulnerable friends and neighbors. And while the results were devastating, we hope to find solace by standing together for our core democratic principles. We reject hatred, and stand vigilant for those in our community who are vulnerable targets for this hatred." The vigil was not a protest against President-Elect Donald Trump, but a stand against hatred. Speakers included Pastor Harry Euell of Faith Temple Church; Rev. Dr. Rich McCarty of Community United Church, Edinboro University professor Lisa Austin, Heather Garczynski, Selena King, political activist Matthew Hatfield, and Daniel Doubet. In between speakers, Daniel encouraged people to talk--really talk--to one another.
Daniel later clarified:
Fhis was not a white flag of surrender. While we were not there to dispute the election results, we WERE there because the election results have lead directly to a wave of hate, violence and intimidation across the country, and there's no place for that here.
And should the forces of hate consider lashing out in our community, we came out to remind them we are vigilant. And there will be more actions we can take, very soon.
Below are Daniel's remarks from the vigil.
We are here for solidarity.
The forces that would control us want us to hate each other. They want us to be suspicious of difference, instead of valuing it. The price for petty political advancement is dividing a nation. Turning neighbors against each other, turning rich against poor, white against black, men against women. We defy division. We defy hate. We learn from each other. We are empowered by each other. And we are better because of each other. To anybody here who feels unsafe, or unwanted or villainized because of who you are: you are not alone, you are valuable, you are necessary to our community. You are America.
We are here for Vigilance
The forces of hate did not appear on Tuesday. Structural racism, patriarchy, homophobia have been forces in this country long before this presidential campaign. But over the course of history we have won victories, the right to vote, the right to marry who you love, the right to go to work without being attacked or belittled. And what Tuesday reminds us is that, though these victories were won, we must protect them. We will not go backward from these victories, even if some think that would be “great.” We go forward. Only Forward.
We are here for dignity.
Dignity for all of our brothers and sisters, regardless of their gender, their race, who they love, their identity or their ability. All people deserve respect, justice and equal treatment under law. Since Tuesday, I’ve spent a lot of time pondering whether or not good people can do bad things. What I know is that people can change. And through the expansion of Dignity to those who don't feel held in it's graces, by demonstrating the value of all people, the divisions imposed on us by weak leaders will be torn asunder. We will can boldy attend to the injustices, large and small to all people, with new friends to join us. Our dignity is their dignity. Their dignity is our dignity. Your dignity is my dignity. Our dignity is our nation’s dignity.