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Yale Club, New York, 16 September 2017

 

©ITU/ M. Jacobson – Gonzalez

  

2019 Women's Empowerment Principles Forum

 

Thursday, 14 March 2019

ECOSOC Chamber, United Nations Headquarters, New York, New York

 

Photo credit: UN Global Compact/Chae Khin for Joel Sheakoski Photography

I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.

 

 

All images from this book.

 

COPY

Repository: Penn Libraries

Call number: Essex House 18

Collection: Vilain-Wieck Collection

Copy title: An endeavour towards the teaching of John Ruskin and William Morris : being a brief account of the work, the aims, and the principles of the Guild of Handicraft in East London

Author(s): Ashbee, C. R. (Charles Robert), 1863-1942

Published: Edward Arnold, London, 1901

 

FIND IN POP

Penn Libraries

Penn Libraries Essex House 18

Vilain-Wieck Collection

Ashbee, C. R. (Charles Robert), 1863-1942

An endeavour towards the teaching of John Ruskin and William Morris : being a brief account of the work, the aims, and the principles of the Guild of Handicraft in East London

London

1901

Edward Arnold

 

Yale Club, New York, 16 September 2017

 

©ITU/ M. Jacobson – Gonzalez

  

Principles of Web Design

  

PRINCIPLES OF WEB DESIGN, Sixth Edition, guides readers through the entire web site design process, while developing and enhancing HTML, CSS, and visual design skills along the way. Now updated to include designing web content for smartphones and tablets, this Sixth...

 

tabaraksiyal.com/2215/principles-of-web-design/

TITLE: If Tomorrow Comes DESIGN PRINCIPLES:

1.Multifamily residential?

2.Think Big

3.Think very big

4.HOV I-90

5.Southtowns need more transit solutions (to Amherst)

NOTES:

-Unofficial urban growth boundary

-Zombie homes in North Collins

-No farms, no food in East Aurora. Reverse course today.

-New Broadway of Broadway Market

-Preserve everything everywhere. Why not?

-HOV: 990 (all), 90 (from I90 to 290), 190 (Buffalo segment), 290 (all)

-Elevated rail. Subway. Tunnel from Genesee Street to the airport.

-Can the throughway add more lanes?

-Is the City of Buffalo demolishing itself into a future housing crisis?

-What if Tomorrow Comes… and thruway must be expanded? Add HOV lane to Amherst.

-Center city Buffalo. Think beyond downtown Buffalo.

-Niagara Falls as a place of business and commerce.

-Skyscrapers along the I-990.

-Amherst is downtown Buffalo. Enjoy this!

-The region is big enough to handle a few CBDs!

-BRT: Subway and Light rail. Amherst and Williamsville should form their own transit agency.

 

Textbook #5 ‘Fifty Principles of Sogetsu’ was a ‘wake up’ call to Sonya (and we all seem to overlook). I have mentioned it before, we must all make it a practice to review Sofu Teshigahara’s principles on a regular basis. Sonya’s first work was ‘One Flower on Branch #4 on the list. A single King Protea sits proudly framed by some Tortured Camellia branch. The choice of container is interesting – often thought a little too over-powering but it certainly works here

(vimeo.com/93206523)

^^^^^A very cute video listing the principles.

The twelve principles of animation describe the elements that a good animation will feature. They explain a better understanding of realistic movement and show a good grasp of viewer perception and how to manipulate the scene to convey what the animation is designed to show. The principles began to be understood in the 1930s, when Disney began classes for their animators to improve the quality of animation. These encouraged reference from nature, their animation techniques eventually became the principles. The principles were outlined by Thomas and Johnston in the book 'Illusion of Life' published in 1981.

Knowing the principles isn't the important part, understanding how to use them to your advantage however is the key to success full animation. These help to give you the illusion of life.

 

Anticipation, and squash and stretch in a strange way see to defy logic and maintain it. Because we expect to see actions having equal and opposite reaction and we know that objects don't loose mass so

it seems intuitive to have build-up to action and for objects to squash and stretch becoming larger in one dimension as they shrink in another. However from an animating point of view it feels like it defies logic creating unnatural shapes and positions in order to create a more appealing appearence. However I would expect it to become a simple habit to include these after you've been in the industry some time.

Staging, timing and straight ahead and pose to pose are all basically about how you choose to make your animation appear and all reflect the important idea of planning ahead.

Solid drawing skills and appealing animations are obvious advantages, discovering how to make animations more appealing can just be a simple matter of research and awareness of things like the Uncanny Valley.

Exaggeration is used to as a method to make things more appealing, it also ties into anticipation and squash and stretch, if animations were only as interesting as real life then we wouldn't watch them, they also already have the problem of being separated from us and so in order to have a strong impact they need to be exaggerated, this effects content and visual style.

Arcs, and Slow in and slow out are ways of making an animation appear more appealing.

Secondary Action - A drama teacher of mine used to tell a story of a play he was in once. While the main love interest had some important dialog on the front stage, he was told to keep himself busy in the background. The director didn't tell him what he wanted him to do, so he decided that his character had found a piece of string and was playing with it. He thought everything had gone fine until the director came shouting at him during the intercession. Apparently the audience had been completely distracted during the scene by him and his piece of string and that they were all talking about it and the possible meaning and metaphor, the significance of the string, he had accidently been too interesting when he intended on simply been fiddling and keeping busy. The director wanted to add another dimension to the scene to make it more dynamic, similarly we can do this in our animations. But we should always remember that the purpose of it should be to enhance, not take away from the shot, that it should complement and add making for a more interesting piece of animation.

The Principles of Musik, in Singing and Setting : vvith the Two-Fold Use Therof, Ecclesiasticall and Civil

 

Publisher: London: Printed by Iohn Haviland, for the Author, 1636

 

Creator: CHARLES BUTLER, D. 1647

 

Citation: CHARLES BUTLER, D. 1647, The Principles of Musik, in Singing and Setting : vvith the Two-Fold Use Therof, Ecclesiasticall and Civil, "Our Tools of Learning:" George Arthur Plimpton's Gifts to Columbia University, Rare Book and Manuscript Library, Columbia University Libraries, ldpd.lamp.columbia.edu/omeka/exhibits/plimpton/early-mode...

 

More information.

 

-View Blog Here-

 

12 Principles of animation

 

Why use the principles?

 

The 12 principles of animation originated from the book “the illusion of life” created by two Disney animators. They provide a sense of volume, motion and life also bringing the sense of hyper-reality to the viewer creating a fluent and lively animation. An animation without use of any of the 12 principles will look static and robotic.

 

What are the 12 principles?

 

Anticipation

If somebody moves with force or meaning they don’t just go straight into the action. For example if you jump you don’t just move upwards and then come back down. You have to prepare yourself in order to gain momentum. It is this observation of real life on which this rule is based on.

 

Squash and stretch

While objects don’t tend to squash or stretch when they move in real life, applying this to animation compensates to the blurring of objects through speed and compliments the motion.

 

Staging

Staging is a method used in the beginning stages of an animation. This is where the basics of each pose are positioned and then the in-betweens are added later. This helps provide the animator with an overview of the whole animation before it is finished.

 

Straight ahead action pose to pose

This is a different alternative method than staging as it comprises of posing the character pose to pose creating the animation from the start to the finish.

 

follow through and overlapping action

Follow through and overlapping action is part of an object or person moving indirectly as a result of the event. For example if a horse is galloping the mane would be bouncing up and down from the motion. This gives the impression of materials and objects being connected and non-static.

 

slow in and slow out

Slow in slow out is easily represented by a bouncing ball. It is the observation that when a ball bounces it doesn’t just just move up and down but it slows down as it reaches its peak height and then speeds up as gravity begins to pull it back down.

 

Arcs

Arcs are there to prevent linear action that assist in making an animation look robotic and mechanical. An example could be as simple as somebody turning their head to look the other way.

 

Secondary Action

Secondary actions complicate the job as an animator especially if you are doing stop-motion because you need to be thinking of two things at the same time. A secondary action could be scratching their head whilst walking or moved hands expressively whilst talking to somebody.

 

Timing

Timing is one of the most important principles here as timing is what can make or break an animation. One of the most common mistakes with timing is to

 

Exaggeration

This is used to emphasis each important action bringing light to the narrative and what the character is actually doing. It can also be used to add comical appeal to a situation.

 

Solid drawing

Solid drawing is creating drawings that exist as a 3d object instead of 2d shapes. This creates dynamism and is only really needed for 32d animation as 3D animation already contains 3d space.

 

Appeal

Appeal must be applied to characters in order to grab the viewer attention. A unique character that has a contrasting personality will make the character stand out.

Participants in the Priniciples of Timeshare session.

Principles of Evolutionary Leadership - Change Leaders

This image puts Emphasis through contrast, scale, and weight, thoroughly dominating the image. this was found on wannatrythatagain.files.wordpress.com/2011/09/dominance.jpg

The rules we make for ourselves.

 

Design (work in progress) for posters to teach the 16 guidelines for a happy life to children. For more info click on my 16 guidelines set to the right of the picture, or go to www.essential-education.org

 

Principles: To know what you stand for, to be true to yourself, and walk your path, even when not popular or convenient. Not to listen to bad advice.

 

Format: Hand Game CHANT, Title “It's in my Hands”

Version: v1b. Note: Motions described in more detail in the activities section.

 

(verse one): I THINK that...

 

Each of you gives me a lesson.

 

Seasons come to a patient one.

 

I have what I need, if I don't feed my greed.

 

My joy times two, when I'm happy for YOU!

 

(verse two): Take ACTion...

 

Care for others. Keep trying.

 

Honesty works for me.

 

Share, give, care, live.

 

When I'm wise I think more, speak less.

 

(verse three): Connect!

 

Give honor to....those ahead of you.

 

No one's perfect. Show forgiveness.

 

I thank those who wiped my nose.

 

Through thick or thin, count me in.

 

(verse four): Find Meaning...

 

Know your way. Walk your path.

 

Strive -- to be alive.

 

Give time today to help in some way..

 

Think big, be brave, now begin --!

 

It's in my Hands!

        

...Flat slap clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front

 

clap Rhit clap Lhit quickclap back front

 

clap Rhit clap Lhit quickclap back front clap

 

...Flat slap clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front clap

 

...Flat slap

 

clapRhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front

 

clapRhit clap Lhit quickclap back front clap

 

...Flat slap clap

 

Rhit clap Lhit quickclap back front clap

 

Rhit clap Lhit quickclap back front

 

clap Rhit clap Lhit quickclap back front

 

clap Rhit clap Lhit quickclap back front clap

 

flat slap clap front

 

Photo principles2ED

I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.

 

Yale Club, New York, 16 September 2017

 

©ITU/ M. Jacobson – Gonzalez

  

"LTC Andrew Q. Jordan, Fort A.P. Hill garrison commander, addresses members of the Spotsylvania County Planning Commission on the benefits of employing night sky friendly principles. The commission unanimously approved an ordinance to reduce light pollution and incorporate night sky friendly principles, Aug. 17, 2016."

...being compromised a bit by the modern state office buildings a block away.

 

Blount Street Historic District - Raleigh, North Carolina USA. In the foreground is The Fannie Heck house (1869).

I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.

 

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