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This Regional Dialogue aims to build on the Six Pacific Principles by seeking agreement on how these principles can be applied to programmes and initiatives that aim to engage men in efforts to stop violence against women and girls. The Six Pacific Principles to guide prevention of violence against women and girls were developed and agreed at the 2016 Road to Change - A Pacific Regional Consultation on Prevention of Violence against Women and Girls funded by UN Women.
Photo credit: UN Women/Natalie Garrison
Title of photo: Wildlife Photography, Photo (#1)
Photo Number: 1
Objective 3: Elements and Principles of Design
The Principles of Design Demonstrated:
Emphasis: This photo shows emphasis, (although not as well as I wish it did) by blurring most of the photo around (and, unfortunately on) the main subject, the log. The background is blurred well, effectively pushing the eye away and letting focus be set on the detailed moss on the log.
Unity: I feel that this photo shows unity well, everything in the photo “belongs,” most of the photo is either green or brown, which can relate to leaves and moss, bark and dirt, and are both very natural colours. The background is mostly yellow (in some way) which I also feel is a natural colour, but usually thought of as for flowers, but in this case, leaves in autumn.
The Elements of Design Demonstrated:
Line: I feel like the only real line in this photo is the (mostly) straight line that the log creates, although it points off into nowhere, I cannot seem to feel like the left curve of the log leads the line (maybe because it is the side that is more visible, and not as blurred where it starts?)
Colour: I really like the colours in this photo, the light green moss on the log being my favourite. I really enjoy how the blurred background is the only change of colour (besides some of the orangey-red needles on the left side) in the photo! The entire foreground fits a very solid and familiar colour scheme, green and brown, like a tree. I feel that this gives the photo a very nice atmosphere.
Form: I think that the 3D effect in this photo comes from the texture of the moss in the middle of the photo, and in the detailed sprouts on the left side of the photo. Although there is not much shadow on this photo, you can see that these bits of the photo pop out from the log and create their own small spots of shadow.
Space: I think that the positive and negative space in this photo is harder to identify than my others, as the end of the log is blurred and kind of bleeds into the background, and some of the bush beside the log is in detail. The main positive space in this photo is meant to be the log and bush on the left side, but some of the log was blurred along with the very bottom of the bushy area. The negative space was just meant to be the background, but the way that the very front bit of the photo blurred out, that seems like some negative space as well.
Texture: I really wish that the photo has more texture, the middle of the photo, the log, is only textured in the middle. I really wish I had set a higher aperture so I could have a larger depth of field, that way, more of the log would be in focus compared to now, where only the very middle bit has any focus.
Objective 4: Lighting
Type of lighting: This photo was mostly back lighting, the light was streaming into the small area I was in by the area in the back of the photo, and there was a lot of tree cover giving me shade from above.
Objective 5: Post Production
Corrections/adjustments made AND/OR techniques applied: I think that I messed with some curves and sharpened, I cannot remember exactly what I did
Objective 6: Critique
I really like the detail in the middle of the photo, I find the moss very interesting to look at, I really wish that I used a slightly larger depth of field, and maybe focused the camera on the closest part of the log in order to get it all in focus. This is a photo I would really like to take again since I figured out more about depth of field, but I cannot shoot this exact photo again because of all the snow.
Objective 7: Photographic Styles
Type/style of photography: Wildlife Photography
Camera mode Used: I am assuming that I used P mode to take this photo, as I did not know how to use the other modes when this photo was taken.
F Stop Used: 5.6, I did not know how to change this, if I did I probably would have set the depth of field longer so I could have more of this photo in focus, I do not like how the log is blurry in the top and bottom bits, but I still like the photo.
Shutter Speed Used: 1/100 I am not very good with shutter speed, this was probably picked by P mode.
ISO used: 400, I figured that it was a good amount of ISO since it was very sunny but I was underneath some trees, which had some shade.
Exposure compensation: Not used.
Focal length: 40mm, Set from the amount of zoom.
Portrait of Mohamed Benchaaboun, Minister of Economy and Finance, the Kingdom of Morocco during Africa Investment Forum 2018 - Signing of Principles by Financial Sector Players in November 2018, at Sandton Convention Centre, Johannesburg, South Africa.
Основные принципы Конвенции Эспо ЕЭК ООН.
A summary of the core principles of the UNECE Espoo Convention.
English version here.
Basic principles of napkin folding presentation apply regardless of the theme and the folding technique used. Napkins used, whether cloth or paper, white, colored or printed should be spotlessly clean without stains. Elegant shapes are usually very simple because the plates they’re placed on need more attention. The design used should easy for the waiters to unfold and lay on a diner’s lap. They should be stiff enough to hold a crease but not at all hard, rough and unpleasant to wipe the lips with. Fold the napkin in half diagonally. Fold the corners to meet at the top point. Fold bottom point 2/3 way to top and fold back onto itself. Turn napkin over bringing together, tucking one into the other. Peel two top corners to make crown. Open base of fold and stand upright. www.scribd.com/doc/196080853/How-to-Fold-a-Napkin-Into-a-...
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BOOK TITLE : Principles of Marketing
AUTHOR : Gary Armstrong, Philip Kotler
EDITION : 13th
Our ISBN 10 : 0137006691
Our ISBN 13 : 9780137006694
ADDITIONAL : N/A
PUBLISHER : Pearson
FORMAT : Paperback / Softcover
BOOK QUALITY : Printed on High Quality Glossy Acid Free Paper
CONDITION : Brand New
0136079415
9780136079415
The photo specifically targets different elements/principles such as repetition, line, and a color group. The oval circles are repeated throughout the picture in different orders, which creates the line in the image. In addition the circles portray an interesting view, as the hollow circles create the shadow on the bottom of the picture. The light perfectly created a mirroring image, creating warm colors. As well the contrast between the yellow background and the blue, highlights the warm feeling. It is importance to notice the way the blue metal piece on the bottom intersects with the hollow circles creating more dimension on its own part. The picture was taken at the school’s playground. The circles were part of a metal piece, which created a wall in order to keep children safe on the slides. It is interesting to see how something, which does not play a big role, or isn’t obvious in this case, can create such an interesting image. The reflection creates the successful picture, which is why the colors match. I think it is visually striking to see the way the picture is unified through the different elements, which is why I find it highly intriguing to see how such an ordinary piece can create such a substantial image. I think I could improve this image by trying to play around with the lighting more. Some of the pieces seem a bit dark, which is why it might not be at its potential.
Portrait of Abdelmajid Mellouki, Executive Director of the Board for Morocco, Tunisia and Togo during Africa Investment Forum 2018 - Signing of Principles by Financial Sector Players in November 2018, at Sandton Convention Centre, Johannesburg, South Africa.
Fifty Principles of Sogetsu #34 ‘The harmony of flowers and containers should fill the entire space’ fits the bill for this arrangement – using a selection of Succulents, Taro leaves and a fantastic Lichen covered branch certainly fills the space. Viewing this arrangement was very relaxing
Alain Grisay, CEO, FandC Asset Management, briefs media at the Climate Principles Progress Review event at The WEF Annual Conference in Davos © Thomas Oswald
Photography assignment for principles of design.
I've always wanted to do a shot like this and am really happy with the way it came out.
Principles of Extractive Metallurgy
Volume 1 — General Principles (Russian translation)
by Fathi Habashi
Fathi Habashi, Основы Прикладной Металлургии, volume 1 (232 pages). Металлургия, Moscow, Russia 1975.
Contact: Fathi.Habashi@arul.ulaval.ca
1. Unity: This sunflower achieves unity because it's repetitive seeds come together to form a beautiful flower. It is many small parts working together.
2. Balance: The balance I see in this photo comes from the leaf in the bottom-left foreground paired with the leaves in the top-left drawing the eye into the corner.
3. Variety: These glass display balls display variety because of the different plant and rock combinations in each display, and the varied shape and size of the glass containers.
4. Harmony: I believe this photo has harmony because of the off-centered balance of the two flowers, which makes the scene feel candid and natural.
5. Proportion: The cookies fade out of focus as the eye travels down the line, which shows the proportion of the cookies.
6. Contrast: This image contrasts the dark seeds hanging down from a branch vs. the light colors in the background.
7. Rhythm: The parallel lines created by the lampposts and the lens flare creates a rhythm as the lights change in brightness.
8. Movement: This picture uses long exposure to capture the slight movement of the subject.
9. Emphasis: The hard outlines of the leaf contrast the dark wood of the stump, drawing the eye and creating emphasis.
Go to Page with image in the Internet Archive
Title: The principles and practice of perimetry
Creator: Peter, Luther C. (Luther Crouse), 1869-1942, author
Publisher: Philadelphia : Lea & Febiger
Sponsor: Open Knowledge Commons, U.S. National Library of Medicine
Contributor: U.S. National Library of Medicine
Date: 1923
Language: eng
Description: xii, 281 pages :
Includes bibliographical references and index
digitized. 2019
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Note: The colors, contrast and appearance of these illustrations are unlikely to be true to life. They are derived from scanned images that have been enhanced for machine interpretation and have been altered from their originals.
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