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Sedos, the City of London's premier amateur theatre company, are on tour to London and Edinburgh with a comedy about the people you hate.
Find out more www.sedos.co.uk/2016/frenemies.htm
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Principles of numeric form & design, using PHP to generate basic HTML tags.
MARQUEE
I had the honour to shoot Aleks, Tina and Hanna while doing some areal acro on a beautiful sandy beach in Thailand's little paradise called Koh Phangan.
In this infographic, you’ll find some of the most valuable rules from Charlie Munger’s investment philosophy.
^^^^^A very cute video listing the principles.
The twelve principles of animation describe the elements that a good animation will feature. They explain a better understanding of realistic movement and show a good grasp of viewer perception and how to manipulate the scene to convey what the animation is designed to show. The principles began to be understood in the 1930s, when Disney began classes for their animators to improve the quality of animation. These encouraged reference from nature, their animation techniques eventually became the principles. The principles were outlined by Thomas and Johnston in the book 'Illusion of Life' published in 1981.
Knowing the principles isn't the important part, understanding how to use them to your advantage however is the key to success full animation. These help to give you the illusion of life.
Anticipation, and squash and stretch in a strange way see to defy logic and maintain it. Because we expect to see actions having equal and opposite reaction and we know that objects don't loose mass so
it seems intuitive to have build-up to action and for objects to squash and stretch becoming larger in one dimension as they shrink in another. However from an animating point of view it feels like it defies logic creating unnatural shapes and positions in order to create a more appealing appearence. However I would expect it to become a simple habit to include these after you've been in the industry some time.
Staging, timing and straight ahead and pose to pose are all basically about how you choose to make your animation appear and all reflect the important idea of planning ahead.
Solid drawing skills and appealing animations are obvious advantages, discovering how to make animations more appealing can just be a simple matter of research and awareness of things like the Uncanny Valley.
Exaggeration is used to as a method to make things more appealing, it also ties into anticipation and squash and stretch, if animations were only as interesting as real life then we wouldn't watch them, they also already have the problem of being separated from us and so in order to have a strong impact they need to be exaggerated, this effects content and visual style.
Arcs, and Slow in and slow out are ways of making an animation appear more appealing.
Secondary Action - A drama teacher of mine used to tell a story of a play he was in once. While the main love interest had some important dialog on the front stage, he was told to keep himself busy in the background. The director didn't tell him what he wanted him to do, so he decided that his character had found a piece of string and was playing with it. He thought everything had gone fine until the director came shouting at him during the intercession. Apparently the audience had been completely distracted during the scene by him and his piece of string and that they were all talking about it and the possible meaning and metaphor, the significance of the string, he had accidently been too interesting when he intended on simply been fiddling and keeping busy. The director wanted to add another dimension to the scene to make it more dynamic, similarly we can do this in our animations. But we should always remember that the purpose of it should be to enhance, not take away from the shot, that it should complement and add making for a more interesting piece of animation.
Principles of Web Design
PRINCIPLES OF WEB DESIGN, Sixth Edition, guides readers through the entire web site design process, while developing and enhancing HTML, CSS, and visual design skills along the way. Now updated to include designing web content for smartphones and tablets, this Sixth...
Presentatiemoment van het werkcollege AV&IT Principles van Design & Technologie op de Erasmushogeschool Brussel (EhB). De studenten van het 1ste jaar Multec maakten zelf aan de hand van een Arduino een muziekcontroller. Ze leerden in de Labs bij Ann Peeters coderen, ontwerpen, solderen, laseren en ze ontdekten hoe ze een digital audio workstation konden aansturen. Op woensdag 6 december 2017 verdedigden ze hun project voor een veelkoppige jury van docenten, gasten en hogerejaars. Daarna namen ze het tegen elkaar op in een 'Clash of Sounds'. Hierbij zorgden een aantal 3de jaarsstudenten voor de omkadering en 'super vette' visuals die reageerden op hun muziek. Via een app kon er bovendien gestemd worden op je favoriete team. Proficiat aan het team van Beau, Cem en Matthijs, dat met een gehackte PS3-controller en goeie beats met de trofee ging lopen!
Foto: Dieter Blockmans
Buy Principles of Anatomy and Physiology cheap textbooks at www.bookcarry.com/principles-of-anatomy-and-physiology.html
more pictures of the concert are in the UT Connewitz account: www.flickr.com/photos/utconnewitz/albums/72177720317252162/
Principles:
Pilates follows principles based on a well-constructed philosophical and theoretical foundation. It is not merely a collection of exercises but a method, developed and refined over more than eighty years of use and observation. While Pilates draws from many diverse exercise styles, there are certain inherent ruling principles that bring all these elements together under the Pilates name. One interpretation of Principles: Centering, Concentration, Control, Precision, Breathing, and Flowing Movement.
The Principles of Musik, in Singing and Setting : vvith the Two-Fold Use Therof, Ecclesiasticall and Civil
Publisher: London: Printed by Iohn Haviland, for the Author, 1636
Creator: CHARLES BUTLER, D. 1647
Citation: CHARLES BUTLER, D. 1647, The Principles of Musik, in Singing and Setting : vvith the Two-Fold Use Therof, Ecclesiasticall and Civil, "Our Tools of Learning:" George Arthur Plimpton's Gifts to Columbia University, Rare Book and Manuscript Library, Columbia University Libraries, ldpd.lamp.columbia.edu/omeka/exhibits/plimpton/early-mode...
12 Principles of animation
Why use the principles?
The 12 principles of animation originated from the book “the illusion of life” created by two Disney animators. They provide a sense of volume, motion and life also bringing the sense of hyper-reality to the viewer creating a fluent and lively animation. An animation without use of any of the 12 principles will look static and robotic.
What are the 12 principles?
Anticipation
If somebody moves with force or meaning they don’t just go straight into the action. For example if you jump you don’t just move upwards and then come back down. You have to prepare yourself in order to gain momentum. It is this observation of real life on which this rule is based on.
Squash and stretch
While objects don’t tend to squash or stretch when they move in real life, applying this to animation compensates to the blurring of objects through speed and compliments the motion.
Staging
Staging is a method used in the beginning stages of an animation. This is where the basics of each pose are positioned and then the in-betweens are added later. This helps provide the animator with an overview of the whole animation before it is finished.
Straight ahead action pose to pose
This is a different alternative method than staging as it comprises of posing the character pose to pose creating the animation from the start to the finish.
follow through and overlapping action
Follow through and overlapping action is part of an object or person moving indirectly as a result of the event. For example if a horse is galloping the mane would be bouncing up and down from the motion. This gives the impression of materials and objects being connected and non-static.
slow in and slow out
Slow in slow out is easily represented by a bouncing ball. It is the observation that when a ball bounces it doesn’t just just move up and down but it slows down as it reaches its peak height and then speeds up as gravity begins to pull it back down.
Arcs
Arcs are there to prevent linear action that assist in making an animation look robotic and mechanical. An example could be as simple as somebody turning their head to look the other way.
Secondary Action
Secondary actions complicate the job as an animator especially if you are doing stop-motion because you need to be thinking of two things at the same time. A secondary action could be scratching their head whilst walking or moved hands expressively whilst talking to somebody.
Timing
Timing is one of the most important principles here as timing is what can make or break an animation. One of the most common mistakes with timing is to
Exaggeration
This is used to emphasis each important action bringing light to the narrative and what the character is actually doing. It can also be used to add comical appeal to a situation.
Solid drawing
Solid drawing is creating drawings that exist as a 3d object instead of 2d shapes. This creates dynamism and is only really needed for 32d animation as 3D animation already contains 3d space.
Appeal
Appeal must be applied to characters in order to grab the viewer attention. A unique character that has a contrasting personality will make the character stand out.
This image puts Emphasis through contrast, scale, and weight, thoroughly dominating the image. this was found on wannatrythatagain.files.wordpress.com/2011/09/dominance.jpg
Graduates, family, and friends celebrate the spring 2017 commencement exercises on Saturday, May 6. Nearly 320 students – the University’s largest graduating class to date – earn bachelor’s degrees and certificates during a 9 a.m. ceremony at the UH West Oʻahu Lower Courtyard. UH West Oʻahu alum and MAʻO Organic Farms co-founder, J. Kukui Maunakea-Forth, gave the keynote address.
UH West O‘ahu graduates receive their baccalaureate in Applied Sciences, Business Administration, Education, Humanities, Public Administration and Social Sciences during the commencement ceremony. Graduates will also receive certificates in various programs including Applied Forensic Anthropology, Disaster Preparedness and Emergency Management, Health Care Administration, Risk Management and Insurance, Substance Abuse and Addictions Studies, and Democratic Principles and Social Justice.
Principles of Extractive Metallurgy
Volume 2 — Hydrometallurgy
by Fathi Habashi
468 pages. ISBN 0-677-01-7804. Published 1970 (reprinted 1980) (out of print).
Gordon & Breach Science Publishers, New York. Out of print. Revised and enlarged as: Textbook of Hydrometallurgy, first edition 1993, second edition 1997. Published by Métallurgie Extractive Québec. Contact:
Fathi.Habashi@arul.ulaval.ca
Circulation staff learned foundational skills to develop effective processes that will shape the Library of the future during a series of strategy sprints.
Teams collaborated on solving customer problems via a prototyping framework that can be rapidly implemented to test potential solutions. Training was provided by Charlotte un-agency Wily.
Circulation also moved FOREWORD and applied the Library's culture principles during fun team-building activities.
March 5 & 6, 2019
Uploaded courtesy: Cody Fink
Photo by: Everett Blackmon