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Born just after the turn of the 20th century, Marie O’Brien grew up in St. Paul, Minnesota. Despite a difficult childhood, Marie learned basic business principles from her mother who operated a small wedding catering business. In 1938, after several years of coaxing by Harold Slawik, Marie joined Slawik Motors as vice president. Within a year, Marie consolidated Slawik’s diverse real estate holdings into a formal corporate structure and used her financial savvy to refinance the company. In 1940, Harold and Marie were married.
Throughout the 1940’s and 1950’s, Marie led the company into rapid acquisition of mixed-use buildings. She diversified the business to include more real estate, and was instrumental in the success of their Midway Ford dealership. The era was personally challenging as Marie twice battled – and beat – cancer. Tragically, this mother of three suffered a heartbreaking loss when their 12-year-old son, Skipper, was killed in a boating accident in 1958. In 1961, Harold and Marie began construction on what would eventually become Har-Mar Mall in Roseville, Minnesota. A year later, she co-founded Roseville State Bank. Harold died suddenly before the construction of Har-Mar Mall was complete. Following his death, Marie continued the mall’s development and successfully launched it in 1963. She became the first woman Ford dealer in Minnesota, despite Ford’s policy at the time requiring widows to liquidate or sell their dealership within one year.
For the next three decades, Marie forged her own path by assuming sole control of the business and continuing to grow it. She received numerous awards over the years. In 1985, Marie was inducted into the Minnesota Business Hall of Fame. She was a generous philanthropist and the two foundations she established continue to this day to award educational scholarships. Marie eventually owned nine companies. At the time of her death in 1989, Har-Mar, Incorporated had 250 employees and revenues were $63.5 million.
Photo #3
Objective 3: Elements and Principles of Design
The principles of design demonstrated (describe the use):
Emphasis: The out-of-focus background allows the top of the twigs to be the focal point and the clearest thing you see.
Movement: The diagonal lines of the twig cause movement in the bottom/center third of the photo, while the light reflecting on the water catches your eye and moves it across the image.
Balance: While the tree may be out of focus in the top right, it somewhat balances the group of twigs you first see.
Repetition: The vertical and diagonal lines of the twigs lead your eyes downward.
Contrast: While you notice the light and dark brown of the twigs, you identify the dark surface of the water, the bark color of the tree, the snow and the light reflection of the water. This creates contrast of light and dark, highlighting certain points of the photo.
Unity: While the background and foreground belong together, the angle that I took this photo at seems out of it. The angle on the twigs somewhat remind me of a bugs point of view, like a little bug is looking out at a far branch to the water, trying to figure out where to fly next. My point is that everything fits together but in a different way.
The elements of design demonstrated (describe the use):
Line: Vertical, diagonal, and some horizontal lines are identified. The thin and thickness of the twigs give it a natural look, I think that if they weren’t there the photo wouldn’t feel complete.
Colour: I love the cool feeling of the photo, especially the green tint of the water and how it works with the brown twigs, and is complementary.
Shape: The organic shape of the twigs looks completely natural and fits in nicely with the photo.
Form: The light brown and the dark brown of the twigs make it appear as 3-dimensional, and notice how the dark side of the background make the twigs look like they’re sticking out.
Space: The spacing between the twigs are negative, while there’s positive in the background when you look at the tree.
Texture: The harsh white lighting on the surface of the pool gives it a really cold feeling, and the lighting on the twigs don’t give them a soft feeling, but rough.
Tone/Value: There’s a fair difference in value for this photo. To your left is the darkness contrasted by shadows, while to your right there’s the snow and the reflection of the water, creating lots of depth.
Objective 4: Lighting
There’s harsh lighting to your right, I like how it was cloudy that day. If it were sunny the feeling of the photo would change.
Objective 5: Post Production (ex. dust/spot removal, resize, contrast, white balance, sharpening, borders, etc.)
Corrections/adjustments made AND/OR techniques applied: I just added contrast so it would add more depth to the photo, and then I resized the photo.
Objective 6: Critique
Analyse your photograph for strengths and areas for improvement (consider elements and principles of design, lighting, exposure, overall feel, etc.)
I like this photo, I love the cool feeling it gives off but the overall feel is still inviting.
Students work in Hilary Moses' Animation Principles and Timing course at the Bosa Centre for Film and Animation on Wednesday, July 17, 2019.
Teaching journalism fundamentals - print and online lessons - to David Dunkley Gyimah's first year class of international students. Robb was a guest lecturer on October 6 class at Norwick Park's University of Westminster.
Teaching journalism fundamentals - print and online lessons - to David Dunkley Gyimah's first year class of international students. Robb was a guest lecturer on October 6 class at Norwick Park's University of Westminster.
New book! Epic Landscape Photography: The Principles of Fine Art Nature Photography!
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Join my new 45EPIC fine art landscapes page on facebook!
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Working on a couple photography books! 45EPIC GODDESS PHOTOGRAPHY: A classic guide to exalting the archetypal woman. And 45EPIC Fine Art Landscape Photography!
More on my golden ratio musings: facebook.com/goldennumberratio
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Greetings all! I have been busy finishing a few books on photography, while traveling all over--to Zion and the Sierras--shooting fall colors. Please see some here: facebook.com/mcgucken
Let me know in the comments if you would like a free review copy of one of my photography books! :)
Titles include:
The Tao of Epic Landscape Photography: Exalt Fine Art with the Yin-Yang Wisdom of Lao Tzu's Tao Te Ching!
The Golden Number Ratio Principle: Why the Fibonacci Numbers Exalt Beauty and How to Create PHI Compositions in Art, Design, & Photography
facebook.com/goldennumberratio
And I am also working on a book on photographing the goddesses! :) More goddesses soon!
Best wishes on your epic hero's odyssey!:)
I love voyaging forth into nature to contemplate poetry, physics, the golden ratio, and the Tao te Ching! What's your favorite epic poetry reflecting epic landscapes? I recently finished a book titled Epic Poetry for Epic Landscape Photographers:
www.facebook.com/Epic-Poetry-for-Epic-Landscape-Photograp...
Did you know that John Muir, Thoreau, and Emerson all loved epic poetry and poets including Shakespeare, Milton, Homer, and Robert Burns?
I recently finished my fourth book on Light Time Dimension Theory, much of which was inspired by an autumn trip to Zion!
www.facebook.com/lightimedimensiontheory/
Via its simple principle of a fourth expanding dimension, LTD Theory provides a unifying, foundational *physical* model underlying relativity, quantum mechanics, time and all its arrows and asymmetries, and the second law of thermodynamics. The detailed diagrams demonstrate that the great mysteries of quantum mechanical nonlocality, entanglement, and probability naturally arise from the very same principle that fosters relativity alongside light's constant velocity, the equivalence of mass and energy, and time dilation.
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Excerpted from The Principles of Uncertainty by Maira Kalman. Reprinted by arrangement with The Penguin Press, a member of Penguin Group (USA), Inc. Copyright (c) October, 2007.
Principles of Peace!
Indianapolis, Indiana, USA.
Camera: Canon EOS 5D Mark II
Lens: Zeiss Makro-Planar T* 2/100 ZE
Focal Length: 100 mm
Exposure: 1.3 sec at f/5.0
ISO: 50
Newton, Isaac
THE MATHEMATICAL PRINCIPLES OF NATURAL PHILOSOPHY [TRANS. A. MOTTE]. ... TO WHICH ARE ADDED, THE LAWS OF THE MOON'S MOTION, ACCORDING TO GRAVITY. BY JOHN MACHIN. LONDON: FOR BENJAMIN MOTTE, 1729
2 volumes, 8vo (194 x 117 mm). Engraved frontispiece after and by A. Motte in first volume, section-title to Machin's "Laws of Motion", 47 folding engraved plates, 2 folding letterpress tables, 3 engraved headpieces by Motte, numerous woodcut head and tailpieces, historiated and ornamental woodcut initials; antique calf to style. Internally fine.
LITERATURE
Babson 20; Gray 23; Wallis 23; see PMM 161
FIRST EDITION IN ENGLISH OF NEWTON'S PRINCIPIA, the most important work in the history of science, "perhaps the greatest intellectual stride that it has ever been granted to any man to make" (Einstein). "The Principia is generally described as the greatest work in the history of science. Copernicus, Galileo and Kepler had certainly shown the way; but where they described the phenomena they observed, Newton explained the underlying laws" (PMM).
The first edition was published in Latin in 1687, followed by a second in 1713. This edition is by Andrew Motte, who was the brother of the publisher, and who provided the engravings for the frontispieces and three headpieces. The third book of the Mathematical Principles is actually a translation of Newton's Treatise of the System of the World; the first Latin and English publications of this work appeared the previous year. John Machin's unsuccessful attempt to correct Newton's lunar theory is included at the end.
The pavilion consists of 35 fiber-composite components which are robotically wrapped.
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
I chose this picture for my Principles of Design for unity because it has the same people size shape. but they are diffrent colors.
Circulation staff learned foundational skills to develop effective processes that will shape the Library of the future during a series of strategy sprints.
Teams collaborated on solving customer problems via a prototyping framework that can be rapidly implemented to test potential solutions. Training was provided by Charlotte un-agency Wily.
Circulation also moved FOREWORD and applied the Library's culture principles during fun team-building activities.
March 5 & 6, 2019
Uploaded courtesy: Cody Fink
Photo by: Everett Blackmon