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a series I did for my Problem Solving Final that deals with my daily effort to stay positive about my body.

RED SCALE

Nikon FM10 - Nikkor 28mm f2.8 ais- Fuji Superia 400 -disparado a iso200-

strictly personal view of the world .

 

no digital postwork only acids and fire on a positive film

hasselblad, direct positive paper (reversal process)

composite of 4 polaroids

Class assignment

Pentax LX | Pentax SMC K 28mm F3.5 | Kodak UltraMax 400

 

Scanned with Pentax K1 | Essential Film Holder

 

Negative Lab Pro v2.2.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier

Maker:

Born:

Active:

Medium: glass positive

Size: 5 1/4 x 7 in

Location:

 

Object No. 2023.1213

Shelf: C-40

 

Publication:

 

Other Collections:

 

Provenance:

 

Notes: TBAL

 

To view our archive organized by themes and subjects, visit: OUR COLLECTIONS

 

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Pentax LX | Pentax FA 43mm F1.9 limited | Ildford XP2 400

 

Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder

 

Negative Lab Pro

Rollei Retro 400s ID-11

Objektiv: SMC PENTAX-A 1,7/50mm @ f5,6

Pentax LX | Pentax Fa 43mm F1.9 limited | Kodak Gold 200

 

Scanned with Pentax K1 FA Macro 50mm | Essential Film Holder

  

Museo al aire libre, Paseo de la Castellana

 

Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford Pan F Plus 50

 

Scanned with Pentax K1 FA Macro 50mm at F8 | Led Tablet | Essential Film Holder

 

Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: None

Pentax MZ3 - FA77 - Ildford XP2

Pentax MZ3 | Pentax FA 43mm F1.9 limited | Ildford Pan F Plus 50

 

Scanned with Pentax K1 FA Macro 50mm Essential Film Holder

 

a series I did for my Problem Solving Final that deals with my daily effort to stay positive about my body.

Plaza de Oriente, Madrid

ILDFORD XP2 400

PENTAX KX

FA43 F1.9 LIMITED

RAW SCAN 50mm MACRO PENTAX K1

ESSENTIAL FILM HOLDER

NEGATIVE LAB PRO

Got some nice tones in this cylinder pinhole.

Harman direct positive paper rated iso 3 exposed for highlights (60secs f200) developed in paper chemical 1:40 for 6minutes 20degc

Kaffe Fassett fabric with low volume background

 

This quilt will be going to my sister, she got diagnosed with breast cancer a few months back. She Loves bright fabric and I like low volume backgrounds, thought that would be a nice combination.

 

about 60"x80"

I tested positive..........................................................................................................................................................................................................................................................................................................................................................for CUTENESS!

...wishing us all a weekend filled with Joy, Love & positive affirmations ~

{a nice intro to it with this treasury being featured as we speak - 19:19 p.m German time - on the FP :)}

 

~ blog ~ shop ~ facebook ~ twitter ~ pinterest ~

This was made for a Challenge on the Three Muses site. My beloved grandfather taught me lots of old songs and he often sang 'Into each life a little rain must fall'. I just added the rainbow quote as well. He was a great influence on my life and I think of him every day! xxx

Emil Renken place

Pentax LX | Pentax Fa 43mm F1.9 limited | Kentmere pan 100 100

 

Scanned with Pentax K1 FA Macro | Essential Film Holder

  

I tried to look at the positive aspect of the environment. I took this picture on a sunrise hike at Estes park. I think it really shows how beautiful the world really is.

which translation speaks to you?

Polaroid 600SE, Fuji FP3000B, Damaged Paper Negative inverted to Positive with Photoshop, Close-up+4

PUNTA PRIMA

 

Pentax LX | Pentax FA 43mm F1.9 limited | Fuji color c 200

 

| Essential Film Holder

  

Por Madrid con la camara de mi abuelo.

 

Koda Retina II C(big) - Rodenstock Heligon C 50mm f2.8 - Foma 100

 

Pyrocat HD semistand 21min

Accidental Direct Positive from Kodak 2383. I shot some 2383 and tried to push it to ISO 12 (from 1.5). Shot it as 12 and developed it as B&W hoping that might do the trick. I push processed in H&W Control 1:14, since that is a very active developer. 16 minutes development (instead of 12) 100 degrees F instead of 68 F and continuous agitation. stopped and fixed at 100F as well. Fixed with Ilford hypam 1:4. Strangely some of the frames developed completely positive, and some were positive foreground with negative whites and lights. You can see here some of the mix. Not a lot of depth or contrast which could just be the underexposure (3 stops). Took me a few minutes to realize what was going on,. Definitely worth experimenting some more. Again these are direct positive, there was no reversal here and no partial editing. You can see here where I flipped / inverted entire pictures which was cool and weird no matter how you did it. I think what happened is a combination of active developer, the very thin emulsion which is not very light sensitive - relatively, and then the underexposure. Anyway have fun with these and try it yourself. I want to do this with 16mm movie and see what comes of it.

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