Right and left of the house are the two old wells by Josef Gasser. They represent opposing worlds. On your left, it depens on your position: "music, dance, joy, levity", right: "Loreley, sadness, love, revenge". This one stands for music...

 

History of the Vienna State Opera

132 years house on the Ring

(you can see pictures by clicking on the link at the end of page!)

State Opera (K.K. Court Opera) 1901

About three and a half centuries, until the early Baroque period, the tradition of Viennese opera goes back. Emperor Franz Joseph I decreed in December 1857 to tear down the old city walls and fortifications around the city center of Vienna and to lay out a wide boulevard with new buildings for culture and politics, the ring road.

The two Court Theatres (a speech and a musical theater) should find a new place on the ring. For the Imperial and Royal Court Opera House was chosen a prominent place in the immediate area of ​​the former Kärntnertortheatre. This by the public that much loved opera theater was demolished in 1709 due to its confinement .

State Opera (K.K. Court Opera) 1903

The new opera house was built by the Viennese architect August Sicardsburg, who designed the basic plan, and Eduard van der Null, who designed the interior decoration. But other eminent artists had been involved: just think of Moritz von Schwind, who painted the frescoes in the foyer and the famous "Magic Flute", cycle of frescoes in the loggia. The two architects did not experience the opening of "their" opera house any more. The sensitive van der Null committed suicide since the Wiener (Viennes people) denigrated the new house as lacking in style, his friend Sicardsburg succumbed a little later to a stroke.

1869 - 1955

On 25 May 1869 the House was with Mozart's DON JUAN in the presence of Emperor Franz Joseph, the highest building owner, and Empress Elisabeth opened.

However, with the artistic charisma under the first directors Franz von Dingelstedt, Johann Herbeck, Franz Jauner and Wilhelm Jahn grew the popularity of the building. A first highlight experienced the Vienna Opera under the director Gustav Mahler, renewing the outdated performance system from scratch, strengthening precision and ensemble spirit and also using significant visual artists (including Alfred Roller) for the shaping of the new stage aesthetic.

In the ten-year-period of his Directorate (1897-1907) continued Gustav Mahler, this very day, in the concert halls of the world as the most important member of a Symphony Orchestra at the turn of the 20th century omnipresent, the intensive fostering of Wagner, Mozart's operas and Beethoven's Fidelio were redesigned, the with Richard Strauss initiated connection to Verdi was held upright. Austrian composers were promoted (Hugo Wolf), the Court Opera was opened to European modernism.

Image: Emperor Franz Joseph I and Emperor Wilhelm II during a gala performance at the Vienna Court Opera in 1900 resulting from the "Book of the Emperor", edited by Max Herzig.

Technique: Lithography

from www.aeiou.at

In addition to the classics of the Italian repertoire were and are especially Mozart, Wagner and Richard Strauss (himself 1919-1924 director of the House), the musical protection gods of the Vienna State Opera.

staatsoper_81.jpg (28138 bytes)

The modern also always had its place: the twenties and thirties witnessed the Vienna premieres of Krenek's Jonny spielt auf, Cardillac Hindemith, Korngold MIRACLE OF Héliane and Berg's Wozzeck (under President Clemens Krauss). This tradition was interrupted with the seizure of power by the National Socialists, yes, after the devastating bomb hits, on 12 March 1945 the house on the ring largely devastating, the care of the art form itself was doubtful.

The Viennese, who had preserved a lively cultural life during the war, were deeply shocked to see the symbol of the Austrian musical life in ruins.

But the spirit of the opera was not destroyed. On 1 May 1945 "State Opera Volksoper" was opened with a brilliant performance of Mozart's THE MARRIAGE OF FIGARO, on 6 October 1945 was followed by the re-opening of the hastily restored Theater an der Wien with Beethoven's Fidelio. Thus there were two venues for the next ten years, while the actual main building was rebuilt at great expense.

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Visitors flock to the opera. Reopening on 5th November, 1955.

Image from © www.staatsvertrag.at / bildarchiv austria / ÖGZ / Hilscher

As early as 24 May 1945 the State Secretary of Public Works, Julius Raab, had announced the reconstruction of the Vienna State Opera, which should be placed in the hands of the Austrian architects Erich Boltenstern and Otto Prossinger. Only the main façade, the grand staircase and the Schwindfoyer (evanescence foyer) had been spared from the bombs - with a new auditorium and modernized technology, the Vienna State Opera was brilliant with Beethoven's Fidelio under Karl Böhm on 5 November 1955 reopened. The opening ceremonies were broadcasted from Austrian television and in the whole world at the same time as a sign of life of the resurrected 2nd Republic understood.

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State ceremony to the reopening on 5 November 1955. On the far right under the box of the Federal President a television camera of the Austrian Broadcasting Corporation is visible which broadcasted the event. Image from © www.staatsvertrag.at / ÖGZ / Cermak

1955 to 1992

The dictum that the Vienna State Opera survives every director, is attributed to Egon Seefehlner which himself for many years run the businessses of the house. And yet marked he and the thirty-one other directors of the Vienna State Opera since 1869, great musicians or musical administrators, in their own way the profile of this world-famous institution:

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Performance for the reopening of the Vienna State Opera on 5 November, 1955.

Image from © www.staatsvertrag.at / bildarchiv austria / ÖGZ / Hilscher

After the Second World War there were first the conductors directors Karl Böhm and Herbert von Karajan - the latter insisted on the title "Artistic Director" and opened the Ensemble house to the international singer market, had the opera rehearsed in original language and oriented his plans to "co-productions" with foreign opera houses, however, which were only realized after his term.

It followed as directors Egon Hilbert, Heinrich Reif-Gintl, Rudolf Gamsjäger and the mentioned Egon Seefehlner, who was appointed for a second time at the top of the house after the departure of his successor in office Lorin Maazel. Claus Helmut Drese (State Opera director from 1986 to 1991) stood with Claudio Abbado an internationally renowned music director by his side. At the beginning of the 90s the forrmer star baritone Eberhard Waechter, at that time director of the Volksoper (People's Opera), charged with the direction. Only seven months have been granted to him as a director.

The era Ioan Holender (1992 to 2010)

After Waechter's tragic death in March 1992 took over general secretary Ioan Holender, a former singer (baritone) and owner of a singer Agency, the office to continue the tradition of perhaps the most important opera institution in the world over the millennium to 2010.

His play plan design relies besides an extremely wide repertoire with the columns Mozart, Wagner, Verdi and Strauss mainly on premieres. Mention may be made of Bellini's I Puritani (1993 /94), Massenet Hérodiade (1994 /95), Verdi's Jerusalem and Britten's PETER GRIMES (1995 /96), Verdi's Stiffelio and Enescu OEDIPE (1996 /97), Rossini's GUILLAUME TELL and Lehár's operetta THE MERRY WIDOW (1998/99) and Schoenberg's THE JAKOBSLEITER, Hiller's PETER PAN, Donizetti's ROBERTO DEVEREUX, Britten's Billy Budd, Verdi's Nabucco (2000/ 01), Bellini's LA SONNAMBULA, Gounod's Roméo et Juliette, Janácek's Jenufa (2001/02), Verdi's SIMON BOCCANEGRA, Krenek's Jonny spielt auf, Donizetti's La Favorite, Hiller's PINOCCHIO, Wagner's TRISTAN UND ISOLDE (2002/ 03), Verdi's FALSTAFF, Wagner's FLYING DUTCHMAN and PARSIFAL, Strauss's Daphne (2003/ 04) and the world premiere of the original French version of Verdi's DON CARLOS (2003/ 04). A particular success of the recent past, the rediscovery of Fromental Halévy's La Juive Grand (1999 ) must be considered. Two premières concerned 1995 Adriana Hölszky's THE WALLS (co-production with the Vienna Festival at the Theater an der Wien ) and Alfred Schnittke's Gesualdo. On 15 June 2002 also THE GIANT OF STONE FIELD (Music: Peter Turrini: Friedrich Cerha libretto) premiered with great success, another commissioned work of the Vienna State Opera.

State Opera - © Oliver Thomann - FOTOLIA

Image : Vienna State Opera

In recent years it came up, in each case on 18 May, the anniversary of the death of Gustav Mahler, to concerts of the Vienna Philharmonic at the Vienna State Opera. These were under the direction of Seiji Ozawa (who since the 2002 /03 season the Vienna State Opera director Holender as music director of the house stands to the side) (1995), Carlo Maria Giulini (1996), Riccardo Muti (1997), Lorin Maazel (1998), Zubin Mehta (1999), Giuseppe Sinopoli (2000 ), Riccardo Muti (2001) and again Seiji Ozawa (2004).

Furthermore, was on 16 June, 2002 for the first time by the Vienna Philharmonic Orchestra (conducted by Seiji Ozawa) a CONCERT FOR AUSTRIA organized. More CONCERTS FOR AUSTRIA followed on 26 October 2003 (Zubin Mehta) and 26 October 2004 (under Valery Gergiev).

At the Theater an der Wien Mozart's Così fan tutte experienced a triumphant new production conducted by Riccardo Muti. This Mozart cycle under Muti continued with DON GIOVANNI and 2001 LE MARRIAGE OF FIGARO, 1999.

more...

Directors since 1869

Franz von Dingelstedt 07/01/1867 - 18/12/1870

Opening 5/25/1869

Johann von Herbeck 12/19/1870 - 30/04/1875

Franz von Jauner 01/05/1875 - 18/06/1880

Director College:

Karl Mayerhofer, Gustav Walter and

Emil Scaria 19.06.1880 - 31.12.1880

Wilhelm Jahn 01.01.1881 - 10.14.1897

Gustav Mahler 10/15/1897 - 31/12/1907

Felix Weingartner 01.01.1908 - 28.02.1911

Hans Gregor 01.03.1911 - 14.11.1918

Franz Schalk 15.11.1918 - 08.15.1919

Richard Strauss/Franz Schalk 16/08/1919 - 31/10/1924

Franz Schalk 1/11/1924 - 8/31/1929

Clemens Krauss 01/09/1929 - 15/12/1934

Felix Weingartner, 01.01.1935 - 08.31.1936

Erwin Kerber 09/01/1936 - 08/31/1940

Henry K. Strohm 09.01.1940 - 19.04.1941

Walter Thomas 02.01.1941 - 19.04.1941

Ernst August Schneider 04/20/1941 - 02/28/1943

Karl Böhm 03.01.1943 - 30.04.1945

Alfred Jerger,

State Opera in the Volksoper 01.05.1945 - 14.06.1945

Franz Salmhofer,

State Opera in the Theater an der Wien, 18.06.1945 - 31.08.1955

Karl Böhm 01.09.1954 - 31.08.1956

Herbert von Karajan 01.09.1956 - 31.03.1962

Herbert von Karajan/Walter Erich Schäfer 01.04.1962 - 08.06.1963

Herbert von Karajan/Egon Hilbert 09.06.1963 - 31.08.1964

Egon Hilbert 01.09.1964 - 18.01.1968

Heinrich Reif- Gintl 19.01.1968 - 31.08.1972

Rudolf Gamsjager 01.09.1972 - 31.08.1976

Egon Seefehlner 01.09.1976 - 31.08.1982

Lorin Maazel 01.09.1982 - 31.08.1984

Egon Seefehlner 01.09.1984 - 31.08.1986

Dr. Claus Helmut Drese 01.09.1986 - 31.08.1991

Eberhard Waechter 01.09.1991 - 29.03.1992

Ioan Holender 01.04.1992 - 31.08.2010

Dominique Meyer since 01/09/2010

 

Opera world premieres

Abbreviations:

Od = the Odeon

Ron = Ronacher

TW = the Theater an der Wien

 

1875 10:03. Goldmark The Queen of Sheba

1877 04:10. Brüller Der Landfriede

1880 26.05. Riedel The Accolade

15.12. Brüller Bianca

1883 04.01. Leschetitzky The first fold

21.02. Bachrich Muzzedin

1884 26.03. Bachrich Heini of Styria

1886 30.03. Hellmesberger jun. Fata Morgana

4:10 . Hager Marffa

19.11. Goldmark Merlin

1887 03:04. Harold pepper

1889 27.03. Fox The Bride King

4:10. Smareglia The vassal of Szigeth

1891 19:02. Mader Refugees

1892 01.01. J. Strauss Ritter Pasman

16.02. Massenet Werther

19.11. Bulk Signor Formica

1894 20.01. Heuberger Miriam

1896 21.03. Goldmark The Cricket on the Hearth

1899 17:01. The Goldmark prisoners of war

1900 22:01. Zemlinsky It was once

1902 28.02. Forster The dot mon

1904 18:02. Wolf The Corregidor

1908 02.01. Goldmark The Winter's Tale

1910 12:04. The musician Bittner

18.05. Goldmark Götz von Berlichingen

1911 09:11. Bittner The mountain lake

1912 16.03. Oberleithner Aphrodite

1913 15.03. Schreker The game works and the Princess

1914 01.04. Schmidt Notre Dame

1916 04:10. R. Strauss Ariadne auf Naxos (Vienna version)

1917 23.11. Zaiszek-Blankenau Ferdinand and Luise

1919 10.10. R. Strauss Die Frau ohne Schatten

1920 13.05. Weingartner Champion Andrea/The Village School

1921 09.04. The Bittner Kohlhaymerin

1924 20.09. Beethoven/R. Strauss The Ruins of Athens

1925 24.02. Kienzl Sanctissimum

27.03. Frank The image of the Madonna

1931 20.06. Wellesz The Bacchae

1932 10:11. Heger The beggar Nameless

1934 20.01. Lehár Giuditta

08.12. Bittner The violet

1935 26.12. Salmhofer lady in dream

1937 06.02. Wenzl - Traun rock the atonement

17.04. Frank The strange woman

18.11. Weinberger Wallenstein

1938 09.03. Salmhofer Ivan Tarasenko

1939 02:02. Will King ballad

1941 04:04. Wagner Régeny Johanna Balk

1956 17.06. Martin The Storm

1971 23.05. The visit of an old lady

1976 17.12. A Love and Intrigue

1989 25.11. The blind Furrer (OD)

1990 06:12. Krenek last dance at St. Stephen's (Ron)

1995 20.05. Hölszky The walls (TW)

26.05. Schnittke Gesualdo

2002 15.06. Cerha Der Riese vom Steinfeld

2007 15:04 Naske The Omama in the apple tree

2010 28.02. Reimann Medea

2010 10:05. Eröd dots and Anton

www.wien-vienna.at/index.php?ID=484

Berlin Aug. 2025

A union artillery unit holding his position during the american civil war.

West Lithia, VA,N&W Roanoke District, Norfolk Southern

What you can’t see is that Rusty has a ball tucked under there.

 

“Curled up in a tight ball, dogs in the donut pose have their limbs tucked close to their bodies, their nose near the tail.”

 

6 Dog Sleeping Positions and What They Mean: www.petmd.com/dog/general-health/dog-sleeping-positions-a...

The Fountain of Putti is a monumental work in Carrara marble , located at the entrance to Piazza dei Miracoli and Via Santa Maria in Pisa .

 

It was built between 1746 and 1765 by Giuseppe Vaccà , who took care of the base, and by Giovanni Antonio Cybei , author of the marble group of putti holding the coats of arms of Pisa and the Opera del Duomo, based on a design by the painter Giovanni Battista Tempesti

 

The presence of a first fountain in the Piazza del Duomo, although simple and devoid of ornaments, has been attested since 1659. However, it was thanks to the Operaio dell'Opera Francesco Quarantotti , appointed in 1729, that the current structure was built , strategically moved a few meters compared to the position of the previous fountain and placed "on the corner of the paved road that goes to the church" , that is, in front of the exit of via Santa Maria into Piazza del Duomo. For the new monument, an aesthetic solution was chosen that could better harmonize with the classic appearance of the monuments in the square .

 

The first phase of construction of the fountain was entrusted to the Carrara sculptor Giuseppe Vaccà, who had participated together with his father Giovan Battista and his cousin in the furnishing of the Cathedral , a phase which ended in 1746 with the construction of a base decorated with cherubs and acanthus leaves. The pillar of the source was built in Avenza di Massa in the Vaccà workshop in just under a year, and despite the construction difficulties caused by the soft ground (which it was necessary to consolidate by driving 33 pine poles deep) , in September by 1746 the fountain could now be said to be completed . Its creation, as reported in the Memoria del Duomo by Filippo D'Angelo, was defined as "not magnifying but beautiful and gallant" .

 

In 1763 Anton Francesco Maria Quarantotti, who had succeeded his father in the service of the Opera del Duomo, agreed with Vaccà to complete the structure of the fountain with a sculptural group to be positioned above the marble base. Vaccà in all likelihood in this case only played the role of entrepreneur : the construction was in fact entrusted to Giovanni Antonio Cybei , who worked starting from a preparatory drawing by the painter Giovanni Battista Tempesti . From 1763, the work kept Cybei busy for about two years ; the sculptural group was transported to the city by sea and up the Arno a few days before Christmas 1765

 

Shortly after the completion of the work, the first critical assessments also emerged, which were directed in particular against the sculptural group of the three putti. The oldest written testimony of these negative judgments dates back to Filippo D'Angelo , who, in his Memoirs of the Cathedral and events of the city of Pisa in 1767 , defined the author as "a terrible statuary" .

 

In 1848, the Pisan sculptor Girolamo Marconi was the first to propose replacing the sculptural group with a statue of the city's patron saint, San Ranieri , also replacing the base with another, more sober one, bearing the city coat of arms [9] . However, probably due to lack of funds, the proposal was not followed up .

 

With the foundation in Pisa of the Association for the embellishments of the Piazza del Duomo (1862), born in the period of national unification, the hypothesis of replacing the group of three putti, judged to be of little value, with the statue of Buscheto , architect of the Cathedral . However, not even this time did the intent to restore a more austere appearance to the square lead to concrete results.

 

The opportunity for a new attempt to remove the group presented itself with the appointment of Archbishop Pietro Maffi in 1905. Maffi, who was an astronomer and had been appointed president of the Vatican Observatory in 1904 , proposed replacing the putti with a monument to Galileo Galilei . To reduce costs, he also suggested removing only the sculptural group, using the fountain below. The project, however, was harshly criticized when it was made public in 1906; on this occasion, for the first time, some defenders of the Fontana dei Putti intervened as a historical and symbolic element of the square. The determination of Maffi, who in the meantime had become cardinal, led him to a second attempt in 1922, when the Genoese sculptor Antonio Bozzano was entrusted with the task of creating a sketch for the work . Once again, however, the project was not successful: the survival of the Fontana dei Putti was probably guaranteed by the failure of Maffi to be elected to the papal throne in the Council of 1922 , which instead led to the election of Achille Ratti with the name of Pope Pius XI. This event marked the end of a century of replacement projects and allowed the three cherubs to maintain their role among the prominent monuments in the square.

 

The history of the attribution of the sculptural group of the three putti has been the subject of complex developments.

 

Despite the relevant testimony of Girolamo Tiraboschi , who already in 1786, in his biography dedicated to Cybei, mentioned among the artist's works the three putti in the Piazza del Duomo of Pisa , over time the name of the author of group was lost.

 

In 1873 Tiraboschi's words were also reported by the Marquis Giovanni Campori in his Biographical Memoirs of sculptors, architects, painters, etc. natives of the Province of Massa in 1873 , but despite this testimony for a long time the role of Cybei was ignored and the sculptures were attributed to Giuseppe Vaccà. The attribution to Vaccà also remained in the Pisa Guide by Bellini Pietri and in a 1931 essay by Giorgio Castelfranco entitled The Fountain of G. Vaccà in Piazza del Duomo in Pisa.

 

Subsequently, in 1990, Paolo Roberto Ciardi seemed to resolve the issue by publishing the contract stipulated in 1763 between the Worker Quarantotti and Giuseppe Vaccà, which recognized the latter as the author of the three putti. However, towards the end of the nineties, the discovery of an autograph by Cybei, in which the sculptor explicitly declared that he had created the group for the fountain, allowed the paternity of the work to be returned to him

 

The base created by Giuseppe Vaccà appears as a parallelepiped positioned vertically, characterized on two sides by acanthus leaves, which create a bulge in the lower part of the plinth, while, on the opposite sides, two volutes resting on a base support the basin for the 'waterfall.

 

In the areas of the squares of the fountain's pedestal the artist is inspired by the architectural formulas of the sixteenth and seventeenth centuries, proposing an architecture animated by two different themes: on two sides, a geometric ornamentation; on the other two, mythological figures in high relief. The artist also uses different techniques for the two pairs of panels: high relief for the figurative images and low relief for the more ornamental decoration .

 

In the squares of the parallelepiped, the artist creates a dialogue between art and nature , representing an acanthus leaf that invades the lower part of the base, a symbol widely used in architectural decorative resolutions. The artist here clearly refers to classical models [19] , loading them with allusive values: the acanthus leaf, a constant presence on capitals, ceiling and wall decorations, returns here to symbolize freshness and refreshment, themes that are well suited to the nature and function of the monument.

 

The considerable volume of acanthus leaves also has its own structural utility . It distributes the weight thrusts at the base of the parallelepiped towards the ground in a more uniform and less incidental way, avoiding the formation of cracks and ensuring better cohesion between the different parts. To confirm this, we observe the presence of two overturned shelves under the two basins, which also serve to balance the downward forces.

 

In the other two areas of the panels, however, the work is loaded with allegorical-symbolic values ​​through one of the most traditional figures of mythological language: the Triton who fights with the sea monster. The extremely popular theme, however, seems to refer in particular to a preparatory drawing by Marco da Faenza for the grotesques of the Triton in combat, preserved at the superintendence for artistic and historical heritage of Florence .

 

The young Tritons, represented in a mirrored manner in the mirrors of the base, have the aim of enhancing the wonder of the sea. One, by blowing the conch, seems to attract the attention of the other intent on fighting, immortalized in the gesture of throwing a stone at the monster subjected to him, in a playful and carefree atmosphere. The volumes of the figures burst into space, projecting to the maximum, with a powerful modeling that goes beyond the limits of high relief.

 

The sculptural group created between 1763 and 1765 by Antonio Cybei is located above the base and depicts three colossal putti, also in white Carrara marble , holding the coats of arms of Pisa and the Opera del Duomo .

 

In his reworking of the work, Cybei did not modify the poses of the three putti compared to the original sketch proposed by Tempesti, but inverted the central putto counterclockwise, creating a composition capable of further highlighting the dynamism of the figures.

 

The spiral arrangement of the figures had the aim of lightening the base and, at the same time, creating the optical illusion of an ascending movement, as if the direction given to the movement was not directed downwards, but was going towards the sky . The different compositional arrangement between Tempesti's sketch and Cybei's work highlights a different intent. In Tempesti's sketch, which is arranged clockwise, the shield seems to move downwards, as if it descended directly from the sky into the arms of the children . On the contrary, in the layout given by Cybei the figures are positioned counterclockwise, with the statues appearing to raise the shield upwards, in a gesture "of thanksgiving and consecration of the Pisan people to God".

 

In this sense, the execution of Tempesti's modeling still has a baroque character, in which the composition rotates around a central axis, and the distribution of weights moves in a spiral that converges downwards. On the contrary, the change made by Cybei, with the anti-clockwise movement of the figures, seems to mark, according to Mario Noferi, the transition from baroque to rococo . In fact, the revision, which proposed an ascending dynamism in the form of a spiral, seems to lighten the weight of the compositions that characterizes baroque works while maintaining the basic principles of representation intact, in line with one of the main objectives of the Rococo. In summary, the reworking of Cybei made the work more modern compared to Tempesti's sketch, which still reflected the influence of the Roman school .

 

Another notable characteristic of the Putti group is certainly the plastic treatment of the volumes, capable of expressing the sensation of the softness of the flesh. The skilful use of chiaroscuro also contributes to this rendering, which gives the sculpture an almost pictorial character, to the point of pushing Mario Noferi to believe that "the sculptor, with intention, wanted to leave traces of the original design idea taken from the drawing of a painter". Evidence of these plastic abilities would also be, according to the scholar, the careful reproduction of an atmospheric phenomenon: the disheveled hair of the children, in fact, seems to be agitated by the wind, a re-enactment of a natural phenomenon that contributes to the overall movement of the work

 

From a symbolic point of view, the presence of water refers to the concept of purification, historically also referring to the dawn of Christianity, when fountains were placed in the atrium of Christian basilicas to introduce the sacred space. In the same way it would then be possible, according to Mario Noferi, to consider the monumental fountain as a spiritual entrance to the square, at the convergence of all the city streets that lead to the Cathedral.

 

Furthermore, according to the scholar, the iconic buildings of the square symbolize the essential phases of human life in relation to faith: birth represented by the baptistery, life symbolized by the cathedral and death evoked by the cemetery. Similarly, the three lively children who adorn the top of the Fountain represent a specific phase of human existence, recalling the short period of childhood characterized by energy and recklessness in games

 

The introduction of postal cards is believed to have contributed to the revaluation of the fountain in the 19th century . Initially, in fact, the classic view of the square included only the Baptistery, the Cathedral and the famous Leaning Tower. However, as time passed, the fountain was included in other images taken from different angles, acquiring a significant role among other major monuments and arousing the interest of both postcard buyers and the recipients themselves .

 

This process gradually led the fountain to establish itself in the collective imagination as an essential element of the urban panorama of the Piazza dei Miracoli. However, it is with the advent of mobile devices and new technologies that the fountain has taken on an even more relevant role. Today, thanks to the ease with which it is possible to take photographs and videos, the fountain is included in many images of the square, deliberately chosen to offer added value to the image itself and enhance the other monuments present.

 

Furthermore, a notable aspect is that from the perspective located at the intersection between Piazza dei Miracoli and Via Santa Maria, it is possible to appreciate in a single glance all three faces of the children who, with their different contortions, support the coat of arms of the city of Pisa .

 

Ultimately, the fountain on the Piazza dei Miracoli has undergone a process of revaluation over the years, becoming a fundamental element of the urban landscape. Thanks to social media, its presence is increasingly constantly documented, while the peculiar detail of the cherubs holding up the coat of arms of Pisa contributes to increasing the curiosity and attention of visitors

 

The Fountain of Putti also appears in the theme song of the fourth animated season of " Lupine III - The Italian Adventure ", a derivative of the manga by the Japanese cartoonist Monkey Punch and broadcast in 2015 .

 

The series, made up of twenty-six episodes, is entirely set in Italy and the opening theme features several important Italian tourist places (such as Rome, the canals of Venice, San Marino, Santa Maria del Fiore in Florence). Among these, a significant shot is reserved for the Leaning Tower of Pisa, with the Fountain of the Putti placed right in the foreground.

 

Pisa is a city and comune in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics.

 

The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.

 

History

For a chronological guide, see Timeline of Pisa.

Ancient times

The most believed hypothesis is that the origin of the name Pisa comes from Etruscan and means 'mouth', as Pisa is at the mouth of the Arno river.

 

Although throughout history there have been several uncertainties about the origin of the city of Pisa, excavations made in the 1980s and 1990s found numerous archaeological remains, including the fifth century BC tomb of an Etruscan prince, proving the Etruscan origin of the city, and its role as a maritime city, showing that it also maintained trade relations with other Mediterranean civilizations.

 

Ancient Roman authors referred to Pisa as an old city. Virgil, in his Aeneid, states that Pisa was already a great center by the times described; and gives the epithet of Alphēae to the city because it was said to have been founded by colonists from Pisa in Elis, near which the Alpheius river flowed. The Virgilian commentator Servius wrote that the Teuti founded the town 13 centuries before the start of the common era.

 

The maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the only port along the western coast between Genoa (then a small village) and Ostia. Pisa served as a base for Roman naval expeditions against Ligurians and Gauls. In 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC, Portus Pisanus became a municipium. Emperor Augustus fortified the colony into an important port and changed the name to Colonia Iulia obsequens.

 

Pisa supposedly was founded on the shore, but due to the alluvial sediments from the Arno and the Serchio, whose mouth lies about 11 km (7 mi) north of the Arno's, the shore moved west. Strabo states that the city was 4.0 km (2.5 mi) away from the coast. Currently, it is located 9.7 km (6 mi) from the coast. However, it was a maritime city, with ships sailing up the Arno. In the 90s AD, a baths complex was built in the city.

 

Late Antiquity and Early Middle Ages

During the last years of the Western Roman Empire, Pisa did not decline as much as the other cities of Italy, probably due to the complexity of its river system and its consequent ease of defence. In the seventh century, Pisa helped Pope Gregory I by supplying numerous ships in his military expedition against the Byzantines of Ravenna: Pisa was the sole Byzantine centre of Tuscia to fall peacefully in Lombard hands, through assimilation with the neighbouring region where their trading interests were prevalent. Pisa began in this way its rise to the role of main port of the Upper Tyrrhenian Sea and became the main trading centre between Tuscany and Corsica, Sardinia, and the southern coasts of France and Spain.

 

After Charlemagne had defeated the Lombards under the command of Desiderius in 774, Pisa went through a crisis, but soon recovered. Politically, it became part of the duchy of Lucca. In 860, Pisa was captured by vikings led by Björn Ironside. In 930, Pisa became the county centre (status it maintained until the arrival of Otto I) within the mark of Tuscia. Lucca was the capital but Pisa was the most important city, as in the middle of tenth century Liutprand of Cremona, bishop of Cremona, called Pisa Tusciae provinciae caput ("capital of the province of Tuscia"), and a century later, the marquis of Tuscia was commonly referred to as "marquis of Pisa". In 1003, Pisa was the protagonist of the first communal war in Italy, against Lucca. From the naval point of view, since the ninth century, the emergence of the Saracen pirates urged the city to expand its fleet; in the following years, this fleet gave the town an opportunity for more expansion. In 828, Pisan ships assaulted the coast of North Africa. In 871, they took part in the defence of Salerno from the Saracens. In 970, they gave also strong support to Otto I's expedition, defeating a Byzantine fleet in front of Calabrese coasts.

 

11th century

The power of Pisa as a maritime nation began to grow and reached its apex in the 11th century, when it acquired traditional fame as one of the four main historical maritime republics of Italy (Repubbliche Marinare).

 

At that time, the city was a very important commercial centre and controlled a significant Mediterranean merchant fleet and navy. It expanded its powers in 1005 through the sack of Reggio Calabria in the south of Italy. Pisa was in continuous conflict with some 'Saracens' - a medieval term to refer to Arab Muslims - who had their bases in Corsica, for control of the Mediterranean. In 1017, Sardinian Giudicati were militarily supported by Pisa, in alliance with Genoa, to defeat the Saracen King Mugahid, who had settled a logistic base in the north of Sardinia the year before. This victory gave Pisa supremacy in the Tyrrhenian Sea. When the Pisans subsequently ousted the Genoese from Sardinia, a new conflict and rivalry was born between these major marine republics. Between 1030 and 1035, Pisa went on to defeat several rival towns in Sicily and conquer Carthage in North Africa. In 1051–1052, the admiral Jacopo Ciurini conquered Corsica, provoking more resentment from the Genoese. In 1063, Admiral Giovanni Orlandi, coming to the aid of the Norman Roger I, took Palermo from the Saracen pirates. The gold treasure taken from the Saracens in Palermo allowed the Pisans to start the building of their cathedral and the other monuments which constitute the famous Piazza del Duomo.

 

In 1060, Pisa had to engage in their first battle with Genoa. The Pisan victory helped to consolidate its position in the Mediterranean. Pope Gregory VII recognised in 1077 the new "Laws and customs of the sea" instituted by the Pisans, and emperor Henry IV granted them the right to name their own consuls, advised by a council of elders. This was simply a confirmation of the present situation, because in those years, the marquis had already been excluded from power. In 1092, Pope Urban II awarded Pisa the supremacy over Corsica and Sardinia, and at the same time raising the town to the rank of archbishopric.

 

Pisa sacked the Tunisian city of Mahdia in 1088. Four years later, Pisan and Genoese ships helped Alfonso VI of Castilla to push El Cid out of Valencia. A Pisan fleet of 120 ships also took part in the First Crusade, and the Pisans were instrumental in the taking of Jerusalem in 1099. On their way to the Holy Land, the ships did not miss the occasion to sack some Byzantine islands; the Pisan crusaders were led by their archbishop Daibert, the future patriarch of Jerusalem. Pisa and the other Repubbliche Marinare took advantage of the crusade to establish trading posts and colonies in the Eastern coastal cities of the Levant. In particular, the Pisans founded colonies in Antiochia, Acre, Jaffa, Tripoli, Tyre, Latakia, and Accone. They also had other possessions in Jerusalem and Caesarea, plus smaller colonies (with lesser autonomy) in Cairo, Alexandria, and of course Constantinople, where the Byzantine Emperor Alexius I Comnenus granted them special mooring and trading rights. In all these cities, the Pisans were granted privileges and immunity from taxation, but had to contribute to the defence in case of attack. In the 12th century, the Pisan quarter in the eastern part of Constantinople had grown to 1,000 people. For some years of that century, Pisa was the most prominent commercial and military ally of the Byzantine Empire, overcoming Venice itself.

 

12th century

In 1113, Pisa and Pope Paschal II set up, together with the count of Barcelona and other contingents from Provence and Italy (Genoese excluded), a war to free the Balearic Islands from the Moors; the queen and the king of Majorca were brought in chains to Tuscany. Though the Almoravides soon reconquered the island, the booty taken helped the Pisans in their magnificent programme of buildings, especially the cathedral, and Pisa gained a role of pre-eminence in the Western Mediterranean.

 

In the following years, the powerful Pisan fleet, led by archbishop Pietro Moriconi, drove away the Saracens after ferocious battles. Though short-lived, this Pisan success in Spain increased the rivalry with Genoa. Pisa's trade with Languedoc, Provence (Noli, Savona, Fréjus, and Montpellier) were an obstacle to Genoese interests in cities such as Hyères, Fos, Antibes, and Marseille.

 

The war began in 1119 when the Genoese attacked several galleys on their way home to the motherland, and lasted until 1133. The two cities fought each other on land and at sea, but hostilities were limited to raids and pirate-like assaults.

 

In June 1135, Bernard of Clairvaux took a leading part in the Council of Pisa, asserting the claims of Pope Innocent II against those of Pope Anacletus II, who had been elected pope in 1130 with Norman support, but was not recognised outside Rome. Innocent II resolved the conflict with Genoa, establishing Pisan and Genoese spheres of influence. Pisa could then, unhindered by Genoa, participate in the conflict of Innocent II against king Roger II of Sicily. Amalfi, one of the maritime republics (though already declining under Norman rule), was conquered on August 6, 1136; the Pisans destroyed the ships in the port, assaulted the castles in the surrounding areas, and drove back an army sent by Roger from Aversa. This victory brought Pisa to the peak of its power and to a standing equal to Venice. Two years later, its soldiers sacked Salerno.

 

New city walls, erected in 1156 by Consul Cocco Griffi

In the following years, Pisa was one of the staunchest supporters of the Ghibelline party. This was much appreciated by Frederick I. He issued in 1162 and 1165 two important documents, with these grants: Apart from the jurisdiction over the Pisan countryside, the Pisans were granted freedom of trade in the whole empire, the coast from Civitavecchia to Portovenere, a half of Palermo, Messina, Salerno and Naples, the whole of Gaeta, Mazara, and Trapani, and a street with houses for its merchants in every city of the Kingdom of Sicily. Some of these grants were later confirmed by Henry VI, Otto IV, and Frederick II. They marked the apex of Pisa's power, but also spurred the resentment of other cities such as Lucca, Massa, Volterra, and Florence, thwarting their aim to expand towards the sea. The clash with Lucca also concerned the possession of the castle of Montignoso and mainly the control of the Via Francigena, the main trade route between Rome and France. Last, but not least, such a sudden and large increase of power by Pisa could only lead to another war with Genoa.

 

Genoa had acquired a dominant position in the markets of southern France. The war began in 1165 on the Rhône, when an attack on a convoy, directed to some Pisan trade centres on the river, by the Genoese and their ally, the count of Toulouse, failed. Pisa, though, was allied to Provence. The war continued until 1175 without significant victories. Another point of attrition was Sicily, where both the cities had privileges granted by Henry VI. In 1192, Pisa managed to conquer Messina. This episode was followed by a series of battles culminating in the Genoese conquest of Syracuse in 1204. Later, the trading posts in Sicily were lost when the new Pope Innocent III, though removing the excommunication cast over Pisa by his predecessor Celestine III, allied himself with the Guelph League of Tuscany, led by Florence. Soon, he stipulated[clarification needed] a pact with Genoa, too, further weakening the Pisan presence in southern Italy.

 

To counter the Genoese predominance in the southern Tyrrhenian Sea, Pisa strengthened its relationship with its traditional Spanish and French bases (Marseille, Narbonne, Barcelona, etc.) and tried to defy the Venetian rule of the Adriatic Sea. In 1180, the two cities agreed to a nonaggression treaty in the Tyrrhenian and the Adriatic, but the death of Emperor Manuel Comnenus in Constantinople changed the situation. Soon, attacks on Venetian convoys were made. Pisa signed trade and political pacts with Ancona, Pula, Zara, Split, and Brindisi; in 1195, a Pisan fleet reached Pola to defend its independence from Venice, but the Serenissima soon reconquered the rebel sea town.

 

One year later, the two cities signed a peace treaty, which resulted in favourable conditions for Pisa, but in 1199, the Pisans violated it by blockading the port of Brindisi in Apulia. In the following naval battle, they were defeated by the Venetians. The war that followed ended in 1206 with a treaty in which Pisa gave up all its hopes to expand in the Adriatic, though it maintained the trading posts it had established in the area. From that point on, the two cities were united against the rising power of Genoa and sometimes collaborated to increase the trading benefits in Constantinople.

 

13th century

In 1209 in Lerici, two councils for a final resolution of the rivalry with Genoa were held. A 20-year peace treaty was signed, but when in 1220, the emperor Frederick II confirmed his supremacy over the Tyrrhenian coast from Civitavecchia to Portovenere, the Genoese and Tuscan resentment against Pisa grew again. In the following years, Pisa clashed with Lucca in Garfagnana and was defeated by the Florentines at Castel del Bosco. The strong Ghibelline position of Pisa brought this town diametrically against the Pope, who was in a dispute with the Holy Roman Empire, and indeed the pope tried to deprive Pisa of its dominions in northern Sardinia.

 

In 1238, Pope Gregory IX formed an alliance between Genoa and Venice against the empire, and consequently against Pisa, too. One year later, he excommunicated Frederick II and called for an anti-Empire council to be held in Rome in 1241. On May 3, 1241, a combined fleet of Pisan and Sicilian ships, led by the emperor's son Enzo, attacked a Genoese convoy carrying prelates from northern Italy and France, next to the isle of Giglio (Battle of Giglio), in front of Tuscany; the Genoese lost 25 ships, while about a thousand sailors, two cardinals, and one bishop were taken prisoner. After this major victory, the council in Rome failed, but Pisa was excommunicated. This extreme measure was only removed in 1257. Anyway, the Tuscan city tried to take advantage of the favourable situation to conquer the Corsican city of Aleria and even lay siege to Genoa itself in 1243.

 

The Ligurian republic of Genoa, however, recovered fast from this blow and won back Lerici, conquered by the Pisans some years earlier, in 1256.

 

The great expansion in the Mediterranean and the prominence of the merchant class urged a modification in the city's institutes. The system with consuls was abandoned, and in 1230, the new city rulers named a capitano del popolo ("people's chieftain") as civil and military leader. Despite these reforms, the conquered lands and the city itself were harassed by the rivalry between the two families of Della Gherardesca and Visconti. In 1237 the archbishop and the Emperor Frederick II intervened to reconcile the two rivals, but the strains continued. In 1254, the people rebelled and imposed 12 Anziani del Popolo ("People's Elders") as their political representatives in the commune. They also supplemented the legislative councils, formed of noblemen, with new People's Councils, composed by the main guilds and by the chiefs of the People's Companies. These had the power to ratify the laws of the Major General Council and the Senate.

 

Decline

The decline is said to have begun on August 6, 1284, when the numerically superior fleet of Pisa, under the command of Albertino Morosini, was defeated by the brilliant tactics of the Genoese fleet, under the command of Benedetto Zaccaria and Oberto Doria, in the dramatic naval Battle of Meloria. This defeat ended the maritime power of Pisa and the town never fully recovered; in 1290, the Genoese destroyed forever the Porto Pisano (Pisa's port), and covered the land with salt. The region around Pisa did not permit the city to recover from the loss of thousands of sailors from the Meloria, while Liguria guaranteed enough sailors to Genoa. Goods, however, continued to be traded, albeit in reduced quantity, but the end came when the Arno started to change course, preventing the galleys from reaching the city's port up the river. The nearby area also likely became infested with malaria. The true end came in 1324, when Sardinia was entirely lost to the Aragonese.

 

Always Ghibelline, Pisa tried to build up its power in the course of the 14th century, and even managed to defeat Florence in the Battle of Montecatini (1315), under the command of Uguccione della Faggiuola. Eventually, however, after a long siege, Pisa was occupied by Florentines in 1405.[9] Florentines corrupted the capitano del popolo ("people's chieftain"), Giovanni Gambacorta, who at night opened the city gate of San Marco. Pisa was never conquered by an army. In 1409, Pisa was the seat of a council trying to set the question of the Great Schism. In the 15th century, access to the sea became more difficult, as the port was silting up and was cut off from the sea. When in 1494, Charles VIII of France invaded the Italian states to claim the Kingdom of Naples, Pisa reclaimed its independence as the Second Pisan Republic.

 

The new freedom did not last long; 15 years of battles and sieges by the Florentine troops led by Antonio da Filicaja, Averardo Salviati and Niccolò Capponi were made, but they failed to conquer the city. Vitellozzo Vitelli with his brother Paolo were the only ones who actually managed to break the strong defences of Pisa and make a breach in the Stampace bastion in the southern west part of the walls, but he did not enter the city. For that, they were suspected of treachery and Paolo was put to death. However, the resources of Pisa were getting low, and at the end, the city was sold to the Visconti family from Milan and eventually to Florence again. Livorno took over the role of the main port of Tuscany. Pisa acquired a mainly cultural role spurred by the presence of the University of Pisa, created in 1343, and later reinforced by the Scuola Normale Superiore di Pisa (1810) and Sant'Anna School of Advanced Studies (1987).

 

Pisa was the birthplace of the important early physicist Galileo Galilei. It is still the seat of an archbishopric. Besides its educational institutions, it has become a light industrial centre and a railway hub. It suffered repeated destruction during World War II.

 

Since the early 1950s, the US Army has maintained Camp Darby just outside Pisa, which is used by many US military personnel as a base for vacations in the area.

 

Geography

Climate

Pisa has a borderline humid subtropical climate (Köppen climate classification: Cfa) and Mediterranean climate (Köppen climate classification: Csa). The city is characterized by cool to mild winters and hot summers. This transitional climate allows Pisa to have summers with moderate rainfall. Rainfall peaks in autumn. Snow is rare. The highest officially recorded temperature was 39.5 °C (103.1 °F) on 22 August 2011 and the lowest was −13.8 °C (7.2 °F) on 12 January 1985.

 

Culture

Gioco del Ponte

In Pisa there was a festival and game fr:Gioco del Ponte (Game of the Bridge) which was celebrated (in some form) in Pisa from perhaps the 1200s down to 1807. From the end of the 1400s the game took the form of a mock battle fought upon Pisa's central bridge (Ponte di Mezzo). The participants wore quilted armor and the only offensive weapon allowed was the targone, a shield-shaped, stout board with precisely specified dimensions. Hitting below the belt was not allowed. Two opposing teams started at opposite ends of the bridge. The object of the two opposing teams was to penetrate, drive back, and disperse the opponents' ranks and to thereby drive them backwards off the bridge. The struggle was limited to forty-five minutes. Victory or defeat was immensely important to the team players and their partisans, but sometimes the game was fought to a draw and both sides celebrated.

 

In 1677 the battle was witnessed by Dutch travelling artist Cornelis de Bruijn. He wrote:

 

"While I stayed in Livorno, I went to Pisa to witness the bridge fight there. The fighters arrived fully armored, wearing helmets, each carrying their banner, which was planted at both ends of the bridge, which is quite wide and long. The battle is fought with certain wooden implements made for this purpose, which they wear over their arms and are attached to them, with which they pummel each other so intensely that I saw several of them carried away with bloody and crushed heads. Victory consists of capturing the bridge, in the same way as the fistfights in Venice between the it:Castellani and the Nicolotti."

 

In 1927 the tradition was revived by college students as an elaborate costume parade. In 1935 Vittorio Emanuele III with the royal family witnessed the first revival of a modern version of the game, which has been pursued in the 20th and 21st centuries with some interruptions and varying degrees of enthusiasm by Pisans and their civic institutions.

 

Festivals and cultural events

Capodanno pisano (folklore, March 25)

Gioco del Ponte (folklore)

Luminara di San Ranieri (folklore, June 16)

Maritime republics regata (folklore)

Premio Nazionale Letterario Pisa

Pisa Book Festival

Metarock (rock music festival)

Internet Festival San Ranieri regata (folklore)

Turn Off Festival (house music festival)

Nessiáh (Jewish cultural Festival, November)

Main sights

 

The Leaning Tower of Pisa.

While the bell tower of the cathedral, known as "the leaning Tower of Pisa", is the most famous image of the city, it is one of many works of art and architecture in the city's Piazza del Duomo, also known, since the 20th century, as Piazza dei Miracoli (Square of Miracles), to the north of the old town center. The Piazza del Duomo also houses the Duomo (the Cathedral), the Baptistry and the Campo Santo (the monumental cemetery). The medieval complex includes the above-mentioned four sacred buildings, the hospital and few palaces. All the complex is kept by the Opera (fabrica ecclesiae) della Primaziale Pisana, an old non profit foundation that has operated since the building of the Cathedral in 1063 to maintain the sacred buildings. The area is framed by medieval walls kept by the municipal administration.

 

Other sights include:

Santo Stefano dei Cavalieri, church sited on Piazza dei Cavalieri, and also designed by Vasari. It had originally a single nave; two more were added in the 17th century. It houses a bust by Donatello, and paintings by Vasari, Jacopo Ligozzi, Alessandro Fei, and Pontormo. It also contains spoils from the many naval battles between the Cavalieri (Knights of St. Stephan) and the Turks between the 16th and 18th centuries, including the Turkish battle pennant hoisted from Ali Pacha's flagship at the 1571 Battle of Lepanto.

St. Sixtus. This small church, consecrated in 1133, is also close to the Piazza dei Cavalieri. It was used as a seat of the most important notarial deeds of the town, also hosting the Council of Elders. It is today one of the best preserved early Romanesque buildings in town.

St. Francis. The church of San Francesco may have been designed by Giovanni di Simone, built after 1276. In 1343 new chapels were added and the church was elevated. It has a single nave and a notable belfry, as well as a 15th-century cloister. It houses works by Jacopo da Empoli, Taddeo Gaddi and Santi di Tito. In the Gherardesca Chapel are buried Ugolino della Gherardesca and his sons.

San Frediano. This church, built by 1061, has a basilica interior with three aisles, with a crucifix from the 12th century. Paintings from the 16th century were added during a restoration, including works by Ventura Salimbeni, Domenico Passignano, Aurelio Lomi, and Rutilio Manetti.

San Nicola. This medieval church built by 1097, was enlarged between 1297 and 1313 by the Augustinians, perhaps by the design of Giovanni Pisano. The octagonal belfry is from the second half of the 13th century. The paintings include the Madonna with Child by Francesco Traini (14th century) and St. Nicholas Saving Pisa from the Plague (15th century). Noteworthy are also the wood sculptures by Giovanni and Nino Pisano, and the Annunciation by Francesco di Valdambrino.

Santa Maria della Spina. A small white marble church alongside the Arno, is attributed to Lupo di Francesco (1230), is another excellent Gothic building.

San Paolo a Ripa d'Arno. The church was founded around 952 and enlarged in the mid-12th century along lines similar to those of the cathedral. It is annexed to the Romanesque Chapel of St. Agatha, with an unusual pyramidal cusp or peak.

San Pietro in Vinculis. Known as San Pierino, it is an 11th-century church with a crypt and a cosmatesque mosaic on the floor of the main nave.

 

Borgo Stretto. This medieval borgo or neighborhood contains strolling arcades and the Lungarno, the avenues along the river Arno. It includes the Gothic-Romanesque church of San Michele in Borgo (990). There are at least two other leaning towers in the city, one at the southern end of central Via Santa Maria, the other halfway through the Piagge riverside promenade.

Medici Palace. The palace was once a possession of the Appiano family, who ruled Pisa in 1392–1398. In 1400 the Medici acquired it, and Lorenzo de' Medici sojourned here.

Orto botanico di Pisa. The botanical garden of the University of Pisa is Europe's oldest university botanical garden.

Palazzo Reale. The ("Royal Palace"), once belonged to the Caetani patrician family. Here Galileo Galilei showed to Grand Duke of Tuscany the planets he had discovered with his telescope. The edifice was erected in 1559 by Baccio Bandinelli for Cosimo I de Medici, and was later enlarged including other palaces. The palace is now a museum.

Palazzo Gambacorti. This palace is a 14th-century Gothic building, and now houses the offices of the municipality. The interior shows frescoes boasting Pisa's sea victories.

Palazzo Agostini. The palace is a Gothic building also known as Palazzo dell'Ussero, with its 15th-century façade and remains of the ancient city walls dating back to before 1155. The name of the building comes from the coffee rooms of Caffè dell'Ussero, historic meeting place founded on September 1, 1775.

Mural Tuttomondo. A modern mural, the last public work by Keith Haring, on the rear wall of the convent of the Church of Sant'Antonio, painted in June 1989.

Museums

Museo dell'Opera del Duomo: exhibiting among others the original sculptures of Nicola Pisano and Giovanni Pisano, the Islamic Pisa Griffin, and the treasures of the cathedral.

Museo delle Sinopie: showing the sinopias from the camposanto, the monumental cemetery. These are red ocher underdrawings for frescoes, made with reddish, greenish or brownish earth colour with water.

Museo Nazionale di San Matteo: exhibiting sculptures and paintings from the 12th to 15th centuries, among them the masterworks of Giovanni and Andrea Pisano, the Master of San Martino, Simone Martini, Nino Pisano and Masaccio.

Museo Nazionale di Palazzo Reale: exhibiting the belongings of the families that lived in the palace: paintings, statues, armors, etc.

Museo Nazionale degli Strumenti per il Calcolo: exhibiting a collection of instruments used in science, between a pneumatic machine of Van Musschenbroek and a compass which probably belonged to Galileo Galilei.

Museo di storia naturale dell'Università di Pisa (Natural History Museum of the University of Pisa), located in the Certosa di Calci, outside the city. It houses one of the largest cetacean skeletons collection in Europe.

Palazzo Blu: temporary exhibitions and cultural activities center, located in the Lungarno, in the heart of the old town, the palace is easy recognizable because it is the only blue building.

Cantiere delle Navi di Pisa - The Pisa's Ancient Ships Archaeological Area: A museum of 10,650 square meters – 3,500 archaeological excavation, 1,700 laboratories and one restoration center – that visitors can visit with a guided tour.[19] The Museum opened in June 2019 and has been located inside to the 16th-century Medicean Arsenals in Lungarno Ranieri Simonelli, restored under the supervision of the Tuscany Soprintendenza. It hosts a remarkable collection of ceramics and amphoras dated back from the 8th century BCE to the 2nd century BC, and also 32 ships dated back from the second century BCE and the seventh century BC. Four of them are integrally preserved and the best one is the so-called Barca C, also named Alkedo (written in the ancient Greek characters). The first boat was accidentally discovered in 1998 near the Pisa San Rossore railway station and the archeological excavations were completed 20 years later.

 

Churches

St. Francis' Church

San Francesco

San Frediano

San Giorgio ai Tedeschi

San Michele in Borgo

San Nicola

San Paolo a Ripa d'Arno

San Paolo all'Orto

San Piero a Grado

San Pietro in Vinculis

San Sisto

San Tommaso delle Convertite

San Zeno

Santa Caterina

Santa Cristina

Santa Maria della Spina

Santo Sepolcro

 

Palaces, towers and villas

Palazzo della Carovana or dei Cavalieri.

Pisa by Oldypak lp photo

Pisa

Palazzo del Collegio Puteano

Palazzo della Carovana

Palazzo delle Vedove

Torre dei Gualandi

Villa di Corliano

Leaning Tower of Pisa

 

Sports

Football is the main sport in Pisa; the local team, A.C. Pisa, currently plays in the Serie B (the second highest football division in Italy), and has had a top flight history throughout the 1980s and the 1990s, featuring several world-class players such as Diego Simeone, Christian Vieri and Dunga during this time. The club play at the Arena Garibaldi – Stadio Romeo Anconetani, opened in 1919 and with a capacity of 25,000.

 

Notable people

For people born in Pisa, see People from the Province of Pisa; among notable non-natives long resident in the city:

 

Giuliano Amato (born 1938), politician, former Premier and Minister of Interior Affairs

Alessandro d'Ancona (1835–1914), critic and writer.

Silvano Arieti (1914–1981), psychiatrist

Gaetano Bardini (1926–2017), tenor

Andrea Bocelli (born 1958), tenor and multi-instrumentalist.

Giosuè Carducci (1835–1907), poet and 1906 Nobel Prize in Literature winner.

Massimo Carmassi (born 1943), architect

Carlo Azeglio Ciampi (1920–2016), politician, former President of the Republic of Italy

Maria Luisa Cicci (1760–1794), poet

Giovanni Carlo Maria Clari (1677–1754), a musical composer and maestro di cappella at Pistoia.

Alessio Corti (born 1965), mathematician

Rustichello da Pisa (born 13th century), writer

Giovanni Battista Donati (1826–1873), an Italian astronomer.

Leonardo Fibonacci (1170–1250), mathematician.

Galileo Galilei (1564–1642), physicist.

Giovanni Gentile (1875–1944), philosopher and politician

Orazio Gentileschi (1563–1639), painter.

Count Ugolino della Gherardesca (1214–1289), noble (see also Dante Alighieri).

Giovanni Gronchi (1887–1978), politician, former President of the Republic of Italy

Giacomo Leopardi [1798–1837), poet and philosopher.

Enrico Letta (born 1966), politician, former Prime Minister of Italy

Marco Malvaldi (born 1974), mystery novelist

Leonardo Ortolani (born 1967), comic writer

Antonio Pacinotti (1841–1912), physicist, inventor of the dynamo

Andrea Pisano (1290–1348), a sculptor and architect.

Afro Poli (1902–1988), an operatic baritone

Bruno Pontecorvo (1913–1993), nuclear physicist

Gillo Pontecorvo (1919–2006), filmmaker

Ippolito Rosellini (1800–1843), an Egyptologist.

Paolo Savi (1798–1871), geologist and ornithologist.

Antonio Tabucchi (1943–2012), writer and academic

Sport

Jason Acuña (born 1973), Stunt performer

Sergio Bertoni (1915–1995), footballer

Giorgio Chiellini (born 1984), footballer

Camila Giorgi (born 1991), tennis player

SA-Control set to hard-mode (+) to get a sparkling retro vintage lens look like with the Helios 44-2.

Exact position unknown.

RM Sotheby's Paris 2017

châssis : GTZ 48

moteur : D2L

Présenté par Barker au Salon de l'Automobile à Paris en 1933

Six cylindres en ligne de 65 CV, 3 669 cm3 à soupapes en tête, avec carburateur à deux jets, avec commande de colonne de direction et valve automatique à air, boîte manuelle à quatre vitesses, suspension à ressorts à lames semi-elliptiques avant et arrière, et servofrein à expansion interne freins assistés avec frein à main indépendant sur les roues arrière. Empattement: 3 350 mm

 

just an angle showing how wings are positioned

 

These 2 are apparently too weak to migrate North at this time. The adult should be heading North to breed but is "acting wonky" , the other is very thin.

Although in this shot they appear to be a similar height in the water , the TUSW is holding its wings somewhat "fluffed"

here with Ring Necked Duck pair

2 Species Swan

 

Adult

Tundra Swan TUSW (Cygnus columbianus)

&

1st year bird

Trumpeter Swan TRUS* (Cygnus buccinator)

 

careful analysis of photo doc determines the immature bird is larger - length, head & bill

 

Pendray Farm

North Saanich

Saanich Peninsula

British Columbia

  

record shots

DSCN3979

 

in our area TRUS are typically the "Default" Swan... looking to discover TUSW is the "challenge -- game"

 

In this case although the adult TUSW did not have signature yellow in the lores, it was the easier ID

 

..i know this photo makes ID look somewhat easy...more to come on that ... subsequent postings

 

With out using the dreaded H word, fairly safe to lump to TRUS since it is meeting criteria of general structure as well as other head features

 

The immature bird is larger than the adult TUSW , but a runt by TRUS standards.

 

There are lingering questions however, which bring up the "Hybrid" word

Habits observations did not have the immature individual integrated into the TRUS flock even when it easily could have I.E. when TRUS flock was also feeding near reservoir

but it kept to itself, often opposite side of the the reservoir

Perhaps in its run down state was just avoiding possible "bullying " interaction.

It has been at times with the TUSW .

Perhaps it approached...and was not a threat due to its (slightly ) smaller size.

 

The TUSW is also "off" and seems to be trying to recuperate from a weakened state.

 

The flock of 30-50 TRUS that had been present wintering ,are now gone on Northbound migration.

 

DSCN3970

Langsiran lokomotif CC 204 di emplasemen stasiun besar Kertapati.

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More motorcycle images.

driver-photographer.blogspot.de/

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Another image from a studio session with ballet dancer Lucie Tullett.

I wanted to create a silhouette shape of her positioning, so used Elinchrom lights to lighten the backdrop.

The small, northern constellation Triangulum harbours this magnificent face-on spiral galaxy, M33. Its popular names include the Pinwheel Galaxy or just the Triangulum Galaxy. M33 is over 50,000 light-years in diameter, third largest in the Local Group of galaxies after the Andromeda Galaxy (M31), and our own Milky Way. About 3 million light-years from the Milky Way, M33 is itself thought to be a satellite of the Andromeda Galaxy and astronomers in these two galaxies would likely have spectacular views of each other's grand spiral star systems. As for the view from planet Earth, this image nicely shows off M33's star clusters and pinkish star forming regions along the galaxy's loosely wound spiral arms. In fact, the cavernous NGC 604 is the brightest star forming region, seen here at about the 2 o'clock position from the galaxy centre.

 

~~~~~

 

Telescope: Celestron C11-A XLT Schmidt Cassegrain OTA

Mount: SkyWatcher EQ6-R Pro

 

Controller: ZWO ASIAIR Pro

Main Camera: ZWO ASI533MC Pro at -10C

Filter: Optolong L-Pro filter

Focuser: ZWO EAF

Guide Camera: ZWO ASI174MM Mini guidecam

Guide via: ZWO OAG

 

Stacked from:

Lights 60 at 120 seconds, gain 101, temp -10C

Darks 30 at 120 seconds, gain 101, temp -10C

Flat 30 at 100 ms, gain 101, temp -10C

Dark Flat 30 at 100 ms gain 101 temp -10C

 

Bortle 4 sky.

Integrated the saved frames in Astro Pixel Processor.

Adjusted in Photoshop CS4 and Topaz DeNoise AI

   

A Close Up detail of what the reactor use to look like.

 

Desperate: I pick up a bad habit while adding to this build. When I didn't have a smaller part I need, I got creative. Meaning I would cut out that part out of a bigger piece using a pair of kitchen scissors I had.

 

Kuat Drive Yard Alpha 10:

www.flickr.com/photos/186293111@N02/albums/72177720303041823

 

Album Link: www.flickr.com/photos/186293111@N02/albums/72157717873786093

Highest Position - Explore #365

 

I have been planning to make a descent time-lapse in Kuwait and as for starters , i made this time-lapse for Doha and as you know by now it is one of my favorite places in Kuwait where you can sit , relax and watch these old shipwreck ...

I hope you like it ...

 

To watch it on youtube :

www.youtube.com/watch?v=nd4G67BMWRA

 

Please watch it in HD Full screen with Max. volume

 

To follow me on twitter :

twitter.com/#!/DamonProduction

 

To follow me on youtube :

www.youtube.com/DamonProduction

 

To follow me on facebook :

www.facebook.com/profile.php?id=100001916998689

USS ROSS and HMCS TORONTO cruise into their final position to begin their first scenario of Exercise JOINT WARRIOR on October 4, 2020.

 

Photo by: S1 Louis-Philippe Dubé, Canadian Armed Forces

 

L’USS ROSS et le NCSM TORONTO naviguent vers leur position finale en vue de commencer le premier scénario de l’exercice JOINT WARRIOR, le 4 octobre 2020.

 

Photo : Mat 1 Louis-Philippe Dubé, Forces armées canadiennes

 

Northumberland Park

Landscape In Tynemouth, Tyne And Wear

 

A traditional Victorian Park packed with features sitting between Tynemouth and North Shields.

 

Situated twixt North Shields and Tynemouth sits Northumberland Park, a traditional Victorian Park positioned in the gently sloping natural dene created by the Pow Burn.

 

The park is 12 hectares in size, but has lots crammed into it including St Leonard's hospital and chapel, sculpture trail, play area, herb garden, BMX track, bowling green, lake, herb garden, a bandstand with regular musical performances and most importantly a tea room!

 

Admission is free and there are plenty of tracks and green spaces to have a quiet saunter and while away an afternoon.

 

The park was created when a local Tynemouth Alderman called John Foster-Spence asked the Duke of Northumberland for some land for the park. The park was to help provide work for unemployed shipbuilders and also create a leisure area for the town. When the work started in 1884, the workmen uncovered the remains of St Leonard's medieval hospital, which was annexed to Tynemouth Priory during the 14th century.

 

The park was opened in August 1885 by the Duke of Northumberland and he planted a Turkey Oak tree which you can still see today.

 

North Shields is a town in the Borough of North Tyneside in Tyne and Wear, England. It is 8 miles (13 km) north-east of Newcastle upon Tyne and borders nearby Wallsend and Tynemouth.

 

Since 1974, it has been in the North Tyneside borough of Tyne and Wear: its historic administration was as part of the Castle ward in county of Northumberland. It was part of the Tynemouth County Borough; when abolished in 1974, the borough became an unparished area.

 

It is on the northern bank of the River Tyne, opposite to South Shields on the other bank. The name derives from Middle English schele meaning "temporary sheds or huts used by fishermen"

 

Earliest records

North Shields is first recorded in 1225, when the Prior of Tynemouth, Germanus, decided to create a fishing port to provide fish for the Priory which was situated on the headland at the mouth of the River Tyne.[5] He also supplied ships anchored near the priory. A number of rudimentary houses or 'shiels' were erected at the mouth of the Pow Burn where the stream enters the Tyne, as well as wooden quays which were used to unload the fishing boats. The quays were also used to ship coal from local collieries owned by the Priory. Soon the population of the new township numbered 1,000. The burgesses of Newcastle upon Tyne were determined to preserve the custom rights that they had enjoyed up till then, which covered the whole length of the river. They successfully petitioned the king in 1290 and managed to suspend trade from the new settlement. It was forbidden to victual ships or to load and unload cargoes at North Shields. The opposition of the Newcastle burgesses remained for a considerable time but despite this, North Shields continued to develop as a centre for fishing and exporting salt, produced at local saltpans. For a considerable period the Newcastle burgesses, known as the Hostmen, who controlled the export of coal from the Tyne, resisted the export of this commodity from North Shields.

 

Geographic development

The town was originated on a narrow strip of land alongside the river (around the present-day Clive Street) because of the steep bank which hemmed it in. Eventually becoming overcrowded, in the 18th century buildings began to be erected on the plateau 60 feet (20 m) above the old insanitary dwellings alongside the river. Prosperous businessmen and shipowners occupied the new town whereas working people remained in the lower part of town. The low, riverside part of the town was linked to the newer, higher part of the town by a series of stairs. These stairs were initially surrounded by slum dwellings, and although the houses have since been cleared the stairs remain.

 

One of the first developments of the new town was Dockwray Square, built in 1763, a set of elegant town houses that was populated by wealthy families. Due to the poor provision of water and drainage facilities, however, the wealthy families soon moved to the more central part of the new town, and particularly the new Northumberland Square. Dockwray Square eventually deteriorated into slums. In the early twentieth century Stan Laurel lived at a house in Dockwray Square for a few years, before he became famous. The square has since been re-developed, initially in the 1960s, and again in the 1990s. A statue of Laurel stands in the middle to commemorate his stay there.

 

The land on which the new town was built was largely owned by the Earl of Carlisle. In 1796, John Wright produced plans that included a grand processional way, now Howard Street, leading to the Georgian Northumberland Square. A railway tunnel, built in the 1840s, left the west and south sides of the square largely unfinished, until a 1960s library building was constructed, somewhat out of keeping with the rest of the architecture. In 1844–45, John Dobson built the town hall, on the corner of Howard and Saville Streets.

 

Geography

The town is bounded to the north by Whitley Bay and to the south by the River Tyne. The town of Tynemouth is to its east and the A19 road marks the boundary between North Shields and Wallsend to the west of the town. It is part of the North Tyneside conurbation.

 

Over the years, North Shields has grown from a small fishing village to incorporate the nearby areas of Chirton, Preston, Billy Mill, Percy Main, East Howdon and Marden estate.

 

The 2011 definition of the town of Tynemouth includes North Shields, which means a population figure can only be given as a combination of wards rather than as a USD.

 

Town Centre

In September 2020, the North Tyneside Council published prospective plans for regeneration of the town centre, which include developing a distinctive route to the Fish Quay, pedestrianisation of key streets, consolidation of retail units, creation of a town square, renovation of Northumberland Square and the establishment of a transport hub. At the time of publication, the plan was not financed and the council sought the views of local residents and business owners.

 

In summer 2020, work was being completed on the refurbishment of the terraced row to the north of Northumberland Square, as well as the development of a newly built row of homes on nearby Albion Road. The newly restored Wooden Dolly was also returned to the Square.

 

A new square, adjacent to Bedford Street, was completed as part of the Transport Hub development in September 2023.

 

Meadow Well

A large council estate, Meadow Well (alternatively spelt Meadowell or Meadowwell on local signs) to the west of the town, was constructed in the 1930s to house residents displaced by the clearance of the Dockwray Square and Low Town slum areas. These flats were replaced with better quality homes in the 1960s and 70s. Meadow Well was formerly known as the Ridges[17] Estate – a name occasionally used today – since it was built on the site of the Ridges farm. Its present name is derived from a well situated in a meadow upon which the estate was built.

 

On Monday, 9 September 1991, Meadow Well was featured heavily in the news across the UK as riots broke out which continued for three days. Many properties were damaged, cars burned out and the local community centre burned down. As a result of the riots, the local housing was gradually improved by the council over the next three years through demolition and rebuilding, as well as renovation. A number of community development organisations, including the Cedarwood Trust, Meadow Well Connected and the Phoenix Detached Youth Project, have worked in the area for many years.

 

The film Dream On (1991) is set on the estate.

 

Following the Meadow Well riots, in July 1992 the Government granted £37.5 million over five years to regenerate that area of the town, as part of the City Challenge scheme.

 

Royal Quays

An extensive regeneration programme costing £16 million saw the revitalisation of the redundant Albert Edward docks. Across an 80 hectare area, the former Tyne and Wear Development Corporation partnered with North Tyneside Council and the private sector to provide a mix of housing, leisure facilities, office space and industrial sites. The Wet N Wild indoor water park, an outlet shopping centre, a bowling alley, a soccer dome and a marina form the centrepiece to the Royal Quays development to the west of the town. Mark di Suvero's Tyne Anew (1999), his only large-scale public artwork in the UK, can be seen at Albert Edward Dock.

 

Fish Quay

Similarly, major regeneration of the Fish Quay, on the riverside to the south-east of the town centre, has included the construction of luxury apartments and the conversion of existing buildings into restaurants and bars alongside the working quay. In November 2018, North Tyneside Council announced plans for further development to enhance the area as a food and drink destination.

 

Smith's Docks

The site of the former Smith's Docks was acquired by the developer Places For People in 2007. In January 2015 they sought planning permission for the construction of homes on the site. The first of those homes, including some designed by George Clarke, was sold in 2017 and as of April 2018, work continues on the site. The second phase, the Smokehouses, was completed in autumn 2018.

 

Heritage Action Zone

Having been awarded £900,000 through the High Street Heritage Action Zone programme, North Tyneside Council plans to add £1 million additional funding to revive the conservation area around Howard Street and Northumberland Square. It will also see work done on the streetscape connecting to the main shopping thoroughfare of Bedford Street in order to better link the areas and decrease the dominance of motor vehicles.

 

Collingwood Grange

In 2017, North Tyneside Council granted planning permission for up to 400 new homes on formerly industrial land to the west of Norham Road. In April 2020, the developer, Miller Homes, announced that work had been halted by the Covid-19 pandemic and that plans may be altered as a result. Work on the development recommenced in January 2021.

 

Industry

Former

In 1887, the town's businesses were listed as a marine engine, chain cable and anchor manufacturer, shipbuilding yards, roperies, salt-works, and an earthenware and stained glass manufacturer. Fishing was also a major industry of employment. The Smith's Dock Company was another major employer for many years, eventually closing in 1987.

 

Shipyards

Shipyards have been in existence in North Shields since near its founding. The smaller yards built the Northumbrian coble, a small inshore fishing vessel with a lug sail, well known in the North East. Larger yards built wooden sailing collier brigs, used to transport local coal to London. Eventually these small yards were replaced by larger yards such as the Tyne Dock and Engineering Company and the Smith's Dock Company. These yards produced iron vessels for various uses, including fishing and the coal trade. In later years the North Shields yards were used for ship repair work, with Smith's dock surviving until the 1990s. None of these yards remain.

 

Oil terminal

Esso formerly had an oil terminal on the banks of the Tyne, off Howdon Road. In April 1994, a bomb planted by the IRA exploded tearing a 3-foot square hole in one of the tanks. A second device, which did not detonate, was later found nearby. Six hundred gallons of crude oil leaked from the tank, but was caught in a channel designed to prevent leakages. A second explosion occurred in June 1994, perpetrated by the same bombers.

 

Maritime

With its fishing industry and shipbuilding history, a number of maritime related companies remain in the town. John Lilley and Gillie Ltd, a marine equipment manufacturer is headquartered there.

 

Mining

Collieries in the town were located at three of the outlying villages since incorporated into the town, at Preston, at the location of the present cemetery gates, Percy Main and New York.

 

Office and business parks

Following the demise of coal mining and shipbuilding in the area, several business parks, industrial estates and trading estates were established providing alternative employment. The biggest of these are The Silverlink and Cobalt Park, the UK's largest office park. Atmel had a plant located at Silverlink, previously occupied by Siemens but the plant is now demolished apart from the office building, now home to Cobalt Business Exchange. Cobalt is home to an Orange call centre. The town's association with the early days of the railways is recognised at the Stephenson Railway Museum on Middle Engine Lane near The Silverlink.

 

Other industries

Potts Print, based in Cramlington since 2006, was originally founded in North Shields in 1875. They occupied various sites in the town over the years.

 

Spicers has a large factory in the town, producing tea. It bought the site from Twinings in 2012.

 

Donald Campbell's Bluebird K7, which crashed during a water speed record attempt on Coniston Water, was restored in a workshop in the town by local engineer Bill Smith.

 

Transport

The Newcastle and North Shields Railway opened in 1839. In 1847, the railway was extended to Tynemouth when a railway station was built in Oxford Street, off Tynemouth Road. Eventually, it was replaced by a new station further away from the river after new rail lines were developed. The riverside tracks were removed for the creation of Hadrian's Way, part of the national cycle network, but the remaining tracks were absorbed in the Tyne and Wear Metro system in 1982. The town centre station, originally constructed for the Newcastle and North Shields Railway, was redeveloped between 1980 and 1982 for the Metro. It was subsequently refurbished in 2012. The Tyne and Wear Metro links North Shields to Newcastle city centre, and to other destinations in Tyne and Wear including Whitley Bay, Newcastle Airport and Sunderland. The town is also served by stations in Percy Main and Meadow Well.

 

The Tyneside Tramways and Tramroads Company also operated an electric tramway service in the town.

 

Shipping

Local ferry

A half-hourly ferry service connects North Shields to the town of South Shields on the opposite bank of the Tyne. The present Shields Ferry was established in 1972. Its first female skipper was appointed in 2016. Shieldsman, a former ferry retired in 2007, has since been moved to Shoreham, West Sussex, and transformed into a houseboat.

 

From June to October, river trips by ferry operate.

 

In November 2018, the local council announced plans to consider the feasibility of moving the ferry landing. In July 2021 it was announced that the planned relocation was delayed until 2023.

 

International ferry

From the International Ferry Terminal, based at Royal Quays, the Danish company DFDS Seaways operates a daily service to IJmuiden.

 

The ferry service to Gothenburg, Sweden (run by DFDS Seaways), ceased operation at the end of October 2006. DFDS Seaways' sister company, DFDS Tor Line, continues to run scheduled freight ships between Gothenburg and several English ports, including Newcastle, but these have limited capacity for passengers and do not carry private vehicles.

 

Port of Tyne International Passenger Terminal

The passenger terminal regularly welcomes tourists travelling on cruises that call at North Shields as an access point for Newcastle upon Tyne and the wider North East of England. In 2017, 52 ships docked, bringing 120,000 visitors to the region. A number of "dudes" - red and blue powder coated figures designed by artist Perminder Kaur - can be seen on a grassy mound at the entrance to the terminal.

 

Culture

In 2009, seating inspired by Plasticine, the inventor of which was born in North Shields, was installed on Bedford Street in the town centre. The seats proved unpopular as their shape prevented rainwater draining off, so they were replaced by more traditional metal benches and moved to the Royal Quays Marina in 2011.

 

YMCA

YMCA North Tyneside was founded in 1870 and was originally known as The Borough of Tynemouth YMCA. After an inaugural meeting on 7 June 1879, weekly meetings followed in the Sons of Temperance Hall, Norfolk Street, North Shields. The YMCA grew in popularity. Within a year, larger premises were needed. Meetings moved to 53 Tyne Street, North Shields and in 1879 to Camden Street, North Shields. In 1920 the YMCA moved to a building in Bedford Street (which is still owned by the YMCA and now occupied by the Citizens Advice Bureau) where it remained until 1938, when it moved to the present building and the current registered office at Church Way, North Shields.

 

Fish Quay Festival

Between 1987 and 2001, a community festival was organised on the fish quay, during which the fleet of fishing boats would be blessed and various local talents would entertain the crowds. At its peak, the festival attracted 600,000 visitors. A smaller-scale family festival, in order to save costs, was held annually between 2002 and 2006, before it too was scrapped as a money-saving measure.

 

Retail

Town Centre

A significant part of the town centre is pedestrianised and it is dominated by the Beacon, a partly-covered shopping mall which was constructed in the late 1970s and originally named The Bedford Centre.

 

As with many British high streets, a number of large chains have closed their branches in the town in recent years, including Littlewoods, Woolworths and McDonald's. As of 2019, Wilko has a large store in the Beacon, alongside high street regulars such as Specsavers, Superdrug and Boots. A number of discount retailers including B & M, Home Bargains, Peacocks and Heron Foods have branches in the town centre, as well as numerous charity stores.

 

Greggs, Cooplands, and Costa Coffee have outlets. Charities YMCA North Tyneside, Age UK and Operation Veteran both have independent coffee shops. Barista Boho, opened in 2022 in the former Alnwick Castle public house, also serves local coffee blends and hosts musicians. There are numerous independent butchers in the town centre, as well as a local independent bakery, Canatrice, located nearby.

 

Asda acquired a former Netto store in the town centre in 2011. The Co-op has a number of branches in the town, including convenience stores in Tynemouth and Preston. Morrisons also has a large store in Preston.

 

Other shopping centres

There are three further shopping centres in the town, as well as parades of shops in Balkwell, Preston and Chirton.

 

The Royal Quays Outlet Centre is home to a number of discount stores including outlets for Next, Clarks and Mountain Warehouse, as well as independent retailers such as a photographic studio and pet shop. The closures of a Marks & Spencer Outlet and, in late 2019, the Nike store have somewhat diminished the centre. In January 2020, Thorntons posted notices announcing the closure of their shop and coffee shop. Costa Coffee, The Body Shop, Cotton Traders, Dreams, Edinburgh Woollen Mill, Moss, Tog 24, Trespass and Poundland also had branches in early 2020. In April 2023, it was reported that the centre's owners had appointed receivers who were advertising it for sale as a going concern. It remains open as usual.

 

The Coast Road Retail Park is adjacent to a large Tesco supermarket and, as of 2020, home to Dunelm, B & M, Pets at Home, Carpetright and The Food Warehouse stores.

 

The Silverlink Shopping Park, as of 2020, includes branches of Boots, Next, H&M, Halfords, Marks and Spencer and River Island. In September 2016, a large expansion of the retail park opened. Odeon also has a multi-screen cinema at the park, alongside restaurants.

 

Business

Over 100 businesses in the town are members of The North Shields Chamber of Trade and Commerce.

 

The Mercantile Building Society, established in the town and formerly headquartered at the Silverlink Business Park, merged with the Leeds Building Society in 2006.

 

Recreation

In 2000, the local authority established more than 30 miles (48 km) of walking routes, primarily following the paths of 19th-century waggonways. A Tynemouth walk begins from the Metro station in the town centre and drops down on to the fish quay before following a route to Tynemouth, while the Royal Quays walk begins from the Meadowell Metro station and completes a route around the redeveloped riverside area including the marina, before ending at Percy Main Metro station.

 

Sport

The town is home to the non-League football club North Shields F.C. Founded in 1896, the team competes in Northern Football League and plays home games at Daren Persson Stadium (formerly Ralph Gardner Park). The team has twice played at Wembley Stadium, winning 2–1 on both occasions: against Sutton United on 12 April 1969 at the old Wembley to win the FA Amateur Cup and against Glossop North End at the new stadium on 9 May 2015 to win the FA Vase, the Amateur Cup's successor. The stadium is presently named as such because of a sponsorship by a local funeral director.

 

Leisure facilities

The Parks Sports Centre was opened in 1998, after the construction of the Royal Quays. It has a large sports hall, gym, multi-sensory room, outdoor football pitches, indoor and outdoor bowls facilities and a cafe.

 

Royal Quays facilities

The Wet'n'Wild indoor water park was constructed in 1992 and opened in summer 1993 as part of the Royal Quays development. It was originally designed with rides: six speed slides, five conventional flumes and one "lazy river" ride. The "Twister", a speed slide, was 85 metres (279 ft) long, and started from a height of 12.5 metres (41 ft). It closed in 2013 after its owner entered administration, but was reopened in 2014, having been bought by another company. In 2020, the owner announced that it would not reopen after the winter, citing financial losses due to poor visitor numbers.

 

A bowling alley, originally Star Bowl, also forms part of the development. In 2019, having been closed for some time, it was reopened as Gutterball.

 

A trampoline park, Xtreme Bounce, was opened in 2017 in an air-locked dome in the outlet centre's car park. In 2019, the Inflatanation chain took over the site and reopened the venue with inflatables replacing the trampolines.

 

In 2019, a leisure hub housed in the health and fitness section of the former JJB Soccerdome adjacent to the outlet centre, was announced. Everyone Entertained was to feature climbing walls, soft play, laser tag and adventure golf, and employ 100 people. As of May 2020, the venue remains unopened. The pitches and bar were reopened as The Evolution Football Centre in autumn 2018. In early 2020, it was announced that the centre was to close having proved financially nonviable.

 

Parks

There are a number of parks and play areas in the town.

Northumberland Park lies on the border of North Shields and Tynemouth and was set out around 1885, in an area formerly known as Spittal Dene. In 2015, North Tyneside Council completed a major project to revive and restore parts of the park. The multi-million pound scheme saw archaeological investigations carried out around the medieval St Leonard's Hospital and the restoration historical features that had been lost over the years. Iron railings, park furniture, fountains were installed amid historic planting schemes. A pavilion housing a cafe and toilet facilities as well as offices and storage for the park staff was also opened.

 

There is a children's play area at the south end of the park, bowling greens on the western border and a historical pet cemetery to the north. A number of trees along a pathway in the northern half feature plaques commemorating their planting by various local dignitaries.

 

West End Park and Linear Park, Chirton Dene

West End Park lies adjacent to The Parks sports centre and was laid out prior to the 1940s. To its south, Linear Park runs down to the Royal Quays Marina and was created as part of the Royal Quays development in the mid-1990s.

 

Redburn Dene

As with Linear Park, Redburn Dene was created as part of the 1990s redevelopment of former industrial and dockland areas, following a natural water course. It features sculptures made from reclaimed staithes. The park was given a Green Flag award in 2020.

 

Culture

Art

Fiddler's Green, a steel sculpture that serves as a memorial to fishermen lost at sea, was unveiled in 2017.

 

A number of pieces were installed as part of the Royal Quays development. Located in Chirton Dene, Redburn Dene, by the marina, and near the shopping outlet, they include works by Richard Broderick, Graham Robinson, Linda France, Alec Peever, Gilly Rogers, Mark di Suvero, Perminder Kaur and Andy Plant.

 

In film

Dream On (1991) was produced by Amber Films and filmed on location in Meadow Well. Its original release was around the time of the Meadow Well riots.

 

On television

The BBC series When the Boat Comes In, though set in the fictional Gallowshield, was essentially set in North Shields and filmed on location around the town. Various episodes of the series Spender, which starred Jimmy Nail, and Vera, with Brenda Blethyn, were also filmed there.

 

In songs

Sweden's foremost troubadour of the 20th century, Evert Taube, wrote the song "Mary Strand", which is set in North Shields in 1909. Mary Strand is the proprietress of the cigar shop Tiger Brand on Dock Street and hides a young sailor from the police. The song is based on Taube's own experience, when he ran away from the steamship Australic in Newcastle upon Tyne.

 

Twin town

In 2017, the town was twinned with Merthyr Tydfil, in Wales, as part of the Carnegie Twin Towns Project. The project aimed to pair towns that had similar characteristics, and socio-economic challenges, in order to consider how they might make positive changes to their communities.

 

Landmarks

Lights of North Shields

Because of the difficulty of navigating ships into the mouth of the river past the dangerous Black Midden rocks, buildings were erected in the 16th century with permanent lights burning to be used as a guide by the mariners. High and Low lights are pictured on a 1655 map of the river Tyne: a pair of square castellated towers. Both lights were rebuilt in 1727, and these buildings still stand today (albeit the Old Low Light was remodelled in 1830 to serve as an almshouse). In 1810, the Old Lights were replaced by new High and Low Lights, placed respectively at the top and bottom of the steep bank alongside the river. All these lights were owned and operated by Trinity House of Newcastle-upon-Tyne until they ceased operation. Today, the Old High Beacon, as well as the High and Low Lights, are private residences; they remain prominent landmarks. In 2014 the black-painted Old Low Light was opened to the public following a substantial refurbishment; it contains a café, shop, museum, viewing platform and event space.

 

Fish Quay

In 1806, a market place was opened on New Quay. In 1870, work began on constructing a fish quay to provide shelter for the docked fishing boats. This quay is still in use today. In 2017, a sculpture by artist Ray Lonsdale of a lone fisherman – made of corten steel and weighing over 2 tonnes – was installed on the quay.

 

Clifford's Fort

Clifford's Fort, located on the Fish Quay, was built in the 17th century as a coastal defence against the Dutch. The Fort was active during the Napoleonic Wars and played a significant role during World War I, being the birthplace of the Tyne Electrical Engineers. The fort was officially evacuated by the military in May 1928, sold to the Tynemouth Corporation, and redeveloped as new fish processing facilities.[161] Very little now remains of the original fort buildings, though the walls are intact. The area has undergone considerable restoration, with most of the fish processing units demolished. The remaining excellent modern retail units are very popular. During restoration work, part of the foundations of the 18th century Master Gunner's House (demolished in 1973) were found below the concrete floor of a fish processing unit. Elsewhere on the site, part of the stone edging of Cable Tanks belonging to the Submarine Mining Depot, established at the fort in 1888, was uncovered. The gun embrasures have been revealed, the ground resurfaced, and there are some traffic restrictions. The Old Low Light, built in 1735 and Grade II-listed, within Clifford’s Fort, has been restored and operates as a Heritage Centre, café, and community space.

 

Wooden Dolly

One of North Shields' oldest landmarks is the "Wooden Dolly" statue. In 1814, the female figurehead of a collier brig was placed at the entrance to Custom House Quay, on Liddell Street, and stood there until 1850, when it was vandalised. A second figurehead was placed on the same spot. The "Wooden Dolly", as the figurehead was known, was used by seafarers as a source of good-luck charms, by cutting pieces of wood from her to be taken with them on voyages. Eventually the figurehead was defaced beyond repair and after 14 years was replaced by Wooden Dolly No. 3. This remained until 1901 when it was replaced with Wooden Dolly No. 4 in the shape of a fishwife. A fifth Wooden Dolly, also a fishwife, was placed in Northumberland Square in 1958 and was removed for restoration in December 2019. Once restoration has been completed it will be placed in the Library and a replacement figure installed in the square. In 1992, a sixth Wooden Dolly was placed where the first four had been, at the entrance to Custom House Quay, and can still be seen there, next to the Prince of Wales public house.

Explore Highest position: 160 on Saturday, July 7, 2007

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.......

من از ستاره سوختم

لبالب از ستارگان تب شدم

چو ماهيان سرخ رنگ ساده دل

ستاره چين بركه هاي شب شدم

 

Positioned on the fringe of Toronto’s Town Centre, Anglican Care’s site at Toronto currently provides an 80 bed nursing home and associated self-care dwellings in the form of single and two storey townhouses. With the acquisition of three adjacent residential properties, the site’s lower portion was assigned for re-development, the first stage of which, a 147 bed Residential Aged Care Facility, is now complete.

 

The facility is designed around a secure central courtyard and its living and dining areas and as many bedrooms as possible, make the most of the magnificent northerly views across Lake Macquarie and towards Mount Sugarloaf and the surrounding ranges.

 

Development of the remainder of the lower site portion will add Self-care Apartments focusing onto a Village Green and a Community Centre, providing a new in-ground lap pool, allied health suites for visiting health professionals, a ‘Men’s Shed’ and a 100 seat capacity Community Hall.

Source: Jackson Teece

Grand Central Station, NYC

Apex Wheels Forged VS-5RS in Anthracite

 

Front 19x9"ET50 - 265/35-19 Toyo R888R

Rear: 19x11"ET45 - 305/30-19 Toyo R888R

 

-3° front camber

-2.5° rear camber

 

Mods

Clubsport front camber plates

TPC offset rear toe links

The colors of Boracay Sunset...

Love it when cars have their wheels turned, unfortunately the light here was horrendous. Stunning car though, the Vanquish will have some big shoes to fill.

Final day of Oxford Summer Eights, on the Thames/Isis.

www.rawcar.com/blog

 

James Montgomery (4 November 1771 – 30 April 1854) was a Scottish-born hymn writer, poet and editor, who eventually settled in Sheffield. He was raised in the Moravian Church and theologically trained there, so that his writings often reflect concern for humanitarian causes, such as the abolition of slavery and the exploitation of child chimney sweeps.[1]

 

Early life and poetry

Montgomery was born at Irvine in south-west Scotland, the son of a pastor and missionary of the Moravian Brethren. He was sent to be trained for the ministry at the Moravian School at Fulneck, near Leeds, while his parents left for the West Indies, where both died within a year of each other. At Fulneck, secular studies were banned, but James still found means of borrowing and reading a good deal of poetry and made ambitious plans to write epics of his own.

 

On failing to complete his schooling, Montgomery was apprenticed to a baker in Mirfield, then to a store-keeper at Wath-upon-Dearne. After further efforts, including an unsuccessful attempt at a literary career in London, he moved north again to Sheffield in 1792 as an assistant to Joseph Gales, auctioneer, bookseller and printer of the Sheffield Register, who introduced him into the local Lodge of Oddfellows, to which he later addressed a song. In 1794, Gales left England to avoid political prosecution and Montgomery took the paper in hand, changing its name to the Sheffield Iris.

 

These were times of political repression. Montgomery was twice imprisoned on charges of sedition, first in 1795 for printing a poem to celebrate the fall of the Bastille in revolutionary France, and secondly in 1796 for criticising a magistrate for forcibly dispersing a political protest in Sheffield. Turning his jail experiences to some profit, he then published a pamphlet of poems written during his captivity: Prison Amusements (1797). His later prose account of the period appeared in 1840.

 

For some time the Iris was the only newspaper in Sheffield, but beyond an ability to produce fairly creditable articles from week to week, Montgomery lacked the journalistic skills to take full advantage of his position. Other newspapers arose to fill the place which his might have held and in 1825 he sold out to a local bookseller, John Blackwell.

 

Meanwhile, Montgomery continued to write poetry. He achieved some fame with The Wanderer of Switzerland (1806), a poem in six parts written in seven-syllable cross-rhymed quatrains. It addressed the French annexation of Switzerland and quickly went through two editions. When it was denounced the following year in the conservative Edinburgh Review as a poem that would be speedily forgotten, Lord Byron came to its defence in the satire English Bards and Scotch Reviewers. Nevertheless, within 18 months a fourth impression of 1500 copies was issued from the very presses that had printed the criticism, and several more would follow. This success brought Montgomery a commission from the printer Bowyer to write a poem on the abolition of the slave trade, to be published with other poems on the subject by Elizabeth Benger and James Grahame in a handsome illustrated volume. The subject appealed to the poet's philanthropic enthusiasm and his own family associations with the West Indies. The four-part poem in heroic couplets appeared in 1809 as The West Indies.

 

Montgomery also used heroic couplets for The World before the Flood (1812), a piece of historical reconstruction in ten cantos. He then turned to attacking the lottery in Thoughts on Wheels (1817) and took up the cause of chimney sweeps' apprentices in The Climbing Boys' Soliloquies. His next major poem was Greenland (1819) in five cantos of heroic couplets. It was prefaced by a description of the ancient Moravian church, its 18th-century revival and its mission to Greenland in 1733. The poem was noted for the beauty of its descriptions:

 

The moon is watching in the sky; the stars

Are swiftly wheeling on their golden cars;

Ocean, outstretcht with infinite expanse,

Serenely slumbers in a glorious trance;

The tide, o'er which no troubled spirits breathe,

Reflects a cloudless firmament beneath,

Where poised as in the centre of a sphere

A ship above and ship below appear;

A double image pictured on the deep,

The vessel o’er its shadow seems to sleep;

Yet, like the host of heaven, that never rest,

With evanescent motion to the west,

The pageant glides through loneliness and night,

And leaves behind a rippling wake of light.

 

— Canto 1, lines 1-14

 

Later career

Montgomery's only other long poem, after retiring from newspaper editorship, was The Pelican Island (1828): nine cantos of descriptive blank verse, which garnered mixed responses, ranging between the summarily dismissive and Blackwood's Magazine's "the best of all Montgomery's poems: in idea the most original, in execution the most powerful."

 

Montgomery himself expected that his name would live, if at all, in his hymns. Some of these, such as "Hail to the Lord's Anointed", "Prayer is the Soul's Sincere Desire", "Stand up and Bless the Lord" and the carol "Angels from the Realms of Glory", are still sung. "The Lord Is My Shepherd" is a popular hymn with many denominations, based on Psalm 23. "A Poor Wayfaring Man of Grief" has been adopted as a favourite in the Latter Day Saint movement. The earliest of his hymns dates from his days in Wath on Dearne and he added to their number over the years. The main boost came when the Rev. James Cotterill arrived at the parish church St Paul's, a chapel of ease to St Peter's, Sheffield's only parish church, in 1817.

 

Cotterill had compiled and published A Selection of Psalms and Hymns Adapted to the Services of the Church of England in 1810, but to his disappointment and concern he found that his new parishioners did not take kindly to using it. He therefore enlisted the help of James Montgomery to help him revise the collection and improve it by adding some hymns of the poet's own composition. This new edition, meeting with the approval of the Archbishop of York (and eventually of the parishioners at St Paul's), was finally published in 1820. In 1822 Montgomery published his own Songs of Zion: Being Imitations of Psalms, the first of several more collections of hymns. During his life he composed some 400 hymns, although less than a hundred of them are commonly sung today.

 

From 1835 until his death, Montgomery lived at The Mount in Glossop Road, Sheffield. He was well regarded in the city and played an active part in its philanthropy and religious life. He died on 30 April 1854, was honoured by a public funeral, and buried in Sheffield General Cemetery. He had remained unmarried.

 

Legacy

In 1861, a monument designed by John Bell (1811–1895) was erected over his grave in the Sheffield cemetery at a cost of £1000, raised by public subscription on the initiative of the Sheffield Sunday School Union, of which he was among the founding members. On its granite pedestal is inscribed: "Here lies interred, beloved by all who knew him, the Christian poet, patriot, and philanthropist. Wherever poetry is read, or Christian hymns sung, in the English language, 'he being dead, yet speaketh' by the genius, piety and taste embodied in his writings." There are also extracts from his poems "Prayer" and "The Grave". After the statue fell into disrepair it was moved in 1971 to the precincts of Sheffield Cathedral, where there is also a memorial window to him.

 

Elsewhere in Sheffield there are various streets named after Montgomery, as is a Grade II-listed drinking fountain on Broad Lane. The Surrey Street meeting hall of the Sunday Schools Union (now known as The Montgomery) was named in his honour in 1886. It houses a 420-seat theatre, which also bears his name. Elsewhere, Wath-upon-Dearne, flattered by being called "the queen of villages" in his work, has repaid the compliment by naming after him a community hall, a street and a square. His birthplace in Irvine was renamed Montgomery House after he had paid the town a return visit in 1841, but it has since been demolished.

 

Other works

Montgomery, James (1816). Verses to the memory of the late Richard Reynolds, of Bristol.

Poetical Works, four editions in 1821, 1836, 1841, and 1854

Editor: The Chimney-Sweeper's Friend and Climbing-Boy's Album, London: Longman, Hurst, Rees, Orme, Brown and Green, 1824

Editor: The Christian Psalmist; or, Hymns, Selected and Original, Glasgow: Chalmers and Collins, 1825. sixth edn. 1829; Read Books, 2008, ISBN 9781409799900

Editor: The Christian poet; or, selections in verse on sacred subjects, Wm Collins, Glasgow, 1825

An Essay on the Phrenology of the Hindoos and Negroes, London: Printed for E. Lloyd, 1829

Original Hymns For Public, Private, and Social Devotion, London: Longman, Brown, Green, 1853

Sacred Poems and Hymns: For Public and Private Devotion. D. Appleton. 1854.

Prose by a Poet, 2 vols, London: Longman, Hurst, Rees, Orme, Brown and Green, 1824

Montgomery, James (1833). Lectures on poetry and general literature.

A practical detail of the cotton manufacture of the United States of America: and the state of the cotton manufacture of that country contrasted and compared with that of Great Britain; with comparative estimates of the cost of manufacturing in both countries ... J. Niven. 1840.

 

Sheffield is a city in South Yorkshire, England, whose name derives from the River Sheaf which runs through it. The city serves as the administrative centre of the City of Sheffield. It is historically part of the West Riding of Yorkshire and some of its southern suburbs were transferred from Derbyshire to the city council. It is the largest settlement in South Yorkshire.

 

The city is in the eastern foothills of the Pennines and the valleys of the River Don with its four tributaries: the Loxley, the Porter Brook, the Rivelin and the Sheaf. Sixty-one per cent of Sheffield's entire area is green space and a third of the city lies within the Peak District national park and is the fifth largest city in England. There are more than 250 parks, woodlands and gardens in the city, which is estimated to contain around 4.5 million trees. The city is 29 miles (47 km) south of Leeds and 32 miles (51 km) east of Manchester.

 

Sheffield played a crucial role in the Industrial Revolution, with many significant inventions and technologies having developed in the city. In the 19th century, the city saw a huge expansion of its traditional cutlery trade, when stainless steel and crucible steel were developed locally, fuelling an almost tenfold increase in the population. Sheffield received its municipal charter in 1843, becoming the City of Sheffield in 1893. International competition in iron and steel caused a decline in these industries in the 1970s and 1980s, coinciding with the collapse of coal mining in the area. The Yorkshire ridings became counties in their own right in 1889, the West Riding of Yorkshire county was disbanded in 1974. The city then became part of the county of South Yorkshire; this has been made up of separately-governed unitary authorities since 1986. The 21st century has seen extensive redevelopment in Sheffield, consistent with other British cities. Sheffield's gross value added (GVA) has increased by 60% since 1997, standing at £11.3 billion in 2015. The economy has experienced steady growth, averaging around 5% annually, which is greater than that of the broader region of Yorkshire and the Humber.

 

Sheffield had a population of 556,500 at the 2021 census, making it the second largest city in the Yorkshire and the Humber region. The Sheffield Built-up Area, of which the Sheffield sub-division is the largest part, had a population of 685,369 also including the town of Rotherham. The district borough, governed from the city, had a population of 554,401 at the mid-2019 estimate, making it the 7th most populous district in England. It is one of eleven British cities that make up the Core Cities Group. In 2011, the unparished area had a population of 490,070.

 

The city has a long sporting heritage and is home both to the world's oldest football club, Sheffield F.C., and the world's oldest football ground, Sandygate. Matches between the two professional clubs, Sheffield United and Sheffield Wednesday, are known as the Steel City derby. The city is also home to the World Snooker Championship and the Sheffield Steelers, the UK's first professional ice hockey team.

 

The history of Sheffield, a city in South Yorkshire, England, can be traced back to the founding of a settlement in a clearing beside the River Sheaf in the second half of the 1st millennium AD. The area now known as Sheffield had seen human occupation since at least the last ice age, but significant growth in the settlements that are now incorporated into the city did not occur until the Industrial Revolution.

 

Following the Norman conquest of England, Sheffield Castle was built to control the Saxon settlements and Sheffield developed into a small town, no larger than Sheffield City Centre. By the 14th century Sheffield was noted for the production of knives, and by 1600, overseen by the Company of Cutlers in Hallamshire, it had become the second centre of cutlery production in England after London. In the 1740s the crucible steel process was improved by Sheffield resident Benjamin Huntsman, allowing a much better production quality. At about the same time, Sheffield plate, a form of silver plating, was invented. The associated industries led to the rapid growth of Sheffield; the town was incorporated as a borough in 1843 and granted a city charter in 1893.

 

Sheffield remained a major industrial city throughout the first half of the 20th century, but the downturn in world trade following the 1973 oil crisis, technological improvements and economies of scale, and a wide-reaching restructuring of steel production throughout the European Economic Community led to the closure of many of the steelworks from the early 1970s onward. Urban and economic regeneration schemes began in the late 1980s to diversify the city's economy. Sheffield is now a centre for banking and insurance functions with HSBC, Santander and Aviva having regional offices in the city. The city has also attracted digital start-ups, with 25,000 now employed in the digital sector.

 

Early history

Photograph showing a moorland view. The moor is covered in heather of varying shades of brown. Stones are scattered across the moor. In the middle distance there is a rock outcrop atop a small hill. Behind it is a larger hill with a flat top.

Carl Wark, an Iron Age hill fort in southwest Sheffield.

The earliest known evidence of human occupation in the Sheffield area was found at Creswell Crags in Derbyshire to the east of the city. Artefacts and rock art found in caves at this site have been dated by archaeologists to the late Upper Palaeolithic period, at least 12,800 years ago. Other prehistoric remains found in Sheffield include a Mesolithic "house"—a circle of stones in the shape of a hut-base dating to around 8000 BC, found at Deepcar, in the northern part of the city. This has been ascribed to the Maglemosian culture. (grid reference SK 2920 9812). The site's culture has similarities to Star Carr in North Yorkshire, but gives its name to unique "Deepcar type assemblages" of microliths in the archaeology literature. A cup and ring-marked stone was discovered in Ecclesall Woods in 1981, and has been dated to the late Neolithic or Bronze Age periods. It, and an area around it of 2 m diameter, is a scheduled ancient monument.

 

During the Bronze Age (about 1500 BC) tribes sometimes called the Urn people started to settle in the area. They built numerous stone circles, examples of which can be found on Ash Cabin Flat, Froggatt Edge and Hordron Edge (Hordron Edge stone circle). Two Early Bronze Age urns were found at Crookes in 1887, and three Middle Bronze Age barrows found at Lodge Moor (both suburbs of the modern city).

 

Iron Age

During the British Iron Age the area became the southernmost territory of the Pennine tribe called the Brigantes. It is this tribe who in around 500 BC are thought to have constructed the hill fort that stands on the summit of a steep hill above the River Don at Wincobank, in what is now northeastern Sheffield. Other Iron Age hill forts in the area are Carl Wark on Hathersage Moor to the southwest of Sheffield, and one at Scholes Wood, near Rotherham. The rivers Sheaf and Don may have formed the boundary between the territory of the Brigantes and that of a rival tribe called the Corieltauvi who inhabited a large area of the northeastern Midlands.

 

Roman Britain

The Roman invasion of Britain began in AD 43. By 51 the Brigantes had submitted to the clientship of Rome, eventually being placed under direct rule in the early 70s. Few Roman remains have been found in the Sheffield area. A minor Roman road linking the Roman forts at Templeborough and Navio at Brough-on-Noe possibly ran through the centre of the area covered by the modern city, and Icknield Street is thought to have skirted its boundaries. The routes of these roads within this area are mostly unknown, although sections of the former were thought, by Hunter and Leader, be visible between Redmires and Stanage on an ancient road known as the Long Causeway. In recent years some scholars have cast doubt on this, with an initial survey of Barber Fields, Ringinglow, suggesting the Roman Road took a route over Burbage Edge. The remains of a Roman road, possibly linked to the latter, were discovered in Brinsworth in 1949.

 

In April 1761, tablets or diplomas dating from the Roman period were found in the Rivelin Valley south of Stannington, close to what was possibly the course of the Templeborough to Brough-on-Noe road. These tablets included a grant of citizenship and land or money to a retiring Roman auxiliary of the Sunuci tribe of Belgium.

 

To . . . . . . . . the son of Albanus, of the tribe of the Sunuci, late a foot soldier in the first cohort of the Sunuci commanded by M. Junius Claudianus.

 

In addition there have been finds dating from the Roman period on Walkley Bank Road, which leads onto the valley bottom.

 

There have been small finds of Roman coins throughout the Sheffield area, for example 30 to 40 Roman coins were found near the Old Great Dam at Crookesmoor, 19 coins were found near Meadowhall in 1891, 13 in Pitsmoor in 1906, and ten coins were found at a site alongside Eckington cemetery in December 2008. Roman burial urns were also found at Bank Street near Sheffield Cathedral, which, along with the name of the old lane behind the church (Campo Lane[n 2]), has led to speculation that there may have been a Roman camp at this site. It is unlikely that the settlement that grew into Sheffield existed at this time. In 2011 excavations revealed remains of a substantial 1st or 2nd century AD Roman rural estate centre, or 'villa' on what is believed to be a pre-existing Brigantian farmstead site at Whirlow Hall Farm in South-west Sheffield.

 

Following the departure of the Romans, the Sheffield area may have been the southern part of the Celtic kingdom of Elmet, with the rivers Sheaf and Don forming part of the boundary between this kingdom and the kingdom of Mercia. Gradually, Anglian settlers pushed west from the kingdom of Deira. The Britons of Elmet delayed this English expansion into the early part of the 7th century. An enduring Celtic presence within this area is evidenced by the settlements called Wales and Waleswood close to Sheffield—the word Wales derives from the Germanic word Walha, and was originally used by the Anglo-Saxons to refer to the native Britons.

 

The origins of Sheffield

The name Sheffield is Old English in origin. It derives from the River Sheaf, whose name is a corruption of shed or sheth, meaning to divide or separate. Field is a generic suffix deriving from the Old English feld, meaning a forest clearing. It is likely then that the origin of the present-day city of Sheffield is an Anglo-Saxon settlement in a clearing beside the confluence of the rivers Sheaf and Don founded between the arrival of the Anglo-Saxons in this region (roughly the 6th century) and the early 9th century.

 

The names of many of the other areas of Sheffield likely to have been established as settlements during this period end in ley, which signifies a clearing in the forest, or ton, which means an enclosed farmstead. These settlements include Heeley, Longley, Norton, Owlerton, Southey, Tinsley, Totley, Treeton, Wadsley, and Walkley.

 

The earliest evidence of this settlement is thought to be the shaft of a stone cross dating from the early 9th century that was found in Sheffield in the early 19th century. This shaft may be part of a cross removed from the church yard of the Sheffield parish church (now Sheffield Cathedral) in 1570. It is now kept in the British Museum.

 

A document from around the same time, an entry for the year 829 in the Anglo-Saxon Chronicle, refers to the submission of King Eanred of Northumbria to King Egbert of Wessex at the hamlet of Dore (now a suburb of Sheffield): "Egbert led an army against the Northumbrians as far as Dore, where they met him, and offered terms of obedience and subjection, on the acceptance of which they returned home". This event made Egbert the first Saxon to claim to be king of all of England.

 

The latter part of the 9th century saw a wave of Norse (Viking) settlers and the subsequent establishment of the Danelaw. The names of hamlets established by these settlers often end in thorpe, which means a farmstead. Examples of such settlements in the Sheffield area are Grimesthorpe, Hackenthorpe, Jordanthorpe, Netherthorpe, Upperthorpe, Waterthorpe, and Woodthorpe. By 918 the Danes south of the Humber had submitted to Edward the Elder, and by 926 Northumbria was under the control of King Æthelstan.

 

In 937 the combined armies of Olaf Guthfrithson, Viking king of Dublin, Constantine, king of Scotland and Owain ap Dyfnwal, king of the Cumbrians, invaded England. The invading force was met and defeated by an army from Wessex and Mercia led by King Æthelstan at the Battle of Brunanburh. The location of Brunanburh is unknown, but some historians have suggested a location between Tinsley in Sheffield and Brinsworth in Rotherham, on the slopes of White Hill. After the death of King Athelstan in 939 Olaf Guthfrithson invaded again and took control of Northumbria and part of Mercia. Subsequently, the Anglo-Saxons, under Edmund, re-conquered the Midlands, as far as Dore, in 942, and captured Northumbria in 944.

 

The Domesday Book of 1086, which was compiled following the Norman Conquest of 1066, contains the earliest known reference to the districts around Sheffield as the manor of "Hallun" (or Hallam). This manor retained its Saxon lord, Waltheof, for some years after the conquest. The Domesday Book was ordered written by William the Conqueror so that the value of the townships and manors of England could be assessed. The entries in the Domesday Book are written in a Latin shorthand; the extract for this area begins:

 

TERRA ROGERII DE BVSLI

M. hi Hallvn, cu XVI bereuvitis sunt. XXIX. carucate trae

Ad gld. Ibi hb Walleff com aula...

Translated it reads:

 

LANDS OF ROGER DE BUSLI

Photograph showing an old stone church with a short wide tower. The view is taken from a graveyard, there is a large tomb stone in the foreground and the church is surrounded by trees.

 

The remains of Beauchief Abbey.

In Hallam, one manor with its sixteen hamlets, there are twenty-nine carucates [~14 km2] to be taxed. There Earl Waltheof had an "Aula" [hall or court]. There may have been about twenty ploughs. This land Roger de Busli holds of the Countess Judith. He has himself there two carucates [~1 km2] and thirty-three villeins hold twelve carucates and a half [~6 km2]. There are eight acres [32,000 m2] of meadow, and a pasturable wood, four leuvae in length and four in breadth [~10 km2]. The whole manor is ten leuvae in length and eight broad [207 km2]. In the time of Edward the Confessor it was valued at eight marks of silver [£5.33]; now at forty shillings [£2.00].

In Attercliffe and Sheffield, two manors, Sweyn had five carucates of land [~2.4 km2] to be taxed. There may have been about three ploughs. This land is said to have been inland, demesne [domain] land of the manor of Hallam.

The reference is to Roger de Busli, tenant-in-chief in Domesday and one of the greatest of the new wave of Norman magnates. Waltheof, Earl of Northumbria had been executed in 1076 for his part in an uprising against William I. He was the last of the Anglo-Saxon earls still remaining in England a full decade after the Norman conquest. His lands had passed to his wife, Judith of Normandy, niece to William the Conqueror. The lands were held on her behalf by Roger de Busli.

 

The Domesday Book refers to Sheffield twice, first as Escafeld, then later as Scafeld. Sheffield historian S. O. Addy suggests that the second form, pronounced Shaffeld, is the truer form, as the spelling Sefeld is found in a deed issued less than one hundred years after the completion of the survey. Addy comments that the E in the first form may have been mistakenly added by the Norman scribe.

 

Roger de Busli died around the end of the 11th century, and was succeeded by a son, who died without an heir. The manor of Hallamshire passed to William de Lovetot, the grandson of a Norman baron who had come over to England with the Conqueror. William de Lovetot founded the parish churches of St Mary at Handsworth, St Nicholas at High Bradfield and St. Mary's at Ecclesfield at the start of the 12th century in addition to Sheffield's own parish church. He also built the original wooden Sheffield Castle, which stimulated the growth of the town.

 

Also dating from this time is Beauchief Abbey, which was founded by Robert FitzRanulf de Alfreton. The abbey was dedicated to Saint Mary and Saint Thomas Becket, who had been canonised in 1172. Thomas Tanner, writing in 1695, stated that it was founded in 1183. Samuel Pegge in his History of Beauchief Abbey notes that Albinas, the abbot of Derby, who was one of the witnesses to the charter of foundation, died in 1176, placing foundation before that date.

 

Medieval Sheffield

Following the death of William de Lovetot, the manor of Hallamshire passed to his son Richard de Lovetot and then his son William de Lovetot before being passed by marriage to Gerard de Furnival in about 1204. The de Furnivals held the manor for the next 180 years. The fourth Furnival lord, Thomas de Furnival, supported Simon de Montfort in the Second Barons' War. As a result of this, in 1266 a party of barons, led by John de Eyvill, marching from north Lincolnshire to Derbyshire passed through Sheffield and destroyed the town, burning the church and castle.

 

A new stone castle was constructed over the next four years and a new church was consecrated by William de Wickwane the Archbishop of York around 1280. In 1295 Thomas de Furnival's son (also Thomas) was the first lord of Hallamshire to be called to Parliament, thus taking the title Lord Furnivall. On 12 November 1296 Edward I granted a charter for a market to be held in Sheffield on Tuesday each week. This was followed on 10 August 1297 by a charter from Lord Furnival establishing Sheffield as a free borough.

 

The Sheffield Town Trust was established in the Charter to the Town of Sheffield, granted in 1297. De Furnival, granted land to the freeholders of Sheffield in return for an annual payment, and a Common Burgery administrated them. The Burgery originally consisted of public meetings of all the freeholders, who elected a Town Collector. Two more generations of Furnivals held Sheffield before it passed by marriage to Sir Thomas Nevil and then, in 1406, to John Talbot, the first Earl of Shrewsbury.

 

The Bishops' House.

In 1430 the 1280 Sheffield parish church building was pulled down and replaced. Parts of this new church still stand today and it is now Sheffield city centre's oldest surviving building, forming the core of Sheffield Cathedral. Other notable surviving buildings from this period include the Old Queen's Head pub in Pond Hill, which dates from around 1480, with its timber frame still intact, and Bishops' House and Broom Hall, both built around 1500.

 

Post-medieval Sheffield

The fourth Earl of Shrewsbury, George Talbot took up residence in Sheffield, building the Manor Lodge outside the town in about 1510 and adding a chapel to the Parish Church c1520 to hold the family vault. Memorials to the fourth and sixth Earls of Shrewsbury can still be seen in the church. In 1569 George Talbot, the sixth Earl of Shrewsbury, was given charge of Mary, Queen of Scots. Mary was regarded as a threat by Elizabeth I, and had been held captive since her arrival in England in 1568.

 

Talbot brought Mary to Sheffield in 1570, and she spent most of the next 14 years imprisoned in Sheffield Castle and its dependent buildings. The castle park extended beyond the present Manor Lane, where the remains of Manor Lodge are to be found. Beside them is the Turret House, an Elizabethan building, which may have been built to accommodate the captive queen. A room, believed to have been the queen's, has an elaborate plaster ceiling and overmantel, with heraldic decorations.[58] During the English Civil War, Sheffield changed hands several times, finally falling to the Parliamentarians, who demolished (slighted) the castle in 1648.

 

The Industrial Revolution brought large-scale steel making to Sheffield in the 18th century. Much of the medieval town was gradually replaced by a mix of Georgian and Victorian buildings. Large areas of Sheffield's city centre have been rebuilt in recent years, but among the modern buildings, some old buildings have been retained.

 

Industrial Sheffield

Sheffield developed after the industrial revolution because of its geography.

 

Fast-flowing rivers, such as the Sheaf, the Don and the Loxley, made it an ideal location for water-powered industries to develop. Raw materials, like coal, iron ore, ganister and millstone grit for grindstones, found in the nearby hills, were used in cutlery and blade production.

 

As early as the 14th century, Sheffield was noted for the production of knives:

 

Ay by his belt he baar a long panade,

And of a swerd ful trenchant was the blade.

A joly poppere baar he in his pouche;

Ther was no man, for peril, dorste hym touche.

A Sheffeld thwitel baar he in his hose.

Round was his face, and camus was his nose;

 

— Geoffrey Chaucer, The Reeve's Tale from The Canterbury Tales

 

By 1600 Sheffield was the main centre of cutlery production in England outside London, and in 1624 The Company of Cutlers in Hallamshire was formed to oversee the trade. Examples of water-powered blade and cutlery workshops from around this time can be seen at the Abbeydale Industrial Hamlet and Shepherd Wheel museums in Sheffield.

 

Around a century later, Daniel Defoe in his book A tour thro' the whole island of Great Britain, wrote:

 

This town of Sheffield is very populous and large, the streets narrow, and the houses dark and black, occasioned by the continued smoke of the forges, which are always at work: Here they make all sorts of cutlery-ware, but especially that of edged-tools, knives, razors, axes, &. and nails; and here the only mill of the sort, which was in use in England for some time was set up, (viz.) for turning their grindstones, though now 'tis grown more common. Here is a very spacious church, with a very handsome and high spire; and the town is said to have at least as many, if not more people in it than the city of York.

 

Sheffield area.

In the 1740s Benjamin Huntsman, a clock maker in Handsworth, invented a form of the crucible steel process for making a better quality of steel than had previously been available. At around the same time Thomas Boulsover invented a technique for fusing a thin sheet of silver onto a copper ingot producing a form of silver plating that became known as Sheffield plate. Originally hand-rolled Old Sheffield Plate was used for making silver buttons. Then in 1751 Joseph Hancock, previously apprenticed to Boulsover's friend Thomas Mitchell, first used it to make kitchen and tableware. This prospered and in 1762–65 Hancock built the water-powered Old Park Silver Mills at the confluence of the Loxley and the Don, one of the earliest factories solely producing an industrial semi-manufacture. Eventually Old Sheffield Plate was supplanted by cheaper electroplate in the 1840s. In 1773 Sheffield was given a silver assay office. In the late 18th century, Britannia metal, a pewter-based alloy similar in appearance to silver, was invented in the town.

 

Huntsman's process was only made obsolete in 1856 by Henry Bessemer's invention of the Bessemer converter, but production of crucible steel continued until well into the 20th century for special uses, as Bessemer's steel was not of the same quality, in the main replacing wrought iron for such applications as rails. Bessemer had tried to induce steelmakers to take up his improved system, but met with general rebuffs, and finally was driven to undertake the exploitation of the process himself. To this end he erected steelworks in Sheffield. Gradually the scale of production was enlarged until the competition became effective, and steel traders generally became aware that the firm of Henry Bessemer & Co. was underselling them to the extent of £20 a ton. One of Bessemer's converters can still be seen at Sheffield's Kelham Island Museum.

 

Stainless steel was discovered by Harry Brearley in 1912, at the Brown Firth Laboratories in Sheffield. His successor as manager at Brown Firth, Dr William Hatfield, continued Brealey's work. In 1924 he patented '18-8 stainless steel', which to this day is probably the most common alloy of this type.

 

These innovations helped Sheffield to gain a worldwide recognition for the production of cutlery; utensils such as the bowie knife were mass-produced and shipped to the United States. The population of the town increased rapidly. In 1736 Sheffield and its surrounding hamlets held about 7000 people, in 1801 there were 60,000, and by 1901, the population had grown to 451,195.

 

This growth spurred the reorganisation of the governance of the town. Prior to 1818, the town was run by a mixture of bodies. The Sheffield Town Trust and the Church Burgesses, for example, divided responsibility for the improvement of streets and bridges. By the 19th century both organisations lacked funds and struggled even to maintain existing infrastructure.[52] The Church Burgesses organised a public meeting on 27 May 1805 and proposed to apply to Parliament for an act to pave, light and clean the city's streets. The proposal was defeated.

 

The idea of a Commission was revived in 1810, and later in the decade Sheffield finally followed the model adopted by several other towns in petitioning for an Act to establish an Improvement Commission. This eventually led to the Sheffield Improvement Act 1818, which established the Commission and included several other provisions. In 1832 the town gained political representation with the formation of a Parliamentary borough. A municipal borough was formed by an Act of Incorporation in 1843, and this borough was granted the style and title of "City" by letters patent in 1893.

 

In 1832 an outbreak of cholera killed 402 people, including John Blake, the Master Cutler. Another 1,000 residents were infected by the disease. A memorial to the victims stands in Clay Wood where the victims of the outbreak are buried.

 

From the mid-18th century, a succession of public buildings were erected in the town. St Paul's Church, now demolished, was among the first, while the old Town Hall and the present Cutlers' Hall were among the major works of the 19th century. The town's water supply was improved by the Sheffield Waterworks Company, who built reservoirs around the town. Parts of Sheffield were devastated when, following a five-year construction project, the Dale Dyke dam collapsed on Friday 11 March 1864, resulting in the Great Sheffield Flood.

 

Sheffield's transport infrastructure was also improved. In the 18th century turnpike roads were built connecting Sheffield with Barnsley, Buxton, Chesterfield, Glossop, Intake, Penistone, Tickhill, and Worksop. In 1774 a 2-mile (3.2 km) wooden tramway was laid at the Duke of Norfolk's Nunnery Colliery. The tramway was destroyed by rioters, who saw it as part of a plan to raise the price of coal. A replacement tramway that used L-shaped rails was laid by John Curr in 1776 and was one of the earliest cast-iron railways. The Sheffield Canal opened in 1819 allowing the large-scale transport of freight.

 

This was followed by the Sheffield and Rotherham Railway in 1838, the Sheffield, Ashton-under-Lyne and Manchester Railway in 1845, and the Midland Railway in 1870. The Sheffield Tramway was started in 1873 with the construction of a horse tram route from Lady's Bridge to Attercliffe. This route was later extended to Brightside and Tinsley, and further routes were constructed to Hillsborough, Heeley, and Nether Edge. Due to the narrow medieval roads the tramways were initially banned from the town centre. An improvement scheme was passed in 1875; Pinstone Street and Leopold Street were constructed by 1879, and Fargate was widened in the 1880s. The 1875 plan also called for the widening of the High Street; disputes with property owners delayed this until 1895.

 

Steel production in the 19th century involved long working hours, in unpleasant conditions that offered little or no safety protection. Friedrich Engels in his The Condition of the Working Class in England in 1844 described the conditions prevalent in the city at that time:

 

In Sheffield wages are better, and the external state of the workers also. On the other hand, certain branches of work are to be noticed here, because of their extraordinarily injurious influence upon health. Certain operations require the constant pressure of tools against the chest, and engender consumption in many cases; others, file-cutting among them, retard the general development of the body and produce digestive disorders; bone-cutting for knife handles brings with it headache, biliousness, and among girls, of whom many are employed, anæmia. By far the most unwholesome work is the grinding of knife-blades and forks, which, especially when done with a dry stone, entails certain early death. The unwholesomeness of this work lies in part in the bent posture, in which chest and stomach are cramped; but especially in the quantity of sharp-edged metal dust particles freed in the cutting, which fill the atmosphere, and are necessarily inhaled. The dry grinders' average life is hardly thirty-five years, the wet grinders' rarely exceeds forty-five.

 

Sheffield became one of the main centres for trade union organisation and agitation in the UK. By the 1860s, the growing conflict between capital and labour provoked the so-called 'Sheffield Outrages', which culminated in a series of explosions and murders carried out by union militants. The Sheffield Trades Council organised a meeting in Sheffield in 1866 at which the United Kingdom Alliance of Organised Trades—a forerunner of the Trades Union Congress (TUC)—was founded.

 

The 20th century to the present

In 1914 Sheffield became a diocese of the Church of England, and the parish church became a cathedral. During the First World War the Sheffield City Battalion suffered heavy losses at the Somme and Sheffield itself was bombed by a German zeppelin.

 

The recession of the 1930s was only halted by the increasing tension as the Second World War loomed. The steel factories of Sheffield were set to work making weapons and ammunition for the war. As a result, once war was declared, the city once again became a target for bombing raids. In total there were 16 raids over Sheffield, but it was the heavy bombing over the nights of 12 and 15 December 1940 (now known as the Sheffield Blitz) when the most substantial damage occurred. More than 660 people died and numerous buildings were destroyed.

 

Following the war, the 1950s and 1960s saw many large scale developments in the city. The Sheffield Tramway was closed, and a new system of roads, including the Inner Ring Road, were laid out. Also at this time many of the old slums were cleared and replaced with housing schemes such as the Park Hill flats, and the Gleadless Valley estate.

 

In February 1962, the city was devastated by the Great Sheffield Gale. Extremely localised high winds across the city, reaching up to 97 mph (156 km/h), killed four people, injured more than 400, and damaged more than 150,000 houses across the city, leaving thousands homeless.

 

Sheffield's traditional manufacturing industries (along with those of many other areas in the UK), declined during the 20th century. In the 1980s, it was the setting for two films written by locally-born Barry Hines: Looks and Smiles, a 1981 film that portrayed the depression that the city was enduring, and Threads, a 1984 television film that simulated a nuclear winter in Sheffield after a warhead is dropped to the east of the city.

 

The building of the Meadowhall shopping centre on the site of a former steelworks in 1990 was a mixed blessing, creating much needed jobs but speeding the decline of the city centre. Attempts to regenerate the city were kick-started by the hosting of the 1991 World Student Games and the associated building of new sporting facilities such as the Sheffield Arena, Don Valley Stadium and the Ponds Forge complex. Sheffield began construction of a tram system in 1992, with the first section opening in 1994.

 

Starting in 1995, the Heart of the City Project has seen public works in the city centre: the Peace Gardens were renovated in 1998, the Millennium Gallery opened in April 2001, and a 1970s town hall extension was demolished in 2002 to make way for the Winter Garden, which opened on 22 May 2003. A series of other projects grouped under the title Sheffield One aim to regenerate the whole of the city centre.

 

Sheffield was particularly hard hit during the 2007 United Kingdom floods and the 2010 'Big Freeze'. The 2007 flooding on 25 June caused millions of pounds worth of damage to buildings in the city and led to the loss of two lives. Many landmark buildings such as Meadowhall and the Hillsborough Stadium flooded due to being close to rivers that flow through the city. In 2010, 5,000 properties in Sheffield were identified as still being at risk of flooding. In 2012 the city narrowly escaped another flood, despite extensive work by the Environment Agency to clear local river channels since the 2007 event. In 2014 Sheffield Council's cabinet approved plans to further reduce the possibility of flooding by adopting plans to increase water catchment on tributaries of the River Don. Another flood hit the city in 2019, resulting in shoppers being contained in Meadowhall Shopping Centre.

 

Between 2014 and 2018, there were disputes between the city council and residents over the fate of the city's 36,000 highway trees. Around 4,000 highway trees have since been felled as part of the ‘Streets Ahead’ Private Finance Initiative (PFI) contract signed in 2012 by the city council, Amey plc and the Department for Transport to maintain the city streets. The tree fellings have resulted in many arrests of residents and other protesters across the city even though most felled trees in the city have been replanted, including those historically felled and not previously replanted. The protests eventually stopped in 2018 after the council paused the tree felling programme as part of a new approach developed by the council for the maintenance of street trees in the city.

 

In July 2013 the Sevenstone project, which aimed to demolish and rebuild a large part of the city centre, and had been on hold since 2009, was further delayed and the company developing it was dropped. The city council is looking for partners to take a new version of the plan forwards. In April 2014 the council, together with Sheffield University, proposed a plan to reduce the blight of empty shops in the city centre by offering them free of charge to small businesses on a month-by-month basis.

 

In December 2022, thousands of homes in Hillsborough and Stannington were left without a gas supply for more than a week following a serious failure of the local network. Sheffield City Council declared a major incident as temperatures dropped below freezing in unheated homes, and aid was distributed to local residents.

Just out of riverdale on the old B&OCT another in a seemingly endless line of CSX trains pass the position light signals guarding the very busy Dolton Jct.

Title / Titre :

A Canadian armoured vehicle moving into position for an attack south of Caen, France /

 

Un véhicule blindé canadien se met en position pour attaquer au sud de Caen, en France

 

Creator(s) / Créateur(s) : DND

 

Date(s) : 1943-1965 [June-July 1944]

 

Reference No. / Numéro de référence : ITEM 4233174

 

central.bac-lac.gc.ca/.redirect?app=fonandcol&id=4233...

 

Location / Lieu : Normandy, France / Normandie, France

 

Credit / Mention de source :

Library and Archives Canada, e010786216 /

 

Bibliothèque et Archives Canada, e010786216

parked hydroplane in the harbour of Bremen, Germany.

 

Pentax k7, Sigma 17-70, f10.0, ISO 100, HDR from 5 exposures, Photomatix & Co.

 

Check out the original post: www.jonasginter.de/urbex-bremen-wasserflugzeug/

and feel free to follow me: twitter.com/j0n4s

うちのおもちゃ置き場（カメラの友ともいう）があふれかえってしまったので、こんな物を越谷で買い込んできました。

Learn the amazon sex position, one of the most pleasurable sex positions. This position is considered a bit of a complicated position and might take you some time to master.

www.menskool.com/amazon-position

"Deutsche Bank’s Opaque Balance Sheet Clouds Its Position" by DOMINIC ELLIOTT via NYT t.co/juApL8O0pd (via Twitter twitter.com/felipemassone/status/697500729221779460)

Position Point Guard..... Daniel Boris Millican Born 06/Feburary/2005 in Gateshead Tyne & Wear. Started playing basketball at 9 years old. Daniel has played for several clubs.

 

1. Gateshead Phoenix Basketball club. U12 CVL

 

2. Birtley Phoenix Basketball club. U12 & U14 & U16 & U18 CVL

 

3. Newcastle Eagles Basketball club. U14 Premier National League.

 

4 Tees Valley Mohawks Basketball club. U14 & U16 Conference National league & D3 National League.

 

5. Whickham Basketball club. D2 Tynemet Local League.

 

6. Teesside Lions Basketball club. U18 Conference National League & D3 National League.

 

7. East Durham Lions. U18 Conference National League & D1 Durham Local League.

 

8. Team Sunderland D3 National League.

 

Daniel also represented the North East at the Basketball England aspire junior level over a two year period 2018 and 2019.

 

Daniel would have made the final cut at the Yorkshire Basketball England aspire junior level if not for covid stopping the event 2020.

 

Honours.

D3 National League North Winner 2021-2022.

D3 National Playoffs winner 2021-2022.