View allAll Photos Tagged Positioning.
Positioned facing the sea along the seafront at Walton-on-the-Naze, Essex. The statue was unveiled on 1st August 2014.
Herbert George Columbine was born in Penge during 1893. There is also a memorial in Penge. On 22nd March 1918 Private Columbine of the 9th Squadron Machine Gun Corps was in charge of a Vickers machine gun at Hervilly Wood. In the face of overwhelming enemy action Private Columbine told his comrades to escape whilst he continued to single handed hold the enemy at bay. He did this for several hours until his position was bombed by German aircraft, killing him.
Private Columbine's medals are in the Essex Regiment Museum in the City of Chelmsford. I have been there but will return at some point to check out the medals. Although photography is not allowed within the Essex Regiment Museum.
Volunteering position in Official photographer in Melbourne International Jazz Festival 2015.
Photos owned by QICONG LIN and can be used by Melbourne international jazz festival.
Copyright © 2015. All rights reserved
Illustration Sex (Photo: Johan Fatzry)
The position of the preferred sex by men, likened the taste of coffee that always wanted to be enjoyed from the first to the last drop. Everyone always likes something similar, but have different ways to mengungkapannya. Especially in the case of this...
www.world.zorhea.com/the-mens-chatter-about-favorite-sex-...
The equipment for Amtrak's northbound Illini backs into the Carbondale, Illinois, station after turning on the north side of town. The Illinois won't be leaving, though, for more than two hours.
An eastbound Norfolk Southern stack train passes beneath the eastbound home signals for CP Leets on the Fort Wayne Line in Leetsdale, Pennsylvania.
Wilmerding still sports a full set of PRR PLs on the busy NS Pittsburgh mainline. I'm thrilled these still stand, and will be making one last trip to capture these one last time before NS makes them history. The stories that these could tell...
Really easy, 10 minutes and you have nice, contrasty smoke shots ... (see the little text boxes in the image).
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Results:
www.flickr.com/photos/galllo/11874980736/in/photostream/
www.flickr.com/photos/galllo/11803847523/in/photostream/
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I guess, a gridded striplight would also do the trick, but not everyone has that (at least I dont have one :-). With the styrofoam boards, the only thing to consider is, that a dark cloth should be placed over the whole apparatus. And the bright white inner edges at the front should also be covered by this cloth.
Large black flags could work also fine, but again, who has that? :-)
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Highest position: 495 on Tuesday, November 6, 2007
with my 2 front legs and my head on my owner's leg, wonderfully close and she also has nice soft pants on
met mijn 2 voorpootjes en mijn hoofdje op het been van mijn baasje, lekker dichtbij en ze heeft ook een heerlijke zachte broek aan
Los Angeles near 1st street, train yard. Los Angeles, California
Then make poles of acacia wood and overlay them with gold.
Exodus 25:12-14
Parking cargo ship between Cuxhaven and Heligoland to save port dues.
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The Wheel of Fortune, or Rota Fortunae, is a concept in medieval and ancient philosophy referring to the capricious nature of Fate. The wheel belongs to the goddess Fortuna, who spins it at random, changing the positions of those on the wheel - some suffer great misfortune, others gain windfalls. Fortune appears on all paintings as a woman, sometimes blindfolded, "puppeteering" a wheel.Origins[edit]
The origin of the word is from the "wheel of fortune" - the zodiac, referring to the Celestial spheres of which the 8th holds the stars, and the 9th is where the signs of the zodiac are placed. The concept was first invented in Babylon and later developed by the ancient Greeks. The concept somewhat resembles the Bhavacakra, or Wheel of Becoming, depicted throughout Ancient Indian art and literature, except that the earliest conceptions in the Roman and Greek world involve not a two-dimensional wheel but a three-dimensional sphere, a metaphor for the world. It was widely used in the Ptolemaic perception of the universe as the zodiac being a wheel with its "signs" constantly turning throughout the year and having effect on the world's fate (or fortune). Ptolemaic model of the spheres for Venus, Mars, Jupiter, and Saturn with epicycle, eccentric deferent and equant point. Georg von Peuerbach, Theoricae novae planetarum, 1474.
Vettius Valens, a second century BC astronomer and astrologer, wrote. There are many wheels, most moving from west to east, but some move from east to west.
Seven wheels, each hold one heavenly object, the first holds the moon... Then the eighth wheel holds all the stars that we see... And the ninth wheel, the wheel of fortunes, moves from east to west, and includes each of the twelve signs of fortune, the twelve signs of the zodiac. Each wheel is inside the other, like an onion's peel sits inside another peel, and there is no empty space between them.[this quote needs a citation] In the same century, the Roman tragedian Pacuvius wrote: Fortunam insanam esse et caecam et brutam perhibent philosophical, Saxoque instare in globoso praedicant volubili: Id quo saxum inpulerit fors, eo cadere Fortunam autumant. Caecam ob eam rem esse iterant, quia nihil cernat, quo sese adplicet; Insanam autem esse aiunt, quia atrox, incerta instabilisque sit; Brutam, quia dignum atque indignum nequeat internoscere. Philosophers say that Fortune is insane and blind and stupid, and they teach that she stands on a rolling, spherical rock: they affirm that, wherever chance pushes that rock, Fortuna falls in that direction. They repeat that she is blind for this reason: that she does not see where she's heading; they say she's insane, because she is cruel, flaky and unstable; stupid, because she can't distinguish between the worthy and the unworthy.
—Pacuvius, Scaenicae Romanorum Poesis Fragmenta. Vol. 1, ed. O. Ribbeck, 1897
The idea of the rolling ball of fortune became a literary topos and was used frequently in declamation. In fact, the Rota Fortunae became a prime example of a trite topos or meme for Tacitus, who mentions its rhetorical overuse in the Dialogus de oratoribus. Fortuna eventually became Christianized: the Roman philosopher Boethius (d. 524) was a major source for the medieval view of the Wheel, writing about it in his Consolatio Philosophiae - "I know how Fortune is ever most friendly and alluring to those whom she strives to deceive, until she overwhelms them with grief beyond bearing, by deserting them when least expected. … Are you trying to stay the force of her turning wheel? Ah! dull-witted mortal, if Fortune begin to stay still, she is no longer Fortune."
The Wheel was widely used as an allegory in medieval literature and art to aid religious instruction. Though classically Fortune's Wheel could be favourable and disadvantageous, medieval writers preferred to concentrate on the tragic aspect, dwelling on downfall of the mighty - serving to remind people of the temporality of earthly things. In the morality play Everyman (c. 1495), for instance, Death comes unexpectedly to claim the protagonist. Fortune's Wheel has spun Everyman low, and Good Deeds, which he previously neglected, are needed to secure his passage to heaven. Geoffrey Chaucer used the concept of the tragic Wheel of Fortune a great deal. It forms the basis for the Monk's Tale, which recounts stories of the great brought low throughout history, including Lucifer, Adam, Samson, Hercules, Nebuchadnezzar, Belshazzar, Nero, Alexander the Great, Julius Caesar and, in the following passage, Peter I of Cyprus. O noble Peter, Cyprus' lord and king,
Which Alexander won by mastery, To many a heathen ruin did'st thou bring; For this thy lords had so much jealousy,
That, for no crime save thy high chivalry, All in thy bed they slew thee on a morrow. And thus does Fortune's wheel turn treacherously And out of happiness bring men to sorrow.
~ Geoffrey Chaucer, The Canterbury Tales, The Monk's Fortune's Wheel often turns up in medieval art, from manuscripts to the great Rose windows in many medieval cathedrals, which are based on the Wheel. Characteristically, it has four shelves, or stages of life, with four human figures, usually labeled on the left regnabo (I shall reign), on the top regno (I reign) and is usually crowned, descending on the right regnavi (I have reigned) and the lowly figure on the bottom is marked sum sine regno (I am without a kingdom). Dante employed the Wheel in the Inferno and a "Wheel of Fortune" trump-card appeared in the Tarot deck (circa 1440, Italy). The wheel of fortune from the Burana Codex; The figures are labelled "Regno, Regnavi, Sum sine regno, Regnabo": I reign, I reigned, My reign is finished, I shall reign
In the medieval and renaissance period, a popular genre of writing was "Mirrors for Princes", which set out advice for the ruling classes on how to wield power (the most famous being The Prince by Niccolò Machiavelli). Such political treatises could use the concept of the Wheel of Fortune as an instructive guide to their readers. John Lydgate's Fall of Princes, written for his patron Humphrey, Duke of Gloucester is a noteworthy example. Many Arthurian romances of the era also use the concept of the Wheel in this manner, often placing the Nine Worthies on it at various points....fortune is so variant, and the wheel so moveable, there nis none constant abiding, and that may be proved by many old chronicles, of noble Hector, and Troilus, and Alisander, the mighty conqueror, and many mo other; when they were most in their royalty, they alighted lowest. ~ Lancelot in Thomas Malory's Le Morte d'Arthur, Chapter XVII.[3] Like the Mirrors for Princes, this could be used to convey advice to readers. For instance, in most romances, Arthur's greatest military achievement - the conquest of the Roman Empire - is placed late on in the overall story. However in Malory's work the Roman conquest and high point of King Arthur's reign is established very early on. Thus, everything that follows is something of a decline. Arthur, Lancelot and the other Knights of the Round Table are meant to be the paragons of chivalry, yet in Malory's telling of the story they are doomed to failure. In medieval thinking, only God was perfect, and even a great figure like King Arthur had to be brought low. For the noble reader of the tale in the Middle Ages, this moral could serve as a warning, but also as something to aspire to. Malory could be using the concept of Fortune's Wheel to imply that if even the greatest of chivalric knights made mistakes, then a normal fifteenth-century noble didn't have to be a paragon of virtue in order to be a good knight. The Wheel of Fortune motif appears significantly in the Carmina Burana (or Burana Codex), albeit with a postclassical phonetic spelling of the genitive form Fortunae. Excerpts from two of the collection's better known poems, "Fortuna Imperatrix Mundi (Fortune, Empress of the World)" and "Fortune Plango Vulnera (I Bemoan the Wounds of Fortune)," read: Sors immanis et inanis, rota tu volubilis, status malus,
vana salus semper dissolubilis, obumbrata et velata michi quoque niteris; nunc per ludum dorsum nudum fero tui sceleris. Fortune rota volvitur; descendo minoratus; alter in altum tollitur; nimis exaltatus rex sedet in vertice caveat ruinam! nam sub axe legimus Hecubam reginam.Fate - monstrous and empty, you whirling wheel, status is bad,
well-being is vain always may melt away, shadowy
and veiled you plague me too; now through the game
bare backed I bear your villainy. The wheel of Fortune turns;
I go down, demeaned; another is carried to the height;
far too high up sits the king at the summit - let him beware ruin! for under the axis we read: Queen Hecuba. Later usage:
Fortune and her Wheel have remained an enduring image throughout history. Fortune's wheel can also be found in Thomas More's Utopia. Wheel of fortune in Sebastian Brant`s Narrenschiff, woodcut by A. Dürer William Shakespeare in Hamlet wrote of the "slings and arrows of outrageous fortune" and, of fortune personified, to "break all the spokes and fellies from her wheel." And in Henry V, Act 3 Scene VI[4] are the lines: Bardolph, a soldier who is loyal and stout-hearted and full of valour, has, by a cruel trick of fate and a turn of silly Fortune's wildly spinning wheel, that blind goddess who stands upon an ever-rolling stone—
Fluellen: Now, now, Ensign Pistol. Fortune is depicted as blind, with a scarf over her eyes, to signify that she is blind. And she is depicted with a wheel to signify—this is the point—that she is turning and inconstant, and all about change and variation. And her foot, see, is planted on a spherical stone that rolls and rolls and rolls. Shakespeare also references this Wheel in King Lear.[5] The Earl of Kent, who was once held dear by the King, has been banished, only to return in disguise. This disguised character is placed in the stocks for an overnight and laments this turn of events at the end of Act II, Scene 2:Fortune, good night, smile once more; turn thy wheel! In Act IV, scene vii, King Lear also contrasts his misery on the "wheel of fire" to Cordelia's "soul in bliss". Shakespeare also made reference to this in "Macbeth" throughout the whole play. Macbeth starts off halfway up the wheel when a Thane, but moves higher and higher until he becomes king, but falls right down again towards the end as his wife dies, and he in turn dies.
In Anthony Trollope's novel The Way We Live Now, the character Lady Carbury writes a novel entitled "The Wheel of Fortune" about a heroine who suffers great financial hardships.
Selections from the Carmina Burana, including the two poems quoted above, were set to new music by twentieth-century classical composer Carl Orff, whose well-known "O Fortuna" is based on the poem Fortuna Imperatrix Mundi.
Jerry Garcia recorded a song entitled "The Wheel" (co-written with Robert Hunter and Bill Kreutzmann) for his 1972 solo album Garcia, and performed the song regularly with the Grateful Dead from 1976 onward. The song "Wheel in the Sky" by Journey from their 1978 release Infinity also touches on the concept through the lyrics "Wheel in the sky keeps on turnin' / I don't know where I'll be tomorrow". The song "Throw Your Hatred Down" by Neil Young on his 1995 album Mirror Ball, recorded with Pearl Jam, has the verse "The wheel of fortune / Keeps on rollin' down". The term has found its way into modern popular culture through the Wheel of Fortune game show, where contestants win or lose money determined by the random spin of a wheel. Also, the video game series character Kain (Legacy of Kain) used the wheel of fate. Fortuna does occasionally turn up in modern literature, although these days she has become more or less synonymous with Lady Luck. Her Wheel is less widely used as a symbol, and has been replaced largely by a reputation for fickleness. She is often associated with gamblers, and dice could also be said to have replaced the Wheel as the primary metaphor for uncertain fortune. The Hudsucker Proxy, a film by the Coen Brothers, also uses the Rota Fortunae concept and in the TV series Firefly (2002) the main character, Malcolm Reynolds, says "The Wheel never stops turning, Badger" to which Badger replies "That only matters to the people on the rim". Likewise, a physical version of the Wheel of Fortune is used in Mad Max Beyond Thunderdome, a film by George Miller and George Ogilvie. In the movie, the title character reneges on a contract and is told "bust a deal, face the wheel." In the science fiction TV series Farscape, the fourth episode of the fourth season has main character Crichton mention that his grandmother told him that fate was like a wheel, alternately bringing fortunes up and down, and the episode's title also references this. Unlike many other instances of the wheel of fortune analogy, which focus on tragic falls from good fortune, Crichton's version is notably more positive, and meant as a message of endurance: those suffering from bad fortune must remain strong and "wait for the wheel" of fortune to turn back to eventually turn back to good fortune again. Ignatius J. Reilly, the central character from John Kennedy Toole's novel A Confederacy of Dunces, states that he believes the Rota Fortunae to be the source of all man's fate. In the Fable video game series, the wheel of fortune appears twice, somehow perverted. The Wheel of Unholy Misfortune is a torture device in Fable II. It is found in the Temple of Shadows in Rookridge. The Hero can use the wheel to sacrifice followers to the shadows. In Fable III, Reaver's Wheel of Misfortune is a device that, once activated, sends to The Hero a round of random monsters. The Wheel of Fortune is featured in a Magic: the Gathering card by that name that forces all players to discard their hands and draw new ones.
en.wikipedia.org/wiki/Rota_Fortunae
Wheel of Fortune is R.O.T.A or TARO and TORA all 3 are born in same meaning :the workings of a social engine ROTARY'S WHEEL EMBLEM
A wheel has been the symbol of Rotary since our earliest days. The first design was made by Chicago Rotarian Montague Bear, an engraver who drew a simple wagon wheel, with a few lines to show dust and motion. The wheel was said to illustrate "Civilization and Movement." Most of the early clubs had some form of wagon wheel on their publications and letterheads. Finally, in 1922, it was decided that all Rotary clubs should adopt a single design as the exclusive emblem of Rotarians. Thus, in 1923, the present gear wheel, with 24 cogs and six spokes was adopted by the "Rotary International Association." A group of engineers advised that the geared wheel was mechanically unsound and would not work without a "keyway" in the center of the gear to attach it to a power shaft. So, in 1923 the keyway was added and the design which we now know was formally adopted as the official Rotary International emblem. www.icufr.org/abc/abc01.htm
www.rotaryfirst100.org/history/history/wheel/
The most popular symbol is the All seeing eye, and most popular hand signs are the Horn and the 666. Any study of Music and ... Circle (Rotary symbol)
[These are the symbols used by the Reptilian proxy group, the Reptoids (Illuminati, & Freemasons), collectively are known as Satanists or Luciferians. The signs of Evil. The most popular symbol is the All seeing eye, and most popular hand signs are the Horn and the 666. Any study of Music and Movies will find all the usual suspects (proving Satanic control), along with some symbols for mind control. If you want a symbol to use stick with the heart, the exact opposite of Evil. They like to cut them out and offer them to Lucifer, see Blood sacrifice. All the worshiped 'Gods' are a few Anunnaki/Reptilians going under various names down the years such as: Nimrod/Anubis/Horus/Osiris/Baal/Shamash/Janus/Quetzalcoatl/Baphomet/Lucifer/Moloch etc, hence all the snake and horn symbols. The symbols are their secret language, and you can see the connections down the years by the use of the same symbols, e.g. Freemasonry, the US Government, and Communism with the Hidden hand, the hidden hand of history.]
Lighting this little bastard (and I do mean little; he was maybe as long as the section of my thumb where the nail is) was difficult. I only have one flash and he is kind of long, as small bugs go, so I had to try to position myself so that the sun was lighting one end of him while the flash was lighting the other.
He appears to be a White-dotted Prominent, a.k.a. Nadata gibbosa.
What you can’t see is that Rusty has a ball tucked under there.
“Curled up in a tight ball, dogs in the donut pose have their limbs tucked close to their bodies, their nose near the tail.”
6 Dog Sleeping Positions and What They Mean: www.petmd.com/dog/general-health/dog-sleeping-positions-a...
Altitude 2000+ special
It's all a question of perspective: The shot above is Andorra's Pic de Casamanya's Segudet slope, with Pic d'Estanyo at background. Both seem to be direct neighbours, but in fact their distance is 4 km. Camera position distance is 12 km.
So "perspective" is the main keyword of what we're doing, optical perspectives and others...
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How we work
"Altitude 2000+" is an image collection of Andorra's mountain regions beyond the tree line (timberline), short distance or macro distance images of this ecologic precious zone, presenting rare mediterranean-alpine plants of the Pyrenees getting smaller and smaller with getting rarer and rarer.
Most shots are done at another time at often another lighting mood. Bringing it together over the years an orga conception is quite useful. To get plausible results for a story idea someting like a "film-style storybook" it's a must for scene continuity together with an esthetic framing (cadrage). Means: for trustable results we should have enough good scenes in stock that might match.
That's the way we work. Here in Andorra since 2005.
Well, we still are talking about "still photography", not about "video". Nevertheless our workflow offers quality headroom for movie quality, using the scene quality of just 1 perfect lighted and edited high-res still photo.
An example: A virtual flight through Andorra, based maybe on just 1 HiRes photography shot. Medium Format photography is recommended in this case. This kind of production via a selected high resolution still-photo gets interactive at a website or via mobil-phone app.
Medium format has the headroom for it. A zoom-in for details seem to be endless compared to amateur formats, and your video can be updated anytime as all images are based on dng format, a "quasi root format".
Tech-Talk: Size of Medium Format is about 2-times (or more) bigger than FullFrame (36/24) and 4-times bigger than HalfFrame as APS-C. And this is by far not the end. Best resolution at this level finally is defined by optical components before reaching the xxx-megapixel-sensor. Lenses in this category cost often more than the camera. Professionals need a lot of it, as each lens should be "prime", means no-zoom.
Does it bring something? Well, photography is similar to an audio production (where I basicly come from as soundengineer & recordingproducer). Overall quality is determined with both by the weakest link in the chain. And: Sins with both happen often (always...) at the begin of the recording chain, whether accoustics or optics, whether microphone or the lens. Or the singer :). Or impatience of the photographer.
Another aspect of our capacity is a metadata-controlled base to get best and "everlasting" results. Today, next months, the coming years - not a big problem yet. Yet! Or not? Proven standards of the internet exist since min 20 years, IPTC rules even much longer.
Operation of our "GEO-photography" system.
GEO photography in our own definition is a local/regional related interactive network of GEO images, based on our philosophy of "functional photography" (always need millions of additional dates). Explaining: We store the relation of a normal GPS location (camera position), but related to possible targets seen on this image, supplemented, if available, with editoral researches.
GEO photography is a mixture of automated records of all camera-movements, distance measurements plus a database interface including editorial edits as names, synonyms and story text to describe a target more exact and consistent. This 1 image is also related to all the others done over the past.
Result: 1 image is (in our case) related to all matching motives from the last 15 years, sometimes even longer. For Andorra this are 100.000+ images! Please note: To see the full functionality on a webpage or an app it needs individual server-side programming.
Another hot feature is an interactive use within a smartphone-app via GPS-sync. Means: A smartphone (with localisation function) shows stored selected images inclusive redactional text content in a continous flow while hiking Andorra. Fully automated. For example based on our new "Camis & Rutes" collection.
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That's it here!
Full features are available with full licensed images. Here at Flickr we present just "footage" in low resolution - not "ready to use" films or videos. Same with any additional information via metadata or editorial. If interested please ask your IT/Media partner and remember the old marketing rule: "Instead of 1001 words - just let pictures speak!"
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About the image above:
* Half frame format 3x2 image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (10 years decade 2008-2018)
* "Andorra camis & rutes" active collection
* 2000+ collection „beyond the treeline“
A how-to about "Altitude 2000+ collection" and the way we work please read here:
www.flickr.com/photos/lutzmeyer/30762542358/
We offer 100.000+ photos of Andorra and North of Spain. HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.
More information about usage, tips, how-to, conditions: www.flickr.com/people/lutzmeyer/. Get quality, data consistency, stable organisation and PR environments: Professional stockphotos for exciting stories - docu, tales, mystic.
Ask for licence! lutz(at)lutz-meyer.com
(c) Lutz Meyer, all rights reserved. Do not use this photo without license.
A view of the medieval castle in Lewes shortly before a shower of rain. Originally called Bray Castle, it occupies a commanding position guarding the gap in the South Downs cut by the River Ouse. Constructed from local limestone and flint blocks, it stands on a man-made mount just to the north of the High Street.
YDM-4 6552 arrives at Aishbagh, Lucknow with the 05:20 from Sitapur Junction, the STP-ASH Passenger 52249. The 86 kms journey had taken 3 hours with 12 intermediate stops made.
Waiting near the platform, the wheeltapper was crouched in position to monitor the coaching stock as it passed before he commenced a more detailed check of the integrity of the individual coach wheels. The large metal trunks are the personalised train guard and pilot (driver) boxes that contain essential equipment for their possible needs.
All images on this site are exclusive property and may not be copied, downloaded, reproduced, transmitted, manipulated or used in any way without expressed written permission of the photographer. All rights reserved – Copyright Don Gatehouse
The sun sets on the first Friday of February 2015 as one of the last remaining B&O era signals on the ex-GM&O line from St. Louis to Chicago, now the Union Pacific's Springfield Sub. The location is called CP Wann in East Alton, IL and the sun will soon be setting on these old school signals as well...
Moving into position at Wadi Akarit, April 1943, towards the end of the North African campaign. This photograph illustrates the flat landscape over which the battle of El Alamein was fought.
Photo is an exhibit at Gordon Highlanders Museum in Aberdeen:
" For two hundred years this spectacular landscape gave us the men who made one of the finest regiments the British Army has ever seen – The Gordon Highlanders.
Forming the ranks were farmers and fishermen, ghillies and labourers, aristocrats and university students. Ordinary men with an extraordinary sense of duty; all with a story to tell.
These stories are brought to life at The Gordon Highlanders Museum by exploring our Nationally Significant Collection. Guided by our knowledgeable staff and volunteers retrace the remarkable history of these famous fighting men of the North East." [Museum Website]
The 69th Division, in early March, drove the Germans from dominating positions in the heart of the Siegfried Line. Answers to the soldiers' reactions to combat are as varied as the men themselves... "Cold weather was the worst part of it all," says Pvt. James B. Gray, Fayetsville, Tenn. 4 March, 1945. Near Ramscheid, Germany.
Company B, 1st Battalion, 273rd Infantry Regiment, 69th Infantry Division.
Photographer: T/5 C. B. Sellers, 165th Signal Photo Co.
Cheektowaga, NY. February 2017.
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If you would like to use THIS picture in any sort of media elsewhere (such as newspaper or article), please send me a Flickrmail or send me an email at natehenderson6@gmail.com
Rue St Féréol - Marseille
Listen to the real Sputnik 1 launched on October 4, 1957
Explore highest position : # 177