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Amazing performance at the Water Town ZhouZhuang. A wide variety of performances, would definitely recommend checking the show out if you are in Shanghai or SuZhou.
The sequel to playing instruments at the Portland, Oregon, Children's Museum. This photo was taken in the summer of 2005.
See this photo in the Schmaps Guide to Portland.
Children's Museum
www.schmap.com/portland/sights_washingtonpark/p=106660/i=...
Performance Bicycle (closed) [12,040 square feet]
2356-C Virginia Beach Boulevard, London Bridge Plaza, Virginia Beach, VA
This store opened in the late 2000s and closed in spring 2019; it was previously Revco #1110. It became an Eckerd in summer 1997, which closed in spring 2000, became a Shoe Carnival in April 2002, and became Rock's Carolina Furniture in 2022.
Portishead @ Rock en Seine Festival - Paris, France - 23 août 2014
© Sarah Bastin www.sarahbastin.net / www.facebook.com/sarahbastin
+ SFR Live www.facebook.com/sfrlive
Performed by the Guangdong-Huizhou Arts Troupe at the Amphitheatre, Vivo City during the Chinese New Year 2012 festive.
Performance - Daveed Diggs, The Head and the Heart, Michael Lewis, Calvin Trillan, Kelly Corrigan, Oakland School of the Arts & Vocal Rush.
Photo Credit: Jason DeBord Photography
I know some of these are blurry but I still like them ... the colour of the costumes, the movement, the energy.
The Echo Dance Association is a not-for-profit organization, dedicated to promoting community arts through dance performances and related activities. Founded in 1998 in Toronto, succeeding its forerunner originally founded in 1981 in Taiwan by Ms Lee Li-Hsuan Huang, the Echo Dance Association celebrates and promotes multiculturalism through its modern and Chinese cultural dances and many activities that involve and educate the greater community.
Diavolo Dance Theater gave a student performance at the Moss Arts Center for over 600 middle school students on Friday, Nov. 15, 2013.
An Evening of Light, Space and Sound is a live sonic/visual performance that will transform the façade of the Culver Center of the Arts into a large abstract space of color, light, and form. Through video projections, abstract imagery, and live sound compositions, the artists will blur the distinction between public and private space while exploring new possibilities of live performance and art practice. In respect to Earth’s nearest celestial neighbor, the moon, the artists will summon its equinoctial presence through the projection of its abstracted form on a series of large weather balloons and again through musical improvisation. A sequence of three sound-art ensembles will perform music exploring the realms of space and the immaterial in human language through amplified spatial arrangements and sonic improvisations. Performing outdoors, color-field light projections will fall upon the musicians and illuminate their actions, activating the visual space of the acoustic. Each group will perform individually and together through improvised segues from one ensemble to the next, yielding a collaborative score. In this moment of dematerialization, the artists will transform the Culver Arts Center into a mediated space of ambient form.
Featuring video and film by Doug Henry, Joe Potts, and Gabie Strong, with music performances by: Jorge Martin (electronics and live processing) and Anna Homler (vocals and electronics) Greg Lenczycki (keyboards & electronics), Ted Byrnes (drums and percussion), and Steuart Liebig (bass guitar) Lady Noise - Kelly Coats (flute and vocals), Kathleen Kim (Mandicaster and amplified violin), Gabie Strong (electric bass), and Sandy Yang (drums and guitar).
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Photos from the Rehearsal Performance of the Ann Arbor Dance Classics Benefit Show at the Saline High School on Saturday March 18th, 2023 (for the performance on Sunday the 19th). The show was called "Work of Art" - the 2022 Benefit Concert and Competition Showcase to benefit the Peace Neighborhood Center. The show also featured a performance from the University of Michigan First-Year Dance Company.
When we first walked by, I thought something was developmentally different about this guy. His posture was so awkward, the music sounded off, and his movements shuffled the piano slowly around the atrium as the crowd shifted and moved out of the way. However, I found the performance a bit more fascinating and less awkward after I read the brochure description.
From the MOMA's website:
"For the ninth installment of the Performance Exhibition Series, the artists Jennifer Allora (b. 1974) and Guillermo Calzadilla (b. 1971) present Stop, Repair, Prepare: Variations on Ode to Joy for a Prepared Piano (2008). For this piece, the artists carved a hole in the center of a grand piano, through which a pianist plays the famous Fourth Movement of Beethoven’s Ninth Symphony, usually referred to as “Ode to Joy.” The performer leans over the keyboard and plays upside down and backwards, while moving with the piano across the vast atrium. The result is a structurally incomplete version of the ode—the hole in the piano renders two octaves inoperative—that fundamentally transforms both the player/instrument dynamic and the signature melody, underlining the contradictions and ambiguities of a song that has long been invoked as a symbol of humanist values and national pride."
The Museum Of Modern Art.
New York City, New York, USA.